(Field Music)

On first play, the Sunderland Brewis Brothers’ fourth album sounds baffling. There are innumerable time signatures and gear shifts – a dozen just in the opener, Start the Day Right. However, perseverance brings rich rewards, as the complexities start to make a weird sense and you end up swept along in their ever-changing moods and a musical palette that stretches from the Beatles’ Abbey Road-era orchestrations to XTC’s jerky pop. However, where 2010′s Field Music (Measure) sprawled over 70 minutes, Plumb crams 15 tracks into 35, never losing pop sharpness, whether funky – Is This a Picture? – or angular-anthemic – (I Keep Thinking About) A�New Thing. There’s an undercurrent of what Pink Floyd once called “quiet desperation … the English way” – to Sorry Again, Mate, or the beautiful, childhood reminiscing Hide and Seek to�Heartache, but these are terrific songs worthy of celebration.

Rating: 4/5

Field MusicIndiePop and rockDave Simpsonguardian.co.uk � 2012 Guardian News and Media Limited or its affiliated companies. All rights reserved. | Use of this content is subject to our Terms & Conditions | More Feeds

News from: Music: Pop and rock | guardian.co.uk

Original Post Link http://www.guardian.co.uk/music/2012/feb/09/field-music-plumb-review

Titres:

CD1:
01. Wilco – Misunderstood (6:28)
02. Wilco – Far, Far Away (3:20)
03. Wilco – Monday (3:34)
04. Wilco – Outtasite (Outta Mind) (2:35)
05. Wilco – Forget The Flowers (2:47)
06. Wilco – Red-Eyed And Blue (2:45)
07. Wilco – I Got You (At The End Of The Century) (3:57)
08. Wilco – What’s The World Got In Store (3:09)
09. Wilco – Hotel Arizona (3:38)
10. Wilco – Say You Miss Me (4:07)

CD2:
11. Wilco – Sunken Treasure (6:51)
12. Wilco – Someday Soon (2:33)
13. Wilco – Outta Mind (Outta Sight) (3:20)
14. Wilco – Someone Else’s Song (3:21)
15. Wilco – Kingpin (5:17)
16. Wilco – Was I In Your Dreams? (3:31)
17. Wilco – Why Would You Wanna Live? (4:16)
18. Wilco – The Lonely 1 (4:49)
19. Wilco – Dreamer In My Dreams (6:44)

Durée Totale: 77 minutes 02 secondes

Genre: Alternative Rock

Plus d’infos:
http://www.myspace.com/wilco/
http://www.wilcoworld.net/

“Dès ce deuxième (double) album, Wilco s’installe dans l’histoire. Un disque puissant, sincère, crédible, et sans racolage. Wilco fait ici une oeuvre durable, étalant sur plus d’une heure et quart de musique sa vision du rock’n'roll mutant de cette fin de XXe siècle. C’est Jeff Tweedy, le cerveau de la bande, qui avance en première ligne, avec un regard très personnel sur l’existence. Il affectionne des tempos plutôt légers, et on sent bien que le format choisi – double, donc – n’est pas que par coïncidence, identique à celui du “Exile On Main Street” des Rolling Stones. Wilco, catalogué dès sa création dans le genre country alternative, ne rejette pas totalement cette étiquette non plus. Des chansons comme “Someday Seven” ou “Far Far Away” ne cachent d’ailleurs rien de leurs parfums campagnards. On s’y promène en compagnie de violons, de pedal-steel et de dobro de facture authentique. Mais lorsque Tweedy et les siens tournent le bouton de volume, l’illusion de plages oubliées des Stones est totale. Surtout quand montent les cuivres et que s’élève la slide guitare (“Outta Mind”). Being There est également pour Tweedy prétexte à quelques expériences sonores décoiffantes et à laisser aller son penchant pour les harmonies vocales à la Beatles. Les Beatles, les Stones, la country, peut-on espérer auspices plus engageants pour cet album de référence ?”

Un réUp, c’est une request, mais avec Upgrade, puisque cette-fois c’est encodé en 320. Evidemment recommandé.

[ES] ou [TB]

Note 1: J’en ai profité pour en réUp d’autres, histoire de recréer des liens miroirs, la totalité devrait être disponible en fin de semaine prochaine. Surveillez ce lien: [Wilco]

Note 2: Pour le moment, je mets sur TurboBit, c’est le seul qui permet actuellement le “remote Upload” vers d’autres serveurs, mais dans des conditions de plus en plus difficiles. Pire, il a supprimé l’accès des fichiers à nos amis américains comme Uploadto. Pfiuuuuuu!

laspikedeLycmusic
Enjoy!

…

News from: laspikedeLycmusic

Original Post Link http://laspikedelycmusic.bloguez.com/laspikedelycmusic/3946640/Wilco-Being-There-2CDs-320

(Buda/Discovery)

With his Ethiopiques series, producer Francis Falceto transformed western ideas about African music by rereleasing classic recordings from the late 60s and early 70s, when Addis was transformed by musicians mixing local styles with US R&B, funk and jazz. Ethiopiques led to a fascination with Ethiopia by musicians around the world; now Falceto has compiled this 28-track double album to�show how they reacted. It starts in confident style with Ethio-fusion band Dub Colossus, and other strong tracks come from Dub Colossus members: there’s a charming ballad from Tsedenia Gebremarkos and�fine jazz piano work by Samuel Yirga. Then, from Holland, there’s a rousing collaboration between veteran saxophonist Getatchew Mekurya and avant-rock band the Ex; and from�the�US comes the best track – an�ambitious reworking of a Mekurya sax favourite from the strings of Kronos Quartet. Other sections are less exciting; this would have made a great single album.

Rating: 3/5

World musicPop and rockRobin Denselowguardian.co.uk � 2012 Guardian News and Media Limited or its affiliated companies. All rights reserved. | Use of this content is subject to our Terms & Conditions | More Feeds

News from: Music: Pop and rock | guardian.co.uk

Original Post Link http://www.guardian.co.uk/music/2012/feb/09/ethiopian-groove-worlwide

(Wilderland)

Anais Mitchell’s Hadestown was a major gear-shift for the singer-songwriter, a wildly ambitious folk-jazz-blues opera that brought out the best in her. So it’s hard to approach this follow-up without a certain anxiety. Sure enough, the first listen is sufficiently deflating that you wonder whether it was everything peripheral to Mitchell – not least Michael Chorney’s vivid arrangements – that made Hadestown so great. With more listens, however, the beneficial effect of that project on Mitchell’s songwriting becomes clear. On Wilderland, the title track, and Dyin Day she transforms her surveys of�her country’s belligerence and social irresponsibility into powerful rituals smeared with blood and dirt. Certain themes recur: the mother as shelterer, the father as shepherd, both vulnerable, both imposing fearful legacies. And as you slowly appreciate the subtlety of the�music, the quiet layering of limpid percussion, pattering guitar and melancholy piano, you realise: Mitchell has done herself proud.

Rating: 4/5

Pop and rockFolk musicCountryMaddy Costaguardian.co.uk � 2012 Guardian News and Media Limited or its affiliated companies. All rights reserved. | Use of this content is subject to our Terms & Conditions | More Feeds

News from: Music: Pop and rock + Album reviews | guardian.co.uk

Original Post Link http://www.guardian.co.uk/music/2012/feb/09/anais-mitchell-young-man-review

Genre: Alternative Rock
Format: MP3, 320 kbps
Size: 492 MB

Tracklist

1.Bigger, Stronger
2.Don’t Panic
3.Easy To Please
4.Spies
5.Such A Rush
6.For You
7.Lost!
8.Yes
9.High Speed
10.Viva La Vida
11.Parachutes
12.High Speed
13.Violet Hill
14.Strawberry Swing
15.We Never Change
16.Paradise
17.Mylo Xyloto
18.Major Minus
9.M.M.I.X.
20.Hurts Like Heaven
21.Every Teardrop Is a Waterfall
22.Don’t Let It Break Your Heart
23.Princess of China (feat. Rihanna)
24.Charlie Brown
25.A Hopeful Transmission
26.U.F.O.
27.Up in Flames
28.Up with the Birds
29.Us Against the World
30.Brothers & Sisters
31.See You Soon
32.Sparks
33.Death & All His Friends
34.Everything’s Not Lost
35.Lovers In Japan
36.Such A Rush
37.Yellow
38.Trouble
39.Shiver
40.Careful Where You Stand
41.Don’t Panic
42.Have Yourself A Merry Little Christmas
43.Life In Technicolor
44.Yellow (Acoustic Version)
45.Shiver
46.Sparks
47.Violet Hill
48.Careful Where You Stand
49.Cemeteries Of London
50.Yellow (The Alpha Remix)
51.No More Keeping My Feet On The Ground
52.Only Superstition
53.See You Soon
54.42

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News from: Zona-Musical

Original Post Link http://www.zona-musical.com/viewtopic.php?f=2&t=3410#p4133

Germany | Viking Folk Metal | Mp3 | CBR 320 kbps | 108 Mb

01. Westwärts (02:19)
02. Zeit Der Rache (06:31) *
03. Schlachtgesang (03:57)
04. Donars Söhne (05:38)
05. Hinauf Zum Gold’nen Tor (03:41)
06. Eichenhain (03:14)
07. Brennen Soll Das Alte Leiden (04:55)
08. Eine Wanderung (04:02)
09. Runenraunen – Eine Wanderung II (03:44)
10. Surtur Erwacht (05:19)
11. Ausklang (03:05)
Playing Time: 46:28 min.

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News from: Zona-Musical

Original Post Link http://www.zona-musical.com/viewtopic.php?f=2&t=3396#p4126

p r e s e n t s

VA – DJ Promotion CD Pool Tech-Mix 298

Rip Date.: 2012-02-09
Artist…: VA
Album….: DJ Promotion CD Pool Tech-Mix 298
Label….:
Genre….: Club
Website..:

Source…: CD
Encoder..: LAME 3.98.4 with preset V0
Quality..: 247kbps / Joint Stereo
Tracks…: 12
Size…..: 141.24Mb

r e l e a s e n o t e s

t r a c k l i s t

1 Lady Gaga – Marry The Night (Dimitri 5:58
Vegas & Like Mike Rmx)
2 Ph Electro – Steree Mexico (PH Dirty 5:25
Fun Mixmaster)
3 DJ F.R.A.N.K – Its Like That (Club Mix) 6:30
4 Andrew Bennett – The Orange Theme (Koen 6:19
Groeneveld Rmx)
5 Betsie Larkin with John OCallaghan – 6:02
The Dream (Club Mix)
6 Marco Fratty vs. Luka Mozza feat. 5:52
DenimJane – Club Up (Marco Fratty vs.
Luka Mozza Extended Mix)
7 Hardwell – Cobra (Official Energy 6:48
Anthem 2012) (Original Mix)
8 Disfunktion feat. Stephen Pickup – 6:18
Chasing Clouds Away (Extended Mix)
9 Michael Parsberg feat. Safri Duo & 6:16
Islam B – Mad World (G & G Remix)
10 Misha Kitone – Beyond The Rave 7:19
(Original Mix)
11 Robbie Moroder feat. Victor Estevez – 6:02
The Rage (Vocal Mix)
12 Mark Simmons – Tear Us Apart (Mark 6:57
Simmons Remix)

min total > 75:46

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Original Post Link http://www.zona-musical.com/viewtopic.php?f=2&t=3399#p4095

Rustie, the quiet man of maximalist dance music, produced a groundbreaking album that could only have been made in 2011

If Russell “Rustie” Whyte was anything like his music, interviewing him would be a tough gig. He’d be bouncing off the walls, screaming his answers in your face and having to take Ritalin to calm down whenever you asked a question. Then, when you were done, he’d swallow your dictaphone and regurgitate it across the desk.

Rustie’s debut album Glass Swords, you see, is a playful riot of a record, a neon tapestry of sonic thrills that incorporates 80s pop, happy hardcore, the Seinfeld theme, soft rock and hip-hop – often all at the same time. It refuses to sit still for more than a nanosecond and has been hailed by several critics as being at the vanguard of a new wave of “maximalism” in electronic music.

Luckily, at least for our dictaphone, Rustie is less manic than his music suggests. In fact, he’s rather quiet, making you wonder how such unbridled musical energy can exist in one so hushed.

“I wouldn’t say I’m really shy,” he says in a soft Glasgow burr. “But I’m not an extrovert, so music’s how I express myself best. It’s my preferred way of communicating.”

Indeed, if Rustie’s music first attacks like a day-glo migraine, a couple of spins reveals an album imbued with real emotion. Rather than just overloading your senses, Glass Swords is a devil for the details – a dash of warm synth pad on Flash Back, an R&B-tinged vocal snippet on All Nite – that transform it from brainiac technical feat into a record that tugs at your heart. This is surely why the album was voted No 9 in the Guardian critics’ Albums of 2011 poll. And it’s also one of the reasons why it today scoops the Guardian’s first album award – judged against a list of other British debuts of last year by a panel made up of four of our critics, the Manic Street Preachers’ Nicky Wire and last year’s winner Gold Panda.

One thing that made Glass Swords stand out was that it felt like a record that could only have been made in 2011. Not just because, as Rustie points out, the technology wouldn’t have been advanced enough to handle it a few years ago, but also because it seems to represent perfectly our attention-skipping, information-crammed age.

“It just has this inherent energy that you don’t find in a lot of electronic music,” says Stephen Christian, head of A&R at Warp Records. “Listening to it can be almost like playing a game of Mario Kart, but it also has a depth to it. He’s taking these quite ‘cheap’ sounds – tinny synthesisers, digital drums – and making them greater than the sum of their parts. He’s creating a real musical thing out of these scraps of pop’s past.”

Rustie’s musical journey was certainly a diverse one. As a kid he would listen to his parents’ Beatles and Hendrix records, before falling in love with his own pop star, Michael Jackson. He sang in the school choir, then learned the guitar via Nirvana and Pearl Jam (both his voice and his riffs appear on Glass Swords, albeit heavily processed) before immersing himself in Glasgow’s lively late-90s skateboard, graffiti and hip-hop scenes. He didn’t start making computer-based music until he was 20, however, when he got acquainted with FruityLoops production software.

Doesn’t this make him something of a late starter? “I guess I wasted a lot of time partying and stuff, just going out and … getting fucked!”

A vital part of any dance musician’s education … “Yeah, I think so,” he says. “I know a lot of people who make music but they don’t really go out. And I’ve always felt that there was something lacking in their music because of this.”

This viewpoint is interesting, not least because the album Rustie was up against in the final stages of the judging process was Katy B’s On A Mission – another record that conveyed the thrills of the dance floor from the perspective of someone who quite liked a bit of a rave-up. Both records were forged through their creator’s own clubland epiphanies and both seem to strike a blow for escapism during these grim economic times. Rustie, who admits to living life with his head in the clouds, agrees.

“You know that feeling you get when you go out, that feeling that’s so great,” he says, as close to animated as he gets. “Well, it’s trying to recreate that on record, that sense of�euphoria.”

Rustie’s raving days continued after he’d made a name for himself on the Glaswegian club scene, and pretty soon he was DJing at parties organised by the city’s hedonistic Numbers collective. “It gets pretty crazy up there because Glasgow clubs have to close at 3am, so there’s a big after-party culture,” he says. “You’d go to somebody’s house and carry on until two in the afternoon. Everyone gets to know each other. Sometimes the Numbers guys would put on warehouse parties, other times it’d be a house party.”

What state were the houses in come 2pm? “Oh, pretty wrecked!”

Did you ever invite everyone back to yours? “Nah! I was still living with my parents at the time!”

This is the paradox of Rustie: the quiet man behind music’s new maximalism; the off-the-rails raver who lived with his mum; the dancefloor detonator who still obsesses over the finest details of his music. In fact, after hearing the mastered version of Glass Swords, all Rustie wanted to do was add tweaks and adjustments – in�the end he had messed around with it so much he had to get it mastered again.�”I cost myself quite a lot of money,” he grimaces.

Making the records certainly sounds like quite an obsessive process. “Very!” he agrees. “Staying up all night, not sleeping, just working … I have to try and balance it or my girlfriend will kill me!”

Playing this kind of thing over and over – it is likely to send you nuts, right? “You do go a bit mad. I had to move to a quiet bit of London. And I had to make sure the flat had a garden so I could get away from stuff. It’s nice to just sit in my garden and …”

Decompress?

“Kind of, yeah. I think for the next album maybe it will be calmer. It probably has to be, this one is pretty intense!”

Aware of the stress of making solo records, Rustie is keen to work with other people in the future. He’s especially eager to hook up with big-name artists from the hip-hop and R&B world – a smart move seeing as more underground, indie producers are being sought after right now, and often British ones. From hip-hop producer Just Blaze raving about fellow Scot Hudson Mohawke to Drake rapping over Jai Paul (not to mention another fellow Scot, Calvin Harris, making mega-hits for Rihanna), Rustie’s time in the spotlight couldn’t have been timetabled any more precisely. So who would he like to work with?

“I like the stuff Rick Ross is doing,” he says. “I’d love to work with someone like Andre 3000. Some of my all-time favourite stuff is Neptunes productions. I think it would be good for me to work with other people.”

Would he not worry about losing some of the artistic freedom�that comes with making a�solo record?

“Maybe,” he says, pausing for a second. Then the man behind one of last year’s most outrageous and attention-grabbing musical statements smiles and says, softly of course: “But�then, it doesn’t have to be all�about me.”

Pop and rockRustieAwards and prizesTim Jonzeguardian.co.uk � 2012 Guardian News and Media Limited or its affiliated companies. All rights reserved. | Use of this content is subject to our Terms & Conditions | More Feeds

News from: Music: Pop and rock | guardian.co.uk

Original Post Link http://www.guardian.co.uk/music/2012/feb/09/guardian-first-album-award-2012-rustie

thanks in advance!

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News from: Zona-Musical

Original Post Link http://www.zona-musical.com/viewtopic.php?f=2&t=975#p4094

Genre: Pop, Disco, Dance
Format: МP3, 192 kbps
Size:: 687 MB

Tracklist

01. Sabrina – Chico
02. Gazebo – I like Chopin (original)
03. Patty Ryan – Stay with me
04. Clay Perdini – New Dream
05. Toto Cutugno – L’Italiano
06. Lian Ross – Say…you’ll never
07. Modas – Day By Day
08. Betty Miranda – Dance
09. John Aarow – It’s Late Tonight
10. Anthony – Africa
11. Francesco Napoli – Balla balla
12. Jules – You and me
13. Fiordaliso – Non voglio mica la luna
14. Lucky Ross – Lookin’ Back
15. Mike Mareen – Agent of liberty
16. Wish Key – Make it up
17. MC Miker G and DJ Sven – Holiday rap
18. Kay Morgan – Secret Lover
19. Baltimora – Tarzan boy
20. Murray Head – One night in Bangcock (from the ”Chess”)
21. Eddy Huntington – Ussr
22. Scotch – Disco band
23. Timerider – Cocoon
24. Rose – Fairy Tale
25. Michael Bedford – Tonight
26. Lisa G – Call My Name
27. Crysalis – I Never Dance
28. Saphir – Storms of love
29. Grant Miller – Wings of love
30. Red & JE – I’m Loonesome Tonight
31. Evada – Ooh, My Love
32. Ricchi e Poveri – Mamma Maria
33. Deborah Kinley – Surprise
34. Creative Connection – That E-Motion
35. Radiorama – Yeti
36. Gazebo – Home sweet home
37. Curacao – Yiason
38. Linda Jo Rizzo – My first my last
39. Zeta – Eh-Ah-Oh
40. Panorama – War In Love
41. Del Faro – Bandiero la playa
42. Rajio di Luna – Comancero
43. Ken Lazslo – Glasses man
44. Baby’s Gang – Challenger
45. Argentina – Baby-Don’t You Dreak
46. Paul Paul – Good Times
47. Maars – Pump up the volume
48. Danuta – Touch my heart
49. Rafaella Carra – Amigo
50. Dyva – I Know
51. Facts Fiction – Melodie d’amor
52. Mark Tower – You Aren’t Fall In Love
53. Dario Dell’aere – Eagles In The Night
54. Body Games – Stop Love
55. Drupi – Piccola e fragile
56. Chilly – Simply a love song
57. Mike Mission – How old are you
58. Check Up Twins – Sexy Teacher
59. Fun Fun – Happy nation
60. Max Him – Lady fantasy
61. Two Girls – Another Bay In Town
62. Moses – Our Revolution
63. Valerie Dore – Get closer
64. UK – Road
65. Gazebo – Dolce vita
66. Steve Murray Band – Abracadabra
67. Guilermo Marchena – Sings of time
68. Black Box – Ride on time
69. Italian Boys – Take Me Love
70. Lena – Run To Me
71. Spencer – Ferrari
72. Ingela – Do The Motion
73. Mauro – Bona sera…ciao
74. Cristal – Love In Stereo
75. Flavia Fortunato – Sola
76. Tension – My Dream
77. La Nuovo Fattoria – Disco polo
78. Cellophane – Gimme Love
79. Digital Emotion – Go go yellow screen
80. Lion – Happy children
81. Karl Olivas – Follow Me
82. Saphir – Shot in the night
83. Videokids – Do the rap
84. Michael Bedford – More than a kiss
85. Bolero – I wish
86. Alan Barry – Good Vibrations
87. Philip – Dream Of Me
88. Axordy – You
89. Hot Cold – I can hear your voice
90. Alan Ross – Valentino mon amour
91. Claudia T – Dance with me
92. Gazebo – Telephone mama
93. Mr. Zhivago – Little russian
94. Wish Key – Last Summer
95. Lian Ross – Fantasy
96. Sabrina – Boys
97. Lucia – Marinero
98. Scotch – Delirio mind
99. Toto Cutugno – America
100. Mike Mareen – Don’t talk to the snake

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Original Post Link http://www.zona-musical.com/viewtopic.php?f=2&t=3398#p4093

Genre: Pop, Dance
Format: МP3, 320 Kbps
Size: 267 mb

Tracklist

CD 1:
01. Love Disco Style
02. Plug Me To Death
03. Action 78 (Edited Version)
04. Jerky Rhythm
05. Love Disco Style (Edited Version)
06. Pop Muzik
07. Love Christmas Style
08. Love Disco Style (Remix Version)

CD 2:
01. Touch Me Where It’s Hot
02. Dance in Your Pants
03. Sweet Seduction
04. Pop Pop Shoo Wah
05. Everybody Get Dancin’
06. Sweet Seduction (Club Mix)
07. Horny

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Original Post Link http://www.zona-musical.com/viewtopic.php?f=2&t=3394#p4089

chris

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Original Post Link http://www.zona-musical.com/viewtopic.php?f=2&t=1146#p4083

Jazz artists have tried intepreting the songs of Lennon and McCartney ever since the Beatles caught on in 1964; remember Ella Fitzgerald’s “Can’t Buy Me Love?” Although this particular effort by arranger Bob Belden is a bit hipper (the singers grew up listening to the Beatles), the treatments are just as unsatisfying. Despite the presence of a few jazz players, this is essentially a showcase for R&B-ish interpretations of Beatles hits with the focus on singers Dianne Reeves, Cassandra Wilson, Holly Cole, Jahilsa, Penny Ford and Sylvia Shemwell on various tracks. Rather than casting the familiar songs in new settings with fresh ideas (such as Belden’s recommended Sting tribute of a few years earlier), the treatments come across as modernized rehashes. True, the music has not often been sung by female vocalists, and none of these renditions are note-for-note recreations, but neither are the melodies and lyrics uplifted or transformed into anything worth remembering. Cassandra Wilson (who sounds as bored as ever) and Dianne Reeves take a duet, but unfortunately their talents are wasted on “Come Together.” Reeves, with her glorious long tones, comes across best out of the singers (she interacts with Javon Jackson a bit on “The Fool on the Hill”), but this date can only be recommended to her greatest fans. And as for Jahilsa’s “Hey Jude” and Sylvia Shemwell’s “Let It Be,” why bother?

Genre – Jazz
Styles – Contemporary Jazz
Time – 48:41
Format – mp3@192 Kbps
Size – 67 mb

Tracks
01. Come Together
02. Strawberry Fields Forever
03. Tomorrow Never Knows
04. I’m Only Sleeping
05. Get Back
06. The Fool on the Hill
07. I’ve Just Seen a Face
08. Hey Jude
09. Lady Madonna
10. Let It Be

Credits
Bob Belden (director)
Dianne Reeves, Cassandra Wilson, Holly Cole (vocals, performer)
Junko Onishi, Javon Jackson, Greg Osby (vocals, performer)
Penny Ford, Sylvia Shemwell (vocals, performer)

Label
Blue Note, 1996

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Original Post Link http://www.zona-musical.com/viewtopic.php?f=2&t=3389#p4082

Paul Kantner’s debut solo album actually was credited to “Paul Kantner/Jefferson Starship,” the first use of the “Starship” billing, predating the formation of the group with that name by four years. Kantner used it, extrapolating on the name of his current band, Jefferson Airplane, to refer to Blows’s science fiction concept: A bunch of left-wing hippies closely resembling his San Francisco Bay Area compatriots hijack a government-built starship and head off to re-start the human race on another planet. Kantner had presaged this post-apocalyptic colonization idea on “Wooden Ships” on the last Airplane album, Volunteers, and here he expanded it out to album length with the help of members of The Airplane, the Grateful Dead, Quicksilver Messenger Service, and Crosby, Stills and Nash, plus assorted others, a shifting supergroup informally known as PERRO, The Planet Earth Rock And Roll Orchestra. (Kantner later would borrow that name for a subsequent solo album.) Blows actually was a little loose as concept albums go, seeming as concerned with the arrival of Kantner and Grace Slick’s baby as with the departure of the starship. Kantner employed often dense instrumentation and complex arrangements, but there were enough hooks and harmonies to keep things interesting. Blows eventually went gold, and it was even nominated for a science fiction award usually reserved for novels.

Genre – Rock
Styles – Country Rock, Hard Rock, Rock & Roll
Time – 42:20
Format – mp3@192 Kbps
Size – 58 mb

Tracks
01. Mau Mau (Amerikon)
02. The Baby Tree
03. Let’s Go Together
04. A Child Is Coming
05. Sunrise
06. Hijack
07. Home
08. Have You Seen the Stars Tonite
09. XM
10. Starship

Credits
Paul Kantner (guitar, vocals)
Graham Nash (percussion, vocals, background vocals)
David Crosby (guitar, vocals, background vocals)
Jerry Garcia (banjo, guitar)
Peter Kaukonen, Jorma Kaukonen (guitar)
David Freiberg (vocals, background vocals)
Harvey Brooks, Jack Casady (bass)
Joey Covington (drums, percussion)
Bill Kreutzmann, Mickey Hart (drums)

Label
RCA, 1970

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News from: Zona-Musical

Original Post Link http://www.zona-musical.com/viewtopic.php?f=2&t=3388#p4081

Paul Kantner’s debut solo album actually was credited to “Paul Kantner/Jefferson Starship,” the first use of the “Starship” billing, predating the formation of the group with that name by four years. Kantner used it, extrapolating on the name of his current band, Jefferson Airplane, to refer to Blows’s science fiction concept: A bunch of left-wing hippies closely resembling his San Francisco Bay Area compatriots hijack a government-built starship and head off to re-start the human race on another planet. Kantner had presaged this post-apocalyptic colonization idea on “Wooden Ships” on the last Airplane album, Volunteers, and here he expanded it out to album length with the help of members of The Airplane, the Grateful Dead, Quicksilver Messenger Service, and Crosby, Stills and Nash, plus assorted others, a shifting supergroup informally known as PERRO, The Planet Earth Rock And Roll Orchestra. (Kantner later would borrow that name for a subsequent solo album.) Blows actually was a little loose as concept albums go, seeming as concerned with the arrival of Kantner and Grace Slick’s baby as with the departure of the starship. Kantner employed often dense instrumentation and complex arrangements, but there were enough hooks and harmonies to keep things interesting. Blows eventually went gold, and it was even nominated for a science fiction award usually reserved for novels.

Genre – Rock
Styles – Country Rock, Hard Rock, Rock & Roll
Time – 42:20
Format – mp3@192 Kbps
Size – 58 mb

Tracks
01. Mau Mau (Amerikon)
02. The Baby Tree
03. Let’s Go Together
04. A Child Is Coming
05. Sunrise
06. Hijack
07. Home
08. Have You Seen the Stars Tonite
09. XM
10. Starship

Credits
Paul Kantner (guitar, vocals)
Graham Nash (percussion, vocals, background vocals)
David Crosby (guitar, vocals, background vocals)
Jerry Garcia (banjo, guitar)
Peter Kaukonen, Jorma Kaukonen (guitar)
David Freiberg (vocals, background vocals)
Harvey Brooks, Jack Casady (bass)
Joey Covington (drums, percussion)
Bill Kreutzmann, Mickey Hart (drums)

Label
RCA, 1970

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News from: Zona-Musical

Original Post Link http://www.zona-musical.com/viewtopic.php?f=2&t=3388#p4081

Tracklist:
1. “The Calculation”
2. “Eet”
3. “Blue Lips”
4. “Folding Chair”
5. “Machine”
6. “Laughing With”
7. “Human of the Year”
8. “Two Birds”
9. “Dance Anthem of the 80′s”
10. “Genius Next Door”
11. “Wallet”
12. “One More Time with Feeling”
13. “Man of a Thousand Faces”

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News from: Zona-Musical

Original Post Link http://www.zona-musical.com/viewtopic.php?f=2&t=3383#p4076

Silverchair – Studio Discography (1995-2007)

Origin: New South Wales, Australia | Release: 1995-2007 | FLAC | Lossless | Size: 1.66 GB
Genre: Alternative Rock

======
Albums:
======

Frogstomp 1995

1. “Israel’s Son” – 5:18
2. “Tomorrow” (Johns, Ben Gillies) – 4:26
3. “Faultline” (Johns, Gillies) – 4:19
4. “Pure Massacre” (Johns, Gillies) – 4:58
5. “Shade” (Johns, Gillies) – 4:01
6. “Leave Me Out” (Johns, Gillies) – 3:03
7. “Suicidal Dream” – 3:12
8. “Madman” – 2:43
9. “Undecided” (Johns, Gillies) – 4:36
10. “Cicada” (Johns, Gillies) – 5:10
11. “Findaway” – 2:56

Freakshow 1997

1. “Slave” (music by Johns, Gillies, lyrics by Johns) – 3:57
2. “Freak” (Johns) – 3:49
3. “Abuse Me” (Johns) – 4:03
4. “Lie to Me” (Johns) – 1:22
5. “No Association” (music by Johns, Gillies, lyrics by Johns) – 3:56
6. “Cemetery” (Johns) – 4:04
7. “The Door” (Johns) – 3:38
8. “Pop Song for Us Rejects” (Johns) – 3:15
9. “Learn to Hate” (music by Gillies, lyrics by Johns) – 4:21
10. “Petrol & Chlorine” (Johns) – 4:00
11. “Roses” (music by Johns, Gillies, lyrics by Johns) – 3:34
12. “Nobody Came” (music by Johns, Gillies, lyrics by Johns) – 7:02
13. “The Closing” (music by Gillies, lyrics by Johns) – 3:27

Neon Ballroom 1999

1. “Emotion Sickness” – 6:01
2. “Anthem for the Year 2000″ – 4:08
3. “Ana’s Song (Open Fire)” – 3:42
4. “Spawn Again” – 3:31
5. “Miss You Love” – 4:01
6. “Dearest Helpless” – 3:35
7. “Do You Feel the Same” – 4:18
8. “Black Tangled Heart” – 4:34
9. “Point of View” – 3:35
10. “Satin Sheets” – 2:24
11. “Paint Pastel Princess” – 4:33
12. “Steam Will Rise” – 5:18

Diorama 2002

1. “Across the Night” – 5:37
2. “The Greatest View” – 4:06
3. “Without You” – 5:17
4. “World Upon Your Shoulders” – 4:37
5. “One Way Mule” – 4:15
6. “Tuna in the Brine” – 5:40
7. “Too Much of Not Enough” – 4:43
8. “Luv Your Life” – 4:29
9. “The Lever” – 4:22
10. “My Favourite Thing” – 4:14
11. “After All These Years”
“Outro” (hidden track) – 9:53

Young Modern 2007

1. “Young Modern Station” – 3:11 (Johns, Julian Hamilton)
2. “Straight Lines” – 4:18 (Johns, Hamilton)
3. “If You Keep Losing Sleep” – 3:20
4. “Reflections of a Sound” – 4:09
5. “Those Thieving Birds (Part 1)/ Strange Behaviour/ Those Thieving Birds (Part 2)” – 7:26
6. “The Man That Knew Too Much” – 4:19
7. “Waiting All Day” – 4:28 (Johns, Hamilton)
8. “Mind Reader” – 3:07 (Johns, Hamilton)
9. “Low” – 3:48
10. “Insomnia” – 3:06
11. “All Across the World” – 4:01

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*** Unforgettable Hits Collection ***

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News from: Zona-Musical

Original Post Link http://www.zona-musical.com/viewtopic.php?f=2&t=3377#p4070

Release Date: January 31st, 2012

Download: Nazdaq Brixx – From The Bronx To Wall Street EP
Read More: Nazdaq Brixx – From The Bronx To Wall Street EP

Nazdaq Brixx released his EP at the end of last month. This is just a taste of what he has to bring, expect his ‘Mediaboy’ mixtape to release later on this year! Features include Skyzoo, Smoke DZA, Sha Stimuli & more! Download it by clicking the link.

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News from: Zona-Musical

Original Post Link http://www.zona-musical.com/viewtopic.php?f=2&t=3371#p4064

Info
RELEASE: VA – Fitness Mania Vol.01 (2012)
ARTIST : VA
ALBUM : Fitness Mania Vol.1
GENRE : Dance
DATE : 06-02-2012
ENCODER: Lame 3.97 -V0
QUALITY: VBR kbps

TrackList
01.Joy Di Maggio – You Wanna Belong (Joy Di Maggio Video Mix) Ris [03:34]
02.Karmin Shiff Feat. Juliana Pasini – Zumba Samba (Original Radi [03:30]
03.Vicky Ace Feat. Angelyna – Moonlight and Sunshine (Radio Edit) [03:40]
04.Logical Dreamers Feat. Inusa Dawuda – Bla Bla Bla (Radio Edit) [03:50]
05.Heart of Space – Save Me (Radio Mix) [03:35]
06.Freedome – Where Have You Gone (Radio Edit) [03:48]
07.Bianco & Pich – Pretty (Radio Edit) [02:52]
08.Esemes Feat. Udt Mc – Yes Song (Radio Version) [03:34]
09.Simon Adams – Endless (Radio Edit) [03:49]
10.Morris Corti & Eugenio Lamedica – I Rock I Sweat I Dance (Orig [04:11]
11.Voice Over – Send Me an Angel (Radio Edit) [03:28]
12.Marq Kanas Feat. Scyntilla – to the Beat (Kris Reen Lovely Mix [03:26]
13.Paky Small Vs. Luix Dalife Feat. Walter Russo – Angel (Radio [03:47]
14.Alex Barattini – My Play (Radio Mix) [04:04]
15.Twins of House – Somebody (Alex Barattini Edit Remix) [03:23]
16.Thomas Ferry & Dot Comma – Have A Good Time (Radio Edit) [03:02]
17.Deepsun Feat. Lorenzo Zambianchi – Reach for the Stars (Origin [03:56]
18.Luca Ruco Feat. Sherrita – Just Believe (Radio Mix) [03:26]
19.DJ Falaska – Nobody (Radio Edit) [03:27]
20.Tipi Venali – Bunga Bunga (Radio Mix) Rilassamento [03:06]
——-
127,8 MB @ 71:28 min

Password: BixFac

Download Link
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News from: Zona-Musical

Original Post Link http://www.zona-musical.com/viewtopic.php?f=2&t=3370#p4063

Tracklist:
1. “Help I’m Alive”
2. “Sick Muse”
3. “Satellite Mind”
4. “Twilight Galaxy”
5. “Gold Guns Girls”
6. “Gimme Sympathy”
7. “Collect Call”
8. “Front Row”
9. “Blindness”
10. “Stadium Love”
11. “Waves”
12. “Help I m Alive (Acoustic)”

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News from: Zona-Musical

Original Post Link http://www.zona-musical.com/viewtopic.php?f=2&t=3367#p4060