Does your sound echo the 1970s hard-edged rants of the Ramones and the Sex Pistols? Or are you more post-punk, discordant and experimental like Siouxsie and the Banshees? Either way, we’ve added the Punk genre for you. If you want to change your primary genre, just go to:

Control Room > My Profile > General Info > Edit > change your Primary Genre

-ReverbNation Staff

Related posts:

1. ReverbNation Adds Two New Genres: Spoken Word and Bollywood
2. ReverbNation Adds Spotify, Last.fm, Zune, MySpace Music, Wal-Mart, and Dozens More Retailers to Its Flat-Fee Digital Distribution Product for Bands
3. Survey Results: 75% of Indie Artists Seek a Label Deal – Sony Top Label of Choice

Butterflies Radio joined forces with ReverbNation to accept submissions for independent artists across a wide range of genres, including Hip-Hop, Rap, Country, Jazz and Electronic. If you want to expose your music to a worldwide audience, this is your chance! And when we say world, we mean it: people tune in from Dubai to China, the U.S. to Egypt, Indonesia to all over Europe and South America.

“Our goal is to get independent musicians heard,” says Mark Lamdanski, co-founder of Butterflies Radio. “We’re not in this to make money. We don’t sell advertising…this is a labor of love.”

Submit your tunes now! This free opportunity runs until May 31st.

If you’re selected to have one of your songs on Butterflies, you could also be invited to be a guest on their weekly live show! Twitter Tuesday Live is broadcast live every Tuesday night at 8pm EST and features the latest music added to their rotation. Each week the hosts invite one of the artists to join them for an informal interview and they play three songs from the guest during the show.

“We [founders Mark and Carol Riordan] pay special attention to every single guest that comes to the show,” Mark says. ”The passion that Carol and I have in what we do is what sets us apart.”

Listen to the latest Twitter Tuesday Live with guest band Matter of Fact from Cincinnati, Ohio:

Related posts:

1. ReverbNation Partners with APM Music to Bring Exclusive TV, Movie, and Video Game Licensing Opportunity to Independent Bands

We know… it was about time we added more genres to the roster! You’ve spoken (no pun intended. Well, maybe a little) and we’ve listened. If you consider your primary genre Spoken Word or Bollywood, you can now change it. Just go to:

Control Room > My Profile > General Info > Edit > change your Primary Genre.

Thanks for the patience as we continue improving our services!

We’ll leave you with this video of this cool Bollywood Flash Mob in Times Square:

Related posts:

1. ReverbNation Adds New Genre: Punk
2. ReverbNation Adds Spotify, Last.fm, Zune, MySpace Music, Wal-Mart, and Dozens More Retailers to Its Flat-Fee Digital Distribution Product for Bands

Jean Beauvoir’s iconic blond mohawk left an impression on the 80s, but his contribution extends far beyond hair fashion. Over his impressive career he’s played with Steve Van Zandt, The Ramones, Kiss, The Pretenders and more rock superstars. And, “Feel The Heat,” his 1986 hit single, sold over 1.5 million copies, topped charts around the globe, and was featured as the main song and trailer soundtrack for Sylvester Stallone’s blockbuster film COBRA. Now Jean Beauvoir has decided to release different versions of his work to give his audience a new flavor, so “Feel The Heat” is now available for you to remix!

For this remix, you will be provided with the vocal tracks only; the instrumentation is completely in your hands. That means that while the original tempo is 103BPM, it can be altered and additional vocal ad-libs can be added. Your creativity and imagination are welcome!

The winning remix (or remixes) will receive worldwide exposure and cool prizes. So have you got the skills? Submit today and find out! (But submit fast because the deadline is April 15th)

Related posts:

1. Sweet Remix Opportunity with Great Prizes — “The Chirps” from DJ Fame & Eric Sharp
2. Electronica Producer Kastle Announces ReverbNation Winner for his Remix Contest
3. Remix Ready? Grammy-nominated Carmen Rizzo Wants to Hear What You’ve Got

Not THAT kind of gold!

This guest contribution is written by Jon Ostrow (@jon_ostrow), cofounder of MicControl.com, Publicity Director of Cyber PR and blogger for Songtrust.com. Jon can be easily reached at any time on Twitter. 

As an emerging musician focusing your efforts online, building a strong and loyal fan base is the ‘secret sauce’ to success. Loyal fans purchase music, attend shows, evangelize your music and help you exponentially grow your fan base. Ultimately they’ll give you the leverage you need to pursue music on your own terms. When you have a cult following, you maintain creative control; no label in the world will try to mess with someone whose fan base is making them big money.

While this all sounds great, unfortunately there’s no “secret sauce” to help grow this kind of fan base. Some people find themselves naturally at the forefront of a movement. And others try for years to make it happen with little success. And while a secret sauce would be nice, the truth is there’s one constant that is guaranteed to get you moving in the right direction: Treat your fans like gold!

The idea of customer service may sound a little too ‘corporate’ for some of you, but in all honestly it’s something that you should ALL be thinking about as you’re interacting with fans and building a presence (and hopefully influence) online. Here are five important ways to treat your fans like gold.

1) Fans Are Not Numbers, They Are People

Something that so many artists and brands are guilty of doing too often is promoting the fact that they are only a certain number of fans away from hitting some milestone number on their Facebook pages, Twitter accounts, Youtube videos,etc. This obsession with growing the numbers as big as possible is a continuation of the myspace era of social networking, and it really needs to stop. The best way to grow a truly loyal fan base is to nurture their loyalty from the very beginning, and nothing makes a fan feel less appreciated then making them feel like just a number.

Forget for a second that you are only 10 away from 4000 fans, and start to actually spend time appreciating and nurturing the fans that you DO have. Treat them as human beings, with care and respect, and they will start to reciprocate.

2) Give Your Fans a Human Response 

Speaking of treating your fans like humans and not numbers… fans want to know that on the other end of the computer there’s a human, not a robot responding to them. When fans reach out to you online — whether it’s to complement your music or ask you a personal question — respond with a personal touch and you’ll show them that you care enough to take the time to personally get back to them.

3) Under-Promise and Over Deliver

Regularly delivering value to your fans online is a big part of nurturing their loyalty. The more value you deliver on a consistent basis, the more loyal they will become. But with the idea of delivering value comes a problem that many artists run into, which is to make promises they don’t carry through. This could be in the form of promising a new song release on a certain date, promising a live performance like no other, or even simply promising that your music is”like nothing anyone has ever heard before.”

Let’s get something straight: fans hate nothing more than when a promise to them has been broken. Fans, as any customers and brand loyalists, are very delicate and will quickly feel betrayed and disrespected when they are promised something and then let down. The easy solution? Stop promising things…but you don’t really want to do that. The better idea is to under-promise and over deliver so that everything you give to your fans is received with delight!

4) Bring Your Fans on Your Journey 

You need to give your fans something to be loyal to if you want their loyalty to be directed towards your music. If you talk AT your fans and focus on “me, me, me,” they won’t have much to feel a connection with you. As far as they are concerned, they don’t exist in your world and so whether they stay or leave won’t mean much to you.

But if you talk WITH your fans and make them feel as though they are truly an important part of the well-oiled machine that is your music career, you can give them a sense of meaning and a reason to stick around. By bringing them on your (‘your’ as a collective of you and your fan base) journey on a regular basis, your fans will have that special something to feel loyal to and support in all ways that they can.

5) The Follow Up! 

This couldn’t be simpler, and yet it’s one of the most important things you can do. If your fans come out to a show and sign up for a mailing list, or join a mailing list to download a new song, or have commented saying how much they like your music, FOLLOW UP with them and thank them for doing so. The follow up is widely viewed as THE most important part of growing a loyal fan base and it’s absolutely essential that you embrace the idea in any way that you can. Nothing says ‘human response’ and ‘I truly appreciate you being a part of our journey’ as a simple follow up.

Plain and simple, don’t make the mistake of missing this incredibly important  — and incredibly easy  — opportunity to nurture the loyalty of your fans.

How Do YOU Treat Your Fans Like Gold?

These five ideas above are just the tip of the iceberg! We want to hear from all of you about how you treat your fans like gold, so please leave your stories, suggestions and/or feedback in the form of a comment below.

Related posts:

1. Re-Post: The 4 Reasons Fans Buy Your Merch
2. New Tool for Facebook Gets More Fans to Your Next Concert
3. Top 5 Ways to Sell More Music and Merchandise

NOTE: We’re proud to publish this guest column from long-term ReverbNation artist Cheryl B. Engelhardt. Not only is she sharing valuable information and excerpts from her e-course, “In The Key Of Success: The Five Week Jump-Start Strategy,” she’s also offering the whole course to fellow ReverbNation musicians at deep discount. Keep reading to find out more.

So you’ve made a record. Hopefully you’re starting to look at yourself like a business with a product to sell and money to make. Taking that product and using it as your source of income is key to achieving financial stability. Make your music work for you, and look for income opportunities that will create continuous streams of money, not just single payments.

As an artist, there are several ways to make money through your music, but these are the three you should be most concerned with:

1. Distributing and selling your music (CDs and digital sales)
2. Licensing your music and collecting sync fees and royalties (TV, film, commercial, online-videos, radio, in-store, and other placements)
3. Touring and collecting ticket sales (as well as merchandise and CD sales)

Personally, I add a fourth category that not all singer/songwriters are interested in pursuing:

4. Composing music (writing music for a specific project or media outlet).

“Passive income” is the term financial coaches and other moola-savvy folks use to describe the income that grows over time or continues to come in without you having to do any additional work. Sounds good, right? Royalties from a music placement in a TV show are one example. In fact, royalties are the best source of passive income a musician can hope for. Sure, you can sell CDs and tickets to shows and get some quick cash. But making the CD work long-term is the goal of licensing and publishing. Also, co-writing with others who will be selling their music, can be a fruitful source of passive income. One co-writing session and years of radio and sync fees could be headed your way. For now though, lets focus on licensing.

Understand what it’s all about

In a nutshell, the way music licensing works is you send your music to a publishing company, music library, or film / TV show itself for consideration. Make sure that your music is copyrighted and registered with a Performing Rights Organization (PRO) like ASCAP, BMI or SESAC.

It’s important to understand how you get paid from your music being placed in any form of media. From there, you can figure out which avenue you’d like to pursue. Figuring out all the different ways to get paid has taken me years. The main points to understand are:

• The difference between publisher’s share and writer’s share

• What master, mechanical, and sync licenses are referring to

• Who pays what, and how you get your cash

There’s good five pages explaining each of the above in my E-course, so you can head there (discount code at the bottom!) to dig in deeper. Once you’ve understood the ways you get paid, you can move on to taking action to start making money!

1) Shake what yo mama gave you!

The first thing you can do is to use the resources you already have. I suggest making a list of the people, things, opportunities and skills you know you have. Once you see what you’ve already got, turn those into opportunities. For example, I had ReverbNation on my list under “websites I’m on.” This one item on my list turned into several thousands of dollars almost a year later. Here’s how: I saw that ReverbNation was offering a licensing program in conjunction with APM Music*. I submitted a song for free, and it was approved and become part of APM’s music library. Within two months of submitting, I was seeing it all over the ABC Family channel. A few months later, the same song was on “So You Think You Can Dance” (video below). These are media outlets I would not have otherwise had access to and came out of making one little list with “websites I’m on.”

2) Know your audience, and create opportunities for them

Get familiar with all the media outlets that could use music like yours. Watch TV shows that place songs in your genre. Look up the music supervisor. Do a search for publishing companies in your city and try to set up a face-to-face meeting to learn more about their operations and how you can help them out. (If you found a company that needs your kind of music, you’re providing them with the content they need and you are making your music more valuable!) Make your music an opportunity for them. 

3) Branch out

Look beyond TV shows and films to place your music. Develop relationships with online content creators. These folks are accessing a new niche of media that needs music. They will be the future viral video directors, TV writers, and film producers. While much of online video content production has smaller budgets and less chance of continued income, the opportunities in this arena are really limitless and may be worth your while to check out. Look into web series, viral YouTube videos, and animation sites.

Another place to look is independent films. If you are looking to break into the world of indie films, a great place to start is Craigslist. My sneaky and fun way of getting a few music placement and film composing gigs is looking up film auditions on Craigslist, going to the audition (no, I have never been cast… yet!), bringing up that I am interested in being involved with the film in their post- production process, and letting them know I can be a music resource. I usually get a call- back… and not for the part. (Note: If I ever am offered any part, I will take it. Do not waste these people’s time by showing up to an audition with no intention of taking a part. That would be super jerky of you.)

4) Get busy!

Figuring out where to send your music takes a bit of research and legwork. Get yourself organized in your research. Make a list of every TV show or film that you have seen (and ask some fans and friends to help you on this) where you have thought “Man! My song blahbitiboo would have been perfect in this.” Then look up that show on IMDB (The Internet Movie Database) or Google, and find the music producer or music supervisor. Look up their company. Their name and company and contact info goes on this list. I would contact them first to see if they accept unsolicited records. If they do, great! Head to the post office!

5) Create your mailing package

I strongly recommend sending a neat CD package of both the real CD (with all the vocal tracks) and a CD of the instrumental-only tracks. It’s been said that you increase your chance of placing your music by 50% if instrumental tracks are available. In fact, I would say that about half of my TV placements have been the music only, without the vocals. (Sometimes they may like the feel and energy of the track, but the lyrics don’t match the scene, or there may be a lot of dialogue so lyrics get in the way.)

6) Responsible follow-up

After you send the CDs, follow up within two weeks to make sure they got your package and have listened. If they think your entire record, or certain songs from your record could be a fit for their program, they will have you sign a “licensing deal.” This deal will allow them, the “Licensor” to use your music, sometimes exclusively, sometimes non-exclusively, for a period of time. This period can range from a year (with a big library like APM Music) to “in perpetuity,” a.k.a. forever (like with a publishing company such as Heavy Hitters Music). Some folks like to add a clause in the contract that if the track doesn’t make a certain amount of money in a certain amount of time, the track is yours to shop around again.

If that haven’t heard your package yet, ask them when they will be getting to it so you can follow up. Have the intention that they listen to your music. Don’t be desperate for them to want to sign you right now. Baby steps work, especially when you are committed every step of the way.

7) Submit to everything

I saw an opportunity on the ReverbNation site that called for a song for a Microsoft campaign. My first thought was “oh geez, everyone and their mother is going to submit to this, I’ll never get heard. Plus, I use a Mac.” But I submitted my tune anyway and ended up winning over $500 through the promotion. You never know what people will latch on to. (I mean, look up Boo The Dog on YouTube. Seriously?)

So that’s all for now. Take these steps and make them your own. Figure out your own systems and what works in your life. Once you’ve got your system in place, keep at it like your life depends on it. If you’re a full-time musician, it sort of does, right?

* ReverbNation and APM Music regularly invite new artists to participate in the Song Licensing Program. Invites are sent out to ReverbNation artists who are active users of the site, have complete profiles, and whose music fits what music supervisors are seeking. To learn more about the program, visit http://www.reverbnation.com/main/apm

Cheryl B. Engelhardt is a composer for films, ads and CollegeHumor.com, and a singer/songwriter who’s booked a bunch of tours around the USA and Europe and gotten her recorded music placed on TV shows. Her website is www.CBEmusic.com and she writes a music industry blog called Living On Gigging. You can follow her on Twitter @CBE.

 She just released “In The Key Of Success: The 5 Week Jump- Start Strategy,” an E-Course for independent musicians on how to jump-start their careers to radically change the results. If you liked this article, check out the rest of Cheryl’s E-course. She guarantees you will get results that you want, or your money back. And because you are a ReverbNation artist, you get a ridiculous 70% discount off the normal selling price by typing in REVERBN8TION when you go here: http://www.cbemusic.com/ecourse.

Related posts:

1. ReverbNation Scores Licensing Placements for Independent Artists on “So You Think You Can Dance Canada,” “Mean Girls 2,” Major League Baseball, and More
2. Worldwide Exposure: Appear on The Guitar Shop TV Artist Showcase
3. Whoa! 136 more Reverb Bands Slated to Play SXSW… Are you one of them?

“It was great working with ReverbNation and reaching out to all of their artists. We had such a diverse selection of entries, thanks to all who entered and participated!” – Kastle

And the winner is… inflect, a Nebraska producer who has shared the stage with such acts as The Glitch Mob, STS9, Bassnectar, Pretty Lights, EPROM, Nosaj Thing, Machinedrum, EOTO, Dubbel Dutch, Mux Mool, and many more.

Be the first to listen to inflect’s remix, which single release on Seclusiasis will be out next month:

“So much dope stuff came through, but inflect’s joint stuck out as the one that bumped the most!” – Dev79, Seclusiasis co-owner

 ”We’re hype to have done this competition with ReverbNation and see so many people excited to submit their remixes.” – Starkey, Seclusiasis co-owner

Related posts:

1. Opportunity to Remix 80′s Sensation Jean Beauvoir’s “Feel The Heat”
2. Remix Ready? Grammy-nominated Carmen Rizzo Wants to Hear What You’ve Got
3. Are Your Remix Skills Ready for Slip-N-Slide?

WAKA WHAT?! Every Winter, the cool people behind Wakarusa Music Festival 2012 — a grassroots festival nestled in the Ozark Mountains of Arkansas — travel around on a quest to find the best musicians in the Midwest.  They call this fantastic odyssey the Waka Winter Classic Tour! At a total of seventeen stops, several bands who submitted through ReverbNation will compete in regional talent showcases for the chance to perform at Wakarusa.

So far, bands in four locations have won and will get to play at Wakarusa (congrats!!). Here they are:

Jan. 13 – Lincoln, NE – The Bourbon
Cornerstone Dub

Jan. 14 – Springfield, MO – Outland Ballroom
Slapdash Science

Jan. 19 – Fayetteville, AR – George’s Majestic
Cadillac Jackson

Jan. 20 – Little Rock, AR – Stickyz
Grayson Shelton & War Chief

PS: We’ll keep updating this blog post with winners to come. Stay tuned!

And here are the remaining locations and bands competing (fans, make sure to support your favorites by going to these shows!):

Jan. 26 – Austin, TX – Antone’s
Holding Space
StrawberryJam
Ashes of Babylon
Soul Track Mind
Dimitri’s Ascent

Jan. 27 – Dallas, TX – 2826 Arnetic
Ishi
Gravity Feed
Fatty Lumpkin
KAPOW
Goodnight Ned
We The Sea Lions

Jan. 28 – Oklahoma City, OK – Belle Isle Brewery
Equilibrium
Sunny Side Up
Bungalouski
Johnny Be Hood
The Sons of Beatrice

Feb. 2 – Denver, CO – Cervantes’ Other Side
Atomga Groove Alliance
Sunsquabi
James and The Devil
Whiskey Tango
The Big Motif

Feb. 3 – St. Louis, MO – Old Rock House
Illphonics
Elemental Shakedown
The Scandaleros
Cronus
The Stone Sugar Shakedown

Feb. 4 – Lawrence, KS:
Sonic Sutra
Shedding Watts
Soul Rebel and the Beast
$3 Band
The Smile High Club

Feb. 4 – Ft. Collins, CO:
Good Gravy
Oak Creek
Twine!
Mosey West
Post Paradise

Feb. 9 – Des Moines, IA:
Aquamarine Dream Machine
Lick It Ticket
Jefferson County Green Band
Old Road Riot
Bright Giant

Feb. 10 – Chicago, IL:
Little Big Fat
Thinner Teed
The New Old Cavalry
Tonal Caravan
Doctor Ed & Friends

Feb. 11 – Memphis:
Lightajo
Agori Tribe
The Great Barrier Reefs
Wampa

Remember: We’ll keep updating this blog post with winners to come. Stay tuned!

Related posts:

1. Want to play at Wakarusa Festival? Here’s your chance.
2. ReverbNation Gigs & Things #4
3. Survey Results: 75% of Indie Artists Seek a Label Deal – Sony Top Label of Choice

…imagine yourself standing on stage, looking out over a sea of thousands of fans while rocking out on one of the most beautiful beaches in the country... Got the picture? Then submit to this truly amazing opportunity before February 28 and see if you’re the lucky band that makes this dream a reality.

UPDATE (2/8/12): Hangout Music Fest just announced this year’s lineup! Click on the image for more info.

“2012 Hang Loose Band Competition,” presented by America’s premier beachfront music festival, The Hangout Music Fest, gives ten up-and-coming ReverbNation bands the chance to put their music in front of thousands of online fans. And one lucky winner will head to Gulf Shores, Alabama and perform a highly coveted performance slot as part of the all-star line-up during the weekend of May 18-20. Past years lineup has included the likes of  Paul Simon, Foo Fighters, Cee Lo Green, Trey Anastasio, John Legend, The Roots, The Flaming Lips, The Black Keys, and more.

“Giving fans the best music experience of the year means turning them on to new groups they may not have heard of yet,” states Hangout Music Fest co-founder, Shaul Zislin.  “ReverbNation is the perfect platform to discover the next big thing, and we’re happy to offer our stage to whoever has what it takes.  May the best band win!”

Enter today and you could be one of the top ten selected by the Hangout Music Fest to have a song streamed on the Hangout website beginning March 1, 2012. Fans will vote for the band they want to see play at the festival with the winner announced on March 12. That lucky winner will not only play the show, as an added bonus, they’ll also get  three-day festival passes to enjoy the whole festival experience.

“We are very excited to work with Hangout in providing our artists with such a great opportunity,” said Howard Han, head of our Live group.  “Hangout deserves a lot of credit for putting Gulf Shores back on the map as a premier tourist destination after the tragic oil spill of 2010, and their goodwill now extends to the young, talented bands who work hard enough to deserve this kind of big break.  We can’t wait to hear the results!”

Stay tuned for news on this year’s line up at www.hangoutmusicfestival.com. Submitting is FREE, but don’t wait — submissions end February 28! Click here for more details.

Related posts:

1. Submit For FREE to Play at CMJ on The ReverbNation/Ernie Ball Showcase (includes $500 travel stipend)
2. Hard Rock Cafe wants to discover you. Win the global battle of the bands and play Hyde Park, London. Enter for FREE!
3. Snowsports Soundtrack: Play a Mountain Top Resort Near You

Wow, ReverbNation artists never cease to amaze us. Another 135 Reverb musicians and bands (bringing it to a total of almost 200!) were selected to play at SXSW 2012!

The SXSW crowd

If you haven’t seen the other 62 bands, you can check them out here.

Are you or someone you know on this list? Let us know (so we can meet and share a few beers at SXSW)!

1. Peter Bradley Adams
2. A.Dd+
3. ALO (Animal Liberation Orchestra)
4. Alpha Rev
5. Amoral
6. Ancestors
7. Ancient Astronauts
8. The Apache Relay
9. Arborea
10. Atash
11. Automelodi
12. Maya Azucena
13. Michael Beach
14. Bez
15. Bliss N Eso
16. Blitz the Ambassador
17. BoDeans
18. The Bombettes
19. Bonfire Nights
20. Cory Branan
21. Brother & Bones
22. Cairo Knife Fight
23. Candy
24. Canteca De Macao
25. Chapter 24
26. Clock Opera
27. Jordan Cook
28. The Copper Gamins
29. Cosmo Jarvis
30. Craft Spells
31. The Curious Mystery
32. Dash Rip Rock
33. Dead Letter Circus
34. The Defiled
35. Diplomats of Solid Sound
36. Dirty Karma
37. Dive
38. Lila Downs
39. Dry The River
40. Dying Fetus
41. Early Graves
42. Electric Guest
43. Elephant Stone
44. The Evaporators
45. The Foreign Resort
46. The Fray
47. Gamebouy
48. Gappy Ranks
49. Garland Jefferys
50. Gliss
51. Gold Fields
52. The Good Natured
53. Great Lake Swimmers
54. Peter Gregson
55. Hatcham Social
56. hellogoodbye
57. The Higher State
58. Audrey Horne
59. Horse Feathers
60. Hull
61. Anna Ihilis
62. Imaginary Cities
63. The Interbeing
64. Sarah Jaffe
65. Joe Volume
66. Kenny Ken
67. Kimbra
68. La-33
69. League of Extraordinary G’z
70. Li’l Cap’n Travis
71. LIRA
72. Little Hurricane
73. M.A.K.U. SoundSystem
74. Danny Malone
75. David Mayfield Parade
76. Andy McKee
77. MC lars
78. Mother Falcon
79. Krista Muir
80. My Jerusalem
81. Naeto C
82. Napoleon IIIrd
83. Natives
84. Natty
85. New Cassettes
86. Night Beats
87. Oh My Me
88. Lisa O’Neill
89. Paula and Karol
90. Protoje
91. Quiet Company
92. The Rasites
93. Nathaniel Rateliff
94. Res
95. The Riff Raff
96. Finn Riggins
97. The Ripe
98. Roach Gigz
99. Rachael Sage
100. Scale the Summit
101. Scars on 45
102. Schiller
103. Screaming Females
104. The Seedy Seeds
105. Shandy Mandies
106. Sister Sparrow and the Dirty Birds
107. Skindred
108. Frank Smith
109. Charlene Soraia
110. Sore
111. Soul Khan
112. Sparkadia
113. The Spinto Band
114. Spirits of the Dead
115. Spoek Mathambo
116. Stereo is a Lie
117. Patrick Sweany
118. Tall Ships
119. Tea Leaf Green
120. Telephunken
121. Torreblanca
122. Lissy Trullie
123. Tumi and the Volume
124. Turbina
125. 22
126. Two Cow Garage
127. Ume
128. The Violet May
129. Vockah Redu
130. Wheeler Brothers
131. The White Eyes
132. Witchburn
133. Carolyn Wonderland
134. Paul Woolford
135. Zorch

Honorary mention:

136. Mr. Bleat

Related posts:

1. 62 Reverb Artists Playing at SXSW 2012
2. ReverbNation.com “It’s Not Too Late to Play SXSW” Contest
3. Snowsports Soundtrack: Play a Mountain Top Resort Near You