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<?xml-stylesheet type="text/xsl" media="screen" href="/~d/styles/atom10full.xsl"?><?xml-stylesheet type="text/css" media="screen" href="http://feeds.feedburner.com/~d/styles/itemcontent.css"?><feed xmlns="http://www.w3.org/2005/Atom" xmlns:openSearch="http://a9.com/-/spec/opensearch/1.1/" xmlns:georss="http://www.georss.org/georss" xmlns:thr="http://purl.org/syndication/thread/1.0" xmlns:gd="http://schemas.google.com/g/2005" xmlns:feedburner="http://rssnamespace.org/feedburner/ext/1.0" gd:etag="W/&quot;C04HSHo6eCp7ImA9Wx5RFUg.&quot;"><id>tag:blogger.com,1999:blog-6644291654214652506</id><updated>2010-08-23T04:25:39.410-04:00</updated><title type="text">SciFiDrive</title><subtitle type="html">What Drives You To SciFi?</subtitle><link rel="http://schemas.google.com/g/2005#feed" type="application/atom+xml" href="http://www.scifidrive.net/feeds/posts/default" /><link rel="alternate" type="text/html" href="http://www.scifidrive.net/" /><author><name>J.E.B.</name><email>noreply@blogger.com</email></author><generator version="7.00" uri="http://www.blogger.com">Blogger</generator><openSearch:totalResults>15</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>25</openSearch:itemsPerPage><atom10:link xmlns:atom10="http://www.w3.org/2005/Atom" rel="self" type="application/atom+xml" href="http://feeds.feedburner.com/scifidrive/WEfZ" /><feedburner:info uri="scifidrive/wefz" /><atom10:link xmlns:atom10="http://www.w3.org/2005/Atom" rel="hub" href="http://pubsubhubbub.appspot.com/" /><link rel="license" type="text/html" href="http://creativecommons.org/licenses/by-sa/2.0/" /><logo>http://i245.photobucket.com/albums/gg43/scifidriver/scifidrive/scifidrive_facebook_logo.jpg</logo><feedburner:emailServiceId>scifidrive/WEfZ</feedburner:emailServiceId><feedburner:feedburnerHostname>http://feedburner.google.com</feedburner:feedburnerHostname><entry gd:etag="W/&quot;DEAFRn8-cCp7ImA9Wx5TFEQ.&quot;"><id>tag:blogger.com,1999:blog-6644291654214652506.post-4199056490257506654</id><published>2010-07-30T09:31:00.000-04:00</published><updated>2010-07-30T09:31:57.158-04:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2010-07-30T09:31:57.158-04:00</app:edited><title>Waiting for "Superman'</title><content type="html">&lt;div align="center"&gt;&lt;div style="text-align: center;"&gt;&lt;object height="340" width="560"&gt;&lt;param name="movie" value="http://www.youtube.com/v/PntMEHywAdI&amp;amp;hl=en_US&amp;amp;fs=1?rel=0"&gt;&lt;/param&gt;&lt;param name="allowFullScreen" value="true"&gt;&lt;/param&gt;&lt;param name="allowscriptaccess" value="always"&gt;&lt;/param&gt;&lt;embed src="http://www.youtube.com/v/PntMEHywAdI&amp;amp;hl=en_US&amp;amp;fs=1?rel=0" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="560" height="340"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;/div&gt;&lt;div align="left"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div align="left"&gt;HOLLYWOOD, CA (July 29,  2010) - Paramount Pictures, Participant Media and Walden Media announced  today the addition of two new partners in the online "Take the Pledge"  campaign supporting the national release of the award-winning  documentary film WAITING FOR "&lt;i&gt;SUPERMAN&lt;/i&gt;" this fall.  DonorsChoose.org and Chicago-based office supply retailer OfficeMax(R)  have joined the WaitingforSuperman.com "Pledge Progress Meter" at the  30,000 and 40,000 levels, respectively.&lt;br /&gt;
&lt;br /&gt;
When 30,000 people pledge to see WAITING FOR "&lt;i&gt;SUPERMAN&lt;/i&gt;," thanks  to the generosity of its funders, DonorsChoose.org will donate $5 gift  cards to every person who pledges to see the film by September 15th. The  gift cards can be used to fulfill requests made by public school  teachers from every corner of America who post classroom project needs  on DonorsChoose.org. The mission of DonorsChoose.org is to improve  public education by empowering every teacher to be a change-maker and  enabling any citizen to be a philanthropist.&lt;br /&gt;
&lt;br /&gt;
The efforts to reach a milestone of 40,000 people pledging to see this  important documentary film will get an additional boost with  OfficeMax(R) aligning their "A Day Made Better" program with the movie  campaign. Now in it's 4th year, the OfficeMax(R) program helps defray  the out-of-pocket expenditures on school supplies by dedicated teachers  by awarding 1,000 outstanding teachers with $1,000 in school supplies.  To help build awareness of the new film, the retail giant will now boost  the annual award to include 40 additional deserving U.S. teachers when  the pledge level reaches 40,000. &lt;br /&gt;
&lt;br /&gt;
&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;&lt;span style="font-size: x-large;"&gt;&lt;object height="385" width="640"&gt;&lt;param name="movie" value="http://www.youtube.com/v/yFN0nf6Hqk0&amp;amp;hl=en_US&amp;amp;fs=1"&gt;&lt;/param&gt;&lt;param name="allowFullScreen" value="true"&gt;&lt;/param&gt;&lt;param name="allowscriptaccess" value="always"&gt;&lt;/param&gt;&lt;embed src="http://www.youtube.com/v/yFN0nf6Hqk0&amp;amp;hl=en_US&amp;amp;fs=1" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="640" height="385"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;&lt;span style="font-size: x-large;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;&lt;span style="font-size: x-large;"&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/div&gt;&lt;blockquote style="color: #666666; font-family: &amp;quot;Helvetica Neue&amp;quot;,Arial,Helvetica,sans-serif;"&gt;&lt;span style="font-size: x-large;"&gt;"I made this film for and about kids and their parents, struggling to  get a quality education in the United States, and it is inspiring to see  the momentum pick up as people really begin to rally behind it," said  Director Davis Guggenheim. "Organizations like First Book, and now  DonorsChoose.org and OfficeMax(R), are generating innovative ways to  join the conversation. My hope is that people continue to pledge,  demonstrating to teachers, parents and children that they have support  and real change is coming to the public school system."&lt;/span&gt;&lt;/blockquote&gt;&lt;br /&gt;
WAITING FOR "&lt;i&gt;SUPERMAN&lt;/i&gt;" directed by Davis Guggenheim ("An  Inconvenient Truth") will be released under the Paramount Vantage banner  and distributed by Paramount Pictures. It examines the crisis of public  education in the United States through multiple interlocking stories.  Designed to start a national conversation, the movie and corresponding  "Take the Pledge" campaign aim to inspire everyone to create innovative  and long-term solutions to help change the course of our kids' lives for  the better. The "Pledge Progress Meter" launched in May as a way for  non-profits, foundations and corporations to match individual pledge  levels with powerful action items aimed at helping both students and  public schools. First Book was the first organization to take the  pledge, by agreeing to donate 250,000 new books to schools and programs  in low-income communities across the country once the pledge meter  reaches 50,000 pledges. &lt;br /&gt;
&lt;br /&gt;
People who have pledged are encouraged to see the film when it opens in their area beginning September 24. &lt;br /&gt;
&lt;br /&gt;
&lt;/div&gt;&lt;/div&gt;&lt;br /&gt;
&lt;div align="center"&gt;For more information about the movie, or to take the pledge go to &lt;br /&gt;
&lt;a href="http://resp.paramountmovies.com/pp40/c2.php?PRMP/39313628/81576/H/N/V/http://www.waitingforsuperman.com?utm_source=Email%28biglist%29&amp;amp;utm_medium=Email&amp;amp;utm_content=newmilestones&amp;amp;utm_campaign=Email" rel="nofollow" target="_blank"&gt;http://www.WaitingForSuperman.&lt;wbr&gt;&lt;/wbr&gt;com&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
To join the conversation visit us on Facebook at &lt;br /&gt;
&lt;a href="http://resp.paramountmovies.com/pp40/c2.php?PRMP/39313628/81577/H/N/V/http://www.Facebook.com/WaitingForSuperman" rel="nofollow" target="_blank"&gt;http://www.Facebook.com/&lt;wbr&gt;&lt;/wbr&gt;WaitingForSuperman&lt;/a&gt; &lt;br /&gt;
&lt;br /&gt;
What does your school need? Tell us by Tweeting #MySchoolNeeds at &lt;a href="http://resp.paramountmovies.com/pp40/c2.php?PRMP/39313628/81578/H/N/V/http://www.Twitter.com/WaitingSuperman" rel="nofollow" target="_blank"&gt;&lt;br /&gt;
http://www.Twitter.com/&lt;wbr&gt;&lt;/wbr&gt;WaitingSuperman&lt;/a&gt; &lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6644291654214652506-4199056490257506654?l=www.scifidrive.net' alt='' /&gt;&lt;/div&gt;&lt;div class="feedflare"&gt;
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&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/scifidrive/WEfZ/~4/uCbsslCsiVo" height="1" width="1"/&gt;</content><link rel="replies" type="application/atom+xml" href="http://www.scifidrive.net/feeds/4199056490257506654/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="https://www.blogger.com/comment.g?blogID=6644291654214652506&amp;postID=4199056490257506654" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/6644291654214652506/posts/default/4199056490257506654?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/6644291654214652506/posts/default/4199056490257506654?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/scifidrive/WEfZ/~3/uCbsslCsiVo/waiting-for-superman.html" title="Waiting for &quot;Superman'" /><author><name>J.E.B.</name><email>noreply@blogger.com</email><gd:extendedProperty name="OpenSocialUserId" value="14342673796468489274" /></author><thr:total>0</thr:total><feedburner:origLink>http://www.scifidrive.net/2010/07/waiting-for-superman.html</feedburner:origLink></entry><entry gd:etag="W/&quot;DEEAQng8cCp7ImA9WxFaEE4.&quot;"><id>tag:blogger.com,1999:blog-6644291654214652506.post-4303157286340972743</id><published>2010-07-13T05:08:00.003-04:00</published><updated>2010-07-13T11:57:23.678-04:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2010-07-13T11:57:23.678-04:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="michael bay" /><category scheme="http://www.blogger.com/atom/ns#" term="transformers 3" /><title>On Location Videos Transformers 3</title><content type="html">&lt;div style="text-align: center;"&gt;&lt;span style="font-size: large;"&gt;Transformer 3 - Optimus Prime avoiding explosions!&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;
&lt;div style="text-align: center;"&gt;&lt;object height="385" width="480"&gt;&lt;param name="movie" value="http://www.youtube.com/v/Musxx7r_SYs&amp;amp;hl=en_US&amp;amp;fs=1?rel=0"&gt;&lt;/param&gt;&lt;param name="allowFullScreen" value="true"&gt;&lt;/param&gt;&lt;param name="allowscriptaccess" value="always"&gt;&lt;/param&gt;&lt;embed src="http://www.youtube.com/v/Musxx7r_SYs&amp;amp;hl=en_US&amp;amp;fs=1?rel=0" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="480" height="385"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;/div&gt;&lt;br /&gt;
&lt;div style="text-align: center;"&gt;&lt;object height="385" width="480"&gt;&lt;param name="movie" value="http://www.youtube.com/v/lcKVbVOtFwQ&amp;amp;hl=en_US&amp;amp;fs=1?rel=0"&gt;&lt;/param&gt;&lt;param name="allowFullScreen" value="true"&gt;&lt;/param&gt;&lt;param name="allowscriptaccess" value="always"&gt;&lt;/param&gt;&lt;embed src="http://www.youtube.com/v/lcKVbVOtFwQ&amp;amp;hl=en_US&amp;amp;fs=1?rel=0" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="480" height="385"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;/div&gt;&lt;br /&gt;
Michael Bay's T3 will be shooting in Chicago's Michigan Ave. ("The Magnificent Mile") other locations will take place in L.A. (4th Ave. and Main), Milwaukee, Washington DC, Texas, Florida, Africa, Moscow, and China. T3 will also be partly filmed in Russia and&amp;nbsp; Andersen Air Force Base in Guam.&lt;br /&gt;
&amp;nbsp;&lt;span style="font-size: large;"&gt; &lt;/span&gt;&lt;br /&gt;
&lt;blockquote&gt;&lt;span style="font-size: large;"&gt;"there will be big action sequences shot in Chicago and Moscow".&lt;/span&gt;&lt;a href="https://michaelbay.com/newsblog/newsblog.php"&gt; -Michael Bay &lt;/a&gt;&lt;/blockquote&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;div style="text-align: center;"&gt;&lt;object height="385" width="640"&gt;&lt;param name="movie" value="http://www.youtube.com/v/bA-RcH2EG7Q&amp;amp;hl=en_US&amp;amp;fs=1"&gt;&lt;/param&gt;&lt;param name="allowFullScreen" value="true"&gt;&lt;/param&gt;&lt;param name="allowscriptaccess" value="always"&gt;&lt;/param&gt;&lt;embed src="http://www.youtube.com/v/bA-RcH2EG7Q&amp;amp;hl=en_US&amp;amp;fs=1" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="640" height="385"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;/div&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;div style="text-align: center;"&gt;&lt;object height="340" width="560"&gt;&lt;param name="movie" value="http://www.youtube.com/v/YDpE-cdI7H8&amp;amp;hl=en_US&amp;amp;fs=1?rel=0"&gt;&lt;/param&gt;&lt;param name="allowFullScreen" value="true"&gt;&lt;/param&gt;&lt;param name="allowscriptaccess" value="always"&gt;&lt;/param&gt;&lt;embed src="http://www.youtube.com/v/YDpE-cdI7H8&amp;amp;hl=en_US&amp;amp;fs=1?rel=0" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="560" height="340"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;/div&gt;&lt;br /&gt;
&lt;div style="text-align: center;"&gt;&lt;span style="font-size: large;"&gt;&lt;b&gt;New Transformers&amp;nbsp;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/_8AjLnnjgqyc/TDwfDj8UPaI/AAAAAAAAAYQ/jeHIVbWCc7U/s1600/Tf2007console_shockwave.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://1.bp.blogspot.com/_8AjLnnjgqyc/TDwfDj8UPaI/AAAAAAAAAYQ/jeHIVbWCc7U/s320/Tf2007console_shockwave.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;Shockwave - The main villain for T3&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/_8AjLnnjgqyc/TDwhfAF4rqI/AAAAAAAAAYY/MilmlaCqA2M/s1600/458_italia_1_1920x1200.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://3.bp.blogspot.com/_8AjLnnjgqyc/TDwhfAF4rqI/AAAAAAAAAYY/MilmlaCqA2M/s320/458_italia_1_1920x1200.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;Ferrari 458 Italia -Rumored new Autobot?&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;Sideswipe's New Look - Top Down Corvette Stingray Concept with Bumblebee and Ferrari 458 Italia&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;object height="344" width="425"&gt;&lt;param name="movie" value="http://www.youtube.com/v/5muOvy3At_8&amp;amp;hl=en_US&amp;amp;fs=1?rel=0"&gt;&lt;/param&gt;&lt;param name="allowFullScreen" value="true"&gt;&lt;/param&gt;&lt;param name="allowscriptaccess" value="always"&gt;&lt;/param&gt;&lt;embed src="http://www.youtube.com/v/5muOvy3At_8&amp;amp;hl=en_US&amp;amp;fs=1?rel=0" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="425" height="344"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;/div&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;div style="text-align: center;"&gt;Bumble Bee Music Video- a very cool working costume&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;object height="340" width="560"&gt;&lt;param name="movie" value="http://www.youtube.com/v/xXW6IUfiUw8&amp;amp;hl=en_US&amp;amp;fs=1?rel=0"&gt;&lt;/param&gt;&lt;param name="allowFullScreen" value="true"&gt;&lt;/param&gt;&lt;param name="allowscriptaccess" value="always"&gt;&lt;/param&gt;&lt;embed src="http://www.youtube.com/v/xXW6IUfiUw8&amp;amp;hl=en_US&amp;amp;fs=1?rel=0" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="560" height="340"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;/div&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;div style="text-align: center;"&gt;&lt;span style="font-size: large;"&gt;Rosie Huntington-Whiteley the new Transformers babe!&lt;/span&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/_8AjLnnjgqyc/TDwk-sE74FI/AAAAAAAAAYg/D2PwhnsYCWg/s1600/000CCC7.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="400" src="http://4.bp.blogspot.com/_8AjLnnjgqyc/TDwk-sE74FI/AAAAAAAAAYg/D2PwhnsYCWg/s400/000CCC7.jpg" width="267" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;span style="font-size: large;"&gt; &lt;/span&gt;&lt;/div&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;blockquote&gt;&lt;span style="font-size: large;"&gt;From &lt;a href="http://www.imdb.com/title/tt1399103/faq"&gt;IMDB:&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-size: large;"&gt;Due to the revived interest in 3D technology, talks between Paramount,  Industrial Light &amp;amp; Magic and Bay have considered the possibility of  the next Transformers film to be filmed in 3D. Bay has said that he's  currently working on the process of filming "Transformers 3" in 3D and  is currently Testing 3D for Use in Transformers 3.&lt;br /&gt;
&lt;br /&gt;
It has been  Confirmed that the movie will be in 3D.&lt;/span&gt;   &lt;/blockquote&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6644291654214652506-4303157286340972743?l=www.scifidrive.net' alt='' /&gt;&lt;/div&gt;&lt;div class="feedflare"&gt;
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&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/scifidrive/WEfZ/~4/yWp7fzNIGug" height="1" width="1"/&gt;</content><link rel="replies" type="application/atom+xml" href="http://www.scifidrive.net/feeds/4303157286340972743/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="https://www.blogger.com/comment.g?blogID=6644291654214652506&amp;postID=4303157286340972743" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/6644291654214652506/posts/default/4303157286340972743?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/6644291654214652506/posts/default/4303157286340972743?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/scifidrive/WEfZ/~3/yWp7fzNIGug/on-location-videos-transformers-3.html" title="On Location Videos Transformers 3" /><author><name>J.E.B.</name><email>noreply@blogger.com</email><gd:extendedProperty name="OpenSocialUserId" value="14342673796468489274" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://1.bp.blogspot.com/_8AjLnnjgqyc/TDwfDj8UPaI/AAAAAAAAAYQ/jeHIVbWCc7U/s72-c/Tf2007console_shockwave.jpg" height="72" width="72" /><thr:total>0</thr:total><feedburner:origLink>http://www.scifidrive.net/2010/07/on-location-videos-transformers-3.html</feedburner:origLink></entry><entry gd:etag="W/&quot;CUUGRnk-cCp7ImA9WxFXFUU.&quot;"><id>tag:blogger.com,1999:blog-6644291654214652506.post-1384714918685536622</id><published>2010-05-22T22:32:00.003-04:00</published><updated>2010-05-22T22:53:47.758-04:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2010-05-22T22:53:47.758-04:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="star wars" /><category scheme="http://www.blogger.com/atom/ns#" term="blogathon" /><title>Romancing Star Wars</title><content type="html">&lt;div style="text-align: left;"&gt;&lt;div style="text-align: left;"&gt;Romance and love in the Star Wars Universe three love birds bringing heart to a scifi saga! &lt;/div&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;Padme + Anakin&lt;/b&gt;&lt;br /&gt;
&lt;div style="text-align: center;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/_8AjLnnjgqyc/S_iO8uVWg-I/AAAAAAAAAXs/PD5zaLMFuVU/s1600/padme_ani.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="262" src="http://3.bp.blogspot.com/_8AjLnnjgqyc/S_iO8uVWg-I/AAAAAAAAAXs/PD5zaLMFuVU/s400/padme_ani.png" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div style="font-family: &amp;quot;Courier New&amp;quot;,Courier,monospace; text-align: center;"&gt;&lt;i&gt;&lt;b&gt;Anakin&lt;/b&gt; &lt;/i&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Courier New&amp;quot;,Courier,monospace; text-align: center;"&gt;&lt;i&gt;Don't be afraid.&lt;/i&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Courier New&amp;quot;,Courier,monospace; text-align: center;"&gt;&lt;i&gt;&lt;b&gt;Padme&lt;/b&gt; &lt;/i&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Courier New&amp;quot;,Courier,monospace; text-align: center;"&gt;&lt;i&gt;I'm not afraid to die. I've been dying a little bit each day since you came back into my life.&lt;/i&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Courier New&amp;quot;,Courier,monospace; text-align: center;"&gt;&lt;i&gt;&lt;b&gt;Anakin&lt;/b&gt; &lt;/i&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Courier New&amp;quot;,Courier,monospace; text-align: center;"&gt;&lt;i&gt;What are you talking about?&lt;/i&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Courier New&amp;quot;,Courier,monospace; text-align: center;"&gt;&lt;i&gt;&lt;b&gt;Padme&lt;/b&gt; &lt;/i&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Courier New&amp;quot;,Courier,monospace; text-align: center;"&gt;&lt;i&gt;I love you.&lt;/i&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Courier New&amp;quot;,Courier,monospace; text-align: center;"&gt;&lt;i&gt;&lt;b&gt;Anakin&lt;/b&gt; &lt;/i&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Courier New&amp;quot;,Courier,monospace; text-align: center;"&gt;&lt;i&gt;You love me? I thought we had decided not to fall in love. That we'd be forced to live a lie and that it would destroy our lives.&lt;/i&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Courier New&amp;quot;,Courier,monospace; text-align: center;"&gt;&lt;i&gt;&lt;b&gt;Padme&lt;/b&gt; &lt;/i&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Courier New&amp;quot;,Courier,monospace; text-align: center;"&gt;&lt;i&gt;I think our lives are about to be destroyed anyway. I truly... deeply... love you and before we die I want you to know.&lt;/i&gt;&lt;/div&gt;&lt;br /&gt;
A lovely couple with a tragic end that gives birth to a renewed hope. We wouldn't have the twins, Luke and Leia if it wasn't for their union.&lt;br /&gt;
&lt;br /&gt;
Poor Ani turned to the dark side in his misguided attempts to save Padme. Ani never foresaw in his visions that it was he who kills her not just with the force choke but also with the betrayal of the Republic and the Jedis. &lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;br /&gt;
"There is still good in him," Padme's words before death, leaving hope for Ani's redemption and a final balance to the Force.&lt;/div&gt;&lt;br /&gt;
&lt;div style="text-align: center;"&gt;&lt;object height="385" width="480"&gt;&lt;param name="movie" value="http://www.youtube.com/v/HOhRTWzzO58&amp;hl=en_US&amp;fs=1&amp;rel=0"&gt;&lt;/param&gt;&lt;param name="allowFullScreen" value="true"&gt;&lt;/param&gt;&lt;param name="allowscriptaccess" value="always"&gt;&lt;/param&gt;&lt;embed src="http://www.youtube.com/v/HOhRTWzzO58&amp;hl=en_US&amp;fs=1&amp;rel=0" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="480" height="385"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;/div&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;Leia + Han&lt;/b&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/_8AjLnnjgqyc/S_iIp0sijMI/AAAAAAAAAXk/kkqmFkngdYI/s1600/han_leia_ESB.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="237" src="http://4.bp.blogspot.com/_8AjLnnjgqyc/S_iIp0sijMI/AAAAAAAAAXk/kkqmFkngdYI/s400/han_leia_ESB.png" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;
The Princess and the Scoundrel meet for the first time during her rescue in the Death Star, their love sparks up after escaping Imperial destroyers attacking the Rebel base on the planet Hoth. The relationship matures when Leia rescues Han from Jabba's Palace. In the novels, Leia and Han eventually marry and have kids.&lt;br /&gt;
&lt;br /&gt;
Princess Leia and Han Solo shared many interesting conversations here's a sample:&lt;br /&gt;
&lt;br /&gt;
&lt;div style="font-family: &amp;quot;Courier New&amp;quot;,Courier,monospace; text-align: center;"&gt;&lt;i&gt;(&lt;/i&gt;&lt;i class="fine"&gt;a tremor knocks Leia into Solo's arms&lt;/i&gt;)  &lt;/div&gt;&lt;div style="font-family: &amp;quot;Courier New&amp;quot;,Courier,monospace; text-align: center;"&gt;&lt;b&gt;&lt;i&gt;Princess Leia&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Courier New&amp;quot;,Courier,monospace; text-align: center;"&gt;&lt;i&gt; Let go.&lt;/i&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Courier New&amp;quot;,Courier,monospace; text-align: center;"&gt;&lt;b&gt;&lt;i&gt;Han Solo&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Courier New&amp;quot;,Courier,monospace; text-align: center;"&gt;&lt;i&gt; Shh.&lt;/i&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Courier New&amp;quot;,Courier,monospace; text-align: center;"&gt;&lt;b&gt;&lt;i&gt;Princess Leia&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Courier New&amp;quot;,Courier,monospace; text-align: center;"&gt;&lt;i&gt;Let go, please.&lt;/i&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Courier New&amp;quot;,Courier,monospace; text-align: center;"&gt;&lt;b&gt;&lt;i&gt;Han Solo&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Courier New&amp;quot;,Courier,monospace; text-align: center;"&gt;&lt;i&gt; Don't get excited.&lt;/i&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Courier New&amp;quot;,Courier,monospace; text-align: center;"&gt;&lt;b&gt;&lt;i&gt;Princess Leia&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Courier New&amp;quot;,Courier,monospace; text-align: center;"&gt;&lt;i&gt; Captain, being held by you isn't quite enough to get me excited.&lt;/i&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Courier New&amp;quot;,Courier,monospace; text-align: center;"&gt;&lt;b&gt;&lt;i&gt;Han Solo&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Courier New&amp;quot;,Courier,monospace; text-align: center;"&gt;&lt;i&gt; Sorry sweetheart. I haven't got time for anything else.&lt;/i&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Courier New&amp;quot;,Courier,monospace; text-align: center;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div style="font-family: &amp;quot;Courier New&amp;quot;,Courier,monospace; text-align: center;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div style="font-family: &amp;quot;Courier New&amp;quot;,Courier,monospace; text-align: center;"&gt;&lt;b&gt;&lt;i&gt;Han Solo&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Courier New&amp;quot;,Courier,monospace; text-align: center;"&gt;&lt;i&gt; Well Princess, it looks like you managed to keep me here a while longer.&lt;/i&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Courier New&amp;quot;,Courier,monospace; text-align: center;"&gt;&lt;b&gt;&lt;i&gt;Princess Leia&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Courier New&amp;quot;,Courier,monospace; text-align: center;"&gt;&lt;i&gt; I had nothing to do with it. General Rieekan thinks it's dangerous for anyone to leave the system until they've activated the energy shield.&lt;/i&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Courier New&amp;quot;,Courier,monospace; text-align: center;"&gt;&lt;b&gt;&lt;i&gt;Han Solo&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Courier New&amp;quot;,Courier,monospace; text-align: center;"&gt;&lt;i&gt; That's a good story. I think you just can't bear to let a gorgeous guy like me out of your sight.&lt;/i&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Courier New&amp;quot;,Courier,monospace; text-align: center;"&gt;&lt;b&gt;&lt;i&gt;Princess Leia&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Courier New&amp;quot;,Courier,monospace; text-align: center;"&gt;&lt;i&gt; I don't know where you get your delusions, laser brain.&lt;/i&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Courier New&amp;quot;,Courier,monospace; text-align: center;"&gt;&lt;i&gt;(Chewbacca laughs)&lt;/i&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Courier New&amp;quot;,Courier,monospace; text-align: center;"&gt;&lt;b&gt;&lt;i&gt;Han Solo&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Courier New&amp;quot;,Courier,monospace; text-align: center;"&gt;&lt;i&gt; Laugh it up, fuzzball.&lt;/i&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Courier New&amp;quot;,Courier,monospace; text-align: center;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div style="font-family: &amp;quot;Courier New&amp;quot;,Courier,monospace; text-align: center;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div style="font-family: &amp;quot;Courier New&amp;quot;,Courier,monospace; text-align: center;"&gt;&lt;b&gt;&lt;i&gt;Han Solo&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Courier New&amp;quot;,Courier,monospace; text-align: center;"&gt;&lt;i&gt; Hey, Your Worship, I'm only trying to help.&lt;/i&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Courier New&amp;quot;,Courier,monospace; text-align: center;"&gt;&lt;b&gt;&lt;i&gt;Princess Leia&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Courier New&amp;quot;,Courier,monospace; text-align: center;"&gt;&lt;i&gt; Would you please stop calling me that?&lt;/i&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Courier New&amp;quot;,Courier,monospace; text-align: center;"&gt;&lt;b&gt;&lt;i&gt;Han Solo&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Courier New&amp;quot;,Courier,monospace; text-align: center;"&gt;&lt;i&gt; Sure, Leia.&lt;/i&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Courier New&amp;quot;,Courier,monospace; text-align: center;"&gt;&lt;b&gt;&lt;i&gt;Princess Leia&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Courier New&amp;quot;,Courier,monospace; text-align: center;"&gt;&lt;i&gt; You make it so difficult sometimes.&lt;/i&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Courier New&amp;quot;,Courier,monospace; text-align: center;"&gt;&lt;b&gt;&lt;i&gt;Han Solo&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Courier New&amp;quot;,Courier,monospace; text-align: center;"&gt;&lt;i&gt; I do, I really do. You could be a little nicer, though. Come on, admit it. Sometimes you think I'm all right.&lt;/i&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Courier New&amp;quot;,Courier,monospace; text-align: center;"&gt;&lt;b&gt;&lt;i&gt;Princess Leia&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Courier New&amp;quot;,Courier,monospace; text-align: center;"&gt;&lt;i&gt; Occasionally, maybe... when you aren't acting like a scoundrel.&lt;/i&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Courier New&amp;quot;,Courier,monospace; text-align: center;"&gt;&lt;b&gt;&lt;i&gt;Han Solo&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Courier New&amp;quot;,Courier,monospace; text-align: center;"&gt;&lt;i&gt; Scoundrel? Scoundrel? I like the sound of that.&lt;/i&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Courier New&amp;quot;,Courier,monospace; text-align: center;"&gt;&lt;i&gt;(Han starts to massage Leia's hand)&lt;/i&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Courier New&amp;quot;,Courier,monospace; text-align: center;"&gt;&lt;b&gt;&lt;i&gt;Princess Leia&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Courier New&amp;quot;,Courier,monospace; text-align: center;"&gt;&lt;i&gt; Stop that.&lt;/i&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Courier New&amp;quot;,Courier,monospace; text-align: center;"&gt;&lt;b&gt;&lt;i&gt;Han Solo&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Courier New&amp;quot;,Courier,monospace; text-align: center;"&gt;&lt;i&gt; Stop what?&lt;/i&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Courier New&amp;quot;,Courier,monospace; text-align: center;"&gt;&lt;b&gt;&lt;i&gt;Princess Leia&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Courier New&amp;quot;,Courier,monospace; text-align: center;"&gt;&lt;i&gt; (timidly) Stop that. My hands are dirty.&lt;/i&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Courier New&amp;quot;,Courier,monospace; text-align: center;"&gt;&lt;b&gt;&lt;i&gt;Han Solo&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Courier New&amp;quot;,Courier,monospace; text-align: center;"&gt;&lt;i&gt; My hands are dirty, too. What are you afraid of?&lt;/i&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Courier New&amp;quot;,Courier,monospace; text-align: center;"&gt;&lt;b&gt;&lt;i&gt;Princess Leia&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Courier New&amp;quot;,Courier,monospace; text-align: center;"&gt;&lt;i&gt; Afraid?&lt;/i&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Courier New&amp;quot;,Courier,monospace; text-align: center;"&gt;&lt;b&gt;&lt;i&gt;Han Solo&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Courier New&amp;quot;,Courier,monospace; text-align: center;"&gt;&lt;i&gt; You're trembling.&lt;/i&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Courier New&amp;quot;,Courier,monospace; text-align: center;"&gt;&lt;b&gt;&lt;i&gt;Princess Leia&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Courier New&amp;quot;,Courier,monospace; text-align: center;"&gt;&lt;i&gt; I'm not trembling.&lt;/i&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Courier New&amp;quot;,Courier,monospace; text-align: center;"&gt;&lt;i&gt;(Han moves in closer)&lt;/i&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Courier New&amp;quot;,Courier,monospace; text-align: center;"&gt;&lt;b&gt;&lt;i&gt;Han Solo&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Courier New&amp;quot;,Courier,monospace; text-align: center;"&gt;&lt;i&gt; You like me because I'm a scoundrel. There aren't enough scoundrels in your life.&lt;/i&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Courier New&amp;quot;,Courier,monospace; text-align: center;"&gt;&lt;b&gt;&lt;i&gt;Princess Leia&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Courier New&amp;quot;,Courier,monospace; text-align: center;"&gt;&lt;i&gt; I happen to like nice men.&lt;/i&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Courier New&amp;quot;,Courier,monospace; text-align: center;"&gt;&lt;b&gt;&lt;i&gt;Han Solo&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Courier New&amp;quot;,Courier,monospace; text-align: center;"&gt;&lt;i&gt; I'm a nice man.&lt;/i&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Courier New&amp;quot;,Courier,monospace; text-align: center;"&gt;&lt;b&gt;&lt;i&gt;Princess Leia&lt;/i&gt;&lt;/b&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Courier New&amp;quot;,Courier,monospace; text-align: center;"&gt;&lt;i&gt; No, you're not. You're...&lt;/i&gt;&lt;/div&gt;&lt;div style="font-family: &amp;quot;Courier New&amp;quot;,Courier,monospace; text-align: center;"&gt;&lt;i&gt;(they kiss)&lt;/i&gt;&lt;/div&gt;&lt;br /&gt;
They're in love, they know.&lt;br /&gt;
&lt;br /&gt;
&lt;div style="text-align: center;"&gt;&lt;object height="385" width="480"&gt;&lt;param name="movie" value="http://www.youtube.com/v/HLLscEU93Vw&amp;hl=en_US&amp;fs=1&amp;rel=0"&gt;&lt;/param&gt;&lt;param name="allowFullScreen" value="true"&gt;&lt;/param&gt;&lt;param name="allowscriptaccess" value="always"&gt;&lt;/param&gt;&lt;embed src="http://www.youtube.com/v/HLLscEU93Vw&amp;hl=en_US&amp;fs=1&amp;rel=0" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="480" height="385"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;/div&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;Mara + Luke&lt;/b&gt;&lt;br /&gt;
&lt;br /&gt;
High assassin for the Emperor, as the &lt;i&gt;Emperor's Hand&lt;/i&gt;, Mara carried out his orders with skill and efficiency, after Palpatine's death Mara turned to a life of smuggling. She bided her time, plotting to kill Luke for the death of the Emperor but Luke explains to her what happened in the Death Star that it was Vader who killed Palpatine. They bump into each other on numerous adventures in the novels. Forced to team up in tight spots realizing how well they work together, their love blooms and eventually they marry.&lt;br /&gt;
&lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/_8AjLnnjgqyc/S_T-RymwhFI/AAAAAAAAAW8/OmDmtcvdkzw/s1600/mara_luke_portrait.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="320" src="http://2.bp.blogspot.com/_8AjLnnjgqyc/S_T-RymwhFI/AAAAAAAAAW8/OmDmtcvdkzw/s320/mara_luke_portrait.jpg" width="300" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;
Some Mara Jade Quotes from various Star Wars novels:&lt;br /&gt;
&lt;br /&gt;
&lt;span style="font-family: &amp;quot;Courier New&amp;quot;,Courier,monospace;"&gt;"Let me tell you something, Skywalker. I've wanted to kill you for a long time. I dreamed about your death every night for most of that first year. Dreamed it, plotted it- I must have run through a thousand scenarios , trying to find exactly the right way to do it. You can call it a cloud on my judgement if you want to: I'm used to it by now. It's the closest thing I've got to a permanent companion." &lt;/span&gt;&lt;br /&gt;
&lt;span style="font-family: &amp;quot;Courier New&amp;quot;,Courier,monospace;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp; ―Mara Jade to Luke Skywalker&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;span style="font-family: &amp;quot;Courier New&amp;quot;,Courier,monospace;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp; "The other reason I came in person, is that occasionally - for some unknown reason - I almost look forward to seeing you, Skywalker. Not often....... but there are times." &lt;/span&gt;&lt;br /&gt;
&lt;span style="font-family: &amp;quot;Courier New&amp;quot;,Courier,monospace;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp; ―Mara Jade to Luke Skywalker&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;span style="font-family: &amp;quot;Courier New&amp;quot;,Courier,monospace;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp; "For a relationship that started with me trying to kill you, this has become more than I could have imagined. I have never felt more complete than now, knowing we will be together, for eternity." &lt;/span&gt;&lt;br /&gt;
&lt;span style="font-family: &amp;quot;Courier New&amp;quot;,Courier,monospace;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp; ―Mara Jade to Luke Skywalker&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;div style="text-align: center;"&gt;&lt;object height="340" width="560"&gt;&lt;param name="movie" value="http://www.youtube.com/v/EREfxXZ6T1w&amp;hl=en_US&amp;fs=1&amp;rel=0"&gt;&lt;/param&gt;&lt;param name="allowFullScreen" value="true"&gt;&lt;/param&gt;&lt;param name="allowscriptaccess" value="always"&gt;&lt;/param&gt;&lt;embed src="http://www.youtube.com/v/EREfxXZ6T1w&amp;hl=en_US&amp;fs=1&amp;rel=0" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="560" height="340"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;/div&gt;&lt;br /&gt;
&lt;br /&gt;
Queen and Padawan, Princess and Scoundrel, Assassin and Paladin their union brought &lt;br /&gt;
more than just action and adventure but heart to a SciFi saga.&lt;br /&gt;
&lt;br /&gt;
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&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/scifidrive/WEfZ/~4/0U6d2vPQ7lc" height="1" width="1"/&gt;</content><link rel="replies" type="application/atom+xml" href="http://www.scifidrive.net/feeds/1384714918685536622/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="https://www.blogger.com/comment.g?blogID=6644291654214652506&amp;postID=1384714918685536622" title="1 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/6644291654214652506/posts/default/1384714918685536622?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/6644291654214652506/posts/default/1384714918685536622?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/scifidrive/WEfZ/~3/0U6d2vPQ7lc/romancing-star-wars.html" title="Romancing Star Wars" /><author><name>J.E.B.</name><email>noreply@blogger.com</email><gd:extendedProperty name="OpenSocialUserId" value="14342673796468489274" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://3.bp.blogspot.com/_8AjLnnjgqyc/S_iO8uVWg-I/AAAAAAAAAXs/PD5zaLMFuVU/s72-c/padme_ani.png" height="72" width="72" /><thr:total>1</thr:total><feedburner:origLink>http://www.scifidrive.net/2010/05/romancing-star-wars.html</feedburner:origLink></entry><entry gd:etag="W/&quot;Dk4NRHc_fip7ImA9WxFXF0g.&quot;"><id>tag:blogger.com,1999:blog-6644291654214652506.post-9002732876492336043</id><published>2010-05-18T04:34:00.015-04:00</published><updated>2010-05-24T22:36:35.946-04:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2010-05-24T22:36:35.946-04:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="star wars" /><category scheme="http://www.blogger.com/atom/ns#" term="blogathon" /><title>Star Wars Blogathon 2010</title><content type="html">&lt;div style="text-align: center;"&gt;&lt;br /&gt;
&lt;a href="http://www.scifidrive.net/p/star-wars-blogathon.html" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="480" src="http://2.bp.blogspot.com/_8AjLnnjgqyc/S9CqV_28tAI/AAAAAAAAATc/0TL2U_NAt6M/s640/scifidrive_star_wars_blogathon.jpg" width="640" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;
Welcome to the ScifiDrive Star Wars Blogathon! Here's a list of blogs participating with articles on all things Star Wars. Click on the image to visit, leave a comment if you will and may the Force be with you!&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://blogcabins.blogspot.com/2007/07/pro-con-star-wars-prequels.html" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="309" src="http://4.bp.blogspot.com/_8AjLnnjgqyc/S_IutC8rCeI/AAAAAAAAAVE/4xtl_ge1aYg/s320/blogcabins.png" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://www.cinemaobsessed.com/2009/11/spaceballs-classic-review.html" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://2.bp.blogspot.com/_8AjLnnjgqyc/S_IvqOO1g-I/AAAAAAAAAVU/E_AuZoZroJc/s320/cobsessed.png" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://thebluemeaniesarecoming.blogspot.com/2009/12/what-can-you-get-wookiee-for-christmas.html" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="320" src="http://1.bp.blogspot.com/_8AjLnnjgqyc/S_IvcfDzXGI/AAAAAAAAAVM/i1YNrwFacag/s320/bluemeanies.png" width="284" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://www.filmforager.com/2009/05/star-wars-episode-iv-new-hope-1977.html" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="320" src="http://2.bp.blogspot.com/_8AjLnnjgqyc/S_I4Dw2i50I/AAAAAAAAAVc/Wl9Ts0fZkV0/s320/FFep1.png" width="319" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://www.filmforager.com/2009/05/star-wars-episode-v-empire-strikes-back.html" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="320" src="http://3.bp.blogspot.com/_8AjLnnjgqyc/S_I4uwdLvXI/AAAAAAAAAVk/q2GURR8wBXw/s320/FFep2.png" width="319" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://www.filmforager.com/2009/06/star-wars-episode-vi-return-of-jedi.html" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="320" src="http://2.bp.blogspot.com/_8AjLnnjgqyc/S_I5Bz0GMaI/AAAAAAAAAVs/2_6qCvITkTk/s320/FFep3.png" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://www.moviemobsters.com/2010/01/01/monster-madness-creature-18-2/" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://3.bp.blogspot.com/_8AjLnnjgqyc/S_I6CVqhENI/AAAAAAAAAV0/Qwen3blkesM/s320/MM1.png" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://www.moviemobsters.com/2009/04/06/star-wars-episode-i-the-phantom-menace/" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://1.bp.blogspot.com/_8AjLnnjgqyc/S_I6Ox_phhI/AAAAAAAAAV8/GvX11XP0_aw/s320/MM2.png" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://thegreatwhitedope.blogspot.com/2010/05/star-wars-episode-i-phantom-menace-1999.html" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="175" src="http://3.bp.blogspot.com/_8AjLnnjgqyc/S_J4xsiQ6NI/AAAAAAAAAWM/w3GCsy_5NPg/s320/tgwd1.png" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://thegreatwhitedope.blogspot.com/2010/05/star-wars-episode-ii-attack-of-clones.html" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="174" src="http://4.bp.blogspot.com/_8AjLnnjgqyc/S_Ot8hMM1kI/AAAAAAAAAWs/_N6P8vOSX-c/s320/tgwd2.png" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://thegreatwhitedope.blogspot.com/2010/05/star-wars-episode-iii-revenge-of-sith_20.html" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="173" src="http://3.bp.blogspot.com/_8AjLnnjgqyc/S_T1eg62bEI/AAAAAAAAAW0/5Ocu77VeJn8/s320/tgwd3.png" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://thegreatwhitedope.blogspot.com/2010/05/star-wars-1977.html" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="176" src="http://3.bp.blogspot.com/_8AjLnnjgqyc/S_cHSzp6uMI/AAAAAAAAAXE/UgGkgIPa3s0/s320/tgwd4.png" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://thegreatwhitedope.blogspot.com/2010/05/star-wars-empire-strikes-back-1980.html" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="197" src="http://1.bp.blogspot.com/_8AjLnnjgqyc/S_s2x0AAjWI/AAAAAAAAAX8/EUQ-t3-DDpg/s320/tgwd5.png" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://thegreatwhitedope.blogspot.com/2010/05/star-wars-return-of-jedi-1983.html" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="197" src="http://4.bp.blogspot.com/_8AjLnnjgqyc/S_s3DD7WN3I/AAAAAAAAAYE/PL2fhpvjSZo/s320/tgwd_rotj.png" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://thegreatwhitedope.blogspot.com/2010/05/star-wars-holiday-special-1978.html" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="186" src="http://4.bp.blogspot.com/_8AjLnnjgqyc/S_d2Y3UXRDI/AAAAAAAAAXc/KOhVOfhiB8I/s320/tgwd5.png" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;a href="http://patrick.wonderal.com/blog/?p=1888" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="183" src="http://4.bp.blogspot.com/_8AjLnnjgqyc/S_J6h8ZcaeI/AAAAAAAAAWU/xNIJCxgjXSs/s320/sss1.png" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://moviewings.blogspot.com/2010/05/why-i-love-princess-leia.html" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="244" src="http://1.bp.blogspot.com/_8AjLnnjgqyc/S_MXhvwFczI/AAAAAAAAAWc/IA45zfp7Qg4/s320/movie_viewing_girl.png" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://rheaven.blogspot.com/2010/05/star-wars-blogathon-episode-iv-new-hope.html" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="178" src="http://1.bp.blogspot.com/_8AjLnnjgqyc/S_MYePozmzI/AAAAAAAAAWk/vMZotKBrQyk/s320/RH.png" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://thingthatdontsuck.blogspot.com/2010/05/revenge-of-sith.html" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="276" src="http://4.bp.blogspot.com/_8AjLnnjgqyc/S_cHuNau6UI/AAAAAAAAAXM/i1hbDKo2NAQ/s320/ttds.png" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://www.scifidrive.net/2010/05/romancing-star-wars.html" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="320" src="http://3.bp.blogspot.com/_8AjLnnjgqyc/S_iVFgw-IPI/AAAAAAAAAX0/xmOHFYX5jlg/s320/scifidrive_blogathon.png" width="275" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;
&lt;br /&gt;
Angie and Chantale from &lt;a href="http://www.cinemaobsessed.com/"&gt;CinemaObsessed&lt;/a&gt; sent their Star Wars caricature-Vader and Threepio!&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/_8AjLnnjgqyc/S_cJmxM-vKI/AAAAAAAAAXU/sVQWB2BWGu8/s1600/CO_logostarwars.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="320" src="http://3.bp.blogspot.com/_8AjLnnjgqyc/S_cJmxM-vKI/AAAAAAAAAXU/sVQWB2BWGu8/s320/CO_logostarwars.jpg" width="226" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;div style="text-align: center;"&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;b&gt;33 Years of a Beloved Saga - Star Wars!&lt;/b&gt;&lt;/div&gt;&lt;a href="http://4.bp.blogspot.com/_8AjLnnjgqyc/S_JFHX6WIHI/AAAAAAAAAWE/KTIahrrqzhE/s1600/sagaposter-final-oldlogo.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="406" src="http://4.bp.blogspot.com/_8AjLnnjgqyc/S_JFHX6WIHI/AAAAAAAAAWE/KTIahrrqzhE/s640/sagaposter-final-oldlogo.jpg" width="640" /&gt;&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://simonz.co.hu/index_eng.html"&gt;SimonZ&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6644291654214652506-9002732876492336043?l=www.scifidrive.net' alt='' /&gt;&lt;/div&gt;&lt;div class="feedflare"&gt;
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&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/scifidrive/WEfZ/~4/z0JHBRg71zk" height="1" width="1"/&gt;</content><link rel="replies" type="application/atom+xml" href="http://www.scifidrive.net/feeds/9002732876492336043/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="https://www.blogger.com/comment.g?blogID=6644291654214652506&amp;postID=9002732876492336043" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/6644291654214652506/posts/default/9002732876492336043?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/6644291654214652506/posts/default/9002732876492336043?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/scifidrive/WEfZ/~3/z0JHBRg71zk/star-wars-blogathon-2010.html" title="Star Wars Blogathon 2010" /><author><name>J.E.B.</name><email>noreply@blogger.com</email><gd:extendedProperty name="OpenSocialUserId" value="14342673796468489274" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://2.bp.blogspot.com/_8AjLnnjgqyc/S9CqV_28tAI/AAAAAAAAATc/0TL2U_NAt6M/s72-c/scifidrive_star_wars_blogathon.jpg" height="72" width="72" /><thr:total>0</thr:total><feedburner:origLink>http://www.scifidrive.net/2010/05/star-wars-blogathon-2010.html</feedburner:origLink></entry><entry gd:etag="W/&quot;D08HQXg4fSp7ImA9WxFQFE0.&quot;"><id>tag:blogger.com,1999:blog-6644291654214652506.post-7478329351869091879</id><published>2010-05-03T09:14:00.004-04:00</published><updated>2010-05-09T07:50:30.635-04:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2010-05-09T07:50:30.635-04:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="dance" /><category scheme="http://www.blogger.com/atom/ns#" term="blogathon" /><category scheme="http://www.blogger.com/atom/ns#" term="scifi" /><category scheme="http://www.blogger.com/atom/ns#" term="science fiction" /><title>Singing &amp; Grooving in SciFi Movies</title><content type="html">A previous &lt;a href="http://www.ferdyonfilms.com/?p=287"&gt;blogathon&lt;/a&gt; I participated and enjoyed, read on!&lt;br /&gt;
&lt;br /&gt;
&lt;div style="text-align: left;"&gt;Singing&lt;b&gt; &lt;/b&gt;and grooving to the music, here's a look at some SciFi movie scenes with a touch of song and dance.&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;b&gt;Metropolis (1927) &lt;/b&gt;&lt;i&gt;Yoshiwara&lt;/i&gt;&lt;/div&gt;&lt;b&gt;Yoshiwara's&lt;/b&gt; House of Sin from Fritz Lang's "Metropolis" - a place of illicit activity, beautiful showgirls, and a hangout for the power class. The robot Maria  performs a salome style dance and mesmerizes the panting, clubgoers into a lustful frenzy.&lt;br /&gt;
&lt;br /&gt;
The evil robot's seduction triggers a revolt among the workers a portent of things to come at the end of the dance when she sits on a multi-headed dragon/beast, a symbol of Revelation's Whore of Babylon. Metropolis' lower levels are flooded to quash the riot leaving the city in destruction.&lt;br /&gt;
&lt;br /&gt;
&lt;div style="text-align: center;"&gt;&lt;object classid="clsid:d27cdb6e-ae6d-11cf-96b8-444553540000" codebase="http://download.macromedia.com/pub/shockwave/cabs/flash/swflash.cab#version=6,0,40,0" height="350" width="425"&gt;&lt;param name="quality" value="best" /&gt;&lt;param name="scale" value="noborder" /&gt;&lt;param name="src" value="http://www.youtube.com/v/rNVbFLaO2jQ" /&gt;&lt;embed type="application/x-shockwave-flash" width="425" height="350" src="http://www.youtube.com/v/rNVbFLaO2jQ" scale="noborder" quality="best"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;b&gt;A Clockwork Orange (1971) &lt;/b&gt;&lt;i&gt;Singing in the Rain&lt;/i&gt;&lt;/div&gt;&lt;b&gt;Stanley Kubrick's&lt;/b&gt; Dystopian film follows the life of an  adolescent boy, Alex DeLarge and his gang, the &lt;i&gt;Droogs&lt;/i&gt;. They invade a secluded writer's home beating him and raping his wife while Alex DeLarge belts out his irreverent version of "Singing in the Rain".&lt;br /&gt;
&lt;br /&gt;
&lt;div style="text-align: center;"&gt;&lt;object classid="clsid:d27cdb6e-ae6d-11cf-96b8-444553540000" codebase="http://download.macromedia.com/pub/shockwave/cabs/flash/swflash.cab#version=6,0,40,0" height="350" width="425"&gt;&lt;param name="src" value="http://www.youtube.com/v/6XvydYaVuSc" /&gt;&lt;embed type="application/x-shockwave-flash" width="425" height="350" src="http://www.youtube.com/v/6XvydYaVuSc"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;b&gt;Young Frankenstein (1974)&lt;/b&gt; &lt;i&gt;Puttin' on the Ritz&lt;/i&gt;&lt;/div&gt;&lt;b&gt;Mel Brooks&lt;/b&gt; hilarious satire on the Frankenstein films. Victor Frankenstein played by Gene Wilder trains the Monster (Peter Boyle) for an upcoming press conference- in order to convince the locals that the Monster is "safe". At the conference, they do a song and dance number to the tune of Irving Berlin's, "Puttin' on the Ritz".&lt;br /&gt;
&lt;br /&gt;
Dressed in tuxedo and cane mimicking Fred Astaire's "Man about Town", the duo do a tap dance routine and gets a positive response from the audience. The Monster's fear of fire interrupts the act,  going on a rampage, destroying Dr. Frankenstein's hopes for the Monster's acceptance by the populace.&lt;br /&gt;
&lt;br /&gt;
&lt;div style="text-align: center;"&gt;&lt;object classid="clsid:d27cdb6e-ae6d-11cf-96b8-444553540000" codebase="http://download.macromedia.com/pub/shockwave/cabs/flash/swflash.cab#version=6,0,40,0" height="350" width="425"&gt;&lt;param name="src" value="http://www.youtube.com/v/VH2nQHPs4aA" /&gt;&lt;embed type="application/x-shockwave-flash" width="425" height="350" src="http://www.youtube.com/v/VH2nQHPs4aA"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;b&gt;The Rocky Horror Picture Show (1975)&lt;/b&gt; &lt;i&gt;The Time Warp&lt;/i&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;b&gt;The longest running film release&lt;/b&gt; (thirty-three years) "The Rocky Horror Picture Show" is a musical parody of scifi and horror movies&lt;b&gt;.&lt;/b&gt; Stuck with a flat tire, Brad Majors (Barry Bostwick) and Janet Weiss (Susan Sarandon) seek help from a nearby castle inhabited by strange and outlandish costumed people holding an annual Transylvanian convention. The couple watch as the Transylvanians dance "The Time Warp".&lt;/div&gt;Movie audiences have fun re-enacting the dialogue and dance in front of the screen while watching the movie. "The Time Warp" the most popular song, comes with instructions on how to do the dance while watching the scene.&lt;br /&gt;
&lt;div style="text-align: center;"&gt;&lt;b&gt;Doing The Time Warp:&lt;/b&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;It's just a jump to the left.&lt;br /&gt;
And then a step to the right.&lt;br /&gt;
With your hands on your hips.&lt;br /&gt;
You bring your knees in tight.&lt;br /&gt;
But it's the pelvic thrust&lt;br /&gt;
That really drives you insane.&lt;br /&gt;
Let's do the time-warp again.&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;i&gt;Turn around and repeat the steps&lt;/i&gt;&lt;/div&gt;&lt;br /&gt;
&lt;div style="text-align: center;"&gt;&lt;embed id=VideoPlayback src=http://video.google.com/googleplayer.swf?docid=6827163268088648679&amp;hl=en&amp;fs=true style=width:400px;height:326px allowFullScreen=true allowScriptAccess=always type=application/x-shockwave-flash&gt; &lt;/embed&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;br /&gt;
&lt;div style="text-align: left;"&gt;&lt;b&gt;Xanadu (1980)&lt;/b&gt;&lt;i&gt; Whenever You're Away from Me&lt;br /&gt;
&lt;/i&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;Musical Fantasy starring Gene Kelly, Michael Beck and Olivia Newton-John. Belonging to a family of muses and goddesses Kira (Olivia Newton-John), the Olympian Muse of Dance, descends to Earth as Gene Kelly's inspiration. Gene Kelly's character,  Danny McGuire, a former band leader dreams of opening a night club, Kira inspires Danny in a song and dance "Whenever You're Away from Me".&lt;/div&gt;&lt;br /&gt;
&lt;div style="text-align: center;"&gt;&lt;object height="385" width="480"&gt;&lt;param name="movie" value="http://www.youtube.com/v/5Vsfpw3qKKc&amp;hl=en_US&amp;fs=1&amp;rel=0"&gt;&lt;/param&gt;&lt;param name="allowFullScreen" value="true"&gt;&lt;/param&gt;&lt;param name="allowscriptaccess" value="always"&gt;&lt;/param&gt;&lt;embed src="http://www.youtube.com/v/5Vsfpw3qKKc&amp;hl=en_US&amp;fs=1&amp;rel=0" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="480" height="385"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;b&gt;Return of the Jedi (1983)&lt;/b&gt; &lt;i&gt;Lapti Nek &amp;amp; Jedi Rocks&lt;/i&gt;&lt;/div&gt;&lt;br /&gt;
&lt;div style="text-align: left;"&gt;&lt;b&gt;The&lt;/b&gt; &lt;b&gt;Max Rebo Band&lt;/b&gt; , an eclectic group of alien musicians and singers plays gigs at  Jabba the Hutt's palace on Tatooine. "Lapti Nek" was sung by the group in the film's original edition.  The band's performance was accompanied by Jabba's two slave Dancers, the Twi'lek Oola and the six-breasted Askajian Yarna d'al' Gargan. The performance is interrupted when Jabba feeds  Oola to his pet rancor.&lt;br /&gt;
In the special edition the song was replaced by "Jedi Rocks" sung by Joh Yowza and Sy Snootles.&lt;/div&gt;&lt;br /&gt;
&lt;div style="text-align: center;"&gt;&lt;i&gt;Lapti Nek&lt;/i&gt;&lt;/div&gt;&lt;br /&gt;
&lt;div style="text-align: center;"&gt;&lt;object classid="clsid:d27cdb6e-ae6d-11cf-96b8-444553540000" codebase="http://download.macromedia.com/pub/shockwave/cabs/flash/swflash.cab#version=6,0,40,0" height="350" width="425"&gt;&lt;param name="src" value="http://www.youtube.com/v/ttV_PMNSYC8" /&gt;&lt;embed type="application/x-shockwave-flash" width="425" height="350" src="http://www.youtube.com/v/ttV_PMNSYC8"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;i&gt;Jedi  Rocks &lt;/i&gt;&lt;/div&gt;&lt;br /&gt;
&lt;div style="text-align: center;"&gt;&lt;object classid="clsid:d27cdb6e-ae6d-11cf-96b8-444553540000" codebase="http://download.macromedia.com/pub/shockwave/cabs/flash/swflash.cab#version=6,0,40,0" height="350" width="425"&gt;&lt;param name="src" value="http://www.youtube.com/v/evrbJkSJduE" /&gt;&lt;embed type="application/x-shockwave-flash" width="425" height="350" src="http://www.youtube.com/v/evrbJkSJduE"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;br /&gt;
&lt;div style="text-align: left;"&gt;&lt;b&gt;Indiana Jones and the Temple of Doom (1984) &lt;/b&gt;&lt;i&gt;Anything Goes&lt;br /&gt;
&lt;/i&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;b&gt;Kate Capshaw's&lt;/b&gt; character, Willie Scott performs the film's opening sequence singing Cole Porter's "Anything Goes" in Mandarin.&lt;/div&gt;Together with chorus girls, they do a Busby Berkley-style number with glitter and legs at the Club Obi Wan.&lt;br /&gt;
&lt;br /&gt;
&lt;div style="text-align: center;"&gt;&lt;object height="385" width="640"&gt;&lt;param name="movie" value="http://www.youtube.com/v/8L5UY3oVJBY&amp;hl=en_US&amp;fs=1&amp;rel=0"&gt;&lt;/param&gt;&lt;param name="allowFullScreen" value="true"&gt;&lt;/param&gt;&lt;param name="allowscriptaccess" value="always"&gt;&lt;/param&gt;&lt;embed src="http://www.youtube.com/v/8L5UY3oVJBY&amp;hl=en_US&amp;fs=1&amp;rel=0" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="640" height="385"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;b&gt;Back to the Future (1985)&lt;/b&gt; &lt;i&gt;Johnny Be Goode&lt;/i&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;b&gt;Time-travel comedy &lt;/b&gt;by Robert Zemeckis . Marty McFly&lt;b&gt; &lt;/b&gt;(Michael J. Fox) plays his version of Chuck Berry's "Johnny Be Goode" at a high school dance in 1955. McFly adds some Van Halen and Pete Townshend inspired riffs and moves to the song way before heavy metal rock was born and before Berry wrote the song.&lt;/div&gt;&lt;br /&gt;
&lt;div style="text-align: center;"&gt;&lt;object classid="clsid:d27cdb6e-ae6d-11cf-96b8-444553540000" codebase="http://download.macromedia.com/pub/shockwave/cabs/flash/swflash.cab#version=6,0,40,0" height="350" width="425"&gt;&lt;param name="src" value="http://www.youtube.com/v/gHIwDbM_4Mw" /&gt;&lt;embed type="application/x-shockwave-flash" width="425" height="350" src="http://www.youtube.com/v/gHIwDbM_4Mw"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;b&gt;The Mask (1994)&lt;/b&gt; &lt;i&gt;Gee Baby, Ain't I Good To You&lt;/i&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;b&gt;The Mask&lt;/b&gt; drops by the Congo Bongo Club  watches Tina Carlyle (Cameron Diaz) perform a sexy rendition of "Gee Baby, Ain't I Good To You" (Susan Boyd dubs).&lt;/div&gt;&lt;br /&gt;
&lt;div style="text-align: center;"&gt;&lt;object classid="clsid:d27cdb6e-ae6d-11cf-96b8-444553540000" codebase="http://download.macromedia.com/pub/shockwave/cabs/flash/swflash.cab#version=6,0,40,0" height="350" width="425"&gt;&lt;param name="src" value="http://www.youtube.com/v/WfjuZVG4wGM&amp;amp;NR" /&gt;&lt;embed type="application/x-shockwave-flash" width="425" height="350" src="http://www.youtube.com/v/WfjuZVG4wGM&amp;amp;NR"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;b&gt;The Fifth Element (1997)&lt;/b&gt; &lt;i&gt;The Diva Dance&lt;/i&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;b&gt;Tall and all blue&lt;/b&gt; Diva Plavalaguna (MaÃ¯wenn Le Besco) performs at the Spaceliner, Fhloston Paradise singing an aria from Gaetano Donizetti's Opera, "Lucia di Lammermoor" (voiced by Inva Mula-Tchako). Later the Diva shifts tempo singing and dancing to a pop beat cutting into another scene with the Fifth Element,  Leeloo does a ballet - choreograph fight scene with the Mangalores.&lt;/div&gt;The Diva's vocalization was electronically altered to achieve the extreme tonal range.&lt;br /&gt;
&lt;br /&gt;
&lt;div style="text-align: center;"&gt;&lt;object classid="clsid:d27cdb6e-ae6d-11cf-96b8-444553540000" codebase="http://download.macromedia.com/pub/shockwave/cabs/flash/swflash.cab#version=6,0,40,0" height="350" width="425"&gt;&lt;param name="src" value="http://www.youtube.com/v/ry-xsbppvCk" /&gt;&lt;embed type="application/x-shockwave-flash" width="425" height="350" src="http://www.youtube.com/v/ry-xsbppvCk"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;b&gt;Star Trek Insurrection (1998)&lt;/b&gt; &lt;i&gt;A British Tar&lt;/i&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;b&gt;Captain Jean Luc Picard &lt;/b&gt;attempting to disarm a renegade Data distracts him by singing "A British Tar" from Gilbert and Sullivan's "H.M.S. Pinafore".&lt;/div&gt;&lt;br /&gt;
&lt;div style="text-align: center;"&gt;&lt;object classid="clsid:d27cdb6e-ae6d-11cf-96b8-444553540000" codebase="http://download.macromedia.com/pub/shockwave/cabs/flash/swflash.cab#version=6,0,40,0" height="350" width="425"&gt;&lt;param name="src" value="http://www.youtube.com/v/RVSV7gxVjFg" /&gt;&lt;embed type="application/x-shockwave-flash" width="425" height="350" src="http://www.youtube.com/v/RVSV7gxVjFg"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;b&gt;Dark City (1998)&lt;/b&gt; &lt;i&gt;Sway&lt;/i&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;b&gt;Alex Proyas'&lt;/b&gt; SciFi Film-Noir features Jennifer Connelly as Emma Murdoch singing a sultry version of "Sway" in a local night club. "Sway" was dubbed by singer Anita Kelsey.&lt;/div&gt;&lt;br /&gt;
&lt;div style="text-align: center;"&gt;&lt;object classid="clsid:d27cdb6e-ae6d-11cf-96b8-444553540000" codebase="http://download.macromedia.com/pub/shockwave/cabs/flash/swflash.cab#version=6,0,40,0" height="350" width="425"&gt;&lt;param name="src" value="http://www.youtube.com/v/ZFZaiuySd5M" /&gt;&lt;embed type="application/x-shockwave-flash" width="425" height="350" src="http://www.youtube.com/v/ZFZaiuySd5M"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;b&gt;Mission to Mars (2000)&lt;/b&gt; &lt;i&gt;Dance the Night Away&lt;/i&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;b&gt;The Mars crew&lt;/b&gt; takes a break and do some zero gravity dancing to Van Halen's song, "Dance the Night Away".&lt;/div&gt;Woody with no talent for dancing, takes advantage of the zero gravity environment to fulfill his wife Terri's wishes for a dance.&lt;br /&gt;
&lt;br /&gt;
&lt;div style="text-align: center;"&gt;&lt;object classid="clsid:d27cdb6e-ae6d-11cf-96b8-444553540000" codebase="http://download.macromedia.com/pub/shockwave/cabs/flash/swflash.cab#version=6,0,40,0" height="350" width="425"&gt;&lt;param name="src" value="http://www.youtube.com/v/ND0r9sa2mw4" /&gt;&lt;embed type="application/x-shockwave-flash" width="425" height="350" src="http://www.youtube.com/v/ND0r9sa2mw4"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;b&gt;Battlestar Galactica (1978)&lt;/b&gt; &lt;a href="http://en.battlestarwiki.org/wiki/Fred_Astaire"&gt;&lt;i&gt;The Man with Nine Lives&lt;/i&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;Acceding requests from his grandchildren to appear on their favorite television show, &lt;b&gt;Fred Astaire&lt;/b&gt; asked his agent to get him a role in &lt;b&gt;Battlestar Galactica.&lt;/b&gt; Fred Astaire made a guest appearance in the episode, "&lt;b&gt;The Man with Nine Lives&lt;/b&gt;" as Chameleon, a con man on the run pretending to be &lt;b&gt;Starbuck's&lt;/b&gt; long lost father. One of the memorable episodes of the classic Battlestar Galactica series.&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div style="text-align: left;"&gt;Adding just a touch of song or dance (or both), a musical number enhances the film's entertainment value. It's a beautiful way to liven up the plot or give the audience a respite from the story. The film's memorable scenes are usually the musical numbers. We need more films spiced up with some singin' and groovin' to complement their storyline and may the studios be more forthcoming.&lt;/div&gt;&lt;div style="text-align: left;"&gt;Hope you enjoyed the show and drop by &lt;a href="http://www.ferdyonfilms.com/?p=287" target="_blank"&gt;&lt;b&gt;Ferdy on Films, etc &lt;/b&gt;&lt;/a&gt;for more great posts on the Dance-Movie Blogathon.&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;b&gt;&lt;a href="http://www.youtube.com/view_play_list?p=FE2CF51635827E91" target="_blank"&gt;Singing &amp;amp; Grooving in SciFi Movies Playlist&lt;/a&gt;&lt;/b&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6644291654214652506-7478329351869091879?l=www.scifidrive.net' alt='' /&gt;&lt;/div&gt;&lt;div class="feedflare"&gt;
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&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/scifidrive/WEfZ/~4/KmQO-yol340" height="1" width="1"/&gt;</content><link rel="replies" type="application/atom+xml" href="http://www.scifidrive.net/feeds/7478329351869091879/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="https://www.blogger.com/comment.g?blogID=6644291654214652506&amp;postID=7478329351869091879" title="1 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/6644291654214652506/posts/default/7478329351869091879?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/6644291654214652506/posts/default/7478329351869091879?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/scifidrive/WEfZ/~3/KmQO-yol340/singing-grooving-in-scifi-movies.html" title="Singing &amp; Grooving in SciFi Movies" /><author><name>J.E.B.</name><email>noreply@blogger.com</email><gd:extendedProperty name="OpenSocialUserId" value="14342673796468489274" /></author><thr:total>1</thr:total><feedburner:origLink>http://www.scifidrive.net/2010/05/singing-grooving-in-scifi-movies.html</feedburner:origLink></entry><entry gd:etag="W/&quot;C04HSHo9cSp7ImA9WxFRFko.&quot;"><id>tag:blogger.com,1999:blog-6644291654214652506.post-789048786230654053</id><published>2010-04-30T09:08:00.002-04:00</published><updated>2010-04-30T19:58:59.469-04:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2010-04-30T19:58:59.469-04:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="films" /><category scheme="http://www.blogger.com/atom/ns#" term="review" /><category scheme="http://www.blogger.com/atom/ns#" term="iron man 2" /><category scheme="http://www.blogger.com/atom/ns#" term="movie" /><title>Iron Man 2 Review: See Mjolnir at the End Credits</title><content type="html">Spoilers ahead but just so you know, Iron Man 2 is Awesome!&lt;br /&gt;
&lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/_8AjLnnjgqyc/S9rQ-NyGCHI/AAAAAAAAAUE/1SOLNvL6-kU/s1600/whiplash.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="236" src="http://3.bp.blogspot.com/_8AjLnnjgqyc/S9rQ-NyGCHI/AAAAAAAAAUE/1SOLNvL6-kU/s400/whiplash.png" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;
&lt;br /&gt;
It begins where the first film ends, with the press conference, zooming into the city to a small run down Moscow apartment where Tony Stark's press conference is visible on TV. A dying man says his last words, the son cries out, the scene shifts to the walls covered with news clippings from another era including the blueprints of the ARC reactor with two names visible - Howard Stark and Anton Vanko.&lt;br /&gt;
&lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/_8AjLnnjgqyc/S9rRfcleunI/AAAAAAAAAUM/viPPCr0WRz0/s1600/im2_wp1_1280.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="320" src="http://4.bp.blogspot.com/_8AjLnnjgqyc/S9rRfcleunI/AAAAAAAAAUM/viPPCr0WRz0/s400/im2_wp1_1280.jpg" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;
Ivan Vanko (Mickey Rourke) builds a chest piece similiar to Tony Stark's - the title sequence runs.&lt;br /&gt;
&lt;br /&gt;
Jon Favreau has done a fantastic job creating a sequel worthy of the first Iron Man film&amp;nbsp; from setting up Ivan Vanko's reason for destroying Stark to the introduction of new characters, Scarlett Johansson does a beautiful job portraying Nastasha Romanoff including the action, Samuel L. Jackson's Nick Fury has better visibility, Don Cheadle is just great as Lt. Col. Rhodes. Original cast members Gwyneth Paltrow as Pepper Potts, Jon Favreau replaying Happy Hogan - all great and nice to see them again. Agent Coulson (Clark Gregg) gets limited viewing but with a key scene in the end.&lt;br /&gt;
&lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/_8AjLnnjgqyc/S9rS6nd-QuI/AAAAAAAAAUU/Kc42qCMONIw/s1600/im2_hammer.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="196" src="http://1.bp.blogspot.com/_8AjLnnjgqyc/S9rS6nd-QuI/AAAAAAAAAUU/Kc42qCMONIw/s320/im2_hammer.png" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;
Sam Rockwell's Justin Hammer isn't as mean and serious as Jeff Bridges'&lt;br /&gt;
Obadiah Stane. He comes out more weasel than warlord. Mickey Rourke - great character portrayal as the vengeful Whiplash.&lt;br /&gt;
&lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/_8AjLnnjgqyc/S9rTXAatgXI/AAAAAAAAAUc/N_LChbV_3Ic/s1600/im2_wp4_1280.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://2.bp.blogspot.com/_8AjLnnjgqyc/S9rTXAatgXI/AAAAAAAAAUc/N_LChbV_3Ic/s320/im2_wp4_1280.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;
Storyline suffers a bit in the middle when Stark has to confront his imminent death due to toxic blood chemistry caused by his body's reaction to his chest piece. It slows down a little while Stark's re-invents a new chest piece (triangular) plus an alcoholic bout but gets back with a vengeance when Iron Man with War Machine battles Crimson Dynamo/Whiplash and armored drones. Amazing!&lt;br /&gt;
&lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/_8AjLnnjgqyc/S9rTzqt29FI/AAAAAAAAAUk/QkgdjElDfqU/s1600/im2_wp6_1280.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://1.bp.blogspot.com/_8AjLnnjgqyc/S9rTzqt29FI/AAAAAAAAAUk/QkgdjElDfqU/s320/im2_wp6_1280.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;
Where does it go from here? Its time to reveal the Mandarin and the origin of his ten rings - the starship that crashes to Earth containing the rings that will transform him into Iron Man's deadliest foe - plus an additional villain, &lt;a href="http://marvel.com/universe/Fin_Fang_Foom"&gt;Fin Fang Foom&lt;/a&gt; one of the ship's occupants. There's a huge potential story for &lt;a href="http://www.imdb.com/title/tt1300854/"&gt;Iron Man 3&lt;/a&gt;&amp;nbsp; director Jon Favreau has done a great job with the franchise, its in good hands Marvel should consider themselves lucky to have his dedication and craft. &lt;br /&gt;
&lt;br /&gt;
RDJ is as usual, fantastic as Tony Stark, nuff said!&lt;br /&gt;
&lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/_8AjLnnjgqyc/S9rV2zxb1WI/AAAAAAAAAU0/Het9KQwp7Qc/s1600/warhammer.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="192" src="http://3.bp.blogspot.com/_8AjLnnjgqyc/S9rV2zxb1WI/AAAAAAAAAU0/Het9KQwp7Qc/s320/warhammer.png" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;
&lt;br /&gt;
&amp;nbsp;(Spoiler below!)&lt;br /&gt;
&lt;br /&gt;
Stark mistakenly refers to Stan Lee as Larry King.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;div style="text-align: center;"&gt;The legendary Hammer of Thor (Mjolnir)&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://www.imdb.com/title/tt0800369/" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://1.bp.blogspot.com/_8AjLnnjgqyc/S9rURJic7mI/AAAAAAAAAUs/SAH48A4xLCw/s320/Thor_Mjolnir.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6644291654214652506-789048786230654053?l=www.scifidrive.net' alt='' /&gt;&lt;/div&gt;&lt;div class="feedflare"&gt;
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&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/scifidrive/WEfZ/~4/ceLBGkTFReE" height="1" width="1"/&gt;</content><link rel="replies" type="application/atom+xml" href="http://www.scifidrive.net/feeds/789048786230654053/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="https://www.blogger.com/comment.g?blogID=6644291654214652506&amp;postID=789048786230654053" title="1 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/6644291654214652506/posts/default/789048786230654053?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/6644291654214652506/posts/default/789048786230654053?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/scifidrive/WEfZ/~3/ceLBGkTFReE/iron-man-2-review-see-mjolnir-at-end.html" title="Iron Man 2 Review: See Mjolnir at the End Credits" /><author><name>J.E.B.</name><email>noreply@blogger.com</email><gd:extendedProperty name="OpenSocialUserId" value="14342673796468489274" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://3.bp.blogspot.com/_8AjLnnjgqyc/S9rQ-NyGCHI/AAAAAAAAAUE/1SOLNvL6-kU/s72-c/whiplash.png" height="72" width="72" /><thr:total>1</thr:total><feedburner:origLink>http://www.scifidrive.net/2010/04/iron-man-2-review-see-mjolnir-at-end.html</feedburner:origLink></entry><entry gd:etag="W/&quot;CEIDQH0_fip7ImA9WxFRFkU.&quot;"><id>tag:blogger.com,1999:blog-6644291654214652506.post-2963189570553352901</id><published>2010-04-26T06:25:00.005-04:00</published><updated>2010-04-30T22:56:11.346-04:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2010-04-30T22:56:11.346-04:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="lambs" /><category scheme="http://www.blogger.com/atom/ns#" term="scorsese" /><category scheme="http://www.blogger.com/atom/ns#" term="director" /><title>Martin Scorsese:Early Films</title><content type="html">&lt;div style="text-align: left;"&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/_8AjLnnjgqyc/S9UrqQB-EoI/AAAAAAAAAT0/qSZSoT57-CY/s1600/scorsese2.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://3.bp.blogspot.com/_8AjLnnjgqyc/S9UrqQB-EoI/AAAAAAAAAT0/qSZSoT57-CY/s320/scorsese2.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;&lt;span style="font-size: x-large;"&gt;S&lt;/span&gt;&lt;/b&gt;corsese born in New York grew up watching films at an early age,developing a love for the cinema. He got in NYU film school, his first production,         &lt;i&gt;           It's Not Just You Murray! &lt;/i&gt;won the 1964 Producer's Guild Award for Best Student Film&lt;i&gt;.&lt;/i&gt;&lt;br /&gt;
&lt;br /&gt;
Influenced by Italian cinema's neo-realism, Scorsese early works was a window to his New York childhood&lt;i&gt; &lt;/i&gt;a mixture of street life and movies he watched. The early films showed the energy and grit that will evolved in his future films.&lt;br /&gt;
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Here are two films Scorsese has done as a student filmmaker at NYU. The third, &lt;i&gt;Who's That Knocking at my Door&lt;/i&gt;, is his first feature.&lt;/div&gt;&lt;br /&gt;
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&lt;div style="text-align: left;"&gt;&amp;nbsp;&lt;b&gt;It's Not Just You Murray! (1964)&lt;/b&gt;&lt;/div&gt;A short film on the life of a small time hood and his back-stabbing associate, in &lt;i&gt;Murray &lt;/i&gt;Scorsese&lt;i&gt; &lt;/i&gt;just holds the camera going about New York filming with close ups and zooms. Its well paced, clever, satirical and this is a student film. Scorsese has a natural talent for interpretation - visualizing his ideas to the point, no more no less.&lt;br /&gt;
&lt;div style="text-align: center;"&gt;&lt;i&gt; &lt;/i&gt;&lt;br /&gt;
&lt;div style="text-align: left;"&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;/div&gt;&lt;i&gt; &lt;br /&gt;
&lt;object height="385" width="640"&gt;&lt;param name="movie" value="http://www.youtube.com/v/93gqQ5osKLo&amp;hl=en_US&amp;fs=1&amp;"&gt;&lt;/param&gt;&lt;param name="allowFullScreen" value="true"&gt;&lt;/param&gt;&lt;param name="allowscriptaccess" value="always"&gt;&lt;/param&gt;&lt;embed src="http://www.youtube.com/v/93gqQ5osKLo&amp;hl=en_US&amp;fs=1&amp;" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="640" height="385"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;/i&gt;&lt;/div&gt;&lt;i&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;/i&gt;&lt;br /&gt;
&lt;b&gt;The Big Shave (1967)&lt;/b&gt;&lt;i&gt;&lt;br /&gt;
&lt;/i&gt;A man gradually shaves his hair eventually shaving off his skin. The scene gets graphic and bloody&amp;nbsp; Done as a project for his film class Scorsese depicted the Vietnam war's self destruction in a shave.&lt;i&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;/i&gt;&lt;br /&gt;
&lt;div style="text-align: center;"&gt;&lt;i&gt;&lt;object height="285" width="480"&gt;&lt;param name="movie" value="http://www.dailymotion.com/swf/video/x2jwek"&gt;&lt;/param&gt;&lt;param name="allowFullScreen" value="true"&gt;&lt;/param&gt;&lt;param name="allowScriptAccess" value="always"&gt;&lt;/param&gt;&lt;embed type="application/x-shockwave-flash" src="http://www.dailymotion.com/swf/video/x2jwek" width="480" height="285" allowfullscreen="true" allowscriptaccess="always"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;/i&gt;&lt;/div&gt;&lt;i&gt;&lt;b&gt;&lt;a href="http://www.dailymotion.com/video/x2jwek_the-big-shave-martin-scorsese_shortfilms"&gt;THE BIG SHAVE - MARTIN SCORSESE&lt;/a&gt;&lt;/b&gt;&lt;br /&gt;
&lt;i&gt;Uploaded by &lt;a href="http://www.dailymotion.com/BobbyMilk"&gt;BobbyMilk&lt;/a&gt;. - &lt;a href="http://www.dailymotion.com/en/channel/shortfilms"&gt;Full seasons and entire episodes online.&lt;/a&gt;&lt;/i&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;/i&gt;&lt;b&gt;&lt;br /&gt;
Who's That Knocking at my Door (1967)&lt;/b&gt;&lt;i&gt;&lt;br /&gt;
&lt;/i&gt;Featuring a young Harvey Keitel in his debut film&lt;i&gt;.&lt;/i&gt; The first of the J.R. trilogy clever camera work and the use of rock music as a soundtrack was a first before Easy Rider. But &lt;i&gt;Who's That Knocking at my Door &lt;/i&gt;was shown publicly three years later. Scorsese did some experimentation on camera angles, rythmn, etc, an early work that shows the evolution of a master director.&lt;br /&gt;
&lt;i&gt; &lt;br /&gt;
&lt;/i&gt;&lt;br /&gt;
&lt;div style="text-align: center;"&gt;&lt;i&gt;&lt;object height="385" width="480"&gt;&lt;param name="movie" value="http://www.youtube.com/v/oVIA1vqQfb8&amp;hl=en_US&amp;fs=1&amp;rel=0"&gt;&lt;/param&gt;&lt;param name="allowFullScreen" value="true"&gt;&lt;/param&gt;&lt;param name="allowscriptaccess" value="always"&gt;&lt;/param&gt;&lt;embed src="http://www.youtube.com/v/oVIA1vqQfb8&amp;hl=en_US&amp;fs=1&amp;rel=0" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="480" height="385"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;/i&gt;&lt;/div&gt;&lt;i&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;/i&gt;&lt;br /&gt;
&lt;div style="text-align: center;"&gt;&lt;i&gt;&lt;a href="http://largeassmovieblogs.blogspot.com/search/label/LAMBs%20in%20the%20Director%27s%20Chair" target="blank"&gt;&lt;img alt="Large Association of Movie Blogs" border="0" src="http://i956.photobucket.com/albums/ae42/mattehavoc/Directors%20Chair/scorsesebanner3.jpg" /&gt;&lt;/a&gt;&lt;/i&gt;&lt;/div&gt;&lt;i&gt;&lt;br /&gt;
&lt;/i&gt;&lt;br /&gt;
&lt;div style="text-align: center;"&gt;&lt;a href="http://largeassmovieblogs.blogspot.com/search/label/Martin%20Scorsese"&gt;&lt;b&gt;LAMBS in the Directors Chair:Martin Scorsese Index&lt;/b&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6644291654214652506-2963189570553352901?l=www.scifidrive.net' alt='' /&gt;&lt;/div&gt;&lt;div class="feedflare"&gt;
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&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/scifidrive/WEfZ/~4/180bK0A9HGE" height="1" width="1"/&gt;</content><link rel="replies" type="application/atom+xml" href="http://www.scifidrive.net/feeds/2963189570553352901/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="https://www.blogger.com/comment.g?blogID=6644291654214652506&amp;postID=2963189570553352901" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/6644291654214652506/posts/default/2963189570553352901?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/6644291654214652506/posts/default/2963189570553352901?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/scifidrive/WEfZ/~3/180bK0A9HGE/martin-scorseseearly-films.html" title="Martin Scorsese:Early Films" /><author><name>J.E.B.</name><email>noreply@blogger.com</email><gd:extendedProperty name="OpenSocialUserId" value="14342673796468489274" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://3.bp.blogspot.com/_8AjLnnjgqyc/S9UrqQB-EoI/AAAAAAAAAT0/qSZSoT57-CY/s72-c/scorsese2.jpg" height="72" width="72" /><thr:total>0</thr:total><feedburner:origLink>http://www.scifidrive.net/2010/04/martin-scorseseearly-films.html</feedburner:origLink></entry><entry gd:etag="W/&quot;DEQDQHc_fip7ImA9WxFSFEo.&quot;"><id>tag:blogger.com,1999:blog-6644291654214652506.post-1942441498680586882</id><published>2010-04-16T22:57:00.001-04:00</published><updated>2010-04-16T23:52:51.946-04:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2010-04-16T23:52:51.946-04:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="poster" /><category scheme="http://www.blogger.com/atom/ns#" term="wallpaper" /><category scheme="http://www.blogger.com/atom/ns#" term="ost" /><category scheme="http://www.blogger.com/atom/ns#" term="music" /><category scheme="http://www.blogger.com/atom/ns#" term="soundtrack" /><category scheme="http://www.blogger.com/atom/ns#" term="kick ass" /><category scheme="http://www.blogger.com/atom/ns#" term="youtube" /><title>Can't Get Enough of Kick Ass? Listen to the Soundtrack!</title><content type="html">A collection of You Tube videos from the Kick Ass movie soundtrack. Enjoy!&lt;br /&gt;
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&lt;div style="text-align: center;"&gt;&lt;object height="340" width="560"&gt;&lt;param name="movie" value="http://www.youtube.com/v/F3_y_illV4s&amp;hl=en_US&amp;fs=1&amp;rel=0"&gt;&lt;/param&gt;&lt;param name="allowFullScreen" value="true"&gt;&lt;/param&gt;&lt;param name="allowscriptaccess" value="always"&gt;&lt;/param&gt;&lt;embed src="http://www.youtube.com/v/F3_y_illV4s&amp;hl=en_US&amp;fs=1&amp;rel=0" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="560" height="340"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;/div&gt;&lt;br /&gt;
&lt;br /&gt;
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&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://www.mikasounds.com/home"&gt;&lt;img border="0" height="282" src="http://4.bp.blogspot.com/_8AjLnnjgqyc/S8kUGSobsOI/AAAAAAAAAS0/CwMS6eENmrU/s400/mika_dailymirror_mar10.jpg" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;
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&lt;div style="text-align: center;"&gt;&lt;object height="340" width="560"&gt;&lt;param name="movie" value="http://www.youtube.com/v/hEhutIEUq8k&amp;hl=en_US&amp;fs=1&amp;rel=0"&gt;&lt;/param&gt;&lt;param name="allowFullScreen" value="true"&gt;&lt;/param&gt;&lt;param name="allowscriptaccess" value="always"&gt;&lt;/param&gt;&lt;embed src="http://www.youtube.com/v/hEhutIEUq8k&amp;hl=en_US&amp;fs=1&amp;rel=0" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="560" height="340"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;/div&gt;&lt;br /&gt;
&lt;blockquote&gt;By now it is clear that Mika is not as other artists are. His surname could just as well be ‘Singular’. Enveloped in an imaginative musical world of his own creation, he is one of the few British male pop stars of his age that doesn’t run with the pack. Classically trained, racially mixed and prone to theatrical physical gesture, he has become a scion of ambitiously delivered self-expression. He says his music can be condensed easily, ‘the basic principals are that it is joyful and empowering and doesn’t cowtow to fashion or convention,’ calling to mind an old and almost forgotten pop notion: individuality. &lt;a href="http://www.mikasounds.com/about"&gt;About Mika &lt;/a&gt;&lt;/blockquote&gt;&lt;br /&gt;
&lt;div style="text-align: center;"&gt;&lt;object height="385" width="480"&gt;&lt;param name="movie" value="http://www.youtube.com/v/B2rVSXoKYbU&amp;hl=en_US&amp;fs=1&amp;rel=0"&gt;&lt;/param&gt;&lt;param name="allowFullScreen" value="true"&gt;&lt;/param&gt;&lt;param name="allowscriptaccess" value="always"&gt;&lt;/param&gt;&lt;embed src="http://www.youtube.com/v/B2rVSXoKYbU&amp;hl=en_US&amp;fs=1&amp;rel=0" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="480" height="385"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;/div&gt;&lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/_8AjLnnjgqyc/S8ki2nTjJbI/AAAAAAAAAS8/VGMb0IM2ZBg/s1600/BigDaddy_1024x768_RB.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="300" src="http://1.bp.blogspot.com/_8AjLnnjgqyc/S8ki2nTjJbI/AAAAAAAAAS8/VGMb0IM2ZBg/s400/BigDaddy_1024x768_RB.jpg" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;
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&lt;div style="text-align: center;"&gt;&lt;object height="385" width="480"&gt;&lt;param name="movie" value="http://www.youtube.com/v/8lishgplbvg&amp;hl=en_US&amp;fs=1&amp;rel=0"&gt;&lt;/param&gt;&lt;param name="allowFullScreen" value="true"&gt;&lt;/param&gt;&lt;param name="allowscriptaccess" value="always"&gt;&lt;/param&gt;&lt;embed src="http://www.youtube.com/v/8lishgplbvg&amp;hl=en_US&amp;fs=1&amp;rel=0" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="480" height="385"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;/div&gt;&lt;br /&gt;
&lt;div style="text-align: center;"&gt;&lt;object height="385" width="480"&gt;&lt;param name="movie" value="http://www.youtube.com/v/CCswUkIpnho&amp;hl=en_US&amp;fs=1&amp;rel=0"&gt;&lt;/param&gt;&lt;param name="allowFullScreen" value="true"&gt;&lt;/param&gt;&lt;param name="allowscriptaccess" value="always"&gt;&lt;/param&gt;&lt;embed src="http://www.youtube.com/v/CCswUkIpnho&amp;hl=en_US&amp;fs=1&amp;rel=0" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="480" height="385"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;/div&gt;&lt;br /&gt;
&lt;div style="text-align: center;"&gt;&lt;object height="385" width="480"&gt;&lt;param name="movie" value="http://www.youtube.com/v/AEz8s9EJpaI&amp;hl=en_US&amp;fs=1&amp;rel=0"&gt;&lt;/param&gt;&lt;param name="allowFullScreen" value="true"&gt;&lt;/param&gt;&lt;param name="allowscriptaccess" value="always"&gt;&lt;/param&gt;&lt;embed src="http://www.youtube.com/v/AEz8s9EJpaI&amp;hl=en_US&amp;fs=1&amp;rel=0" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="480" height="385"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;/div&gt;&lt;br /&gt;
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&lt;br /&gt;
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&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/_8AjLnnjgqyc/S8kjeFb9XII/AAAAAAAAATU/w3-_RiXbwDc/s1600/KickAss_1024x768_RB.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="300" src="http://1.bp.blogspot.com/_8AjLnnjgqyc/S8kjeFb9XII/AAAAAAAAATU/w3-_RiXbwDc/s400/KickAss_1024x768_RB.jpg" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;
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&lt;div style="text-align: center;"&gt;&lt;a href="http://www.kickass-themovie.com/"&gt;Kick Ass-the Movie.com&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6644291654214652506-1942441498680586882?l=www.scifidrive.net' alt='' /&gt;&lt;/div&gt;&lt;div class="feedflare"&gt;
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&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/scifidrive/WEfZ/~4/1aFdsezKfmY" height="1" width="1"/&gt;</content><link rel="replies" type="application/atom+xml" href="http://www.scifidrive.net/feeds/1942441498680586882/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="https://www.blogger.com/comment.g?blogID=6644291654214652506&amp;postID=1942441498680586882" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/6644291654214652506/posts/default/1942441498680586882?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/6644291654214652506/posts/default/1942441498680586882?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/scifidrive/WEfZ/~3/1aFdsezKfmY/cant-get-enough-of-kick-ass-listen-to.html" title="Can't Get Enough of Kick Ass? Listen to the Soundtrack!" /><author><name>J.E.B.</name><email>noreply@blogger.com</email><gd:extendedProperty name="OpenSocialUserId" value="14342673796468489274" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://4.bp.blogspot.com/_8AjLnnjgqyc/S8kUGSobsOI/AAAAAAAAAS0/CwMS6eENmrU/s72-c/mika_dailymirror_mar10.jpg" height="72" width="72" /><thr:total>0</thr:total><feedburner:origLink>http://www.scifidrive.net/2010/04/cant-get-enough-of-kick-ass-listen-to.html</feedburner:origLink></entry><entry gd:etag="W/&quot;CUcEQ3c-fSp7ImA9WxFSFE4.&quot;"><id>tag:blogger.com,1999:blog-6644291654214652506.post-27532263048538065</id><published>2010-04-16T11:38:00.001-04:00</published><updated>2010-04-16T11:50:02.955-04:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2010-04-16T11:50:02.955-04:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="review" /><category scheme="http://www.blogger.com/atom/ns#" term="movie" /><category scheme="http://www.blogger.com/atom/ns#" term="kick ass" /><title>Kick Up a Good Time with Kick Ass!</title><content type="html">&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/_8AjLnnjgqyc/S8h6X7DNeEI/AAAAAAAAASs/ZPN6cTIgpS8/s1600/kick_ass_poster.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://3.bp.blogspot.com/_8AjLnnjgqyc/S8h6X7DNeEI/AAAAAAAAASs/ZPN6cTIgpS8/s320/kick_ass_poster.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;It's a fun funny movie with incredible action stunts Chloe Moretz is amazing as Hit Girl! The movie does a homage to the 60's Batman TV series and Quentin Tarantino films and yes, the action has a lot of gore giving the movie an R rating.&lt;br /&gt;
&lt;br /&gt;
Kick Ass gives a good blend of funny and reality Aaron Johnson's superhero fantasies are tempered by cold reality when as Kick Ass he gets stabbed, ran over and left for dead. It becomes more fantastic with the introduction of Big Daddy (Nicholas Cage) and Hit Girl (Chloe Moretz) again, tempered by cold reality with their origins.&lt;br /&gt;
&lt;br /&gt;
Once the action starts you begin to feel your in a Tarantino flick (more like Kill Bill) and its an amazing feeling you won't forget!&lt;br /&gt;
&lt;br /&gt;
Planning to watch it again soon. So, go kick up a good time with Kick Ass, Big Daddy and Hit Girl! Can't wait for the next!&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;div style="text-align: center;"&gt;&lt;object height="385" width="480"&gt;&lt;param name="movie" value="http://www.youtube.com/v/Wu7JRsGZjCg&amp;hl=en_US&amp;fs=1&amp;rel=0"&gt;&lt;/param&gt;&lt;param name="allowFullScreen" value="true"&gt;&lt;/param&gt;&lt;param name="allowscriptaccess" value="always"&gt;&lt;/param&gt;&lt;embed src="http://www.youtube.com/v/Wu7JRsGZjCg&amp;hl=en_US&amp;fs=1&amp;rel=0" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="480" height="385"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6644291654214652506-27532263048538065?l=www.scifidrive.net' alt='' /&gt;&lt;/div&gt;&lt;div class="feedflare"&gt;
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&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/scifidrive/WEfZ/~4/14jwe4jL-TE" height="1" width="1"/&gt;</content><link rel="replies" type="application/atom+xml" href="http://www.scifidrive.net/feeds/27532263048538065/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="https://www.blogger.com/comment.g?blogID=6644291654214652506&amp;postID=27532263048538065" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/6644291654214652506/posts/default/27532263048538065?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/6644291654214652506/posts/default/27532263048538065?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/scifidrive/WEfZ/~3/14jwe4jL-TE/kick-up-good-time-with-kick-ass.html" title="Kick Up a Good Time with Kick Ass!" /><author><name>J.E.B.</name><email>noreply@blogger.com</email><gd:extendedProperty name="OpenSocialUserId" value="14342673796468489274" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://3.bp.blogspot.com/_8AjLnnjgqyc/S8h6X7DNeEI/AAAAAAAAASs/ZPN6cTIgpS8/s72-c/kick_ass_poster.jpg" height="72" width="72" /><thr:total>0</thr:total><feedburner:origLink>http://www.scifidrive.net/2010/04/kick-up-good-time-with-kick-ass.html</feedburner:origLink></entry><entry gd:etag="W/&quot;DkIDQ3k-eyp7ImA9WxFSE08.&quot;"><id>tag:blogger.com,1999:blog-6644291654214652506.post-5391041414158656879</id><published>2010-04-14T13:20:00.005-04:00</published><updated>2010-04-15T05:42:52.753-04:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2010-04-15T05:42:52.753-04:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="joss whedon" /><category scheme="http://www.blogger.com/atom/ns#" term="avengers" /><title>Whedon Helming  Avengers</title><content type="html">&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/_8AjLnnjgqyc/S8XsS8Dg9RI/AAAAAAAAASc/-5nNMILvrkg/s1600/sfd_avengers_movie.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="300" src="http://3.bp.blogspot.com/_8AjLnnjgqyc/S8XsS8Dg9RI/AAAAAAAAASc/-5nNMILvrkg/s400/sfd_avengers_movie.jpg" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;
&lt;span style="font-size: x-large;"&gt;Might be able to yell "Avengers Assemble!" soon.&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-size: x-large;"&gt;&lt;span style="font-size: small;"&gt;-&lt;a href="http://twitter.com/josswhedon"&gt;Joss Whedon's Tweet&lt;/a&gt;&lt;/span&gt; &lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
Marvel Studios and Joss Whedon are wrapping up talks for the Avengers Movie slated May 4, 2012. Whedon will direct the superhero team of Captain America, Iron Man, Thor and the Hulk. Reworking Zak Penn's script, Whedon will be bringing in that creative strorytelling, humour and action that has attracted a huge fan base for his works.&lt;br /&gt;
&lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/_8AjLnnjgqyc/S8X04YgexZI/AAAAAAAAASk/R9dmn0Vtnbs/s1600/joss-whedon_avengers.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="400" src="http://3.bp.blogspot.com/_8AjLnnjgqyc/S8X04YgexZI/AAAAAAAAASk/R9dmn0Vtnbs/s400/joss-whedon_avengers.jpg" width="282" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;br /&gt;
&lt;/div&gt;Whedon, a third generation writer, created the cult hit, Buffy the Vampire Slayer he followed up with Angel and Firefly. Dollhouse is his latest venture all for Fox TV. Serenity - based on the scifi series Firefly, is his sole film work. Whedon spun out his TV shows to comics having done Astonishing X-men in 2008.&lt;br /&gt;
&lt;br /&gt;
&lt;blockquote&gt;&lt;b&gt;Trade Marks&lt;/b&gt;&lt;br /&gt;
Plans storylines far in advance for all his television series,  allowing for remarkable long-term continuity.&lt;br /&gt;
Frequent use of  nouns as adjectives, by adding the suffix "-y"&lt;br /&gt;
Features tough,  strong female characters&lt;br /&gt;
Kills off characters who are among his  most popular, to keep his audiences surprised.&lt;br /&gt;
Supernatural and  science fiction themes&lt;br /&gt;
&lt;b&gt;&lt;i&gt;from &lt;a href="http://www.imdb.com/name/nm0923736/bio"&gt;IMDB &lt;/a&gt;&lt;/i&gt;&lt;/b&gt;&lt;/blockquote&gt;&lt;br /&gt;
"The Avengers" would star Robert Downey Jr. (as Iron Man), Chris Evans (Captain America), Hemsworth (Thor) and Samuel L. Jackson (Nick Fury). Edward Norton may also return as the Hulk.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;div style="text-align: center;"&gt;&lt;object height="344" width="425"&gt;&lt;param name="movie" value="http://www.youtube.com/v/cYaczoJMRhs&amp;hl=en_US&amp;fs=1&amp;rel=0"&gt;&lt;/param&gt;&lt;param name="allowFullScreen" value="true"&gt;&lt;/param&gt;&lt;param name="allowscriptaccess" value="always"&gt;&lt;/param&gt;&lt;embed src="http://www.youtube.com/v/cYaczoJMRhs&amp;hl=en_US&amp;fs=1&amp;rel=0" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="425" height="344"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6644291654214652506-5391041414158656879?l=www.scifidrive.net' alt='' /&gt;&lt;/div&gt;&lt;div class="feedflare"&gt;
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&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/scifidrive/WEfZ/~4/yyLMZxI_JDs" height="1" width="1"/&gt;</content><link rel="replies" type="application/atom+xml" href="http://www.scifidrive.net/feeds/5391041414158656879/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="https://www.blogger.com/comment.g?blogID=6644291654214652506&amp;postID=5391041414158656879" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/6644291654214652506/posts/default/5391041414158656879?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/6644291654214652506/posts/default/5391041414158656879?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/scifidrive/WEfZ/~3/yyLMZxI_JDs/whedon-helming-avengers.html" title="Whedon Helming  Avengers" /><author><name>J.E.B.</name><email>noreply@blogger.com</email><gd:extendedProperty name="OpenSocialUserId" value="14342673796468489274" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://3.bp.blogspot.com/_8AjLnnjgqyc/S8XsS8Dg9RI/AAAAAAAAASc/-5nNMILvrkg/s72-c/sfd_avengers_movie.jpg" height="72" width="72" /><thr:total>0</thr:total><feedburner:origLink>http://www.scifidrive.net/2010/04/whedon-helming-avengers.html</feedburner:origLink></entry><entry gd:etag="W/&quot;CUUBQHY8eCp7ImA9WxFSEUg.&quot;"><id>tag:blogger.com,1999:blog-6644291654214652506.post-3643760066862717332</id><published>2010-04-13T05:25:00.002-04:00</published><updated>2010-04-13T06:07:31.870-04:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2010-04-13T06:07:31.870-04:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="parahuman" /><category scheme="http://www.blogger.com/atom/ns#" term="xenotransplants" /><category scheme="http://www.blogger.com/atom/ns#" term="splice" /><category scheme="http://www.blogger.com/atom/ns#" term="movie" /><category scheme="http://www.blogger.com/atom/ns#" term="vincenzo natali" /><category scheme="http://www.blogger.com/atom/ns#" term="science fiction" /><category scheme="http://www.blogger.com/atom/ns#" term="horror" /><category scheme="http://www.blogger.com/atom/ns#" term="adrien brody" /><title>Splice : A Nightmare Future?</title><content type="html">&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/_8AjLnnjgqyc/S8P5-Z1MVTI/AAAAAAAAASM/QU9L_UDV3Io/s1600/scifidrive_splice_movie.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="225" src="http://3.bp.blogspot.com/_8AjLnnjgqyc/S8P5-Z1MVTI/AAAAAAAAASM/QU9L_UDV3Io/s400/scifidrive_splice_movie.png" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;
&lt;span style="font-size: large;"&gt;Splice Movie Synopsis&lt;/span&gt;&lt;br /&gt;
Elsa and Clive, two young rebellious scientists, defy legal and ethical boundaries and forge ahead with a dangerous experiment: splicing together human and animal DNA to create a new organism. Named "Dren", the creature rapidly develops from a deformed female infant into a beautiful but dangerous winged human-chimera, who forges a bond with both of her creators - only to have that bond turn deadly.&lt;br /&gt;
&lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/_8AjLnnjgqyc/S8P9E0i8neI/AAAAAAAAASU/vSQcp2DK-c4/s1600/scifidrive_splice_parahuman.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="223" src="http://1.bp.blogspot.com/_8AjLnnjgqyc/S8P9E0i8neI/AAAAAAAAASU/vSQcp2DK-c4/s400/scifidrive_splice_parahuman.png" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;
&lt;span style="font-size: large;"&gt;Parahuman&lt;/span&gt;&lt;br /&gt;
&lt;a href="http://en.wikipedia.org/wiki/Parahuman"&gt;From Wikipedia, the free encyclopedia&lt;/a&gt;&lt;br /&gt;
A parahuman or para-human is a term used to describe a human-animal hybrid. Scientists have done extensive research into the combination of genes from different species, e.g. adding human (and other animal) genes to bacteria and farm animals to mass-produce insulin and spider silk proteins. Note that individual genes can be transplanted between species without the transplantation of whole cells. &lt;br /&gt;
&lt;br /&gt;
&lt;span style="font-size: large;"&gt;Xenotransplantation - Profits vs. Risk&lt;/span&gt;&lt;br /&gt;
From insulin to organ transplants research into crossing human genes to animals (xenotransplantation) have been the forefront of biotech corporations-lives can be saved and profits made from a cure for diabetes while the waiting list and demand for donor organs rises. Weighing out the risks involved from viral contagion, these corporations are risking a pandemic from these short lived experiments. Patients with organ transplants from pig liver or baboon heart lasts, at most, a month. H1N1, a flu virus transmuted from pigs (first thought to come from Mexico, now believed to have originated from asian swine) started a global pandemic. Diseases are just the beginning, as science find ways to advance anti-rejection drugs for transplants research will evolve into parahumans - animals with human genes to create "spare organs" for the organ donor market.&lt;br /&gt;
&lt;br /&gt;
So far, the &lt;a href="http://www.who.int/transplantation/xeno/en/"&gt;WHO&lt;/a&gt; has instituted guidelines for future xenotransplantation research to reduce risks of&amp;nbsp; future diseases.Other government agencies have followed suit. Right.&lt;br /&gt;
&lt;br /&gt;
Will the 21st century be the harbinger of a nightmare future of epidemics, organ factories and parahumans?&amp;nbsp; We can only await the fruits of these xeno-research for better or worse. Splice gives a contemporary glimpse, a fictional but thought provoking future (H.G. Wells' "Dr. Moreau", Shelley's "Frankenstein" comes to mind, and "Species") of things to come... &lt;br /&gt;
&lt;br /&gt;
&lt;div style="text-align: center;"&gt;&lt;object height="340" width="560"&gt;&lt;param name="movie" value="http://www.youtube.com/v/6GBWU6RjiLM&amp;hl=en_US&amp;fs=1&amp;rel=0"&gt;&lt;/param&gt;&lt;param name="allowFullScreen" value="true"&gt;&lt;/param&gt;&lt;param name="allowscriptaccess" value="always"&gt;&lt;/param&gt;&lt;embed src="http://www.youtube.com/v/6GBWU6RjiLM&amp;hl=en_US&amp;fs=1&amp;rel=0" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="560" height="340"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;/div&gt;&lt;br /&gt;
related links:&lt;br /&gt;
&lt;a href="http://www.splicethefilm.com/"&gt;Splicethefilm.com&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://online.sfsu.edu/%7Erone/GEessays/xenotransplantrisk.html"&gt;Xenotransplantation:How Bad Science and Big Business Put the World at Risk from Viral Pandemics&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://www.uncaged.co.uk/xeno.htm"&gt;Uncaged.co.uk &lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6644291654214652506-3643760066862717332?l=www.scifidrive.net' alt='' /&gt;&lt;/div&gt;&lt;div class="feedflare"&gt;
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&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/scifidrive/WEfZ/~4/vCbC6Fp3KN4" height="1" width="1"/&gt;</content><link rel="replies" type="application/atom+xml" href="http://www.scifidrive.net/feeds/3643760066862717332/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="https://www.blogger.com/comment.g?blogID=6644291654214652506&amp;postID=3643760066862717332" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/6644291654214652506/posts/default/3643760066862717332?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/6644291654214652506/posts/default/3643760066862717332?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/scifidrive/WEfZ/~3/vCbC6Fp3KN4/splice-nightmare-future.html" title="Splice : A Nightmare Future?" /><author><name>J.E.B.</name><email>noreply@blogger.com</email><gd:extendedProperty name="OpenSocialUserId" value="14342673796468489274" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://3.bp.blogspot.com/_8AjLnnjgqyc/S8P5-Z1MVTI/AAAAAAAAASM/QU9L_UDV3Io/s72-c/scifidrive_splice_movie.png" height="72" width="72" /><thr:total>0</thr:total><feedburner:origLink>http://www.scifidrive.net/2010/04/splice-nightmare-future.html</feedburner:origLink></entry><entry gd:etag="W/&quot;A0ICRngzfyp7ImA9WxFSEEk.&quot;"><id>tag:blogger.com,1999:blog-6644291654214652506.post-2985001351296160256</id><published>2010-04-10T09:27:00.007-04:00</published><updated>2010-04-12T01:19:27.687-04:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2010-04-12T01:19:27.687-04:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="resident evil" /><category scheme="http://www.blogger.com/atom/ns#" term="jovovich" /><category scheme="http://www.blogger.com/atom/ns#" term="afterlife" /><category scheme="http://www.blogger.com/atom/ns#" term="mila" /><category scheme="http://www.blogger.com/atom/ns#" term="science fiction" /><category scheme="http://www.blogger.com/atom/ns#" term="horror" /><title>Resident Evil AfterLife 3D</title><content type="html">&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/_8AjLnnjgqyc/S8CUdHKE2mI/AAAAAAAAARs/JvJz40ANvZo/s1600/rea4.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="150" src="http://3.bp.blogspot.com/_8AjLnnjgqyc/S8CUdHKE2mI/AAAAAAAAARs/JvJz40ANvZo/s320/rea4.png" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;
&lt;b&gt;&lt;i&gt;Afterlife&lt;/i&gt;&lt;/b&gt; is the fourth installment in the Resident Evil movies based on Capcom's survival horror video game of the same name (first released in Japan as Bio-Hazard). Escaping the zombies from &lt;i&gt;Extinction,&lt;/i&gt; Alice (played by Mila Jovovich) and clones bring their battle with the Umbrella Corporation to Los Angeles with help from Claire Redfield (Ali Larter) and K-Mart (Spencer Locke).&lt;br /&gt;
&lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/_8AjLnnjgqyc/S8CVSiMaSRI/AAAAAAAAAR0/HlijRMgnx8k/s1600/rea3.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://3.bp.blogspot.com/_8AjLnnjgqyc/S8CVSiMaSRI/AAAAAAAAAR0/HlijRMgnx8k/s320/rea3.png" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;
&lt;br /&gt;
The movie's 3-D is brought to you by James Cameron's innovative &lt;i&gt;Fusion&lt;/i&gt; technology used in &lt;i&gt;&lt;b&gt;Avatar. &lt;/b&gt;Afterlife&lt;b&gt; &lt;/b&gt;&lt;/i&gt;is the most expensive of the Resident Evil films (estimated budget $80 Million). Taking its cue from &lt;i&gt;Clash&lt;/i&gt; Sony is making sure everyone knows (horror and 3D fans) &lt;i&gt;Afterlife&lt;/i&gt; is true 3D (will anyone settle for a 3D converted theater or go for Imax?) &lt;i&gt;USA&lt;b&gt; &lt;/b&gt;&lt;/i&gt;release date Sept 10, 2010.&lt;br /&gt;
&lt;i&gt;&lt;b&gt;&amp;nbsp;&lt;/b&gt;&lt;/i&gt; &lt;br /&gt;
&lt;br /&gt;
&lt;div style="text-align: center;"&gt;&lt;object classid="clsid:D27CDB6E-AE6D-11cf-96B8-444553540000" height="225" id="flash40563" width="400"&gt;&lt;param name='movie' value='http://flash.sonypictures.com/video/universalplayer/sharedPlayer.swf'&gt;&lt;/param&gt;&lt;param name='allowFullscreen' value='true'&gt;&lt;/param&gt;&lt;param name='allowNetworking' value='all'&gt;&lt;/param&gt;&lt;param name='allowScriptAccess' value='always'&gt;&lt;/param&gt;&lt;param name='flashvars' value='clip=1801&amp;feed=http%3A//www.sonypictures.com/previews/movies/residentevilafterlife.xml'&gt;&lt;/param&gt;&lt;embed src='http://flash.sonypictures.com/video/universalplayer/sharedPlayer.swf' width='400' height='225' type='application/x-shockwave-flash' flashvars='clip=1801&amp;feed=http%3A//www.sonypictures.com/previews/movies/residentevilafterlife.xml' allowNetworking='all' allowscriptaccess='always' allowfullscreen='true'&gt;&lt;/embed&gt;&lt;/object&gt;&lt;/div&gt;&lt;br /&gt;
&lt;br /&gt;
How much did they make?&amp;nbsp; With an average budget of $43 million, The Resident Evil films took in triple their budgets worldwide with &lt;i&gt;Extinction&lt;/i&gt; the top grosser.&lt;br /&gt;
&lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/_8AjLnnjgqyc/S8CiMo-RoJI/AAAAAAAAAR8/ij6CGuukbr4/s1600/REA2.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://2.bp.blogspot.com/_8AjLnnjgqyc/S8CiMo-RoJI/AAAAAAAAAR8/ij6CGuukbr4/s320/REA2.png" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;Resident Evil Total Film Gross&lt;/b&gt; (courtesy -&lt;a href="http://www.the-numbers.com/movies/series/ResidentEvil.php"&gt;The Numbers&lt;/a&gt;)&lt;br /&gt;
&lt;div&gt;&lt;table cellpadding="1" cellspacing="0" class="sortable" id="table1"&gt;&lt;tbody&gt;
&lt;tr style="background: none repeat scroll 0% 0% rgb(240, 240, 240); border: 1px solid black;"&gt;&lt;th&gt;&lt;a class="sortheader" href="http://www.the-numbers.com/movies/series/ResidentEvil.php#" onclick="ts_resortTable(this);return false;"&gt;Released&lt;span class="sortarrow"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/span&gt;&lt;/a&gt;&lt;/th&gt;         &lt;th&gt;&lt;a class="sortheader" href="http://www.the-numbers.com/movies/series/ResidentEvil.php#" onclick="ts_resortTable(this);return false;"&gt;Movie  Name&lt;span class="sortarrow"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/span&gt;&lt;/a&gt;&lt;/th&gt;         &lt;th&gt;&lt;a class="sortheader" href="http://www.the-numbers.com/movies/series/ResidentEvil.php#" onclick="ts_resortTable(this);return false;"&gt;1st  Weekend&lt;span class="sortarrow"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/span&gt;&lt;/a&gt;&lt;/th&gt;         &lt;th&gt;&lt;a class="sortheader" href="http://www.the-numbers.com/movies/series/ResidentEvil.php#" onclick="ts_resortTable(this);return false;"&gt;US Gross&lt;span class="sortarrow"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/span&gt;&lt;/a&gt;&lt;/th&gt;         &lt;th&gt;&lt;a class="sortheader" href="http://www.the-numbers.com/movies/series/ResidentEvil.php#" onclick="ts_resortTable(this);return false;"&gt;Worldwide  Gross&lt;span class="sortarrow" sortdir="up"&gt;&amp;nbsp;&amp;nbsp;↑&lt;/span&gt;&lt;/a&gt;&lt;/th&gt;         &lt;th&gt;&lt;a class="sortheader" href="http://www.the-numbers.com/movies/series/ResidentEvil.php#" onclick="ts_resortTable(this);return false;"&gt;Budget&lt;span class="sortarrow" sortdir="up"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/span&gt;&lt;/a&gt;&lt;/th&gt;     &lt;/tr&gt;
&lt;tr&gt;         &lt;td valign="TOP"&gt;9/21/2007&lt;/td&gt;         &lt;td valign="TOP"&gt;&lt;b&gt;&lt;a href="http://www.the-numbers.com/movies/2007/RESE3.php"&gt;Resident Evil:  Extinction&lt;/a&gt;&lt;/b&gt;&lt;/td&gt;         &lt;td align="RIGHT" valign="TOP"&gt;$23,678,580&lt;/td&gt;         &lt;td align="RIGHT" valign="TOP"&gt;$50,648,679&lt;/td&gt;         &lt;td align="RIGHT" valign="TOP"&gt;$146,162,920&lt;/td&gt;         &lt;td align="RIGHT" valign="TOP"&gt;$45,000,000&lt;/td&gt;     &lt;/tr&gt;
&lt;tr&gt;         &lt;td valign="TOP"&gt;9/10/2004&lt;/td&gt;         &lt;td valign="TOP"&gt;&lt;b&gt;&lt;a href="http://www.the-numbers.com/movies/2004/RESE2.php"&gt;Resident Evil:  Apocalypse&lt;/a&gt;&lt;/b&gt;&lt;/td&gt;         &lt;td align="RIGHT" valign="TOP"&gt;$23,036,273&lt;/td&gt;         &lt;td align="RIGHT" valign="TOP"&gt;$50,740,078&lt;/td&gt;         &lt;td align="RIGHT" valign="TOP"&gt;$128,940,078&lt;/td&gt;         &lt;td align="RIGHT" valign="TOP"&gt;$50,000,000&lt;/td&gt;     &lt;/tr&gt;
&lt;tr&gt;         &lt;td valign="TOP"&gt;3/15/2002&lt;/td&gt;         &lt;td valign="TOP"&gt;&lt;b&gt;&lt;a href="http://www.the-numbers.com/movies/2002/RESEV.php"&gt;Resident Evil&lt;/a&gt;&lt;/b&gt;&lt;/td&gt;         &lt;td align="RIGHT" valign="TOP"&gt;$17,707,106&lt;/td&gt;         &lt;td align="RIGHT" valign="TOP"&gt;$39,532,308&lt;/td&gt;         &lt;td align="RIGHT" valign="TOP"&gt;$103,200,000&lt;/td&gt;         &lt;td align="RIGHT" valign="TOP"&gt;$35,000,000&lt;/td&gt;     &lt;/tr&gt;
&lt;tr&gt;         &lt;td valign="TOP"&gt;&lt;br /&gt;
&lt;/td&gt;         &lt;td valign="TOP"&gt;&lt;br /&gt;
&lt;/td&gt;         &lt;td align="CENTER" valign="TOP"&gt;&lt;/td&gt;         &lt;td align="CENTER" valign="TOP"&gt;&lt;br /&gt;
&lt;/td&gt;         &lt;td align="CENTER" valign="TOP"&gt;&lt;br /&gt;
&lt;/td&gt;         &lt;td align="CENTER" valign="TOP"&gt;&lt;br /&gt;
&lt;/td&gt;     &lt;/tr&gt;
&lt;tr&gt;         &lt;td valign="TOP"&gt;8/27/2010&lt;/td&gt;         &lt;td valign="TOP"&gt;&lt;b&gt;&lt;a href="http://www.the-numbers.com/movies/2010/RESE4.php"&gt;Resident Evil:  Afterlife&lt;/a&gt;&lt;/b&gt;&lt;/td&gt;         &lt;td align="CENTER" valign="TOP"&gt;-&lt;/td&gt;         &lt;td align="CENTER" valign="TOP"&gt;-&lt;/td&gt;         &lt;td align="CENTER" valign="TOP"&gt;-&lt;/td&gt;         &lt;td align="CENTER" valign="TOP"&gt;-&lt;/td&gt;     &lt;/tr&gt;
&lt;tr class="nosort"&gt;&lt;td align="CENTER" colspan="3"&gt;&lt;b&gt;Totals&lt;/b&gt;&lt;/td&gt; &lt;td align="RIGHT"&gt;&lt;b&gt;$140,921,065&lt;/b&gt;&lt;/td&gt; &lt;td align="RIGHT"&gt;&lt;b&gt;$378,302,998&lt;/b&gt;&lt;/td&gt; &lt;td align="RIGHT"&gt;&lt;b&gt;$130,000,000&lt;/b&gt;&lt;/td&gt; &lt;/tr&gt;
&lt;tr class="nosort"&gt;&lt;td align="CENTER" colspan="3"&gt;&lt;b&gt;Averages&lt;/b&gt;&lt;/td&gt; &lt;td align="RIGHT"&gt;&lt;b&gt;$46,973,688&lt;/b&gt;&lt;/td&gt; &lt;td align="RIGHT"&gt;&lt;b&gt;$126,100,999&lt;/b&gt;&lt;/td&gt; &lt;td align="RIGHT"&gt;&lt;b&gt;$43,333,333 &lt;/b&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6644291654214652506-2985001351296160256?l=www.scifidrive.net' alt='' /&gt;&lt;/div&gt;&lt;div class="feedflare"&gt;
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&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/scifidrive/WEfZ/~4/54FiBmIIU_E" height="1" width="1"/&gt;</content><link rel="replies" type="application/atom+xml" href="http://www.scifidrive.net/feeds/2985001351296160256/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="https://www.blogger.com/comment.g?blogID=6644291654214652506&amp;postID=2985001351296160256" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/6644291654214652506/posts/default/2985001351296160256?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/6644291654214652506/posts/default/2985001351296160256?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/scifidrive/WEfZ/~3/54FiBmIIU_E/resident-evil-afterlife-3d.html" title="Resident Evil AfterLife 3D" /><author><name>J.E.B.</name><email>noreply@blogger.com</email><gd:extendedProperty name="OpenSocialUserId" value="14342673796468489274" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://3.bp.blogspot.com/_8AjLnnjgqyc/S8CUdHKE2mI/AAAAAAAAARs/JvJz40ANvZo/s72-c/rea4.png" height="72" width="72" /><thr:total>0</thr:total><feedburner:origLink>http://www.scifidrive.net/2010/04/resident-evil-afterlife-3d.html</feedburner:origLink></entry><entry gd:etag="W/&quot;AkMNRnozeyp7ImA9WxBUGEw.&quot;"><id>tag:blogger.com,1999:blog-6644291654214652506.post-8967267154178484231</id><published>2010-02-26T03:48:00.005-05:00</published><updated>2010-03-05T14:48:17.483-05:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2010-03-05T14:48:17.483-05:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="cinema" /><category scheme="http://www.blogger.com/atom/ns#" term="films" /><category scheme="http://www.blogger.com/atom/ns#" term="1960" /><category scheme="http://www.blogger.com/atom/ns#" term="movies" /><category scheme="http://www.blogger.com/atom/ns#" term="space" /><category scheme="http://www.blogger.com/atom/ns#" term="time" /><category scheme="http://www.blogger.com/atom/ns#" term="60's" /><category scheme="http://www.blogger.com/atom/ns#" term="scifi" /><category scheme="http://www.blogger.com/atom/ns#" term="science fiction" /><title>Space &amp; Time: SciFi Cinema of the Sixties</title><content type="html">&lt;span style="font-size: x-large;"&gt;G&lt;/span&gt;roovy like Barbarella and psychedelic as 2001, a look at the imaginative SciFi movies of the sixties.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;div style="text-align: center;"&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/_8AjLnnjgqyc/S4d8738xJyI/AAAAAAAAALk/91yD98Ejkd8/s1600-h/morlocktower.gif" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="232" src="http://2.bp.blogspot.com/_8AjLnnjgqyc/S4d8738xJyI/AAAAAAAAALk/91yD98Ejkd8/s400/morlocktower.gif" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;
&lt;b&gt;Time Machine (1960)&lt;/b&gt;&lt;br /&gt;
&lt;b&gt;George Pal's&lt;/b&gt; version of H.G.Wells' classic science fiction novel. The Wells estate was impressed by Pal's &lt;i&gt;War of the Worlds&lt;/i&gt; they let him choose another story for a future project. George Pal picked &lt;b&gt;Time Machine&lt;/b&gt;.&lt;br /&gt;
&lt;br /&gt;
The story of George a Victorian gentlemen who invents a machine that travels in time. George discovers a future where humanity is divided into two species, the &lt;i&gt;Eloi&lt;/i&gt; who live above ground and the subterranean dwelling &lt;i&gt;Morlocks&lt;/i&gt;.&lt;br /&gt;
&lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/_8AjLnnjgqyc/S4d_FYkBsYI/AAAAAAAAALs/uWQzgTN4UzQ/s1600-h/yvettemimiuex.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="400" src="http://4.bp.blogspot.com/_8AjLnnjgqyc/S4d_FYkBsYI/AAAAAAAAALs/uWQzgTN4UzQ/s400/yvettemimiuex.jpg" width="315" /&gt;&lt;/a&gt;&lt;/div&gt;&amp;nbsp; &lt;br /&gt;
&lt;div style="text-align: center;"&gt;&lt;/div&gt;The film starred Rod Taylor and Yvette Mimieux.&lt;br /&gt;
&lt;br /&gt;
The ingenious use of time lapse photography to speed up time for the time travel sequences won Gene Warren and Tim Baar an academy award for special effects.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/_8AjLnnjgqyc/S4eAClsLgwI/AAAAAAAAAL0/hlJG-InCDKU/s1600-h/VillageoftheDamned.gif" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="211" src="http://3.bp.blogspot.com/_8AjLnnjgqyc/S4eAClsLgwI/AAAAAAAAAL0/hlJG-InCDKU/s400/VillageoftheDamned.gif" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;&amp;nbsp; &lt;br /&gt;
&lt;div style="text-align: center;"&gt;&lt;/div&gt;&lt;b&gt;Village of the Damned (1960)&lt;/b&gt;&lt;br /&gt;
The English village of Midwich falls prey to an anomaly that knocks everyone unconscious. Months later all women of childbearing age are giving birth to blonde children who manifest telepathic powers.&lt;br /&gt;
&lt;br /&gt;
Directed by Wolf Rilla based on the novel &lt;i&gt;The Midwich Cuckoos &lt;/i&gt;by John Wyndham. Professor Gordon Zellaby was played by George Sanders.&lt;br /&gt;
&lt;br /&gt;
A low budget scifi horror film eerily depicting an alien invasion through children. Another version by Anton Leader, &lt;i&gt;Children of the Damned&lt;/i&gt; set in London would also give a good scare.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/_8AjLnnjgqyc/S4eCEp6q9PI/AAAAAAAAAL8/Nq_O9EnsshA/s1600-h/scifidrive_VTBS_poster.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="320" src="http://2.bp.blogspot.com/_8AjLnnjgqyc/S4eCEp6q9PI/AAAAAAAAAL8/Nq_O9EnsshA/s320/scifidrive_VTBS_poster.jpg" width="209" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;
&amp;nbsp;&lt;b&gt;Voyage to the Bottom of the Sea (1961)&lt;/b&gt;&lt;br /&gt;
Irwin Allen's film adventure aboard the submarine Seaview. The movie has an all-star cast starring Walter Pidgeon as Admiral Harriman Nelson, Robert Sterling as Captain Lee Crane with Joan Fontaine, Barbara Eden, Michael Ansara and Peter Lorre in supporting roles.&lt;br /&gt;
&lt;br /&gt;
Plot involves a burning Van Allen radiation belt and the Seaview is tasked to stop the "Skyfire" by launching a missile from the Marianas Trench at a precise moment. In a race against time, the Seaview confronts a giant octopus, a hostile submarine and a saboteur before completing its mission to save the world.&lt;br /&gt;
&lt;br /&gt;
The submarine's unique design with its eight window panoramic view, shark-like frontal flare and Cadillac tail fins gave the Seaview a pop icon status for fictional ships.&lt;br /&gt;
&lt;br /&gt;
Voyage became a box-office success Irwin Allen would later recycle the props to make the hit TV series with the same title.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/_8AjLnnjgqyc/S4eCjBME8RI/AAAAAAAAAME/vys4wkDrrF8/s1600-h/Triffidsposter.gif" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="221" src="http://2.bp.blogspot.com/_8AjLnnjgqyc/S4eCjBME8RI/AAAAAAAAAME/vys4wkDrrF8/s320/Triffidsposter.gif" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&amp;nbsp; &lt;br /&gt;
&lt;div style="text-align: center;"&gt;&lt;/div&gt;&lt;b&gt;Day of the Triffids (1962)&lt;/b&gt;&lt;br /&gt;
After a meteor shower spores begin to grow into plants called &lt;i&gt;Triffids&lt;/i&gt; beginning its carnivorous attacks on civilization.&lt;br /&gt;
&lt;br /&gt;
Based on the novel by John Wyndham, directed by Steve Sekely and starring Howard Keel as the central character, Bill Masen.&lt;br /&gt;
&lt;br /&gt;
A low budget movie with not so special effects the film has become a cult favourite for B-movie fans. The novel, established author John Wyndham and remains his best known science fiction writing.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/_8AjLnnjgqyc/S4eC5MVspZI/AAAAAAAAAMM/29PImWymhQ0/s1600-h/La_Jetee_Poster.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://2.bp.blogspot.com/_8AjLnnjgqyc/S4eC5MVspZI/AAAAAAAAAMM/29PImWymhQ0/s320/La_Jetee_Poster.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&amp;nbsp; &lt;br /&gt;
&lt;div style="text-align: center;"&gt;&lt;/div&gt;&lt;b&gt;La Jetee (1962)&lt;/b&gt;&lt;br /&gt;
Paris in the apocalyptic future after WWIII, survivors research time travel sending one traveller back to obtain food, medicine and technology. The traveller's obsession from childhood recalling an incident at the airport's boarding ramp (the jetty) takes him to that moment at the jetty where he discovers his own death.&lt;br /&gt;
&lt;br /&gt;
Directed by Chris Marker, the film is a black and white photo montage with voice over narration running 28 minutes. The pacing of the montage gives the film the progression of a graphic novel. The still images freezes each moment in a temporal memory like a narrative photo album.&lt;br /&gt;
&lt;br /&gt;
Terry Gilliam adapted the plot for the film &lt;b&gt;&lt;i&gt;Twelve Monkeys&lt;/i&gt;&lt;/b&gt;.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/_8AjLnnjgqyc/S4eDjwNr_1I/AAAAAAAAAMU/xjxeUAK1u0c/s1600-h/jason_hydra.gif" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="225" src="http://4.bp.blogspot.com/_8AjLnnjgqyc/S4eDjwNr_1I/AAAAAAAAAMU/xjxeUAK1u0c/s400/jason_hydra.gif" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;&amp;nbsp; &lt;br /&gt;
&lt;div style="text-align: center;"&gt;&lt;/div&gt;&lt;b&gt;Jason and the Argonauts (1963)&lt;/b&gt;&lt;br /&gt;
&lt;b&gt; Ray Harryhausen's&lt;/b&gt; landmark film based on the mythical hero Jason and his quest for the Golden Fleece.&lt;br /&gt;
&lt;br /&gt;
Directed by Don Chaffey with music by Bernard Herrmann. The film's numerous Dynamation animated monsters- Harpies, the bronze giant Talos and the Hydra is an unparalleled achievement without use of computer graphics.&lt;br /&gt;
&lt;br /&gt;
Jason's spectacular battle with the skeletons is regarded as one of the greatest special effects in motion pictures. Harryhausen took four months to finish the three minute scene.&lt;br /&gt;
&lt;br /&gt;
Ray Harryhausen's elaborate special effects gave the film the look of a big budget production turning Jason and the Argonauts into a box-office hit and a memorable classic.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/_8AjLnnjgqyc/S4eD4pQeNyI/AAAAAAAAAMc/i3F-lIdf3YA/s1600-h/DrLao.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="248" src="http://2.bp.blogspot.com/_8AjLnnjgqyc/S4eD4pQeNyI/AAAAAAAAAMc/i3F-lIdf3YA/s320/DrLao.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&amp;nbsp; &lt;br /&gt;
&lt;div style="text-align: center;"&gt;&lt;/div&gt;&lt;b&gt;7 Faces of Dr. Lao (1964)&lt;/b&gt;&lt;br /&gt;
A travelling circus ran by Dr. Lao brings wonders and a moral lesson in life to a small town.&lt;br /&gt;
&lt;br /&gt;
George Pal directs from the novel by Charles Finney starring Tony Randall as Dr. Lao and featuring Barbara Eden.&lt;br /&gt;
&lt;br /&gt;
The film won an honorary Oscar for William Tuttle (Outstanding Achievement in Make-Up).&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/_8AjLnnjgqyc/S4eEJgN-f3I/AAAAAAAAAMk/FASYRX7WaUo/s1600-h/dr_strangelove.gif" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="300" src="http://2.bp.blogspot.com/_8AjLnnjgqyc/S4eEJgN-f3I/AAAAAAAAAMk/FASYRX7WaUo/s400/dr_strangelove.gif" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;div style="text-align: center;"&gt;&lt;/div&gt;&lt;b&gt;Dr. Strangelove (1964)&lt;/b&gt;&lt;br /&gt;
&lt;b&gt; Stanley Kubrick's&lt;/b&gt; satire on the Cold War and the idea of mutual assured destruction (MAD).&lt;br /&gt;
&lt;br /&gt;
Brigadier General Jack D. Ripper launches a nuclear attack on the Soviet Union with B-52 bombers. Claiming the communists are out to "sap and impurify" the "precious bodily fluids" of the American people with fluoridated water and causing his impotence.&lt;br /&gt;
&lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/_8AjLnnjgqyc/S4eEgMSITAI/AAAAAAAAAMs/UxrnsVU7NTI/s1600-h/dr_strangelove_large_02.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="257" src="http://2.bp.blogspot.com/_8AjLnnjgqyc/S4eEgMSITAI/AAAAAAAAAMs/UxrnsVU7NTI/s400/dr_strangelove_large_02.jpg" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/_8AjLnnjgqyc/S4eEgMSITAI/AAAAAAAAAMs/UxrnsVU7NTI/s1600-h/dr_strangelove_large_02.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;br /&gt;
&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;
&lt;div style="text-align: center;"&gt;&lt;/div&gt;&amp;nbsp;The Soviets reveal to the Americans they have a "Doomsday" device that in case of attack will destroy all life on earth. The Soviets turned it on a few days before a planned public announcement.&lt;br /&gt;
&lt;br /&gt;
Starring Peter Sellers and George C. Scott with Sterling Hayden, Slim Pickens, James Earl Jones, Keenan Wynn, Peter Bull, Tracy Reed. Sellers plays three roles; President Merkin Muffley, Group Captain Lionel Mandrake and Dr. Strangelove. The film launched Peter Sellers to Hollywood stardom.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/_8AjLnnjgqyc/S4eFGTQidII/AAAAAAAAAM0/u9t5B_PQ5Bk/s1600-h/sellenite.gif" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="136" src="http://1.bp.blogspot.com/_8AjLnnjgqyc/S4eFGTQidII/AAAAAAAAAM0/u9t5B_PQ5Bk/s320/sellenite.gif" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;
&amp;nbsp;&lt;b&gt;First Men in the Moon (1964)&lt;/b&gt;&lt;br /&gt;
Adapted from the H.G. Wells Novel directed by Nathan Juran starring Edward Judd, Martha Hyer and Lionel Jeffries&lt;br /&gt;
&lt;br /&gt;
The U.N. launches the first moon mission only to find a British flag and the names of the first explorers. Authorities on Earth trace one survivor who retells their first journey to the moon.&lt;br /&gt;
&lt;br /&gt;
Ray Haryhausen animates the various moon creatures with his trademark Dynamation.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/_8AjLnnjgqyc/S4eFmhcz1JI/AAAAAAAAANE/njGiIeFQ4w8/s1600-h/rcm.gif" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="172" src="http://3.bp.blogspot.com/_8AjLnnjgqyc/S4eFmhcz1JI/AAAAAAAAANE/njGiIeFQ4w8/s400/rcm.gif" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;
&amp;nbsp;&lt;b&gt;Robinson Crusoe on Mars (1964)&lt;/b&gt;&lt;br /&gt;
Adapted from Daniel Defoe's novel and directed by Byron Haskin. Starring Paul Mantee, Victor Lundin and Adam West.&lt;br /&gt;
&lt;br /&gt;
A mission to Mars malfunctions leaving one surviving astronaut and a monkey trapped in Mars.&lt;br /&gt;
&lt;br /&gt;
The Martian war machines from "War of the Worlds" which Byron Haskins also directed were recycled for use as the alien mining ships.&lt;br /&gt;
&lt;br /&gt;
Haskins decision to film at Death Valley gave the "Mars" landscape a striking similarity to the real Martian landscape. NASA tested their Mars Rovers at Death Valley.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;div style="text-align: center;"&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/_8AjLnnjgqyc/S4eF3T5_qNI/AAAAAAAAANM/Kw0aCc12AQM/s1600-h/alphaville.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://2.bp.blogspot.com/_8AjLnnjgqyc/S4eF3T5_qNI/AAAAAAAAANM/Kw0aCc12AQM/s320/alphaville.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;
&lt;b&gt;&amp;nbsp;Alphaville (1965)&lt;/b&gt;&lt;br /&gt;
Jean-Luc Godard's &lt;b&gt;"SciFi Film Noir"&lt;/b&gt; about a secret agent transported to the future city of Alphaville ran by a sentient computer, Alpha 60.&lt;br /&gt;
&lt;br /&gt;
A tale of emotional suppression, loss of individual freedom and a society controlled by a dictatorial AI Godard pits brawn versus logic eventually destroying that logic with the emotional power of poetry.&lt;br /&gt;
&lt;br /&gt;
Though set in the future Godard filmed the locations in modern day Paris.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;div style="text-align: center;"&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/_8AjLnnjgqyc/S4eGDhyFrXI/AAAAAAAAANU/35c6txPnb7g/s1600-h/fahrenheit_451.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://1.bp.blogspot.com/_8AjLnnjgqyc/S4eGDhyFrXI/AAAAAAAAANU/35c6txPnb7g/s320/fahrenheit_451.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;b&gt;&amp;nbsp; &lt;/b&gt;&lt;br /&gt;
&lt;b&gt;Fahrenheit 451 (1966)&lt;/b&gt;&lt;br /&gt;
&lt;b&gt; 451 degrees&lt;/b&gt; Fahrenheit is the temperature book paper catches fire. Ray Bradbury's dystopian future looks at literary and intellectual suppression via the burning of books. Firemen are charged with hunting down books and burning them. One fireman, Guy Montag eventually reads some of them and begins a journey of self discovery.&lt;br /&gt;
&lt;br /&gt;
Though shot in England, the monorail exterior was done at France's SAFEGE test track which no longer exists. Directed by Francois Truffaut starring Oskar Werner and Julie Christie.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;div style="text-align: center;"&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/_8AjLnnjgqyc/S4eHKvJgVPI/AAAAAAAAANc/34EDlRqupOQ/s1600-h/fv1.gif" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="288" src="http://4.bp.blogspot.com/_8AjLnnjgqyc/S4eHKvJgVPI/AAAAAAAAANc/34EDlRqupOQ/s400/fv1.gif" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;
&lt;b&gt;&amp;nbsp;Fantastic Voyage (1966)&lt;/b&gt;&lt;br /&gt;
A defecting scientist from the Soviet Union escapes an assassination attempt but is left comatose. A team of specialists attempt to remove a blood clot by entering the body in a microscopic miniaturized submarine, the Proteus.&lt;br /&gt;
&lt;br /&gt;
Amazing special effects brings a surreal journey through the human body. Human tissues and cells become larger than life transforming them to something out of this world.&lt;br /&gt;
&lt;br /&gt;
Written for the screen by Harry Kleiner, novelization by Isaac Asimov.&lt;br /&gt;
Directed by Richard Fleischer starring Stephen Boyd, Raquel Welch, and Donald Pleasence. Special effects by L.B. Abbott and Art Cruickshank.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/_8AjLnnjgqyc/S4eHbUrg8zI/AAAAAAAAANk/LTre91tvYZw/s1600-h/raquelwelch.gif" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://3.bp.blogspot.com/_8AjLnnjgqyc/S4eHbUrg8zI/AAAAAAAAANk/LTre91tvYZw/s320/raquelwelch.gif" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;
&amp;nbsp;&lt;b&gt;One Million Years B.C. (1966)&lt;/b&gt;&lt;br /&gt;
Hammer Films Production starring Raquel Welch, John Richardson.&lt;br /&gt;
A fantasy adventure film set in prehistoric times about humans struggling to exist in a dinosaur world.&lt;br /&gt;
&lt;br /&gt;
Dinosaur animation by Ray Harryhausen. Humans and dinosaurs never co-existed but the producers thought it might make a good subject for a movie. Filmed mostly in the Canary Islands, Raquel Welch's publicity shot got better notoriety than the movie.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;div style="text-align: center;"&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/_8AjLnnjgqyc/S4eHvybL6PI/AAAAAAAAANs/jf4Tp8BBEoY/s1600-h/barbarella.gif" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="288" src="http://4.bp.blogspot.com/_8AjLnnjgqyc/S4eHvybL6PI/AAAAAAAAANs/jf4Tp8BBEoY/s400/barbarella.gif" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;
&lt;b&gt;&amp;nbsp;Barbarella (1967)&lt;/b&gt;&lt;br /&gt;
Roger Vadim's groovy SciFi erotica based on the French comic strip by Jean-Claude Forest. Starring Jane Fonda, John Phillip Law, Anita Pallenberg, Marcel Marceau.&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;Jane Fonda's&lt;/b&gt; opening sequence stripping in zero gravity has become a cinematic icon. The film bombed at the box-office but became a pop culture influence ranging from the band Duran Duran, pop music, and films The Fifth Element and Austin Powers.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/_8AjLnnjgqyc/S4eIO_CBHRI/AAAAAAAAAN0/rhkhXZAAU0c/s1600-h/quatermassalien2.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="217" src="http://2.bp.blogspot.com/_8AjLnnjgqyc/S4eIO_CBHRI/AAAAAAAAAN0/rhkhXZAAU0c/s400/quatermassalien2.jpg" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;&amp;nbsp; &lt;br /&gt;
&lt;div style="text-align: center;"&gt;&lt;/div&gt;&lt;b&gt;Quatermass and the Pit (1967) &lt;/b&gt;&lt;br /&gt;
SciFi horror film by Hammer Productions released in the United States as Five Million Years to Earth. Directed by Roy Ward Baker and written by Nigel Kneale based on his television series, Quatermass.&lt;br /&gt;
&lt;br /&gt;
A unique scifi film from Hammer (compared to what they regularly produced) that ends with an element of the supernatural. An extension for a London subway unearths fossils and a five million year old spaceship. Quatermass investigates and discovers something not right and people around Hobbs station begin to experience disturbances.&lt;br /&gt;
&lt;br /&gt;
Starring Andrew Keir as Prof. Bernard Quatermass with James Donald, Barbara Shelley, and Julian Glover.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;div style="text-align: center;"&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/_8AjLnnjgqyc/S4eIiGPeUqI/AAAAAAAAAN8/AuvkabtTQ2U/s1600-h/2001_discovery2.gif" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="186" src="http://4.bp.blogspot.com/_8AjLnnjgqyc/S4eIiGPeUqI/AAAAAAAAAN8/AuvkabtTQ2U/s400/2001_discovery2.gif" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;
&lt;b&gt;&amp;nbsp;2001: A Space Odyssey (1968)&lt;/b&gt;&lt;br /&gt;
&lt;b&gt; Stanley Kubrick's&lt;/b&gt; surreal journey of human evolution, extraterrestrial life and space exploration. Collaborating with renowned SciFi author &lt;b&gt;Arthur C. Clarke&lt;/b&gt; from his short story, &lt;i&gt;The Sentinel&lt;/i&gt;, 2001 is the &lt;b&gt;SciFi movie&lt;/b&gt; fans of the genre have been waiting for Hollywood to produce.&lt;br /&gt;
&lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/_8AjLnnjgqyc/S4eIxYVt9vI/AAAAAAAAAOE/_iu-cQ1Bwy8/s1600-h/2001_starchild.gif" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="182" src="http://4.bp.blogspot.com/_8AjLnnjgqyc/S4eIxYVt9vI/AAAAAAAAAOE/_iu-cQ1Bwy8/s400/2001_starchild.gif" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;
&lt;br /&gt;
&amp;nbsp;Kubrick's artistic manipulation of space and time coupled with minimal dialogue conveys a visual sense of the vacuum of space and its isolation. The film is a visual experience (sometimes termed &lt;i&gt;"psychedelic"&lt;/i&gt;) complemented by the use of classical music. Richard Strauss' &lt;b&gt;Also Sprach Zarathustra &lt;/b&gt;will always be identified with 2001.&lt;br /&gt;
&lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/_8AjLnnjgqyc/S4eJImt2z-I/AAAAAAAAAOM/UZA65z1rIZM/s1600-h/moonwatcher.gif" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="181" src="http://2.bp.blogspot.com/_8AjLnnjgqyc/S4eJImt2z-I/AAAAAAAAAOM/UZA65z1rIZM/s400/moonwatcher.gif" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;
&amp;nbsp;&lt;b&gt;2001's &lt;/b&gt;pioneering special effects achieved a realism and authenticity that made it the breakthrough film in SciFi moviemaking history. Cinematographer Geoffrey Unsworth did all effects in-camera, doing multiple passes on the same negative giving the film's space scenes a first generation quality minimizing degeneration inherent in special effects. The film won an academy award for special effects.&lt;br /&gt;
&lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/_8AjLnnjgqyc/S4eJzLVW24I/AAAAAAAAAOc/hRh40x89ycY/s1600-h/HAL_bowman.gif" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="300" src="http://4.bp.blogspot.com/_8AjLnnjgqyc/S4eJzLVW24I/AAAAAAAAAOc/hRh40x89ycY/s400/HAL_bowman.gif" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/_8AjLnnjgqyc/S4eJm2OEVHI/AAAAAAAAAOU/-MFu9AQPafU/s1600-h/clarke+%26+kubrick.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="320" src="http://1.bp.blogspot.com/_8AjLnnjgqyc/S4eJm2OEVHI/AAAAAAAAAOU/-MFu9AQPafU/s320/clarke+%26+kubrick.jpg" width="216" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;
&lt;div style="text-align: center;"&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;i&gt;Arthur C. Clarke &amp;amp; Stanley Kubrick&lt;/i&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;b&gt;Arthur C. Clarke&lt;/b&gt; wrote further sequels 2010 was the only story developed into a movie. 2001 starred Keir Dullea, Gary Lockwood, William Sylvester and Daniel Richter as Moonwatcher.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/_8AjLnnjgqyc/S4eJ_loGZ7I/AAAAAAAAAOk/kn62GlkNY08/s1600-h/Charly_movie_poster.gif" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="320" src="http://2.bp.blogspot.com/_8AjLnnjgqyc/S4eJ_loGZ7I/AAAAAAAAAOk/kn62GlkNY08/s320/Charly_movie_poster.gif" width="216" /&gt;&lt;/a&gt;&lt;/div&gt;&amp;nbsp; &lt;br /&gt;
&lt;div style="text-align: center;"&gt;&lt;/div&gt;&lt;b&gt;Charly (1968)&lt;/b&gt;&lt;br /&gt;
Charlie Gordon is a mentally challenged man who volunteers to undergo experimental brain surgery. His progress parallels a mouse named Algernon. Both regain their intelligence Algernon can do complex mazes, Charlie becomes a genius. Algernon's memory begins to deteriorate Charlie finds out the treatment is temporary and realizes he will revert back to his former self.&lt;br /&gt;
&lt;br /&gt;
Poignant drama on mental retardation and social behaviour. Cliff Robertson's portrayal of Charlie Gordon won him the Oscar for best actor. The film stars Claire Bloom, Lilia Skala, Leon Janney and Dick Van Patten.&lt;br /&gt;
&lt;br /&gt;
Directed by Ralph Nelson and adapted by Stirling Silliphant from the Hugo and Nebula award winning story, &lt;b&gt;Flowers for Algernon&lt;/b&gt; by Daniel Keyes.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/_8AjLnnjgqyc/S4eKR-2hPTI/AAAAAAAAAOs/-jBZYKt4bTs/s1600-h/cheston_apes.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="171" src="http://2.bp.blogspot.com/_8AjLnnjgqyc/S4eKR-2hPTI/AAAAAAAAAOs/-jBZYKt4bTs/s400/cheston_apes.jpg" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;
&amp;nbsp;&lt;b&gt;Planet of the Apes (1968)&lt;/b&gt;&lt;br /&gt;
A spaceship crash lands in an unknown planet three astronauts find their way to a civilization ran by apes and humans are considered a lesser animal species.&lt;br /&gt;
&lt;br /&gt;
Based on the French novel, &lt;b&gt;La Planete des Singes&lt;/b&gt; by Pierre Boulle from an adaptation by Michael Wilson and Rod Serling directed by Franklin J. Schaffner. The film stars &lt;b&gt;Charlton Heston&lt;/b&gt;, Roddy McDowall, Kim Hunter and Maurice Evans.&lt;br /&gt;
&lt;br /&gt;
Ground breaking make up effects to recreate the apes delivered make up artist John Chambers the Academy's Honorary Award for outstanding achievement in Makeup.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/_8AjLnnjgqyc/S4eKdhJgDdI/AAAAAAAAAO0/oy2mLUVLGLw/s1600-h/planetofapes_liberty.gif" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://4.bp.blogspot.com/_8AjLnnjgqyc/S4eKdhJgDdI/AAAAAAAAAO0/oy2mLUVLGLw/s320/planetofapes_liberty.gif" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;i&gt;The surprise ending is considered one of the most memorable in film history.&lt;/i&gt;&lt;/div&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/_8AjLnnjgqyc/S4eKssocIfI/AAAAAAAAAO8/VCSmQH4febg/s1600-h/gwangi7.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="225" src="http://4.bp.blogspot.com/_8AjLnnjgqyc/S4eKssocIfI/AAAAAAAAAO8/VCSmQH4febg/s400/gwangi7.jpg" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;
&amp;nbsp;&lt;b&gt;The Valley of Gwangi (1969)&lt;/b&gt;&lt;br /&gt;
A struggling Wild West rodeo discovers a valley where dinosaurs exist. The cowboys try to capture the dinosaurs for the rodeo show ending up with more than they can handle.&lt;br /&gt;
&lt;br /&gt;
Great creature effects by Ray Harryhausen. "Gwangi" in the movie is an Allosaurus but Harryhausen modeled it to a T. Rex. The roping of Gwangi remains a memorable sequence of the film. The story was based on an early concept,  &lt;i&gt;Valley of the Mists&lt;/i&gt; from King Kong animator &lt;b&gt;Willis O' Brien&lt;/b&gt;.&lt;br /&gt;
&lt;br /&gt;
Directed by Jim O'Connolly and written by William Bast starring James Franciscus, Richard Carlson and Gila Golan.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/_8AjLnnjgqyc/S4eK1JevOuI/AAAAAAAAAPE/P24i6H6rIRA/s1600-h/marooned_poster_.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://1.bp.blogspot.com/_8AjLnnjgqyc/S4eK1JevOuI/AAAAAAAAAPE/P24i6H6rIRA/s320/marooned_poster_.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;
&lt;div style="text-align: center;"&gt;&lt;/div&gt;&lt;b&gt;Marooned (1969)&lt;/b&gt;&lt;br /&gt;
Three American astronauts returning home from a space station mission are unable to fire the main rockets stranding them in orbit while rescue efforts are hampered by an approaching hurricane.&lt;br /&gt;
&lt;br /&gt;
The suspense filled movie delivers an edge of your seat tension as ground crews attempt a rescue mission to the stranded Apollo module.&lt;br /&gt;
&lt;br /&gt;
Based on the novel Marooned by Martin Caidin. Caidin rewrote and updated the novel to reflect the movie he also acted as technical advisor. Directed by John Sturges and starring Gregory Peck, Richard Crenna, David Janssen, James Franciscus and Gene Hackman.&lt;br /&gt;
&lt;br /&gt;
Great special effects plus some creative stories were a good balance in 60's SciFi films, the special effects techniques developed for 2001 added an authentic realism never before seen in cinema. The pioneering work of these films will bring the future generation of&lt;b&gt; SciFi Cinema&lt;/b&gt; to new heights.&lt;br /&gt;
&lt;br /&gt;
&lt;a href="http://www.youtube.com/view_play_list?p=A964DDAD2F2DC8AE" target="_blank"&gt;&lt;b&gt;SciFiDrive SciFi 60's Movie Playlist&lt;/b&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6644291654214652506-8967267154178484231?l=www.scifidrive.net' alt='' /&gt;&lt;/div&gt;&lt;div class="feedflare"&gt;
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&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/scifidrive/WEfZ/~4/uSTc-isFWwQ" height="1" width="1"/&gt;</content><link rel="replies" type="application/atom+xml" href="http://www.scifidrive.net/feeds/8967267154178484231/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="https://www.blogger.com/comment.g?blogID=6644291654214652506&amp;postID=8967267154178484231" title="1 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/6644291654214652506/posts/default/8967267154178484231?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/6644291654214652506/posts/default/8967267154178484231?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/scifidrive/WEfZ/~3/uSTc-isFWwQ/space-time-scifi-cinema-of-sixties.html" title="Space &amp; Time: SciFi Cinema of the Sixties" /><author><name>J.E.B.</name><email>noreply@blogger.com</email><gd:extendedProperty name="OpenSocialUserId" value="14342673796468489274" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://2.bp.blogspot.com/_8AjLnnjgqyc/S4d8738xJyI/AAAAAAAAALk/91yD98Ejkd8/s72-c/morlocktower.gif" height="72" width="72" /><thr:total>1</thr:total><feedburner:origLink>http://www.scifidrive.net/2010/02/space-time-scifi-cinema-of-sixties.html</feedburner:origLink></entry><entry gd:etag="W/&quot;CEACQXo6eip7ImA9WxBbFUU.&quot;"><id>tag:blogger.com,1999:blog-6644291654214652506.post-5115494656601465003</id><published>2010-02-26T02:29:00.005-05:00</published><updated>2010-03-14T12:06:00.412-04:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2010-03-14T12:06:00.412-04:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="monsters" /><category scheme="http://www.blogger.com/atom/ns#" term="1950" /><category scheme="http://www.blogger.com/atom/ns#" term="cinema" /><category scheme="http://www.blogger.com/atom/ns#" term="films" /><category scheme="http://www.blogger.com/atom/ns#" term="50's" /><category scheme="http://www.blogger.com/atom/ns#" term="fiction" /><category scheme="http://www.blogger.com/atom/ns#" term="scifi" /><category scheme="http://www.blogger.com/atom/ns#" term="science" /><category scheme="http://www.blogger.com/atom/ns#" term="rocketships" /><category scheme="http://www.blogger.com/atom/ns#" term="flying saucers" /><title>Rocketships, Monsters and Flying Saucers: SciFi Cinema of the 50's</title><content type="html">The 50's, a time of monsters, rocketships and flying saucers.The Cold War has began and Hollywood's film production was an all time high varying from big budget productions to cheap knock-offs. SciFi films in the 50's were either great or schlock. It was the "Golden Age" and the rise of the "B-Movies".&lt;br /&gt;
&lt;br /&gt;
Two notable icons of the era, George Pal and Ray Harryhausen, created films that have become timeless classics. Advancing special effects with their techniques in stop motion and model animation, George Pal and Ray Harryhausen brought a sense of "realism" to SciFi cinema, amazing audiences with their ingenuity and imagination. Though George Pal would receive a number of academy awards for special effects, Ray Harryhausen received the Gordon E. Sawyer Award from the Academy in 1992.&lt;br /&gt;
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Here's a list of some of the memorable films of the 50's.&lt;br /&gt;
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&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/_8AjLnnjgqyc/S4dxy4-LcMI/AAAAAAAAAJ0/9ZzTEPai8LI/s1600-h/destinationmoon.gif" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://4.bp.blogspot.com/_8AjLnnjgqyc/S4dxy4-LcMI/AAAAAAAAAJ0/9ZzTEPai8LI/s320/destinationmoon.gif" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;Destination Moon (1950)&lt;/b&gt;&lt;br /&gt;
George Pal's first feature film based on Robert Heinlein's novel, Rocket Ship Galileo. This is the first SciFi film shot in Technicolor. Destination Moon depicted rocketships, spacesuits and the moon landscape in a realistic manner. A space battle with the USSR added a touch of the Cold War to the film.&lt;br /&gt;
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&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/_8AjLnnjgqyc/S4dxxsi2pDI/AAAAAAAAAJs/q7JaNi1YQJM/s1600-h/325206-Worlds_Collide_124.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://2.bp.blogspot.com/_8AjLnnjgqyc/S4dxxsi2pDI/AAAAAAAAAJs/q7JaNi1YQJM/s320/325206-Worlds_Collide_124.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;
&lt;div style="text-align: left;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;b&gt;When Worlds Collide (1951)&lt;/b&gt;&lt;br /&gt;
Produced by George Pal based on the SciFi novel by Philip Gordon Wylie and Edwin Balmer. One of the earlier doomsday movies about Earth getting hit by another planet. Filmed in Technicolor, directed by Rudolph Maté and winner of the 1951 Academy Award for special effects. Inspiration for the movie "Deep Impact".&lt;br /&gt;
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&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;/div&gt;&lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/_8AjLnnjgqyc/S4dyxQSkjEI/AAAAAAAAAJ8/efxf8U9HUUo/s1600-h/dayearthstoodstill.gif" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://3.bp.blogspot.com/_8AjLnnjgqyc/S4dyxQSkjEI/AAAAAAAAAJ8/efxf8U9HUUo/s320/dayearthstoodstill.gif" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;The Day the Earth Stood Still (1951)&lt;/b&gt;&lt;br /&gt;
Robert Wise directed this film about first contact. The strong non-violence message contrasted in the era of the atomic bomb and The Cold War. The classic line "Klaatu barada nikto" and the robot Gort are familiar pop culture icons.&lt;br /&gt;
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&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/_8AjLnnjgqyc/S4dz2NKAlmI/AAAAAAAAAKE/pz7jtVo7_7k/s1600-h/the+thing.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://2.bp.blogspot.com/_8AjLnnjgqyc/S4dz2NKAlmI/AAAAAAAAAKE/pz7jtVo7_7k/s320/the+thing.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&amp;nbsp; &lt;/div&gt;&lt;b&gt;The Thing from Another World (1951)&lt;/b&gt;&lt;br /&gt;
The first SciFi horror movie about an alien spacecraft discovered buried in the Arctic. After recovering the occupant the arctic base is victim to The Thing's terror. The film reveals only glimpses of The Thing riveting audiences in suspense. Directed by Howard Hawks (uncredited) and Christian Nyby released through RKO Radio Pictures Inc. "The Thing" is a precursor to "Alien" and future SciFi horror movies.&lt;br /&gt;
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&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/_8AjLnnjgqyc/S4d0VsFhdII/AAAAAAAAAKM/9ThjX_vebYU/s1600-h/beas20000_2.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://1.bp.blogspot.com/_8AjLnnjgqyc/S4d0VsFhdII/AAAAAAAAAKM/9ThjX_vebYU/s320/beas20000_2.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;The Beast from 20,000 Fathoms (1953)&lt;/b&gt;&lt;br /&gt;
Ray Harryhausen's first solo production based on "The Fog Horn" a short story by long time friend Ray Bradbury. The first film to use "Dynamation" Harryhausen's trademark model animation. A low cost special effect with effective results, the technique combines live actors with stop motion models. While rear projecting the live actors shot, animators can blend the model animation giving it an illusion that both elements are interacting. Harryhausen's "Dynamation" films never failed in thrilling movie audiences.&lt;br /&gt;
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&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/_8AjLnnjgqyc/S4d0ioPDJSI/AAAAAAAAAKU/sReGz5Nf4zc/s1600-h/wotw.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://3.bp.blogspot.com/_8AjLnnjgqyc/S4d0ioPDJSI/AAAAAAAAAKU/sReGz5Nf4zc/s320/wotw.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;
&lt;b&gt;&amp;nbsp;War of the Worlds (1953)&lt;/b&gt;&lt;br /&gt;
George Pal's film adaptation of H.G. Wells SciFi novel. Pal reinvented the story by setting it in 50's Los Angeles California. The Martian Tripods are replaced by sleek manta ray shaped crafts floating above ground with "invisible" legs. Attempting to use stop motion animation on the Martian's machines proved impractical and time consuming Pal decided to use wires instead. The film became a box office hit and a memorable classic.&lt;br /&gt;
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&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/_8AjLnnjgqyc/S4d1DD-Sf8I/AAAAAAAAAKc/fjgac0-W7s0/s1600-h/gojira.gif" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://4.bp.blogspot.com/_8AjLnnjgqyc/S4d1DD-Sf8I/AAAAAAAAAKc/fjgac0-W7s0/s320/gojira.gif" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;b&gt;Gojira (1954)&lt;/b&gt;&lt;br /&gt;
Japan's first successful monster movie was a box office hit in its first release. Inspired by Harryhausen's "Beast from 20,000 Fathoms" Gojira is Japan's first "Kaiju". Due to budget and lack of skilled animators Gojira was originally planned as a stop motion movie but later changed to a man in a rubber suit stomping miniature cities. The movie's plot was inspired by an incident were Japanese fishermen came too close to a nuclear test site and got contaminated. Gojira would spawn numerous sequels and keep the tradition of a man inside the rubber costume. In later releases "Gojira" is renamed "Godzilla".&lt;br /&gt;
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&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/_8AjLnnjgqyc/S4d1YotcdhI/AAAAAAAAAKk/oH85c7Rbo7c/s1600-h/mutant.gif" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://4.bp.blogspot.com/_8AjLnnjgqyc/S4d1YotcdhI/AAAAAAAAAKk/oH85c7Rbo7c/s320/mutant.gif" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&amp;nbsp; &lt;/div&gt;&lt;b&gt;This Island Earth (1955)&lt;/b&gt;&lt;br /&gt;
A big budget production directed by Joseph M. Newman and adapted from the novel by Raymond F. Jones. Though shot in Technicolor, the groundbreaking special effects was done with the new standard colour Eastman process. The film was the first to depict faster than light travel and interplanetary battles. Later spoofed in Mystery Science Theatre 3000: The Movie (1996).&lt;br /&gt;
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&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/_8AjLnnjgqyc/S4d1-i6tgkI/AAAAAAAAAKs/oGwovxf9jJM/s1600-h/sextopus.gif" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://1.bp.blogspot.com/_8AjLnnjgqyc/S4d1-i6tgkI/AAAAAAAAAKs/oGwovxf9jJM/s320/sextopus.gif" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;br /&gt;
&lt;/div&gt;&amp;nbsp;&lt;b&gt;It Came from Beneath the Sea (1955)&lt;/b&gt;&lt;br /&gt;
A six tentacled octopus terrorizes San Francisco after being awakened from the deep by a hydrogen bomb test.&lt;br /&gt;
Producer Charles H. Schneer and special effects visionary Ray Harryhausen first collaboration would be the beginning of many films to come. Due to budget restrictions the octopus had only six tentacles instead of eight.&lt;br /&gt;
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&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/_8AjLnnjgqyc/S4d2QAt9oHI/AAAAAAAAAK0/h3OgVtTqdCA/s1600-h/earthvstheflying+saucers.gif" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://3.bp.blogspot.com/_8AjLnnjgqyc/S4d2QAt9oHI/AAAAAAAAAK0/h3OgVtTqdCA/s320/earthvstheflying+saucers.gif" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;Earth vs. the Flying Saucers (1956)&lt;/b&gt;&lt;br /&gt;
Charles H. Schneer and Ray Harryhausen's next project about flying saucers invading Earth. Precursor to Independence Day.&lt;br /&gt;
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&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/_8AjLnnjgqyc/S4d2Ykh8GCI/AAAAAAAAAK8/wZIhNRvlMKs/s1600-h/ymir.gif" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://4.bp.blogspot.com/_8AjLnnjgqyc/S4d2Ykh8GCI/AAAAAAAAAK8/wZIhNRvlMKs/s320/ymir.gif" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&amp;nbsp; &lt;/div&gt;&lt;b&gt;20 Million Miles to Earth (1957)&lt;/b&gt;&lt;br /&gt;
A showcase of Ray Harryhausen's special effect wizardry. A returning space mission to Venus crash lands in the Mediterranean bringing with them an alien creature that grows to the huge "Ymir". A low budget film, Harryhausen wanted the film to be in colour. In 2007 he worked with Legend Films to create a colorized version it was later released in the 50th anniversary version.&lt;br /&gt;
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&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://1.bp.blogspot.com/_8AjLnnjgqyc/S50JDlsnghI/AAAAAAAAARU/GKTb-hthh5A/s1600-h/scifidrive_FB_3.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="273" src="http://1.bp.blogspot.com/_8AjLnnjgqyc/S50JDlsnghI/AAAAAAAAARU/GKTb-hthh5A/s640/scifidrive_FB_3.png" width="640" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;b&gt;Forbidden Planet (1956)&lt;/b&gt;&lt;br /&gt;
Based on Shakespeare's "The Tempest". A big budget film production with amazing special effects for its time. The film features a young Leslie Nielsen in command of the United Planets Cruiser C57D the spaceship journeys to the planet Altair-IV investigating the fate of colonists from an earlier expedition. Forbidden Planet's look and feel became the inspiration for Gene Roddenberry's "Star Trek" and George Lucas' "Star Wars". The film introduces Robby the Robot for the first time.&lt;br /&gt;
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&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/_8AjLnnjgqyc/S4d3YuFuQRI/AAAAAAAAALM/zie4Dw_Ymdk/s1600-h/invasion3.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://2.bp.blogspot.com/_8AjLnnjgqyc/S4d3YuFuQRI/AAAAAAAAALM/zie4Dw_Ymdk/s320/invasion3.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&amp;nbsp; &lt;/div&gt;&lt;div align="right"&gt;&lt;/div&gt;&lt;b&gt;Invasion of the Body Snatchers (1956)&lt;/b&gt;&lt;br /&gt;
SciFi paranoia at its best an invasion film without invaders the film only shows people being victimized by "pods" and the resulting conspiracy of infected hosts out to take over the world. In the time of the McCarthyist witch hunt and Soviet Red scare of the 50's the movie grew in popularity for its allegorical message of losing one's individual freedom.&lt;br /&gt;
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&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://3.bp.blogspot.com/_8AjLnnjgqyc/S4d3yYYwGmI/AAAAAAAAALU/K21NFeIvkmE/s1600-h/sinbadand+skeletons.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://3.bp.blogspot.com/_8AjLnnjgqyc/S4d3yYYwGmI/AAAAAAAAALU/K21NFeIvkmE/s320/sinbadand+skeletons.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;br /&gt;
&lt;/div&gt;&amp;nbsp;&lt;b&gt;The Seventh Voyage of Sinbad (1958)&lt;/b&gt;&lt;br /&gt;
Inspired from Tales of the Arabian Nights. The movie retells the voyage of Sinbad and his encounters with fantastic creatures.&lt;br /&gt;
The incredible special effects without the use of computers or CGI&amp;nbsp; is the culmination of Ray Harryhausen's "Dynamation". The movie needs to be mentioned here for reason that this film, Harryhausen refined his Dynamation techniques to a science. It took Harryhausen 11 months to finish the film's animation.&lt;br /&gt;
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&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://4.bp.blogspot.com/_8AjLnnjgqyc/S4d4IYeNgrI/AAAAAAAAALc/nIMd-g3B2_o/s1600-h/the+_blob.gif" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://4.bp.blogspot.com/_8AjLnnjgqyc/S4d4IYeNgrI/AAAAAAAAALc/nIMd-g3B2_o/s320/the+_blob.gif" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&amp;nbsp; &lt;/div&gt;&lt;b&gt;The Blob (1958)&lt;/b&gt;&lt;br /&gt;
A meteorite falls in a small town revealing a jelly like amoeba that later grows as it devours more people. The Blob is eventually defeated by freezing and dropped in the North Pole.&lt;br /&gt;
SciFi horror film introducing a young Steve McQueen. Produced with a budget of $120,000 it would later gross $4 million.&lt;br /&gt;
&lt;div style="text-align: left;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;b&gt;&lt;a href="http://www.youtube.com/view_play_list?p=492FC4420553B0E4" target="_blank"&gt;The SciFi films of the 50's&lt;/a&gt; &lt;/b&gt;have become a source of inspiration and remakes for today's studios. Special effects have taken a leap from early cinema with advances in film technology and colour film adding more realism. SciFi cinema will still go further to achieve greater believability and realism.&lt;br /&gt;
&lt;div style="text-align: left;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6644291654214652506-5115494656601465003?l=www.scifidrive.net' alt='' /&gt;&lt;/div&gt;&lt;div class="feedflare"&gt;
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&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/scifidrive/WEfZ/~4/94fP9O5vmpM" height="1" width="1"/&gt;</content><link rel="replies" type="application/atom+xml" href="http://www.scifidrive.net/feeds/5115494656601465003/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="https://www.blogger.com/comment.g?blogID=6644291654214652506&amp;postID=5115494656601465003" title="1 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/6644291654214652506/posts/default/5115494656601465003?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/6644291654214652506/posts/default/5115494656601465003?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/scifidrive/WEfZ/~3/94fP9O5vmpM/rocketships-monsters-and-flying-saucers.html" title="Rocketships, Monsters and Flying Saucers: SciFi Cinema of the 50's" /><author><name>J.E.B.</name><email>noreply@blogger.com</email><gd:extendedProperty name="OpenSocialUserId" value="14342673796468489274" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://4.bp.blogspot.com/_8AjLnnjgqyc/S4dxy4-LcMI/AAAAAAAAAJ0/9ZzTEPai8LI/s72-c/destinationmoon.gif" height="72" width="72" /><thr:total>1</thr:total><feedburner:origLink>http://www.scifidrive.net/2010/02/rocketships-monsters-and-flying-saucers.html</feedburner:origLink></entry><entry gd:etag="W/&quot;AkMHRHsyfCp7ImA9WxBUGEw.&quot;"><id>tag:blogger.com,1999:blog-6644291654214652506.post-4477905292438123201</id><published>2010-02-26T00:10:00.006-05:00</published><updated>2010-03-05T14:47:15.594-05:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2010-03-05T14:47:15.594-05:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="cinema" /><category scheme="http://www.blogger.com/atom/ns#" term="early" /><category scheme="http://www.blogger.com/atom/ns#" term="fiction" /><category scheme="http://www.blogger.com/atom/ns#" term="scifi" /><category scheme="http://www.blogger.com/atom/ns#" term="science" /><title>Evolution of Science Fiction Cinema: The Early 20th Century</title><content type="html">&lt;span style="font-size: x-large;"&gt;M&lt;/span&gt;odern day science fiction (&lt;b&gt;scifi&lt;/b&gt;) films can find its roots in the beginnings of cinema in the early part of the 20th century. Filmmaking evolve together with photographic and special effects technology. Some of which are still adapted in one form or another in modern cinema. Contemporary scifi films can find its influence from this early period.&lt;br /&gt;
&lt;br /&gt;
Regular camcorders have built in special effects features  that were derived from this early film making techniques.&lt;br /&gt;
&lt;br /&gt;
This article will touch on some of the films that have been an influence in the evolution of science fiction cinema.&lt;br /&gt;
&lt;br /&gt;
The early silent films were short and a novelty, mostly to show off the technology of the new entertainment rather than tell a story. The subject could be everyday life, events or comedy usually accompanied by live music as the medium had no sound.&lt;br /&gt;
Films were increasingly drawing crowds who can't get enough. The film industry boomed churning out more movies to supply demand. Film studios became lucrative, people got into the film business.&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;George Melies&lt;/b&gt; was a stage magician when he watched his first demonstration of the Lumiere brothers' camera. Melies then bought a camera and begun his film career. Georges Melies would bring magic to the cinema with his photographic effects and tricks that were a marvel at the time.&lt;br /&gt;
&lt;br /&gt;
He would introduce &lt;b&gt;multiple exposures&lt;/b&gt;, &lt;b&gt;time-lapse photography&lt;/b&gt;, &lt;b&gt;dissolves&lt;/b&gt; and other effects. His most well known movie, the blockbuster of its time was "&lt;b&gt;Trip to the Moon&lt;/b&gt;".&lt;br /&gt;
&lt;br /&gt;
&lt;span style="font-size: large;"&gt;&lt;a href="http://en.wikipedia.org/wiki/A_Trip_to_the_Moon"&gt;&lt;b&gt;Trip to the Moon&lt;/b&gt;&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
Written and directed by &lt;b&gt;Georges Melies&lt;/b&gt; in 1902, with help from his brother &lt;b&gt;Gaston&lt;/b&gt;.  The first scifi film ever made had a running time of &lt;b&gt;14 minutes at 16 fps;&lt;/b&gt; Where the average running time for films of that era was 3 minutes. The most famous and popular of all George Melies films its special effects and animation were innovative for its time.&lt;br /&gt;
&lt;br /&gt;
Loosely based on &lt;b&gt;Jules Verne's Earth to the Moon &lt;/b&gt;and &lt;b&gt;H.G. Wells' The First Men in the Moon&lt;/b&gt;. The film depicts man's first attempt to the moon. The film includes the familiar scene where the spaceship hits the eye of the man in the moon.&lt;br /&gt;
&lt;br /&gt;
&lt;div style="text-align: center;"&gt;&lt;object classid="clsid:d27cdb6e-ae6d-11cf-96b8-444553540000" codebase="http://download.macromedia.com/pub/shockwave/cabs/flash/swflash.cab#version=6,0,40,0" height="350" width="425"&gt;&lt;param name="src" value="http://www.youtube.com/v/aI0BmQaIIR4" /&gt;&lt;embed type="application/x-shockwave-flash" width="425" height="350" src="http://www.youtube.com/v/aI0BmQaIIR4"&gt; &lt;/embed&gt;&lt;/object&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;/div&gt;&lt;b&gt;Film directors&lt;/b&gt; were experimenting in cinematic style. Movies were evolving into an art form. German cinema was a leader in the early days with its expressionism,  One of the well known directors was &lt;b&gt;Fritz Lang&lt;/b&gt; and his most famous film was &lt;b&gt;Metropolis&lt;/b&gt;.&lt;br /&gt;
&lt;br /&gt;
&lt;span style="font-size: large;"&gt;&lt;a href="http://en.wikipedia.org/wiki/Metropolis_%281927_film%29" target="_blank"&gt;&lt;b&gt;Metropolis&lt;/b&gt;&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;Fritz Lang's&lt;/b&gt; dystopian vision of the future set in the year 2026. The silent scifi film was released in 1927 produced with the budget of 7 million Reichsmark (equivalent to around $200 million in 2005.)&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;Metropolis&lt;/b&gt; depicts a social struggle between the thinkers/planners living high above in the skyscrapers of Metropolis and the workers living below who toil endlessly for them.&lt;br /&gt;
&lt;br /&gt;
The film's epic detail in design and its elaborate visual effects would influence later scifi films like &lt;b&gt;Blade Runner, The Fifth Element, The Matrix&lt;/b&gt;. Metropolis' Robot-Gynoid Maria inspired the design for &lt;b&gt;Star Wars Droid C3PO&lt;/b&gt;.&lt;br /&gt;
&lt;br /&gt;
&lt;a href="http://www.archive.org/details/Metropolis_63"&gt;Novel&lt;/a&gt;&lt;br /&gt;
&lt;a href="http://www.kino.com/metropolis/" target="_blank"&gt;Official Site&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;div style="text-align: center;"&gt;&lt;object height="385" width="480"&gt;&lt;param name="movie" value="http://www.youtube.com/p/F3AAC80014E0AC58&amp;hl=en_US&amp;fs=1"&gt;&lt;/param&gt;&lt;param name="allowFullScreen" value="true"&gt;&lt;/param&gt;&lt;param name="allowscriptaccess" value="always"&gt;&lt;/param&gt;&lt;embed src="http://www.youtube.com/p/F3AAC80014E0AC58&amp;hl=en_US&amp;fs=1" type="application/x-shockwave-flash" width="480" height="385" allowscriptaccess="always" allowfullscreen="true"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;a href="http://www.youtube.com/watch?v=nPK0QHPdahI"&gt;&lt;/a&gt;&lt;br /&gt;
&lt;div style="text-align: left;"&gt;&lt;b&gt; The advent of sound&lt;/b&gt; captivated audiences, movies began having  "&lt;b&gt;sound effects&lt;/b&gt;" while music was utilized to give an emotional impact.&lt;/div&gt;&lt;a href="http://en.wikipedia.org/wiki/King_Kong"&gt;&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;div style="text-align: left;"&gt;&lt;span style="font-size: large;"&gt;&lt;a href="http://en.wikipedia.org/wiki/King_Kong"&gt;&lt;b&gt;King Kong&lt;/b&gt;&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;
&lt;div style="text-align: left;"&gt;The movie that popularized the &lt;b&gt;giant monster genre&lt;/b&gt; retells the story of beauty and the beast. Produced and directed  by &lt;b&gt;Merian C. Cooper&lt;/b&gt; and &lt;b&gt;Ernest B. Schoedsack&lt;/b&gt; its innovative special effects and stop motion animation was done by &lt;b&gt;Willis O'Brien&lt;/b&gt; who brought the monster gorilla to life. &lt;b&gt;Willis O'Brien&lt;/b&gt; pioneered stop motion techniques that later SFX artists would honor him as founder and father. &lt;b&gt;CGI animation&lt;/b&gt; can trace its roots to this film.&lt;/div&gt;&lt;br /&gt;
&lt;div style="text-align: left;"&gt;&lt;b&gt;King Kong&lt;/b&gt; broke box-office records at its opening in 1933, its success saved RKO studios from bankruptcy. In later re-releases it still managed to gross at the box office. King Kong inspired a number of remakes the best one by Peter Jackson in 2005.&lt;/div&gt;&lt;br /&gt;
&lt;div style="text-align: left;"&gt;The image of &lt;b&gt;King Kong&lt;/b&gt; on top of the &lt;b&gt;Empire State building&lt;/b&gt; has become a familiar pop icon.&lt;/div&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;a href="http://www.youtube.com/watch?v=PY0BGSi2T6U"&gt;&lt;object classid="clsid:d27cdb6e-ae6d-11cf-96b8-444553540000" codebase="http://download.macromedia.com/pub/shockwave/cabs/flash/swflash.cab#version=6,0,40,0" height="350" width="425"&gt;&lt;param name="src" value="http://www.youtube.com/v/1qBA750YNiE" /&gt;&lt;embed type="application/x-shockwave-flash" width="425" height="350" src="http://www.youtube.com/v/1qBA750YNiE"&gt; &lt;/embed&gt;&lt;/object&gt;&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;/div&gt;&lt;br /&gt;
&lt;span style="font-size: large;"&gt;&lt;a href="http://en.wikipedia.org/wiki/Flash_Gordon_%28serial%29"&gt;&lt;b&gt;Flash Gordon&lt;/b&gt;&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
Adapted from the popular comic strip &lt;b&gt;Flash Gordon&lt;/b&gt; by &lt;b&gt;Alex Raymond&lt;/b&gt; was a space opera serialized in 1936. Budgeted at $350,000 the most expensive serial at that time.&lt;br /&gt;
&lt;br /&gt;
Movie serials were 30 minute shorts shown before the main feature. Serials introduced the &lt;b&gt;cliffhanger ending&lt;/b&gt;, making movie audiences return and watch the  next episode.&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;Flash Gordon&lt;/b&gt; introduces many plot elements common in scifi films; The evil  ruler bent on conquest, a hero fighting impossible odds, friendly allies or sidekicks. It also introduced the use of "&lt;b&gt;ray guns&lt;/b&gt;" and other high tech props.&lt;br /&gt;
&lt;br /&gt;
Flash Gordon used the &lt;b&gt;scrolling text introduction&lt;/b&gt; to brief viewers on previous episodes. &lt;b&gt;George Lucas's Star Wars films &lt;/b&gt;adapted the scrolling text at the beginning of each film, homage to the early movie serials.&lt;br /&gt;
&lt;br /&gt;
&lt;div style="text-align: center;"&gt;&lt;object classid="clsid:d27cdb6e-ae6d-11cf-96b8-444553540000" codebase="http://download.macromedia.com/pub/shockwave/cabs/flash/swflash.cab#version=6,0,40,0" height="350" width="425"&gt;&lt;param name="src" value="http://www.youtube.com/v/dpX_BJHEvZA" /&gt;&lt;embed type="application/x-shockwave-flash" width="425" height="350" src="http://www.youtube.com/v/dpX_BJHEvZA"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;b&gt;Early Science Fiction films&lt;/b&gt; were known for its innovation in &lt;b&gt;visual effects&lt;/b&gt; that have evolved and adapted in today's computerized technology. Common scifi story elements introduced in this early era would show up in later generations of films. &lt;b&gt;Science Fiction in cinema&lt;/b&gt; wouldn't be the same if not for these early pioneers.&lt;/div&gt;&lt;div style="text-align: left;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;span style="font-size: large;"&gt;&lt;b&gt;&lt;a href="http://www.youtube.com/view_play_list?p=2C40E8D21D171BBC" target="_blank"&gt;SciFiDrive Early SciFi Playlist&lt;/a&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/6644291654214652506-4477905292438123201?l=www.scifidrive.net' alt='' /&gt;&lt;/div&gt;&lt;div class="feedflare"&gt;
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&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/scifidrive/WEfZ/~4/qfFydey1Tkw" height="1" width="1"/&gt;</content><link rel="replies" type="application/atom+xml" href="http://www.scifidrive.net/feeds/4477905292438123201/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="https://www.blogger.com/comment.g?blogID=6644291654214652506&amp;postID=4477905292438123201" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/6644291654214652506/posts/default/4477905292438123201?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/6644291654214652506/posts/default/4477905292438123201?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/scifidrive/WEfZ/~3/qfFydey1Tkw/evolution-of-science-fiction-cinema.html" title="Evolution of Science Fiction Cinema: The Early 20th Century" /><author><name>J.E.B.</name><email>noreply@blogger.com</email><gd:extendedProperty name="OpenSocialUserId" value="14342673796468489274" /></author><thr:total>0</thr:total><feedburner:origLink>http://www.scifidrive.net/2010/02/evolution-of-science-fiction-cinema.html</feedburner:origLink></entry></feed>
