<?xml version='1.0' encoding='UTF-8'?><?xml-stylesheet href="http://www.blogger.com/styles/atom.css" type="text/css"?><feed xmlns='http://www.w3.org/2005/Atom' xmlns:openSearch='http://a9.com/-/spec/opensearchrss/1.0/' xmlns:blogger='http://schemas.google.com/blogger/2008' xmlns:georss='http://www.georss.org/georss' xmlns:gd="http://schemas.google.com/g/2005" xmlns:thr='http://purl.org/syndication/thread/1.0'><id>tag:blogger.com,1999:blog-2980469040358485301</id><updated>2024-11-08T07:34:30.879-08:00</updated><title type='text'>Pubblicazioni</title><subtitle type='html'></subtitle><link rel='http://schemas.google.com/g/2005#feed' type='application/atom+xml' href='https://bibliografiaalfredoluvino.blogspot.com/feeds/posts/default'/><link rel='self' type='application/atom+xml' href='https://www.blogger.com/feeds/2980469040358485301/posts/default'/><link rel='alternate' type='text/html' href='https://bibliografiaalfredoluvino.blogspot.com/'/><link rel='hub' href='http://pubsubhubbub.appspot.com/'/><link rel='next' type='application/atom+xml' href='https://www.blogger.com/feeds/2980469040358485301/posts/default?start-index=26&amp;max-results=25'/><author><name>Alfredo Luvino</name><uri>http://www.blogger.com/profile/01612354395301349893</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><generator version='7.00' uri='http://www.blogger.com'>Blogger</generator><openSearch:totalResults>29</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>25</openSearch:itemsPerPage><entry><id>tag:blogger.com,1999:blog-2980469040358485301.post-3688662715709201233</id><published>2020-08-03T09:09:00.005-07:00</published><updated>2020-08-03T09:09:53.365-07:00</updated><title type='text'>Lucento e l&#39;enigma di Cheope</title><content type='html'>&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEij4SIePV46XEip35e7vxwpuk56y7UbPHCNlWhflQ3ToC9F7C19aqM8VCGRxawYYyjFdXsNvBMakoZ78xCnAzL9Thj3mNHPsmB79wy0fr7ZOWYffLAiMhyphenhyphen3AsddBFA0RYj3QgHpFp7pEc8t/s1359/WhatsApp+Image+2020-08-03+at+17.44.25.jpeg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;1359&quot; data-original-width=&quot;829&quot; height=&quot;328&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEij4SIePV46XEip35e7vxwpuk56y7UbPHCNlWhflQ3ToC9F7C19aqM8VCGRxawYYyjFdXsNvBMakoZ78xCnAzL9Thj3mNHPsmB79wy0fr7ZOWYffLAiMhyphenhyphen3AsddBFA0RYj3QgHpFp7pEc8t/w200-h328/WhatsApp+Image+2020-08-03+at+17.44.25.jpeg&quot; width=&quot;200&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;font color=&quot;#ffffff&quot; style=&quot;background-color: #783f04;&quot;&gt;&lt;br /&gt;&lt;/font&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;font color=&quot;#ffffff&quot; style=&quot;background-color: #783f04;&quot;&gt;&lt;br /&gt;&lt;/font&gt;&lt;/div&gt;&lt;font color=&quot;#ffffff&quot; style=&quot;text-align: center;&quot;&gt;&lt;div style=&quot;background-color: #783f04; text-align: center;&quot;&gt;Lucento è sconvolta. Nel quartiere della periferia torinese un egittologo è stato ucciso è una maledizione incombere su suoi studi e su quelli di alcuni colleghi. Nel bar di Celestino, il centro pulsante e cuore di Lucento, tutti si chiedono che cosa possa essere accaduto, mentre le immagini di un commissario di polizia lo conducono dal Museo Egizio di Torino al Cairo sulle orme di un presunto assassino. Il Tibet, il Messico, una donna bellissima e un&#39;altra dal fascino orientale, fanno da contorno, come protagoniste, ad una vicenda che porterà alla scoperta di un&#39;entusiasmante misterioso segreto legato all&#39;antico Egitto unendo, per sempre il quartiere Torinese e quella antica cultura. Un thriller dal ritmo incalzante con continui colpi di scena, il fascino dell&#39;archeologia e della ricostruzione storica, scritto a quattro mani da due amici, proprio di Lucento, che, da quasi mezzo secolo, condividono il cammino parallelo della loro vita.&lt;/div&gt;&lt;/font&gt;</content><link rel='replies' type='application/atom+xml' href='https://bibliografiaalfredoluvino.blogspot.com/feeds/3688662715709201233/comments/default' title='Commenti sul post'/><link rel='replies' type='text/html' href='https://bibliografiaalfredoluvino.blogspot.com/2020/08/lucento-e-lenigma-di-cheope_3.html#comment-form' title='0 Commenti'/><link rel='edit' type='application/atom+xml' href='https://www.blogger.com/feeds/2980469040358485301/posts/default/3688662715709201233'/><link rel='self' type='application/atom+xml' href='https://www.blogger.com/feeds/2980469040358485301/posts/default/3688662715709201233'/><link rel='alternate' type='text/html' href='https://bibliografiaalfredoluvino.blogspot.com/2020/08/lucento-e-lenigma-di-cheope_3.html' title='Lucento e l&#39;enigma di Cheope'/><author><name>Alfredo Luvino</name><uri>http://www.blogger.com/profile/01612354395301349893</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEij4SIePV46XEip35e7vxwpuk56y7UbPHCNlWhflQ3ToC9F7C19aqM8VCGRxawYYyjFdXsNvBMakoZ78xCnAzL9Thj3mNHPsmB79wy0fr7ZOWYffLAiMhyphenhyphen3AsddBFA0RYj3QgHpFp7pEc8t/s72-w200-h328-c/WhatsApp+Image+2020-08-03+at+17.44.25.jpeg" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2980469040358485301.post-6908532937121509919</id><published>2020-08-03T09:08:00.004-07:00</published><updated>2020-08-04T22:19:08.590-07:00</updated><title type='text'>Il sacrificio di Specchio Fumante</title><content type='html'>&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj_ttu_IyBZsduQc_Wr9rVTQMWWTz3MFirF99i0XtezsNCMzrWUj2s68WbZeZSIDH7_PnI8znbMlq41jLvo4nXeh94xtXx0Q3vq08SFP4uRJUIuz-DYu_BaV7NspGDcWwrhXM0n__9gLkrV/s420/il-sacrificio-di-specchio-fumante.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;420&quot; data-original-width=&quot;299&quot; height=&quot;269&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj_ttu_IyBZsduQc_Wr9rVTQMWWTz3MFirF99i0XtezsNCMzrWUj2s68WbZeZSIDH7_PnI8znbMlq41jLvo4nXeh94xtXx0Q3vq08SFP4uRJUIuz-DYu_BaV7NspGDcWwrhXM0n__9gLkrV/w191-h269/il-sacrificio-di-specchio-fumante.jpg&quot; width=&quot;191&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;font color=&quot;#ffffff&quot; style=&quot;background-color: #783f04;&quot;&gt;Quando Cortes conquistò Tenochtitlan, la capitale degli Aztechi, vennero in contatto due mondi e due visioni diverse della vita. Il primo, capo dei Conquistadores, determinato e certo del proprio futuro, aveva come unico intento l&#39;arricchirsi, spinto dalle leggende sull&#39;oro che credeva abbondasse incredibilmente in quelle zone. Montezuma, ultimo sovrano atzeco, era figlio di una cultura che conviveva con il dubbio del futuro, temendo potesse essere terribile e distruttivo in ogni attimo. Ma chi erano gli Aztechi e sono vere le leggende circolate su migliaia di sacrifici umani? Che cosa pensavano alla luce dei ritrovamenti archeologici e dei testi redatti dai Conquistadores? La loro religione era davvero politeista o, come ormai quasi certo per l&#39;Antico Egitto, si può parlare di enoteismo? Dove si può ricercare la mitica terra di Aztlan? Domande alle quali tenta di rispondere questo libro, basandosi su studi e ricerche di americanisti e storici delle religioni, delineando un quadro completo circa la vita quotidiana di una civiltà completamente scomparsa è ancora, in parte, avvolta nel mistero.&lt;/font&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='https://bibliografiaalfredoluvino.blogspot.com/feeds/6908532937121509919/comments/default' title='Commenti sul post'/><link rel='replies' type='text/html' href='https://bibliografiaalfredoluvino.blogspot.com/2020/08/il-sacrificio-dello-specchio-fumante.html#comment-form' title='0 Commenti'/><link rel='edit' type='application/atom+xml' href='https://www.blogger.com/feeds/2980469040358485301/posts/default/6908532937121509919'/><link rel='self' type='application/atom+xml' href='https://www.blogger.com/feeds/2980469040358485301/posts/default/6908532937121509919'/><link rel='alternate' type='text/html' href='https://bibliografiaalfredoluvino.blogspot.com/2020/08/il-sacrificio-dello-specchio-fumante.html' title='Il sacrificio di Specchio Fumante'/><author><name>Alfredo Luvino</name><uri>http://www.blogger.com/profile/01612354395301349893</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj_ttu_IyBZsduQc_Wr9rVTQMWWTz3MFirF99i0XtezsNCMzrWUj2s68WbZeZSIDH7_PnI8znbMlq41jLvo4nXeh94xtXx0Q3vq08SFP4uRJUIuz-DYu_BaV7NspGDcWwrhXM0n__9gLkrV/s72-w191-h269-c/il-sacrificio-di-specchio-fumante.jpg" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2980469040358485301.post-5304704951026453854</id><published>2020-08-03T09:07:00.007-07:00</published><updated>2020-08-03T09:07:56.691-07:00</updated><title type='text'>La religione invisibile</title><content type='html'>&lt;div class=&quot;separator&quot; style=&quot;clear: both; color: #292929; font-family: &amp;quot;open sans&amp;quot;, sans-serif; font-size: 14px; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjl4p7WyqdQ6EPp-flUfkU-M7UNGkgy0DUt6_LOn2t75QiKx5zXEL_D7Q-LckuVWJ3-Aaq0awKhPnuK-uu3SAx117oJHRFS_0GHefJv-MW7ZnL4rFWsygXs8ptTNF7kRLLuJ_67tIQRmrUf/s295/9788898862726_0_221_0_75.jpg&quot; style=&quot;background-color: #783f04; margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;295&quot; data-original-width=&quot;221&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjl4p7WyqdQ6EPp-flUfkU-M7UNGkgy0DUt6_LOn2t75QiKx5zXEL_D7Q-LckuVWJ3-Aaq0awKhPnuK-uu3SAx117oJHRFS_0GHefJv-MW7ZnL4rFWsygXs8ptTNF7kRLLuJ_67tIQRmrUf/s0/9788898862726_0_221_0_75.jpg&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; font-family: &amp;quot;open sans&amp;quot;, sans-serif; font-size: 14px; text-align: center;&quot;&gt;&lt;font color=&quot;#ffffff&quot; style=&quot;background-color: #783f04;&quot;&gt;&lt;br /&gt;&lt;/font&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; font-family: &amp;quot;open sans&amp;quot;, sans-serif; font-size: 14px; text-align: center;&quot;&gt;&lt;font color=&quot;#ffffff&quot; style=&quot;background-color: #783f04;&quot;&gt;&lt;br /&gt;&lt;/font&gt;&lt;/div&gt;&lt;span style=&quot;background-color: #783f04; font-family: &amp;quot;open sans&amp;quot;, sans-serif; font-size: 14px; text-align: center;&quot;&gt;&lt;div style=&quot;text-align: center;&quot;&gt;&lt;font color=&quot;#ffffff&quot;&gt;&quot;Nella Valle del Nilo ogni manifestazione del sacro è particolarmente importante e ogni rito, ogni credenza, ogni aspetto del divino ne riflette l&#39;esperienza, implicando, di conseguenza, le nozioni di essere, significato, verità. Il sacro, nell&#39;Antico Egitto, come in altre culture, pervade ogni attimo della vita dell&#39;uomo e caratterizza anche quel qualcosa definito aldilà, confondendosi e mimetizzandosi con la vita quotidiana&quot;. Un approfondito studio dell&#39;egittologo Alfredo Aldo Carlo Luvino che affronta un universo sconosciuto e affascinante, avvicinando il lettore alle credenze e agli dèi dell&#39;Antico Egitto.&lt;/font&gt;&lt;/div&gt;&lt;/span&gt;</content><link rel='replies' type='application/atom+xml' href='https://bibliografiaalfredoluvino.blogspot.com/feeds/5304704951026453854/comments/default' title='Commenti sul post'/><link rel='replies' type='text/html' href='https://bibliografiaalfredoluvino.blogspot.com/2020/08/la-religione-invisibile.html#comment-form' title='0 Commenti'/><link rel='edit' type='application/atom+xml' href='https://www.blogger.com/feeds/2980469040358485301/posts/default/5304704951026453854'/><link rel='self' type='application/atom+xml' href='https://www.blogger.com/feeds/2980469040358485301/posts/default/5304704951026453854'/><link rel='alternate' type='text/html' href='https://bibliografiaalfredoluvino.blogspot.com/2020/08/la-religione-invisibile.html' title='La religione invisibile'/><author><name>Alfredo Luvino</name><uri>http://www.blogger.com/profile/01612354395301349893</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjl4p7WyqdQ6EPp-flUfkU-M7UNGkgy0DUt6_LOn2t75QiKx5zXEL_D7Q-LckuVWJ3-Aaq0awKhPnuK-uu3SAx117oJHRFS_0GHefJv-MW7ZnL4rFWsygXs8ptTNF7kRLLuJ_67tIQRmrUf/s72-c/9788898862726_0_221_0_75.jpg" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2980469040358485301.post-5133928122895144084</id><published>2020-08-03T09:06:00.003-07:00</published><updated>2020-08-03T09:06:30.809-07:00</updated><title type='text'>Nilo segreto</title><content type='html'>&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhhb-qT73qsjTTaZxQ2E-Z8bEYeGnIPvQCsGYPPxgaCcvPn4CfIeMeF5FW16XdONuV8t478zR-rie1Xb5ZP8wUQCrQeMjFtqSXJe0QjX2j86AgmsRyFJwGElf1RR28B6MwjDoe1LFWW4jca/s470/9788898862696_0_0_470_75.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;470&quot; data-original-width=&quot;331&quot; height=&quot;320&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhhb-qT73qsjTTaZxQ2E-Z8bEYeGnIPvQCsGYPPxgaCcvPn4CfIeMeF5FW16XdONuV8t478zR-rie1Xb5ZP8wUQCrQeMjFtqSXJe0QjX2j86AgmsRyFJwGElf1RR28B6MwjDoe1LFWW4jca/s320/9788898862696_0_0_470_75.jpg&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;span style=&quot;background-color: #81501b; font-family: &amp;quot;open sans&amp;quot;, sans-serif; font-size: 14px; text-align: start;&quot;&gt;&lt;font color=&quot;#ffffff&quot;&gt;La millenaria avventura dell&#39;Antico Egitto narrata attraverso le credenze, le idee, la storia e l&#39;arte. Con accenni alla scrittura e alla vita quotidiana, questo volume è uno strumento utile ad intraprendere una approfondita conoscenza della civiltà sviluppatasi nella Valle del Nilo, grazie anche alla ricca bibliografia che consentirà al neofita di penetrare sempre più a fondo quella cultura.&lt;/font&gt;&lt;/span&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='https://bibliografiaalfredoluvino.blogspot.com/feeds/5133928122895144084/comments/default' title='Commenti sul post'/><link rel='replies' type='text/html' href='https://bibliografiaalfredoluvino.blogspot.com/2020/08/nilo-segreto.html#comment-form' title='0 Commenti'/><link rel='edit' type='application/atom+xml' href='https://www.blogger.com/feeds/2980469040358485301/posts/default/5133928122895144084'/><link rel='self' type='application/atom+xml' href='https://www.blogger.com/feeds/2980469040358485301/posts/default/5133928122895144084'/><link rel='alternate' type='text/html' href='https://bibliografiaalfredoluvino.blogspot.com/2020/08/nilo-segreto.html' title='Nilo segreto'/><author><name>Alfredo Luvino</name><uri>http://www.blogger.com/profile/01612354395301349893</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhhb-qT73qsjTTaZxQ2E-Z8bEYeGnIPvQCsGYPPxgaCcvPn4CfIeMeF5FW16XdONuV8t478zR-rie1Xb5ZP8wUQCrQeMjFtqSXJe0QjX2j86AgmsRyFJwGElf1RR28B6MwjDoe1LFWW4jca/s72-c/9788898862696_0_0_470_75.jpg" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2980469040358485301.post-8282154868197275368</id><published>2020-08-03T09:05:00.003-07:00</published><updated>2020-08-03T09:05:39.286-07:00</updated><title type='text'>Erotismo e sessualità nell&#39;antico Egitto</title><content type='html'>&lt;br /&gt;&lt;div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhIuJ43uvJbK7sfI06hvS1sAnM9Bn7Zk3opoCdnrGEEY3XcR6k9mCYwsiQQH0NJ2Yg9x1iRCPgCMLf0dkq0xROaEhz3Vx2PRJLxbwblyp_9sqQPK8ElcN8OY147LoEfsf0xg9wmi-LuBcQD/s415/9788898862115.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;415&quot; data-original-width=&quot;300&quot; height=&quot;320&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhIuJ43uvJbK7sfI06hvS1sAnM9Bn7Zk3opoCdnrGEEY3XcR6k9mCYwsiQQH0NJ2Yg9x1iRCPgCMLf0dkq0xROaEhz3Vx2PRJLxbwblyp_9sqQPK8ElcN8OY147LoEfsf0xg9wmi-LuBcQD/s320/9788898862115.jpg&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;span style=&quot;background-color: #81501b;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;span style=&quot;background-color: #81501b; font-family: &amp;quot;open sans&amp;quot;, sans-serif; text-align: start;&quot;&gt;&lt;font color=&quot;#ffffff&quot;&gt;&quot;Splendide danzatrici in atteggiamenti sensuali prendono vita se rappresentate nelle tombe con la perizia e la capacità dell&#39;artista egiziano che sa renderle belle, attraenti e conturbanti. E chissà se nei banchetti e nelle feste davvero danzavano nude o con una semplice ghirlanda di fiori al collo? In fondo non è così importante, perché nell&#39;aldilà così le desidereranno vedere i possessori dei sepolcri: dipinte, seducenti e ammiccanti per l&#39;eternità.&quot; (Alfredo Aldo Carlo Luvino). Un saggio quanto mai attuale che analizza la sessualità nell&#39;arte e nella letteratura dell&#39;antico Egitto. Come sottolinea Pierluigi Baima Bollone nella prefazione: &quot;L&#39;autore legge i tempi dell&#39;erotismo e della sessualità sul piano della percezione e della fruizione da parte del lettore moderno, gettando per lui un ponte ideale per facilitarlo nella comprensione intellettuale di questo tema in termini scientificamente corretti&quot;.&lt;/font&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;div&gt;&lt;span style=&quot;background-color: #81501b; font-family: &amp;quot;open sans&amp;quot;, sans-serif; text-align: start;&quot;&gt;&lt;font color=&quot;#292929&quot;&gt;&lt;br /&gt;&lt;/font&gt;&lt;/span&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='https://bibliografiaalfredoluvino.blogspot.com/feeds/8282154868197275368/comments/default' title='Commenti sul post'/><link rel='replies' type='text/html' href='https://bibliografiaalfredoluvino.blogspot.com/2020/08/erotismo-e-sessualita-nellantico-egitto.html#comment-form' title='0 Commenti'/><link rel='edit' type='application/atom+xml' href='https://www.blogger.com/feeds/2980469040358485301/posts/default/8282154868197275368'/><link rel='self' type='application/atom+xml' href='https://www.blogger.com/feeds/2980469040358485301/posts/default/8282154868197275368'/><link rel='alternate' type='text/html' href='https://bibliografiaalfredoluvino.blogspot.com/2020/08/erotismo-e-sessualita-nellantico-egitto.html' title='Erotismo e sessualità nell&#39;antico Egitto'/><author><name>Alfredo Luvino</name><uri>http://www.blogger.com/profile/01612354395301349893</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhIuJ43uvJbK7sfI06hvS1sAnM9Bn7Zk3opoCdnrGEEY3XcR6k9mCYwsiQQH0NJ2Yg9x1iRCPgCMLf0dkq0xROaEhz3Vx2PRJLxbwblyp_9sqQPK8ElcN8OY147LoEfsf0xg9wmi-LuBcQD/s72-c/9788898862115.jpg" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2980469040358485301.post-7781659303300821784</id><published>2020-08-03T09:04:00.002-07:00</published><updated>2020-08-03T09:04:30.394-07:00</updated><title type='text'>Eroticism and sexuality in Ancient Egypt</title><content type='html'>&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjNzee7ybIw_2JSnuQv-bXZLNoGV00HicePySFQvYWrFUvgn91EkHSPoefR6TmqvW3IXoXo1-DlZ0VrfOeNvDjSU3TpOjOWnbOw9YiAqUITxw-eXwnMhikPwc40AJfCzlNMpZ29hW7n32CU/s1278/WhatsApp+Image+2020-08-03+at+17.21.21.jpeg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;1278&quot; data-original-width=&quot;892&quot; height=&quot;262&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjNzee7ybIw_2JSnuQv-bXZLNoGV00HicePySFQvYWrFUvgn91EkHSPoefR6TmqvW3IXoXo1-DlZ0VrfOeNvDjSU3TpOjOWnbOw9YiAqUITxw-eXwnMhikPwc40AJfCzlNMpZ29hW7n32CU/w183-h262/WhatsApp+Image+2020-08-03+at+17.21.21.jpeg&quot; width=&quot;183&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style=&quot;text-align: center;&quot;&gt;&lt;span style=&quot;background-color: #783f04;&quot;&gt;&lt;font color=&quot;#ffffff&quot;&gt;The culture of our time is trying to understand the differences made by gender from the psychologic, social and artistic point of view. The interest in life at the time of the Pharaohs comes from the fact that Ancient Egypt was the only place where woman had the same social and juridical rights men had. Eroticism and Sexuality in Ancient Egypt by Alfredo Luvino fits perfectly this wave of thought, revealing unknow aspects of the Egyptian Society of the time. Eroticism and sexuality are observed by the point of view of perception and friction by the modern reader, bridging the gap between him and correct understanding of that subject.&lt;/font&gt;&lt;/span&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='https://bibliografiaalfredoluvino.blogspot.com/feeds/7781659303300821784/comments/default' title='Commenti sul post'/><link rel='replies' type='text/html' href='https://bibliografiaalfredoluvino.blogspot.com/2020/08/eroticism-and-sexuality-in-ancient-egypt_3.html#comment-form' title='0 Commenti'/><link rel='edit' type='application/atom+xml' href='https://www.blogger.com/feeds/2980469040358485301/posts/default/7781659303300821784'/><link rel='self' type='application/atom+xml' href='https://www.blogger.com/feeds/2980469040358485301/posts/default/7781659303300821784'/><link rel='alternate' type='text/html' href='https://bibliografiaalfredoluvino.blogspot.com/2020/08/eroticism-and-sexuality-in-ancient-egypt_3.html' title='Eroticism and sexuality in Ancient Egypt'/><author><name>Alfredo Luvino</name><uri>http://www.blogger.com/profile/01612354395301349893</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjNzee7ybIw_2JSnuQv-bXZLNoGV00HicePySFQvYWrFUvgn91EkHSPoefR6TmqvW3IXoXo1-DlZ0VrfOeNvDjSU3TpOjOWnbOw9YiAqUITxw-eXwnMhikPwc40AJfCzlNMpZ29hW7n32CU/s72-w183-h262-c/WhatsApp+Image+2020-08-03+at+17.21.21.jpeg" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2980469040358485301.post-3714536464771331881</id><published>2020-08-03T09:03:00.004-07:00</published><updated>2020-08-03T09:03:36.953-07:00</updated><title type='text'>La signora delle stoffe</title><content type='html'>&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiRlk9w47xPa2NQiGymN_zM9-dVA0Zoi3MzeoM23hlmq9uMGkyjGARaZ-nUuhbpl8uUk0c1G61Dz9neDnGsRn2PCYzey9tSWKLGg_tYxFJVSM0D-PjCVT7Ce3NadBYvAONtM3buLiSVn9_g/s296/2560021228015_0_0_221_0_75.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;296&quot; data-original-width=&quot;221&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiRlk9w47xPa2NQiGymN_zM9-dVA0Zoi3MzeoM23hlmq9uMGkyjGARaZ-nUuhbpl8uUk0c1G61Dz9neDnGsRn2PCYzey9tSWKLGg_tYxFJVSM0D-PjCVT7Ce3NadBYvAONtM3buLiSVn9_g/s0/2560021228015_0_0_221_0_75.jpg&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;font color=&quot;#ffffff&quot; style=&quot;background-color: #783f04;&quot;&gt;L&#39;Antico Egitto, che costituisce da secoli un fondale per storie e rielaborazioni di un immaginario collettivo nutrito dal mistero, ci ha tramandato un numero enorme di documenti e papiri, gelosamente custoditi per migliaia di anni.&lt;/font&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;font color=&quot;#ffffff&quot; style=&quot;background-color: #783f04;&quot;&gt;All&#39;ombra delle loro tombe, infatti, i re, le regine, i dignitari e gli uomini comuni, sommessamente raccontano ancora del loro amore per la vita, delle loro imprese, delle loro speranze.&lt;/font&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;font color=&quot;#ffffff&quot; style=&quot;background-color: #783f04;&quot;&gt;Attraverso una rilettura di alcuni testi più vicina al &quot;gusto letterario&quot; moderno, in questo libro sono ripercorsi i momenti salienti di questa &quot;avventura millenaria&quot; che affascina, suscita meraviglia e curiosità per le sue realizzazioni architettoniche e le credenze religiose.&amp;nbsp;&lt;/font&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;font color=&quot;#ffffff&quot; style=&quot;background-color: #783f04;&quot;&gt;Nelle opere letterarie presentate, che pervadono il campo dell&#39;avventura, della guerra, della magia e del mito, l&#39;antico Egitto &quot;rivive&quot; con una rigorosa descrizione di culti, rituali e cerimonie.&lt;/font&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;font color=&quot;#ffffff&quot; style=&quot;background-color: #783f04;&quot;&gt;In questo affresco dell&#39;antica civiltà nilotica una sezione è dedicata alle liriche d&#39;amore; poesie nelle quali, innamorati del tempo, esprimono i loro intimi sentimenti e le loro malinconie.&lt;/font&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='https://bibliografiaalfredoluvino.blogspot.com/feeds/3714536464771331881/comments/default' title='Commenti sul post'/><link rel='replies' type='text/html' href='https://bibliografiaalfredoluvino.blogspot.com/2020/08/la-signora-delle-stoffe.html#comment-form' title='0 Commenti'/><link rel='edit' type='application/atom+xml' href='https://www.blogger.com/feeds/2980469040358485301/posts/default/3714536464771331881'/><link rel='self' type='application/atom+xml' href='https://www.blogger.com/feeds/2980469040358485301/posts/default/3714536464771331881'/><link rel='alternate' type='text/html' href='https://bibliografiaalfredoluvino.blogspot.com/2020/08/la-signora-delle-stoffe.html' title='La signora delle stoffe'/><author><name>Alfredo Luvino</name><uri>http://www.blogger.com/profile/01612354395301349893</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiRlk9w47xPa2NQiGymN_zM9-dVA0Zoi3MzeoM23hlmq9uMGkyjGARaZ-nUuhbpl8uUk0c1G61Dz9neDnGsRn2PCYzey9tSWKLGg_tYxFJVSM0D-PjCVT7Ce3NadBYvAONtM3buLiSVn9_g/s72-c/2560021228015_0_0_221_0_75.jpg" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2980469040358485301.post-5073257070103042960</id><published>2020-08-03T09:03:00.000-07:00</published><updated>2020-08-03T09:03:01.296-07:00</updated><title type='text'>Profezie e profeti</title><content type='html'>&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiSpx20H80z2QrlCe5glsmu6z_SAN4dL-ymj0-Ay0Oc7tTodtTD0w8JQ-fC39RA1sNRMXS3Tai-E9McCk6jMnfNgN81gfrf8IPqq7p5QgAQzlgI687-5U6SxRPZ3MOb_b99uF63J1uUPSfV/s322/416bTFw5mvL._BO1%252C204%252C203%252C200_.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;font color=&quot;#ffffff&quot; style=&quot;background-color: #7d431a;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;322&quot; data-original-width=&quot;242&quot; height=&quot;320&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiSpx20H80z2QrlCe5glsmu6z_SAN4dL-ymj0-Ay0Oc7tTodtTD0w8JQ-fC39RA1sNRMXS3Tai-E9McCk6jMnfNgN81gfrf8IPqq7p5QgAQzlgI687-5U6SxRPZ3MOb_b99uF63J1uUPSfV/s320/416bTFw5mvL._BO1%252C204%252C203%252C200_.jpg&quot; /&gt;&lt;/font&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;font color=&quot;#ffffff&quot; style=&quot;background-color: #7d431a;&quot;&gt;&lt;br /&gt;&lt;/font&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;span style=&quot;background-color: #81501b; font-family: roboto, sans-serif;&quot;&gt;&lt;font color=&quot;#ffffff&quot;&gt;Religione, magia, futuro, tre aspetti della vita dell&#39;uomo che troppo spesso sono stati avvicinati a termini come piramidi, tombe, faraoni. Ma che cosa fu davvero L&#39;Antico Egitto? Una terra pervasa di magia e popolata di maghi oppure una cultura che tentò, come molte altre, di interpretare, secondo una sua logica, il mondo che la circondava dando vita a una mentalità religiosa difficilmente comprensibile nella quale il sottile divario fra il religione e magia non è avvertito? Che cos&#39;era il futuro per l&#39;uomo vissuto oltre cinque millenni fa? Avvertiva il trascorrere del tempo nella dimensione del sacro il sovrano come il povero? Domande alle quali cerca di rispondere questo volume affinché il grande pubblico, sviato da testi non sempre &quot;corretti&quot;, possa comprendere e approfondire alcuni aspetti di una civiltà che dà sempre affascina e sgomenta per ciò che ha lasciato.&lt;/font&gt;&lt;/span&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='https://bibliografiaalfredoluvino.blogspot.com/feeds/5073257070103042960/comments/default' title='Commenti sul post'/><link rel='replies' type='text/html' href='https://bibliografiaalfredoluvino.blogspot.com/2020/08/profezie-e-profeti.html#comment-form' title='0 Commenti'/><link rel='edit' type='application/atom+xml' href='https://www.blogger.com/feeds/2980469040358485301/posts/default/5073257070103042960'/><link rel='self' type='application/atom+xml' href='https://www.blogger.com/feeds/2980469040358485301/posts/default/5073257070103042960'/><link rel='alternate' type='text/html' href='https://bibliografiaalfredoluvino.blogspot.com/2020/08/profezie-e-profeti.html' title='Profezie e profeti'/><author><name>Alfredo Luvino</name><uri>http://www.blogger.com/profile/01612354395301349893</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiSpx20H80z2QrlCe5glsmu6z_SAN4dL-ymj0-Ay0Oc7tTodtTD0w8JQ-fC39RA1sNRMXS3Tai-E9McCk6jMnfNgN81gfrf8IPqq7p5QgAQzlgI687-5U6SxRPZ3MOb_b99uF63J1uUPSfV/s72-c/416bTFw5mvL._BO1%252C204%252C203%252C200_.jpg" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2980469040358485301.post-3265969723788746917</id><published>2020-08-03T09:01:00.004-07:00</published><updated>2020-08-03T09:01:57.568-07:00</updated><title type='text'>Il terzo mese dell&#39;inondazione</title><content type='html'>&lt;h3 style=&quot;clear: both; text-align: center;&quot;&gt;&lt;font color=&quot;#ffffff&quot; style=&quot;background-color: #783f04;&quot;&gt;&quot;Un thriller dal ritmo incalzante, il fascino dell&#39;archeologia e della ricostruzione storica.&lt;br /&gt;Misteriose morti e furti di mummie sconvolgono la vita di un villaggio dell&#39;antico Egitto ma, dopo 3400 anni, l&#39;amore e il mistero porteranno i protagonisti del romanzo a scoperte sensazionali.&quot;&lt;br /&gt;&lt;/font&gt;&lt;/h3&gt;&lt;div&gt;&lt;font color=&quot;#ffffff&quot; style=&quot;background-color: #783f04;&quot;&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;Prima edizione&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;Seconda edizione&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;Terza edizione&lt;/font&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiRWKtaYAncLlJVdWwu4oKUDkf8Ii_O2hX-Z9UG_u8VUFQHcNNZS4NnB1JVLnQOMYVSWdBU1eeOIhp1FrItWjgOPaZBMXXTrsLNrMZxIEQ6ejTfRV14GTIIaRe2a10du-lKLaEIkJZsXEkG/s1600/WhatsApp+Image+2020-07-14+at+14.58.30.jpeg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;br /&gt;&lt;br /&gt;&lt;/a&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgJLjHYxNf8xJ0uJIrT0EhteJAgF6GMAroKkHuuj2rGo5PmZ5tYPk-nbRTsS1VK6jukzJlDwb3dx_7lUwZ-GafhQUnpLaBJrivjeEns4ihDlNJVzaRG4PRezYSH7BBkWGqkaBE5-jRyfRAx/s279/untitled+%25282%2529.png&quot; style=&quot;clear: left; float: left; margin-bottom: 1em; margin-right: 1em;&quot;&gt;&lt;img alt=&quot;Prima edizione&quot; border=&quot;0&quot; data-original-height=&quot;279&quot; data-original-width=&quot;181&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgJLjHYxNf8xJ0uJIrT0EhteJAgF6GMAroKkHuuj2rGo5PmZ5tYPk-nbRTsS1VK6jukzJlDwb3dx_7lUwZ-GafhQUnpLaBJrivjeEns4ihDlNJVzaRG4PRezYSH7BBkWGqkaBE5-jRyfRAx/d/untitled+%25282%2529.png&quot; /&gt;&amp;nbsp;&amp;nbsp;&lt;/a&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiGT3RfSlUlAkqoWio1pBvS2UKdJ-QGNH4C3xOirEpSn-3tIQjCBeNQSOHyshnxzIQnhiPxLsM3RXK4MHoZ9JTeLPzXYw9wHHZpmwElimUj8WfK7_CNCUGbvGB7prwl5MIpCx5M3HkdDW7E/s486/md17145116449.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;486&quot; data-original-width=&quot;300&quot; height=&quot;249&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiGT3RfSlUlAkqoWio1pBvS2UKdJ-QGNH4C3xOirEpSn-3tIQjCBeNQSOHyshnxzIQnhiPxLsM3RXK4MHoZ9JTeLPzXYw9wHHZpmwElimUj8WfK7_CNCUGbvGB7prwl5MIpCx5M3HkdDW7E/w154-h249/md17145116449.jpg&quot; width=&quot;154&quot; /&gt;&lt;/a&gt;&amp;nbsp;&amp;nbsp;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg5_ZSengQdoz3MXs-8SdWh_fsDkDQxYm_Yw-FM8H0t8W5DndvAxFGM70blXM1MUIEnLZn29H_xbrjcISwRIgift2b3hw0Ybtp7y0j-b6vhv2xmtAFDsoBHoqZpbLWsuORgwjakCaBPYFG_/s256/WhatsApp+Image+2020-07-14+at+14.58.30+%25281%2529.jpeg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;256&quot; data-original-width=&quot;158&quot; height=&quot;256&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg5_ZSengQdoz3MXs-8SdWh_fsDkDQxYm_Yw-FM8H0t8W5DndvAxFGM70blXM1MUIEnLZn29H_xbrjcISwRIgift2b3hw0Ybtp7y0j-b6vhv2xmtAFDsoBHoqZpbLWsuORgwjakCaBPYFG_/w158-h256/WhatsApp+Image+2020-07-14+at+14.58.30+%25281%2529.jpeg&quot; width=&quot;158&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;font color=&quot;#ffffff&quot; style=&quot;background-color: #783f04;&quot;&gt;Un&#39;autorevole scrittrice di romanzi &quot;gialli&quot;, Aghata Christie, forte dell&#39;esperienza di un insigne archeologo, il marito, aveva ambientato una vicenda, ricca di mistero e delitti, nell&#39;Antico Egitto, 2000 anni prima di Cristo, nella casa di un sacerdote di nome Imhotep. A distanza di anni, un egittologo torinese, si cimenta in un impresa analoga, raccontando una storia ambientata nella terra del Nilo, nella necropoli dell&#39;antica Tebe, sul finire della XVIII dinastia (1335 a.C. circa). La vicenda si snoda in un&#39;atmosfera di tensioni e paure fra rituali magici, misteriose uccisioni e inspiegabili violazioni di tombe, nel villaggio di Dei el Medina dove vivevano, con le loro famiglie, gli addetti all&#39;allestimento delle tombe dei Faraoni, scavate in una gola deserta nota attualmente come &quot;Valle dei Re&quot; e chiamata dagli antichi Egizi ta set maat (Sede della Verità).&lt;/font&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;font color=&quot;#ffffff&quot; style=&quot;background-color: #783f04;&quot;&gt;Il romanz si avvale di dati storici e l&#39;ambiente è descritto con precisione scientifica sul fondamento di notizie desunte da documenti; il testo è di accattivante lettura ed emergono informazioni interessanti sui riti, le credenze religiose e i vari atteggiamenti del complesso pensiero egiziano.&lt;/font&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;font color=&quot;#ffffff&quot; style=&quot;background-color: #783f04;&quot;&gt;Dai papiri Ebers e Hearst, inoltre, sono state tratte le diagnosi, le terapie e le ricette impiegate da un medico egizio.&lt;/font&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;font color=&quot;#ffffff&quot; style=&quot;background-color: #783f04;&quot;&gt;Si ha così un quadro accurato della vita nella piccola comunità operaia: uomini e donne tormentati dai problemi e preoccupazioni, pronti a rallegrarsi per ogni piccola gioia, ma anche disposti a litigare con arguzia e arroganza, a compiere furti e perfino ad uccidere.&lt;/font&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;font color=&quot;#ffffff&quot; style=&quot;background-color: #783f04;&quot;&gt;Il titolo del romanzo si ispira al calendario; gli Egizi avevano suddiviso l&#39;anno in tre stagioni di quattro mesi, ciascuno di trenta giorni, chiamate, in relazione alla crescita del fiume, akhet (inondazione), peret (uscita della terra dall&#39;acqua, inverno), shemu (siccità, estate)&lt;/font&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;font color=&quot;#ffffff&quot; style=&quot;background-color: #783f04;&quot;&gt;&lt;br /&gt;&lt;/font&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='https://bibliografiaalfredoluvino.blogspot.com/feeds/3265969723788746917/comments/default' title='Commenti sul post'/><link rel='replies' type='text/html' href='https://bibliografiaalfredoluvino.blogspot.com/2020/08/il-terzo-mese-dellinondazione.html#comment-form' title='0 Commenti'/><link rel='edit' type='application/atom+xml' href='https://www.blogger.com/feeds/2980469040358485301/posts/default/3265969723788746917'/><link rel='self' type='application/atom+xml' href='https://www.blogger.com/feeds/2980469040358485301/posts/default/3265969723788746917'/><link rel='alternate' type='text/html' href='https://bibliografiaalfredoluvino.blogspot.com/2020/08/il-terzo-mese-dellinondazione.html' title='Il terzo mese dell&#39;inondazione'/><author><name>Alfredo Luvino</name><uri>http://www.blogger.com/profile/01612354395301349893</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgJLjHYxNf8xJ0uJIrT0EhteJAgF6GMAroKkHuuj2rGo5PmZ5tYPk-nbRTsS1VK6jukzJlDwb3dx_7lUwZ-GafhQUnpLaBJrivjeEns4ihDlNJVzaRG4PRezYSH7BBkWGqkaBE5-jRyfRAx/s72-c-d/untitled+%25282%2529.png" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2980469040358485301.post-1896229142767322041</id><published>2020-08-03T08:59:00.006-07:00</published><updated>2020-08-03T13:14:14.281-07:00</updated><title type='text'>La leggenda di Eridano</title><content type='html'>&lt;div class=&quot;separator&quot;&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;&amp;nbsp;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiQyaLoyiiByfI9KunY5Gz5JamZiz87vdE9BOgQ3C_a02HbO1ydD9eLQp5ZIA1KuuULRtufOrXA4BftryIFEEAXduPLyx8RRyK5H4rciPm9mNWapvBJHVqIKNjm1Q1vyjBhBOIk3XfzyaUw/s962/WhatsApp+Image+2020-07-16+at+10.43.26.jpeg&quot; style=&quot;margin-left: 1em; margin-right: 1em; text-align: center;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;962&quot; data-original-width=&quot;642&quot; height=&quot;320&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiQyaLoyiiByfI9KunY5Gz5JamZiz87vdE9BOgQ3C_a02HbO1ydD9eLQp5ZIA1KuuULRtufOrXA4BftryIFEEAXduPLyx8RRyK5H4rciPm9mNWapvBJHVqIKNjm1Q1vyjBhBOIk3XfzyaUw/s320/WhatsApp+Image+2020-07-16+at+10.43.26.jpeg&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;text-align: center;&quot;&gt;&lt;span style=&quot;background-color: #783f04;&quot;&gt;&lt;font color=&quot;#ffffff&quot;&gt;Cosa sta accadendo a Torino, la città che un&#39;antica leggenda vuole fondata nel luogo dove morì Fetonte guidando il carro del Sole? Un uomo si aggira di notte trasportando un corpo sulle spalle, scompaiono alcune mummie, scheletri vengono menomati, uno scrittore iraqeno è introvabile. Sullo sfondo della Torino multietnica e della Torino magica, indagando fra Porta Palazzo, il Centro Culturale Dar al Hikma, il Museo Egizio e gli antichi cunicoli sotterrati, due spettatori coadiuvati da un egittologo cercano un nesso ad avvenimenti in apparenza completamente dissimili fra loro. Un libro ricco di colpi di scena e scritto con un ritmo incalzante. Dopo oltre 10 anni, gli autori de &quot;Il terzo mese dell&#39;inondazione&quot;, il romanzo giallo ambientato nell&#39;Antico Egitto che incontrò il favore di moltissimi lettori, offro nuovamente al loro pubblico un giallo avvincente e affascinante.&lt;/font&gt;&lt;/span&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='https://bibliografiaalfredoluvino.blogspot.com/feeds/1896229142767322041/comments/default' title='Commenti sul post'/><link rel='replies' type='text/html' href='https://bibliografiaalfredoluvino.blogspot.com/2020/08/la-leggenda-di-eridano.html#comment-form' title='0 Commenti'/><link rel='edit' type='application/atom+xml' href='https://www.blogger.com/feeds/2980469040358485301/posts/default/1896229142767322041'/><link rel='self' type='application/atom+xml' href='https://www.blogger.com/feeds/2980469040358485301/posts/default/1896229142767322041'/><link rel='alternate' type='text/html' href='https://bibliografiaalfredoluvino.blogspot.com/2020/08/la-leggenda-di-eridano.html' title='La leggenda di Eridano'/><author><name>Alfredo Luvino</name><uri>http://www.blogger.com/profile/01612354395301349893</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiQyaLoyiiByfI9KunY5Gz5JamZiz87vdE9BOgQ3C_a02HbO1ydD9eLQp5ZIA1KuuULRtufOrXA4BftryIFEEAXduPLyx8RRyK5H4rciPm9mNWapvBJHVqIKNjm1Q1vyjBhBOIk3XfzyaUw/s72-c/WhatsApp+Image+2020-07-16+at+10.43.26.jpeg" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2980469040358485301.post-5028662122077720410</id><published>2020-08-03T08:58:00.002-07:00</published><updated>2020-08-03T08:58:47.634-07:00</updated><title type='text'>Il mistero del pendaglio di Hori</title><content type='html'>&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhoEWRhiIfvWOErjqkC0ZUybZtcRQiRcmnB1_gplgTLyrrlT9IiYPP_uNa7iYOSpp295XUODfJ02BmDHBE5FQmb05DYUTBkfN9L-QNqC5_nAAqRp8xibOPLVLVb1k0Z0yeQiswlTOBmQtl-/s300/s-l300.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;300&quot; data-original-width=&quot;223&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhoEWRhiIfvWOErjqkC0ZUybZtcRQiRcmnB1_gplgTLyrrlT9IiYPP_uNa7iYOSpp295XUODfJ02BmDHBE5FQmb05DYUTBkfN9L-QNqC5_nAAqRp8xibOPLVLVb1k0Z0yeQiswlTOBmQtl-/s0/s-l300.jpg&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;font color=&quot;#ffffff&quot; style=&quot;background-color: #783f04;&quot;&gt;Questo romanzo è ambientato alla dine dellla XVIII dinastia egizia, nel 1308 a.C.&amp;nbsp;&lt;/font&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;font color=&quot;#ffffff&quot; style=&quot;background-color: #783f04;&quot;&gt;Sono passati più di tremila anni da allora, eppure non è difficile immaginare come vivevano gli egizi in quel tempo lontano.&lt;/font&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;font color=&quot;#ffffff&quot; style=&quot;background-color: #783f04;&quot;&gt;Nessun altro popolo, infatti ha lasciato così tante testimonianze scritte e visive delle sue abitudini, dei suoi usi e dei suoi costumi.&lt;/font&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='https://bibliografiaalfredoluvino.blogspot.com/feeds/5028662122077720410/comments/default' title='Commenti sul post'/><link rel='replies' type='text/html' href='https://bibliografiaalfredoluvino.blogspot.com/2020/08/il-mistero-del-pendaglio-di-hori_3.html#comment-form' title='0 Commenti'/><link rel='edit' type='application/atom+xml' href='https://www.blogger.com/feeds/2980469040358485301/posts/default/5028662122077720410'/><link rel='self' type='application/atom+xml' href='https://www.blogger.com/feeds/2980469040358485301/posts/default/5028662122077720410'/><link rel='alternate' type='text/html' href='https://bibliografiaalfredoluvino.blogspot.com/2020/08/il-mistero-del-pendaglio-di-hori_3.html' title='Il mistero del pendaglio di Hori'/><author><name>Alfredo Luvino</name><uri>http://www.blogger.com/profile/01612354395301349893</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhoEWRhiIfvWOErjqkC0ZUybZtcRQiRcmnB1_gplgTLyrrlT9IiYPP_uNa7iYOSpp295XUODfJ02BmDHBE5FQmb05DYUTBkfN9L-QNqC5_nAAqRp8xibOPLVLVb1k0Z0yeQiswlTOBmQtl-/s72-c/s-l300.jpg" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2980469040358485301.post-5337121278386544553</id><published>2020-08-03T08:57:00.007-07:00</published><updated>2020-08-03T09:18:45.207-07:00</updated><title type='text'>Ramses e l&#39;enigma di Quadesh</title><content type='html'>&lt;div class=&quot;separator&quot;&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEixVgJFlHitJ7KeEU8E4uVOeMdVJmjP74OdQRPae9CVItbxsg1054T-27DxSzFDno7k_PV9isBFaFnCotkXn6CZcG28PwQKOVpHyTo0-KdUfmlfZ9fiPly4av90MT53qS8EzpbzkCiE-Lq7/s295/9788886626194_136400135_0_221_0_75.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em; text-align: center;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;295&quot; data-original-width=&quot;221&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEixVgJFlHitJ7KeEU8E4uVOeMdVJmjP74OdQRPae9CVItbxsg1054T-27DxSzFDno7k_PV9isBFaFnCotkXn6CZcG28PwQKOVpHyTo0-KdUfmlfZ9fiPly4av90MT53qS8EzpbzkCiE-Lq7/s0/9788886626194_136400135_0_221_0_75.jpg&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;text-align: center;&quot;&gt;&lt;font color=&quot;#ffffff&quot; style=&quot;background-color: #783f04;&quot;&gt;Dopo il successo de &quot;Il terzo mese dell&#39;inondazione&quot;, l&#39;autore, sullo sfondo dell&#39;Antico Egitto, narra, in un affresco archeologico, le vicende d&#39;amore e di guerra che portano Ramses e Muwattali, sovrano ittita, a combattere a Quadesh sull&#39;Oronte la più antica battaglia che cambiò le sorti del mondo.&lt;/font&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;text-align: center;&quot;&gt;&lt;font color=&quot;#ffffff&quot; style=&quot;background-color: #783f04;&quot;&gt;La cronaca di una guerra e di una grande epopea per la prima volta in un romanzo da un egittologo.&lt;/font&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='https://bibliografiaalfredoluvino.blogspot.com/feeds/5337121278386544553/comments/default' title='Commenti sul post'/><link rel='replies' type='text/html' href='https://bibliografiaalfredoluvino.blogspot.com/2020/08/ramsese-e-lenigma-di-quadesh.html#comment-form' title='0 Commenti'/><link rel='edit' type='application/atom+xml' href='https://www.blogger.com/feeds/2980469040358485301/posts/default/5337121278386544553'/><link rel='self' type='application/atom+xml' href='https://www.blogger.com/feeds/2980469040358485301/posts/default/5337121278386544553'/><link rel='alternate' type='text/html' href='https://bibliografiaalfredoluvino.blogspot.com/2020/08/ramsese-e-lenigma-di-quadesh.html' title='Ramses e l&#39;enigma di Quadesh'/><author><name>Alfredo Luvino</name><uri>http://www.blogger.com/profile/01612354395301349893</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEixVgJFlHitJ7KeEU8E4uVOeMdVJmjP74OdQRPae9CVItbxsg1054T-27DxSzFDno7k_PV9isBFaFnCotkXn6CZcG28PwQKOVpHyTo0-KdUfmlfZ9fiPly4av90MT53qS8EzpbzkCiE-Lq7/s72-c/9788886626194_136400135_0_221_0_75.jpg" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2980469040358485301.post-3389675047384448717</id><published>2020-08-03T08:56:00.002-07:00</published><updated>2020-08-03T08:56:19.801-07:00</updated><title type='text'>Tahrir. Nel respiro d&#39;aurora</title><content type='html'>&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhEZFr70eiLWZXhx2Ksq1DoUoDMU31c_DnB3Dr4kMrEL5EotfDYCj1P8WNnDy7ERsR-aaEXq9Jc0ci85YNz7jUXNLCAp9Jl-5tXnkW6HJpjJpvh4r0VUvQ-BiMJjS43tb2tERucqLPsLa54/s337/9788889724293_0_0_0_75.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;337&quot; data-original-width=&quot;200&quot; height=&quot;320&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhEZFr70eiLWZXhx2Ksq1DoUoDMU31c_DnB3Dr4kMrEL5EotfDYCj1P8WNnDy7ERsR-aaEXq9Jc0ci85YNz7jUXNLCAp9Jl-5tXnkW6HJpjJpvh4r0VUvQ-BiMJjS43tb2tERucqLPsLa54/s320/9788889724293_0_0_0_75.jpg&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;font color=&quot;#ffffff&quot; style=&quot;background-color: #783f04;&quot;&gt;&quot;Egitto amato mio, dall&#39;acqua del tuo Nilo il mio uomo mi ha dato da bere,&lt;/font&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;font color=&quot;#ffffff&quot; style=&quot;background-color: #783f04;&quot;&gt;dal tuo sole mi ha tessuto il vestito da sposa,&lt;/font&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;font color=&quot;#ffffff&quot; style=&quot;background-color: #783f04;&quot;&gt;dalla tua speranza mi ha insegnato la saggezza,&lt;/font&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;font color=&quot;#ffffff&quot; style=&quot;background-color: #783f04;&quot;&gt;l&#39;amato mio...&quot;&lt;/font&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;font color=&quot;#ffffff&quot; style=&quot;background-color: #783f04;&quot;&gt;&lt;br /&gt;&lt;/font&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;font color=&quot;#ffffff&quot; style=&quot;background-color: #783f04;&quot;&gt;Tutto potrebbe accadere e tutto potrebbe essere fantasia letteraria. Come queste storie parallele che si incrociano sullo sfondo di un Egitto trasformato dalla rivolta di Piazza Tahrir. La vicenda di una splendida donna araba si intreccia con quella di un padre separato, di una figlia che è stata tolta, di un passato che riaffiora presente la memoria è denso di ricordi che si ripresentano legati a personaggi che scelte anche terribili di vita porteranno di immolarsi per una causa, giusta o sbagliata che sia. La freschezza e i valori di Sabah, termine arabo che può essere tradotto con aurora, intellettuale pur se sempre legata alla sua tradizione, fuoriescono lievemente con tutte le loro contraddizioni. Ma è tutto reale, è davvero tutto caduto o, come spesso avviene, tutto fa parte della nostra fantasia? Come la vicenda di una donna che traumi laceranti li porta inevitabilmente a voler ripetere per vivere esperienze che hanno segnato la sua esistenza. L&#39;Egitto è sempre presente come un fantasmagorico e immaginifico capolavoro che lo rende unico per le sue bellezze e il suo popolo troppo martoriato il predatore i suoi diritti. Non vita vera o falsa ma semplicemente vita che scorre come il sangue nelle vene ricordandoci che, al di là di ogni avversità, c&#39;è sempre un&#39;ora per ogni cosa è un tempo per le cose migliori.&lt;/font&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='https://bibliografiaalfredoluvino.blogspot.com/feeds/3389675047384448717/comments/default' title='Commenti sul post'/><link rel='replies' type='text/html' href='https://bibliografiaalfredoluvino.blogspot.com/2020/08/tahrir-nel-respiro-daurora.html#comment-form' title='0 Commenti'/><link rel='edit' type='application/atom+xml' href='https://www.blogger.com/feeds/2980469040358485301/posts/default/3389675047384448717'/><link rel='self' type='application/atom+xml' href='https://www.blogger.com/feeds/2980469040358485301/posts/default/3389675047384448717'/><link rel='alternate' type='text/html' href='https://bibliografiaalfredoluvino.blogspot.com/2020/08/tahrir-nel-respiro-daurora.html' title='Tahrir. Nel respiro d&#39;aurora'/><author><name>Alfredo Luvino</name><uri>http://www.blogger.com/profile/01612354395301349893</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhEZFr70eiLWZXhx2Ksq1DoUoDMU31c_DnB3Dr4kMrEL5EotfDYCj1P8WNnDy7ERsR-aaEXq9Jc0ci85YNz7jUXNLCAp9Jl-5tXnkW6HJpjJpvh4r0VUvQ-BiMJjS43tb2tERucqLPsLa54/s72-c/9788889724293_0_0_0_75.jpg" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2980469040358485301.post-3231523178566064522</id><published>2020-08-03T08:55:00.004-07:00</published><updated>2020-08-03T13:16:53.045-07:00</updated><title type='text'>La maledizione del cubito d&#39;oro</title><content type='html'>&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj_OaE_E5quCm13I4VlVpyyD2UIDxDQswR64vbxI6iiYy7ilplx_6B2DAhNmvxxLSWgRID74r20WpXy_qUa1-3TpvU427b1K2-lqfDV_lhTAKCS0EF4c8eqWzXF_226K64QrvJR60juEBzE/s320/s-l640.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;320&quot; data-original-width=&quot;251&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj_OaE_E5quCm13I4VlVpyyD2UIDxDQswR64vbxI6iiYy7ilplx_6B2DAhNmvxxLSWgRID74r20WpXy_qUa1-3TpvU427b1K2-lqfDV_lhTAKCS0EF4c8eqWzXF_226K64QrvJR60juEBzE/s0/s-l640.jpg&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;span style=&quot;background-color: #81501b; color: white; font-family: arial, tahoma, helvetica, freesans, sans-serif; font-size: 13.2px; text-align: start;&quot;&gt;Nella prefazione nel romanzo &quot;Il terzo mese dell&#39;inondazione&quot; di Alfredo Luvino e Raffaele Romano, Mario Tosi scriveva - Una autorevole scrittrice di romanzi &quot;gialli&quot;, Agatha Christie, forte dell&#39;esperienza di un insigne archeologo, il marito, aveva ambientato una vicenda, ricca di mistero e di delitti, nell&#39;Antico Egitto, 2000 anni prima di Cristo... A distanza di anni, un giovane archeologo, si cimenta in un impresa analoga...- Dopo oltre vent&#39;anni, quell&#39;egittologo, Luvino, meno giovane, torna a far rivivere i personaggi principali di quel romanzo, Nikita e Christopher. La vicenda snoda fra le sabbie di Tell el Amarna, il luogo dove Akhetaton fece elevare la sua città sognata, in un&#39;atmosfera di paure e morti misteriose che porteranno i protagonisti impegnati in uno scavo archeologico a Yaxchilan, in Messico, a tornare nella Valle del Nilo.&lt;/span&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;span style=&quot;background-color: #81501b; color: white; font-family: arial, tahoma, helvetica, freesans, sans-serif; font-size: 13.2px; text-align: start;&quot;&gt;Scritto con la figlia Ilaria Luvino.&lt;/span&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='https://bibliografiaalfredoluvino.blogspot.com/feeds/3231523178566064522/comments/default' title='Commenti sul post'/><link rel='replies' type='text/html' href='https://bibliografiaalfredoluvino.blogspot.com/2020/08/la-maledizione-del-cubito-doro.html#comment-form' title='0 Commenti'/><link rel='edit' type='application/atom+xml' href='https://www.blogger.com/feeds/2980469040358485301/posts/default/3231523178566064522'/><link rel='self' type='application/atom+xml' href='https://www.blogger.com/feeds/2980469040358485301/posts/default/3231523178566064522'/><link rel='alternate' type='text/html' href='https://bibliografiaalfredoluvino.blogspot.com/2020/08/la-maledizione-del-cubito-doro.html' title='La maledizione del cubito d&#39;oro'/><author><name>Alfredo Luvino</name><uri>http://www.blogger.com/profile/01612354395301349893</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj_OaE_E5quCm13I4VlVpyyD2UIDxDQswR64vbxI6iiYy7ilplx_6B2DAhNmvxxLSWgRID74r20WpXy_qUa1-3TpvU427b1K2-lqfDV_lhTAKCS0EF4c8eqWzXF_226K64QrvJR60juEBzE/s72-c/s-l640.jpg" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2980469040358485301.post-4616544258639433413</id><published>2020-08-03T08:54:00.007-07:00</published><updated>2020-08-08T05:52:37.224-07:00</updated><title type='text'>Sette racconti per sette sere</title><content type='html'>&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgWE8YDC0zhvzQMCeZ4VphAm2ZhKSCeHNuZhTyzzGLvX1eocK6DWRvrrFSQau8M-7t726sg1fVEjkbCdC2jCzjw6hSfMdxei0Cet8BuNdZpd3qG5u6Syf0B1Q9J2X48Qa6cItGlAJ7TlCge/s320/Sette+racconti.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;320&quot; data-original-width=&quot;201&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgWE8YDC0zhvzQMCeZ4VphAm2ZhKSCeHNuZhTyzzGLvX1eocK6DWRvrrFSQau8M-7t726sg1fVEjkbCdC2jCzjw6hSfMdxei0Cet8BuNdZpd3qG5u6Syf0B1Q9J2X48Qa6cItGlAJ7TlCge/s0/Sette+racconti.jpg&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;font color=&quot;#ffffff&quot; style=&quot;background-color: #783f04;&quot;&gt;&lt;br /&gt;&lt;/font&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;span style=&quot;background-color: #783f04; font-family: arial, tahoma, helvetica, freesans, sans-serif; font-size: 13.2px; text-align: start;&quot;&gt;&lt;font color=&quot;#ffffff&quot;&gt;I luoghi, i personaggi, gli amori e le vicende che potrebbero accadere a Lucento, affiorano lievemente in questo libro e si muovono, con passi di piombo, in un meraviglioso affresco dipinto con i colori e le ali della fantasia volto a rendere omaggio al luogo in cui si vive con la sottile speranza che possa sempre più diventare un’isola nelle pieghe del cuore dei suoi abitanti. Sette racconti, uno per ogni sera della settimana, scritti affinchè il tempo non scorra inutilmente ma sia sempre gravido di nuove emozioni.&lt;/font&gt;&lt;/span&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='https://bibliografiaalfredoluvino.blogspot.com/feeds/4616544258639433413/comments/default' title='Commenti sul post'/><link rel='replies' type='text/html' href='https://bibliografiaalfredoluvino.blogspot.com/2020/08/sette-racconti.html#comment-form' title='0 Commenti'/><link rel='edit' type='application/atom+xml' href='https://www.blogger.com/feeds/2980469040358485301/posts/default/4616544258639433413'/><link rel='self' type='application/atom+xml' href='https://www.blogger.com/feeds/2980469040358485301/posts/default/4616544258639433413'/><link rel='alternate' type='text/html' href='https://bibliografiaalfredoluvino.blogspot.com/2020/08/sette-racconti.html' title='Sette racconti per sette sere'/><author><name>Alfredo Luvino</name><uri>http://www.blogger.com/profile/01612354395301349893</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgWE8YDC0zhvzQMCeZ4VphAm2ZhKSCeHNuZhTyzzGLvX1eocK6DWRvrrFSQau8M-7t726sg1fVEjkbCdC2jCzjw6hSfMdxei0Cet8BuNdZpd3qG5u6Syf0B1Q9J2X48Qa6cItGlAJ7TlCge/s72-c/Sette+racconti.jpg" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2980469040358485301.post-8983525625476320565</id><published>2020-08-03T08:54:00.003-07:00</published><updated>2020-08-03T08:54:15.733-07:00</updated><title type='text'>Torino fra dritte vie e angoli di storia</title><content type='html'>&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj6JFgUI2VFBrYy_cUM8hDY6i_y5yJbXUCqU0w-T-TWs8yum2ONRR025j-NlDyo1l8JvFCTOx5ki9i6LEdq5hLrO5QEpyIVontClJ-QGstd9vaZXPqpwhEKlCrYi93R7Voww68RUaQrrYxL/s951/WhatsApp+Image+2020-07-16+at+10.44.00.jpeg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;951&quot; data-original-width=&quot;672&quot; height=&quot;320&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj6JFgUI2VFBrYy_cUM8hDY6i_y5yJbXUCqU0w-T-TWs8yum2ONRR025j-NlDyo1l8JvFCTOx5ki9i6LEdq5hLrO5QEpyIVontClJ-QGstd9vaZXPqpwhEKlCrYi93R7Voww68RUaQrrYxL/s320/WhatsApp+Image+2020-07-16+at+10.44.00.jpeg&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;font color=&quot;#ffffff&quot; style=&quot;background-color: #783f04;&quot;&gt;Torino romana, medioevale, rinascimentale, barocca; magica e custode della più preziosa reliquia cristiana; legata all&#39;Antico Egitto e proiettata verso il futuro. Ecco alcuni fra i volti di una città definita &quot;industriale&quot;, aggettivo che, purtroppo, non valorizza i suoi tesori artistici e culturali. Torino va scoperta con tatto garbato; ed allora le sue &quot;dritte vie&quot; sveleranno all&#39;osservatore attento i loro &quot;angoli di storia&quot;, nei quali è narrata una lunghissima vicenda in uno scenario che ha scandito le ore dell&#39;Italia e dell&#39;Europa.&lt;/font&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;font color=&quot;#ffffff&quot; style=&quot;background-color: #783f04;&quot;&gt;Con dodici percorsi, questo libro vuole focalizzare l&#39;attenzione su alcuni fra i più begli esempi della cultura torinese. L&#39;obiettivo di Mariano Dellago ha fissato sulla pellicola i luoghi più suggestivi; le sue fotografie restituiscono l&#39;immagine di un passato antico e recente che Torino ha saputo fondere sensìza creare fratture: dai Taurini all&#39;Europa.&lt;/font&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='https://bibliografiaalfredoluvino.blogspot.com/feeds/8983525625476320565/comments/default' title='Commenti sul post'/><link rel='replies' type='text/html' href='https://bibliografiaalfredoluvino.blogspot.com/2020/08/torino-fra-dritte-vie-e-angoli-di-storia.html#comment-form' title='0 Commenti'/><link rel='edit' type='application/atom+xml' href='https://www.blogger.com/feeds/2980469040358485301/posts/default/8983525625476320565'/><link rel='self' type='application/atom+xml' href='https://www.blogger.com/feeds/2980469040358485301/posts/default/8983525625476320565'/><link rel='alternate' type='text/html' href='https://bibliografiaalfredoluvino.blogspot.com/2020/08/torino-fra-dritte-vie-e-angoli-di-storia.html' title='Torino fra dritte vie e angoli di storia'/><author><name>Alfredo Luvino</name><uri>http://www.blogger.com/profile/01612354395301349893</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj6JFgUI2VFBrYy_cUM8hDY6i_y5yJbXUCqU0w-T-TWs8yum2ONRR025j-NlDyo1l8JvFCTOx5ki9i6LEdq5hLrO5QEpyIVontClJ-QGstd9vaZXPqpwhEKlCrYi93R7Voww68RUaQrrYxL/s72-c/WhatsApp+Image+2020-07-16+at+10.44.00.jpeg" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2980469040358485301.post-8926127816589799825</id><published>2020-08-03T08:53:00.002-07:00</published><updated>2020-08-03T08:53:28.128-07:00</updated><title type='text'>Icaro per un&#39;altra luce</title><content type='html'>&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi4YWX-n55J5f7hPGLoc6msxLzVnm7XoSKuQuJEUxqIE9HFDN7H9gc_QkM5yH1v4X56hazr73BHc_pvenMiD3SGjHFw67iDkmGog54HmNH7_S1Z404-eqeDJDN1jExEPGJqkhUTBndBpc0d/s320/Icaro+per+un%2527altra+luce.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;320&quot; data-original-width=&quot;224&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi4YWX-n55J5f7hPGLoc6msxLzVnm7XoSKuQuJEUxqIE9HFDN7H9gc_QkM5yH1v4X56hazr73BHc_pvenMiD3SGjHFw67iDkmGog54HmNH7_S1Z404-eqeDJDN1jExEPGJqkhUTBndBpc0d/s0/Icaro+per+un%2527altra+luce.jpg&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;span style=&quot;background-color: #81501b; color: white; font-family: arial, tahoma, helvetica, freesans, sans-serif; font-size: 13.2px; text-align: start;&quot;&gt;Una storia che potrebbe accadere o forse è davvero accaduta. La storia di una separazione, sofferta e traumatica, raccontata da un padre per la figlia. Una storia di umiliazioni, di avvocati e giudici, prevenuti e arroganti, certi della loro verità, strumenti nelle mani di poteri politici vecchi e logori pur se sempre attuali. Ma anche un invito a tutti i padri separati a non arrendersi mai. Perchè c’è sempre un’ora per ogni cosa e un tempo per le cose migliori.&lt;/span&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='https://bibliografiaalfredoluvino.blogspot.com/feeds/8926127816589799825/comments/default' title='Commenti sul post'/><link rel='replies' type='text/html' href='https://bibliografiaalfredoluvino.blogspot.com/2020/08/icaro-per-unaltra-luce.html#comment-form' title='0 Commenti'/><link rel='edit' type='application/atom+xml' href='https://www.blogger.com/feeds/2980469040358485301/posts/default/8926127816589799825'/><link rel='self' type='application/atom+xml' href='https://www.blogger.com/feeds/2980469040358485301/posts/default/8926127816589799825'/><link rel='alternate' type='text/html' href='https://bibliografiaalfredoluvino.blogspot.com/2020/08/icaro-per-unaltra-luce.html' title='Icaro per un&#39;altra luce'/><author><name>Alfredo Luvino</name><uri>http://www.blogger.com/profile/01612354395301349893</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi4YWX-n55J5f7hPGLoc6msxLzVnm7XoSKuQuJEUxqIE9HFDN7H9gc_QkM5yH1v4X56hazr73BHc_pvenMiD3SGjHFw67iDkmGog54HmNH7_S1Z404-eqeDJDN1jExEPGJqkhUTBndBpc0d/s72-c/Icaro+per+un%2527altra+luce.jpg" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2980469040358485301.post-3010423307123479119</id><published>2020-08-03T08:52:00.002-07:00</published><updated>2020-08-03T08:52:10.391-07:00</updated><title type='text'>Tavolozza di favole</title><content type='html'>&lt;br /&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj5O6qmRqO_YSFn-wG_-jdpLAD8FyVcFVEjvZ2LfFJFeLfUAySvfm6RYO2wW4aWxGMnwipwc6l1HCn28Oe1JsAuTt7Y4CVfMrgcs9dcAZ6vQa_IglY7Y8YeE1eZDLCRbjiIJDnFHZe5NKzt/s500/tavo.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;500&quot; data-original-width=&quot;499&quot; height=&quot;256&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj5O6qmRqO_YSFn-wG_-jdpLAD8FyVcFVEjvZ2LfFJFeLfUAySvfm6RYO2wW4aWxGMnwipwc6l1HCn28Oe1JsAuTt7Y4CVfMrgcs9dcAZ6vQa_IglY7Y8YeE1eZDLCRbjiIJDnFHZe5NKzt/w255-h256/tavo.jpg&quot; width=&quot;255&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;span id=&quot;docs-internal-guid-0a69292b-7fff-8ebb-a234-403ff87c22c9&quot;&gt;&lt;p dir=&quot;ltr&quot; style=&quot;line-height: 1.3800000000000001; margin-bottom: 10pt; margin-top: 0pt;&quot;&gt;&lt;span style=&quot;background-color: #783f04; font-family: Calibri, sans-serif; font-size: 11pt; font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;&lt;font color=&quot;#ffffff&quot;&gt;Testo per tavolozza favole&lt;/font&gt;&lt;/span&gt;&lt;/p&gt;&lt;p dir=&quot;ltr&quot; style=&quot;line-height: 1.3800000000000001; margin-bottom: 10pt; margin-top: 0pt;&quot;&gt;&lt;span style=&quot;background-color: #783f04; font-family: Calibri, sans-serif; font-size: 11pt; font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;&lt;font color=&quot;#ffffff&quot;&gt;Ventuno racconti. Tavole a colori di Eugenio Bolley.&lt;/font&gt;&lt;/span&gt;&lt;/p&gt;&lt;p dir=&quot;ltr&quot; style=&quot;line-height: 1.3800000000000001; margin-bottom: 10pt; margin-top: 0pt;&quot;&gt;&lt;span style=&quot;background-color: #783f04; font-family: Calibri, sans-serif; font-size: 11pt; font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;&lt;font color=&quot;#ffffff&quot;&gt;Alfredo Luvino, Icaro per un’altra luce&lt;/font&gt;&lt;/span&gt;&lt;/p&gt;&lt;div&gt;&lt;span style=&quot;font-family: Calibri, sans-serif; font-size: 11pt; font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;/span&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='https://bibliografiaalfredoluvino.blogspot.com/feeds/3010423307123479119/comments/default' title='Commenti sul post'/><link rel='replies' type='text/html' href='https://bibliografiaalfredoluvino.blogspot.com/2020/08/tavolozza-di-favole.html#comment-form' title='0 Commenti'/><link rel='edit' type='application/atom+xml' href='https://www.blogger.com/feeds/2980469040358485301/posts/default/3010423307123479119'/><link rel='self' type='application/atom+xml' href='https://www.blogger.com/feeds/2980469040358485301/posts/default/3010423307123479119'/><link rel='alternate' type='text/html' href='https://bibliografiaalfredoluvino.blogspot.com/2020/08/tavolozza-di-favole.html' title='Tavolozza di favole'/><author><name>Alfredo Luvino</name><uri>http://www.blogger.com/profile/01612354395301349893</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj5O6qmRqO_YSFn-wG_-jdpLAD8FyVcFVEjvZ2LfFJFeLfUAySvfm6RYO2wW4aWxGMnwipwc6l1HCn28Oe1JsAuTt7Y4CVfMrgcs9dcAZ6vQa_IglY7Y8YeE1eZDLCRbjiIJDnFHZe5NKzt/s72-w255-h256-c/tavo.jpg" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2980469040358485301.post-783664166374920448</id><published>2020-08-03T08:50:00.004-07:00</published><updated>2020-08-06T11:42:16.782-07:00</updated><title type='text'>La culla di Erodoto</title><content type='html'>&lt;br /&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg1UMxTCA194j1T0kRkxnKA6aPCUe8JKTa31bNxQbqARn-ZHy_zXGoaH_-htOQNSAgx_h2QONFHiMnpN3fWSF4FxIoWJfgduMujU34cVNWnXsaOqBZ0hScshNeAtg6ToGwj5KHbEkcWpkQs/s499/culla.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;499&quot; data-original-width=&quot;374&quot; height=&quot;319&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg1UMxTCA194j1T0kRkxnKA6aPCUe8JKTa31bNxQbqARn-ZHy_zXGoaH_-htOQNSAgx_h2QONFHiMnpN3fWSF4FxIoWJfgduMujU34cVNWnXsaOqBZ0hScshNeAtg6ToGwj5KHbEkcWpkQs/w239-h319/culla.jpg&quot; width=&quot;239&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;span style=&quot;background-color: #783f04; color: white;&quot;&gt;Con la famosa Muraglia cinese, le piramidi egizie elevate nella piana di Giza sono gli unici monumenti che si possono vedere dallo spazio. L&#39;imponenza di queste ultime, unita alla severità la perfezione loro forme, hanno da sempre attratto la curiosità di viaggiatori sollevato dubbi e ipotesi circa la loro costruzione.&lt;/span&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;span style=&quot;background-color: #783f04; color: white;&quot;&gt;Si è parlato di dei scesi sulla terra detentori di chissà quali segreti che avrebbero svelato proprio gli antichi abitanti della Valle del Nilo, di popoli vissuti diecimila anni prima di Cristo, di iniziati detentori di strane e complicate e formule magiche; tutto ciò per spiegarsi come gli antichi abbiano potuto elevare simili monumenti che costellano ancora oggi gran parte del territorio attorno all&#39;attuale città del Cairo, poiché le piramidi di Giza elevate da Cheope, Chefren e Micerino sono solamente le più conosciute delle oltre ottanta che dalla quarta dinastia alla dodicesima gli Egizi innalzarono per i loro sovrani.&lt;/span&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='https://bibliografiaalfredoluvino.blogspot.com/feeds/783664166374920448/comments/default' title='Commenti sul post'/><link rel='replies' type='text/html' href='https://bibliografiaalfredoluvino.blogspot.com/2020/08/la-culla-di-erodoto.html#comment-form' title='0 Commenti'/><link rel='edit' type='application/atom+xml' href='https://www.blogger.com/feeds/2980469040358485301/posts/default/783664166374920448'/><link rel='self' type='application/atom+xml' href='https://www.blogger.com/feeds/2980469040358485301/posts/default/783664166374920448'/><link rel='alternate' type='text/html' href='https://bibliografiaalfredoluvino.blogspot.com/2020/08/la-culla-di-erodoto.html' title='La culla di Erodoto'/><author><name>Alfredo Luvino</name><uri>http://www.blogger.com/profile/01612354395301349893</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg1UMxTCA194j1T0kRkxnKA6aPCUe8JKTa31bNxQbqARn-ZHy_zXGoaH_-htOQNSAgx_h2QONFHiMnpN3fWSF4FxIoWJfgduMujU34cVNWnXsaOqBZ0hScshNeAtg6ToGwj5KHbEkcWpkQs/s72-w239-h319-c/culla.jpg" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2980469040358485301.post-5701257669712091785</id><published>2020-08-03T08:49:00.005-07:00</published><updated>2020-08-03T08:49:45.827-07:00</updated><title type='text'>L&#39;anarchia del sacro</title><content type='html'>&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg6BuB26OGJ0Ae282tBP_Q0pcITWcJZifyZK4fgezrMSX8_RumKUfhSMQmjKg7_5R28_67Y83XXAivpDBKfEV8foP2ECAEop_eT-hilgDeL35fTV91XZzkY32S1rBFmLLWzgfVm3-UDSCDQ/s199/untitled+%25281%2529.png&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;199&quot; data-original-width=&quot;127&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg6BuB26OGJ0Ae282tBP_Q0pcITWcJZifyZK4fgezrMSX8_RumKUfhSMQmjKg7_5R28_67Y83XXAivpDBKfEV8foP2ECAEop_eT-hilgDeL35fTV91XZzkY32S1rBFmLLWzgfVm3-UDSCDQ/s0/untitled+%25281%2529.png&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;p style=&quot;font-family: georgia, &amp;quot;times new roman&amp;quot;, serif; font-size: 19px; margin-bottom: 0.875em; text-align: start;&quot;&gt;&lt;/p&gt;&lt;p align=&quot;center&quot; style=&quot;margin-bottom: 10.5pt;&quot;&gt;&lt;span style=&quot;background: rgb(120, 63, 4); color: white; font-family: arial, sans-serif; font-size: 10pt;&quot;&gt;ARS, con questo libro, si pone con attenzione verso le varie Religioni pur curando la Philosophia perennis, pur facendo attenzione a quanto superi ogni esclusivismo spirituale.&lt;/span&gt;&lt;span style=&quot;font-family: arial, sans-serif; font-size: 10pt;&quot;&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;&lt;p align=&quot;center&quot; class=&quot;MsoNormal&quot; style=&quot;line-height: normal; margin-bottom: 10.5pt; mso-hyphenate: auto; mso-margin-top-alt: auto;&quot;&gt;&lt;span style=&quot;background: rgb(120, 63, 4); color: white; font-family: arial, sans-serif; font-size: 10pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;; mso-fareast-language: IT;&quot;&gt;Si avverte la necessità di trovare quel minimo comune denominatore che tutto lega in Dio o nell’Anâtman (an-Âtman) (Anattâ, pali) o in qualsiasi delle figure che ci si ponga come autentico, intenso e forte ideale.&lt;/span&gt;&lt;span style=&quot;font-family: arial, sans-serif; font-size: 10pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;; mso-fareast-language: IT;&quot;&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;&lt;p align=&quot;center&quot; class=&quot;MsoNormal&quot; style=&quot;line-height: normal; margin-bottom: 10.5pt; mso-hyphenate: auto; mso-margin-top-alt: auto;&quot;&gt;&lt;span style=&quot;background: rgb(120, 63, 4); color: white; font-family: arial, sans-serif; font-size: 10pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;; mso-fareast-language: IT;&quot;&gt;Questo libro è un lavoro che ci si augura serio, sincero, comunicativo.&lt;/span&gt;&lt;span style=&quot;font-family: arial, sans-serif; font-size: 10pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;; mso-fareast-language: IT;&quot;&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;&lt;div&gt;&lt;span style=&quot;background: rgb(120, 63, 4); color: white; font-family: arial, sans-serif; font-size: 10pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;; mso-fareast-language: IT;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='https://bibliografiaalfredoluvino.blogspot.com/feeds/5701257669712091785/comments/default' title='Commenti sul post'/><link rel='replies' type='text/html' href='https://bibliografiaalfredoluvino.blogspot.com/2020/08/lanarchia-del-sacro.html#comment-form' title='0 Commenti'/><link rel='edit' type='application/atom+xml' href='https://www.blogger.com/feeds/2980469040358485301/posts/default/5701257669712091785'/><link rel='self' type='application/atom+xml' href='https://www.blogger.com/feeds/2980469040358485301/posts/default/5701257669712091785'/><link rel='alternate' type='text/html' href='https://bibliografiaalfredoluvino.blogspot.com/2020/08/lanarchia-del-sacro.html' title='L&#39;anarchia del sacro'/><author><name>Alfredo Luvino</name><uri>http://www.blogger.com/profile/01612354395301349893</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg6BuB26OGJ0Ae282tBP_Q0pcITWcJZifyZK4fgezrMSX8_RumKUfhSMQmjKg7_5R28_67Y83XXAivpDBKfEV8foP2ECAEop_eT-hilgDeL35fTV91XZzkY32S1rBFmLLWzgfVm3-UDSCDQ/s72-c/untitled+%25281%2529.png" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2980469040358485301.post-5072997862526691173</id><published>2020-08-03T08:49:00.002-07:00</published><updated>2020-08-03T08:49:06.418-07:00</updated><title type='text'>Sotto il cielo della libertà</title><content type='html'>&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhWHuyEUAUKUOOKjbkb7Rzt9AdTebHT8O0yKg1Vj7eJIEa08TkDWHSDek4ek_WEQ09NdbqZkDz25znA3NYHGmUuP_cpPV6G582XiMgTZGfCGheSySeDUpXGblYn7SzrjZHe_SwkwqlfzVwr/s450/untitled.png&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;450&quot; data-original-width=&quot;307&quot; height=&quot;320&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhWHuyEUAUKUOOKjbkb7Rzt9AdTebHT8O0yKg1Vj7eJIEa08TkDWHSDek4ek_WEQ09NdbqZkDz25znA3NYHGmUuP_cpPV6G582XiMgTZGfCGheSySeDUpXGblYn7SzrjZHe_SwkwqlfzVwr/s320/untitled.png&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;font color=&quot;#ffffff&quot; style=&quot;background-color: #783f04;&quot;&gt;&lt;br /&gt;&lt;/font&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;span style=&quot;background-color: #783f04; font-family: arial, tahoma, sans-serif; font-size: 13.28px; text-align: left;&quot;&gt;&lt;font color=&quot;#ffffff&quot;&gt;Il mito di Catone, considerato simbolo di libertà morale (e non di eroismo politico), incarna nella cultura seicentesca l’ideale dell’uomo coerente con se stesso fi no al punto di affrontare impavidamente la morte. Lo evidenzia bene e con cruda drammaticità il dipinto dal titolo “Il suicidio di Catone l’Uticense” del Guercino, dove Catone è colto nell’atto di confi ccarsi la spada nel ventre, anticipando così i “prodromi” del pensiero illuminista che esalterà questi valori morali. Ma cosa intendiamo veramente con la parola Libertà? La Libertà in senso eminente è il superamento delle condizioni che legano come ceppi l’uomo: o captivus o libero. Se l’uomo è uomo, è uomo libero, in tutto e per tutto se stesso. La ragione come l’intelletto e la memoria giocano un ruolo fondamentale per scalzare i mille concetti, oziosi dal punto di vista spirituale che, giorno per giorno, concretano la gabbia in cui l’uomo rinuncia alla sua principiale umanità. Si troverà con “il fiore dell’Intelletto” oscurato da pensieri, parole ed azioni diaboliche, separative: uomo non libero, uomo non uomo.&lt;/font&gt;&lt;/span&gt;&lt;span style=&quot;font-family: arial, tahoma, sans-serif; font-size: 13.28px; margin: 0px; padding: 0px; text-align: left;&quot;&gt;&lt;font color=&quot;#ffffff&quot; style=&quot;background-color: #783f04;&quot;&gt;&lt;br /&gt;&lt;/font&gt;&lt;/span&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='https://bibliografiaalfredoluvino.blogspot.com/feeds/5072997862526691173/comments/default' title='Commenti sul post'/><link rel='replies' type='text/html' href='https://bibliografiaalfredoluvino.blogspot.com/2020/08/sotto-il-cielo-della-liberta.html#comment-form' title='0 Commenti'/><link rel='edit' type='application/atom+xml' href='https://www.blogger.com/feeds/2980469040358485301/posts/default/5072997862526691173'/><link rel='self' type='application/atom+xml' href='https://www.blogger.com/feeds/2980469040358485301/posts/default/5072997862526691173'/><link rel='alternate' type='text/html' href='https://bibliografiaalfredoluvino.blogspot.com/2020/08/sotto-il-cielo-della-liberta.html' title='Sotto il cielo della libertà'/><author><name>Alfredo Luvino</name><uri>http://www.blogger.com/profile/01612354395301349893</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhWHuyEUAUKUOOKjbkb7Rzt9AdTebHT8O0yKg1Vj7eJIEa08TkDWHSDek4ek_WEQ09NdbqZkDz25znA3NYHGmUuP_cpPV6G582XiMgTZGfCGheSySeDUpXGblYn7SzrjZHe_SwkwqlfzVwr/s72-c/untitled.png" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2980469040358485301.post-2648622896492743340</id><published>2020-08-03T08:48:00.003-07:00</published><updated>2020-08-03T08:48:25.917-07:00</updated><title type='text'>Il peccato</title><content type='html'>&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgfX7qZXE6TGCVm03rypaRSNszjh4S1GQtDAi61Ky6h4hlNL_0uwRfF99GN2J0bKDhZbsDS3buESCXOQ1WVhOeGWj8NW69QwbZClbjFt8qp6edRQCpjlq1rLe0w0zsVq8dm7thwfZya7sx2/s870/pecc+%25281%2529.png&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;870&quot; data-original-width=&quot;567&quot; height=&quot;320&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgfX7qZXE6TGCVm03rypaRSNszjh4S1GQtDAi61Ky6h4hlNL_0uwRfF99GN2J0bKDhZbsDS3buESCXOQ1WVhOeGWj8NW69QwbZClbjFt8qp6edRQCpjlq1rLe0w0zsVq8dm7thwfZya7sx2/s320/pecc+%25281%2529.png&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;p align=&quot;center&quot; class=&quot;MsoNormal&quot;&gt;&lt;/p&gt;&lt;p align=&quot;center&quot; class=&quot;MsoNormal&quot;&gt;&lt;span style=&quot;background: rgb(120, 63, 4); color: white; font-family: arial, sans-serif; font-size: 10pt; line-height: 15.3333px;&quot;&gt;La quarta monografia di ARS è, ancora una volta, un testo a sé stante.&lt;/span&gt;&lt;span style=&quot;color: white; font-family: arial, sans-serif; font-size: 10pt; line-height: 15.3333px;&quot;&gt;&lt;br style=&quot;-webkit-text-stroke-width: 0px; font-variant-caps: normal; font-variant-ligatures: normal; orphans: 2; text-align: start; text-decoration-color: initial; text-decoration-style: initial; widows: 2;&quot; /&gt;&lt;span style=&quot;background: rgb(120, 63, 4);&quot;&gt;&lt;span style=&quot;-webkit-text-stroke-width: 0px; font-variant-caps: normal; font-variant-ligatures: normal; orphans: 2; text-align: start; text-decoration-color: initial; text-decoration-style: initial; widows: 2;&quot;&gt;Un filum naturale lega le precedenti pubblicazioni a questa perché Il peccato, argomento chiave, è insieme “piede storto” eppure indicazione del retto agire. Il peccato è accidia e sonno, a-vidja, non-visione essenziale che porta alla dissipazione interna.&lt;/span&gt;&lt;/span&gt;&lt;br style=&quot;-webkit-text-stroke-width: 0px; font-variant-caps: normal; font-variant-ligatures: normal; orphans: 2; text-align: start; text-decoration-color: initial; text-decoration-style: initial; widows: 2;&quot; /&gt;&lt;span style=&quot;background: rgb(120, 63, 4);&quot;&gt;&lt;span style=&quot;-webkit-text-stroke-width: 0px; font-variant-caps: normal; font-variant-ligatures: normal; orphans: 2; text-align: start; text-decoration-color: initial; text-decoration-style: initial; widows: 2;&quot;&gt;L’aspetto propositivo di questo convegno è appunto nel far intravvedere la reductio ad unum, la possibilità dell’Amore fulminante nell’eterno qui-e-adesso, oltre al peccato dell’origine..&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;&lt;span style=&quot;font-family: arial, sans-serif; font-size: 10pt; line-height: 15.3333px;&quot;&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;&lt;div&gt;&lt;span style=&quot;color: white; font-family: arial, sans-serif; font-size: 10pt; line-height: 15.3333px;&quot;&gt;&lt;span style=&quot;background: rgb(120, 63, 4);&quot;&gt;&lt;span style=&quot;-webkit-text-stroke-width: 0px; font-variant-caps: normal; font-variant-ligatures: normal; orphans: 2; text-align: start; text-decoration-color: initial; text-decoration-style: initial; widows: 2;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='https://bibliografiaalfredoluvino.blogspot.com/feeds/2648622896492743340/comments/default' title='Commenti sul post'/><link rel='replies' type='text/html' href='https://bibliografiaalfredoluvino.blogspot.com/2020/08/il-peccato.html#comment-form' title='0 Commenti'/><link rel='edit' type='application/atom+xml' href='https://www.blogger.com/feeds/2980469040358485301/posts/default/2648622896492743340'/><link rel='self' type='application/atom+xml' href='https://www.blogger.com/feeds/2980469040358485301/posts/default/2648622896492743340'/><link rel='alternate' type='text/html' href='https://bibliografiaalfredoluvino.blogspot.com/2020/08/il-peccato.html' title='Il peccato'/><author><name>Alfredo Luvino</name><uri>http://www.blogger.com/profile/01612354395301349893</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgfX7qZXE6TGCVm03rypaRSNszjh4S1GQtDAi61Ky6h4hlNL_0uwRfF99GN2J0bKDhZbsDS3buESCXOQ1WVhOeGWj8NW69QwbZClbjFt8qp6edRQCpjlq1rLe0w0zsVq8dm7thwfZya7sx2/s72-c/pecc+%25281%2529.png" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2980469040358485301.post-7304024489081720424</id><published>2020-08-03T08:47:00.004-07:00</published><updated>2020-08-03T08:52:39.864-07:00</updated><title type='text'>Lunga Lancia figlio del bisonte</title><content type='html'>&lt;br /&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhhEgzm3Wi_0-WmlBjjqsZDb1JJE1VBWhVkAYSq3I3YcWhxz0tcIKXSukE-AH6V-fze_HKeBUU-Wl7zLHoEJt5yEiz-mJZfLe3uyFgLdVW7nm5VUy0YNU2QiO83axR5XUMYxkvxqees0hMb/s212/lunga.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;212&quot; data-original-width=&quot;212&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhhEgzm3Wi_0-WmlBjjqsZDb1JJE1VBWhVkAYSq3I3YcWhxz0tcIKXSukE-AH6V-fze_HKeBUU-Wl7zLHoEJt5yEiz-mJZfLe3uyFgLdVW7nm5VUy0YNU2QiO83axR5XUMYxkvxqees0hMb/s0/lunga.jpg&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;span id=&quot;docs-internal-guid-9436214c-7fff-1183-8db4-8426d9460f63&quot;&gt;&lt;p dir=&quot;ltr&quot; style=&quot;line-height: 1.3800000000000001; margin-bottom: 10pt; margin-top: 0pt;&quot;&gt;&lt;span style=&quot;background-color: #783f04; font-family: Calibri, sans-serif; font-size: 11pt; font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;&lt;font color=&quot;#ffffff&quot;&gt;Lunga lancia figlio del bisonte. Autobiografia di un capo indiano. Prefazione Alfredo Luvino&lt;/font&gt;&lt;/span&gt;&lt;/p&gt;&lt;div&gt;&lt;span style=&quot;font-family: Calibri, sans-serif; font-size: 11pt; font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;/span&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='https://bibliografiaalfredoluvino.blogspot.com/feeds/7304024489081720424/comments/default' title='Commenti sul post'/><link rel='replies' type='text/html' href='https://bibliografiaalfredoluvino.blogspot.com/2020/08/lunga-lancia-figlio-del-bisonte.html#comment-form' title='0 Commenti'/><link rel='edit' type='application/atom+xml' href='https://www.blogger.com/feeds/2980469040358485301/posts/default/7304024489081720424'/><link rel='self' type='application/atom+xml' href='https://www.blogger.com/feeds/2980469040358485301/posts/default/7304024489081720424'/><link rel='alternate' type='text/html' href='https://bibliografiaalfredoluvino.blogspot.com/2020/08/lunga-lancia-figlio-del-bisonte.html' title='Lunga Lancia figlio del bisonte'/><author><name>Alfredo Luvino</name><uri>http://www.blogger.com/profile/01612354395301349893</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhhEgzm3Wi_0-WmlBjjqsZDb1JJE1VBWhVkAYSq3I3YcWhxz0tcIKXSukE-AH6V-fze_HKeBUU-Wl7zLHoEJt5yEiz-mJZfLe3uyFgLdVW7nm5VUy0YNU2QiO83axR5XUMYxkvxqees0hMb/s72-c/lunga.jpg" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2980469040358485301.post-8692740745092564622</id><published>2020-08-03T08:46:00.004-07:00</published><updated>2020-08-03T08:46:51.851-07:00</updated><title type='text'>Che cos&#39;è l&#39;uomo?</title><content type='html'>&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgcsD76Vw6kg91ykOUCTQQCwflHvQ8Trk51r_ZwZFv6bWeQOZtx9DIP94yuSzzbyhQlq0Enfy4dMb-nxDUUDcIwLUZErbfJuJI-eKdvgpYaN525iBiNW4R_2h-aa-km2tJEi_Q3iu_DAbiq/s272/images.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;272&quot; data-original-width=&quot;185&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgcsD76Vw6kg91ykOUCTQQCwflHvQ8Trk51r_ZwZFv6bWeQOZtx9DIP94yuSzzbyhQlq0Enfy4dMb-nxDUUDcIwLUZErbfJuJI-eKdvgpYaN525iBiNW4R_2h-aa-km2tJEi_Q3iu_DAbiq/s0/images.jpg&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;p style=&quot;font-family: georgia, &amp;quot;times new roman&amp;quot;, serif; font-size: 19px; margin-bottom: 0.875em; text-align: start;&quot;&gt;&lt;/p&gt;&lt;p align=&quot;center&quot; class=&quot;MsoNormal&quot; style=&quot;line-height: normal; margin-bottom: 10.5pt; mso-hyphenate: auto; mso-margin-top-alt: auto;&quot;&gt;&lt;span style=&quot;background: rgb(120, 63, 4); color: white; font-family: arial, sans-serif; font-size: 10pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;; mso-fareast-language: IT;&quot;&gt;Che cosa è l’Uomo è stato un lavoro complesso e molto coinvolgente. I saggi che lo animano si volgono a evidenziare l’Uomo assoluto che in tutti noi, arcaicamente, magnificamente, poeticamente, esiste.&lt;/span&gt;&lt;span style=&quot;font-family: arial, sans-serif; font-size: 10pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;; mso-fareast-language: IT;&quot;&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;&lt;p align=&quot;center&quot; class=&quot;MsoNormal&quot; style=&quot;line-height: normal; margin-bottom: 10.5pt; mso-hyphenate: auto; mso-margin-top-alt: auto;&quot;&gt;&lt;span style=&quot;background: rgb(120, 63, 4); color: white; font-family: arial, sans-serif; font-size: 10pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;; mso-fareast-language: IT;&quot;&gt;Gli atti del recente convegno dedicato all’Uomo vero, dignitoso e lontano da ogni fragile orgoglio, sono stati raccolti facendo attenzione a lasciare nel lettore una felice miscellanea di domande e risposte. Domande per conoscere quanto ci intride e motiva profondamente, risposte per seminare buoni germi che rendano fecondo l’ homo, humilis, humus che è in tutti noi.&lt;/span&gt;&lt;span style=&quot;font-family: arial, sans-serif; font-size: 10pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;; mso-fareast-language: IT;&quot;&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;&lt;div&gt;&lt;span style=&quot;background: rgb(120, 63, 4); color: white; font-family: arial, sans-serif; font-size: 10pt; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;; mso-fareast-language: IT;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='https://bibliografiaalfredoluvino.blogspot.com/feeds/8692740745092564622/comments/default' title='Commenti sul post'/><link rel='replies' type='text/html' href='https://bibliografiaalfredoluvino.blogspot.com/2020/08/che-cose-luomo.html#comment-form' title='0 Commenti'/><link rel='edit' type='application/atom+xml' href='https://www.blogger.com/feeds/2980469040358485301/posts/default/8692740745092564622'/><link rel='self' type='application/atom+xml' href='https://www.blogger.com/feeds/2980469040358485301/posts/default/8692740745092564622'/><link rel='alternate' type='text/html' href='https://bibliografiaalfredoluvino.blogspot.com/2020/08/che-cose-luomo.html' title='Che cos&#39;è l&#39;uomo?'/><author><name>Alfredo Luvino</name><uri>http://www.blogger.com/profile/01612354395301349893</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgcsD76Vw6kg91ykOUCTQQCwflHvQ8Trk51r_ZwZFv6bWeQOZtx9DIP94yuSzzbyhQlq0Enfy4dMb-nxDUUDcIwLUZErbfJuJI-eKdvgpYaN525iBiNW4R_2h-aa-km2tJEi_Q3iu_DAbiq/s72-c/images.jpg" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2980469040358485301.post-132501030265344253</id><published>2020-07-20T14:04:00.003-07:00</published><updated>2020-08-03T13:15:27.113-07:00</updated><title type='text'>L&#39;alimentazione nel mondo antico</title><content type='html'>&lt;br /&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg1bojf3PhcoK5dbDU4sfjfaGw-G3npHCzygNEL57kK2bMkUrb9PT34EKtb7loU9OMHdlYi691_hTOiCUIqOZUu3QG7SCtt6AUdjw3Tu-B_3bPgCyJHdlkct9Zt_5Au3SC1P-A36If5fDKN/s266/Ist__Poligr__Zecca.jpg&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;266&quot; data-original-width=&quot;200&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg1bojf3PhcoK5dbDU4sfjfaGw-G3npHCzygNEL57kK2bMkUrb9PT34EKtb7loU9OMHdlYi691_hTOiCUIqOZUu3QG7SCtt6AUdjw3Tu-B_3bPgCyJHdlkct9Zt_5Au3SC1P-A36If5fDKN/s0/Ist__Poligr__Zecca.jpg&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;p class=&quot;MsoNormal&quot; style=&quot;background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; line-height: normal;&quot;&gt;&lt;span style=&quot;background-color: #783f04;&quot;&gt;&lt;font color=&quot;#ffffff&quot;&gt;&lt;span style=&quot;font-family: arial, sans-serif; font-size: 10pt;&quot;&gt;L&#39; alimentazione nel
mondo antico. Gli Egizi&lt;/span&gt;&lt;span style=&quot;font-family: arial, sans-serif; font-size: 10pt;&quot;&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/font&gt;&lt;/span&gt;&lt;/p&gt;

&lt;p class=&quot;MsoNormal&quot; style=&quot;background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; line-height: normal;&quot;&gt;&lt;span style=&quot;background-color: #783f04;&quot;&gt;&lt;font color=&quot;#ffffff&quot;&gt;&lt;i&gt;&lt;span style=&quot;font-family: arial, sans-serif; font-size: 10pt;&quot;&gt;Proprietà e lavoro.&lt;/span&gt;&lt;/i&gt;&lt;span style=&quot;font-family: arial, sans-serif; font-size: 10pt;&quot;&gt;&amp;nbsp;Latifondi, piccole proprietà e rendite
alimentari. Le importazioni di A. Luvino&lt;/span&gt;&lt;/font&gt;&lt;/span&gt;&lt;/p&gt;

&lt;p class=&quot;MsoNormal&quot; style=&quot;background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; line-height: normal;&quot;&gt;&lt;span style=&quot;background-color: #783f04;&quot;&gt;&lt;font color=&quot;#ffffff&quot;&gt;&lt;span style=&quot;font-family: arial, sans-serif; font-size: 10pt;&quot;&gt;Ist. Poligrafico dello
Stato&lt;/span&gt;&lt;span style=&quot;font-family: arial, sans-serif; font-size: 10pt;&quot;&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/font&gt;&lt;/span&gt;&lt;/p&gt;&lt;br /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='https://bibliografiaalfredoluvino.blogspot.com/feeds/132501030265344253/comments/default' title='Commenti sul post'/><link rel='replies' type='text/html' href='https://bibliografiaalfredoluvino.blogspot.com/2020/07/lalimentazione-nel-mondo-antico.html#comment-form' title='0 Commenti'/><link rel='edit' type='application/atom+xml' href='https://www.blogger.com/feeds/2980469040358485301/posts/default/132501030265344253'/><link rel='self' type='application/atom+xml' href='https://www.blogger.com/feeds/2980469040358485301/posts/default/132501030265344253'/><link rel='alternate' type='text/html' href='https://bibliografiaalfredoluvino.blogspot.com/2020/07/lalimentazione-nel-mondo-antico.html' title='L&#39;alimentazione nel mondo antico'/><author><name>Alfredo Luvino</name><uri>http://www.blogger.com/profile/01612354395301349893</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg1bojf3PhcoK5dbDU4sfjfaGw-G3npHCzygNEL57kK2bMkUrb9PT34EKtb7loU9OMHdlYi691_hTOiCUIqOZUu3QG7SCtt6AUdjw3Tu-B_3bPgCyJHdlkct9Zt_5Au3SC1P-A36If5fDKN/s72-c/Ist__Poligr__Zecca.jpg" height="72" width="72"/><thr:total>0</thr:total></entry></feed>