Runway to Style Freaks| Fashion Blog

Are Pricy Jeans a Sign of Quality Status?

noreply@blogger.com (Anonymous) — Fri, 25 Oct 2013 19:48:00 +0000

It is no secret that today you’ll see many more companies investing all their money in solely producing great quality jeans that will attract a customer’s attention; collaborations seems to rocket their credibility. There used to be a time where Levi’s (the ones with the diminutive red tag and camel square tag behind) were the must have pair of jeans for any obsessed fashion fanatic. They still are one of the most coveted, but not the must go to for everything now. In fact, jeans have become a piece of symbol – with other competitive labels convincing us they have the perfect fit and quality– prices for these items can range from $160 - $500+ for a single pair of jeans that would sound ridiculous. But there are fashion magazines and adequate marketing techniques that have introduced us to so many new and overwhelming denim labels – 7 for all Mankind, A.P.C., True Religion, Paige, J. Brand, Simon Miller – and many other designer labels that include denim in their collections, it is fair to state jeans have become not only a form of wide branding, but quality status for many.

So what happens when you invest in something greater than the average (more than $100)? And what’s the difference between a nicely washed straight jeans from Macy’s to an exclusive Armani Jeans or a pair of Prada? Or even Levi’s own more original Vintage Clothing label that raises the prices from its other diffusion line?

They say what you pay for is what you get for, and that is the result of these items. There is no doubt highly priced jeans are constructed better to fit your silhouette, made with higher quality fabrics that will last longer and get better over the time, and paid well attention to details – deconstruction, bleaching techniques, stitching, and more. And the more details is put in, the price tag will just slap you in your face like with a $2,390 Saint Laurent gold-chain skinny jeans you could maybe DIY for a cheaper version (shhhhh). But I believe the major player here is the stimulus of society. The feeling of having the True Religion label tag hanging around seems to make some internally appear cooler and important; look at me, you know I paid more than $200 for these.

One seems to also feel better to pay an extra $100+ for a Vintage Clothing Levi’s jean than its counterpart. You try on a pair of Gucci or Givenchy and you feel the best because you know its luxury, but I think we tend to forget if these pair even looks great on you for the elevated price you’re about to cash out. Investing on pants is one thing, but jeans are something else. Is there any difference these items will do to you people will want to tell you where you got them from?

There are even bespoke denim shops – 3x1, Jean Shop, and Levi’s – that offer you the chance to customize the perfect pair of jeans that have the possibility to fit like a glove for a beginning offering price of $500 to $1,000 or more if you keep adding on needs. Take it as a special item made just for you and no one else to share with – not even yourself if you gain some weight.

In general, I’ve learned that it is important to invest in a pair of great quality jeans, but you also have to know which label fits your needs. It’s not about the higher the price the better your rear. For a guy with thicker thighs, True Religion may be the “it” of the South, but for the fit of my needs I pass. Why waste $269 when you won’t feel comfortable, but ok, socially in? As you learn more, you realize sometimes things look marketable on a skinny guy or girl than on an actual real human.

We may confess to find some straight Dolce & Gabbana jeans favorable for a tag label, or some splendid and badass Balmain biker jeans the real investment, but personally I’d agree sometimes there is nothing better than slipping on a good old pair of Levi’s that come in so many choice of styles. Fashion and society sometimes can be confusing.

Are there any jeans you’ve invested on lately or over the past time?

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Men's Spring 2014 Shoes: It's Worth Talking About

noreply@blogger.com (Anonymous) — Thu, 10 Oct 2013 19:59:00 +0000

Top Left to Right: Dolce and Gabbana Men's Spring 2014 lace-ups, Dior Homme, and Prada sneakers.
Bottom Left to Right: Calvin Klein Collection Men's Spring 2014 shoes; Louis Vuitton Men's silver oxfords

Lately, it seems we've been focusing a great amount of time on women's fashion instead of menswear as well. There are other sites who are still talking about the must have women's accessories for next spring 2014, but not much (only a few) have shared their thoughts on next season's spring 2014 men's accessories.

We have already covered most of the men's spring 2014 collection here, but we haven't focused on something else that gives a final touch and life to an outfit.......Shoes! They are the basis of what makes a collection stand out even if "shoes" don't come to mind. Why do I like that outfit so much? The shoes are probably the answer.

Personally, as I searched for some of the best shoes of the season, I noticed designers are beginning to put much more thought and details into men's shoes. We used to see the same types of brogues, monks, and oxford styles in previous collections, but with technology changing the world of fashion, there is so much more to offer now. And bigger competition to survive in the accessories industry to convince someone to pay such thousands of dollars on a single pair of shoes.

Real leather may elevate prices over the sky for some, but you have to agree some things just transmit a better image when luxury is injected into them. All of these shoes above and below are basically the same type of leather until details become the noteworthy part that separate each brand.

Dior Homme caused a sensation with those insets of silver hardware that said nothing so basic about a pair of derbies, while Louis Vuitton's textured patches of silver-y metallic oxfords stated luxury party boy when paired with black suit attires - it made one want to leave those ordinary black oxfords somewhere else. Raf Simons (slide 19) also made squared loafers give us another thought on wearing them again with a technical brush of faded blue on its vamp, and Lanvin gave great amount of texture to its pair of white invigorating loafers (slide 13).

When it came to casual attire, sneakers sure did make a pleasing l'air to spend some money on next season. Fendi (slide 5) came up with one of the best men's sneakers to crave over with dying techniques that lifted the cool factor of an ordinary sneaker. Kris Van Assche (slide 18) didn't stay behind as well, giving black monk-straps a unique twist by turning them into a pair of black sneakers. Burberry Prorsum's men's colored sneakers in suede and Gucci's blue leather lace-ups gave it a nice classical touch for the ones who may have the money to spare on, but Valentino kept it strong again with their detailed camouflage sneakers that at $795 for a single pair of these describes what luxury sneakers are all about. Although, Jimmy Choo's spring 2014 mens pair of sneakers and high-tops could increase the competition for Valentino somewhat very soon. But don't worry, because hopefully Kenneth Cole's new black and bronze snake high-tops (slide 10) may come accessible for the rest of us to enjoy.

Overall, next season will come full of indecisive choices of great clothes and shoes you'll have to think about to save you out of debt.

Which pair of shoes would you invest on next season?
Click on the buttons to see some more shoes.
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Behind the Streets of Fashion Week

noreply@blogger.com (Anonymous) — Mon, 07 Oct 2013 19:53:00 +0000

As you may already know, Fashion Month may be over, but the Streets keep talking. If anything that one may learn during Fashion Week is to see who caught everyones attention with the latest runway collections.

I've always stated that the runway should only serve as an inspiration to see clothes in a different way, because what you see on the streets is something totally different - new style, new personality, new body. Take for example how Prada turned out to be a beautiful and chic dress on Giovanna Battaglia (Slide 1) to edgy on Madame Carine Roitfeld (Slide 8). Who styled it better? You decide.

But who took the crown this season - as usual - was style freak, Anna dello Russo, who never fails to be the diva of the Streets. She went from a grungy Saint Laurent baby doll dress (Slide 1), to putting on a unique twist on a Valentino lace dress with those Mickey Mouse ears (Slide 4), to working that brisk feathered Dries Van Noten dress (Slide 6).

Chanel's Fall 2013 punk-y collection also made a noteworthy presence (Slide 2), whilst Louis Vuitton's Fall 2013 slip-dresses didn't stay on bed as one may have thought they were for(Slide 5). And as far as menswear is concerned, I have to say girls ruled this month, but one that did catch my attention was an Etro navy printed polo shirt (Slide 10). Sometimes a simple but very detailed polo shirt is all that requires to be photographed. In simpler terms, there's no excuse not to put some basic investments into your new fall wardrobe ladies and gents.

Click on the pictures to see more the new slideshow.

Photos from style.com and gq.com

Links a la Mode #8: Paris Fashion Week Coverage

noreply@blogger.com (Anonymous) — Mon, 07 Oct 2013 16:54:00 +0000

Fab Fantasy

October, for some of you that means HALLOWEEN! Oh yes, the one holiday that used to be just for kids, now a major highlight for adults (my Halloween costumes are way more ornate/involved as an adult than as a kid!) Anywho... on the heels of Fashion Week, Halloween posts are starting to filter in. You know the ultimate mix of dreaming about fabulousness and making your most ridiculous fantasies come true for a night. What a wonderful month October is.

Links à la Mode: The IFB Weekly Roundup

A Merry Diary: 5 Fashion Trends I Skipped!
Bomb Petite: Petite Fashion Bloggers to Follow on Instagram
Breakfast at Cindis: Isabel Marant for H&M Leaked Oops! but Yay for us!
Daria Burkova: Yellow and White gold at NYFW SS14
DressCode:HighFashion: The 10 Definite Fall 2013 Trends
Foxie Oxie Supernova: 10 Ways to Embrace Luxury in the Ordinary
Frantic but Fabulous: Ways to Clean Out Your Closet
Happy Pretty Sweet: Halloween In Your Closet: Doctor Who
Jolly Caucus Race: The Criticism of Vogue Shoot of CEO Marisa Mayer
Kiri Yanchenko: Do It Yourself Milan Street Style
Lara Lizard: Are you a grunge kid?
Metallic Paws: Summer to Fall transition outfits 2013
Modestelle: Milan Fashion Week 2013/14 Review
My Bougeotte: Oversized blue shirts for fall
Runway to Style: Paris Fashion Week is Full of Excitement
Stilettos and Tequila: 6 Tips To Make Your Legs Look Longer
Style Bizarre: Only one month to Halloween!
Style Context: Five Anti-Aging Products For 20-Somethings
We Are Ready Made: Don't Mess with the Prada Lady!
Wild Beauty World: Do Facial Expressions Rule Emotions?

SPONSOR: Eastdane Hanwag, Rodebjer, Lanvin, Top Siders, A Gold E, AQ/AQ, Micah Cohen, Koolaburra, Sarah Chloe, Margaux Lonnberg, & Bespoken

Chanel Knows How to Have Fun

noreply@blogger.com (Anonymous) — Wed, 02 Oct 2013 17:11:00 +0000

A review from Chanel, Valentino, and Alexander McQueen Spring 2014 Collections.

Give Karl Lagerfeld a paintbrush and he’ll probably laugh at you. He doesn’t take art as serious as other designers are doing in their collections. In fact, he injects irony like he did at his Chanel spring 2014 collection; he took modern art and developed it into a chic fashion statement. The setting of the show – an art gallery - consisted of 75 fake art pieces Mr. Lagerfeld proudly stated he did them over the summer. Well, those oversized art pieces weren’t made by him, but you get the idea – he specifically instructed how he wanted it to be done. He must have been the only designer who had fun over the break, because these clothes were nothing but fun pieces of art that were wearable or fit for your salon.

Color was more than enough to satisfy any woman. He began with a series of iconic Chanel tweeds or vibrant lightweight bouclé in pink, navy, gray, and white. There were gorgeous knits, sleeveless and short dresses with insets of lace and cropped tops, relaxed leather-thin pants and t-shirts, and much more. He basically offered women all the trends that we’ve been seen from other designers in one whole show; punk, classic, or chic – you decide how you want to look.

The highlights of this presentation though were his finale of multicolor print dresses composed of pleated strips sewn together. You had to see these pieces up close to understand why Mr. Lagerfeld is such a genius. They weren’t just a rainbow of color strips splattered on them or taken into a heating device for pleats to come out perfect…………….they were done with superb intelligence (creativity) and sophistication as the Chanel lady implies.

Accessories – graffiti backpacks, creative canvas handbags, oversized pearls that resembled some cool headphones and bracelets, metallic chain phone cases, trompe de l’oeil shoes, and appearances of Lego purses – took the entire collection to a wonderful irony of masterpiece without letting go the Chanel essence.

Only Karl can make an 89 piece collection look so non-boring and youthful than ever with a vast amount of amazing unique variety, color, and texture. We’d just wish we were part of the Karl/Chanel world; as a guy, I’d love to be the artist model, Marlon Texeira, ported down the art gallery.

A male model wearing a multi-color printed shirt and washed pants at the Chanel Spring 2014 show.

At Valentino, Maria Grazia Chiuri and Pierpaolo Piccioli, were inspired by the world of theatre and opera that led to creating a modern day luxury collection. More descriptive would be the renaissance couture and romantic luxury that runs through the DNA of the house.
Honestly, if you ever seen their previous collections, you’d find out they do just about the same types of dresses, but etched with different ideas. It gets boring besides their hot mini-dresses that are a hit every season, which next spring will come beautifully embroidered with prints and flirty peekaboo details; all the front row women looked sexy in the duo’s fall collection.

I was intrigued this season though with their long-sleeved dresses – although always bell shaped – that looked more youthful and extremely luxurious with great amounts of Valentino’s signature renaissance prints and lace and tulle. They looked even more enticing for young conservative ladies when worn with sandals; it’ll work for the South.

Pleasing were their knitwear or crochet sweatshirts, embroidered jackets, bow-tie shirts spliced semi-halfway and tailored shorts. It showed the designers are bringing more variety to the brand, or maybe it was just a pretty collection of prints that helped out.

Alexander McQueen still keeps the beautiful couturier details stamped on its clothes with Sara Burton at the house. I find it hard to describe this collection, because you really have to dive deeply into these pieces to praise their glorious craftsmanship.

Behind those accessories – helmets, gold and silver harnesses, and chokers – there were surprisingly a great amount of wearable clothes the average customer could wear this time: intricate printed, embroidered, and crocodile bra tops; perforated printed coats; fascinating laser-cut tops and kilts over pants (like a burgundy one pictured above); a white laser-cut dress that was invigorating to watch with diminutive red splashes of couture; and sumptuous flared skirts.

While her finale of feather and fringed numbers may not have been ones to wear in real life for most of us, they did make a triumphant statement of the real work the McQueen label is so famous for. There is an intense amount of luxury and hours of work that goes into making one single piece of art come to life so magically.

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Details:

From Left: Valentino, a black lace and embroidered mini-dress; Alexander McQueen, a colorful embroidered and laser-cut sleeveless dress; Chanel, a multi-color dress created with layers of pleats and strips sewn in.

Part 2 of 2: A Continuation of Commercial Paris Collections

noreply@blogger.com (Anonymous) — Tue, 01 Oct 2013 12:30:00 +0000

Part 2 of 2: A review of Stella McCartney, Elie Saab, and Saint Laurent Spring 2014 Collections

A close-up of a Saint Laurent SS14 red zebra and bow-tie sequined dress; a Stella McCartney patchwork lace dress; a red embroidered Elie Saab dress.

A continuation of Part 1 of 2: Paris Fashion Week is Full of Excitement.

I respect how Stella McCartney has developed her own niche that works so well for the label. Her clothes are always chic, sexy, and comfortable looking with the sportiness she injects into them. Although lately, I believe she may be having too much of a commercial or resort thing stuck in her mind. We were all dying for her edgy relaxed silhouettes that worked for all women when she started, but with so many new designers and high competition today she's staying behind compared to other designers who have developed much more intense creativity.

She hasn’t lost it all though. Some that were noteworthy here were her interpretations of slimming track suits that came in feminine colors - burgundy, blue, and rose - that focused on the daily needs that have attracted her customers. And those final splendid dresses – colorful patchworks of lace that looked beautiful in the front and the back – will have her women very content for another season.

Elie Saab also appears to be mixing in commercial and his signature lace and embroidery in his ready-to-wear collections. All there is to say is that they make a beautiful collection his loyal customers and young girls will be pleased with in delicate pink, white, green, red, and black. Floral prints and appliqué statements were a plus.

I’ve already talked about Hedi Slimane as new creative director for Saint Laurent. While on the runway this collection may look trashy and horrible on some of those skinny models, these clothes look superbly different on real people – Kate Upton, Angelina Jolie, Scarlett Johansson – and even normal on his menswear counterpart. There is power to these looks and if Slimane wants to shock the fashion world again, it’s hard to now, because most of us feel comfortable with what he offers. It’s just a matter of imagining someone perhaps like Johansson in them (minus those kitsch sock heels).

He presented again his grungy leather pieces – skirts, pants, biker jackets, dresses, suits – and emphasized still on chiffon button-down shirts, slim fitted tuxedo cigarette pants paired with borrowed men’s suits. What felt new was a sequined dress, like one he sent out the runway at the beginning of the show and another red zebra stripped dress with a sequin bow-tie wrapped around the waist. There were also cropped jackets, a red sequined striped top, sequined silver-y suits and miniskirt combo, and his final half-sleeve with a puffed up shoulder embroidered with sequined red lips that stated luxury.

He also included color like a deep-cut green mini and asymmetrical blue dress, and a pink strapless one over a black blazer. I personally found a gold metallic wrapped dress he showed would make a great statement for those girls with special attitude. Overall, this wasn't a bad collection if you first learn to see it from a different perspective. As long as that cash registers keeps ringing, nobody else gives a damn what haters have to say. He's just doing his job now, making this label return to everyone's mouth. And trust me, these clothes do look much more inviting on the floor (retail store) then what saw Monday night.

Part 1 of 2: Paris Fashion Week is Full of Excitement

noreply@blogger.com (Anonymous) — Tue, 01 Oct 2013 02:03:00 +0000

PART 1: A Review of Kenzo, Chloé, Céline, and Givenchy Spring 2014 Collections.

From Left: A wine embroidered draped dress from Givenchy SS14; an olive pleated dress from Chloe; and the back of Celine blue pleated top

Paris Fashion Week is about to end, but that hasn’t stop Paris from showcasing some of the top labels from the fashion industry. Some made a very surprising presentation like at Celine with its giant strokes of art tailoring and Givenchy in its number of intense draped jersey dresses, while others kept their lines luxe commercial like at Chloe’s modern fabrics , Stella McCartney’s intriguing sporty silhouettes, and Elie Saab’s injection of lace that would look great from daywear to evening. Saint Laurent also infused its bias grunge aesthetics into metallics, deep v-cut colored dresses, and of course black leather looks. And all this happened in only two days that explains why Paris is still the center of Fashion.

Kenzo has turned its logomania items – tiger sweatshirts, blankets, hats – and prints into iconic items anyone can afford to wear and look cool. If it weren’t for those sweatshirts, I believe I probably wouldn’t have been intrigued to seeing their progress or writing about this label. Or it’s probably ever since designers Humberto Leon and Carol Lim were appointed creative directors to the house that have turned Kenzo into a pocket friendly and desirable brand among teenagers. You won’t leave a Kenzo show without being submerged into an overwhelming amount of prints that while it may not work for critics it sure does turn the switch for its younger audience. Humberto and Carl know their marketing skills very well, because if an eye design can sell pretty well, I bet their new series of melting-fish and scribbled waves – in blue, pink, and red – will be swept away and turned into the next street style moment. New were few outfits designed with patches of thick contrasting strips.

Chloé may have also demonstrated to be one of the most effortless and chic girls when it came to true casualwear at its spring 2014 collection Sunday morning. We already know Chloé is one of the labels girls trust when on a busy daywear schedule. You don’t want to look overly dressed, but neither too casual. And over the time, the lovely balance between a boyish rigor and feminine fabric that has become the signature of the brand seems to be shifting around into only relaxed feminine appeal with the exception of its cool cropped trousers. Creative director, Clare Waight Keller, was thinking about modernity – giving clothes and effortless look with more movement through lighter fabrics.

She played around with fabric and proportional details that added a mighty brisk to the new collection – lightweight chiffon dresses that were made to wear for any woman (no ultra-revealing transparency that would require someone to add another slip-dress underneath); super-chic georgette tops and jacquard looks; rough lace dresses; and edgy pleated designs that gave a great amount of texture and attitude to the clothes. Ms. Keller exceled at introducing her vision of a new Chloé without forgetting the boyish swirl Chloé has been so fond of in very thoughtful olives, whites, blues, and black paired with casual sandals. And a small dose of pale pink to brighten things up.

At Céline, Phoebe Philo gave her clothes another different type of movement through her asymmetrical number of pleated skirts painted with gorgeous brushes of strokes over effortless pieces of tailored T-shirts and tank tops that were artwork. What were more intriguing is how she played exquisitely well with colorful pleated tops taken from knits.

This collection was the most surprising and one of the best to date so far from Philo. She took art and she referenced it perfectly on her designs. Art is a form of movement, freedom, and a state of mind. These clothes were powerful for the woman who knows how to wear them - especially her number of artistic coats with opening gold circles etched on them and graphic buckets of paints spilled on some. They’ll be a hit next season together with her creative selection of shoes and handbags.

Riccardo Tisci's Givenchy also surprised everyone with his more mature take on draping. Everyone knows who Tisci is now: the guy who hangs around with Kanye West and designs one of the best graphic t-shirts and sweatshirts according to his young clientele. He knows that’s what sells the most, and prices them at very high values. Whether a lot of work goes into an ordinary black “Pervert” t-shirt or not, he knows it’ll sell at any price he stamps on it.

This time he let go of those graphic statements and put his work on draping these dresses in several different manners. It felt like watching an advanced draping segment video lesson; they somehow felt awkwardly delicate. His final pleated ones in metallic embroidery and sequins were the ones that were eye catching. Tisci really did push the boundaries here without letting go of his signature dark atmosphere. His spring 2013 collection didn’t work, but this succeeded.
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Continue Reading more -->Part 2 of 2: A Continuation of Commercial Paris Collection

Christian Dior's Extreme Innovative Transformation

noreply@blogger.com (Anonymous) — Sun, 29 Sep 2013 17:25:00 +0000

Innovation exploded at the Christian Dior show on Thursday with an extraordinary setting that will have plenty to talk about all season long. With just less than two years since Raf Simons has been at Dior – which seems more than that – he has already caught everyone’s attention whether it be in a bad or esoteric manner. From international actresses, supermodels, to important political figures and the Princess of Thailand, all made their presence at this fashion forward trendsetting show.

His spring 2014 collection greeted the audience with a mystical setting of real and fake neon vines of flowers hanging on the ceiling that simulated Dior’s secret garden in a much more futuristic statement. It seemed he wanted to bring back the nature theme memories of when he presented his first ever couture show for the house – thousands of flowers mounted on walls – that celebrated the codes of the late Mr. Christian Dior himself. His spring 2013 ready-to-wear collection focused on tailoring and modern versions of the iconic Bar jackets, and so did his recent fall ladylike collection. But these vines conveyed a different message that one understood after the show. Dior was about to take a severe transformation for many.

He began the show with new interpretations of the bar jacket cropped to reveal some skin and be worn with a hybrid of shorts with pleated floral skirts; some referred to them as skorts. He also introduced unique shirt dresses in blue with twisted details and surprisingly pleasing colorful sleeveless satin tops that were the most ladylike; an ice blue top Kasia Struss wore was provocative paired with a white below-the-knee skirt that was cut very high at the back.

Fetish-y were the neon trumpet skirts – in yellow, silver, and blue – that barely covered the models legs and side-pleated skirts with an exposed hip-bone on the left side, together with a few balloon skirts that felt wearable and embroidered cropped tops with an opening keyhole in the middle. There were a number of varsity style looks etched with Dior badges and pleasing knitwear pieces paired with hanging garden inspired jewelry that felt the most comfortable to follow on this new journey.

Questionable were his awkward embroidered dresses with side pleats that looked kitsch and retro dresses with messages printed on them like “Alice Garden,” but they psychologically respected the signature codes of Dior; big change in designs, same codes hidden. I was more fascinated with his two finale black looks – one bar jacket and a coat dress – with insets of floral printed pleats on the back. These looks screamed Raf Simons’ injection to the new and more revealing Dior. Even noticeable were his final metallic looks of silver dresses no one would have expected to see at this show.

Now, was this collection hard to swallow? It certainly will be for some buyers who won’t know how their average customer will react next season to these clothes. But in fashion, there is a whole different point of view. Mr. Simons is a risk taker, and that was not a secret here anymore. He’s had enough of trying to keep Dior contemporary, because we all know he was not meant to stick with the same styles. Take for example how he has revolutionized men’s fashion with his personal label being one of the most anticipated and innovative shows of the season. He is the first to set trends offering new creative skills.

A Christian Dior Spring 2014 New Bar Suit Jacket with a pleated floral back and leather lace heels by Raf Simons.

His clothes are never meant to be seen as ordinary clothes. They’re meant to be seen as intriguing laboratory experiments you have to risk it like in Dior’s case now. And that’s why I admire about him so much. He said he wanted to take the literal DNA of the house with a different aesthetic – that being his creative injection – that would turn out to offer so much new techniques in one show without letting go of the strictly ladylike codes Dior is known for. He threw in so many ideas that we’ll probably see other designers implement soon in their collections – pleat techniques, lace shoes, twisted techniques and shirt dresses - but in may have been too much for right now where he’s at. The clothes were nevertheless magical on the runway in my opinion with a great taste of color and exquisite tailoring.

Mr. Simon’s is molding the future of the label. Many have already criticized this collection as a horrible one, but it should be when you’re not exposed to seeing too many ideas in one show. His new tailoring may take time to get used to from what John Galliano did, but with the way his shaking things rapidly, he's developed an intense niche. And you can’t deny Raf is a very talented designer no matter what. Fashion is evolution, and with Simons' noteworthy experiments at Dior demonstrates he is here to stay and catch everyone’s attention.

Paris Spring 2014 Shows: Carven, Balmain, Nina Ricci, and More

noreply@blogger.com (Anonymous) — Fri, 27 Sep 2013 03:14:00 +0000

A review of Paris Fashion Week Spring 2014 Collections: Carven, Balmain, Nina Ricci, Paco Rabanne, and Lanvin.

Of the now four years that creative director, Guillaume Henry, has been at Carven, he has rapidly turned this brand into one of the most recognizable labels in Europe and Asia. I believe this has to due to the fact he has a talent for turning something sweet, young, and delicate into a mien naughtiness. Most women want to have something lovely to play around with, be edgy, and feel seductive in what they wear for men; in reality, look effortlessly provocative. And Henry understands that very clearly. His collections are always a hit, just like his previous fall collection - which actually imbued a more mature level - has become a sensation among magazines and editors – especially his oversized pastel coats – that when paired well, will have that special effect a woman looks for. On the other hand, his new spring 2014 collection revealed the real Carven woman that had been hiding around in his past collections.

The collection nonetheless was more youthful and naughty with those high platform heels models wore on the runway. Provocative were his button-down skirts, short dresses, cross-over cropped tops and gingham button-down shirts with knitted swirls added at its hems, floral print rompers, a blue pleated gingham dress with a kinky sheer top, and relaxed bright floral print appliqué and camouflage coats. All still made again for that innocent girl that won’t be able to do any harm at all with her naughty clothes. This is why Carven is on the lead of fashion, and I wouldn’t doubt seeing younger girls becoming part of this collection next season.

Meanwhile, Olivier Rousteing has also shown to be a great influence to urbanwear. Balmain has become a demand where celebrities and the outspoken generation of young adults dream of. Olivier knows his niche, and that is creating the most expensive looking badass clothes. Only he can make a denim gold embellished hook-and-eye top with light pleated washed pants look so demanding. Houndstooth looks – jackets, gold-button down and spliced skirts, suit jackets – and checked patterned looks were noteworthy of a streetstyle moment. And of course his signature quilted numbers that can never be left out. Other things that were new or modernized here were his ruffled skirts, a baby blue feather skirt, and his lustrous innovative couture quality dresses. Everything screamed superb luxury a la urban streetstyle here. Prices may be ridiculously high, but we’ve gotten accustomed now to his $1,000 jeans and $50,000+ dresses in case you were wondering.

“Masculinity meets femininity at Nina Ricci,” was Peter Copping’s new theme for his spring collection. It kind of made sense in the first half of his show – delicate shirt dresses, asymmetrical coats, and pinstriped cropped pants. But it sort of lost me where he was trying to go. Maybe a sensual journey with a man? If so, a number of light lace, silk, chiffon, and delicate knitwear pieces made up for the story. Nina Ricci has a very sensitive feel to its clothes, and Copping always manages to achieve that moment of delicacy. You’d be afraid to harshly grab someone in his designs seeing it so light and subtle. I don’t think prints made a very great appeal to this romantic collection, but it’s always fond to see a designer experimenting with new designs, even though we’d happily see his woman covered in exquisite chiffon dresses.

Lately, there was the news that 30 years old French designer, Julien Dossena, would become the new womenswear head designer for Paco Rabbane. Dossena was once an assistance designer for the famously talented Nicholas Ghesquiere who left Balenciaga to later be replaced by Alexander Wang. I was curious to see if there were gone be any hints of Ghesquiere’s techniques when he debuted his collection. And today he finally presented his first collection for the brand, but there were still some references as to what previous designer, Lydia Maurer, was doing for the brand – reinventing shiny metallic pieces into a wearable manner. Paco Rabbane himself was best known for his take on provocative and futuristic metallic colored designs and chain dresses. It’s hard to keep those types of house codes modernized in today’s society, but Dossena was inspiring himself to take this collection to the streets.

He gave his metallic clothes a light touch with a hint of streetstyle: mesh athletic tank tops under unzipped dresses, short slip-dresses styled with coats or double-zipper A-line skirts, zipper detailed pants. And he imbued a more harsh futuristic approach in his laquer dresses in burgundy, black, and blue, while his shades of white designs added a soft balance in this collection. I personally found his final bomber jackets commercial, but his overalls and skirts potentials for next season. To be fair, this was a short but sharp collection that will catch the attention of a younger clientele, but there is still a lot of work to be done if this label wants to be back to the level it once was in. Dossena may be that guy.

Lanvin was also competing with a full collection of metallic shades of lamé – purple, pink, bronze, orange, green, and silver – except for a small amount of beautiful black dresses and a gray tweed look that will probably be the most inviting to the average woman next season. There were some pieces that actually did work like a purple chiffon embroidered dress or a green metallic floral printed dress with a bow-tie applied at the bottom left. It’ll maybe take time for some to swallow this collection, but Lanvin is not made for everyone, and depending on the correct woman who puts on one of these lustrous dresses like one Soo Joo Park wore (a bronze strapless dress), they’ll be the star of the night – urban or chic. Accessories- oversized stars, hearts, and chunky stoned necklaces; chunky leather belts; metallic printed scarves and shoes - will make up the sharing factor for every women.

Paris Spring 2014 Shows: Balenciaga's Conversation with Alexander Wang

noreply@blogger.com (Anonymous) — Thu, 26 Sep 2013 15:29:00 +0000

From Left: Woven leather jacket and skirt; pink woven leather shoes; laser-cut back of white dress

Alexander Wang is really taking his job seriously at Balenciaga. Since being appointed creative director of Balenciaga last November and receiving great reviews for his fall debut collection, he felt comfortable to inject a little of his signature style with the authentic house codes into his new spring 2014 collection he presented today. I was very surprised with this collection, because even though I applauded for his first collection, I thought it would be a passive one. But he proved here that he is a really clever guy who has soaked in all the Balenciaga archives to take it to a new modern couture level with a brisk of streestyle.

He came up with graphic couture silhouettes like last season that respected the Cristobal Balenciaga codes – round shoulder, cocoon like backs, curved proportions, and texture – contrasted with a pale palette of colors – in blue, pink, and gray – that played it safe for the designer with his big on top, small below volumes. I would have loved seen much more color most of us were used to when Ghesquiere was around, but his fresh floral print numbers made up for the color. It was interesting they weren’t as aggressive or hard to take in. It may have been the fact that he made them have a life of its own; his white shorts with baby blue hems, a short-skirt, and cardigan were edgy.

When it came to texture or leather, he achieved a marvelous creation. His first look was a strong pale blue rounded shoulder jacket paired with a straight A-line skirt both in woven leather that almost seemed from far away like some sort of cotton. He introduced two sporty looks – a purple tank top and a pale pink cropped top with track shorts – that reminded me of a gym attire but in a much more cool and luxe version the rich girls wouldn’t mind showing off. You would have to see some of these clothes in close-ups to indulge into some of those texturized fabrics - unique hand painted laser-cut tops, superb hand-braided pieces that appeared as print like his shorts and prints. Shoes also seemed even more interesting with better emphasis than from previous ones, while handbags will definitely be another sensation.

Couture-like were his cropped high-waist pants that came with an adjusted hip volume that were the highlight of the show (perfect effortless tailoring), off the shoulder dresses with a light running cocoon shaped back, cropped tops with a long back hem, luxurious corsets over subtle lace and silk hems, and those hybrid of miniskirts/shorts. And he finished with a series of effortless white shirtdresses and sheer suit numbers that were creative coming from someone like him. In all, he delivered again another beautiful and pleasing collection that will have a strong presence next season. Some of those A-line skirts, gym attire, pants, jackets, tops, and shorts will definitely be calling back that young streetstyle fanatic that was in love with Balenciaga. Bravo, Mr. Wang!

Final Days of Milan Spring 2014 Shows

noreply@blogger.com (Anonymous) — Tue, 24 Sep 2013 22:30:00 +0000

A review of Giorgio Armani, Salvatore Ferragamo, Missoni, and Dolce and Gabbana Spring 2014 collections.

Milan Fashion Week came to a close yesterday with Giorgio Armani being one of the biggest shows of the day and easiest to relate to. The thing about Armani is that he has set his signature looks very high. There is something so confident and serene about his couture cuts you can tell right away who made that dress. He knows who he is and that is all that matters to succeed. While others may find his show a bit boring (or the same continuation), I’m always intrigued to see his palette of colors like subtle pale blues, pinks, and grays he showed for his new collection. Trust me, you can’t find those types of luxury colors anywhere.

What’s more interesting is that he manages to use the same classical types of fabrics – silk, viscose, chiffon, pique, velvet and wool – and inject into them couture-cuts that are a plus; so delicate it seems they’re worth a fortune. I’ve always been a believer that a woman’s greatest investment should be owning a great pair of Armani trousers or suits, because these designs will never fail to make a great impression. Where he experiments as a designer though are in his prints which sometimes fail to do the work. Some made a nice impression like a digital floral jacket matched with a ghostly faded printed skirt. In all, we saw some of the same classical looks we’ve been familiar with but minimally modernized in some sort of ways.

Salvatore Ferragamo will be a brand to watch for next season. Creative director, Massimiliano Giornetti, has had his ups and downs over the past few seasons, but I actually saw potential in his new spring 2014 women’s collection. For those of you who are not familiar with this prestigious label, Ferragamo was one of the most iconic names in Hollywood designing shoes for stars like Marilyn Monroe and others. And that has been the goal for Giornetti, keeping the essence of refined glamour.

He began his show with relaxed creamy striped suits and cropped trousers paired with snakeskin bra tops, sleeveless suit dresses, and others suits cut in half to appear between a cropped top and mini skirt over pants (all detailed with small belt straps). His most talked about pieces were his skirts pleated only halfway at the sides. Some girls may love them and others may not, but his leather numbers felt buttery soft; I personally thought the first few without wraps around looked nicer. He didn’t include much of dresses this season as for he opted to go for skirts and appealing knitwear, but he did include three halter dresses, which I thought his metallic ones, like a gold pleated dress, was casual-luxe. And he may have not imbued a great glamour vibe, but where he did outdo himself was in outerwear – trenchcoats, sleek leather hoodies, blousons, and biker jackets - like his intricate snakeskin jackets that will be a dream for the edgy generation of young girls and women.

Missoni has been one of those luxury knitwear labels I have been fond of for the past few years. But recently, the family run business seems to be taking things to another direction. Their new collection felt awkward in some ways – birds printed on knitwear, quirky fringed dresses, nature prints – that lost the spirit of the Missoni zigzag signature codes. There were some pretty pieces like their knitwear cardigans and color-block skirts and tops that were fresh. Knitwear is there supreme niche, and we’d love to see more their visible high-tech knits making a strong return soon as were present in their men’s spring 2014 collection.

At Dolce and Gabbana there was a beautiful treasure hunt going on. Applique of floral and Greek coin dresses, gold laser-cut dresses, intricate prints of ancient ruins, lustrous embroidered dresses, souvenir accessories, and much more to indulge on. We know designers, Stefano Gabbana and Domenico Dolce, have had a hard time lately with the business of their brand, but they’ve managed to show that they deserve to be doing what they do best……………designing to create beautiful clothes and represent Italy in an honorable manner. Most Italians would be proud to have Dolce and Gabbana be a representation of what true Italian fashion is all about. I don’t know about you, but it kind of is a joy to see these designers come up with creative ideas that are marketable yet a personal collection that speaks about their beliefs and history.

There was so much more to choose from then just the previous descriptions: sheer polka dot blouses and dresses; lacquered skirts and dresses in forest green, burgundy, and red; jacquard coats; soft furry skirts and tops; swimsuit pieces. Their fur numbers were the only thing I wasn’t fond of, but from there on, the hours of thoughts and craftsmanship that was put into this collection paid off. These were clothes that were made to empower the balance between a delicate and powerful woman. And hopefully aid in balancing the company even more. If feels like a family when you purchase something from this brand.

Links a la Mode #7: Fashion Week

noreply@blogger.com (Anonymous) — Tue, 24 Sep 2013 00:25:00 +0000

Falling for Fall

Fashion Week, September Issues, Back to School (or just back to work) Shopping... Nothing is hotter than September for fashion. Even though fashion week's clothes don't hit the stores until next year, seeing the trends on both the runways and on the fashion elite gives us inspiration for what to wear now. Luckily we have amazing links to the fall finds we'll be falling for.

Links à la Mode: The IFB Weekly Roundup

Beauty Tidbits: 7 Easy Ways to Fix Sun Damaged Skin & Hair
Breakfast at Cindi's: Cute Kids Take Over The NYFW Front Row
Confessions of a Style Cookie: London Fashion Week : Mulberry VS Topshop Unique
Corals and Cognacs: Target Does It Again: 8 Affordable Faux-Leather Finds
Hey Mischka: A Q&A With NYC's Freshest E-Boutique
Highland Fashionista: Shop Like A Teenager
Hot Beauty Health: Fall Fashion Survival Guide
Inspirations and Celebrations: Fall Fashion Trend Dark Florals
Kiri Yanchenko: We Heart Burberry
Le Style Connoisseur: The September Issues
Mules and Manolos: Testing the Best Sites to Consign or Sell Clothes
Nothing to Wear Novello: The Big Hair Cut: Why Women Fear Cutting Their Hair
Runway to Style: An Approach to Minimal Femininity at Spring 2014 Shows
See Lark: Phillip Lim for Target: The Aftermath
Stilettos and Tequilla: 23 Quotes By Stephen King To Help You Become A Better Writer
Style Through Her Eyes; 3 Ways To Be A Better Customer
Style With Friends: Bow Bun Hair Tutorial
Stylish Butterfly: Tips for picking tops that are trend-proof
The Curvy Elle: Pop-Up Shop Observations
The Lifestyle Project: An Ode to Quitting

SPONSOR: Eastdane United Nude, Prism Bags, M Nii, Levi's Vintage, Evleo, JW Hulme, Gareth Pugh, Diemme, IIIbeca, Stone Island, & Men's Brands

Spring 2014 Milan Shows: Etro, Versace, and More

noreply@blogger.com (Anonymous) — Sun, 22 Sep 2013 16:41:00 +0000

A review of Etro, Versace, and Tod's Spring 2014 collections.

Etro is best known for its signature paisley prints. Last season, prints seemed off for this label; they were just not catchy. But this season Veronica Etro was inspired by her grandmother’s country home. They say that sometimes a family run business serves best if inspiration is taken from a relative’s history, and being grandmother the subject, this collection worked very well.

Clothes were colorful, relaxed, decorated with metallic fringes that almost seemed to have referenced an oversized silk luxe scarf. Halter dresses were slightly looser worn with silver belts that looked appealing worn around the waist. I found her cropped pants paired with knits a look that would look effortless at the countryside or casual party. Her approach on prints this time was much more appealing, keeping the brands signature paisley injected into them discretely. This new collection definitely felt inviting.

Meanwhile, at Versace Rock badass girls were taking over the runway. The thing about a Versace woman is that she’s not afraid to express who she is. She praises her lifestyle and imbues sexiness in everything she wears. Judging from this collection, Donatella Versace knows who her clients are, because I wouldn’t think a conservative girl would want to walk around with chain medusa harnesses around her body and mesh bandanas. But at the same not everything was hardcore as the label projects.

We know Versace is very revealing, but besides those provocative harness numbers, there were other pieces that felt quite conservatively sexy (soft) for another clientele; it wasn’t as soft though when you saw those stilettos. Her first introduction of circle skirts worn with thick medusa belts felt new and sexy with denim jackets. Denim was actually her strongest niche in this collection – studded denim jackets, hook-and-eye closing skirts, shirts, and intricate pants. Girls will surely feel they rule the world next season with Versace’s pants, like one floral- leather lace pant worn with a Versace 2014 metallic sleeve t-shirt I feel most of us may be seeing it around streetstyle blogs. Printed patterns, metallic (like a lavender look that you could tell right away you were at Versace), leather, and lace dresses were nice to see coming next season.

It was delighting to see Ms. Versace do something that looked easy on the eye and humbly sexy without too much drama; her menswear collection was also splendid. Just seeing her take her applause for this past two shows projected much happiness in her, and I like the new path this label is taking under her most personal admirations.

Tod’s recently debuted is first fashion show under new creative director, Alessandra Facchinetti; she used to design for Valentino and Gucci back in the day. If I could describe her new collection in one word, it’ll be PERFECTION. Milan has a new star, and it can be found at Tod’s.

This is what real women want. Italians seems to struggle to portray a collection a woman would be able to wear on a daily basis. Most women would greatly appreciate if they could make designer clothes part of their lifestyle. And Facchinetti received that message and transformed it into one women across the nation will go bananas over……….Casual with a great hint of luxury.

She made leather look paper thin buttery and wearable for summer in burgundy, gray, and pale pink colors; no stiffness what so ever. Shirtdresses detailed with a gather across the back looked sumptuous with those belts. Shorts, skirts, suits and relaxed pants caught everyone’s attention. That baby blue number was a dream in heaven paired with exquisite leather sandals; it was an impeccable tailoring. White eyelet button-down shirts and jackets were also freaking fascinating. The only thing I did not understand was those head pieces two models wore, but who cares, because all 29 looks of clothes and shoes is what women will be pleased to wear. Who knew an accessories brand could be so captivating.

Fendi and Prada Spring 2014 Collections: A Beauty of Art and Technology

noreply@blogger.com (Anonymous) — Sat, 21 Sep 2013 22:45:00 +0000

A review of Fendi and Prada Spring 2014 Collections.

From Left: Graphic Prada coat and yellow bejeweled shoes; Fendi spring 2014 laser-cut fur top and plastic organza heels.

You know where Karl Lagerfeld goes it’ll always make a great impression. That’s how it was at Fendi’s new spring 2014 collection. You have to respect what Mr. Lagerfeld does, because someone like him has to have a lot of creativity and think fast at the same time. Two weeks from today he’ll be presenting his Chanel show, but we never get a clue what to expect at his other show (unlike Marc Jacobs which you kind of know what to expect at Louis Vuitton). Fendi and Chanel may be done by the same designer, but they definitely have a different taste. Mr. Lagerfeld is a lover of organza – something you won’t see much at Chanel – but given he was at Fendi that was what he showed us.

I never feel intrigued by the way other designers play around with organza, but at Fendi they were the most luxurious, comfortable, and lightest fabrics I had seen. So much technology seemed to have gone into those fabrics. Laser-cut organza was layered in different shades of colors, brought into lovely pastel trench coats, cropped tops, and other tops and skirts etched with triangular patches of razor-thin fur. I loved how he made fur – in dresses, coats, tops, and skirts - accessible for a summery day; that red laser-cut fur jacket and skirt above was everything. Organza never looked so fresh and luxe as it did at Fendi. Well, thanks to Mr. Lagerfeld.

Prada may be one of the biggest highlights of the season other designers may find it hard to beat when it comes to FASHION. Miuccia Prada does fashion. There is never quite a trend to follow at her shows. She just puts them out there for the audience to imagine her compelling stories that go so well with her choice of songs (Work Bitch by Britney Spears was played here). I’ve always seen Prada as a love affair. You think it’s wrong or ugly what she does, but most of us end up loving and dreaming her collection after a couple of times. It’s so awkward but it feels good to think about wearing one her clothes. And that’s the message she always brings to her collection: Don’t judge a book by its cover. Because under all those esoteric layering’s - soccer socks, ribbed tops, bra tops, skirts - there is something special made just for you; I have her recent men’s summer collection stuck in my mind. She said her new collection was one of her most personal to date, but it also was one of her strongest collections to date.

She took sportswear and turned into a powerful message of female struggles. All those graffiti facial portraits that were painted on the murals of her runway were applied to her dresses to give a different meaning to each individual – hope, rejection, depression, happiness. Those images conveyed the power of femininity. She also layered embellished and stamped bra tops over coats and dresses like a form of self-confidence. Am I ready to show skin or not? There seemed to have been so much personal feelings into this collection.

Coats were by far the most noteworthy ones, especially those gorgeous graphic colored mink coats; if her $44,000 floral mink coats from her spring 2013 collection were a sensation, I have a feeling Ms. Prada knew very well what to invest into this collection. But not only will her colorful mink coats (our secret sin) and embellished dresses be displayed on magazines. Her accessories (which always sell the most) like those vibrant sandals and handbags are sure to have customers ordering more than one. And again, all those superb embellishments may be too much for your personal like, but if you analyze the rest, there will be something that will have a meaning to you. That being said, this was a beautiful collection of art.

Milan Spring 2014 Fashion Week: Gucci, Dsquared2, and More

noreply@blogger.com (Anonymous) — Fri, 20 Sep 2013 19:37:00 +0000

From left: A Gucci mesh and metallic silk dress; Close-up details of an Alberta Ferretti spring 2014 dress.

The Dsquared2 label is not meant to be loved or worn by anyone in general. The girl who wears Dean and Dan Coten’s design has to have lots of attitude and confidence to pull of those mini strapless dresses that were presented at their show. It was all about a day at the pool, because models either wore those strapless numbers, or a combination of hotpants paired with suits, cropped tops, or over embellished jackets. There most “normal” pieces most women could deal with were their cropped pants, a navy 50s inspired dress, and some of their luxe detailed coats. The rest may have been too much color in your face like those visible crocodile jackets – in cherry and sky blue – one could notice a mile away. But hey, Dsquared2 knows how to have fun, and even if the clothes weren’t the most compelling of all (it will be for their very loyal customers), one thing for sure is the twins know how to put on a good show that cheers you up no matter what. Let’s take a trip to the pool.

The perks of being an athletic glam Gucci woman. And sexy if you think about it. Frida Giannini has one of the biggest responsibilities where risks aren’t really allowed to be experimented as much as one would like to. She’s the one to claim for making this luxury empire produce millions of dollars each season – Gucci is one of the most savvy brands that sells easily to the point when sales arrive you can hardly get what you wanted (It’s either now or never). And Gucci is one of those labels where party is part of its lifestyle – Slender sexy silhouettes that are eye catching and luxurious. Last season, she sent her models in tight hugging and python numbers that have been a sensation. This time she took a risk and went for a full collection of relaxed silhouettes. Was the risk well received?

Her first model came out in a black provocative mesh shirt with very relaxed printed silk shorts. A feminine version of a men’s basketball shorts? Silk laser-cut metallic prints were the main benefactor that aided in this new silhouette. Prints were injected into oversized t-shirts, caftans, tunic dresses, inspirational track pants, kimonos, and more mesh jackets with insets of triangular bra tops; it was even more intriguing to see models in wet hairstyles as if they had been working out. High lurex, like a green version Karmen Pedaru wore were sporty, while dresses that emphasized the hips hinted a sexier version between the new modern 20s and sportswear. Some of those halter dresses Giannini created were the ones with a bigger potential to be a hit next summer.

It is no doubt Giannini’s version of sportswear had nothing about simplicity and relaxation. The Gucci women is outspoken, and these looks were surely approved to take them from the streets to the party; I loved how Frida knows her Gucci customer so well. Back to reality, this collection would have worked better if only she would have stopped going wild over those sometimes nostalgic criss-crossing straps. Overall, it was nice seeing the designer going for newer shapes. And side note, if you plan to join the Gucci group here, Giannini sent a secret message about dressing like one: Sandals and flip-flops are unacceptable (none were present here like in other designers). Because nothing looks sexier than a good pair of heels. Agreed.

Alberta Ferretti designs for the woman who wants to feel romantic and pretty. That’s how it felt at her new South American inspired collection; it seemed she had taken a trip to Mexico from my own visual perspective though. She always chooses light fabrics that are very feminine with only small amounts of embroideries to make someone feel special. The woman who tries on one of her dresses can always leave feeling beautiful. And that was the case with her beautiful floral embroideries etched on dresses and cropped tops that looked sophisticated with bold colored skirts. Threaded bonds of fluorescent colored ribbons attached to white dresses lifted the spirit up, as were her youthful orange and green applique of floral dresses. This was a collection with great sense of fabrics – light, feminine, and subtle – which is how women would want it.

Highlights of Men's New York Spring 2014 Fashion Week

noreply@blogger.com (Anonymous) — Thu, 19 Sep 2013 18:22:00 +0000

New York Fashion Week may be one of the most stressful and crowded weeks for everyone. Not because of the 300 or more shows that are presented in one week, but because men’s and women’s collections interact between each other in that same week. Especially when your goal is to talk about them both. It’s really not a cheerful journey, but either way I managed to summarize together some of the menswear spring 2014 shows presented at New York that are worth a look for next season.

There is always something juvenile yet well put together about DKNY that attracts young customers. It’s not the “it brand’ you want to invest entirely in, but on the other hand it does do the work of looking like a cool dude when you need to. Dude just sounds like the adequate word to use here.

Take for example that bright red anorak that looked great with DKNY’s new graphic robot t-shirt, slim fitted pants, and black and white lace-ups. T-shirts had a nice appeal young guys would look forth in. I personally found interesting they could take something casually tailored, like combining a pair of shorts and blazer with t-shirts, and applying it to their clean silhouettes of formalwear attire when those important occasions are called for. Basic colors – red, yellow, white, gray, and blue – had potential amongst its young clientele of dudes.

When I first came across the Todd Snyder label, J.Crew was the first thing that came to mind. I began researching who this new Todd Snyder was and guess what I happened to find out? Mr. Snyder actually used to work not just for J.Crew but Ralph Lauren. Interesting environments, huh? I wouldn’t want to compare this brand with a mixture between vintage Ralph and J.Crew, but that’s how it feels. You can just tell there are several similarities that connect this designer with a little twist of American/preppy.

There were great pieces to indulge in next summer. Exquisitely slim-fitted shorts and pants (a navy windowpane pant was one of the best), nicely fitted blazers, noteworthy shirts, slender rain coats in khaki, blue, and gray, a soft dark brown cashmere cardigan, and two badass baseball jackets in burgundy and camel. The brand itself has been around since 2011 (a newbie still), but with an experienced designer who knows what competition is like, this collection felt much more confident and mature compared to his previous ones. It’s growing, and in a good way.

Tim Coppens is also another designer who has gotten comfortable with his menswear brand. A Formula-1 inspired collection was his new approach. And it felt necessary to include some quite pleasing onesies designer’s seem to be going for next season. These were the “it” pieces, like his opening look in a metallic silver and black leather detailed ones, the outgoing cool guys wouldn’t mind wearing. Who would’ve thought a New York designer would have a special onesie too?

While most looks seemed to have been made for a chilly weather – splendid graphic sweaters etched with leather, baseball jackets, and parkas – nothing was as intricate as his metallic and leather shorts. Leather played the protagonist here though and energetically.

Michael Bastian may be one of the most innovative designers in New York when it comes to taking risks in men’s fashion, but it didn’t quite work this time. Sure, his clothes are fun to wear, but it may have been the layering effects that went on in his new presentation that could have lost you for a second. Are we in wannabe Paris? It is no secret Parisians know how to do layering effortlessly, but Mr. Bastian is not quite there; nice try for willing to incorporate more prints though. But if you were to take those awkward layering’s apart and styled it with something else, you could find something to invest in.

I don’t know about the French wearing pineapple or leopard print pants, but one thing for sure is I know of several guys in America who would go for it without a doubt. As for his graphic sweatshirts and jackets, they felt fresh for this collection. All in a nutshell, this was an American tourist in Paris with lots of joy and uniqueness. Isn’t that what traveling is all about?

Ovadia & Sons is just another menswear label who recently got the opportunity to debut their new collection at New York Fashion Week. And what a debut. The label has been around since 2010 and owned by twin brothers, Shimon and Ariel Ovadia. One could tell these twins definitely have a unique taste compared to our loved hyper twins, Dean and Dan, at Dsquared2. And I’m not saying the Dsquared2 twins don’t design well, because you know they can put a fun spin to their clothes, but what I may be trying to infer is that twins may seem to get the job done efficiently.

The Ovadia twins have been receiving a lot of support from retailers – Bloomingdale’s, Barneys, Brooks Brothers – and magazines like GQ who named them Best New Menswear Designers in America in 2012. That being said, they were part of this year’s CFDA Fashion Fund finalist.

The collection is headed along the right path. Slim tailored pants without feeling too tight. They have just the right amount of proportion for most men who seek sleek silhouettes without having to suffer. A niche? I loved the styling of three floral print numbers – a black shirt, and two blue pants and shorts – that wasn’t too much in your face. Most fashion-forward men could deal with that. Suits were clean and suede motorcycle jackets were fresh. Now, if the twins caused a good impression, we know they better make another great one and with innovation, which it seems they might if they’re getting a lot of support. Because as Hedi Klum used to say, “One day you’re in, and the next day you’re out.”

Modern. Urban. Timeless. That’s what Frank Muytjens new collection for J.Crew imbued. While those blue printed shorts may have been the only new design in a while at J.Crew, there was something that even though we’ve seen other retailers and designers produce in much more sumptuous techniques – slim-fitted suits and trousers, chambray sweats, suede bomber jackets, and denim patchwork – none the less felt luxe here. It may be witchcraft going on behind this label, because it somehow works great compared to other luxury designers we’ll criticize harshly. Hmm.

At Marc by Marc Jacobs you could put a personality to each outfit. Mr. Jacobs likes to feel his sharing a bit of his brand with everyone – quirky, preppy, gothic, urban, fashion-forward. It all looked inviting with metallic jackets in silver and red, relaxed shirts, trousers, and suits – cream, baby blue, brown, and black. Anyway you style them it’ll work.

A Moderate Finale for New York Fashion Week Spring 2014

noreply@blogger.com (Anonymous) — Mon, 16 Sep 2013 16:45:00 +0000

A review from the Ralph Lauren, Calvin Klein Collection, and Marc Jacobs Spring 2014 shows.

From Left: Details of a Marc Jacobs Spring 2014 coat; Calvin Klein cotton tweed deconstructed seams; Ralph Lauren spring 2014 floral pattern trench coat.

The last day of New York Fashion Week contains one of the most anticipated and recognizable international designers of all time. It sounds appropriate to end fashion week with such designers like Ralph Lauren, Francisco Costa of Calvin Klein, and Marc Jacobs. But contrary to day 6 and 7 that included one of the best shows of the season – Narciso Rodriguez, Oscar de la Renta, Michael Kors, etc. – day 8 (the last day) wasn’t so compelling after all for these three designers.

Ralph Lauren has always had a talent for telling such a beautiful and romantic story. It’s hard not to grasp what the designer’s new theme is all about. For his new upcoming spring 2014 collection, there was a minute I thought a new creative director had been hired to take over the label. The clothes looked like something similar you’d find at a commercial retail store. I felt disappointed there were not that many truly designer pieces that conveyed a gorgeous detailed story like last season’s Russian inspired coats and dresses most women would dream of becoming the protagonist.

He began with sporty (60s inspired) school uniform looks in black and white that later transformed into stripes, and patterned suits accessorized with big chunky ties. They added a very youthful appeal to the new collection, especially when paired with his midi A-line skirts and black leggings. His geometric and floral print numbers were simply nice and pretty, not aweing. He also wanted to introduce a series of strong neon colors – green, orange, yellow, red, and blue – that turned up to be nostalgic. There was a great start to the cut of these sporty designs, but it was clear that if Mr. Lauren would have used his perfectly feminine pastel colors, these looks would have added much more presence. Evening dresses like a blue neon one Karlie Kloss wore above or a final red dress with a cape were the most convincing ones in this minimalistic collection.

Mr. Lauren knows how to do great evening gowns just like any other piece in his collection, but taking into consideration how much emphasis he has put into his previous collections of masterpiece, this may be the first time and the only time this collection lacks character. But was this collection nice? Yes, indeed, but we know Mr. Lauren can do so much more than this when it comes to his personal COLLECTION.

At Calvin Klein, Francisco Costa wanted to expose deconstructed seams to say the least. It looked better in pictures than it did close-up. The clothes had a nice message of a minimalistic touch in most of the looks, even though most pieces seemed to have been unsewn at the hems and sides of tops.

The first model came out with a white strapless top and skirt that looked awkward with those exposed side seam allowance I’d wonder how many women would want to be walking around with their seams and threads exposed; his colored cotton tweed – red, mint, and pink – made an interesting intro to the classical colors of the label –black, gray, and white. There could have been a great potential for his new jackets to become a hit if only he wouldn’t have added too much confusing patchworks into them.

His most innovative looks that imbued a subtle couture sensibility were his yarn like threads that acted as fringe. He used some colored threads to etch into one woven leather black jacket and skirts, but his final three looks of fringed dresses were the ones that were noteworthy. And if you though everything was lost, his snake print tops and dresses patchworked from graphic leather and silk (above) were what minimalism should have been all about in this collection.

I believe the collection could have worked, but the problem with the clothes was Francisco’s use of stiff fabric that didn’t help much. It became an esoteric collection maybe even editors themselves didn’t quite grasp. One thing I did admire about Mr. Costa in this new collection was his attempt to experiment with more proportions while keeping the Calvin Klein aesthetics untouched.

If you didn’t quite understand what Francisco Costa was trying to do, then you certainly may have been confused with Marc Jacobs’ new spring collection. It felt more wintery then summer with those dark bulky clothes that went down the mystical setting. Well, the clothes did go well together with the dirty, gothic, vintage runway props that were built for the show. And somehow, this was a weird collection for Mr. Jacobs that worked in some sort of way.

His oversized shoulder jackets embroidered with tassels weren’t that pleasing, but his detailed shorts were the ones that may have a potential when next summer arrives. His jackets would have been very enticing if only he would have toned down those shoulders, but he seemed to have known the audience reaction, and he did lower its volume in some of them; Mr. Jacobs always knows. Other chunky leaf patterned tops and dark colored sweaters matched with beaded skirts and Uggs look alike were just amusing. I actually happened to find his leaf patterned and final embroidered dresses quite normal for a casual day paired with sneakers or sandals.

The most important part one should understand about Marc Jacobs is that he is a risk taker, and the woman who wears his label is one who is very confident in who she is. She doesn’t have a season in her wardrobe as well as a dress code from daywear to evening. She just puts whatever on, and as long as its luxury, doesn’t give a damn about what the rest have to say. And that’s what we love about a Marc Jacobs show. You never know what he’ll bring next season.

Links a la Mode #7: Transitioning Into Fall Mode

noreply@blogger.com (Anonymous) — Sun, 15 Sep 2013 22:52:00 +0000

Transitions

September is always weird. The leaves start changing colors, the sweaters and coats are in the stores, we're back to school, summer's over... but it's still stupidly hot! I've always been so excited about fall, I'd be sweating in my boots, and wearing sweaters anyway. What a girl does for fashion, right? Well, this week, we have all kinds of transitional posts. Transitioning from teenager to adult, summer to fall, day to night, and the call for fashion week to transition to the next level. We also have a hilarious post about 20th century fashion as predicted in the 19th century, it's so spot on--not. Either way, pull up a tall iced-tea (remember, it's hot out!) and take a look through these links.

Links à la Mode: September 12th

Attire Club: Discussions On India’s Obsession With Fair Skin
Beauty & Sass: take your summer dresses into fall with these essentials
Chicisms: How to Dress Business Casual & Go from Work to a Night Out
Corals and Cognacs: A Love Letter to New York City (in the wake of 9/11)
Fashion Moriarty: Recurring Images: Combat
Fleur d'Elise: 6 Un-Boring Coats forFall
Foxie Oxie Supernova: Paris Photo Diary: An Open Letter to My 18-Year-Old Self
Girl in Betsey: Diane Von Furstenburg NYFW Review
Happy Pretty Sweet: A Brief History of the Dirndl
Lara Lizard: 1893 and predictions of 20th century fashion
Runway to Style Freaks: The Top Men's Fall 2013 Must Have Trends
See Lark!: Easy DIY: Graffiti Dress
Skye Charlie Show: Consignment Vs. Thrift Store
Stilettos and Tequila: Behind The Scene: How To Be A Better Writer And More
Style Bizarre: Say no to Style Labels
The Girl With The Bun: 3 ways to dress for fall (when it still feels like summer)
Tickle Me Chic: Does Fashion Week Need To Be Revamped?
Undercover Dress-Up Lover: How to wear high-waisted shorts
We Are Ready Made: A Pair of Shoes Everybody Should Own
Wild Beauty: Beauty Archetypes: Whores

SPONSOR: Eastdane Stutterheim, CKU, M Nii, Generic Man, Tretorn, JW Hulme, McNairy, Diemme, Canada Goose,

An Approach to Minimal Femininity at Spring 2014 Shows

noreply@blogger.com (Anonymous) — Sat, 14 Sep 2013 00:08:00 +0000

From left: Close-up geometric cuts of a Narciso Rodriguez brocade dress; A bronze metallic textured cropped top; A black chiffon with a ruched detailed bodice.

It is no secret that American designers have one of the best luxury sportswear aesthetics women want. Something European designers envy when it comes to loosening naturally in such a manner. Americans love the mix of casualty, semi-formal, and luxury when dressing up, and American designers understand that demand very well; there was such a minimalistic approach designers took this time with sportswear. And even though we tend to focus more on international designers at the end, there were fascinating pieces some designers offered for next season at New York Fashion Week spring 2014 that proved to be on top of the league.

Narciso Rodriguez crowned himself with one of the best shows of the season. Minimalism is hard to master, but not for this incredible designer. There was something so intriguing about what Narciso did with proportion, cuts, and simplicity that put him on a high level of must see designers. He’s been keeping hems just below the knee for the past few seasons, but his new collection was all about bringing hems to the mid-thigh or even higher yet perfectly managing in keeping a refined ladylike balance; no vulgarity.

He opened the show with a perfectly cut graphic white wool and black leather jacket that looked appealing with his dubbed version of a mini-skirt; they were actually short shorts with a panel at the front. Other skirts – ones cut to form double layers, other etched with different shades of fabric, and two white and black skirts layered over long chiffon fabric – were invigorating.

What put him on the spotlight of triumph were not only his skirts, but his superb approach to minimalism, which wasn’t so minimalistic after all. The clothes were put together piece by piece in a very intriguing way that looked so effortless. I couldn’t have imagined how long it took to cut small slices of brocades and stitched them all together to look unified, or his detailed fringed embroidered tops which I suppose were more than embroidery as were his technical use of sheer, chiffon, and organza constructed into one slipdress.

His final dresses were simply terrific. At far or in pictures, they appeared to have been embroidered or laced, but in reality those shiny patches were none the less but silk bonded to these dresses; it made you want to be close and personal to these light beauties.

I haven’t had the opportunity to meet Mr. Rodriguez in person, but he appears so humble and shy that his simplicity of light spaghetti dresses (no one does it better than him) and super sharp tailoring make a sumptuous minimalism that just clicks for him. His pastel colors – pink, orange, grays, yellow – and black and white were feminine but sexy without overlooking it. It was almost a perfect collection - even shoes and handbags - other designers should start taking note.

Reed Krakoff was also fighting to imbue a minimalistic touch of femininity. It worked in some, like his asymmetrical chiffon dresses with a ruched bodice or nice looking satin sleeveless trench. But it lacked creativity, because even though Mr. Krakoff may be one to love for his sportiness and sharp tailoring (it was present here), there are other labels already producing these type of looks. Mr. Krakoff can become a copycat if he doesn’t awe with his innovation. But again, he left Coach to put more time into his own label, and with all the scandal that had been going on with his departure, I’ll let this one pass. One thing I admired though was his luxurious satin techniques, something the Rodarte sisters should take note; pictures can fool you from the true messy reality. It was also nice to see an intricate mesh appliqué of flowers on a white dress; it earned him some bonus points.

At Oscar de la Renta there was really not that much to talk about. Mr. de la Renta is a genius who always has something available for every generation of women. From Karlie Kloss’s opening luxurious lady look – double-face sleeveless coat, cardigan, and pencil skirt – to strapless dresses, like a short salmon chiffon detailed dress for those young girls who need a little mix of class and youthfulness. It makes sense for Mr. de la Renta and for me.

Botanical prints were just the perfect brush of femininity, embroidery like a white numbered one above I could see any kind of women in, and lace and crochet numbers were a triumph for this icon. He knows what women want and does it in a very American sophisticated manner. It’s impossible to leave an Oscar de al Renta show without feeling cheerful and with great memories of beautiful pastel colors. Just like any other, his new gorgeous embroidered and tulle evening dresses, can leave any women feeling like a princess. A light green puffed up textured dress was one I had some younger girls’ state they’d be dreaming for their Quinceanera. Gorgeous Mr. de la Renta. Just a gorgeous collection.

And while some were producing ladylike and minimalistic clothes, the guys at Proenza Schouler were trying to give it all with their urban luxe. Lazaro Hernandez and Jack McCollough are the designers everyone wants to hang out with. In simpler terms, they know how to make something look cool and effortless. They have a keen eye for superior craftsmanship that always awes. This season they seemed to have taken an approach to minimalistic urban wear, which wasn’t the most aweing thing to see but neither was it horrible. They boys somehow have learned to mix a designer collection with marketing techniques that work well, like in their new collection.

Their wide crepe pants cut well above the ankle were the ones that were noteworthy paired with lustrous metallic cropped tops and straight peplum suede tops. A burgundy red dress with a wrap skirt, along others was pleasing. Their lurex knit evening dresses and metallic pleated skirts were also show stopper. If this was their approach for still looking effortless, it worked, but I would have loved some more hardcore structures that I’ve been fond of for the past few seasons.

Last but not least, Michael Kors was the one who definitely knew how to balance his marketing side between his new collection. It was ridiculously chic and energetic. This would be the collection women would happily wake up to take their kids to school, go grocery shopping, take a walk along the park, and do so much more feeling feminine and effortless in what they wore. Even the models conveyed a fresh look with those minimum hairstyles.

It was as simple as putting on a slender white trench coat that added so much femininity with that flirty light brown belt, or layering on a light vibrant cardigan over your printed cropped bra top and pencil skirt. Crochet numbers were also beautiful and chic. And silk beaded dresses were perfect for a special meeting or date.

More Spring 2014 NYFW Shows: Tory Burch and Timo Weiland

noreply@blogger.com (Anonymous) — Tue, 10 Sep 2013 16:00:00 +0000

Vibe: Going to the French Riviera Honey.

“The Easy Glamour of the French Riviera in the late 1960s.” That was Tory Burch’s inspiration for her new spring 2014 collection; it clicked immediately when a French country song played before the show. It’s hard not to love Tory Burch in the spring. There are some nice fall pieces to choose from in her label, but you have to agree spring is her niche. It’s flirty, youthful, and descent. Just what women need for a hot summery day in the Riviera.

She opened the show with a beautiful white embroidered botanical print cotton dress that made its presence on other tops and pants. Her creative designs of embroidery and applique were the highlight of the show. It was even more captivating to see the final pieces of jeweled-collared dresses that would look effortlessly glamorous for any occasion; no need to accessorize. She also offered simpler botanical prints, like ones printed on jeans and cute dresses, the South would greatly appreciate.

Chic were her peter pan collar numbers – a green crochet and silk dress, jersey and crepe de chine print tops, knits etched with these collars, and other embroidered and laser-cut leather dresses. There was a lot of potential for this collection to be a success when spring arrives next season. Without a doubt, her collection was easy on eye, but with very luxurious fabrics. I can already picture girls wanting those white leather-laced dresses accessorized with her belt wrapped around her lower waist and mini bag for a hot summery day. And for those flirtier girls, her introduction of swimwear pieces were a must have.

Vibe: Just the clothes you want to wear _______.

Timo Weiland is quite a new brand that just keeps growing in a very positive manner. When it comes to menswear, the designers (Timo Weiland and Alan Eckstein) know how to execute something with refined tailoring. They’ve mastered menswear very well though, but they are still developing their mastering for womenswear.

It wasn’t quite clear what the inspiration was for their spring 2014 collection. Although, we could tell there was a sporty mood transmitting in some of their looks. Either way, when prices come fair, I’d admit I have to let this one slip off. What worked here were their tank tops, a graphic sleeveless white dress with ruffled hems that created a two-piece set (tank and skirt); bonus points, an interesting print for a must have cropped top, and some knitwear and patchwork pieces (like one color-block dress with an open waist). Those were interesting to watch, and just appreciate the designers are taking time to mix fabric to make them work together without looking dull; great color and fabric use in most of their looks.

In the men’s side, they only presented five looks, but were enough to make them great pieces to incorporate into a men’s wardrobe next season. That light white cardigan with black spaced lines had the right elements for a summer look, and their outerwear jackets were worthy of a try, like their black leather hoodie any guy would want.

Spring 2014 Shows: Victoria Beckham, Derek Lam, and More

noreply@blogger.com (Anonymous) — Mon, 09 Sep 2013 18:02:00 +0000

Victoria Beckham really stepped it up this season. She was looking for a boyish sportswear tailoring look, and she made it look flawlessly chic. Other designers have really gone for the tomboy 90s looks, but not her. There were so many special pieces in this collection that separated her from other designers themes that looked overt (I could name several now). Fashion is not meant for everyone – not even for celebrities who get criticized harshly when in a collaboration – but I’ll state it again, and with all the confidence in the world, Victoria Beckham is not a celebrity anymore, she’s a true designer who has earned the respect of many.

She’s gaining confidence (and a good one) in outerwear. She began her show with a relaxed black and white ruffled top and cropped pants (these contained a very sharp tailoring) paired over a crispy white rounded shoulder suit jacket. There was only one white baseball jacket she showed – detailed with black cuffs and collar, and transparent sheer sleeves – that was breathtaking. Her sleeveless suit vests were also noteworthy. Yes, it was only a small percentage of outerwear, but enough to go for one (or two in another color).

Now, if there was anything that assured Victoria Beckham’s designer aesthetics for details and high-tech fabric combos were the following: her midi skirts slashed to show details of pleats underneath (an interesting way to show creativity on layering), and her laser-cut inverted triangles – in fuchsia and white - etched on shirts. Beckham is better known for her immaculate glove-fitted dresses every women dreams of, but this new soft tailoring collection sure does have another run for the money. Oh, and if you wondered how Mrs. Beckham dressed for her applause, she wore a white shirt with her cropped blacked pants. So posh.

Derek Lam is a designer who has been designing clothes for women. Sounds obvious, but that’s the only thing that comes to mind when you see his collections. His graphic checked prints were simply easy on the eye. That is what women want. Luxury clothes that looks effortless and gorgeous. There were some that may have not loved this collection, being that Mr. Lam designs for a more mature lady. But for the woman who has the opportunity to encounter with a Derek Lam piece, she sure has come across a beautiful treasure.

He had lots to offer for next spring 2014; his color-block numbers from last season have been a sensation. His belted coats – washed gray and blue denim – may have looked minimal, but at a close-up you could appreciate all its details. Highly structured raffia skirts (especially one in yellow) and dresses were luxurious for such a fabric. These is how we’d want our mature girls rocking something out, and for younger girls, going bananas over those gladiator heels.

DKNY, Donna Karan’s youthful sister label, conveyed a good energy for next season. Sportswear was yet again the theme of Karan’s spring 2014 presentation. Honestly, there never seems to be an inspirational theme that focuses on each collection, but the cool sporty looks make up for the uncertain themes. It is a ready-to-wear line after all, and DKNY finds ways to make each season seem different.

Her vintage bandana prints were refreshing, while her denim fabrics – overalls and patchwork jeans – sent a 90s vibe that later affirmed with her sneaker looks and logo dresses. Her lavender and turquoise numbers projected much more girl power. One silk orange spaghetti strap dress Karlie Kloss wore seemed appropriate for a casual day to go shopping for some groceries yet well put together.

Diane Von Furstenberg also had an “oasis” going on at her show. Her clothes never fail, are always marketed at fair prices and best of, are made for any type of curvy woman. We can tell she never thinks about clothes they way she wants them to be on skinny girls. Yes, thin models model her collections, but right away there are many options for women to choose from here.

There were selections of wilder prints to more tone down ones. She went from nice cropped tops to color-block and animal print gold buttoned denim shirts made for everyone. And her iconic wrap dresses updated to still look good on any woman.

The most important part of wearing a DVF piece is having fun in it, and that’s what some of her smiling and graceful models were projecting. This is why she is the president of the CFDA. She herself is her own muse, managing to look youthful in anything she wears at her age, and so should you in her designs. Maybe that’s why she had the queen of the runway, Naomi Campbell, confirm that in one short gold embroidered dress. Age has no limits at DVF.

Spring 2014 Shows| Prabal Gurung, Altuzarra, and More

noreply@blogger.com (Anonymous) — Sun, 08 Sep 2013 23:44:00 +0000

Designer: Prabal Gurung

Sweet colors. That was Prabal Gurung’s idea of his new Spring 2014 “preserved elegance.” The theme didn’t quite convey the message in the clothes, but it did help with the setting. The models began the show with lining each other in two rows inside a plastic covered curtain and a melancholy song that made up for the lost theme. It felt more futuristic, which was something that did imbue in Mr. Gurung’s high-tech fabrics.

The show began with a white cotton sheath number that exposed a plastic harness in the back. He really wants his harnesses to become a wardrobe staple for women.

He played around with what he does best at – digital prints. It was captivating to see prints etched on plastic skirts and raincoats (every woman should own one of this), tweed, paper-thin leather, and glossy satin colored pieces that were major. His pastel colors – pink, lavender, green, red, baby blue, and yellow – made up a beautiful rainbow for a Saturday afternoon. Surprisingly, there were only three pants shown in the entire collection, but all had a great potential to sell out, especially that hot fitted lavender one with white details. Some final evening or cocktail dresses were also red carpet ready. Say that eye catching baby blue sweetheart satin dress we can’t get out of our minds yet.

Maybe he meant to make this collection preservation for the future of elegance. If that were the case, he outdid himself. But if we were to implement harsh fashion into this review, who would this remind you of? Wouldn’t you see a dose of Prada or something our true fashion innovator, Raf Simons, has already done at Dior?

Designer: Alexander Wang

If there was anything present at Alexander Wang’s Spring 2014 collection, it was full on retro 90s. The setting reminded one of a badass school playground. Mr. Wang knows very well how to communicate with the streets, and it sure was present here. Street style has been the sole that has turned his label into a fanatic obsession amongst young liberating teenagers.

The first three ruffled miniskirts – gray, blue, and pink – with white waistbands were sexy for the beginning of the show. It followed along with a number of gray cropped slouchy gray pants that looked the best in their white waistbands. There was something sort of fetish-y with some of the looks Wang sent out – hospital type gowns, men’s boxer-inspired shorts, single-buttoned collar shirts, “Parental advisory explicit content” tops, and laser-cut leather provocative overalls encrypted with “Alexander Wang.”

He brought back the logomania 90s with his ‘Alexander Wang’ printed tops, laser-cut ‘Wang’ leather gloves, and more that was put in your face. His best looks of the show were a black leather laser-cut “Wang” coat, and his visible stitched denim jackets. And we can’t forget about those overalls we hope to see someone wearing very soon discretely if they can. Overall, these pieces certainly had a demand for that target audience, and it was refreshing to see Wang include a slightly bit of color into his clothes this time.

Designer: Altuzarra

Altuzarra is one of the most anticipated shows in New York, and one of favorites amongst editors who we see wearing his label all the time. Joseph Altuzzara went for a more liberating tailoring this time, narrowing his structured embellishments to simply “layers.” Don’t take it wrong though, because if it’s Altuzarra doing his version of layering, it’ll be in the most genuine and luxurious manner.

The show began with Joan Smalls wearing a silk striped button-down shirt and high-thigh semi-fringed skirt. If the first look said easiness with her shirt unbuttoned all the way to her waist, the rest was even more intriguing. Just about all skirts came with super-high slits on the left, but with Altuzarra’s signature of casual fringing. The most interesting skirts were the ones that seemed to be derived from an original button-down shirt cut to form a simple skirt; these will generate opinions and DIY when prices are revealed.

The silk and layered shirts were the best part of this collection, but if the Altuzarra woman had something to say about these pieces it’d be in his suit jackets fitted to look easily luxurious with anything. His liquid silver and gold numbers – skirts, top, and dresses – brought a soft tailoring that were noteworthy.

Spring 2014 RTW Shows: Cushnie et Ochs, and Rag & Bone

noreply@blogger.com (Anonymous) — Sat, 07 Sep 2013 20:29:00 +0000

We know Carly Cushnie and Michelle Ochs, of Cushnie et Ochs, excel at creating sexy skin-tight, angular cut-out dresses. They've created a renowned signature based on these detailed dresses, celebrities - Selena Gomez, Katie Couric, Eva Longoria - and even the First Lady have been a fan of. They seek ways to take sexiness to a new modern level, but they may now be getting tired of people portraying them as the simple 'sexy cut-out dress' brand.

It was not so much the case anymore as we saw at their new Spring 2014 presentation. They stepped into newer territories that haven't been particularly familiar to the brand, but were invigoratingly sexy and lustrous to watch.

Their new collection derived from 'straight jackets and strapping details,' as the designers pointed out. "Lots of belting, binding, and slices of skin," were more than enough to see the designers taking details to another chapter in the brand. Karlie Kloss opened the show with a white skin-exposed (waist and upper shoulder) dress strapped by elastic that referenced to those hems in jacket. Seamless knitwear pieces made a strong entrance here. It was interesting to also have seen them put a noteworthy effort in their pants. It showed everyone they too are capable of making a great white crispy-ribbed pant look sexy in all its form; another favorite was a black buckled detailed pant. Prints made a second appearance that also put them on the spotlight of innovation. And their expansion of sexy one-piece (one white buckled detailed piece was everything), and two-piece swimsuits were another big score for the duo.

Other fabrics - sheer, snakeskin, and silk - expanded the choice of their signature viscose fabric. It was just not about sexy, exposed body-hugging silhouettes anymore, but refined sensuality. Colors - white, gray, light brown, purple, and black - may still have been of few color palettes, but felt high-end designer without a doubt. If the designers were taking new action into their label, and judging from this collection, one can't disagree they're going along the right path to a bigger success. Can we pre-order now?

Rag & Bone designers, David Neville and Marcus Wainwright, seemed to have shifted their tomboy signature looks into a more feminine yet youthful approach. The brand has been popular among young teenagers for quite a while, but not as much amongst editors and fashion critics. At this point of their career, the designers know who their main clients are, and it was obvious who their Spring 2014 womenswear collection was made for.

The new collection had way more feminine pastel colors that could be a sensation next season - peach, turquoise, crisp whites, lavender, pink - and of course, black. It was interesting to have seen them take on more silky and flow-y fabrics that looked cool as the models walked down the runway. Last season (fall 2013), the duo took the crown with their menswear inspired fabrics, which was an easy task, given that the designers English tailoring techniques make up part of their label. This season though was more about relaxed tailoring, but kinky, when it came to those cropped leather tops, dropped v-neck sweaters, sheer polos, and spaghetti strap slip-dresses. And when it came to their slouchy-fitted colored pants and blazers, you know a number of young girls would die for one of these.

Jason Wu's Spring 2014 Feminine Approach to Easy Glamour

noreply@blogger.com (Anonymous) — Sat, 07 Sep 2013 15:49:00 +0000

Jason Wu is no longer a 23 year-old fashion designer who designed for young girls back in his days. His grown, and so has his label - matured in a very beautiful and empowering feminine manner. It all started with cute designs, then luxury aesthetics, edgy tailored pieces, provocation (who can't remember his Spring 2013 one), and last season he tried to give us his "most mature and Extreme Femininity" collection. He's always looking for ways to intertwine real femininity - sensuality, authority, delicacy, sophistication - with his luxurious silhouettes; it'd make sense why First Lady, Michelle Obama, had chosen Mr. Wu twice to wear his designs for such special occasions. And for his new Spring 2014 collection, the designer embarked on another triumphant journey of the female silhouette.......making relaxed daywear tailoring feel as glamorous and easy as life should be.

He wanted to create "a dialogue between construction and ease," and it most certainly was present here. The collection emphasized much more on daywear - strong jumpsuits, safari vests in chiffon that only covered certain body parts with its pockets, trench coats paired with lace corsets on back for structure, an intricate biker jacket, knitwear tops, and sleeveless suit jackets - without loosing Wu's signature. He even included one swimsuit and kaftans paired with see-through lingerie laced details. Lacing was his sensuality etched in other jackets and dresses, like one white strapless piece. His constructed shorts and pants were noteworthy of an order, making every look seem effortlessly well put together.

What took away the show here though were his sumptuous metallic embroidered numbers of chiffon dresses - halter neck and spaghetti straps - that came in various colors (gold, light green, light gray, white, blue, and black). They may have been the most relaxed yet tailored dresses Mr.Wu had ever presented for a collection, but their delicate cowl-like drapery on the back transmitted luxury. These dresses were not meant to wear at night, because Wu envisioned them for daywear as did his other looks, and he may be on track of setting a trend of metallic embroidered dresses as the new must have "it" dress for casualness. I mean, who said glamour begins at night, when daytime is when you shine the most? Mr. Wu understood all that very clearly.

NYFW Spring 2014| BCBGMAXAZRIA, Richard Chai, and More

noreply@blogger.com (Anonymous) — Thu, 05 Sep 2013 21:48:00 +0000

Day 1 of New York Fashion Week:

Vibe: Men's Dress Shirts Turned Dress.

The BCBGMAXAZRIA Spring 2014 "collection celebrates men's tailoring in the most feminine form," were the designers brief description of their new collection. If men's tailoring has been such a popular trend in womenswear, the duo seemed to have taken advantage of a simple white dress shirt and deconstructed it into several detailed pieces to inject into their presentation.

The first model came out with what could have been an inspirational oversized shirt - plackets spliced, collar loosened, sleeves wrapped around waist, and a technical pleat effect - with a side patchwork of stamped florals for femininity. The rest continued on with fabric colors - white, gray, baby blue, and peach - that reminded one these dresses, skirts, or pants came from a men's dress shirt; a favorite of mine was a white cropped top designed with cuffs and pleats for a cool streetstyle moment. The designers definitely showed they took time to analyze every detail that some us may not have known was hidden in a classic men's button-down shirt.

And while men's tailoring may have been their newly developed collection, they couldn't let go of their iconic sheer dresses in beautiful palettes of floral prints that made their presence in the second half of the runway. Last season may have been about layering your sheer dresses, but this season they made sure these pieces spoke for themselves - so lighthearted, feminine, and youthful.

The new collection may have been somewhat of an easy statement for some, but you can't deny that designers, Lubov and Max Azria, have understood that details are what make a collection noteworthy of a great designer. And details here were more than enough to place an order for next season.

Vibe: Relaxed Tailoring. Fitted Biker Jackets.

Richard Chai has always had a good sense of youthful tailoring, but his Spring 2014 collection seemed to have gone to a state of freedom, soft tailoring, but very structured biker jackets. His menswear pieces have been one of his strongest points in his collections, gathering the likes of celebrities like Jonas Brothers, Colton Haynes, Zachary Quinto, and others to wear some of his coveted menswear pieces. Womenswear had another slightly opinionated approach this time.

Some of his tailoring techniques seemed a little off with hems of pants dramatically oversized, causing a model to trip more than once while walking down the runway. His pairing of skirts over pants were somewhat kitsch to say the least. It was maybe his choice of fabrics that didn't aid him in creating what he was looking forward in his women's side; some fabrics should have been crispier in terms of relaxed tailoring. But not all was lost, because his striped tops, cropped tops (a must have), and final black looks had more of what Richard Chai was working to portray; some dresses were worth a try as well. Oh, and if anything there was to admire about his womenswear counterpart, it had to be his intricate and fitted biker jackets - in white, red, and black - young girls will be greatly pleased with.

His new menswear spring 2014 collection had everything the Richard Chai men looks forth next summer. There is always something cool about Mr.Chai that men appreciate the most. He also went for more relaxed tailoring that suited his men the best - oversized tank tops, polos, and trousers. Short shorts have been quite a trend for next season, but he kept a consistent and masculine tailoring his clients will enjoy. Outerwear pieces, like his biker jackets, were also eye catching at this runway.

It may not have been the best of the season for Richard Chai's womenswear side, but it certainly was another great season for his menswear side. Wait to see some male celebrities sitting front row today rocking his biker jackets or shorts very soon.

Vibe: A Whimsical Paradise of Beautiful Details.

Shane Gabier and Christopher Peters have had their label, Creatures of the Wind, running since 2008. It is difficult for new upcoming designers to survive in the fashion industry when you know you're competing against other much more recognizable designers that may put you as a replica. But they've managed to stay true to their brand since the beginning, introducing unique and quirky patchwork designs that have become a signature of theirs; their prints can sometimes feel very vintage though. Last season, they managed to deliver an outstanding collection with impeccable details that made them noteworthy of their brand. Their spring 2014 collection was yet another season with richer colors and DETAILS.

The designers have really been demonstrating everyone they too can make a great top. The first model walked down the runway in a western inspired shirt jacket that could have gotten the audience at the show to purchase one right away. And what to say about the gold and silver metallic shirts that are capable to be a streetstyle sensation nowadays. It was also nice to have seen the designers tone down their whimsy patchworks and have them conservatively injected into one beautiful pink color-block trenchcoat. When it came to dresses, there was something youthful in some of their dresses - a baby pleated dress and a light brown leather color-block dress - that was surprising to see considering the designers like for a more mature audience. For those who are vintage mature lovers, you may find great skirt here, but for the wilder ones it may pass, although speaking fashion, these skirts were a must have in editorials.

For now, Creatures of the Wind seemed to have demonstrated it's meant for everyone - you have to learn how to separate clothes by piece here for your personal style - making this collection a very sellable one. You can now find a great piece of outerwear or top that is luxuriously detailed, but in order to rise to the top, their fit in skirts or pants, should be taken more attention if they'd like to reach a wider audience of all ages. But aside from that very small complaint, the rest was to indulge in a collection that "is about the perfect land, and imagined paradise."