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	<title>Boiling Sand</title>
	
	<link>http://www.postmodernjoan.com/wp02</link>
	<description>When You Get Really Close to a Movie Screen, Film Emulsion Looks like...</description>
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		<title>Deus ex Doohickey</title>
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		<pubDate>Sun, 05 Sep 2010 03:33:27 +0000</pubDate>
		<dc:creator>Doug</dc:creator>
				<category><![CDATA[Classic Film]]></category>
		<category><![CDATA[Film History Nuggets]]></category>
		<category><![CDATA[Media Industry Economics]]></category>
		<category><![CDATA[american feature film]]></category>
		<category><![CDATA[cult directors]]></category>
		<category><![CDATA[female protagonist]]></category>
		<category><![CDATA[Iris Adrian]]></category>
		<category><![CDATA[jukebox]]></category>
		<category><![CDATA[low budget filmmaking]]></category>
		<category><![CDATA[Martha Tilton]]></category>
		<category><![CDATA[movie industry economics]]></category>
		<category><![CDATA[musicals]]></category>
		<category><![CDATA[phone music]]></category>
		<category><![CDATA[swing hostess]]></category>
		<category><![CDATA[telephone music]]></category>

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		<description><![CDATA[When Hollywood (as Gloria Swanson rapturously proclaimed in SUNSET BOULEVARD) &#8220;had the eyes of the world,&#8221; it also had the power as a Culture Industry to discriminate in representing other forms of American popular entertainment that competed with filmdom&#8217;s market share. For example, Putt-Putt Golf was a hugely popular entertainment during the Great Depression, drawing [...]]]></description>
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		<title>SINDERELLA AND THE GOLDEN BRA (1964)</title>
		<link>http://www.postmodernjoan.com/wp02/?p=5780</link>
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		<pubDate>Tue, 17 Aug 2010 04:19:34 +0000</pubDate>
		<dc:creator>Doug</dc:creator>
				<category><![CDATA[Alternative Film]]></category>
		<category><![CDATA[16mm movies]]></category>
		<category><![CDATA[low budget filmmaking]]></category>
		<category><![CDATA[mid century]]></category>
		<category><![CDATA[movie industry economics]]></category>
		<category><![CDATA[musicals]]></category>
		<category><![CDATA[porn]]></category>
		<category><![CDATA[SINDERELLA AND THE GOLDEN BRA]]></category>
		<category><![CDATA[Testosterone]]></category>

		<guid isPermaLink="false">http://www.postmodernjoan.com/wp02/?p=5780</guid>
		<description><![CDATA[&#8220;BOOBIES!! BOOBIES!! BOOBIES!!&#8221; shouted the inebriated Neely O&#8217;Hara (Patty Duke) to no one in particular as she stumbled down a scuzzy street of strip bars and adult theaters in 1967&#8242;s VALLEY OF THE DOLLS.&#160; Self-consciously appraising her own dimensions against the aggressive images of the adult-entertainment placards, she summed up the state of show business [...]]]></description>
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		<title>ANGRY BOY (1951)</title>
		<link>http://www.postmodernjoan.com/wp02/?p=5988</link>
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		<pubDate>Sat, 07 Aug 2010 14:15:40 +0000</pubDate>
		<dc:creator>Doug</dc:creator>
				<category><![CDATA[Alternative Film]]></category>
		<category><![CDATA[Short-form Films]]></category>
		<category><![CDATA[16mm movies]]></category>
		<category><![CDATA[Alexander Hammid]]></category>
		<category><![CDATA[Angry Boy]]></category>
		<category><![CDATA[cult directors]]></category>
		<category><![CDATA[documentary]]></category>
		<category><![CDATA[experimental film]]></category>
		<category><![CDATA[Image Displacement]]></category>
		<category><![CDATA[movie directors]]></category>

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		<description><![CDATA[Experimental / avant-garde filmmaking became a fertile, serious art movement in the United States with the creation of MESHES OF THE AFTERNOON by the husband and wife team of Alexander Hammid and Maya Deren in 1943.&#160; Experimental shorts had been made before MESHES, however this black-and-white film of dark Freudian imagery, filmed in bright Los [...]]]></description>
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		<title>Missing from Home Video:  THE ACCUSED (1949)</title>
		<link>http://www.postmodernjoan.com/wp02/?p=5398</link>
		<comments>http://www.postmodernjoan.com/wp02/?p=5398#comments</comments>
		<pubDate>Sun, 01 Aug 2010 01:02:08 +0000</pubDate>
		<dc:creator>Doug</dc:creator>
				<category><![CDATA[Classic Film]]></category>
		<category><![CDATA[Missing from Home Video]]></category>
		<category><![CDATA[Work Cultures of the Movies]]></category>
		<category><![CDATA[american feature film]]></category>
		<category><![CDATA[Bess Flowers]]></category>
		<category><![CDATA[dramatic talents]]></category>
		<category><![CDATA[female protagonist]]></category>
		<category><![CDATA[film career]]></category>
		<category><![CDATA[film directors]]></category>
		<category><![CDATA[film noir]]></category>
		<category><![CDATA[Los Angeles]]></category>
		<category><![CDATA[shooting on location]]></category>
		<category><![CDATA[Southern California]]></category>
		<category><![CDATA[star vehicle]]></category>
		<category><![CDATA[studio system]]></category>

		<guid isPermaLink="false">http://www.postmodernjoan.com/wp02/?p=5398</guid>
		<description><![CDATA[There were a lot of Hollywood talents from the studio era whose names were associated with the &#8220;factory&#8221; aspects of that time:&#160; making one film after another of varying quality, jumping from genre to genre, producing &#8220;good Hollywood fare.&#8221;&#160; The output of these industry creatives tended to be lumped together, the good with the bad, [...]]]></description>
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		<title>GLEN OR GLENDA:  A New Musical</title>
		<link>http://www.postmodernjoan.com/wp02/?p=5665</link>
		<comments>http://www.postmodernjoan.com/wp02/?p=5665#comments</comments>
		<pubDate>Thu, 22 Jul 2010 02:16:15 +0000</pubDate>
		<dc:creator>Doug</dc:creator>
				<category><![CDATA[Film thru the Queer Window]]></category>
		<category><![CDATA[Getting Personal]]></category>
		<category><![CDATA[Good Stuff]]></category>
		<category><![CDATA[Media Beat]]></category>
		<category><![CDATA[black comedy]]></category>
		<category><![CDATA[cult classics]]></category>
		<category><![CDATA[cult directors]]></category>
		<category><![CDATA[Ed Wood]]></category>
		<category><![CDATA[mid century]]></category>
		<category><![CDATA[musicals]]></category>

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		<description><![CDATA[There&#8217;s one obsession I&#8217;ve long pursued, while another obsession &#8212; for decades &#8212; has followed me around.&#160; They finally collided. Artwork influenced by movies has been a personal obsession:&#160; in the days before home video, I searched eight years for a public screening of Joseph Cornell&#8217;s ROSE HOBART; I spent last Christmas Eve at the [...]]]></description>
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