From 1st to 5th June, ROMA.RADIO.ART.FAIR. was installed at the SPAZIO THETIS – Venice Arsenale for Sounds like Venice – sound art project, aural pavillon and multimedia blog from the heart of the 54. International Art Exhibition La Biennale di Venezia.

Sound like Venice 2011 is curated by Ilari Valbonesi, Alessio Fransoni (ROMA.RADIO.ART.FAIR), in collaboration with Irena Pivka and Brane Zorman – radioCona (Ljubljana), NRBG – novi radio Beograd, Auropolis (Belgrade), bootlab.org (Berlin) – and the personal vocation of a site – Spazio Thetis – for the relationship between contemporary art and technological research dedicated to environmental themes, eco-compatibility and innovation in artistic forms and electronic communication.

The project will continue with new podcasts, audio and video contents added on a daily basis till november 2011, so please keep tuned to this channel, like the recent podcast by Cushman and Johannes Wilms (from radio project Colaboradio) who prepared a special episode entitled Was Fehlt? on Christoph Schlingensief.

listen to podcasts

photo:  Sounds like Venice 2011 base, Spazio Thetis – Venice on the top is a special antenna, Jan Fabre – The Man Who Measures The Clouds

Listen and share link: radioCona stream channel

On the same day and at the same time, from midnight to midnight, the programming of the Radiophonic Creation Day will be aired and streamed on the website of the festival (www.shakerattleroll.org) as well as on the FM Radiophonic Creation Day radios and web radios all around the world that are associated with the event.
To this day, 23 FM radio stations, 13 web radio and 7 contemporary art places are broadcasting partners for the 2011 Radiophonic Creation Day.

radioCona was invited to participate with audio stream of the whole 24 hour programme of sound art works  selected from artists worldwide on June 4th 00:00 – 24:00 (GMT +2)

more info – download pdf   

listen to Radiophonic Creation Day teaser

MACHT GESCHENKE: DAS KAPITAL – Kritik der politischen Ökonomie, Christin Lahr, interview by Irena Pivka
listen mp3, 15.38/14.8MB

Morton Subotnick – lecture at CTM.11, recorded by Marko Trstenjak, Brane Zorman listen mp3, 1.39.25/95.2MB

day 2, Wed. 2.Feb 2011: Andy Holton, Ela Kagel, Cara Bell Jones, Jodi Rose listen mp3, 17.18/16.5MB

day 2, Wed. 2.Feb 2011 listen mp3, 9.07/8.7MB

day 2, Wed. 2.Feb 2011, radioCona Space Mapping by Irena Pivka listen mp3, 15.21/14.7MB

day 2, Wed. 2.Feb 2011: Responsible Swap Shop, Jodi Rose
listen mp3, 10.31/10.1MB

day 3, Thu. 3.Feb 2011: Ela Kagel, Cara Bell Jones, Jodi Rose, Irena Pivka listen mp3, 21.04/20.2MB

day 3, Thu. 3.Feb 2011: Igor Stromajer, Mindaugas Gapsevicius listen mp3, 17.28/16.67MB

day 3, Thu. 3.Feb 2011: Robert Sakrowski, Mindaugas Gapsevicius listen mp3, 11.00/10.5MB

day 3, Thu. 3.Feb 2011: Jodi Rose, Irena Pivka
listen mp3, 13.10/12.6MB

day 3, Thu. 3.Feb 2011: Tapio Makela – Daily Observer Talk with Ela Kagel @ The Currency of the Commons
listen mp3, 13.10/12.6MB

Izdalo Društvo za domače raziskave v treh elektronskih formatih; txt, html, pdf
http://www.indija.si/podrealizem/
Uredila: Alenka Pirman in Luka Frelih
Prepisala: Alenka Pirman
Za splet pripravila: Luka Frelih in Alenka Pirman

Izid Podrealističnega manifesta je omogočil Mednarodni grafični likovni center v okviru razstave 9 + 9 Knjige umetnika in umetniki (23. 11. 2010 – 8. 2. 2011). Podrealistični manifest je izbrala Alenka Pirman, sestavni del projekta pa je bila tudi serija javnih dogodkov Iztok Osojnik bere Podrealistični manifest.

Zvočna realizacija javnih branj Iztoka Osojnika, produkcija in arhiviranje podcastov Podrealističnega manifesta so nastali v sodelovanju z radioCona.

* za predvajanje podcastov in medijsko obogatenih mp3 datotek priporočamo iTunes ali VLC

Open invitation to collaborate on the ‘Open Zone’ TRACES Special Edition with on-site publishing using Booki mobile.

A dedicated focus each day to explore Open Zone themes:
Response: Activities – Strategies of Political Participation
Lost in the Open? – Navigating the Open Web & Free Culture
The Currency of the Commons – The Value and Price of Free Culture

The radioCona audio broadcasts will be streamed live with added sound interventions, sound and space mappings.

About – the Open Zone – Model of a Responsive City The Open Zone – Open Design City ‘Make Your Own Market’ with Jay Cousins and Christoph Doering // interACTicons with Ursula Endlicher // Wanted & For Sale with the kom.post collective // Tactical Tech Activism with Tactical Tech // Identity Bureau with Heath Bunting // Immediated Autodocumentation by KS12 (Patrizia Kommerell and Gabriel Shalom) // TRACES Lounge with Jodi Rose, Mindaugas Gapševičius, Vytautas Michelkevičius and Philippe Franck. Video documentation will be available on Artisttalk.eu initiative by MoTA, the Museum of Transitory Art.

About – transmediale.11 The festival theme RESPONSE:ABILITY is also a reflection of the Internet as an increasingly political sphere. Our entire repertoire of digital action – online-profiles, shopping, exchange and networking – is socio-politically ever more relevant and leaves traces in the real world. The Internet has become a strategic action zone, one that demands ever more composure from the status-updaters and prosumers of the Web 2.0 era.

While artists, activists and entrepreneurs seem to embrace this current recombination process by visionary experimentation, governments and copyright owners however see the Internet as a problematic zone. They respond with the same urge for privatisation and normalisation we already know from the realm of urban regulations. The Open Web, previously a kind of system requirement, is becoming a more and more competitive resource.

The Open Zone is thus the metaphor of a social experiment with different social territories that, for the duration of transmediale.11, are occupied by artists and media activists. The focus is on the split second between “stand by” and “on” – the moment where a person decides to act and a passive system becomes active/is activated. The strategic requirements of Open Culture are examined and can be experienced by visitors in open studios, project labs, exchange centres and experimental spaces located in the Foyer of the HKW with artists and media activists like Peter Sunde, Elizabeth Stark, Henrik Moltke, Kelly Sutton, Ursula Endlicher, Heath Bunting, Open Design City Berlin, kom.post collective, Sami Ben Gharbia, Allen Gunn, Evan Roth, Adam Hyde,Gabriel Shalom & Patrizia Kommerell / KS12, Dmytri Kleiner, Christopher ‘moot’ Poole and Michelle Thorne.

TRACES Lounge hosted by Jodi Rose, Mindaugas Gapševičius, Vytautas Michelkevičius & Philippe Franck. New Media Partners radioCona, MOTA & artisttalk.eu

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radioCona – produced by CONA. radioCona project is cofinanced by Ministry of Culture of the Republic of Slovenia and the Municipality of Ljubljana
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slovenian / slovensko:
1 – 6. Februar 2011, Open Zone @ Haus der Kulturen der Welt, Berlin

TRACES & radioCona vabita goste na pogovore in poslušanje dnevnega programa preko (klikni na in shrani povezavo) radioCona broadcasting stream

Prenesi:  Open Zone programme

Traces Tea and Radio Lounge na The Open Zone v okviru festivala transmediale.11 vzpostavljata prostor za počasno kulturo, ki je odprta za sproščene interakcije in poglobljene izmenjave ob radijskem oddajanju v živo in kolaborativnem delu on-site, ob pitju čaja iz Litve in torti.

Vabilo k sodelovanju pri ‘Open Zone’ TRACES Special Edition z on-site prispevki s pomočjo Booki Mobile-a.
Vsak dan je namenjen raziskavi različnih tem, ki jih odpira Open Zone:

Response: Activities – Strategies of Political Participation (Odgovor: aktivnosti – strategije politične participacije)
Lost in the Open? – Navigating the Open Web & Free Culture (Izgubljeno v odprtem? – brskanje po Odprtem spletu in Free Culture)
The Currency of the Commons – The Value and Price of Free Culture (Commons in njena valuta – Vrednost in cena svobodne kulture)

radioCona zvočni spletni prenosi bodo obogateni z zvočnimi intervencijami, mapiranji prostora in zvoka.

o festivalu transmediale.11: Festivalska tema RESPONSE:ABILITY predstavlja tudi refleksijo Interneta kot vedno bolj politične sfere. Naš celoten repertoar digitalnih akcij – spletni profili, nakupovanje, izmenjave in mreženja – je v družbenopolitičnem smislu vse bolj relevanten, sledove pa pušča tudi v dejanskem svetu. Internet je postal strateška akcijska cona, ki zahteva več in več prisebnosti ustvarjalnih uporabnikov in updejterjev stanja v dobi Web-a 2.0.

Medtem ko umetniki, aktivisti in podjetniki pozdravljajo trenutni proces ponovnega kombiniranja, ki se navdihuje v vizionarskem eksperimentiranju, pa na drugi strani vlade in lastniki avtorskih pravic vidijo internet kot problematično cono. Nanj odgovarjajo s prav isto vnemo po privatizaciji in normalizaciji, kot jo poznamo že iz sfere urbanih regulacij. Odprti splet, ki je bil prej neke vrste sistemska zahteva, postaja vir za naraščajočo tekmovalnost.
Open Zone je tako metafora za družbeni eksperiment z različnimi socialnimi teritoriji, ki jih bodo v času festivala transmediale.11 zasedli umetniki in medijski aktivisti.

TRACES Lounge gostijo Jodi Rose, Mindaugas Gapševičius, Vytautas Michelkevičius & Philippe Franck. in novo medijski partnerji radioCona, MOTA & artisttalk.eu

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radioCona: produkcija CONA, project radioCona sofinancira Ministrstvo za kulturo RS in Mestna občina Ljubljana-oddelek za kulturo

Arhiv programa / Programme Archive (radioCona produkcija/production, 2011):

Maurizio Nannuchi – Zona Radio, interview by Brane Zorman, sound works from SoundArtMuseum, poslušaj/listen mp3, 1.43.45/98.8MB
Ilari Valbonesi – Lecture, poslušaj/listen mp3, 1.30.03/128.9MB
radioCona, Interview with Irena Pivka and Brane Zorman by Ilari Valbonesi, radioCona production works, poslušaj/listen mp3, 1.26.45/125.0MB
MGLC (Breda Škrjanec), Interview by Ilari Valbonesi, sound works from MGLC archive, poslušaj/listen mp3, 1.34.24/90.7MB
Irwin, audioarts, Laibach, Interview with Irwin by Ilari Valbonesi, interview with Laibach from Radio Študent archive poslušaj/listen mp3, 2.01.24/175.2MB
P74 (Tadej Pogačar) – Blixa Bargeld, Interview by Ilari Valbonesi, interview with Blixa Bargeld from Radio Študent archive poslušaj/listen mp3, 1.34.24/90.7MB
ŠKUC (Tevž Logar) – Deviantovi fragmenti, Interview by Ilari Valbonesi, Deviantovi fragmenti from Radio Študent archive poslušaj/listen mp3, 59.18/85.5MB
Dora Stiefelmeier and Mario Pieroni, Interview by Irena Pivka, sound works from RAM Live  and SAM archive poslušaj/listen mp3, 1.04.58/62.5MB

RADIO AS AN ARTS SPACE – radioCona STATION ZONE (kustosi programa so Irena Pivka, Ilari Valbonesi , Brane Zorman), bo deloval kot platforma zvočne umetnosti. Preko preseka izbranih arhivov iz Rima in Ljubljane bo radioCona oddajala produkcijo zvočne umetnosti, tekste in interviuje iz arhivov: radioCona, Radio Študent, Maurizia Nannuccija, SoundArtMuseum, RAM, MGLC, ŠKUC, Galerija P74, arhivov umetnikov, ter projekt ZVO.ČI.TI (So.und.ing).

program radioCona je del razstave COMPAGNI DI VIAGGO v Mestni galeriji Ljubljana (kustos: Alenka Gregorič)

english:
RADIO AS AN ARTS SPACE – radioCona STATION ZONE : broadcast 09

19th (wed) till 23th (sunday) January, 2011, between 4pm and 11pm on 88.8MHz (Ljubljana, Slovenia) and on the live stream – link and programe schedulle will be provided from radioCona web site. The whole programe will be simultaneously re-broadcasted on the internet art radio RAM Live (Roma, Italia).

RADIO AS AN ARTS SPACE – STATION ZONE – curated by Irena Pivka, Ilari Valbonesi, Brane Zorman – will act as a sound art platform, intersecting selected archives from Rome and Ljubljana broadcasting sound art productions, texts and interviews from radioCona, Radio Študent, Maurizio Nannucci, SoundArtMuseum, RAM, MGLC, ŠKUC, Galerija P74, artists archives and ZVO.ČI.TI (So.und.ing) project.

Program radioCona RADIO AS AN ARTS SPACE – STATION ZONE is a part of a COMPAGNI DI VIAGGO exhibition, curated by: Alenka Gregorič, Mestna galerija Ljubljana, Slovenia

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produced by – radioCona / CONA
partners of the project: Mestna Galerija Ljubljana, Zerynthia / RAM Live, Novi Radio Beograd
project RADIO AS AN ART SPACE is cofinanced by  European Cultural Foundation ECF(BIFC)
project radioCona is cofinanced by Ministry of Culture of the Republic of Slovenia and the Municipality of Ljubljana

ConaCast

The Paradigm of Listening
(Sound, Voice, Body, Audience, Radio Art).

Sound is attractive. It catches the ear, enchants, disturbs, and scares. But it is also imperative. Sound is both a means and an end. The decisive interest devoted to the “strange” reflexivity of sound became a paradoxical instance of art, music and philosophy in the twentieth century. Further, it has encouraged the emergence of a genuine “paradigm of listening” from which I take steps to trace the event of a conceptual category of plastic art so called Sound Art : Art of Sound, that reflecting on itself, defines its own historical context.

Sound hits us where our disposition is already a move towards the “given” sound, for that hearing which accords and affords us whatever there really is to hear. Which means there is an “eventual” sound, which happens in-between me and the things in-between me and others: Sound originates “elsewhere” even though we are implicated. The sound of the voice is also erotic. It’s like an intercourse in between own and alien. It’s magnetic and it orients us in space, it defines boundaries and mixes the real and the imagined. We can experience the public nature of the audience, the spatiality of sound in its symbolic occurrences in buildings that accommodate the aesthetic experience of sound: the theatre, concert hall, the square from the gallery, and the auditorium of the woods. But this is not the proper meaning of sound in space, nor qualifies its access to a space. Sound is more of a timeless space. The body itself is an instrument that records its environment while reconfiguring existing environments. In 2004 I coined the phrase ‘Acusmatic ethics’ to describe the interspecific character of sound and its synthetic temporality. If we understand that listening to something is to record it, recording itself is also a kind of ‘answering’ behavior. Obviously, radio, tapes, samplers are able to isolate, alter and focus the processes of distribution and use of sound. But in this direction, “synthetic” claims is more of a “critique” of instruments and traditional research, including electronic, plastic art that belongs to music “educated” and that “popular” and doesn’t seem to characterize a specific field. This brought me to think of Radio as ethical space of sound and special environment of trading cultures and languages of contemporary art.

Short BIO Ilari Valbonesi (Rome, 1968).
Art critic and independent curator of art exhibitions, web projects and intermedia events. Extensive experience in Radio and Television Production. Freelance Editor for ARTE E CRITICA and other magazines. 1997, Graduated in Philosophy on “Responsive Phenomenology” through the thought of B. Waldenfels, Università “La Sapienza”, Rome. 1995-1997, Internship at the Graduierten-Kolleg of “Ruhr-Universität” Bochum, Germany. 2001-2002, Master Degree in Political Science on Human Rights, “Libera Università degli Studi San Pio V”, Rome. 2002-2003, Master Degree in Political Science on Gender Policies, “Università degli Studi Roma Tre”, Rome. 2003, Internship at Italian Commission for Equal Opportunities at the Cabinet. 2002-2004, IT Consultant at Ministry of Finance for HR and Diversity Management. 2007-2010 Director of RAM LIVE, one of the first internet radio stations to discuss the field in-between visual Arts, Music and Sound research within ethical perspectives. 2010, Chief Curator of ROMA. RADIO. ART. FAIR the first web radio launched by Roma the Road to Contemporary Art with the aim of networking and experimentation.

produkcija:  Cona
predavanje je del projeka RADIO AS AN ART SPACE, (več v kratkem)
gostovanje Llari Valbonesi so podprli ECF european cultural foundation
delavnico radioCona Misliti radio kot umetnost Ministrstvo za kulturo RS
partner predavanja: Mestna galerija Ljubljana

Tenda Gialla 23 – 30 nov 2010, Zagreb Kamp Kulture TENDA GIALLA