<?xml version='1.0' encoding='UTF-8'?><?xml-stylesheet href="http://www.blogger.com/styles/atom.css" type="text/css"?><feed xmlns='http://www.w3.org/2005/Atom' xmlns:openSearch='http://a9.com/-/spec/opensearchrss/1.0/' xmlns:blogger='http://schemas.google.com/blogger/2008' xmlns:georss='http://www.georss.org/georss' xmlns:gd="http://schemas.google.com/g/2005" xmlns:thr='http://purl.org/syndication/thread/1.0'><id>tag:blogger.com,1999:blog-8995788</id><updated>2026-03-31T23:09:56.682+00:00</updated><category term="film location"/><category term="movies"/><category term="cinema"/><category term="film locations"/><category term="film induced tourism"/><category term="film sites"/><category term="classic"/><category term="film set"/><category term="motion picture location"/><category term="films"/><category term="film site"/><category term="movie"/><category term="cult"/><category term="fillm"/><category term="motion pictures"/><category term="tourism"/><category term="Italy"/><category term="Roma.."/><category term="location"/><category term="location."/><category term="london"/><category term="Hammersmith"/><category term="Hove"/><category term="Riverside Studios."/><category term="Rome"/><category term="Sussex"/><category term="anticoli corrado"/><category term="british"/><category term="carlo pellegrini"/><category term="cartoons"/><category term="cornwall"/><category term="crighton"/><category term="dearden"/><category term="ealing studios"/><category term="highbury"/><category term="india"/><category term="islington"/><category term="jaipur"/><category term="lazio"/><category term="leslie ward"/><category term="location. Brighton"/><category term="murder"/><category term="port isaac"/><category term="setting"/><category term="spy"/><category term="tv"/><category term="vanity fair."/><title type='text'>Reel Streets</title><subtitle type='html'>devoted to film locations, and real places that can be identified, where films were made throughout the world.</subtitle><link rel='http://schemas.google.com/g/2005#feed' type='application/atom+xml' href='http://blog.reelstreets.com/feeds/posts/default'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8995788/posts/default?alt=atom&amp;redirect=false'/><link rel='alternate' type='text/html' href='http://blog.reelstreets.com/'/><link rel='hub' href='http://pubsubhubbub.appspot.com/'/><link rel='next' type='application/atom+xml' href='http://www.blogger.com/feeds/8995788/posts/default?alt=atom&amp;start-index=26&amp;max-results=25&amp;redirect=false'/><author><name>John Tunstill</name><uri>http://www.blogger.com/profile/08769414062399173608</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><generator version='7.00' uri='http://www.blogger.com'>Blogger</generator><openSearch:totalResults>785</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>25</openSearch:itemsPerPage><entry><id>tag:blogger.com,1999:blog-8995788.post-7854313051076192115</id><published>2014-11-04T17:57:00.001+00:00</published><updated>2014-11-06T12:19:08.089+00:00</updated><title type='text'>FRENCH FILM LOCATIONS and FRENCH FILM FESTIVAL U.K.</title><content type='html'>Nina Cangdon has just brought to our attention a project she has recently finished with Paris based filmmaker Paco Zamora, who has previously worked on different documentaries in France, South America as well as here in the U.K. The video &lt;i&gt;&quot;FilmTripping&quot;&lt;/i&gt; is very &lt;i&gt;&quot;ReelStreets&quot;&lt;/i&gt; but just a little more. It invites film lovers and travellers to discover the City of Light (Paris) through seven films set in Paris, showing the locations where some of the scenes were set, from the perspective of someone who explores Paris for the first time. It moves from touristic Trocadéro to the bohemian and still undiscovered Belleville, with the objective of connecting spectators with the magic of the cinema. The video, approximately two and a half minutes long can be viewed at:&lt;br /&gt;
&lt;br /&gt;
&lt;small&gt;&lt;a href=&quot;http://expediablog.co.uk/filmtripping/filmtripping-paris.html&quot;&gt;FilmTripping Paris&lt;/a&gt; by &lt;a href=&quot;http://www.expedia.co.uk/Paris-Hotels.d179898.Travel-Guide-Hotels&quot;&gt;Expedia&lt;/a&gt;&lt;/small&gt;&lt;br /&gt;
&lt;br /&gt;
It is perhaps no coincidence that Nina finished the project to coincide with the launch of the annual French Film Festival in the U.K., full details of which can be found at:&lt;br /&gt;
&lt;br /&gt;
&lt;a href=&quot;http://frenchfilmfestival.org.uk/FFF2014/wp/&quot;&gt;http://frenchfilmfestival.org.uk/FFF2014/wp/&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
Over 40 UK premieres are to be shown in 11 major locations across the U.K. between the 7th November and the 7th December.</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8995788/posts/default/7854313051076192115'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8995788/posts/default/7854313051076192115'/><link rel='alternate' type='text/html' href='http://blog.reelstreets.com/2014/11/french-film-locations-and-french-film.html' title='FRENCH FILM LOCATIONS and FRENCH FILM FESTIVAL U.K.'/><author><name>Richard Lovejoy</name><uri>http://www.blogger.com/profile/08401082382006434601</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-8995788.post-671109388280394887</id><published>2014-11-03T20:09:00.001+00:00</published><updated>2014-11-03T20:09:34.794+00:00</updated><title type='text'>More film locations spotted.</title><content type='html'>Sharp eyes and perhaps some &quot;local knowledge&quot; have provided us with answers to the following:&lt;br /&gt;
&lt;br /&gt;
Psychomania 000, 009 and 010 - Julian Easton :&lt;br /&gt;
Fiend Without a Face 014 - Julian Easton :&lt;br /&gt;
Give My Regards to Broad Street 002, 003 and 016 - Paul Linton :&lt;br /&gt;
The Fast Lady what appears to be many studio shots - Mike Garfield :&lt;br /&gt;
That Kind of Girl 008 and 009 - Francesca Nardelli :&lt;br /&gt;
&lt;br /&gt;
Thank you all</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8995788/posts/default/671109388280394887'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8995788/posts/default/671109388280394887'/><link rel='alternate' type='text/html' href='http://blog.reelstreets.com/2014/11/more-film-locations-spotted.html' title='More film locations spotted.'/><author><name>Richard Lovejoy</name><uri>http://www.blogger.com/profile/08401082382006434601</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-8995788.post-3212302291932186784</id><published>2014-11-03T20:01:00.002+00:00</published><updated>2014-11-03T20:01:17.327+00:00</updated><title type='text'>The British Council Film Collection</title><content type='html'>John has stumbled across the intriguing archive material of 120 short documentary films made by The British Council during the 1940&#39;s. They were designed to show the world how Britain lived, worked and played. They are all interesting, especially for &quot;Senior Citizens&quot; but John has highlighted the one entitled &quot;London 1942&quot; that includes an uncredited Bill Owen (at 08:45), most famous for his portrayal of the character &#39;Compo&#39; in &lt;i&gt;Last of the Summer Wine&lt;/i&gt;. This is apparently the second-oldest footage of him.&lt;br /&gt;
&lt;br /&gt;
&lt;a href=&quot;http://film.britishcouncil.org/london-1942&quot; target=&quot;_blank&quot;&gt;View it at&amp;nbsp;http://film.britishcouncil.org/london-1942&lt;/a&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8995788/posts/default/3212302291932186784'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8995788/posts/default/3212302291932186784'/><link rel='alternate' type='text/html' href='http://blog.reelstreets.com/2014/11/the-british-council-film-collection.html' title='The British Council Film Collection'/><author><name>Richard Lovejoy</name><uri>http://www.blogger.com/profile/08401082382006434601</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-8995788.post-3491140008698149052</id><published>2014-10-21T16:47:00.000+00:00</published><updated>2014-10-21T16:47:45.762+00:00</updated><title type='text'>Film Location - UPDATE</title><content type='html'>More sharp eyes and a desire to help has resulted in the following locations being identified:&lt;br /&gt;
&lt;br /&gt;
Blackout blk011 -Clive Turner :&lt;br /&gt;
On the Fiddle oft004 - Tony Hagon :&lt;br /&gt;
Tales from the Crypt 011 to 016 - Alan Hoare :&lt;br /&gt;
Room at the Top 044 to 046 - Andrew Lee :&lt;br /&gt;
Lucky Jim 021 and 023 - Mike Hitchen :&lt;br /&gt;
&lt;br /&gt;
Thank you all.</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8995788/posts/default/3491140008698149052'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8995788/posts/default/3491140008698149052'/><link rel='alternate' type='text/html' href='http://blog.reelstreets.com/2014/10/film-location-update.html' title='Film Location - UPDATE'/><author><name>Richard Lovejoy</name><uri>http://www.blogger.com/profile/08401082382006434601</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-8995788.post-1048838508750590304</id><published>2014-10-08T10:44:00.001+00:00</published><updated>2014-10-08T10:44:41.490+00:00</updated><title type='text'>Film Locations – UPDATE</title><content type='html'>Partly as a result of me having the
temerity to leave my desk and take a break and partly as a result of the amount
of information that we have been sent, this list is longer than usual but that
is the way we like it. Thank you all for your interest and contribution(s).&lt;br /&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;b&gt;&lt;span lang=&quot;EN-US&quot;&gt;Fast
Lady, The&lt;/span&gt;&lt;/b&gt;&lt;span lang=&quot;EN-US&quot;&gt; 000a and 000b – Rob Beckwith : &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;b&gt;&lt;span lang=&quot;EN-US&quot;&gt;Secret
Place, The&lt;/span&gt;&lt;/b&gt;&lt;span lang=&quot;EN-US&quot;&gt; 014a and 014b – Clive Turner : &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;b&gt;&lt;span lang=&quot;EN-US&quot;&gt;Villain
013&lt;/span&gt;&lt;/b&gt;&lt;span lang=&quot;EN-US&quot;&gt; – Mary Nelson : &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;b&gt;&lt;span lang=&quot;EN-US&quot;&gt;On
the Beat&lt;/span&gt;&lt;/b&gt;&lt;span lang=&quot;EN-US&quot;&gt; 005 – Rob Beckwith :&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;b&gt;&lt;span lang=&quot;EN-US&quot;&gt;Ragman’s
Daughter, The&lt;/span&gt;&lt;/b&gt;&lt;span lang=&quot;EN-US&quot;&gt; 030, 031 and 056 – Mike Bunker : &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;b&gt;&lt;span lang=&quot;EN-US&quot;&gt;I
was Monty’s Double&lt;/span&gt;&lt;/b&gt;&lt;span lang=&quot;EN-US&quot;&gt; 037 – Mary :&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;b&gt;&lt;span lang=&quot;EN-US&quot;&gt;Birth
of the Beatles&lt;/span&gt;&lt;/b&gt;&lt;span lang=&quot;EN-US&quot;&gt; 007, 008 and 009 – Neil Rigby :&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;b&gt;&lt;span lang=&quot;EN-US&quot;&gt;Tales
That Witness Madness&lt;/span&gt;&lt;/b&gt;&lt;span lang=&quot;EN-US&quot;&gt; 011 and 012 – Steve Cook : &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;b&gt;&lt;span lang=&quot;EN-US&quot;&gt;Blue
Lamp, The&lt;/span&gt;&lt;/b&gt;&lt;span lang=&quot;EN-US&quot;&gt; 048 and 049 – Alan Bowden : &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;b&gt;&lt;span lang=&quot;EN-US&quot;&gt;Angry
Silence, The&lt;/span&gt;&lt;/b&gt;&lt;span lang=&quot;EN-US&quot;&gt; 031 – Rob Beckwith : &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;b&gt;&lt;span lang=&quot;EN-US&quot;&gt;Carry
On Camping&lt;/span&gt;&lt;/b&gt;&lt;span lang=&quot;EN-US&quot;&gt; 026 – Nick Dellow : &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;b&gt;&lt;span lang=&quot;EN-US&quot;&gt;Crowded
Day, The&lt;/span&gt;&lt;/b&gt;&lt;span lang=&quot;EN-US&quot;&gt; 012, 013 and 014 – Patrick Brown : &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;b&gt;&lt;span lang=&quot;EN-US&quot;&gt;Work
is a Four Letter Word&lt;/span&gt;&lt;/b&gt;&lt;span lang=&quot;EN-US&quot;&gt; 015 – Bernard Harris : &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;b&gt;&lt;span lang=&quot;EN-US&quot;&gt;Night
Train to Murder&lt;/span&gt;&lt;/b&gt;&lt;span lang=&quot;EN-US&quot;&gt; Various – Steve Cook : &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;b&gt;&lt;span lang=&quot;EN-US&quot;&gt;So
Well Remembered&lt;/span&gt;&lt;/b&gt;&lt;span lang=&quot;EN-US&quot;&gt; 018a, 018b and 018c – Dave Martin :
&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;b&gt;&lt;span lang=&quot;EN-US&quot;&gt;Ladykillers,
The&lt;/span&gt;&lt;/b&gt;&lt;span lang=&quot;EN-US&quot;&gt; 022 – Greg Tingey : &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;b&gt;&lt;span lang=&quot;EN-US&quot;&gt;Mrs
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: &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;b&gt;&lt;span lang=&quot;EN-US&quot;&gt;39
Steps, The (1959)&lt;/span&gt;&lt;/b&gt;&lt;span lang=&quot;EN-US&quot;&gt; 002e – Graham Shewan : &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;!--EndFragment--&gt;&lt;br /&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8995788/posts/default/1048838508750590304'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8995788/posts/default/1048838508750590304'/><link rel='alternate' type='text/html' href='http://blog.reelstreets.com/2014/10/film-locations-update.html' title='Film Locations – UPDATE'/><author><name>Richard Lovejoy</name><uri>http://www.blogger.com/profile/08401082382006434601</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-8995788.post-7364839123293969963</id><published>2014-10-04T18:24:00.000+00:00</published><updated>2014-10-04T18:24:04.525+00:00</updated><title type='text'>FILM: So Well Remembered - 1948</title><content type='html'>&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 12.0pt; mso-layout-grid-align: none; mso-pagination: none; text-autospace: none;&quot;&gt;
&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Calibri; font-size: 15.0pt; mso-bidi-font-family: Calibri;&quot;&gt;Maurice Mottershead, a Maxonian (a man of
Macclesfield) has spent much time with this film and has helped us both with
locations and information relating to them. He has also provided some more up
to date NOW shots as well as some personal ingredient regarding the locations. All
this can be found in an article that can be accessed from the film page
heading. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 12.0pt; mso-layout-grid-align: none; mso-pagination: none; text-autospace: none;&quot;&gt;
&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Calibri; font-size: 15.0pt; mso-bidi-font-family: Calibri;&quot;&gt;During his time with the film Maurice has
highlighted that there is one unknown location in the film that appears a number
of times and he has called it, &lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;‘Location
A’&lt;/b&gt;, assuming that this is a location and not a film set. Maurice seeks the
help of anyone with a knowledge of Macclesfield and proposes the following:-&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Calibri; font-size: 15.0pt; mso-bidi-font-family: Calibri;&quot;&gt;The ‘T’ junction between Nicholls Close,
assuming this is not fictitious, (swr034) and an unknown road forms two
corners; a pub called The Miners Arms is on one corner and The Browdley &amp;amp;
District Guardian newspaper office is on the other. The film either side of swr019
clearly shows the pub is called The Miners Arms and also shows a steeple behind
(which can just be seen in swr019). The area behind the pub looks like a churchyard.
If anyone knows the location of The Miners Arms then we will know the location
of many of the scenes in this film. &lt;/span&gt;&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Times; mso-bidi-font-family: Times;&quot;&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
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  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;9&quot; QFormat=&quot;true&quot; Name=&quot;heading 4&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;9&quot; QFormat=&quot;true&quot; Name=&quot;heading 5&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;9&quot; QFormat=&quot;true&quot; Name=&quot;heading 6&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;9&quot; QFormat=&quot;true&quot; Name=&quot;heading 7&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;9&quot; QFormat=&quot;true&quot; Name=&quot;heading 8&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;9&quot; QFormat=&quot;true&quot; Name=&quot;heading 9&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;39&quot; Name=&quot;toc 1&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;39&quot; Name=&quot;toc 2&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;39&quot; Name=&quot;toc 3&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;39&quot; Name=&quot;toc 4&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;39&quot; Name=&quot;toc 5&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;39&quot; Name=&quot;toc 6&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;39&quot; Name=&quot;toc 7&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;39&quot; Name=&quot;toc 8&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;39&quot; Name=&quot;toc 9&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;35&quot; QFormat=&quot;true&quot; Name=&quot;caption&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;10&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; QFormat=&quot;true&quot; Name=&quot;Title&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;1&quot; Name=&quot;Default Paragraph Font&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;11&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; QFormat=&quot;true&quot; Name=&quot;Subtitle&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;22&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; QFormat=&quot;true&quot; Name=&quot;Strong&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;20&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; QFormat=&quot;true&quot; Name=&quot;Emphasis&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;59&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Table Grid&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; UnhideWhenUsed=&quot;false&quot; Name=&quot;Placeholder Text&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;1&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; QFormat=&quot;true&quot; Name=&quot;No Spacing&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;60&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light Shading&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;61&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light List&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;62&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light Grid&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;63&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Shading 1&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;64&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Shading 2&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;65&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium List 1&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;66&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium List 2&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;67&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 1&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;68&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 2&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;69&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 3&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;70&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Dark List&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;71&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful Shading&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;72&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful List&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;73&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful Grid&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;60&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light Shading Accent 1&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;61&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light List Accent 1&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;62&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light Grid Accent 1&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;63&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Shading 1 Accent 1&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;64&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Shading 2 Accent 1&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;65&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium List 1 Accent 1&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; UnhideWhenUsed=&quot;false&quot; Name=&quot;Revision&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;34&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; QFormat=&quot;true&quot; Name=&quot;List Paragraph&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;29&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; QFormat=&quot;true&quot; Name=&quot;Quote&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;30&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; QFormat=&quot;true&quot; Name=&quot;Intense Quote&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;66&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium List 2 Accent 1&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;67&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 1 Accent 1&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;68&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 2 Accent 1&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;69&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 3 Accent 1&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;70&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Dark List Accent 1&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;71&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful Shading Accent 1&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;72&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful List Accent 1&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;73&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful Grid Accent 1&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;60&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light Shading Accent 2&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;61&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light List Accent 2&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;62&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light Grid Accent 2&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;63&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Shading 1 Accent 2&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;64&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Shading 2 Accent 2&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;65&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium List 1 Accent 2&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;66&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium List 2 Accent 2&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;67&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 1 Accent 2&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;68&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 2 Accent 2&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;69&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 3 Accent 2&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;70&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Dark List Accent 2&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;71&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful Shading Accent 2&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;72&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful List Accent 2&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;73&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful Grid Accent 2&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;60&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light Shading Accent 3&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;61&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light List Accent 3&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;62&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light Grid Accent 3&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;63&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Shading 1 Accent 3&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;64&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Shading 2 Accent 3&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;65&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium List 1 Accent 3&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;66&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium List 2 Accent 3&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;67&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 1 Accent 3&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;68&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 2 Accent 3&quot;/&gt;
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   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 3 Accent 3&quot;/&gt;
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   UnhideWhenUsed=&quot;false&quot; Name=&quot;Dark List Accent 3&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;71&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful Shading Accent 3&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;72&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful List Accent 3&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;73&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful Grid Accent 3&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;60&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light Shading Accent 4&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;61&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light List Accent 4&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;62&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light Grid Accent 4&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;63&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Shading 1 Accent 4&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;64&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Shading 2 Accent 4&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;65&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium List 1 Accent 4&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;66&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium List 2 Accent 4&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;67&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 1 Accent 4&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;68&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 2 Accent 4&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;69&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 3 Accent 4&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;70&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Dark List Accent 4&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;71&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful Shading Accent 4&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;72&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful List Accent 4&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;73&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful Grid Accent 4&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;60&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light Shading Accent 5&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;61&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light List Accent 5&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;62&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light Grid Accent 5&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;63&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Shading 1 Accent 5&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;64&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Shading 2 Accent 5&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;65&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium List 1 Accent 5&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;66&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium List 2 Accent 5&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;67&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 1 Accent 5&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;68&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 2 Accent 5&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;69&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 3 Accent 5&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;70&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Dark List Accent 5&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;71&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful Shading Accent 5&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;72&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful List Accent 5&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;73&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful Grid Accent 5&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;60&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light Shading Accent 6&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;61&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light List Accent 6&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;62&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light Grid Accent 6&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;63&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Shading 1 Accent 6&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;64&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Shading 2 Accent 6&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;65&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium List 1 Accent 6&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;66&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium List 2 Accent 6&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;67&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 1 Accent 6&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;68&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 2 Accent 6&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;69&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 3 Accent 6&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;70&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Dark List Accent 6&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;71&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful Shading Accent 6&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;72&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful List Accent 6&quot;/&gt;
  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;73&quot; SemiHidden=&quot;false&quot;
   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful Grid Accent 6&quot;/&gt;
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&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: Calibri; font-size: 15.0pt; mso-bidi-font-family: Calibri;&quot;&gt;He states that &lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;‘Location A’&lt;/b&gt; occurs in the film at &lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;(time stamp hh:mm:ss)&lt;/b&gt;: (00:02:12) &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;(swr001a and swr001b),&lt;/i&gt; (00:03:05), (00:03:19), (00:08:37),
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(01:48:51).&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8995788/posts/default/7364839123293969963'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8995788/posts/default/7364839123293969963'/><link rel='alternate' type='text/html' href='http://blog.reelstreets.com/2014/10/film-so-well-remembered-1948.html' title='FILM: So Well Remembered - 1948'/><author><name>Richard Lovejoy</name><uri>http://www.blogger.com/profile/08401082382006434601</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-8995788.post-4811279321087196127</id><published>2014-09-09T18:44:00.000+00:00</published><updated>2014-09-09T18:46:51.438+00:00</updated><title type='text'>Film Locations Recently Identified</title><content type='html'>&lt;style&gt;
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&lt;br /&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;span lang=&quot;EN-US&quot;&gt;In recent weeks we have been overwhelmed
with “Now” shots, information, personal&lt;span style=&quot;mso-spacerun: yes;&quot;&gt;&amp;nbsp;
&lt;/span&gt;stories as well as location identifications, for all of which, we
reiterate our thanks. We are greatly rewarded by the interest that the Site continues to
stimulate.&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;span lang=&quot;EN-US&quot;&gt;As always, we like to highlight those
locations that have been identified but are not necessarily apparent to all
unless one is following a particular film, so here are some of those more recently
advised to us.&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;span lang=&quot;EN-US&quot;&gt;Man Who Haunted Himself&lt;span style=&quot;mso-spacerun: yes;&quot;&gt;&amp;nbsp; &lt;/span&gt;023 – Andrew Lees :&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;span lang=&quot;EN-US&quot;&gt;East of Ipswich 005/6 –John Hanley :&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;span lang=&quot;EN-US&quot;&gt;Fourth Protocol 072 – Rob Beckwith :&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;span lang=&quot;EN-US&quot;&gt;Taste of Honey 006b – Richard Lysons :&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;span lang=&quot;EN-US&quot;&gt;I was Monty’s Double 037 - Molly&lt;/span&gt;&lt;/div&gt;
</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8995788/posts/default/4811279321087196127'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8995788/posts/default/4811279321087196127'/><link rel='alternate' type='text/html' href='http://blog.reelstreets.com/2014/09/film-locations-recently-identified.html' title='Film Locations Recently Identified'/><author><name>Richard Lovejoy</name><uri>http://www.blogger.com/profile/08401082382006434601</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-8995788.post-4861632872677831116</id><published>2014-08-17T18:20:00.001+00:00</published><updated>2014-08-17T18:20:49.817+00:00</updated><title type='text'>Location Information Update</title><content type='html'>We really appreciate the steadily increasing interest that the Site seems to be enjoying, not only from within the UK but from other parts of the Globe which all helps to fill those elusive &quot;Unknown Locations&quot; gaps. Recently, many of those contacting us have, or been able to, support their information with at least Google Images but two recent pieces of information lay hidden within the screen grabs.&lt;br /&gt;
&lt;br /&gt;
Nick Hart recognised &lt;i&gt;Morgan, a suitable Case for Treatment&lt;/i&gt; 049 and 050 as White Lodge in Richmond Park, home of The Royal Ballet School. Nick lived there as a child and one of his earliest memories is the hammer and sickle being laid on lawn and has just acquired a copy of the DVD to go down memory lane. Now it is identified all we need is someone to visit and take those shots.&lt;br /&gt;
&lt;br /&gt;
By coincidence, another Nick (Cooper) tracked down &lt;i&gt;O&#39;Lucky Man!&lt;/i&gt; 037 to Tottenham Court Road underground station, now under serious redevelopment due to &lt;b&gt;Crossrail&lt;/b&gt;. His support Website references can be seen with that screen shot.&lt;br /&gt;
&lt;br /&gt;
Thanks to you both for solving those locations.</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8995788/posts/default/4861632872677831116'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8995788/posts/default/4861632872677831116'/><link rel='alternate' type='text/html' href='http://blog.reelstreets.com/2014/08/location-information-update.html' title='Location Information Update'/><author><name>Richard Lovejoy</name><uri>http://www.blogger.com/profile/08401082382006434601</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-8995788.post-99898227807073959</id><published>2014-08-05T16:12:00.003+00:00</published><updated>2014-08-05T16:12:37.783+00:00</updated><title type='text'>Does Vincent Price thrill you, or make your blood curdle?</title><content type='html'>Which ever it is we can, perhaps, add to your experience as we have been in correspondence with Peter Fuller, curator of The Sound of Vincent Price blog and the Vincent Price Journal. With the benefit of all that knowledge he also conducts walks in London based on Vincent Price&#39;s connection there, including Theatre of Blood and has been kind enough to acknowledge the help that Reelstreets has given him in pinpointing some of the more obscure locations. He has recently won a Rondo Award for his blog My First Trip Abroad - Vincent Price (July-August) 1928) which can be found at:&lt;br /&gt;
&lt;a href=&quot;http://vincentpricejournal.wordpress.com/&quot;&gt;http://vincentpricejournal.wordpress.com&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
Peter is currently writing a feature about the locations for his blog as well as for &lt;i&gt;The Spooky Isles&lt;/i&gt; website.&lt;br /&gt;
&lt;br /&gt;
If you want to further sink your teeth into something meaty have a look at:&lt;br /&gt;
&lt;br /&gt;
&lt;a href=&quot;http://thesoundofvincentprice.blogspot.co.uk/&quot;&gt;http://thesoundofvincentprice.blogspot.co.uk&lt;/a&gt;&amp;nbsp;and&amp;nbsp;&lt;a href=&quot;http://kultguyskeep.wordpress.com/&quot;&gt;http://kultguyskeep.wordpress.com&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
We wish you further success with your blogs.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8995788/posts/default/99898227807073959'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8995788/posts/default/99898227807073959'/><link rel='alternate' type='text/html' href='http://blog.reelstreets.com/2014/08/does-vincent-price-thrill-you-or-make.html' title='Does Vincent Price thrill you, or make your blood curdle?'/><author><name>Richard Lovejoy</name><uri>http://www.blogger.com/profile/08401082382006434601</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-8995788.post-1327110599767592709</id><published>2014-08-01T18:52:00.000+00:00</published><updated>2014-08-01T18:52:19.486+00:00</updated><title type='text'>FILM: Prince Valiant (1997)</title><content type='html'>Richard Lysons is currently working on an article concerning the film &lt;i&gt;Spring and Port Wine&lt;/i&gt; for the Manchester Bolton and Bury Canal Society Magazine and says that he will give &lt;i&gt;Realstreets&lt;/i&gt; a decent &quot;plug&quot;, so thank you for that Richard. As it is holiday time he is kindly drawing our attention to the fact that the 1997 film Prince Valiant with Katherien Heigl and Joanna Lumley had its exterior and interior scenes shot in North Wales. The Movie Map North Wales (2006 edition) listing:&lt;br /&gt;
&lt;br /&gt;
Penrhyn Castle, Caernafon Castle, Capel Curig, Beaumaris, Llanfair PG, Blaenau Festiniog, Beddgelert, Trawsfynydd, Gwrych Castle.&lt;br /&gt;
&lt;br /&gt;
There is an interesting short &quot;behind the scenes&quot; clip on Youtube at&amp;nbsp;https://www.youtube.com/watch?v=3y-jfOf2ed0&lt;br /&gt;
&lt;br /&gt;
Does anyone have a copy of this film so that we can take some grabs and use Richard&#39;s knowledge and interest to cover this film? Maybe YOU have a holiday booked in Wales!</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8995788/posts/default/1327110599767592709'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8995788/posts/default/1327110599767592709'/><link rel='alternate' type='text/html' href='http://blog.reelstreets.com/2014/08/film-prince-valiant-1997.html' title='FILM: Prince Valiant (1997)'/><author><name>Richard Lovejoy</name><uri>http://www.blogger.com/profile/08401082382006434601</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-8995788.post-5992459257316578457</id><published>2014-07-25T09:35:00.000+00:00</published><updated>2014-07-25T09:35:07.433+00:00</updated><title type='text'>FILM: Never Let Go (1960)</title><content type='html'>Back in January 2008 there were two detailed Blogs (still viewable) from Colin Childs concerning the precise locations of the early still shots of this film. We have now heard from Brian Jenkins who lived in Kinnaird Street and went to school with Colin. He is keen to get in touch with him again and discuss the &quot;Street&quot; and &quot;Place&quot; locations in more detail with him. Having read all the correspondence, clearly local knowledge is important to understanding the locations and changes that went on. Unfortunately, &lt;i&gt;&lt;b&gt;ReelStreets&lt;/b&gt;&lt;/i&gt; has not kept Colin&#39;s contact details so if you still follow our Site Colin and would like get in touch we would be pleased to connect you with your old school friend. After all, we do like to be exact with our location information on this Site!</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8995788/posts/default/5992459257316578457'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8995788/posts/default/5992459257316578457'/><link rel='alternate' type='text/html' href='http://blog.reelstreets.com/2014/07/film-never-let-go-1960.html' title='FILM: Never Let Go (1960)'/><author><name>Richard Lovejoy</name><uri>http://www.blogger.com/profile/08401082382006434601</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-8995788.post-2043089984854023825</id><published>2014-07-08T16:39:00.000+00:00</published><updated>2014-07-08T16:39:11.463+00:00</updated><title type='text'>Location Information Update</title><content type='html'>We have recently received information on the following films:&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;Half a Sixpence&lt;/b&gt; regarding halsi024 from Andy Cook&lt;br /&gt;
&lt;b&gt;After The Fox&lt;/b&gt; regarding aftfo011, 012 and 019 from Cristina Tortora&lt;br /&gt;
&lt;br /&gt;
Thank you both&lt;br /&gt;
&lt;br /&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8995788/posts/default/2043089984854023825'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8995788/posts/default/2043089984854023825'/><link rel='alternate' type='text/html' href='http://blog.reelstreets.com/2014/07/location-information-update.html' title='Location Information Update'/><author><name>Richard Lovejoy</name><uri>http://www.blogger.com/profile/08401082382006434601</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-8995788.post-7991594727722999983</id><published>2014-06-30T16:50:00.000+00:00</published><updated>2014-06-30T16:50:43.078+00:00</updated><title type='text'>British B&#39;s</title><content type='html'>&lt;span style=&quot;font-family: Arial; font-size: 13px;&quot;&gt;&lt;b&gt;BRITISH B&#39;s&lt;/b&gt;&lt;/span&gt;&lt;br style=&quot;font-family: Arial; font-size: 13px;&quot; /&gt;&lt;span style=&quot;font-family: Arial; font-size: 13px;&quot;&gt;&amp;nbsp;&lt;/span&gt;&lt;br style=&quot;font-family: Arial; font-size: 13px;&quot; /&gt;&lt;span style=&quot;font-family: Arial; font-size: 13px;&quot;&gt;British B films, many made at the Merton Park or Twickenham Studios in south west London. Many of these wonderful films are available on YouTube, almost invariably in black and white, sometimes known as Quota Quickies and as all of them were made on very limited budgets, in the 50&#39;s and 60&#39;s, with no cash for elaborate sets, they just used the local streets, the real streets.&lt;/span&gt;&lt;br style=&quot;font-family: Arial; font-size: 13px;&quot; /&gt;&lt;br /&gt;&lt;span style=&quot;font-family: Arial; font-size: 13px;&quot;&gt;These essays in crime were hugely popular and provide the social background to how we were, three-piece suits, wives at home in the kitchen, vehicles, attitudes, shop fronts, street furniture, food and speech.&amp;nbsp;&lt;/span&gt;&lt;br style=&quot;font-family: Arial; font-size: 13px;&quot; /&gt;&lt;br /&gt;&lt;span style=&quot;font-family: Arial; font-size: 13px;&quot;&gt;Google:- &amp;nbsp;British B films, Edgar Lustgarten, Scales of Justice, Scotland Yard and Edgar Wallace and you may well be pleasantly surprised. There are many snips and trailers, but also many complete films are to be found, thus allowing a delicious wallowing in nostalgia.&lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;font-family: Arial; font-size: 13px;&quot;&gt;&lt;br /&gt;&lt;/span&gt;
&lt;span style=&quot;font-family: Arial; font-size: 13px;&quot;&gt;John Tunstill&lt;/span&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8995788/posts/default/7991594727722999983'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8995788/posts/default/7991594727722999983'/><link rel='alternate' type='text/html' href='http://blog.reelstreets.com/2014/06/british-bs.html' title='British B&#39;s'/><author><name>Richard Lovejoy</name><uri>http://www.blogger.com/profile/08401082382006434601</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-8995788.post-3317437642595139097</id><published>2014-06-30T11:37:00.000+00:00</published><updated>2014-06-30T11:37:20.437+00:00</updated><title type='text'>Location information received last week.</title><content type='html'>Our Server problems appear to be behind us and we have, hopefully, made all the necessary amendments that were outstanding. Thank you to all those that were so patient with us. Last week we were able to add at least Google Images to support all the information provided including that from Nick Farmer concerning The Big Sleep and screen shot bs014 in particular. &amp;nbsp;Nick, who served at Marylebone Lane Police Station until 1977 also provided us with this additional interesting background information.&lt;br /&gt;
&lt;br /&gt;
&lt;span style=&quot;font-family: Times, Times New Roman, serif;&quot;&gt;&lt;span style=&quot;font-size: 16px;&quot;&gt;&quot;When you watch the film the scene after Roger Mitchum enters the Police station and meets Richard Todd and John Mills is the ground floor Charge Room and the cell passage can be seen to the rear. The next scene is on the&amp;nbsp;first floor, in what was the&amp;nbsp;old CID Office. Note the curtains are drawn as it is meant to be at night.&amp;nbsp;&lt;/span&gt;&lt;span style=&quot;font-size: 16px;&quot;&gt;At times the local Police, then at their New Police Station in Seymour Street (now also closed) had to go down to Marylebone Lane Police Station&amp;nbsp;and explain to &quot;tourists&quot; that we had moved, although it appeared open, as the film crew had actors in uniform!&quot;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;font-family: Times, Times New Roman, serif;&quot;&gt;&lt;span style=&quot;font-size: 16px;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;
&lt;span style=&quot;font-family: Times, Times New Roman, serif;&quot;&gt;&lt;span style=&quot;font-size: 16px;&quot;&gt;Many thanks for that Nick.&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8995788/posts/default/3317437642595139097'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8995788/posts/default/3317437642595139097'/><link rel='alternate' type='text/html' href='http://blog.reelstreets.com/2014/06/location-information-received-last-week.html' title='Location information received last week.'/><author><name>Richard Lovejoy</name><uri>http://www.blogger.com/profile/08401082382006434601</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-8995788.post-3521375821816097567</id><published>2014-06-23T23:05:00.000+00:00</published><updated>2014-06-23T23:06:55.495+00:00</updated><title type='text'>APOLOGY</title><content type='html'>We offer our sincere apologies to anyone who has been in touch with us with photo&#39;s or information over the last 10 days or so as it is likely that we have, or may yet appear shambolic. We have been having problems with our Server to the extent that we have recently taken the decision to change to a new one. Regrettably, significant problems have continued right into the transfer process which we are currently trying to resolve. As soon as matters have been resolved we will address each of the subjects that you have written to us about and be in touch with you individually. Should in due course you see that we have missed your topic or aspect please do let us know as we are anxious to get back to what we believe is our customary efficient response.&lt;br /&gt;
&lt;br /&gt;
All of us at ReelStreets</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8995788/posts/default/3521375821816097567'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8995788/posts/default/3521375821816097567'/><link rel='alternate' type='text/html' href='http://blog.reelstreets.com/2014/06/apology.html' title='APOLOGY'/><author><name>Richard Lovejoy</name><uri>http://www.blogger.com/profile/08401082382006434601</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-8995788.post-6314171345355634133</id><published>2014-06-22T15:55:00.003+00:00</published><updated>2014-06-22T15:55:47.070+00:00</updated><title type='text'>Location and film related detail received this week</title><content type='html'>Dave Buckley has been in touch with us about &lt;i&gt;Love Thy Neighbour&lt;/i&gt; and particularly ltn008b-008h, all of which are in front of what was EMI-Canon studios on one side of Shenley Road, Borehamwood, Herts. However, he has additionally referred us to &lt;a href=&quot;http://avengerland.theavengers.tv/studios/defaut.htm&quot;&gt;http://avengerland.theavengers.tv/studios/defaut.htm&lt;/a&gt;. On that page, select &lt;b&gt;Studio Buildings&lt;/b&gt; under &lt;b&gt;Associated British Studios&lt;/b&gt;, there can be seen various photos, some of which show the front of the building and the private access road pictured in the stills. If you also look at &lt;b&gt;Studio Map&lt;/b&gt; you will see how much of the site is now Tesco&#39;s. No doubt, like me, you will then be wandering around the other Studios and Set pictures wondering where all your time has gone.&lt;br /&gt;
&lt;br /&gt;
Dave also mentions two related books. &lt;i&gt;Elstree Confidential&lt;/i&gt;&amp;nbsp;by Paul Welsh, MBE which he says is a fund of information about the studios, the films made there and the film stars who appeared in them, together with personal anecdotes. Also,&amp;nbsp;&lt;i&gt;Elstree, the British Hollywood&lt;/i&gt; which details all the studios in the area of which there were four in the High Road alone! Thanks Dave for all that background.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
I have been in touch with the Thames Police Museum in Wapping with regard to a film I am currently working on and received valued help from its Hon. Curator Rob Jeffries. Besides helping me, he gave some additional information which besides being interesting itself could be helpful to us when researching similar London based films. He said that i&lt;span style=&quot;font-family: Times, Times New Roman, serif;&quot;&gt;n 1954, the year I am dealing with, the Met Police would not have agreed to renting out police boats and crews to take part in commercial films so there was a trade in old police launches that could be bought second hand by companies working on the river that could be made to look like police boats. This was the case until comparatively recently when they were making James Bond&#39;s The World is not enough. They wanted to use real police officers and boats but the Met declined to take part. This changed when the Met cottoned on that there was cash to be made out of this and Rob was part of one the very first occasions when police launches and crews could be rented out to film companies....(Prime Suspect Six). Thanks&amp;nbsp;again Rob for that.&lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;font-family: Times, Times New Roman, serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;
&lt;span style=&quot;font-family: Times, Times New Roman, serif;&quot;&gt;Richard Lovejoy&lt;/span&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8995788/posts/default/6314171345355634133'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8995788/posts/default/6314171345355634133'/><link rel='alternate' type='text/html' href='http://blog.reelstreets.com/2014/06/location-and-film-related-detail.html' title='Location and film related detail received this week'/><author><name>Richard Lovejoy</name><uri>http://www.blogger.com/profile/08401082382006434601</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-8995788.post-5642356690776077527</id><published>2014-06-14T17:11:00.001+00:00</published><updated>2014-06-14T17:11:35.012+00:00</updated><title type='text'>Locations identified in recent days.</title><content type='html'>We are always very pleased to receive emails giving us specific detail for those film stills that we have been unable to provide a location. Whilst information, when received, is added to the shot(s) in question the update is not immediately known to our audience unless someone happens to be regularly viewing that film in question. So, you might like to know that in recent days we have received specific information on the following films:&lt;br /&gt;
&lt;br /&gt;
&lt;a href=&quot;http://www.reelstreets.com/index.php/component/films_online/?task=view&amp;amp;id=296&amp;amp;film_ref=face_of_fu_manchu&amp;amp;limitstart=0&quot; target=&quot;_blank&quot;&gt;The Face of Fu Manchu&lt;/a&gt; from Dave Lally covering 004 and the 029&#39;s&lt;br /&gt;
&lt;br /&gt;
&lt;a href=&quot;http://www.reelstreets.com/index.php/component/films_online/?task=view&amp;amp;id=687&amp;amp;film_ref=the_night_we_got_the_bird&amp;amp;limitstart=0&quot; target=&quot;_blank&quot;&gt;The Night We Got The Bird&lt;/a&gt; from Timothy Lidbetter covering 009 and 010&lt;br /&gt;
&lt;br /&gt;
&lt;a href=&quot;http://www.reelstreets.com/index.php/component/films_online/?task=view&amp;amp;id=720&amp;amp;film_ref=on_the_beat&quot; target=&quot;_blank&quot;&gt;On The Beat&lt;/a&gt; from Di Davies covering 001 and 002&lt;br /&gt;
&lt;br /&gt;
Thank you all for your help and interest, it is much appreciated. Next step, some NOW shots please!&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8995788/posts/default/5642356690776077527'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8995788/posts/default/5642356690776077527'/><link rel='alternate' type='text/html' href='http://blog.reelstreets.com/2014/06/locations-identified-in-recent-days.html' title='Locations identified in recent days.'/><author><name>Richard Lovejoy</name><uri>http://www.blogger.com/profile/08401082382006434601</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-8995788.post-3808855844374582568</id><published>2014-05-17T09:02:00.000+00:00</published><updated>2014-05-17T09:02:09.050+00:00</updated><title type='text'>Some Reelstreets, and other films, last week, this week and next week on UK TV</title><content type='html'>Did you see them? If not, many of their locations are here on Reel Streets, and if they are not yet discovered, can you help us find them?&lt;br /&gt;
&lt;br /&gt;
Passport to Pimlico, Against the Wind, Young Winston, Four Feathers, The Lady Vanishes,&lt;br /&gt;
&lt;br /&gt;
The 39 Steps, In Which We Serve, Who&#39;s Afraid of Virginia Woof?, Goodbye Mr Chips, The Importance of Being Ernest, Billion Dollar Brain, Inn of the Sixth Happiness, Lifeboat, The Conversation, Notting Hill, The Birds, Clockwork Orange, Oliver Twist, League of Gentlemen, Malta Story, The Gentle Gunman and probably several others.&lt;br /&gt;
&lt;br /&gt;
Are you interested in the filming locations? There are many that we haven&#39;t spotted, can you identify them? Have you taken any photos? Are there any films that we should add to the list? Will you pull the “then” stills so that we can add them?&lt;br /&gt;
&lt;br /&gt;
And this week; Malta Story, Crooks Anonymous, The Black Tent, League of Gentlemen, Hobson&#39;s Choice, all coming to a screen near you, and available here on ReelStreets, the largest provider in the world of real, comparative and illustrated movie and film locations, with almost 28,000 photos.&lt;br /&gt;
&lt;br /&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8995788/posts/default/3808855844374582568'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8995788/posts/default/3808855844374582568'/><link rel='alternate' type='text/html' href='http://blog.reelstreets.com/2014/05/some-reelstreets-and-other-films-last.html' title='Some Reelstreets, and other films, last week, this week and next week on UK TV'/><author><name>John Tunstill</name><uri>http://www.blogger.com/profile/08769414062399173608</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-8995788.post-8440706643674147944</id><published>2014-05-17T09:00:00.000+00:00</published><updated>2014-05-31T09:00:53.888+00:00</updated><title type='text'>London’s Borough Market Set To Star Again?</title><content type='html'>&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;span lang=&quot;EN-GB&quot;&gt;Due for release in July 2015, Bridget
Jones’s third big screen adaptation seems to be finally underway. Following the
hugely successful novel “Mad About The Boy” by Helen Fielding, this movie will
continue the story where “&lt;a href=&quot;http://www.bridgetjonestheedgeofreason.co.uk/&quot;&gt;The Edge of Reason&lt;/a&gt;”
left off. The first two movies were commercial successes so expect a nationwide
release through large cinema chains, &lt;a href=&quot;http://www.cineworld.co.uk/&quot;&gt;like
Cineworld&lt;/a&gt;, and an accompanying heavy-duty marketing campaign. Fans of the
comedy drama will be delighted to hear that location shooting could begin as
soon as this summer and – it is expected – that Borough Market in Southwark
will again feature in a Hollywood film. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;span lang=&quot;EN-GB&quot;&gt;Located a stone’s throw from &lt;st1:place w:st=&quot;on&quot;&gt;&lt;st1:placename w:st=&quot;on&quot;&gt;London&lt;/st1:placename&gt; &lt;st1:placetype w:st=&quot;on&quot;&gt;Bridge&lt;/st1:placetype&gt;&lt;/st1:place&gt;,
Borough Market has been a favoured shooting location in the capital for a
number of directors. Bedale Street ,which runs between the market and Borough
High Street was the chosen location for Bridget Jones’ flat, just above the
Globe pub which is still there, squashed between two overhead rail lines. The
memorable scene in which Colin Firth and Hugh Grant fight was shot in this
street, although the steps leading to an Underground station in the background
are entirely fictitious.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;span lang=&quot;EN-GB&quot;&gt;A traditional wholesale fruit and veg
market for decades, Borough Market’s fortunes were dwindling in the mid 1990s
with many stall holders moving away or going out of business. Nowadays, the
largely Victorian architecture is a huge hit with trendy market traders selling
gourmet foods and farm produce directly to customers. The mostly covered roof
and intense atmosphere really evokes a bygone era despite all of the newcomers.
As such, it really feels very different from somewhere like Covent Garden,
itself once a flourishing fruit and flower market.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;span lang=&quot;EN-GB&quot;&gt;In 1998, &lt;a href=&quot;http://www.biography.com/people/guy-ritchie-201267&quot;&gt;Guy Ritchie&lt;/a&gt; chose
the alley that is just on the other side of Borough Market from &lt;st1:street w:st=&quot;on&quot;&gt;&lt;st1:address w:st=&quot;on&quot;&gt;Bedale Street&lt;/st1:address&gt;&lt;/st1:street&gt; for a
number of scenes in “Lock, Stock And Two Smoking Barrels”. By this time in the
market’s history, bistros and artisan cheese makers had already begun trading
close to the market on &lt;a href=&quot;http://commons.wikimedia.org/wiki/File:Little_Dorrit_Sandwich_Bar,_Park_Street_SE1_-_geograph.org.uk_-_1557433.jpg&quot;&gt;Park
Street&lt;/a&gt;. Yet, the location was simply made over and retained enough of its
back street &lt;st1:city w:st=&quot;on&quot;&gt;&lt;st1:place w:st=&quot;on&quot;&gt;London&lt;/st1:place&gt;&lt;/st1:city&gt;
look to match Ritchie’s gritty visual style. Whether he knew it or not, Ritchie
was following in the steps of Merchant Ivory, who also chose to use &lt;st1:street w:st=&quot;on&quot;&gt;&lt;st1:address w:st=&quot;on&quot;&gt;Park Street&lt;/st1:address&gt;&lt;/st1:street&gt; for a
location in “Howard’s End”.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;span lang=&quot;EN-GB&quot;&gt;A year later, some scenes of “Entrapment”,
a Sean Connery and Catherine Zeta-Jones thriller, were shot in the market
itself. The location directors also used part of &lt;st1:city w:st=&quot;on&quot;&gt;&lt;st1:place w:st=&quot;on&quot;&gt;London&lt;/st1:place&gt;&lt;/st1:city&gt;’s financial district – just over the
river &lt;st1:place w:st=&quot;on&quot;&gt;Thames&lt;/st1:place&gt; - for some shots. The contrast
between the two sides of London that were depicted really added to the sense of
location, before the action moved to Kuala Lumpur for the film’s finale.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;span lang=&quot;EN-GB&quot;&gt;More recently, Borough Market’s distinctive
and historic visual appeal has been selected by location directors working on
the Harry Potter franchise. Along with Leadenhall Market, a now defunct market
in the City of &lt;st1:city w:st=&quot;on&quot;&gt;&lt;st1:place w:st=&quot;on&quot;&gt;London&lt;/st1:place&gt;&lt;/st1:city&gt;,
it features as the secret entrance to Diagon Alley. It was perhaps this
other-worldliness that attracted Terry Gilliam to the area, too when he chose
Borough Market as a location for “The Imaginarium of Doctor Parnassus”.
Gilliam’s movie used &lt;st1:street w:st=&quot;on&quot;&gt;&lt;st1:address w:st=&quot;on&quot;&gt;Green Dragon
  Court&lt;/st1:address&gt;&lt;/st1:street&gt; for his shots, just paces away from Bridget
Jones’ fictitious home on &lt;st1:street w:st=&quot;on&quot;&gt;&lt;st1:address w:st=&quot;on&quot;&gt;Bedale
  Street&lt;/st1:address&gt;&lt;/st1:street&gt;.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;span lang=&quot;EN-GB&quot;&gt;With so many movie locations to spot and
such gastronomic fare on offer, &lt;a href=&quot;http://londoncalling.com/features/discover-the-hidden-gems-of-borough-market/&quot;&gt;Borough
Market&lt;/a&gt; is really well worth a visit. If you can, head there mid-week, when
there are less crowds and it is subsequently easier to spot the various locations
used.&lt;/span&gt;&lt;/div&gt;
&lt;br /&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8995788/posts/default/8440706643674147944'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8995788/posts/default/8440706643674147944'/><link rel='alternate' type='text/html' href='http://blog.reelstreets.com/2014/05/londons-borough-market-set-to-star-again.html' title='London’s Borough Market Set To Star Again?'/><author><name>John Tunstill</name><uri>http://www.blogger.com/profile/08769414062399173608</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-8995788.post-812852579886853581</id><published>2014-05-06T13:16:00.000+00:00</published><updated>2014-05-06T13:16:09.513+00:00</updated><title type='text'>Movie Legend Jean Kent</title><content type='html'>As many of you may know, movie legend Jean Kent was tragically found dead last November. She signed to Gainsborough Pictures during the Second World War and appeared in a number of British films during the 1940&#39;s and 1950&#39;s before turning to television. &amp;nbsp;Michael Thornton, film critic and film historian was a close friend of hers and has brought to our attention that the inquest into her death will take place on Thursday of this week, 8th May. Full details and commentary on this is available should you wish to &lt;a href=&quot;http://www.reelstreets.com/index.php?option=com_content&amp;amp;view=article&amp;amp;layout=edit&amp;amp;id=11&quot; target=&quot;_blank&quot;&gt;Read More&lt;/a&gt;.&lt;br /&gt;
&lt;br /&gt;
The following week, on the 15th May, Michael is introducing the star&#39;s most celebrated and notorious film, &lt;i&gt;Good-Time Girl&lt;/i&gt; (1948) at the National Film Theatre should you wish to attend.</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8995788/posts/default/812852579886853581'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8995788/posts/default/812852579886853581'/><link rel='alternate' type='text/html' href='http://blog.reelstreets.com/2014/05/movie-legend-jean-kent.html' title='Movie Legend Jean Kent'/><author><name>Richard Lovejoy</name><uri>http://www.blogger.com/profile/08401082382006434601</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-8995788.post-5709610297589964414</id><published>2014-01-31T19:27:00.000+00:00</published><updated>2014-01-31T19:40:25.224+00:00</updated><title type='text'>London in Colour - 1927</title><content type='html'>&lt;div style=&quot;text-align: justify;&quot;&gt;
Many of us know of William Friese-Greene, a pioneer of early cinematography, perhaps primarily as a result of the film &lt;i&gt;&lt;a href=&quot;http://www.reelstreets.com/index.php?option=com_films&amp;amp;task=view&amp;amp;id=591&amp;amp;film_ref=magic_box,_the&quot; target=&quot;_blank&quot;&gt;&quot;The Magic Box&quot;&lt;/a&gt;&lt;/i&gt; (1951) which features on the ReelStreets Website. However, following his fathers death in 1921 his son Claude carried on the development of the additive colour film process called &lt;i&gt;Biocolour&lt;/i&gt; and toured the UK capturing the dramatically changing scene that followed the First World War. His journey from Land&#39;s End to John O&#39;Groats between 1924 and 1926 and entitled &lt;i&gt;The Open Road&lt;/i&gt; was featured in a series of programmes by the BBC back in 2006 and is now available on DVD.&lt;/div&gt;
&lt;div style=&quot;text-align: justify;&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style=&quot;text-align: justify;&quot;&gt;
It has recently come to my notice that some footage shot by Claude in London during 1927 and subsequently remastered by the BFI is available to be seen at:&lt;/div&gt;
&lt;div style=&quot;text-align: justify;&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style=&quot;text-align: justify;&quot;&gt;
&lt;a href=&quot;http://www.deathandtaxesmag.com/198876/rare-color-film-shows-what-london-looked-like-in-1927/?-5&quot; target=&quot;_blank&quot;&gt;Click here for the Link&lt;/a&gt;&lt;/div&gt;
&lt;div style=&quot;text-align: justify;&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style=&quot;text-align: justify;&quot;&gt;
With the flickering removed it is hard to imagine just how old this footage is, better than most of our home movies of the 1950/1960&#39;s!&lt;/div&gt;
&lt;div style=&quot;text-align: justify;&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style=&quot;text-align: justify;&quot;&gt;
With nearly six minutes of footage it covers many locations that appear variously throughout films &amp;nbsp;listed on ReelStreets and in a few instances almost provides a &lt;b&gt;retrospective&lt;/b&gt; &quot;THEN&quot; shot. Because of the popular locations included, many films can be associated with the places featured and I have related a few but I am sure those with a greater experience than I can add a better comparison, which I am happy to do if they would give me the detail. Maybe they could pen a follow-up Blog!&lt;/div&gt;
&lt;div style=&quot;text-align: justify;&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;h4&gt;
Location Featured &amp;nbsp;- &lt;i&gt;Film &lt;/i&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;&amp;nbsp;&lt;/h4&gt;
&lt;div&gt;
Tower Bridge Road&lt;br /&gt;
&lt;i&gt;Callan (1974)&lt;/i&gt;&lt;/div&gt;
&lt;div&gt;
Panning the Thames, Trinity House and Tower of London&lt;br /&gt;
&lt;i&gt;Pool of London (1951)&amp;nbsp;&lt;/i&gt;&lt;/div&gt;
&lt;div&gt;
Going Over London Bridge &lt;br /&gt;
&lt;i&gt;Brothers In Law (1957)&lt;/i&gt;&lt;/div&gt;
&lt;div&gt;
View of Tower of London from London Bridge&lt;/div&gt;
&lt;div&gt;
Continued journey over London Bridge&lt;/div&gt;
&lt;div&gt;
Looking down Whitehall &amp;nbsp;&lt;br /&gt;
&lt;i&gt;Rockets Galore (1958)&lt;/i&gt;&lt;/div&gt;
&lt;div&gt;
Whitehall and the Cenotaph&lt;br /&gt;
&lt;i&gt;Dial 999 (1955)&lt;/i&gt;&lt;/div&gt;
&lt;div&gt;
Whitehall towards Trafalgar Square&lt;br /&gt;
&lt;i&gt;Subterfuge (1968) &lt;/i&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp;&lt;/div&gt;
&lt;div&gt;
Hyde Park Corner&lt;br /&gt;
&lt;i&gt;True as a Turtle (1957)&lt;/i&gt;&lt;/div&gt;
&lt;div&gt;
Marble Arch&lt;br /&gt;
&lt;i&gt;The Optimists of Nine Elms (1973)&lt;/i&gt;&lt;/div&gt;
&lt;div&gt;
Kensington Gardens&lt;br /&gt;
&lt;i&gt;Carve Her Name with Pride (1958)&lt;/i&gt;&lt;/div&gt;
&lt;div&gt;
Peter Pan Statue&lt;br /&gt;
&lt;i&gt;Three Hats for Lisa (1965)&lt;/i&gt;&lt;/div&gt;
&lt;div&gt;
Petticoat Lane&lt;br /&gt;
&lt;i&gt;A Kid for Two Farthings (1955)&lt;/i&gt;&lt;/div&gt;
&lt;div&gt;
Looking over Westminster Bridge&lt;/div&gt;
&lt;div&gt;
Albert Embankment to Houses of Parliament&lt;br /&gt;
&lt;i&gt;Street Corner (1953)&lt;/i&gt; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;&lt;/div&gt;
&lt;div&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div&gt;
&amp;nbsp;&amp;nbsp; &amp;nbsp; &amp;nbsp;&lt;/div&gt;
</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8995788/posts/default/5709610297589964414'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8995788/posts/default/5709610297589964414'/><link rel='alternate' type='text/html' href='http://blog.reelstreets.com/2014/01/london-in-colour-1927.html' title='London in Colour - 1927'/><author><name>Richard Lovejoy</name><uri>http://www.blogger.com/profile/08401082382006434601</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-8995788.post-7982725507343578253</id><published>2013-10-22T08:45:00.001+00:00</published><updated>2013-10-22T08:45:26.860+00:00</updated><title type='text'>Changes to stills/nows display</title><content type='html'>We have made some changes to the way the filming location stills and the present-day now location shots are displayed for each film. In the past the filming location still was displayed on the left, and the now location shot was shown next to it. 
Now, when you navigate to a film page you will only see the filming location stills. To view a now location shot, just move your mouse over the still and it will be replaced be the up-to-date now shot.
The location information for both the film still and the now shot are shown below the image (the now shot information is shown in green.
Any still that has an associated now shot has a black border. If we do not have a now shot the border is red.
We hope you like this new way of displaying the stills and now shots.
</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8995788/posts/default/7982725507343578253'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8995788/posts/default/7982725507343578253'/><link rel='alternate' type='text/html' href='http://blog.reelstreets.com/2013/10/changes-to-stillsnows-display.html' title='Changes to stills/nows display'/><author><name>John Tunstill</name><uri>http://www.blogger.com/profile/08769414062399173608</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-8995788.post-2003231918342610401</id><published>2013-08-28T13:04:00.001+00:00</published><updated>2013-08-28T13:04:09.107+00:00</updated><title type='text'>Architectural Visits</title><content type='html'>&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 0.0001pt;&quot;&gt;
&lt;span lang=&quot;EN&quot; style=&quot;font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 12.0pt; mso-ansi-language: EN; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;; mso-fareast-language: IT;&quot;&gt;Open House London celebrates all that is best about the capital’s
buildings, places and neighbourhoods. Every September, it gives a unique
opportunity to get out and under the skin of London’s amazing&amp;nbsp;&lt;i&gt;architecture,
with over 700 buildings of all kinds opening their doors to everyone – all for
free. The dates&lt;/i&gt;&amp;nbsp;for 2013 are 21 &amp;amp; 22 September. The full programme
has details and opening times of all buildings and events.&amp;nbsp;&lt;a href=&quot;http://www.londonopenhouse.org/&quot;&gt;&lt;span style=&quot;color: blue;&quot;&gt;http://www.londonopenhouse.org&lt;/span&gt;&lt;/a&gt;&amp;nbsp;
.........and tell them we sent you.&lt;/span&gt;&lt;span lang=&quot;EN-IE&quot; style=&quot;font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 12.0pt; mso-ansi-language: EN-IE; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;; mso-fareast-language: IT;&quot;&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 0.0001pt;&quot;&gt;
&lt;span lang=&quot;EN&quot; style=&quot;font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 12.0pt; mso-ansi-language: EN; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;; mso-fareast-language: IT;&quot;&gt;Maybe a chance to find some of those elusive interiors and capture them for
ReelStreets.&lt;/span&gt;&lt;span lang=&quot;EN-IE&quot; style=&quot;font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 12.0pt; mso-ansi-language: EN-IE; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;; mso-fareast-language: IT;&quot;&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 0.0001pt;&quot;&gt;
&lt;span lang=&quot;EN&quot; style=&quot;font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 12.0pt; mso-ansi-language: EN; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;; mso-fareast-language: IT;&quot;&gt;This information from; Consumer Action Group&lt;/span&gt;&lt;span lang=&quot;EN-IE&quot; style=&quot;font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 12.0pt; mso-ansi-language: EN-IE; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;; mso-fareast-language: IT;&quot;&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 0.0001pt;&quot;&gt;
&lt;span lang=&quot;EN&quot; style=&quot;font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 12.0pt; mso-ansi-language: EN; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;; mso-fareast-language: IT;&quot;&gt;And this month’s newsletter contains articles on;&lt;/span&gt;&lt;span lang=&quot;EN-IE&quot; style=&quot;font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 12.0pt; mso-ansi-language: EN-IE; mso-fareast-font-family: &amp;quot;Times New Roman&amp;quot;; mso-fareast-language: IT;&quot;&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 0.0001pt;&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;span lang=&quot;EN-IE&quot; style=&quot;font-family: Arial, sans-serif; font-size: 12pt;&quot;&gt;Treated unfairly by your Payday loan lender?
Complain to the FOS!!&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;span lang=&quot;EN-IE&quot; style=&quot;font-family: Arial, sans-serif; font-size: 12pt;&quot;&gt;CPP mis-selling: Payback time is here&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;span lang=&quot;EN-IE&quot; style=&quot;font-family: Arial, sans-serif; font-size: 12pt;&quot;&gt;ATOS appeals: GP&#39;s charging £130!!&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;span lang=&quot;EN-IE&quot; style=&quot;font-family: Arial, sans-serif; font-size: 12pt;&quot;&gt;Set your own credit card terms!!!&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;span lang=&quot;EN-IE&quot; style=&quot;font-family: Arial, sans-serif; font-size: 12pt;&quot;&gt;Tesco &#39;half-price&#39; offer exposed&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;span lang=&quot;EN-IE&quot; style=&quot;font-family: Arial, sans-serif; font-size: 12pt;&quot;&gt;Hello, I&#39;m a burglar, can I sell you some home insurance?&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;span lang=&quot;EN-IE&quot; style=&quot;font-family: Arial, sans-serif; font-size: 12pt;&quot;&gt;Bank account switching service to launch in
September&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;span lang=&quot;EN-IE&quot; style=&quot;font-family: Arial, sans-serif; font-size: 12pt;&quot;&gt;Co-op removes customer guarantee&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span lang=&quot;EN-IE&quot; style=&quot;font-family: Arial, sans-serif; font-size: 12pt;&quot;&gt;Warning over &#39;flash-for-cash&#39; car accident
insurance scam&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;span lang=&quot;EN-IE&quot; style=&quot;font-family: Arial, sans-serif; font-size: 12pt;&quot;&gt;British Gas- another horror story&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;span lang=&quot;EN-IE&quot; style=&quot;font-family: Arial, sans-serif; font-size: 12pt;&quot;&gt;Furniture stores use fake prices, says OFT&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;span lang=&quot;EN-IE&quot; style=&quot;font-family: Arial, sans-serif; font-size: 12pt;&quot;&gt;Move over or it&#39;s £100 fine&lt;/span&gt;&lt;span style=&quot;font-family: Arial, sans-serif; font-size: 12pt;&quot;&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span lang=&quot;EN-IE&quot; style=&quot;font-family: Arial, sans-serif; font-size: 12pt;&quot;&gt;Golden Eye &#39;illegal&#39; download scam&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;span lang=&quot;EN-IE&quot; style=&quot;font-family: Arial, sans-serif; font-size: 12pt;&quot;&gt;The best and worst car insurers&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;span lang=&quot;EN-IE&quot; style=&quot;font-family: Arial, sans-serif; font-size: 12pt;&quot;&gt;Learner drivers warned about extra charges&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;span lang=&quot;EN-IE&quot; style=&quot;font-family: Arial, sans-serif; font-size: 12pt;&quot;&gt;Winter&#39;s coming - Warm Home Discount&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;span lang=&quot;EN-IE&quot; style=&quot;font-family: Arial, sans-serif; font-size: 12pt;&quot;&gt;BBC responsible for over 10% of all criminal
prosecutions in Magistrates Courts&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;span lang=&quot;EN-IE&quot; style=&quot;font-family: Arial, sans-serif; font-size: 12pt;&quot;&gt;Amazing information&amp;nbsp; and interesting money-saving articles from CAG,
the Consumer Action Group&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;i&gt;&lt;span lang=&quot;EN-IE&quot; style=&quot;font-family: Arial, sans-serif; font-size: 12pt;&quot;&gt;www.consumeractiongroup.co.uk/&lt;/span&gt;&lt;/i&gt;&lt;span lang=&quot;EN-IE&quot; style=&quot;font-family: Arial, sans-serif; font-size: 12pt;&quot;&gt;‎&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;span lang=&quot;EN-IE&quot; style=&quot;font-family: Arial, sans-serif; font-size: 12pt;&quot;&gt;The Consumer Action Group is a UK organisation that campaigns for customer
rights, particularly for the recovery of unfair charges imposed by UK banks on
their customers and assists individuals in reclaiming charges&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8995788/posts/default/2003231918342610401'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8995788/posts/default/2003231918342610401'/><link rel='alternate' type='text/html' href='http://blog.reelstreets.com/2013/08/architectural-visits.html' title='Architectural Visits'/><author><name>Yuliya Zagumennikova</name><uri>http://www.blogger.com/profile/04926498533509841112</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='26' height='32' src='http://3.bp.blogspot.com/_tj8n2gRIkr0/Sshzt1CRFeI/AAAAAAAAACQ/QAHyEH0b8VI/S220/Immagine+2668.jpg'/></author></entry><entry><id>tag:blogger.com,1999:blog-8995788.post-8096748920301213312</id><published>2013-08-06T08:14:00.000+00:00</published><updated>2013-08-06T08:14:37.336+00:00</updated><title type='text'>Dulcima, loaded by Russel Groves</title><content type='html'>Story of a pretty girl meetinga &amp;nbsp;rich grumpy old man. In my dreams! Anyway, enough of my fantasies, Russell has done splendid work, thirty then shots and a full matching set of thirty now shots. Bingo, full house, snap and other expressions of achievement. Dig out your favourite films, pull the thens, try and find comparative nows and send them in. Dulcima, John Mills, Bernard Lee, 1971, just over forty years ago, and it seems like yesterday. Ah, nostalgia, films and movie locations, what would we do without them. Well done Russell.</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8995788/posts/default/8096748920301213312'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8995788/posts/default/8096748920301213312'/><link rel='alternate' type='text/html' href='http://blog.reelstreets.com/2013/08/dulcima-loaded-by-russel-groves.html' title='Dulcima, loaded by Russel Groves'/><author><name>Yuliya Zagumennikova</name><uri>http://www.blogger.com/profile/04926498533509841112</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='26' height='32' src='http://3.bp.blogspot.com/_tj8n2gRIkr0/Sshzt1CRFeI/AAAAAAAAACQ/QAHyEH0b8VI/S220/Immagine+2668.jpg'/></author></entry><entry><id>tag:blogger.com,1999:blog-8995788.post-6144843421342080210</id><published>2013-07-31T16:09:00.001+00:00</published><updated>2013-07-31T16:09:58.494+00:00</updated><title type='text'>English Stately Locations In Period Dramas</title><content type='html'>&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: &amp;quot;Verdana&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 12.0pt; mso-ansi-language: EN-US; mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;; mso-bidi-language: AR-SA; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: &amp;quot;MS Mincho&amp;quot;; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-fareast;&quot;&gt;Love
them or hate them, period dramas have surged in popularity over the last five
years, with films such as the &lt;i&gt;King’s
Speech&lt;/i&gt; and the 2011 adaptation of &lt;i&gt;Jane
Eyre&lt;/i&gt; being among the two most notable (and highly acclaimed) examples of
late. And while any era in history is fair game and open to dramatic
interpretation, two things remain constant across the genre: astounding
architecture and incredible costume design.&lt;br /&gt;
&lt;br /&gt;
Since England is the literary and historical birthplace that has given rise to
this slice of cinematography, it’s not surprise that the majority of such films
and TV shows are filmed there. Today, we’ll be exploring some of the more
recognizable locations and building across the pond that has been given greater
exposure on screen.&lt;br /&gt;
&lt;br /&gt;
&lt;/span&gt;&lt;b&gt;&lt;u&gt;&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: &amp;quot;Verdana&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 14.0pt; mso-ansi-language: EN-US; mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;; mso-bidi-language: AR-SA; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: &amp;quot;MS Mincho&amp;quot;; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-fareast;&quot;&gt;Downton Abbey&lt;/span&gt;&lt;/u&gt;&lt;/b&gt;&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: &amp;quot;Verdana&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 12.0pt; mso-ansi-language: EN-US; mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;; mso-bidi-language: AR-SA; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: &amp;quot;MS Mincho&amp;quot;; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-fareast;&quot;&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;i&gt;Downton Abbey&lt;/i&gt; has seen great success
on both sides of the Atlantic, having won both Golden Globe and a Primetime
Emmy Award (as well as a staggering 27 nominations).&lt;br /&gt;
&lt;br /&gt;
The titular abbey is placed in the county of Yorkshire throughout the series,
but in reality the architecture used isn’t called Downton Abbey and is located
in a different part of the country entirely.&lt;br /&gt;
&lt;!--[if !supportLineBreakNewLine]--&gt;&lt;br /&gt;
&lt;!--[endif]--&gt;&lt;/span&gt;&lt;br /&gt;
&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;
&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh5ImarOZM7Y-KmKSQysTwNsVsnli8o-j2rCcDFuXvhv_L17PNOeJ20yHEZSBk3fR2iLaGzzfXJkMAt2kF8iW_Z6_Y_IKoIvB0m1BJTWINjjdryMx05299YonS2ZytmNJBBFG0w/s1600/ESH+1.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; height=&quot;233&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh5ImarOZM7Y-KmKSQysTwNsVsnli8o-j2rCcDFuXvhv_L17PNOeJ20yHEZSBk3fR2iLaGzzfXJkMAt2kF8iW_Z6_Y_IKoIvB0m1BJTWINjjdryMx05299YonS2ZytmNJBBFG0w/s320/ESH+1.jpg&quot; width=&quot;320&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: &amp;quot;Verdana&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 12.0pt; mso-ansi-language: EN-US; mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;; mso-bidi-language: AR-SA; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: &amp;quot;MS Mincho&amp;quot;; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-fareast;&quot;&gt;&lt;span lang=&quot;EN-US&quot; style=&quot;font-size: 12pt;&quot;&gt;In
fact, it isn’t even an abbey. Highclere Castle in Hampshire is used to depict
Downton from the exterior (and most of the interior shots as well). The castle,
which has stood in one form or another since the 8&lt;sup&gt;th&lt;/sup&gt; century,
underwent construction in 1839 to become the recognizable splendor we’ve come
to know today.&lt;br /&gt;
&lt;br /&gt;
Given its heightened popularity of late, Highclere has seen a surge in interest
as a wedding venue but might be slightly out of budget for most people – just
to hire the venue will set you back around $30,000, plus an extra $300 per
guest for catering.&lt;br /&gt;
&lt;br /&gt;
&lt;/span&gt;&lt;b&gt;&lt;u&gt;&lt;span lang=&quot;EN-US&quot; style=&quot;font-size: 14pt;&quot;&gt;The King’s Speech&lt;/span&gt;&lt;/u&gt;&lt;/b&gt;&lt;span lang=&quot;EN-US&quot; style=&quot;font-size: 12pt;&quot;&gt;&lt;br /&gt;
&lt;br /&gt;
Among the many triumph’s of 2010’s &lt;i&gt;The
King’s Speech&lt;/i&gt; was the excellent use of location to realistically depict
depression-era London. In order to do this, they commandeered an entire street
which featured some of the only surviving Victorian tenement buildings in London
– housing hastily built to accommodate impoverished factory workers and their
kin.&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;
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&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: &amp;quot;Verdana&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 12.0pt; mso-ansi-language: EN-US; mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;; mso-bidi-language: AR-SA; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: &amp;quot;MS Mincho&amp;quot;; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-fareast;&quot;&gt;&lt;span lang=&quot;EN-US&quot; style=&quot;font-size: 12pt;&quot;&gt;&lt;br /&gt;
&lt;!--[if !supportLineBreakNewLine]--&gt;&lt;span lang=&quot;EN-US&quot; style=&quot;font-size: 12pt;&quot;&gt;Despite
the extremely high production value of the film as a whole, set designers only
had a $12m budget to work with – a huge amount for a &lt;/span&gt;&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: &amp;quot;Cambria&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 12.0pt; mso-ansi-language: EN-US; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;; mso-bidi-language: AR-SA; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: &amp;quot;MS Mincho&amp;quot;; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-fareast; mso-hansi-theme-font: minor-latin;&quot;&gt;&lt;a href=&quot;http://www.nyfa.edu/filmmaking/&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;Verdana&amp;quot;,&amp;quot;sans-serif&amp;quot;;&quot;&gt;filmmaking student&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;span lang=&quot;EN-US&quot; style=&quot;font-size: 12pt;&quot;&gt;
perhaps, but comparatively small when talking about recreating a whole
different era for a feature film. Life Street in particular (pictured above)
was used extensively during filming, with 30s era posters being plastered on
the side of buildings and grime sprayed over the entire street. In addition to
trying to make the street look as filthy as possible, crew had to replicate the
noxious smog which was commonplace at the time – to do this, they pumped in so
much fake smoke that fire alarms were set off.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: &amp;quot;Verdana&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 12.0pt; mso-ansi-language: EN-US; mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;; mso-bidi-language: AR-SA; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: &amp;quot;MS Mincho&amp;quot;; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-fareast;&quot;&gt;&lt;span lang=&quot;EN-US&quot; style=&quot;font-size: 12pt;&quot;&gt;&lt;span lang=&quot;EN-US&quot; style=&quot;font-size: 12pt;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;
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&lt;span style=&quot;font-family: Verdana, sans-serif; font-size: 12pt;&quot;&gt;Since
permission to film inside Buckingham Palace is seldom granted, Lancaster House
was used as a substitute for the scenes leading up to the Colin Firth making
the speech (and the delivery scene itself).&lt;/span&gt;&lt;/div&gt;
&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: &amp;quot;Verdana&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 12.0pt; mso-ansi-language: EN-US; mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;; mso-bidi-language: AR-SA; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: &amp;quot;MS Mincho&amp;quot;; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-fareast;&quot;&gt;&lt;span lang=&quot;EN-US&quot; style=&quot;font-size: 12pt;&quot;&gt;&lt;span lang=&quot;EN-US&quot; style=&quot;font-size: 12pt;&quot;&gt;&lt;span lang=&quot;EN-US&quot; style=&quot;font-size: 12pt;&quot;&gt;
&lt;br /&gt;
&lt;/span&gt;&lt;b&gt;&lt;u&gt;&lt;span lang=&quot;EN-US&quot; style=&quot;font-size: 14pt;&quot;&gt;Jane Eyre&lt;/span&gt;&lt;/u&gt;&lt;/b&gt;&lt;span lang=&quot;EN-US&quot; style=&quot;font-size: 12pt;&quot;&gt;&lt;br /&gt;
&lt;br /&gt;
There are more attempts at translating Jane Austen’s work to the silver screen
than you can shake an Elizabethan stick at. Some have been incredibly
successful, some not so much, but director Cary Fukunaga’s 2011 take on &lt;i&gt;Jane Eyre&lt;/i&gt; is amongst the former.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: &amp;quot;Verdana&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 12.0pt; mso-ansi-language: EN-US; mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;; mso-bidi-language: AR-SA; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: &amp;quot;MS Mincho&amp;quot;; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-fareast;&quot;&gt;&lt;span lang=&quot;EN-US&quot; style=&quot;font-size: 12pt;&quot;&gt;&lt;span lang=&quot;EN-US&quot; style=&quot;font-size: 12pt;&quot;&gt;&lt;span lang=&quot;EN-US&quot; style=&quot;font-size: 12pt;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;
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&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: &amp;quot;Verdana&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 12.0pt; mso-ansi-language: EN-US; mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;; mso-bidi-language: AR-SA; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: &amp;quot;MS Mincho&amp;quot;; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-fareast;&quot;&gt;&lt;span lang=&quot;EN-US&quot; style=&quot;font-size: 12pt;&quot;&gt;&lt;span lang=&quot;EN-US&quot; style=&quot;font-size: 12pt;&quot;&gt;&lt;span lang=&quot;EN-US&quot; style=&quot;font-size: 12pt;&quot;&gt;&lt;br /&gt;
&lt;span lang=&quot;EN-US&quot; style=&quot;font-size: 12pt;&quot;&gt;Along
with the enigmatic moors and dales of the English midlands, two key locations
helped bring this wonderfully realized adaptation to life. The first was Haddon
Hall (pictured above), was used to represent Thornfield Hall; an apt choice,
really, given that it had already appeared in Franco Zeffirelli’s 1996
adaptation of the film as well as in the 2006 BBC television series. The manor
hall areas have been relatively untouched since its construction in the 11&lt;sup&gt;th&lt;/sup&gt;
century, which makes it one of the most well-preserved historical buildings in
the country.&lt;br /&gt;
&lt;br /&gt;
Some key scenes were filmed (albeit to a lesser extent) further south in
Oxfordshire at Broughton Castle.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: &amp;quot;Verdana&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 12.0pt; mso-ansi-language: EN-US; mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;; mso-bidi-language: AR-SA; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: &amp;quot;MS Mincho&amp;quot;; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-fareast;&quot;&gt;&lt;span lang=&quot;EN-US&quot; style=&quot;font-size: 12pt;&quot;&gt;&lt;span lang=&quot;EN-US&quot; style=&quot;font-size: 12pt;&quot;&gt;&lt;span lang=&quot;EN-US&quot; style=&quot;font-size: 12pt;&quot;&gt;&lt;span lang=&quot;EN-US&quot; style=&quot;font-size: 12pt;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;
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&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: &amp;quot;Verdana&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 12.0pt; mso-ansi-language: EN-US; mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;; mso-bidi-language: AR-SA; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: &amp;quot;MS Mincho&amp;quot;; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-fareast;&quot;&gt;&lt;span lang=&quot;EN-US&quot; style=&quot;font-size: 12pt;&quot;&gt;&lt;span lang=&quot;EN-US&quot; style=&quot;font-size: 12pt;&quot;&gt;&lt;span lang=&quot;EN-US&quot; style=&quot;font-size: 12pt;&quot;&gt;&lt;span lang=&quot;EN-US&quot; style=&quot;font-size: 12pt;&quot;&gt;&lt;br /&gt;
&lt;!--[if !supportLineBreakNewLine]--&gt;&lt;br /&gt;
&lt;!--[endif]--&gt;&lt;/span&gt;
&lt;!--[if !supportLineBreakNewLine]--&gt;&lt;span lang=&quot;EN-US&quot; style=&quot;font-size: 12pt;&quot;&gt;Like
Haddon, the modest castle also had a pedigree as a prime filming location long
before Jane Eyre, having previously made an appearance in &lt;i&gt;The Madness of King George&lt;/i&gt; and &lt;i&gt;Shakespeare
in Love&lt;/i&gt;.&lt;br /&gt;
&lt;br /&gt;
&lt;/span&gt;&lt;b&gt;&lt;u&gt;&lt;span lang=&quot;EN-US&quot; style=&quot;font-size: 14pt;&quot;&gt;Pride &amp;amp; Prejudice&lt;/span&gt;&lt;/u&gt;&lt;/b&gt;&lt;span lang=&quot;EN-US&quot; style=&quot;font-size: 12pt;&quot;&gt;&lt;br /&gt;
&lt;br /&gt;
From one Jane Austin masterpiece to another, Pride &amp;amp; Prejudice has also
been the subject of many screen adaptations. Which has been the best and/or
most faithful is the subject of much debate, but high up in the rankings is one
of the most recent – Joe Wright’s 2005 feature film adaptation, starring Keira
Knightley and Matthew Macfadyen.&lt;br /&gt;
&lt;br /&gt;
Haddon Hall once again made an appearance in the film, but the main fictional
estate of Pemberley was portrayed by two separate locations.&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: &amp;quot;Verdana&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 12.0pt; mso-ansi-language: EN-US; mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;; mso-bidi-language: AR-SA; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: &amp;quot;MS Mincho&amp;quot;; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-fareast;&quot;&gt;&lt;span lang=&quot;EN-US&quot; style=&quot;font-size: 12pt;&quot;&gt;&lt;span lang=&quot;EN-US&quot; style=&quot;font-size: 12pt;&quot;&gt;&lt;span lang=&quot;EN-US&quot; style=&quot;font-size: 12pt;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;
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&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhIZYjXAn48uv3q7cTMUhBhuQeq__pa8j8s52ngT2v-aaZFyzwZzHuvl4fD3np115P_QrTCcyFaGKO_snM5SERlt71qycQ92z_yhI2AkMH4BbcEBqur_ENFi3JUgUdQmJu1kVly/s1600/ESH+6.jpg&quot; imageanchor=&quot;1&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; height=&quot;122&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhIZYjXAn48uv3q7cTMUhBhuQeq__pa8j8s52ngT2v-aaZFyzwZzHuvl4fD3np115P_QrTCcyFaGKO_snM5SERlt71qycQ92z_yhI2AkMH4BbcEBqur_ENFi3JUgUdQmJu1kVly/s320/ESH+6.jpg&quot; width=&quot;320&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: &amp;quot;Verdana&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 12.0pt; mso-ansi-language: EN-US; mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;; mso-bidi-language: AR-SA; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: &amp;quot;MS Mincho&amp;quot;; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-fareast;&quot;&gt;&lt;span lang=&quot;EN-US&quot; style=&quot;font-size: 12pt;&quot;&gt;&lt;span lang=&quot;EN-US&quot; style=&quot;font-size: 12pt;&quot;&gt;&lt;span lang=&quot;EN-US&quot; style=&quot;font-size: 12pt;&quot;&gt;&lt;br /&gt;
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&lt;div class=&quot;MsoNormal&quot;&gt;
&lt;span lang=&quot;EN-US&quot; style=&quot;font-family: &amp;quot;Verdana&amp;quot;,&amp;quot;sans-serif&amp;quot;;&quot;&gt;Wilton
House, pictured on the right, is a relatively modern (16&lt;sup&gt;th&lt;/sup&gt; century)
manor in the county of Wiltshire, and its impressive grounds have featured in
numerous period dramas over the years. Chatsworth House on the left – instantly
recognizable from Wright’s Pride and Prejudice and many others – is one of the
most well known in England and is the largest, privately owned property in the
country.&lt;a href=&quot;&quot; name=&quot;_GoBack&quot;&gt;&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8995788/posts/default/6144843421342080210'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8995788/posts/default/6144843421342080210'/><link rel='alternate' type='text/html' href='http://blog.reelstreets.com/2013/07/english-stately-locations-in-period.html' title='English Stately Locations In Period Dramas'/><author><name>Yuliya Zagumennikova</name><uri>http://www.blogger.com/profile/04926498533509841112</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='26' height='32' src='http://3.bp.blogspot.com/_tj8n2gRIkr0/Sshzt1CRFeI/AAAAAAAAACQ/QAHyEH0b8VI/S220/Immagine+2668.jpg'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh5ImarOZM7Y-KmKSQysTwNsVsnli8o-j2rCcDFuXvhv_L17PNOeJ20yHEZSBk3fR2iLaGzzfXJkMAt2kF8iW_Z6_Y_IKoIvB0m1BJTWINjjdryMx05299YonS2ZytmNJBBFG0w/s72-c/ESH+1.jpg" height="72" width="72"/></entry></feed>