Today we have a little reward for all you PSDFAN readers.

We’re giving away 3 premium responsive WordPress themes courtesy of Template Monster.

Responsive design is one trend that definitely isn’t going away anytime soon. Having a solid responsive theme can save you countless hours and a lot of design headaches when setting up your own site.

Template Monster are considered veterans in the theme and template world. I remember using them over a decade ago, and to this day they have a great reputation in the design community.

You can check out their library of over 200 responsive WordPress themes and 1600+ regular WordPress themes.

Why not pick yourself up a killer Template Monster WordPress theme and leave a comment below.

I don’t want to taint your judgement, but TearDrop is one of my favorite of TemplateMonster’s WordPress themes! Why not take a look through their library and pick the theme that you would like to win though.

The Prizes

There are prizes for 3 winners in today’s giveaway, the winner gets:

• 1 premium responsive WordPress theme of your choice from Template Monster’s library.

The beauty of Photoshop is being to create amazing fantasy outcomes that defy the realism in our regular lives. There’s something truly satisfying about creating a magical piece that can wow your friends and colleagues.

Once you get a hand on this type of fantasy design you can really push your Photoshop skills to the next level and get more experimental with your work.

Today’s tutorial will allow you to create a beautiful fantasy pop up book, featuring a magical lake scene. You’ll learn how to bring this basic composition to life, through expert lighting, warping, professional image blending and atmospheric final touches.

Final Image

As always, this is the final image that we’ll be creating:

Step 1

Create a new file by going to the Menu Bar, click File>New or press Ctrl+N, and input these values:

Width: 2000px
Height: 2000px
Resolution:300 dpi
Color Mode:RGB Color 8 bit
Background Contents: Transparent

Step 2

Extract the old_book_stock_by_maslenitsa.jpg and open Book Stock by Maselenitsa (8). Activate the Rectangular Marquee Tool by pressing (M) and select the portion shown below:

Copy the selection and paste it to the main canvas. Activate Move Tool (V) and drag the corners, position it like the one below.

Step 3

Now, let’s put the grass over the book pages. Open hill_by_piratelotus_stock-d4ahnff.jpg. Activate the ruler (if the ruler does not appear, go to Menu Bar and click View>Ruler. To use the ruler guide, drag the Ruler located at the left side. Drag it all the way to the middle of the photo.

Copy the selection and paste it to the main canvas. Position the photo just like the one below.

We will now make the grass look like the pages of a book. We will distort and warp the photo. This is a little bit tricky so we must carefully follow the steps.

To start with, go to Menu Bar and click Edit>Transform>Distort.

The result should be similar to this.

Step 4

The grass does not look like it’s fitted to the book so we will now do the warping, but before that, let’s decrease its opacity.

Zoom it to about 30% then go to Menu Bar and click Edit>Transform>Warp.

Note: We are to pattern the grass to the shape of the book, it is okay if the grass overlaps.

After warping, this is the result.

We may have a result that is not exactly the same as this. For me, as long as the grass fits the book, it’s okay.

Step 5

We will now do the other left side. But first, let’s hide Layer 2 (the one we just warped).

Select the left portion of hill_by_piratelotus_stock-d4ahnff.jpg and extract it to the main canvas. Decrease its opacity to 70 %. We will now distort it, go to Menu Bar, click Edit>Transform>Distort.

The result:

Step 6

Let’s warp it again. Go to Menu Bar and click Edit>Transform>Warp.

Here’s the result.

Step 7

We’re almost done with the pages! So let’s unhide Layer 2 and hide Layer 3. We will now do our final touch. Activate Pen tool by pressing (P), trace the portion of the grass as shown below and hit Ctrl+Enter to make a selection; press Delete or Backspace to remove the selected portion. To deselect it, press Ctrl+D. To better understand how to use Pen tool, just visit our tutorial:

Become a Master of the Pen Tool in Under 30 Minutes

Let’s now move to Layer 3. Unhide this layer, zoom it to about 190% and use the Pen tool to remove the portion shown below.

Increase the opacity of the two layers into 100%, and the result.

Step 8

Layer 3 still needs some fix! Let’s activate the Clone tool by pressing (S), follow this setting:

Brush: Hard Round Pressure
Size: 8 px
Hardness: 100%
Opacity: 100%
Flow: 100%

After we corrected the area. Use the Pen tool to remove the excess. We can see the result below.

That’s the end of the preview!

• Join our FanExtra members community to access this full tutorial.
• Existing members can login here to access this tutorial.

You can view the Spots textures below, and can download the full sized textures at the bottom of this page.

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In an effort to reward our loyal readers we’re releasing a fantastic new free Photoshop brush set.

These 10 grunge brushes are all really high-res, sharp and perfect for adding a grungy touch to your backgrounds or photo manipulation work.

These brushes are free to use on any personal and commercial projects. Redistribution is not allowed, but you can direct users to this page to download their own copy.

You can access this freebie and hundreds more in your Designer Toolkit area. Access the area below:

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In today’s design lesson you will learn how to create a dark photo manipulation featuring a flaming, hell-bound horse.

This tutorial is a staggering 71 steps long and teaches you a huge amount of practical techniques for your wider design work.

Take a look at what you’ll be learning:

• Blending multiple photographs to create an ominous background with real depth
• Working with fire, smoke and sparks, and how to best manipulate them
• Using masks effectively for blending purposes
• Using complex extraction methods to construct custom textures and light effects
• How to manage complex layer arrangements and work with smart objects

Final Image

As always, this is the final image that we’ll be creating:

Step 1

Start by creating a new document, width 1440px, height: 1200px, resolution: 72. Name it Last Ride.

Step 2

Now, let’s create the background.

Fill the background layer with a linear gradient ranging from #a0a09f to #464646,. This will be useful for blending the sky.

Step 3

Insert “Ground” image on the stage, name it Lava. Them duplicate the layer and set the blending mode to “Overlay”, opacity: 82% and fill: 91% as you can see below. Name this one Lava_overlay. Group this two layers and name it Ground. Should look like this:

Step 4

With group “Ground” layer selected, make a selection using your prefered selection tool, I use Lasso with feather 0px. Create mask on the group using this selection.

In order to modify the edge or refine it use any brush with moderate Hardness and paint the part you don’t desire.

Your layer mask should look like this: (Tips: to see it press Alt+click on the layer thumbnail).

The result:

Step 5

At the top of this layers add a new Levels Adjustment Layer. Set the following values:

5 0,82 215

Output Levels: 0 201

Step 6

Now we are going to add some highlights to make the lava layer more vivid.

First hide the background layer. Now, with Lava layer selected go to Select>Color Range and select the darker areas, Fuzziness: 7.

Step 7

a)

Press Ctrl+J or with the selection tool active right click on stage and select Layer via Copy. A new layer appears, which you should name Lava L1. For the layer Blend Mode use: Overlay and set Opacity to 82% and Fill to 91%.

Now, right click on Lava L1 layer>Layer Style. Go to Color Overlay and for the Blend Mode use Linear Dodge (Add), Opacity 95% and #a00101 for the color.

b)

Now with Lava L1 layer selected press Ctrl+click on the layer thumbnail to make a selection, then press Shift+F6 set value to 2 and press Ctrl+J, a new layer came up, name it Lava L2; set opacity to 78%. Go to layer>Layer Style. Select Color Overlay, for the Blend Mode use Vivid Light, Opacity 94% and #fff000 for the color, as you can see below.

c)

Now with Lava L2 layer selected press Ctrl+click on the layer thumbnail to make a selection, then press Shift+F6 set value to 1 and press Ctrl+J, a new layer came up, name it Lava L3; set opacity to 67% and fill to 91%. Go to layer>Layer Style. Select Color Overlay, for the Blend Mode use Vivid Light, Opacity 94% and #fdfac2 for the color, as you can see below.

The result:

Step 8

Below the ‘Ground’ group create another layer group, named ‘sky’. Inside this new group insert the Mountain+Sky image. Name it sky back.

We need to adjust the sky color to make it darker. Create a new Hue/Saturation Adjustment Layer above this with the follower’s parameters:

Hue: 0
Saturation: 5
Lightness: -9
Check ‘Colorize’

Step 9

In order to darken this layer create another Adjustment Layer, this time Curves, and use these values for the points along the curve line:

Point 1: 0 0
Point 2: 59 76
Point 3: 145 180
Point 4: 183 203
Point 5: 255 255

The left mountain is dark enough so modify the mask to exclude this mountain from the effect of this layer.

Step 10

Let’s replace this sky with a more appropriate image. So, below your ‘sky back’layer insert the “storm clouds” image and name this new layer ‘sky2′.

Add a mask to the sky backlayer and paint it to hide this sky and make blend with the new one; like demonstrated below, this is how my layer mask looks like.

The result:

Step 11

As you can see the right corner is empty so duplicate the ‘sky2′ layer and move it to the right corner to fill this black space. Add a mask and paint it to make it blend. The outcome should look like this.

Step 12

Over this layer add Brightness/Contrast Adjustment Layer. Set Brightness to -19 and Contrast to 18. This is how your sky group should look.

Step 13

This looks too pale so over this two groups add a Levels Adjustment Layer with the following values:5 0,58 221; and Outpul levels: 0 187.

Now the ground and the left front mountain are too dark so modify the mask to highlight this areas a little bit make it more realistic.

Step 14

Let’s create the horse!

Create a new group at the top of all layers, name it horse All. Open the horse image and with your favorite selection tool make a selection around the horse. Don’t worry about the finer hairs in the tail/mane, as these areas will be replaced with FIRE. Once you finish extract him and move it inside the new group, put it in the middle of the stage.

Step 15

Create a new Levels Adjustment Layer above horse layer, use the following values: 12; 1,00; 255; Output Levels: 0; 233. Right click on the Adjustment Layer and select Create Clipping Mask or click on the “clip icon”(this is important).

Step 16

Above this, create a Curves Adjustment Layer, use the following values:

Channel RED:
Point 1: 22 0;
Point 2: 135 127;
Point 3: 255 255;

Channel GREEN:
Point 1: 9 0;
Point 2: 135 127;
Point 3: 255 255;

Channel BLUE:
Point 1: 6 0;
Point 2: 131 127;
Point 3: 255 255;

Also make this one a Clipping Mask too.

The result:

Step 17

Now we’re going to create the tail. Above curves adjustment layer create a new group, name it tail and insert the “Flames2” image inside of it.

Using Free Transform>Warp deform it until get the desire position. Name it tale fire.

Change the blending mode to Screen, opacity: 78%. Also add a mask to add some fade effect to the end of the tale.

This is how your mask should look:

Step 18

Use the Smudge tool, strength 50% with a soft brush and grab up like show you on flames to get some out of focus effect.

Step 19

Now above this insert “Blue Smoke” image, name it tail smoke. Change Blend Mode to Screen, opacity 59% and Fill 86%. Add a mask and draw to hide parts out of the flame, should look like this:

Step 20

Now will add some sparkles. Open “Burning Campfire” image and with Rectangular Marquee Tool select the top where sparkles are. Copy and paste over tail fire’s layer. Transform it until get the desired position over the tale.

Step 21

Add a mask­ and paint on it until you hide the most part of the image letting just some sparkles visible, use different brush sizes and opacities. For blend mode select: Screen, opacity 72%.

And we’re done with the tail… for now.

The result:

Step 22

Open the Wood Texture on a new document. From here we just want to extract the dark areas, not the whole image. So go to Select>Color Range, Fuzziness: 83. With Sample+ selected click on different dark parts of the image until you get something near to the sample I show you here. Copy the selection to a new layer and arrange it to our document. Name it crackB.

Step 23

Using Free Transform Tool modify the size and position of the texture until you put it on the horse thigh. Add a mask and paint it to blend borders to skins, giving the idea that the thigh is crack.

The mask should look like this:

Step 24

Duplicate the layer and name it crackB_glow, set opacity to 63%. Right click on the layer>Blending Options> Once there we’ll add Outer Glow, Inner Glow and Color Overlay. Look for the image below to see each values. Group both layer and name it

crackBack.

Step 25

With too much light the result isn’t very realistic. To fix this you should mask the glow layer to hide the edges of this glowing area:

The result:

Step 26

Again open Flames 2 image but this time into other document, select the top left of the image, like I show you below; make a new layer from selection and arrange it into our document on the top of the “crackBack” group, name it fire Over.

Step 27

Set the blend mode of “fire Over” layer to Screen.

Add a mask to the fire to making the illusion that it is flowing through the cracks. The mask should looks like this:

Step 28

Now open the Blue Smoke on a new document and select the right part of it (see below). Make a new layer from selection and arrange it into our document on the top of the “crackBack” group, name it smoke. Using Free Transform Tool scale it until fit with the fire.

Step 29

Set Blend Modes to Screen, opacity to 88% and Fill to 85%. Also add a mask and paint the borders to make it blend with background. See the mask:

Step 30

Back to “fire Over” layer, smudge up the top of the image with a medium size brush.

Step 31

On the top of this group create a Hue/Saturation Adjustment layer, with a Clipping Mask.

Check the Colorize checkbox. Use the following values:

Hue: 24;
Saturation: 21;
Lightness: -3.

Step 32

The Horsehair.

Create a new group inside the “Horse All”, at the top, name it horsehair.
Open the crack texture on a new document and make a selection of the darken areas, like you did before with the wood texture on step 22. Set Fuzziness to 68. Make a new layer with this selection and don’t erase it, we’ll need it soon. Select the above left corner and paste it into our document, inside the horsehair group.

Step 33

Name this new layer horsehair normal. Position the layer over your horse’s neck, and then add a mask to it.

The result should look like this:

Step 34

Duplicate the layer and name it horsehair glow. Change opacity to 71%. Now you can do two things to add glow. Go to crackB_glow layer and Copy Layer Style and paste it on this layer or repeat step 24 and 25. My mask looks like this:

The result:

Step 35

Above this layer insert “Flames 1” image into our document. Using Free Transform Tool to scale it and wrapt to deform it as you can see below:

Step 36

Change the Blend Mode to Screen. Add a mask and using different brush sizes and opacities should get this:

Step 37

Use Smudge toll on red areas following the arrow, like I show you below. Mode: Normal, Strength 50%.

Step 38

Now, open the “Blue Smoke” photo again and this time select the top part of the image, as shown below.

Create a new layer with the selection and move it to our document, put it over the horsehair fire.

Set Blend Mode to Screen, opacity to 91% and Fill to 87%. Also add a mask to blend it propertly.

The result:

Step 39

Go to the ‘tail’ layer group and duplicate the sparkle layer, move it up to the smoke horsehair.

Press Ctrl+T or Edit>Free Transform, right click on it and select Flip Horizontal.

Modify the mask to adapt it to the new position until you get this:

Step 40

Now, the front legs.

Create a new group inside the Horse All group, at the top of it.

Go back to the document where the crack texture is.

This time select the top right corner and grab it to our document, position it over the front legs inside the group you just made, and name it crack FL.

To add a mask to this new layer, press Ctrl+click on the Horse layer without deselecting this current layer.

Then with the Lasso tool active, select the option Intersect with selection and make a circle around the front legs. Once you have the desire selection go Layer>Layer Mask>Reveal Selection.

With a soft brush paint on the mask layer for get soft edge.

Step 41

Duplicate the layer and name it crack FL glow. Repeat steps 24 and 25. This is how your mask should ends:

Step 42

Adding fire to the front legs.

Open the “Flames 2” and now select the top of the image and arrange it into our document over the front legs layer. Using Free Transform Tool, flip horizontal and rotate to the right. Name it legs Fire.

Step 43

Change the blend mode to Screen and opacity to 84%. Add a mask, paint it like this one. With the Smudge tool grab on the red areas to the right like I show you below.

Step 44

Duplicate this layer, using Free Transform Tool make it a little bit smaller and flip vertical; modify the mask to give the effect that it is behind this leg. Move the layer below legs fire one.

This is the mask:

Step 45

Over “legs fire” layer create a Curves Adjustments Layer with the following values:

Point 1: 0 0;
Point 2: 24 42;
Point 3: 104 116;
Point 4: 185 209;
Point 5: 255 255;

Click on the Clipping Mask icon

Step 46

Over this layer insert the “blue smoke” image, set blending mode to Screen, opacity to 63% and fill to 86%. Also add a mask and paint it like I show you below.

Duplicate the sparkle layer and put it over smoke layer. Set screen for the blend mode, opacity to 72%. Also modify the mask to blend on this new position.

Step 47

Create a new group above, name it back legs. Repeat the step 40 but now on the horse’s back legs. Should get this:

Now repeat steps 24 and 25.

Step 48

Open the “Flame3” image and insert into the document, over the right back leg. Set Screen for the Blend Mode and opacity to 79%. Also add a mask to make it blend. Smudge the tops border of the fire.

Do the same for the fire for the other leg, but this time set opacity to 90%.

Step 49

a)

Insert the “blue smoke” over flames layers. Set blending mode to Screen, opacity to 61% and fill to 86%. Mask it.

b)

Duplicate the sparkle layer and place it over this smoke. Set opacity to 72%.

c)

Use steps 47 to create a crack effect on the head of the horse. You can do it at your own. Try it! Should have ends like this:

Step 50

Let’s add an effect to the eye. Create another group, name it Eye. Using Elliptical Marquee tool, with Feather: 2 px and horse’s layer selected press Ctrl+J move the new layer into Eye group. Give the following layer Styles.

Step 51

Open “Flames 2” into other document and select the left top part of the image like I show you below. This part will simulate came out from the eye. Insert it at the top of the eye group. Rotate to the right. Set blend mode to Screen, opacity to 83% and fill to 80%. Also add a mask too.

At this point your image should looks like this:

Step 52

Let’s crack the floor.

Create a new group below “Horse all” group, name it ground crack. Open the Wood texture and repeat step 22 or duplicate the crackB layer and put it inside this new group, name it ground Crack. Use Free Transform Tools to make it fit between the leg and the floor. Mask it to get a result like I show you below.

Duplicate it, name it ground Crack glow and apply the effect described on step 24. Also modify the mask to make more credible the lights. Set Opacity to 64% and the Fill option to 83%.

Step 53

It still looks a little unnatural, so we will add some rocks and another fire growing through the lava. Now, above Horse All group, create a new one; name it stone & fire. Open Stones photos, select whatever you want, one big and one smaller. Put it into our document and resize it until they cover the horse’s hooves.

Step 54

Over this layer create a new Levels Adjustment Layer, use this values: 0 0,64 277; on output levels:0 80. Set opacity to 80%.

Step 55

Below the stones layer insert the “Burning Campaign” image. Set blend mode to Lighten. Add a mask for a better blending with the crack.

Step 56

Between the Levels Adjustment Layer and stone layer, create a new one, name it glow. Here we are going to give some fire light to stones because the fire. Use #bca040 to cover top of the stones and the ground between; #f37908 for the top of the stones. Change the layer blending mode to “Soft Light”.

Step 57

Now we’ll add some details to the background.

First will add a fire and smoke column far in the left mountain. Open in other document the Smoke Tower image, select the smoke and insert it into our document inside of a new group named “fire column” that you should create above Horse All group.

Step 58

Now we’ll add 3 different Adjustment Layers to blend this column to the background. All this layers will be CLIPPING MASK LAYERS (remember to do it, on layer Right click>Create Clipping Mask).

Brightness/Contrast

Brightness: -113; Contrast: 52;

Levels

Values: 14; 0,67; 255;
Output Levels: 0 255;

Black & White

Reds: -8;
Yellows: 61;
Greens: 24;
Cyans: 51;
Blues: 17;
Magentas: 53;

Step 59

Now will change this grey light for another one more like fire. To do it, with the smoke column layer selected, go to Select>Color Range; fuzziness: 51 and sample the grey part of the column; hide all other groups could be helpful. With the selection made create Hue/Saturation Adjustment Layer and the selection become your mask. Also this is a Clipping Mask too. Input the following values and put the layer at the top of this group:

Hue/Saturation

Hue: 16;
Saturation: 31;
Lightness: 13;
Colorize: Checked!

Step 60

Now add a mask to this group, and use a soft paintbrush to mask the edges of the smoke to make it blend more naturally with the environment.

Step 61

Insert “Flames 2” image into the top of this group, use Free Transform Tool to resize and position it over the smoke column.

Add a mask, and fill it with black to hide the flame.

Then, using a splatter brush, 59 pixels in size, paint with white on the mask to reveal some parts of the fire, but not all of it.

Step 62

Create another group on the top of the others, name it fireball. Open again the Stones image and select a big rock or use one of your own stock. Bring it into this new group, name it stone ball. Go to Filter>Blur>Motion Blur… use 30º for Angle and 16 for Distance.

Also add a Levels Adjustment Layer, use this values: 0; 0,47;255 and make it a clipping mask.

Step 63

Over this Adjustment layer insert the “Fireball” image. Resize it to fit with the stone in the sky. Apply the same blur that you apply to the stone in the previous step. Set blend mode to Screen, opacity to 73% and fill to 86%. Add a mask to it, with a soft brush and low opacities paint on it until you get something like this.

Step 64

Let’s add some smoke to it.

This time insert the “Grey Smoke” image at the top of this group and align it with the stone and fire fall line.

Set ‘Multiply’ for the blend mode. This smoke doesn’t cover all area so duplicate the layer 4 times and move it to different positions to make a tail of smoke.

Then select the four layers and merge them together (Tip: with the 4 layer selected>right click>Merge Layer).

For this new layer set ‘Multiply’ for blending mode and opacity 90%. Then, duplicate it again.

Step 65

Duplicate this group and move it to the left, over the smoke column. Resize it to smaller. Set the opacity of the group to 77%.

Step 66

Let’s add some details to the floor creating a shadow for our horse and a glow for the fire.

Go to “Lava” layer and using Burn tool burn the area below the horse.

Step 67

Now the Glow. At the top of Ground group; create a new layer set Overlay for blend mode and 80% for the opacity. Using a big soft brush paint the area under the fire of the legs and the tale. Use #f8c837.

The result:

Step 68

Final details

At the top of all layers and groups insert “flames 2”, name it front fire, resize and rotate it to make it fit with the tale. Set Screen for the blending mode and 78% for the opacity.

Duplicate the layer and rotate it to the left, almost 45º.

Step 69

Combine these two fire layers and convert them into a Smart Object (Tip: Right click on layer > Convert to Smart Object).

Set Screen for the blending mode, 92% for opacity and 92% for fill.

Go to Filter>Blur>Gaussian Blur, set 4,5 for Radius.

Then go to Filter>Blur>Motion Blur, set 77 for Angle and 20 for Distance.

Step 70

For a better effect fill the mask of the Smart Filters with a black to white gradient. Also add a mask to this layer for better blending with the tale.

The result:

Step 71

Insert the “Blue Smoke” and transform it to fit with this fire who came to us. Set Screen for the blending mode and opacity to 50% and for fill 85%. Also add a mask, should look like this one.

And We’re Done!

You can view the final outcome below. I added some further sparkles, which are optional.

I hope that you enjoyed this tutorial and would love to hear your feedback on the techniques and outcome.

As a design savvy person you’ve most likely come across the flat design trend.

From Windows 8 to the blogging community, flat design is HUGE. And it’s only getting bigger…

As designers it’s important to stay on top of design trends. Good designers don’t stay stationary. We learn, evolve and master new skills and trends.

There have been a few articles circulating giving some solid examples of flat design. However, I felt it was important to explain exactly how to achieve the coveted flat design look.

Keep reading to learn the 9 key principles that will help you master flat design:

1. Bold Colors

A signature element of flat design is bright, bold colors.

Take a look at the examples below. Large, brightly colored panels of color are a key element of flat design:

So how do you choose a suitable color palette?

Well you can always play around in Photoshop, but to make your life easier, DesignModo have put together FlatUIColors.com. The site provides a series of color swatches that you can easily click on to have the hex code copied for your usage.

The site has become so popular that these colors have come to define the trend. Check them out by clicking the image below:

2. Multi-Color Panels

To extend the bold color technique, you can get a little more varied with your color palette.

Generally speaking I like to limit my website’s color palettes to a minimal number of colors.

However, flat design often uses a variety of bright colors, often in the form of background panels.

As long as the colors are complimentary, you can combine multiple colors and background panels in a beautiful series:

3. Typography

Typography is a huge part of successful flat design. Often elegant typography will become the centerpiece of the design, as the flat background colors don’t detract from the textual elements.

Uppercase Lettering

It’s interesting to note that many successful flat design sites use uppercase lettering.

Take a look at the example below. Many sites are using uppercase text for navigation items and key headlines.

White Text Over Background

It’s also very popular to use white text over either a flat background color or a photographic background.

4. Use Vector Illustrations

As we’re dealing with flat colors, this is perfectly suited for vector artwork. Vectors are inherently constructed by flat shapes and clearly distinct areas of color.

By adding some simple vector style illustrations you can accentuate the flat nature of your site.

Check out The Noun Project for some great flat style icons and illustrations.

5. Subtle Background Patterns

If you’re a fan of great design being in the details, then don’t worry, you can still have these awesome details within your flat design.

Often flat designs add extra details to the panels of flat background color. These can often be more visually impactful than a basic gradient.

The important thing is to make these extra details or patterns flat in themselves. This way your background will still be very clean.

6. Large Elements, Lots of Padding

This technique is nothing new, but it’s very prevalent in flat design.

Make your page elements large and give them a lot of padding.

This way you avoid a cluttered, busy look and give your page a clean, minimal look, which perfectly fits with the flat design trend.

7. HTML 5 and CSS3 Awesome Transitions

Another common feature of flat design is taking advantage of advancements in HTML and CSS.

Flat designed websites may be typically very simple, but the visual spectacle is often achieved by inspired transitions and other page effects.

Click through to the site below and scroll down to see a great example:

8. Panoramic Background Photos

Whilst it’s not strictly ‘flat’, many flat designs are using panoramic photos.

Not only are these a strong visual centerpiece, but they often make the overlaid elements of your design (such as the headline text) look even flatter through contrast.

9. Flat Design UI Kit

I’ve personally been using DesignModo’s Flat UI kit for some of my recent designs.

It takes a ton of the hassle out of designing from scratch, but is versatile enough to allow you to create highly original, professional designs.

DesignModo are absolute god’s in the UI design world, and are the go to place for huge, practical UI kits.

Check out some of the features included with this UI kit:

• Both .psd and HTML versions of the UI kit
• Built using a responsive, mobile friendly framework
• Over 50 icons and glyphs are included
• Perfect for rapid prototyping
• Build with color swatches included, to make changing color palettes a breeze

Click here or on the image below to check out their Flat UI kit.

You can view the Desert textures below, and can download the full sized textures at the bottom of this page.

You can access this freebie and hundreds more in your Designer Toolkit area. Access the area below:

Enter Your Email:

In this tutorial our resident photo manipulation expert Jenny Le will show you how to create a serene lake scene.

You’ll learn a variety of manipulation techniques, such as blending, adjusting color, retouching, using brush as well as detailing to achieve a realistic outcome.

Beyond this, you’ll learn some practical techniques such as using the displacement filter to create an artificial water surface and how to combine adjustment layers and complex, layered masking to produce some beautiful results.

Let’s get started!

Final Image

As always, this is the final image that we’ll be creating:

Step 1

Open sky stock. Use Crop Tool (C) to take the sky part only. If you use your own image, remember to choose the one with horizon.

Step 2

On background layer (sky), use Retangular Marquee Tool to make a selection on sky part:

Press Cmd/Ctrl+J to duplicate this selection then move it to the left to hide the top of castle. Click the second button at the bottom of Layer Pallete to add layer mask to this one. Use soft black brush to remove hard edge and blend this selection with sky:

I name this layer as “remove castle”.

Step 3

Make a new layer with Clipping Mask for this layer. I found something I don’t like after previous step so I use Clone Tool (S) to fix it:

Go to Layer-New Adjustment Layer-Curves to darken this part a little:

Step 4

Hit Cmd/Ctrl+Alt/Option+Shift+E to merge all visible layers (background, remove castle, clone and Curves). I rename this layer as “Sky”. Choose Image-Canvas Size , extend the bottom (I double the height):

Duplicate sky layer. I rename the upper layer “sky”, under layer “lake”. On lake layer, choose Edit-Transform-Flip Vertical then move it under sky layer.

Step 5

Make a new layer under the lake one. Choose Edit-Fill with a light cyan color picked from the top of sky (#a7acaf). This layer will be a base of the water. Then add layer mask to the lake one. On layer mask, hit G to active Gradient Tool. Choose Linear Gradient Tool with default colors (black and white):

Drag a line from the top to bottom of the lake to make sky reflection faded into the water:

On lake layer, choose Filter-Blur-Motion Blur:

Step 6

Now we’ll make a ripple texture that will be using to make reflection. Press Cmd/Ctrl+N to create a new document with 2000×1000 px and fill it with white. It’s better to work on the large size (depends on your document) as it will be cropped later. On background layer, go to Filter-Noise-Add Noise:

Make sure that foreground and background are set to black and white (so texture will be easier to see). Choose Filter-Sketch-Bas Relief:

Filter-Blur-Motion Blur to smooth the lines:

Duplicate this background layer then use Cmd/Ctrl+T to transform it:

Then use Crop Tool to get a result below:

Save this file as a PSD and name it “ripple-texture” or whatever you want.

Step 7

Come back to our lake file. We’ll use Displace filter to make reflection. Hold Cmd/Ctrl while clicking lake thumbnail layer to load its selection (it’s very important, if you don’t choose, the result will look different).

Go to Filter-Distort-Displace with settings like in screenshot below (if you want to ripple more your lake, increase the values) then browse the ripple-texture file:

That’s the end of the preview!

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In today’s tutorial you’re going to learn something a little different.

We’re going to cover some incredibly practical, basic tips that you can apply in order to create your own cost-effective photo manipulations from scratch. Not everyone has access to professional photography studios, and today you’ll learn how you can product high-end looking results on a very limited budget.

This includes everything from correctly setting up a photo shoot, to moving into Photoshop and covering post-production essentials. You’ll work with lighting, detail removal, color correction and photo manipulation.

Final Image

As always, this is the final image that we’ll be creating:

Video Lesson:

Let’s get started!

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