I’m always on the look out for inspiration to keep my creativity fueled and fired up. I collect things like postcards, art show flyers, clippings from magazines, cards people have given me, photos and other bits of ephemera. As shown in the above photo I keep some of the things on display pinned to the bulletin board facing my desk. I love having something interesting to look at while I work on the computer.

These days the internet has become my main source of inspiration. It’s the quickest and easiest way to do research for my work or randomly come across the work of other talented artists through Twitter, Flickr, or blogs. Thanks to Boris’ introduction to Posterous I’ve started gathering together all the bits and pieces I find on the internet that inspire me instead of leaving them forgotten in google reader or filed away in email. Take a look at my posterous page to see what I’ve collected so far.

Some of the artists featured on my bulletin board:
A print by Theo Ellesworth
Two invites for shows by Soizick Meister
A flyer for Cecilia Z. Miguez
Postcards by Anahata Katkin

Please leave me a comment if there is an artist or blog you find inspiring.

I was very excited when Opus Framing and Art recently announced their new digital canvas printing service. I’d been considering canvas printing for some of my recent photographic work so their timing couldn’t have been better. I selected two files from the portrait series and took them in to Opus to test out their print services. As you can see by the photos they did a fantastic job.

The colours and level of detail in the prints are really fantastic and the texture of the canvas plays nicely with the illustrative qualities of my work. Opus stretches the canvas in-house with a choice between 3/4″ or 1-1/2″ stretcher bars and four different styles of folding the corners. I went with the larger stretchers because it makes the finished print more substantial and I can hang it without a frame. I am really thrilled with these two prints and it’s only a matter of time before I have the rest of my portrait series printed on canvas as well.

I can’t say enough good things about the staff at the downtown location of Opus (which is the only location to offer this service) who are very knowledgeable and helpful. They were really great about answering my questions, and I was shown samples of digital files of varying quality printed on the canvas to give me an idea of how things would look. They also have their monitors calibrated to the printer for perfect colour accuracy. It took a week for my files to be printed and stretched, and they gave me a call when everything was ready. It’s a great service with even better results – especially when you start with high quality files.

As a side note, I had been planning to use Kickstarter to create a campaign to fund the cost of producing the canvas prints of my portrait series. I want to put together a show of this work but not beggar myself in the process. This morning as I started looking into it I discovered I need a US bank account and address because Kickstarter uses Amazon Payments Business accounts to receive funds and this is part of their policy. Now I’ll either have to figure out a way to make it work for me or come up with some other means to raise money to fund my art. Any suggestions?

This is one of those pieces where I began without a plan and just followed wherever the book wanted to go. I wanted to create another folded page book using the same fold pattern as I did in a previous work but I had no idea where I would go from there. I tend to select objects and materials to inspire the direction of the work, but this time I didn’t do that.

This is a book of four hundred and thirty pages which means I folded about two hundred pieces of paper. When I finished folding I played around with the paper further and eventually decided to roll the pages underneath one another. I added colour and pattern using a rubber stamp, first in yellow and then in green. I actually had the whole thing close to completion when I decided the yellow wasn’t strong enough colour over the text. I had to go back, unroll all the pages, rubber stamp them, and then roll them again. The butterflies were the final element and their bright colours are the perfect compliment to the crazy folded background.

Materials used: book, rubber stamp and ink, paper butterflies, and lots of glue.

In an unexpected turn of events I now have two art shows up at the same time, and I couldn’t be more thrilled.

A few weeks ago I had an email from the Granville Island Cultural Society wanting to confirm the load in date of my show at Waterfront Theatre. I was taken aback because when last I’d been in touch with them regarding this particular show it was supposed to be rescheduled for another time because nothing was booked in the theatre space. To give a bit of backstory, I’d applied and been accepted in early 2009 to show my work at Waterfront Theatre in 2010 from the beginning of March to mid-April. When I’d followed up in September of last year to start preparing for the show I was told the theatre wasn’t yet booked for the time period of my show which meant no one would be in the space to see my work. I was disappointed but I decided to reschedule for another time rather than having a show in a space no one would be visiting.

Fast forward to two weeks ago and colour me surprised (and pleased!) because the show is still on afterall. The timing couldn’t be better because I am now a full time artist and getting more work out into the world is a good thing.

Luckily I’ve had a very productive period of art work creation over the last few years and I had a show on hand that was ready to go in the very short amount of time I had to prepare. In my application for Waterfront Theatre I had proposed to show the metal prints because at the time it was the most consistent body of work I had. Even though I had originally intended to create new work for this show I’m not disappointed. I’ve always wanted to show the large scale metal prints again and not just have them gathering dust in storage.

I’ll be having an artist reception towards the end of March, and will post details here once the date is confirmed. Boris has a few photos up of the work hanging in Waterfront Theatre.

Trees I have Dreamed
March 1st to April 11th, 2010
Waterfront Theatre, Granville Island
1412 Cartwright Street
Vancouver BC

For the month of March my altered books will be hanging on the walls of local starup tech company Bootup Labs, located in the newly renovated Flack Block on the edge of Gastown. I kind of miss having them around our apartment but it’s nice not to have them covering every single surface and hanging on most of the walls. (Yes I want a studio.)

On the evening of Wednesday March 3rd from 6:30pm to 9pm, I’ll be holding an artist reception to showcase the altered books. I invite you to come on by to see the work and say hi. There is a Facebook event page if you’d like to RSVP.

As a side note, half of the books have already been sold, which is very exciting news. Two of the books have been purchased by AdHack and will be awarded as prizes in their Olympic Ad photo competition which ends tomorrow.

Little Stories: Transforming the Book, artist reception
Wednesday March 3rd, 2010 – 6:30 to 9pm
Location: Bootup Labs offices
The Flack Block
Suite 200 – 163 West Hastings Street at Cambie
Vancouver BC

I bought the four little old men made of clay on an impulse back in the fall. I was killing time in one of those everything-and-the-kitchen-sink Asian shops one rainy day, and decided to look for tea cups to use in an altered book. I found the tea cups and decided little clay men would be a good purchase as well. Last week when I began brainstorming ideas for a new altered book I brought them out and decided I needed to make them a cherry tree to sit under.

The little men are slightly set into the book, which is the least noticeable part, but took me a few hours to cut the four niches into the pages. The blossom flowers were made by using a paper punch and then stringing them together with a needle and thread. I used origami paper for both the flowers and the lovely blue background. The tree trunk is a rolled up page within the book with ink rubber stamped to create bark texture.

Materials used: book, origami paper, clay figures, rubber stamp and ink, and lots of glue.

I’ve fallen a bit off track with my portrait series the last few weeks because I’ve been very focused on other things. It’s also been tricky scheduling people during the Olympic craziness. This portrait features Andrea and was taken towards the end of January.

I bought three large pieces of transparent fabrics from Dressew in different colours to use as props for this shoot (and beyond). It was fun to figure out different ways to use them in the portrait, and I especially loved getting Andrea to move the fabric to create swirling bits of colour around herself. It was a hilarious part of the shoot, but the results are beautiful.

Since I’m on a mission to try new things with my art, I thought I’d put out a public call for feedback on the artist statement I’ve been working on for my altered books. Normally when I do this sort of thing I send it to friends for review and editing, but since this is for a wider audience anyway I’m happy to have everyone/anyone read it.

Please read it over and leave me a comment (if you’re reading this on Facebook, please come to my blog). I’d love to hear from you. The full set of the altered books can be found on Flickr.

About the Artist:
I am a Vancouver-based artist working in photography, mixed media collage, and altered book arts. My work is motivated by a need to experiment with different techniques and styles, as well as to explore the spontaneous ideas that come from the visual inspiration of nature, found objects, and connecting with the work of other artists. I love to play with my artwork and I use a strong sense of colour and striking compositions to create imagery that is personal and expresses my love of nature and imagination. I am inspired by the natural world, bright colours, and by finding magic in every day life. My work has been shown in Toronto, Vancouver, Salt Lake City, Los Angeles, and San Francisco as well as published in numerous books and magazines.

About the Altered Books:
In 2007 I attended an art event in Portland called Mississippi May featuring the work of local emerging artists. My favorite works in the show were the magical illustrations of Timothy Karpinski, which he’d painted onto the pages of old books. I loved this idea because I’d never seen books used as a canvas before, and the illustrations created their own story against the backdrop of the page. I was inspired and decided to apply the idea using photos, as my work at the time was primarily photography. This led to experimentation using inkjet image transfer paper to print my photographs within the pages of books. I was never quite happy with the results because the image transfer process didn’t mix well with the aged and brittle paper of book pages. My book arts ideas went on the backburner because I felt I didn’t yet have the right tools to create work in the way I envisioned.

In late 2007 I began to work in mixed media collage and spent the next two years developing a feel for techniques. My primary medium has always been film photography but as I worked more with a digital format I craved the satisfaction of creating work “hands-on”. In September 2009 I came across a wonderful book called, “New Directions in Altered Books” and suddenly my long neglected desire to work with books was reignited. It opened up a whole new world of artistic possibilities for me, and creating collage in three dimensions.

Creating altered book art is as much about the process as it is about experimenting with the materials I’ve used to create each work. I often start with a rough idea of something I wish to explore which can be inspired by the objects or materials I have on hand, or by ways in which I want to alter the pages of the book itself through cutting, folding, etc. The composition and material choices for each book evolves as I work on them, often over several days. Every altered book I complete is a handmade original creation, and I’m addicted to making them.

(Thank you for reading and leaving a comment if you choose).

(Edit: As was bound to happen, I’ve already started editing since posting this earlier today…)

For Valentine’s Day I invited some of my friends over to pose for a Valentine-themed photo shoot. The idea was inspired by the work of Katie Sokoler and her “kiss in your pocket” flip book.

I cut hearts from red and pink paper to create a background, and picked up sparkly hearts and red tulips for props.

I asked people to ham it up for the photos. Valentine’s Day is afterall one of the cheesiest holidays ever, and standing in front of a wall of hearts calls for anything but serious expressions.

The portraits all turned out awesome and everyone looks very cute and funny. I love it when an idea comes together so well. A full set of my Valentine’s portraits can be found on flickr.

I don’t have a dedicated studio space at the moment so all of the work I’ve produced over the last few months has started to take over my rather small apartment. There are altered books (and supplies) piled in every corner and hung on most of the walls as well. This week I started working on framing the altered books in preparation of displaying them at Bootup Labs in a few weeks.

I’ve chosen to mount each book on the inside of a cradle frame, and was working at Boris’ parents place on Bowen for a few days to use their workshop for sanding and staining the wood frames. These are the first few altered books that I’ve finished framing. They look pretty wonderful, don’t you think?

Those tiny bottles I started working with a few weeks ago have all been filled with things and have at last made their way into an altered book. I raided the spice rack for the bulk of the filler, selecting herbs and spices based on colour and texture. One of the bottles is filled with tiny seeds from Yuuki’s food. I decided to fill the brown bottles with random inedible items and have something sticking out the top of each because they are too opaque to see inside.

When I first envisioned the bottles in a book I thought I would put them in orderly rows as if they were on shelves, but as I started to create the composition it seemed more interesting to stack them and have the rows overlap. I had to decide exactly how they would be arranged before I could start cutting into the book, and I had to maintain the same arrangement in order to make them fit back in.

The bottles inspired thoughts about alchemy, potion mixing and magic so I used this as the jumping off point as I chose the finishing touches for the composition. The book is lined with sewing pattern paper with lines and symbols that make me think of star charts, and the colour of the paper seems old and yellowed. Every other object I chose is metallic – various coins, a locking mechanism and a key – to tie into the transmutation of metals often associated with the art of alchemy. The copper coil in the center of the book was made by winding wire around a skewer. I added the same copper wire to the seven brown bottles because they looked too plain as they were.

Materials used: book, sewing pattern paper, locking mechanism, coins, rusty key, glass bottles, copper wire, dried flowers, metal chain, pencil crayon, bamboo stick, map fragment, book page fragment, feathers, bird seed, and various herbs and spices.

I think I’ve mentioned before that with the portrait series I’m trying to explore ideas I originally shot as self portraits. I’ve always wanted to redo the Mad Hatter shot of myself from two years ago because it’s a great idea and I felt I could do it better – and incorporate even more hats. And now…voilà!

Shai of Pome Studio is the model in the updated Mad Hatter portrait. I chose her because she’s not comfortable having her photo taken (typical for most photographers) and my thought was I could hide her under the many hats. It turned out to be the perfect concept for Shai because she’s a hair stylist by profession, and she knits lovely hats for sale at Pome (five of which were used in the portrait at the top of this post). In the final concept shot I used sixteen or seventeen hats, most of which were borrowed from friends. The hat pile was far too precarious to balance on it’s own so I had to call in Boris as the hat wrangler to prop things up from the side with a broomstick and remove it from the shot in post processing.

As mentioned in my previous blog post, I started this altered book wanting to change the look of the folded pages by punching flower shapes into the paper. I was going to do this throughout the entire book but the more pages I did the less effective it seemed as a technique because the punched out shapes did not show up very well. So I changed my idea and decided to work with the flowers I had created with the punch and used these as the centre piece. I wanted the flowers to flow loosely and could not imagine gluing each one individually into the book, so I came up with the idea of stringing them together with thread. Only some of the flowers are directly attached to the pages with glue.

I was curious to see how well gluing a ceramic tea cup into the book would hold up and it seems to have a strong bond with the paper around it. I’m excited about this because I have another idea with tea cups that I have yet to explore. The little green bird was added as a finishing touch because I felt the composition needed a little more life and colour to it before I could call it finished.

I wasn’t sure what to title this but the flower shapes remind me of cherry blossoms and my thoughts these days are turned to spring, starting new things, and awakenings.

Materials used: book, paper punch, thread, Japanese paper, card stock, and a metal bird.

Last Saturday I was playing around with coriander seeds Boris had brought home from his food shopping trip. There were a few scattered on the kitchen table and I started to wonder what they’d look like in the tiny bottles I’ve had waiting in the wings for their own altered book to call home. I loved how they looked in the bottle so I went searching through more things for different items to try. The photo above shows what I came up with: coriander seeds, feathers (thanks Jess), dried rosemary, and salt. As I’ve mentioned before, playing with materials is the best way I’ve found to come up with ideas for my altered book art. It moves me from abstract thinking about objects and the vague ideas I have, to playing with them and clarifying what works and what does not. Now I know I do want the bottles to contain things, and it makes me realize they’ll need to be sealed. I have an idea about that too which I need to explore.

The paper flowers in these two photos are from the altered book I just finished this week. The flowers were created using a flower-shaped paper punch on the book pages. It was an experiment because I wanted to see what the book would look like with pieces of the pages removed, but it wasn’t a very effective technique this attempt. It did leave me with piles of flowers and I decided to string these together and make them part of the composition in the book.

More on the finished book later this week. I haven’t yet had a chance to photograph it.

Remember back in November when I wrote about attending the Hot One Inch Action show? I’d submit work to it but wasn’t accepted. Well good news! The organizers of the event, Chris Bentzen and Jim Hoehnle, have decided to do a medalist round selecting work from designs that didn’t make it into previous shows, and mine was chosen. Dude, I am so excited!!!!

From their website:

Ever wonder what doesn’t make it into the show? We have a difficult time choosing buttons to be in Hot One Inch Action and with 100-150 submissions each year, there’s a lot of great art that doesn’t make the cut. So, to kick off 2010, we’ve chosen 50 buttons not in the 2004-2009 shows to be MEDALISTS. Bags of 5 random buttons will be available for $5. Get a button you don’t want? Trade with the people around you!

The exhibit is one night only and will take place on Saturday February 6, 2010, with doors open at 8pm. Boris and I will be there, and I’ll have a bag of buttons featuring my design to give away and trade. I can’t wait.

Hot One Inch Action Medalists
W2 Culture + Media House – 112 W Hastings Vancouver
Saturday February 6, 2010
doors open at 8pm

The Utatan was the annual big group project organized by the Utata Group on Flickr in the summer of 2007. It was the most ambitious project the group had organized to date and the end goal was to produce a print version collecting a selection of the submissions. Two of my photos were selected for publication a few months after the web version went live and then I waited to hear when the book would be published. And I waited, and waited, and then waited some more, and then I forgot about it completely.

And yet two years later I finally have a printed copy of the Utatan in my hot little hand because (to quote the dust jacket) “it was the project that would not die.” Utata is a volunteer run group and the ebb and flow of the lives of the people involved were what dictated the timeline for the project. I’m just glad the book is done now, and I don’t really care how long it took. I get the impression producing a book is like that anyhow.

It’s very exciting to be part of this publication because Utata has been one of my favorite flickr groups over the years. If you’re interested in purchasing a copy yourself the book is available through Blurb.com.

I love how this portrait of Julie came out in a wonderfully magical way that didn’t occur to me when I took the photo. As I was processing the shot I started imagining stars in the background and the blue backdrop became a midnight blue sky. Boris came up with the title after finding the lyrics from a song by Melissa Ferrick.

It’s been a month since I shot this portrait for the series. I decided I would only do one in December because it seemed like it would just be too crazy a time to try to scheduling people shortly before Christmas. But a whole month break from this project feels too long. In the meantime, even though I haven’t been shooting I’ve been working on ideas and figuring out who to photograph next. I can’t wait to get started again.

I decided to do a list of good things and see how many items I could come up with. Here goes in no particular order, good things from 2009:

1. Discovering the art of altering old books and taking a huge step forward with my collage work.

2. Concluding the 52 weeks self portrait series that I started in 2008.

3. Moving out of my cold and dark apartment in Kits and moving in with Boris.
4. Bringing a regular yoga practice back into my life thanks to the forty day yoga challenge.
5. Going on walks with Anne on Bowen, and getting to see new trails I hadn’t walked before.

6. Canoeing and a picnic in Widgeon Creek.

7. Going to Jericho park and throwing the frisbee around with Boris.
8. Working on a portrait series inspired by my self portraits.

9. Swimming in the Pacific Ocean for the first time ever.
10. Writing regularly in my paper-based journal.
11. Learning how to make mozzarella cheese.
12. Attending Artfest in Port Townsend.

11. Eating Dungeness Crab caught by James.
12. Riding Anne’s scooter around the North Shore with Boris on my birthday.

13. Visiting the Bug Museum in Victoria.
14. Snowshoeing on Cypress with the Mann Family.

15. Cycling around the city to see the cherry blossoms.

16. Rescuing a baby crow from the streets of Gastown and putting it into Kirsti’s care.

17. A surprise visit from my friend Tonia.
18. Heirloom tomatoes from the farmers market.

19. A July weekend on Saltspring Island with friends.

20. Hanging out with Kathy in Vancouver, and sharing Bowen Island with her at last.
21. Turning some of my collages into postcards.

22. Acquiring two cute little goldfish.

23. The return of Ruby Dog’s Arthouse in a new location.
24. Spending quality time with Kai during her brief visit to Vancouver.
25. Eating many delicious meals made with delicious deliciousness.

(I started this thinking I wouldn’t be able to come up with much, and I’ve surprised myself by realizing I can think of more.)

…the Lensbaby composer. It was a very generous Christmas present from my mom. I took it out for a test run when I went walking in the forest on Bowen both Christmas and Boxing day. I’m fascinated with the design of the lens, not just for it’s tilt/shift abilities, but because of the interchangeable f-stop rings that are slipped in and out of the lens using a magnet.

As you can see, I’ve mostly used the lens for nature shots so far. I want to do a series of test shots trying out each f-stop ring on the same subject for comparison, and I also want to try this lens with portraits. Part of me feels the lens is a bit too gimmicky, but the creative part of me will probably prove that wrong.

The wise words of Ira Glass on why creative excellence takes time. I found listening to this very gratifying, especially the part about self-directed projects and deadlines to work towards, because it’s what I’ve been doing for the past two years with fruitful results. I’m producing the best work of my life (so far) and I’m working hard at it. I am occasionally tough on myself because I feel like it’s taken me a forever to get to where I currently am as an artist. But there would’ve been no other way to get here because all good things take time and hard work. (And hard work takes time too.)

As mentioned in a previous blog post, rummaging through my art supplies inspired me to create an altered book with fish. It may just be that I have fish on the brain lately, but rummaging through my supplies reminded me of the gold paper fish I’d bought from Urban Source over the summer. It was high time to use them. I added the red colour to each fish using ink because I didn’t like the plain gold, and now they unintentionally resemble salmon.

I wanted to create a sense of water moving, of waves crashing with the pages, so I began to play around with folding the pages under one another. At first I was only going to do part of the book, but then the more I did, the more it made sense to fold every single page. The Japanese paper I used on the end pages reminds me of the pattern created when raindrops splash into the still water of a pond or lake. The finishing touch of the book was to add the red and white flowers, which were created using a paper punch.

Materials used: Japanese paper, book, flowers made with a paper punch, rubber stamps, ink, and metallic paper fish.

When I came up with the idea to do a portrait with goldfish swimming around my friend Kay, I realized the only way I could pull it off was to get real fish. I needed to be able to photograph them under the same lighting conditions I would be shooting Kay in order to make the fish shots and person shot match. So I went out and bought a pair of goldfish with the long term plan they’d be a permanent fixture in my home. Luckily Boris was okay with the acquisition of more pets and took it upon himself to name the orange fish “Buri“, while I named the speckled brown fish “Astrid“. (Not that either of them get called anything other than fish or fishes most of the time…)

The above image is the result of many hours of work in photoshop, cutting out multiple shots of individual fish to bring together and playing around with colour. I asked Kay during the shoot to pretend the fish were swimming around her and this was one of the expressions she came up with. It was very cute and perfectly suited to holding her breath under an imaginary sea.

This shot of Kay with the goldfish and bowl was early on in the shoot as we were just getting warmed up. It’s cute but I definitely don’t love it as much as the top shot.

When Kay came over to be photographed for the series a few weeks ago she brought a selection of Betsey Johnson dresses and crinolines with her to wear. They were all pretty specular but I loved this one the best because of the bright mix of colours. I usually ask my portrait subjects to bring a few different items to choose from and wear during the shoot. Part of the fun of inviting women friends over for these photo shoots has been getting to see their clothes.

The funny thing about the shoot with Kay, that I didn’t really think about beforehand, was that it didn’t really matter what she was wearing. I was shooting with a specific idea in mind and her clothing was mostly hidden from view. Towards the end of the shoot I decided the fantastic outfit just couldn’t go to waste and did these shots with Kay seated on the floor to showcase the dress. I love how this gave me the opportunity to try a different perspective from my usual style of portraiture.

Things have been busy the last few weeks so I was starting to worry I wouldn’t be able to meet my goal of completing ten altered books by the end of the year. I’ve made eight and this is number nine.

The altered books always take me a large amount of uninterrupted time and quiet space to create. I have to sit and play with lots of different materials and objects in order to figure out the composition, and that kind of time and opportunity has been hard to come by.

After the butterfly book I knew I had to make one with birds, and now this book will eventually lead me to an altered book with fish. It makes sense if you start looking through my art supplies, as going through my materials is often the source for further ideas. The birds are glued onto the same resistors I used in the centre of the butterfly book, and all three of them are different types of Swallows. The title is inspired by information I found when I googled, “symbolism of swallows“. Apparently swallow tattoos are rich in symbolism if you’re a sailor…

Materials used in this book: book, metallic paper flowers, resistors, paper birds, rubber stamp and ink, and glue dots.

Siobhan was an excellent model and working with balloons made us both laugh a lot. I decided to scrap the original idea I had in mind for this shoot – Sio standing on the chair and floating with the balloons – because I didn’t want to go all crazy and photoshoppy. Also, despite the fact that the ceilings in our apartment are about 12 feet high, I STILL didn’t have enough room to compose things in camera that way I wanted.

I’m having a lot of fun inviting lovely female friends over to my home studio to pose for me. Everyone has taken to my invitation with enthusiasm so far, despite any misgivings about feeling unphotogenic. For this shoot I put together a flickr gallery of balloon images take by other photographers. You can check it out here. I really like using the new gallery feature for inspiration.