<?xml version="1.0"?><!-- RSS generated by Radio UserLand v8.2.1 on Thu, 14 Jan 2010 18:50:48 GMT --><rss version="2.0">	<channel>		<title>How to Save the World</title>		<link>http://blogs.salon.com/0002007/</link>		<description>&lt;small&gt;Dave Pollard&apos;s environmental philosophy, creative works, business  papers and essays. &lt;br&gt;In search of a better way to live and make a living, and a better understanding of how the world really works. &lt;/small&gt;</description>		<language>en-ca</language>		<copyright>Copyright 2010 Dave Pollard</copyright>		<lastBuildDate>Thu, 14 Jan 2010 18:50:48 GMT</lastBuildDate>		<docs>http://backend.userland.com/rss</docs>		<generator>Radio UserLand v8.2.1</generator>		<managingEditor>dave.pollard@sympatico.ca</managingEditor>		<webMaster>dave.pollard@sympatico.ca</webMaster>		<category domain="http://rpc.weblogs.com/shortChanges.xml">rssUpdates</category> 		<skipHours>			<hour>3</hour>			<hour>2</hour>			<hour>4</hour>			<hour>6</hour>			<hour>5</hour>			<hour>7</hour>			<hour>0</hour>			<hour>8</hour>			</skipHours>		<cloud domain="rcs.salon.com" port="80" path="/RPC2" registerProcedure="xmlStorageSystem.rssPleaseNotify" protocol="xml-rpc"/>		<ttl>60</ttl>		<item>			<title>This Blog Has Moved</title>			<link>http://blogs.salon.com/0002007/2009/12/21.html#a2484</link>			<description>&lt;!DOCTYPE html PUBLIC &quot;-//W3C//DTD HTML 4.01 Transitional//EN&quot;&gt;&lt;html&gt;&lt;head&gt;  &lt;meta content=&quot;text/html; charset=ISO-8859-1&quot; http-equiv=&quot;content-type&quot;&gt;  &lt;title&gt;BLOG This Blog Has Moved!&lt;/title&gt;&lt;/head&gt;&lt;body&gt;&lt;table style=&quot;text-align: left; width: 100%;&quot; border=&quot;3&quot; cellpadding=&quot;6&quot; cellspacing=&quot;0&quot;&gt;  &lt;tbody&gt;    &lt;tr&gt;      &lt;td&gt;After nearly 7 years atthis site, How to Save the World moved on December 20, 2009 to a newWordPress-based site.&lt;br&gt;      &lt;ul&gt;        &lt;li&gt;Please change yourbookmarks/favourites to &lt;a href=&quot;http://howtosavetheworld.ca/&quot;&gt;&lt;a href=&quot;http://howtosavetheworld.ca/&quot;&gt;http://howtosavetheworld.ca/&lt;/a&gt;&lt;/a&gt;&lt;/li&gt;        &lt;li&gt;First time you visitthe new site you can resubscribe to How to Save the World&apos;s posts (RSSfeed) in your aggregator and/or by e-mail, on the right sidebar.&lt;/li&gt;        &lt;li&gt;My brilliant brotherAlan has moved the entire archive of 2,500 posts, and 14,000 comments,to the new site, so everything can be accessed onthe new site right back to the start of the blog in 2003.&lt;/li&gt;        &lt;li&gt;In the transition,some font sizes came out a bit wonky (my old text editor used some oldhtml conventions that are no longer supported) and there&apos;s a bit ofclean-up to do, but if you notice anything terribly wrong, please letme know by &lt;a href=&quot;mailto:dave.pollard@gmail.com&quot;&gt;e-mail&lt;/a&gt;.&lt;/li&gt;        &lt;li&gt;Thanks for yourpatience during the reconstruction period, and for putting up with theold comments server -- the new one is much better.&lt;/li&gt;      &lt;/ul&gt;      &lt;/td&gt;    &lt;/tr&gt;  &lt;/tbody&gt;&lt;/table&gt;&lt;/body&gt;&lt;/html&gt;</description>			<guid>http://blogs.salon.com/0002007/2009/12/21.html#a2484</guid>			<pubDate>Tue, 22 Dec 2009 01:35:37 GMT</pubDate>			<category>Blogs &amp; Blogging</category>			<comments>http://rcs.salon.com/rcsComments/comments?u=2007&amp;amp;p=2484&amp;amp;link=http%3A%2F%2Fblogs.salon.com%2F0002007%2F2009%2F12%2F21.html%23a2484</comments>			</item>		<item>			<title>Links of the Week/Month -- December 19, 2009</title>			<link>http://blogs.salon.com/0002007/2009/12/19.html#a2483</link>			<description>&lt;!DOCTYPE html PUBLIC &quot;-//W3C//DTD HTML 4.01 Transitional//EN&quot;&gt;&lt;html&gt;&lt;head&gt;  &lt;meta content=&quot;text/html; charset=ISO-8859-1&quot; http-equiv=&quot;content-type&quot;&gt;  &lt;title&gt;BLOG Links of theWeek/Month -- December 19, 2009&lt;/title&gt;&lt;/head&gt;&lt;body&gt;&lt;table style=&quot;text-align: left; width: 100%;&quot; border=&quot;0&quot; cellpadding=&quot;2&quot; cellspacing=&quot;2&quot;&gt;  &lt;tbody&gt;    &lt;tr&gt;      &lt;td align=&quot;undefined&quot; valign=&quot;undefined&quot;&gt;&lt;small style=&quot;font-style: italic;&quot;&gt;I&apos;ve been travelling, somy weekly update links have piled up for three weeks. There is someimportant reading here, and as usual the must reads are in the firstsection.&lt;br&gt;      &lt;br&gt;This is a first notice that, as of December 31, this blog will bemoving to a Wordpress blog at &lt;a href=&quot;http://howtosavetheworld.ca/&quot;&gt;&lt;a href=&quot;http://howtosavetheworld.ca&quot;&gt;http://howtosavetheworld.ca&lt;/a&gt;&lt;/a&gt;since Radio Userland, which has hosted this blog since its inceptionnearly seven years ago, is ceasing its collaborative operations withSalon. If you change your bookmarks to the new link now, it will takeyou back here until the official switchover. Thanks.&lt;/small&gt;&lt;br&gt;      &lt;br&gt;      &lt;img style=&quot;width: 500px; height: 767px;&quot; alt=&quot;what religion to follow&quot; src=&quot;http://cdn.holytaco.com/www/sites/default/files/images/2009/10/Religion-Flowchart_1.jpg&quot;&gt;&lt;br&gt;      &lt;small style=&quot;font-style: italic;&quot;&gt;thishilarious bit of &apos;systems thinking&apos; is from holytaco.com; thanks to &lt;a href=&quot;http://twitter.com/Fer_Ananda&quot;&gt;fer_ananda&lt;/a&gt;(Fernanda Ibarra) and &lt;a href=&quot;http://www.beautydialogues.com/&quot;&gt;Amy Lenzo&lt;/a&gt;for the link&lt;/small&gt;&lt;br&gt;      &lt;br&gt;      &lt;br&gt;      &lt;small style=&quot;font-weight: bold;&quot;&gt;PREPARINGFOR CIVILIZATION&apos;S COLLAPSE: UNDERSTANDING WHO WE&apos;VE BECOME&lt;/small&gt;&lt;br&gt;      &lt;br&gt;      &lt;span style=&quot;color: rgb(153, 0, 0); font-weight: bold;&quot;&gt;AreWe Civilized Humans a Broken People?:&lt;/span&gt;Bruce Levine psychoanalyzes &lt;a href=&quot;http://www.alternet.org/story/144529/&quot;&gt;thedespair and demoralization of Americans in the face of the horrificchallenges facing us&lt;/a&gt;, but hisanalysis applies to everyone in our globalized civilization. Thanks to &lt;a href=&quot;http://twitter.com/paulheft/&quot;&gt;Paul Heft&lt;/a&gt;for the link.&lt;br&gt;      &lt;br&gt;      &lt;span style=&quot;color: rgb(153, 0, 0); font-weight: bold;&quot;&gt;WalkingAway from Our Colonial&amp;nbsp;Culture:&lt;/span&gt;Derrick Jensen explains that the first step in understanding andpreparing ourselves to end the damage of civilization culture is to &lt;a href=&quot;http://www.orionmagazine.org/index.php/articles/article/5240/&quot;&gt;deprogramourselves from the colonial cultural indoctrination that makes usafraid to bring it down&lt;/a&gt;, andreconnecting with all-life-on-Earth, starting with just doing &lt;span style=&quot;font-style: italic;&quot;&gt;something&lt;/span&gt;effective that we are particularly good at doing.&lt;br&gt;      &lt;br&gt;      &lt;span style=&quot;color: rgb(153, 0, 0); font-weight: bold;&quot;&gt;Nopenhagen:&lt;/span&gt;Sharon Astyk explains &lt;a href=&quot;http://scienceblogs.com/casaubonsbook/2009/12/welcome_to_copenhagen_heres_yo_1.php&quot;&gt;whythe process currently underway in Copenhagen is hopeless&lt;/a&gt;:&lt;br&gt;      &lt;br&gt;      &lt;div style=&quot;margin-left: 40px;&quot;&gt;&lt;small&gt;Copenhagenis a trip to hell for those who truly and most sincerely grasp thescope of the problem. In Hell, whether your kids and grandkids haveenough to eat, whether we have resource wars over the remaining waterare treated as distant tertiary (if that) issues, over how much moneywe can get for not burning the last bits of rainforest. In Hell,politicians who view this as a purely political issue - they will belong out office before their constituents suffer much - puff themselvesand their nation, making small commitments they probably won&apos;t keep,with no real grasp of what is needed, while the people who are alreadypaying the price get hosed again. And good people, who actually reallydo give a shit and are watching their life&apos;s work be ignored in everymeaningful respect get to describe future suffering, and watch peopleshrug and move on.&lt;/small&gt;&lt;br&gt;      &lt;/div&gt;      &lt;br&gt;      &lt;span style=&quot;color: rgb(153, 0, 0); font-weight: bold;&quot;&gt;TheTheory of Anyway: &lt;/span&gt;An oldpost, also from Sharon Astyk, which she calls her favourite, and whichexplains that the best argument for activism is that &lt;a href=&quot;http://sharonastyk.com/2008/05/27/my-favorite-post-week-the-theory-of-anyway/&quot;&gt;manyof the things that caring, thoughtful people are doing to make theworld a better place are things we should be doing anyway, for other,personal reasons&lt;/a&gt; such as lookingafter our own health:&lt;br&gt;      &lt;br&gt;      &lt;div style=&quot;margin-left: 40px;&quot;&gt;&lt;small&gt;Myfriend Pat Meadows, a very, very smart woman, has a wonderful idea shecalls &amp;ldquo;The Theory of Anyway.&amp;rdquo; What it entails isthis &amp;ndash; she argues that 95% of what is needed to resolve thecoming crisis in energy depletion, or climate change, or whatever iswhat we should do anyway, and when in doubt about how to change, weshould change our lives to reflect what we should be doing&amp;ldquo;Anyway.&amp;rdquo; Living more simply, more frugally, usingless, leaving reserves for others, reconnecting with our food and ourcommunity, these are things we should be doing because they are theright thing to do on many levels. That they also have the potential tosave our lives is merely a side benefit.&lt;/small&gt;&lt;/div&gt;      &lt;br&gt;      &lt;span style=&quot;color: rgb(153, 0, 0); font-weight: bold;&quot;&gt;Learningto Live in Now Time:&lt;/span&gt; Manybiologists hypothesize that wild creatures, and perhaps someprehistoric human cultures, live/lived &quot;outside of time&quot; as we know it,the linear progression from past to future -- without the sense of timeas a constraining dimension at all. In times of stress these creaturesdo suddenly snap into our linear &quot;clock&quot; time, but in times of leisurethey lose that sense of time, and their joyful moments are essentiallyeternal. We apparently lost this capacity -- in part because our moderncivilization&apos;s stress is ever-present, and in part because our brainsform in response to what we are taught in infancy, and what we aretaught is that clock time is &quot;real&quot;. We can no longer think otherwise.This, I think, is what Presence is all about, and why it is so elusiveto us. Two recent articles touch on this:&lt;br&gt;      &lt;ul&gt;        &lt;li&gt;&lt;a href=&quot;http://www.joannamacy.net/deepecology/66-deeptime.html&quot;&gt;JoannaMacy writes about &quot;Deep Time&quot;&lt;/a&gt;and links to articles about it&lt;/li&gt;        &lt;li&gt;&lt;a href=&quot;http://terrapraeta.wordpress.com/2009/12/16/time-space/&quot;&gt;JaneneSmith writes about time as something utterly different from space&lt;/a&gt;&lt;/li&gt;      &lt;/ul&gt;      &lt;span style=&quot;color: rgb(153, 0, 0); font-weight: bold;&quot;&gt;The7 Principles of Improv&lt;/span&gt;:Michelle James suggests &lt;a href=&quot;http://creativeemergence.typepad.com/the_fertile_unknown/2009/12/improv-theater-and-complex-adaptive-systems.html&quot;&gt;the7 basic principles of Improv are also the 7 essential principles foreffective collaboration in any complex environment&lt;/a&gt;or situation:&lt;br&gt;      &lt;ol&gt;        &lt;li&gt;&lt;small&gt;&quot;Yesand...&quot; (accept and add&lt;span style=&quot;font-style: italic;&quot;&gt; forward&lt;/span&gt;)&lt;/small&gt;&lt;/li&gt;        &lt;li&gt;&lt;small&gt;Makeeveryone else look good&lt;/small&gt;&lt;/li&gt;        &lt;li&gt;&lt;small&gt;Bechanged by what is said and what happens (adapt and evolve)&lt;/small&gt;&lt;/li&gt;        &lt;li&gt;&lt;small&gt;Co-createa shared agenda (not consensus, co-creation is real time andever-changing)&lt;/small&gt;&lt;/li&gt;        &lt;li&gt;&lt;small&gt;Mistakesare invitations (justify and grow from it)&lt;/small&gt;&lt;/li&gt;        &lt;li&gt;&lt;small&gt;Keepthe energy going (move, make something up, don&apos;t stop to analyze)&lt;/small&gt;&lt;/li&gt;        &lt;li&gt;&lt;small&gt;Servethe good of the whole (how can you best serve this situation, with whatyou do best?)&lt;/small&gt;&lt;/li&gt;      &lt;/ol&gt;      &lt;span style=&quot;color: rgb(153, 0, 0); font-weight: bold;&quot;&gt;TheFaith and the Love and the Hope Are All in the Waiting:&lt;/span&gt;Melissa Holbrook Pierson talks about &lt;a href=&quot;http://bfskinnersbaby.blogspot.com/2009/12/anniversaire.html&quot;&gt;howwe hope, beyond faith, and keep asking the important questions until weget the answer we already knew&lt;/a&gt;: &lt;span style=&quot;text-decoration: underline;&quot;&gt;&lt;br&gt;      &lt;br&gt;      &lt;/span&gt;      &lt;div style=&quot;margin-left: 40px;&quot;&gt;&lt;small&gt;IfI don&amp;rsquo;t like the answer theMagic Eight Ball gives, I turn it over and try again. Eventually,&amp;ldquo;Itis certain&amp;rdquo; shows up in the inky window, and I know&amp;ldquo;Will I be able towrite something good?&amp;rdquo; or &amp;ldquo;Am I to findlove?&amp;rdquo; will have the outcome Idesire. Surely one can trust the Eight Ball to know these things. I cansleep.&lt;br&gt;      &lt;br&gt;If I don&amp;rsquo;t like the way these cards tell my future,I&amp;rsquo;ll do it two more times. Isn&amp;rsquo;t this abest-of-three game?&lt;br&gt;      &lt;br&gt;I can reason my way around anything, even the opening&amp;ldquo;Caution aboutthe present&amp;rdquo; card. Of course I am being cautious.Aren&amp;rsquo;t I? Well, yes,in my usual incautious manner of approaching anything. It is the lastcard that tells the truth, however. I do not need to shuffle the deckagain, hurrah. &amp;ldquo;A good augury.&amp;rdquo; I will take it. Ican live on auguriesin the absence of proofs. It is all I need, along with all I alreadyhave.&lt;/small&gt;&lt;/div&gt;      &lt;br&gt;      &lt;span style=&quot;color: rgb(153, 0, 0); font-weight: bold;&quot;&gt;ThinkingDifferently:&lt;/span&gt; Chris Corriganis facilitating a First Nations strategizing event and is &lt;a href=&quot;http://chriscorrigan.com/parkinglot/?p=2527&quot;&gt;usingthree principles of the culture of the members to &apos;frame&apos; the event: &lt;span style=&quot;font-style: italic;&quot;&gt;balance&lt;/span&gt;,      &lt;span style=&quot;font-style: italic;&quot;&gt;respect&lt;/span&gt;and &lt;span style=&quot;font-style: italic;&quot;&gt;kindness&lt;/span&gt;&lt;/a&gt;.Can you even &lt;span style=&quot;font-style: italic;&quot;&gt;imagine&lt;/span&gt;our culture using these principles to underpin a &apos;problem-solving&apos;event?&lt;br&gt;      &lt;br&gt;      &lt;br&gt;      &lt;small style=&quot;font-weight: bold;&quot;&gt;LIVINGBETTER&lt;/small&gt;&lt;br&gt;      &lt;br&gt;      &lt;span style=&quot;color: rgb(153, 0, 0); font-weight: bold;&quot;&gt;WhatMatters Now? &lt;span style=&quot;font-style: italic;&quot;&gt;Generosity:&lt;/span&gt;&lt;/span&gt;Seth Godin&apos;s new &lt;a href=&quot;http://sethgodin.typepad.com/files/what-matters-now-2.pdf&quot;&gt;freee-book with some of the best (unradical) ideas of the year&lt;/a&gt;.Thanks to &lt;a href=&quot;http://www.communicatrix.com/&quot;&gt;ColleenWainwright&lt;/a&gt; for the link.&lt;br&gt;      &lt;br&gt;      &lt;span style=&quot;color: rgb(153, 0, 0); font-weight: bold;&quot;&gt;TheStory of Cap &amp;amp; Trade:&lt;/span&gt;From the makers of The Story of Stuff, &lt;a href=&quot;http://storyofstuff.com/capandtrade/_images/pdfs/annie_leonard_footnoted_script.pdf&quot;&gt;anexplanation of why cap-and-trade systems can&apos;t work&lt;/a&gt;.Thanks to Raffi Aftandelian for the link.&lt;br&gt;      &lt;br&gt;      &lt;span style=&quot;color: rgb(153, 0, 0); font-weight: bold;&quot;&gt;Democratizingand Conversationalizing TED:&lt;/span&gt;The &lt;a href=&quot;http://www.ted.com/pages/view?id=343&quot;&gt;TED talksare wonderful but terribly elitist, expensive to attend in person, andvery much 1-to-n bums-on-chairs affairs&lt;/a&gt;.TEDx promises to change that. Thanks to &lt;a href=&quot;http://beespace.net/&quot;&gt;Bee Dieu&lt;/a&gt;for the link.&lt;br&gt;      &lt;br&gt;      &lt;span style=&quot;color: rgb(153, 0, 0); font-weight: bold;&quot;&gt;VeganComfort Food:&lt;/span&gt; Prad points usto a list of &lt;a href=&quot;http://www.vegguide.org/&quot;&gt;thousands ofvegetarian and vegan restaurants and markets&lt;/a&gt;,while Dave Smith gives us a &lt;a href=&quot;http://ukiahcommunityblog.wordpress.com/2009/12/12/just-try-em-organic-green-smoothies/#more-5880&quot;&gt;recipefor vegan smoothies&lt;/a&gt;.&lt;br&gt;      &lt;a href=&quot;http://bfskinnersbaby.blogspot.com/2009/12/abed.html&quot;&gt;&lt;/a&gt;&lt;br&gt;      &lt;span style=&quot;color: rgb(153, 0, 0); font-weight: bold;&quot;&gt;CombattingDeath by PowerPoint:&lt;/span&gt; ChrisLott asks &lt;a href=&quot;http://chrislott.org/story/backchannels-and-transforming-presentations/&quot;&gt;why,despite the immense dissatisfaction and time-waste of traditionalconference &apos;presentations&apos;, they are still the standard&lt;/a&gt;we can&apos;t seem to break free from. &quot;I&amp;rsquo;d often prefer a speakersimply pull up a chair and have a conversation with the group.&quot;&lt;br&gt;      &lt;br&gt;      &lt;span style=&quot;color: rgb(153, 0, 0); font-weight: bold;&quot;&gt;TheTheory of Anyway, Continued:&lt;/span&gt; &lt;a href=&quot;http://planetgreen.discovery.com/go-green/ultimate-go-green/green-tips.html&quot;&gt;Tenreasons doing the right thing is also doing what&apos;s good for you&lt;/a&gt;.Thanks to my Second Life friend Rayah for the link.&lt;br&gt;      &lt;br&gt;      &lt;br&gt;      &lt;small style=&quot;font-weight: bold;&quot;&gt;POLITICSAND ECONOMICS AS USUAL&lt;/small&gt;&lt;br&gt;      &lt;br&gt;      &lt;span style=&quot;color: rgb(153, 0, 0); font-weight: bold;&quot;&gt;Unemployment&apos;sEmotional Toll:&lt;/span&gt; &lt;a href=&quot;http://www.nytimes.com/interactive/2009/12/14/us/poll.html&quot;&gt;Heartbreakingdata from interviews with America&apos;s soaring ranks of unemployed&lt;/a&gt;.&lt;br&gt;      &lt;br&gt;      &lt;img style=&quot;width: 500px; height: 320px;&quot; alt=&quot;real unemployment&quot; src=&quot;http://www.shadowstats.com/imgs/sgs-emp.gif?nov09&quot;&gt;&lt;br&gt;      &lt;br&gt;      &lt;span style=&quot;color: rgb(153, 0, 0); font-weight: bold;&quot;&gt;IfYou Think the Economy is Improving, or is Collapsing Slower ThanExpected, You&apos;re Not Looking at the Data:&lt;/span&gt;Ilargi &lt;a href=&quot;http://theautomaticearth.blogspot.com/2009/12/december-2-2009-its-foolish-to-ask-for.html&quot;&gt;&lt;span style=&quot;text-decoration: underline;&quot;&gt;describe&lt;/span&gt;&lt;/a&gt;&lt;a href=&quot;http://theautomaticearth.blogspot.com/2009/12/december-2-2009-its-foolish-to-ask-for.html&quot;&gt;s&lt;/a&gt;&lt;a href=&quot;http://theautomaticearth.blogspot.com/2009/12/december-2-2009-its-foolish-to-ask-for.html&quot;&gt;our inability to distinguish short-term trends from long term trendsand how this may lead us to make foolish decisions or come to foolishconclusions&lt;/a&gt;. We have seen thismost obviously in the climate change debate -- the minute there is ashort term negative anomaly in temperature, an outcry occurs thatclimate change is solved, or is a myth. We&apos;re also seeing it in thetrends in the value of the US dollar, which in the long-term will beseen to be worthless, but in the short-term is rallying for some verysubstantive reasons. His partner Stoneleigh&amp;nbsp;&lt;a href=&quot;http://theautomaticearth.blogspot.com/2009/12/december-5-2009-golden-double-edged.html&quot;&gt;elaborateson this with some sound investment advice for those looking to buy goldas a hedge for the longer-term US dollar collapse:&lt;/a&gt;&lt;br&gt;      &lt;br&gt;      &lt;div style=&quot;margin-left: 40px;&quot;&gt;&lt;small&gt;Personally,I think it far more important for those who have surplus resources toput those resources into obtaining as much control as possible over theessentials of their own existence. There are many hard assets one couldbuy now that may not be available later - assets that you could use tofeed yourself, keep yourself warm or provided clean water. This is amuch more important use for your wealth than owning something youintend to bury in a hole in the ground and sit on.&lt;/small&gt;&lt;/div&gt;      &lt;br&gt;      &lt;span style=&quot;color: rgb(153, 0, 0); font-weight: bold;&quot;&gt;TarSands Worse Than Feared: &lt;/span&gt;Newresearch shows the amount of pollution and devastation created by thehorrific &lt;a href=&quot;http://calgary.ctv.ca/servlet/an/plocal/CTVNews/20091207/CGY_oilsands_pollution_091207/20091207/&quot;&gt;AlbertaTar Sands is much worse than even environmental groups had estimated&lt;/a&gt;.Thanks to &lt;a href=&quot;http://twitter.com/paulheft/&quot;&gt;Paul Heft&lt;/a&gt;for the link.&lt;br&gt;      &lt;br&gt;      &lt;br&gt;      &lt;small style=&quot;font-weight: bold;&quot;&gt;FUNAND INSPIRATION&lt;/small&gt;&lt;br&gt;      &lt;br&gt;      &lt;span style=&quot;color: rgb(153, 0, 0); font-weight: bold;&quot;&gt;YesMen and AccomplicesMake Canadian Government Look Like Idiots:&lt;/span&gt;That&apos;s not hard, since our right-wing minority PM is a climate changedenier, but &lt;a href=&quot;http://www.cbc.ca/politics/insidepolitics/2009/12/copenhagen-anigans-if-imitation-is-the-sincerest-form-of-flattery.html&quot;&gt;theYes Men outdid themselves with a triple-barrelled spoof of Canada&apos;sabsurd climate change inaction&lt;/a&gt;:They faked a &quot;change of heart&quot; Canadian Government press announcement,then they faked the Canadian Government&apos;s response to their own fakeannouncement, and then they faked a third-world country&apos;s heartbrokenresponse to learning the initial announcement was a fake. Absolutelybrilliant.&lt;br&gt;      &lt;br&gt;      &lt;span style=&quot;color: rgb(153, 0, 0); font-weight: bold;&quot;&gt;TheAmazing Intelligence of Crows:&lt;/span&gt;Like humans, crows and other corvids developed larger brains (and hencetools) because, if they hadn&apos;t they would not have survived. &lt;a href=&quot;http://www.youtube.com/watch?v=NhmZBMuZ6vE&quot;&gt;Lookat some of the things they do&lt;/a&gt;.Thanks to &lt;a href=&quot;http://twitter.com/CreatvEmergence&quot;&gt;CreatvEmergence&lt;/a&gt;(Michelle James) for the link.&lt;br&gt;      &lt;br&gt;      &lt;br&gt;      &lt;small style=&quot;font-weight: bold;&quot;&gt;THOUGHTSFOR THE WEEK&lt;/small&gt;&lt;br&gt;      &lt;br&gt;      &lt;span style=&quot;color: rgb(153, 0, 0); font-weight: bold;&quot;&gt;Chimonophile/Chimonophobe:&lt;/span&gt;      &lt;a href=&quot;http://www.vianegativa.us/2009/12/chimonophile/&quot;&gt;DaveBonta rhapsodizes about the joys of winter&lt;/a&gt;,which I am seeking soon to escape forever:&lt;br&gt;      &lt;br&gt;      &lt;div style=&quot;margin-left: 40px;&quot;&gt;&lt;small&gt;Lightunmitigated by leaves can change in an instant.&lt;br&gt;      &lt;br&gt;This is what makes deserts both so alluring and so unforgiving&amp;mdash; that lack of moderation. Sharp contrasts appeal to the eyeas well as to the moral imagination&lt;br&gt;      &lt;br&gt;The condition of the snow can change by the hour: what held you up atdawn might crumble under your boots at ten. The only constant is theneed to walk and walk and walk, for warmth more than exercise and forrevelation more than warmth.&lt;br&gt;      &lt;br&gt;In a radically simplified landscape there are fewer places to hide, andthings that had been hidden are selectively revealed, in strong lightand with maximum contrast: that&amp;rsquo;s what I mean by revelation.Nothing mystical about it. And the extreme conditions should serve toremind us that revelations are not necessarily pleasant; a preferencefor pleasant news and comforting beliefs can be a real obstacle to anaccurate perception of reality.&lt;br&gt;      &lt;br&gt;The desertedness of deserts is of course another big part of theirappeal. You can be alone with your demons. The wintertime desert isbarren, devoid of fertility &amp;mdash; but as anyone who has chosen toremain child-free will tell you, this can be a gift, too. All sorts ofthings need open space to flourish. Biologically speaking, the extremeenvironments known as barrens in the eastern U.S., like the westerndeserts, often accommodate species found nowhere else.&lt;br&gt;      &lt;br&gt;So what seems barren to most might be for some the most fruitfulcountry imaginable, the moment-by-moment mutability as welcome as thephases of an unpredictable moon.&lt;br&gt;      &lt;/small&gt;&lt;/div&gt;      &lt;span style=&quot;color: rgb(153, 0, 0); font-weight: bold;&quot;&gt;Whatthe Songs Say:&lt;/span&gt; From MelissaHolbrook Pierson, &lt;a href=&quot;http://bfskinnersbaby.blogspot.com/2009/12/abed.html&quot;&gt;aftervisiting a dear friend in hospital&lt;/a&gt;:&lt;br&gt;      &lt;br&gt;      &lt;div style=&quot;margin-left: 40px;&quot;&gt;&lt;small&gt;Hesits and looks at his feet, for a long time.&lt;br&gt;      &lt;br&gt;We revisit other memories. Then the male nurse comes in with twohypodermics. This is something he remembers how to do; like riding, itis in his muscle memory, not the shriveled synapses of some tinyportion of his brain that has taken away everything he is--his past.&lt;br&gt;      &lt;br&gt;So, while he&apos;s in the bathroom, I ask, with my eyes, cocking my head toone side, and the nurse knows what I want to know. &quot;Oh, it&apos;s alwaysthis way. He&apos;ll get it back, don&apos;t worry.&quot;&lt;br&gt;      &lt;br&gt;So that he has something to do--he is a person whose worst fear is notmoving, not having somewhere to go--I ask him to walk me to theelevators. Slowly, in his sock feet. The door opens; a quick hug, and Iback in. The door closes.&lt;br&gt;      &lt;br&gt;On the dark highway I move forward into space. Random songs on theradio speak only to me, as they have been doing for a couple of yearsnow. I wonder how it is they can be so specific, then I realize: theyare only ever about two things, love, and loss. Both of which arebehind me, down the hospital corridor, and ahead of me, in a placecalled home.&lt;/small&gt;&lt;/div&gt;      &lt;br&gt;      &lt;span style=&quot;color: rgb(153, 0, 0); font-weight: bold;&quot;&gt;Probably,Then:&lt;/span&gt; From Christian AntonGerard, in &lt;a href=&quot;http://www.orionmagazine.org/index.php/articles/poem/5109/&quot;&gt;Orion&lt;/a&gt;:&lt;br&gt;      &lt;br&gt;      &lt;div style=&quot;margin-left: 40px;&quot;&gt;&lt;small&gt;IfI lived in a forest and you lived somewhere else, maybe in the forest,maybe not, no difference, just somewhere else, with a differentlanguage, and you found me in my forest and we had to talk, had to findout if the other was dangerous, I would point at a waterfall and say,maybe, waterfall and you would say, la fin du monde. We&amp;rsquo;dstand there looking at each other as if we were talking about the thingor maybe what we wanted from the other. We&amp;rsquo;d probably pointto a few more things. It would feel important. Like the end of theworld or maybe like the world itself. Probably, then, we&amp;rsquo;drealize the world is big. Much bigger than either of us hadanticipated, and one of us, without doubt, would walk away.&lt;/small&gt;&lt;/div&gt;      &lt;/td&gt;    &lt;/tr&gt;  &lt;/tbody&gt;&lt;/table&gt;&lt;/body&gt;&lt;/html&gt;</description>			<guid>http://blogs.salon.com/0002007/2009/12/19.html#a2483</guid>			<pubDate>Sun, 20 Dec 2009 01:13:40 GMT</pubDate>			<category>Environment</category>			<comments>http://rcs.salon.com/rcsComments/comments?u=2007&amp;amp;p=2483&amp;amp;link=http%3A%2F%2Fblogs.salon.com%2F0002007%2F2009%2F12%2F19.html%23a2483</comments>			</item>		<item>			<title>Veg-nettes</title>			<link>http://blogs.salon.com/0002007/2009/12/09.html#a2482</link>			<description>&lt;!DOCTYPE html PUBLIC &quot;-//W3C//DTD HTML 4.01 Transitional//EN&quot;&gt;&lt;html&gt;&lt;head&gt;  &lt;meta content=&quot;text/html; charset=ISO-8859-1&quot; http-equiv=&quot;content-type&quot;&gt;  &lt;title&gt;BLOG Vegnettes: More LoveStories&lt;/title&gt;&lt;/head&gt;&lt;body&gt;&lt;table style=&quot;text-align: left; width: 100%;&quot; border=&quot;0&quot; cellpadding=&quot;2&quot; cellspacing=&quot;2&quot;&gt;  &lt;tbody&gt;    &lt;tr&gt;      &lt;td&gt;&lt;small style=&quot;font-style: italic;&quot;&gt;This is a continuation,as the year draws to a close, of a set of short vignettes I wrote &lt;a href=&quot;http://blogs.salon.com/0002007/2009/01/12.html#a2312&quot;&gt;asthe year began&lt;/a&gt;&lt;/small&gt;.&lt;br&gt;      &lt;img style=&quot;width: 588px; height: 396px;&quot; alt=&quot;rawlicious&quot; src=&quot;http://blogs.salon.com/0002007/images/rawlicious.jpg&quot;&gt;&lt;br&gt;      &lt;br&gt;IV&lt;br&gt;      &lt;br&gt;a couple with&amp;nbsp;urgent, anxious looks in their eyes&lt;br&gt;enter a vegan &lt;a href=&quot;http://www.rawlicious.ca/Rawlicious/Cafe_%26_Menu.html&quot;&gt;cafe&lt;/a&gt;;&lt;br&gt;their basset hound companion lies down in front of the cafe&lt;br&gt;to wait, as if she were accustomed to this routine&lt;br&gt;      &lt;br&gt;the couple brings in a wheeled baby carriage&lt;br&gt;piled high with old, worn plastic bags full of&amp;nbsp;what i guess tobe used clothes&lt;br&gt;      &lt;br&gt;they sit, squeezed together, in one huge overstuffed chair by the door&lt;br&gt;and kiss, then order, carefully, from the menu;&lt;br&gt;he pulls out a newspaper with a bunch of ads circled&lt;br&gt;and they talk about them, pointing in various directions at the street&lt;br&gt;to show where, relative to the cafe, the addresses in the ads arelocated&lt;br&gt;      &lt;br&gt;the cafe worker who brings their food knows them&lt;br&gt;and they chat for a few moments;&lt;br&gt;he proudly puts his hand on his partner&apos;s stomach&lt;br&gt;and she smiles and blushes&lt;br&gt;      &lt;br&gt;he is wearing a pair of sad, threadbare gloves&lt;br&gt;as he counts out the coins for the bill&lt;br&gt;reaching twice into his pocket to ensure he has enough&lt;br&gt;      &lt;br&gt;as they leave, the worker congratulates them;&lt;br&gt;they feed the leftovers to the basset, who eats them enthusiastically&lt;br&gt;and then the woman takes the newspaper with the circled ads&lt;br&gt;and walks off in one direction&lt;br&gt;and the man takes the basset&apos;s leash&lt;br&gt;and walks off in the other&lt;br&gt;      &lt;br&gt;      &lt;br&gt;V&lt;br&gt;      &lt;br&gt;at a table near the back of the cafe&lt;br&gt;a young woman sits reading;&lt;br&gt;she is wearing a cap with cat ears, and a striped jacket with a cat&apos;stail,&lt;br&gt;and a giant black felt hat with a slip marked &quot;5 1/2&quot; tucked in the band&lt;br&gt;      &lt;br&gt;at the next table a woman and her young daughter are eating vegan nachos&lt;br&gt;and the girl laughs and points at the cat-woman&lt;br&gt;and is shushed by her mother&lt;br&gt;      &lt;br&gt;the cat-woman smiles and winks at the little girl&lt;br&gt;and then signals her in mime -- a raised finger &quot;wait&quot;&lt;br&gt;and then the finger curls in and wags slowly &quot;come over here&quot;&lt;br&gt;as she pulls an ocarina out of her bag&lt;br&gt;and begins to play a haunting tune&lt;br&gt;      &lt;br&gt;and the little girl, delighted, begins to dance among the tables&lt;br&gt;      &lt;br&gt;      &lt;br&gt;VI&lt;br&gt;      &lt;br&gt;a man with a sad smile comes into the cafe&lt;br&gt;and sits, alone, at a table for two,&lt;br&gt;pulling out his laptop, logging in,&lt;br&gt;tapping the keys slowly, hesitantly&lt;br&gt;      &lt;br&gt;a kris delmhorst &lt;a href=&quot;http://www.krisdelmhorst.com/lyrics/damn_love.html&quot;&gt;song&lt;/a&gt;comes on the cafe&apos;s music system&lt;br&gt;and he quietly sings along:&lt;br&gt;      &lt;br&gt;      &lt;div style=&quot;margin-left: 40px;&quot;&gt;&lt;small&gt;afterall of these years, look at me here&lt;br&gt;with a love song stuck in my throat&lt;br&gt;got the weight of the world on my shoulders, i won&apos;t let it go&lt;br&gt;&amp;nbsp;&lt;br&gt;how can i dive right down in the deep blue sea &lt;br&gt;and still hope to find my way home&lt;br&gt;when i stumble on my way to the shore,&lt;br&gt;when all of the airplanes, all of the cars, &lt;br&gt;and all the miles in the world&lt;br&gt;are still not enough to quite reach your door&lt;br&gt;&amp;nbsp;&lt;br&gt;after all of these years, will you look at me here&lt;br&gt;with this love song stuck in my throat&lt;br&gt;got the weight of the world and there&apos;s not too much else i can hold&lt;/small&gt;&lt;/div&gt;      &lt;br&gt;he&apos;s smiling broadly now, a giant grin from ear to ear&lt;br&gt;but if you look closely, you can see&lt;br&gt;his face is streaked with tears&lt;br&gt;      &lt;br&gt;      &lt;div style=&quot;text-align: right;&quot;&gt;&lt;small&gt;Category:&lt;a href=&quot;http://blogs.salon.com/0002007/stories/2003/05/02/creativeWorksTableOfContents.html#33&quot;&gt;Poetry&lt;/a&gt;&lt;/small&gt;&lt;/div&gt;      &lt;/td&gt;    &lt;/tr&gt;  &lt;/tbody&gt;&lt;/table&gt;&lt;/body&gt;&lt;/html&gt;</description>			<guid>http://blogs.salon.com/0002007/2009/12/09.html#a2482</guid>			<pubDate>Wed, 09 Dec 2009 23:05:30 GMT</pubDate>			<category>Creative Works</category>			<comments>http://rcs.salon.com/rcsComments/comments?u=2007&amp;amp;p=2482&amp;amp;link=http%3A%2F%2Fblogs.salon.com%2F0002007%2F2009%2F12%2F09.html%23a2482</comments>			</item>		<item>			<title>Can We Choose Who We Love?</title>			<link>http://blogs.salon.com/0002007/2009/12/07.html#a2481</link>			<description>&lt;!DOCTYPE html PUBLIC &quot;-//W3C//DTD HTML 4.01 Transitional//EN&quot;&gt;&lt;html&gt;&lt;head&gt;  &lt;meta content=&quot;text/html; charset=ISO-8859-1&quot; http-equiv=&quot;content-type&quot;&gt;  &lt;title&gt;BLOG Can We Choose Who WeLove?&lt;/title&gt;&lt;/head&gt;&lt;body&gt;&lt;table style=&quot;text-align: left; width: 100%;&quot; border=&quot;0&quot; cellpadding=&quot;2&quot; cellspacing=&quot;2&quot;&gt;  &lt;tbody&gt;    &lt;tr&gt;      &lt;td align=&quot;undefined&quot; valign=&quot;undefined&quot;&gt;&lt;img style=&quot;width: 450px; height: 570px;&quot; alt=&quot;chemistry of love&quot; src=&quot;http://blogs.salon.com/0002007/images/chemistryoflove.jpg&quot;&gt;&lt;br&gt;      &lt;big&gt;&lt;big&gt;&lt;big&gt;L&lt;/big&gt;&lt;/big&gt;&lt;/big&gt;astevening I had an astonishing discussion with three of my colleagues inour Second Life community. The topic was love, and whether we have anycontrol over who we love (whether it is at least in part a &quot;rational&quot;decision, or strictly a matter of chemistry). People in Second Lifefall in love (very seriously, and sometimes traumatically) all thetime, which would seem to suggest that there&apos;s a lot more to love thanpheromones. But that doesn&apos;t mean that what we call &quot;love&quot; isn&apos;t stilla construct of our body chemistry, informed by our intellectual andsensory perceptions about the object of our affections. Or so I thought.&lt;br&gt;      &lt;br&gt;My skepticism is rooted in a belief that we love &lt;span style=&quot;font-style: italic;&quot;&gt;who we imagine someone tobe&lt;/span&gt;, not who they really are(we can never really know who another person really is). Our bodychemistry&apos;s response is&amp;nbsp;to this imagined persona, which may ormay not be a close approximation of who that person &quot;really&quot; is. Tothat extent, Second Life avatars can either amplify or distort ourperception of who the person we love &quot;really&quot; is, depending on a hostof factors. Avatars are (in the opinion of most, anyway) usually&quot;younger&quot; and more &quot;physically&quot; attractive than the &quot;real&quot; people theyrepresent, and surprisingly few Second Life people communicate withthose they love in voice, rather than text. This would almost seem toimply that people feel the need for the artifice of the text interface(the opportunity to &quot;compose&quot; what they say and disguise their voice)to be more &quot;lovable&quot;. Is this a form of dishonesty, or is it just play,and what is our responsibility when it gets serious?&lt;br&gt;      &lt;br&gt;This is not really new -- &quot;pen pals&quot; have often fallen in love witheach other before they&apos;ve met or even spoken in real time with eachother, and, as with Second Life, some of these affairs make thetransition to real-time, face-to-face relationships, and others don&apos;t.&lt;br&gt;      &lt;br&gt;What is it, then, that drives us to fall in love with someone,especially someone we have never physically &quot;met&quot;? This is, of course,a complex process, but my assumptions about this process were shaken totheir roots by my colleagues last evening. I had always believed it wasevolutionary -- that we are &quot;programmed&quot; to fall in love with those ourbody believes would be excellent biological and genetic mates. But whatthey told me is that what is often most important is &lt;span style=&quot;font-style: italic;&quot;&gt;security&lt;/span&gt;-- which has two components:&lt;br&gt;      &lt;ul&gt;        &lt;li&gt;&lt;span style=&quot;font-style: italic;&quot;&gt;Physical/FinancialSecurity:&lt;/span&gt; &quot;Does this personbring to the relationship the skills and resources that complement myown, such that we will be significantly more comfortable together thanseparate?&quot;&lt;/li&gt;        &lt;li&gt;&lt;span style=&quot;font-style: italic;&quot;&gt;Emotional Security:&lt;/span&gt;&quot;Will this person be here for me when I need them?&quot;&lt;/li&gt;      &lt;/ul&gt;As obvious as this is, I confess that, when my colleagues articulatedit, it blew me away. I had never really thought of this as being acritical criterion in determining whether love blossoms, and lasts.This myopia is probably due to the fact that, having a large ego andnever having had to worry about my own security, I was oblivious to howimportant it is to many people.&lt;br&gt;      &lt;br&gt;It never occurred to me that someone could &quot;choose&quot; not to fall in lovewith someone who did not offer them security (or actually made themless secure) ot &quot;choose&quot; to fall in love with someone who did offerthem security, even if the &quot;chemistry&quot; was less than ideal. Initially Ishrugged such &quot;choices&quot; off as cold-blooded or opportunistic, but thenI realized how unfair this judgement really was. &lt;br&gt;      &lt;br&gt;The emotional (far from cold-blooded) desire for security in a lovingrelationship is every bit as evolutionary a development as pheromonechemistry. Falling in love with someone because they&apos;re strong, tall,healthy or beautiful is no more &quot;instinctive&quot; than falling in love withsomeone because they&apos;re financially independent, or a &quot;good provider&quot;,or, most&amp;nbsp;important of all, committed and caring -- willing andable to be there through thick and thin. These are all prescriptionsfor survival, and hence it is not surprising that the intuitive desirefor such qualities in a lover has been selected for in our evolutionsince we appeared on the planet.&lt;br&gt;      &lt;br&gt;Sara told me last night, sometimes &quot;silly men can&apos;t process their ownfeelings so they rationalize them to death instead.&quot; She&apos;s exactlyright. That&apos;s why, once I acknowledged the importance of security in&quot;deciding&quot; who we love, it explained a whole raft of behaviours, needsand wants that I had always found inexplicable, &quot;irrational&quot;, and evenunseemly:&lt;br&gt;      &lt;ul&gt;        &lt;li&gt;Why people put up withso much grief from relationships, as long as the person causing thatgrief clearly still loves them (or at least says they do).&lt;/li&gt;        &lt;li&gt;Why young women hookup with men who one would think are too old for them, and who wouldn&apos;tseem to have anything in common with them -- provided those men arevery secure and/or healthy, and genuinely and deeply care for theseyounger partners.&lt;/li&gt;        &lt;li&gt;Why, all other thingsbeing equal (which they rarely are) women tend to love men slightlyolder and more secure than they are (they want them to be around forthem when they get older -- so many women outlive their male partners)!&lt;/li&gt;        &lt;li&gt;Why polyamory works(the security sought can be spread among several lovers, so ifsomething happens to one there is still security from others); why itoften doesn&apos;t (with no primary relationship, there are constant doubtsabout whether &lt;span style=&quot;font-style: italic;&quot;&gt;any&lt;/span&gt;of the people one loves will, when push comes to shove, be there forthem); and why relationships between poly and monogamous people are sodifficult (very different expectations and needs for security).&lt;/li&gt;        &lt;li&gt;Why, for people securein themselves, being in love is more important than being loved (itgives their lives purpose, and a good chemical buzz, while they don&apos;tneed the security of being loved in return). And hence, why people wholack security in their lives need to be loved more than they need to bein love.&lt;/li&gt;        &lt;li&gt;The possibility thatpeople (like me) who are very secure in themselves in this terriblyinsecure, attention- and affection-starved world are just disconnectedfrom their real feelings and needs -- and why we tend to find someother people distressingly &quot;needy&quot;, while they find us cold, smug anddistant.&lt;/li&gt;      &lt;/ul&gt;To the extent we bring factors such as security into the&quot;decision-making&quot; on who we love and don&apos;t love, this would suggestthat we &lt;span style=&quot;font-style: italic;&quot;&gt;do&lt;/span&gt;have some &quot;choice&quot; in the matter. But I&apos;m not so sure this isn&apos;t allpart of the involuntary instinctive and emotional assessment we makewhen we do, or don&apos;t, fall in love. I don&apos;t think we really &quot;think&quot;about it. It isn&apos;t &quot;rational&quot;. Though it makes enormous evolutionarysense.&lt;br&gt;      &lt;br&gt;I think I tend to fall in love with women (plural) who:&lt;br&gt;      &lt;ul&gt;        &lt;li&gt;are unusuallyintelligent, imaginative, creative and articulate,&lt;/li&gt;        &lt;li&gt;are emotionally strong          &lt;span style=&quot;font-style: italic;&quot;&gt;and&lt;/span&gt;emotionally sensitive (not an oxymoron),&amp;nbsp;&lt;/li&gt;        &lt;li&gt;are physicallyattractive, and&amp;nbsp;&lt;/li&gt;        &lt;li&gt;&lt;span style=&quot;font-style: italic;&quot;&gt;know themselves&lt;/span&gt;-- self-knowledge is not the same as intelligence or emotionalstrength, and it is, I&apos;m finding to my dismay, relatively rare (mostpeople just don&apos;t have the time/inclination for it).&amp;nbsp;&lt;/li&gt;      &lt;/ul&gt;I&apos;m always candid about my belief in polyamory -- as soon as I meetanyone that there is even a chance of me having a relationship with. Idon&apos;t look for (and rarely find) physical/financial or emotionalsecurity in those I love. &lt;br&gt;      &lt;br&gt;This creates a bit of a paradox for me. While I&apos;m physically attractedto younger women, I&apos;m emotionally attracted to self-assured,self-knowledgeable women, and intellectually attracted to dangerouswomen who walk the line between genius and madness. These rarely comein the same, er, package. And while being polyamorous allows me to seekall of these things in different, simultaneous, partners, I&apos;m not surethat I am able to offer what women with each of these qualities wouldbe looking for from me. &lt;br&gt;      &lt;br&gt;The younger woman I want a physical relationship with most likely wantssecurity and commitment from me. The smart, self-knowing woman (or man)I want an emotional relationship with most likely wants time andattention and emotional sensitivity from me. The mad artist/genius Iwant an intellectual relationship with most likely wants -- what,grounding? -- from me. I have no idea. &lt;br&gt;      &lt;br&gt;I&apos;m not sure I can, or necessarily even want to, provide what each ofthese people would want from me in an enduring, loving relationship.And, if I attempt to give them each what they want from me, will I runout of both security and time by spreading&amp;nbsp;both too thin, andlose everything by trying to have everything? And worse, will I hurtthem, let them down, in the process? That&apos;s a prospect I cannot bear. &lt;br&gt;      &lt;br&gt;This has, of course, been covered a million times in the movies andromance fiction. It&apos;s just taken me, the perpetual slow learner, awhile to pick up on it.&lt;br&gt;      &lt;br&gt;Well, I guess this silly man has analyzed and rationalized theunanalyzable and irrational to death. Time for me to shut up, turn offmy brain, and trust my instincts and emotions, and those of the womenI&apos;m attracted to, to tell us what to do, and not to do,and whether we&apos;re meant to love each other or not.&lt;br&gt;      &lt;br&gt;No choice involved in the matter, really.&lt;br&gt;      &lt;br&gt;      &lt;div style=&quot;text-align: right;&quot;&gt;&lt;small&gt;Category:      &lt;a href=&quot;http://blogs.salon.com/0002007/stories/2003/05/13/artsLiteratureScienceTechnologyTableOfContents.html#14b&quot;&gt;HumanNature&lt;/a&gt;&lt;/small&gt;&lt;/div&gt;      &lt;/td&gt;    &lt;/tr&gt;  &lt;/tbody&gt;&lt;/table&gt;&lt;/body&gt;&lt;/html&gt;</description>			<guid>http://blogs.salon.com/0002007/2009/12/07.html#a2481</guid>			<pubDate>Tue, 08 Dec 2009 06:22:43 GMT</pubDate>			<category>Music, Film, Literature, Television and the Arts</category>			<comments>http://rcs.salon.com/rcsComments/comments?u=2007&amp;amp;p=2481&amp;amp;link=http%3A%2F%2Fblogs.salon.com%2F0002007%2F2009%2F12%2F07.html%23a2481</comments>			</item>		<item>			<title>2200: A Travelogue</title>			<link>http://blogs.salon.com/0002007/2009/12/06.html#a2480</link>			<description>&lt;!DOCTYPE html PUBLIC &quot;-//W3C//DTD HTML 4.01 Transitional//EN&quot;&gt;&lt;html&gt;&lt;head&gt;  &lt;meta content=&quot;text/html; charset=ISO-8859-1&quot; http-equiv=&quot;content-type&quot;&gt;  &lt;title&gt;BLOG 2200: A Travelogue&lt;/title&gt;&lt;/head&gt;&lt;body&gt; &lt;table style=&quot;text-align: left; width: 100%;&quot; border=&quot;0&quot; cellpadding=&quot;2&quot; cellspacing=&quot;2&quot;&gt;  &lt;tbody&gt;    &lt;tr&gt;      &lt;td align=&quot;undefined&quot; valign=&quot;undefined&quot;&gt;&lt;img style=&quot;width: 565px; height: 265px;&quot; alt=&quot;baraka&quot; src=&quot;http://blogs.salon.com/0002007/images/baraka.jpg&quot;&gt;&lt;br&gt;      &lt;small style=&quot;font-style: italic;&quot;&gt;imagefrom the 1992documentary film &quot;Baraka&quot;&lt;/small&gt;&lt;br&gt;      &lt;br&gt;      &lt;big&gt;&lt;big&gt;&lt;big&gt;F&lt;/big&gt;&lt;/big&gt;&lt;/big&gt;orover five years I have beenworking on a novel tentatively called &lt;span style=&quot;font-style: italic;&quot;&gt;TheOnly Life We Know&lt;/span&gt;. The novelisset in the year 2200, a century or more after the crash of ourcivilization. It presumes that in 2009 we are at or near &quot;peakeverything&quot;, andthat all of the activities that have accelerated up an every-increasingcurve since 1800 (or in some cases before) -- consumption of land andnatural resources, human population, pollution emissions, andproduction of more and more stuff, most of which ends up in landfillsor worse -- will soon follow a similar sharp drop down the other sideof thenormal curve, such that in 2200 we will be back to pre-industriallevels, 90% below today&apos;s. So in my setting in 2200 there are only 500million people left on the planet,a population that continues to drop gradually. The economy issubsistence and local, since there is no cheap oil to enablesignificant long-range transportation of goods or people. &lt;br&gt;      &lt;br&gt;But it is the opposite of the popular, violent &quot;Mad Max&quot; scenario ofpost-civilization collapse. A study of history indicates that, unlikeinter-civilizational wars, post-civilizational collapses are generallyquite peaceful, although they do entail in their early-collapse stagesa lot of death (mostly fromstarvation and disease), suffering and turmoil. Most civilizationalcollapses (read Jared Diamond or Ronald Wright) have beenmass exoduses, as people flee fragile, unsustainable centralizedlocations in search of land, food and water to make a new,community-based beginning. They are, on a mass scale, a &quot;walking away&quot;from complicated systems that simply no longer work.&lt;br&gt;      &lt;br&gt;My novel presumes that, as a decreasing number of humans fan out intothe countryside, they find much of it degraded, but (especially in moreNorthern areas) they discover plentiful unused land suitable for smallcollaborativesettlements, with solar power and permaculture&amp;nbsp;providing a newsustainable way of life (I am hoping these recently-rediscoveredtechnologies will not be lost along with&amp;nbsp;our civilization&apos;ssoon-to-be useless oil-dependent technologies). &lt;br&gt;      &lt;br&gt;And, as the buffers between communities getlarger (with diminishing population) and transportation and othersocial interaction between communities become rarer, I sense that whatwill happen by 2200 is what we discover in most isolatedgatherer-hunter societies: A staggering degree of cultural diversity,with a de-homogenization of language, adornment and behaviour, to thepoint that adjacent communities may be so different as to be nearlyunrecognizable to each other. &lt;br&gt;      &lt;br&gt;The principal driver for this will bede-urbanization, a hollowing out and abandonment of cities (also verycommon in civilizational collapses), since cities are inherentlydependent on outside resources and hence are inherently unsustainable.Wewon&apos;t go back to the Wild West or slavery or feudalism, though; insteadwe&apos;ll go forward to a world that combines ancient indigenous wisdomwith today&apos;s and tomorrow&apos;s (to the extent they can be tweaked to besustainable) innovations -- gliders, hot-air balloons, grafting ofplants, straw-bale construction, human- and solar-powered looms,cameras, recordings, and other creative, artistic and scientificdevices.&lt;br&gt;      &lt;br&gt;The original plan was to bring this out in a series of short storieswithin the novel, each about one such culture, narrated by ayoung&amp;nbsp;nomad travelling between them, and interspersed with agradually-revealed story about the civilizational collapse thatpreceded this new beginning. I envision a proliferation of new locallanguages by 2200, completelydifferent forms of art, wildly divergent spiritual beliefs etc., ineach community, and I had intended to present these in the novelthrough conversationsbetween the travellingnomad and the citizens of each community, and her observations andreflections aboutthese communities.&lt;br&gt;      &lt;br&gt;But I recently started thinking about another way to do this, thatwould get around the challenges of trying to depict such completelyalien cultures and languages using written text in our very limited andculturally constrained 21st century languages.What if, instead of presenting this future in a novel, I presented itin a film? And what if, instead of writing a screenplay with dialoguethat has the same problems of language as a novel, the screenplay hadno words? What if, in other words, it were presented as a kind oftwo-centuries-later update of the cultural documentary &lt;a href=&quot;http://barakathefilm.com/index-flash.html&quot;&gt;Baraka&lt;/a&gt;(a Sufiword meaning &quot;the weaving of life together&quot;)?&lt;br&gt;      &lt;br&gt;For those not familiar with this film, or with the films that inspiredit -- &lt;a href=&quot;http://www.spiritofbaraka.com/koyaanisqatsi&quot;&gt;Koyaanisqatsi&lt;/a&gt;(Life Out of Balance) and Powaqqatsi&lt;span style=&quot;font-style: italic;&quot;&gt; &lt;/span&gt;(Lifein Transformation) -- Baraka is a set of twenty sequential visualvignettes, of about five minutes duration each, set in places aroundthe world, depicting different aspects of the human condition. It hasno plot, no actors, no script (in the conventional sense) and nodialogue.&lt;br&gt;      &lt;br&gt;The picture above from this film is of a girl from the Kayapo tribe inthe Brasilian rainforest. It could easily, I think, also be in my filmset in the year 2200. &lt;br&gt;      &lt;br&gt;I have been working with a cinematographer friend, Danielle Seville, toscope out how we could make this film. What I envision is starting witha set of premises about life in 2200 -- mainly, that it would bepeaceful, joyful, sustainable, and diverse, a world where (like humansdid before the invention of tools and technologies) we scavenge much ofwhat we need -- except that in 2200, we will scavenge largely from theabandoned relics of the &quot;civilized&quot; world. It will be a world ofsufficiency but also one of great comfort and spiritual rediscovery, aswe will have re-learned how to live in the natural world, in concertand in balance with the rest of life on Earth.&lt;br&gt;      &lt;br&gt;      &lt;img style=&quot;width: 450px; height: 237px;&quot; alt=&quot;afterculture&quot; src=&quot;http://blogs.salon.com/0002007/images/afterculture.jpg&quot;&gt;&lt;br&gt;      &lt;small style=&quot;font-style: italic;&quot;&gt;imageof post-civilizationworld from &lt;a href=&quot;http://www.michaelgreenarts.com/theafterculture.html&quot;&gt;afterculture&lt;/a&gt;&lt;/small&gt;&lt;br&gt;      &lt;br&gt;To try to imagine such a diverse future world is, I think, beyond thecapacity of any one person (I&apos;ve certainly tried, as hundreds of pagesof discarded text from my novel attest). So instead, what Iintend to do is to bring together a group of very imaginative people ina Creation Eventand have us work collaboratively to develop the imagery, futurecultures, music and sound the film would capture.&amp;nbsp;I envisionhaving artists and anthropologists and students of indigenous culturespast and present among the collaborators. I can see us sketching outand improvisationally acting out the scenes in real time, wordlessly,in Open Space. We&apos;d have make-up artists and henna artists and tattooartists and body-painters and animators and photoshoppers developingmodels of what we would look like and how we&apos;d behave, using theparticipants as their canvasses. The Creation Event would itself befilmed.&lt;br&gt;      &lt;br&gt;And then it would be my job, working with Danielle and her team, tocraft a screenplay with &quot;scenes from the future&quot; that captures all ofthese ideas, and then to assemble a team of improvisors (not actors,really) to wordlessly act out these brief scenes.&lt;br&gt;      &lt;br&gt;Part of the challenge will be to capture the reconnection of the humanspecies with all-life-on-Earth, with scenes (like the image above fromBaraka) that position us in the context of a rediscovered naturalworld, one that envelopes and welcomes and towers over us (rather thanone we try to control), and offers us food, shelter, water,meaning, love -- everything we ever needed. Much of the film, then,will not portray humans at all, but rather the natural places where wewill then live, and the creatures we will share those places with, insacred balance.&lt;br&gt;      &lt;br&gt;That&apos;s the idea so far, anyway.&lt;br&gt; &lt;br&gt;      &lt;div style=&quot;text-align: right;&quot;&gt;&lt;small&gt;Category:      &lt;a href=&quot;http://blogs.salon.com/0002007/stories/2003/05/02/creativeWorksTableOfContents.html#38&quot;&gt;CreativeWorks&lt;/a&gt; &lt;/small&gt;&lt;/div&gt;      &lt;/td&gt;    &lt;/tr&gt;  &lt;/tbody&gt;&lt;/table&gt;&lt;/body&gt;&lt;/html&gt;</description>			<guid>http://blogs.salon.com/0002007/2009/12/06.html#a2480</guid>			<pubDate>Sun, 06 Dec 2009 16:50:22 GMT</pubDate>			<category>Creative Works</category>			<comments>http://rcs.salon.com/rcsComments/comments?u=2007&amp;amp;p=2480&amp;amp;link=http%3A%2F%2Fblogs.salon.com%2F0002007%2F2009%2F12%2F06.html%23a2480</comments>			</item>		</channel>	</rss>