<?xml version="1.0" encoding="utf-8" standalone="yes"?><rss xmlns:atom="http://www.w3.org/2005/Atom" version="2.0"><channel><title>sergiosantos.info, blog &amp; works</title><link>https://sergiosantos.info/</link><description>Blog: ramblings about the web (2.0), coding and ideas.</description><generator>Hugo</generator><language>en-us</language><lastBuildDate>Sat, 21 Mar 2026 12:00:00 +0000</lastBuildDate><atom:link href="https://sergiosantos.info/index.xml" rel="self" type="application/rss+xml"/><item><title>Ticalc.org account</title><link>https://sergiosantos.info/post/2026/03/21-ticalc/</link><guid>https://sergiosantos.info/post/2026/03/21-ticalc/</guid><pubDate>Sat, 21 Mar 2026 12:00:00 +0000</pubDate><description>&lt;p&gt;I discovered that my 22 years old &lt;a href="https://ticalc.org/archives/files/authors/89/8923.html"&gt;Ticalc.org account&lt;/a&gt; is still available online. And that my files are still being downloaded to this day! They had 143 downloads in the last 7 days. &#129327;&lt;/p&gt;
&lt;p&gt;This was back when I was in high school, learning how to program with my TI-83+ graphical calculator, instead of paying attention in classes. I wrote some simple games and tools to share my friends, plus a programming tutorial in Portuguese.&lt;/p&gt;
&lt;p&gt;&lt;img src="https://sergiosantos.info/images/ticalc_account.png" alt="Ticalc.org account"&gt;
&lt;img src="https://sergiosantos.info/images/ticalc_files.png" alt="Ticalc.org files"&gt;&lt;/p&gt;</description></item><item><title>When the server goes dark, we go dark, too.” — Who Will Remember Us When The Servers Go Dark? by …</title><link>https://sergiosantos.info/post/2026/03/18-servers-go-dark/</link><guid>https://sergiosantos.info/post/2026/03/18-servers-go-dark/</guid><pubDate>Wed, 18 Mar 2026 18:00:00 +0000</pubDate><description>&lt;blockquote&gt;
&lt;p&gt;When the server goes dark, we go dark, too. We’ve built an entire civilisation on an unthinkably brutal and comically unreliable stack while hallucinating it as literally anything else. We condemn AI today for making shit up, but what about us? We’re building on a fantasy just as brittle, we are just as demonstrably wrong. Yet we pretend a file isn’t just a gesture that can disappear in an instant. We hallucinate that the server is somehow both fleeting and forever.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;— &lt;a href="https://newdesigncongress.org/en/pub/who-will-remember-us-when-the-servers-go-dark/"&gt;Who Will Remember Us When The Servers Go Dark?&lt;/a&gt; by Cade Diehm&lt;/p&gt;</description></item><item><title>“The ongoing process of attempting to understand (but never really understanding completely) is …</title><link>https://sergiosantos.info/post/2026/02/23-ongoing/</link><guid>https://sergiosantos.info/post/2026/02/23-ongoing/</guid><pubDate>Mon, 23 Feb 2026 12:00:00 +0100</pubDate><description>&lt;blockquote&gt;
&lt;p&gt;The ongoing process of attempting to understand (but never really understanding completely) is &lt;strong&gt;absolutely productive&lt;/strong&gt;. The relentless attempt to understand is what moves a practice moving forward.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;— David Reinfurt&lt;/p&gt;</description></item><item><title>Books read in 2025</title><link>https://sergiosantos.info/post/2026/01/07-books-read-in-2025/</link><guid>https://sergiosantos.info/post/2026/01/07-books-read-in-2025/</guid><pubDate>Wed, 07 Jan 2026 10:46:20 +0000</pubDate><description>&lt;p&gt;Oh boy, 99 books this year. I started listening to audio books too, commuting or during car rides alone. I also read more fiction and poetry, one of my goals.&lt;/p&gt;
&lt;p&gt;Below are my favourites and the full list of books of this year. You can also check my lists for &lt;a href="https://sergiosantos.info/post/638855919587966976/books-read-in-2020"&gt;2020&lt;/a&gt;, &lt;a href="https://sergiosantos.info/post/672192509300064256/books-read-in-2021"&gt;2021&lt;/a&gt;, &lt;a href="https://sergiosantos.info/post/705245026981134336/books-read-in-2022"&gt;2022&lt;/a&gt;, &lt;a href="https://sergiosantos.info/post/2024/01/books-read-in-2023/"&gt;2023&lt;/a&gt; and &lt;a href="https://sergiosantos.info/post/2025/01/01-books-read-in-2024/"&gt;2024&lt;/a&gt;.&lt;/p&gt;
&lt;h2 id="favourites-"&gt;Favourites ⭐️&lt;/h2&gt;
&lt;h3 id="canto-yo-y-la-montaña-baila-by-irene-solà"&gt;Canto yo y la montaña baila by Irene Solà&lt;/h3&gt;
&lt;blockquote&gt;
&lt;p&gt;La eternidad, cosa ligera. Cosa diaria, cosa pequeña.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;h3 id="a-criação-do-mundo-by-miguel-torga"&gt;A Criação do Mundo by Miguel Torga&lt;/h3&gt;
&lt;blockquote&gt;
&lt;p&gt;Não os prendam. Só quando de todo não puder deixar de ser&amp;hellip; Façam-lhes a vida difícil&amp;hellip; Façam-lhes a vida difícil&amp;hellip; E faziam. Quem não acertava o passo pelo chouto do rebanho, ou apodrecia num calabouço ou morria de fome. A nação inteira era agora uma tumba de silêncio e abulia.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;h3 id="minor-detail-by-adania-shibli"&gt;Minor Detail by Adania Shibli&lt;/h3&gt;
&lt;blockquote&gt;
&lt;p&gt;sometimes it’s inevitable for the past to be forgotten, especially if the present is no less horrific&lt;/p&gt;
&lt;/blockquote&gt;
&lt;h3 id="solaris-by-stanisław-lem"&gt;Solaris by Stanisław Lem&lt;/h3&gt;
&lt;blockquote&gt;
&lt;p&gt;How do you expect to communicate with the ocean, when you can’t even understand one another?&lt;/p&gt;
&lt;/blockquote&gt;
&lt;h3 id="internacional-de-poesía-anarquista-by-samuel-l-parís"&gt;Internacional de Poesía Anarquista by Samuel L. París&lt;/h3&gt;
&lt;blockquote&gt;
&lt;p&gt;&lt;strong&gt;Proverbio antiutilitarista&lt;/strong&gt;&lt;/p&gt;
&lt;/blockquote&gt;
&lt;blockquote&gt;
&lt;p&gt;As mandarinas cómense por algo mais que polas vitaminas.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;h3 id="refugee-conversations---bertolt-brecht"&gt;Refugee Conversations - Bertolt Brecht&lt;/h3&gt;
&lt;blockquote&gt;
&lt;p&gt;This beer isn’t proper beer, although that is perhaps compensated for by the fact that these cigars are not real cigars either – but your passport, that has to be a passport. Otherwise they won’t let you in.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;h3 id="the-use-of-photography-by-annie-ernaux-and-marc-marie"&gt;The Use of Photography by Annie Ernaux and Marc Marie&lt;/h3&gt;
&lt;blockquote&gt;
&lt;p&gt;When I came downstairs and saw the pieces of clothing and lingerie, the shoes, scattered over the tiles of the corridor in the sunlight, I had a sensation of sorrow and beauty.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;h3 id="things-become-other-things-by-craig-mod"&gt;Things Become Other Things by Craig Mod&lt;/h3&gt;
&lt;blockquote&gt;
&lt;p&gt;I’ve come to realize the only true walk is the re-walk. You cannot know a place without returning. And even then, once isn’t enough. That’s why I’m back. Back on the Peninsula. Walking these roads I’ve walked before.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;h2 id="full-list"&gt;Full list&lt;/h2&gt;
&lt;h3 id="fiction"&gt;Fiction&lt;/h3&gt;
&lt;ul&gt;
&lt;li&gt;Pastoralia - George Saunders&lt;/li&gt;
&lt;li&gt;The Anthropologists - Aysegül Savas&lt;/li&gt;
&lt;li&gt;Como rebolar alegremente sobre um vazio exterior - André Guedes &amp;amp; Miguel Loureiro&lt;/li&gt;
&lt;li&gt;Carcoma - Layla Martínez&lt;/li&gt;
&lt;li&gt;The Wind&amp;rsquo;s Twelve Quarters - Ursula K. Le Guin&lt;/li&gt;
&lt;li&gt;La Gran Novel·La sobre Barcelona - Sergi Pàmies&lt;/li&gt;
&lt;li&gt;Canto yo y la montaña baila - Irene Solà&lt;/li&gt;
&lt;li&gt;E se eu gostasse muito de morrer - Rui Cardoso Martins&lt;/li&gt;
&lt;li&gt;The Literary Conference - César Aira&lt;/li&gt;
&lt;li&gt;A Criação do Mundo - Miguel Torga&lt;/li&gt;
&lt;li&gt;One Day in the Life of Ivan Denisovich - Aleksandr Solzhenitsyn&lt;/li&gt;
&lt;li&gt;A Hora da Estrela - Clarice Lispector&lt;/li&gt;
&lt;li&gt;Nocturno de Chile - Roberto Bolaño&lt;/li&gt;
&lt;li&gt;For Whom the Bell Tolls - Ernest Hemingway&lt;/li&gt;
&lt;li&gt;Deus Tem Caspa - Júlio Henriques&lt;/li&gt;
&lt;li&gt;Happening - Annie Ernaux&lt;/li&gt;
&lt;li&gt;Uma Abelha Na Chuva - Carlos de Oliveira&lt;/li&gt;
&lt;li&gt;R.U.R. - Karel Čapek&lt;/li&gt;
&lt;li&gt;Wool - Hugh Howey&lt;/li&gt;
&lt;li&gt;Address Unknown - Kathrine Kressmann Taylor&lt;/li&gt;
&lt;li&gt;Os Pobres - Raul Brandão&lt;/li&gt;
&lt;li&gt;Minor Detail - Adania Shibli&lt;/li&gt;
&lt;li&gt;Conversations - César Aira&lt;/li&gt;
&lt;li&gt;Chronicle of a Death Foretold - Gabriel García Márquez&lt;/li&gt;
&lt;li&gt;Short Fiction - Ray Bradbury&lt;/li&gt;
&lt;li&gt;We Do Not Part - Han Kang&lt;/li&gt;
&lt;li&gt;War with the Newts - Karel Čapek&lt;/li&gt;
&lt;li&gt;Burmese Days - George Orwell&lt;/li&gt;
&lt;li&gt;Els desperfectes - Irene Pujadas&lt;/li&gt;
&lt;li&gt;The Grass Is Singing - Doris Lessing&lt;/li&gt;
&lt;li&gt;Childhood, Youth, Dependency - Tove Ditlevsen&lt;/li&gt;
&lt;li&gt;Objecto Quase - José Saramago&lt;/li&gt;
&lt;li&gt;Solaris - Stanisław Lem&lt;/li&gt;
&lt;li&gt;Quando os Lobos Uivam - Aquilino Ribeiro&lt;/li&gt;
&lt;li&gt;Habitada - Cristina Sánchez-Andrade&lt;/li&gt;
&lt;li&gt;Satantango - László Krasznahorkai&lt;/li&gt;
&lt;li&gt;O Banqueiro Anarquista - Fernando Pessoa&lt;/li&gt;
&lt;li&gt;Golden Notebook - Doris Leasing&lt;/li&gt;
&lt;li&gt;¿Que me queres, amor? - Manuel Rivas&lt;/li&gt;
&lt;li&gt;Todos os Nomes - José Saramago&lt;/li&gt;
&lt;/ul&gt;
&lt;h3 id="poetry"&gt;Poetry&lt;/h3&gt;
&lt;ul&gt;
&lt;li&gt;Soco e Sono - Inês Morão Dias&lt;/li&gt;
&lt;li&gt;Lisbossa - Rafael Vieira&lt;/li&gt;
&lt;li&gt;Parole alla finestra - Francesco Navarrini&lt;/li&gt;
&lt;li&gt;Luci prese al volo - Francesco Navarrini&lt;/li&gt;
&lt;li&gt;Cem Mil Anos para ir à Escola - Paul Goodman&lt;/li&gt;
&lt;li&gt;Gasoline - Gregory Corso&lt;/li&gt;
&lt;li&gt;Tao Te Ching - Ursula K. Le Guin&lt;/li&gt;
&lt;li&gt;Antologia Poética - Miguel Torga&lt;/li&gt;
&lt;li&gt;Bèstia - Irene Solà&lt;/li&gt;
&lt;li&gt;Late in the Day - Ursula K. Le Guin&lt;/li&gt;
&lt;li&gt;Internacional de Poesía Anarquista - Samuel L. París&lt;/li&gt;
&lt;li&gt;Notas sobre a Circulação de um Corpo - José Amaro&lt;/li&gt;
&lt;li&gt;Jeremias o louco - José Agostinho Baptista&lt;/li&gt;
&lt;/ul&gt;
&lt;h3 id="non-fiction"&gt;Non-fiction&lt;/h3&gt;
&lt;ul&gt;
&lt;li&gt;Software for Artists Book #003 - Zainab Aliyu&lt;/li&gt;
&lt;li&gt;On Browsing - Jason Guriel&lt;/li&gt;
&lt;li&gt;Count Down - Shanna Swan&lt;/li&gt;
&lt;li&gt;A Poetry Handbook - Mary Oliver&lt;/li&gt;
&lt;li&gt;The Undercurrents - Kirsty Bell&lt;/li&gt;
&lt;li&gt;The Little Book of Unsuspected Subversion - Edmond Jabès&lt;/li&gt;
&lt;li&gt;A Map of Future Ruins - Lauren Markham&lt;/li&gt;
&lt;li&gt;Kin City - Magdalena Taube &amp;amp; Krystian Woznicki&lt;/li&gt;
&lt;li&gt;For Health Autonomy - CareNotes Collective&lt;/li&gt;
&lt;li&gt;Refugee Conversations - Bertolt Brecht&lt;/li&gt;
&lt;li&gt;The Use of Photography - Annie Ernaux and Marc Marie&lt;/li&gt;
&lt;li&gt;Salatinas - Rafael Vieira&lt;/li&gt;
&lt;li&gt;Doppelganger - Naomi Klein&lt;/li&gt;
&lt;li&gt;Mutual Aid - Dean Spade&lt;/li&gt;
&lt;li&gt;L’últim recer - Nacho Collado Gozálvez&lt;/li&gt;
&lt;li&gt;La Llamada - Leila Guerriero&lt;/li&gt;
&lt;li&gt;Bestiário Menor - Eduarda Neves&lt;/li&gt;
&lt;li&gt;Down and Out in Paris and London - George Orwell&lt;/li&gt;
&lt;li&gt;A Simpler Life - Ryan Bartaby&lt;/li&gt;
&lt;li&gt;Canto do Aumento - Andreia C. Faria&lt;/li&gt;
&lt;li&gt;O que temos a ver com isto? - Maria Vlachou&lt;/li&gt;
&lt;li&gt;A Year in the Art World - Matthew Israel&lt;/li&gt;
&lt;li&gt;Escritos de Arte - Jeff Wall&lt;/li&gt;
&lt;li&gt;How to Be an Anticapitalist in the Twenty-First Century - Erik Olin Wright&lt;/li&gt;
&lt;li&gt;On Contemporary Art - César Aira&lt;/li&gt;
&lt;li&gt;Anarcosindicalismo - Gaspar Manzanera&lt;/li&gt;
&lt;li&gt;At the Café - Errico Malatesta&lt;/li&gt;
&lt;li&gt;Teoría de la gravedad - Leila Guerriero&lt;/li&gt;
&lt;li&gt;Electronic Civil Disobedience &amp;amp; Other Unpopular Ideas - Critical Art Ensemble&lt;/li&gt;
&lt;li&gt;Things Become Other Things - Craig Mod&lt;/li&gt;
&lt;li&gt;Fuck Green New Deal - Milvus&lt;/li&gt;
&lt;li&gt;Out of the Ruins - Robert H. Haworth and John M. Elmore&lt;/li&gt;
&lt;li&gt;Postcapitalist Desire: The Final Lectures - Mark Fisher&lt;/li&gt;
&lt;li&gt;One Day, Everyone Will Have Always Been Against This - Omar El Akkad&lt;/li&gt;
&lt;li&gt;Autonomía y subsistencia - Aurélien Berlan&lt;/li&gt;
&lt;li&gt;Prise de possession - Louise Michel&lt;/li&gt;
&lt;li&gt;Growing Up Absurd - Paul Goodman&lt;/li&gt;
&lt;li&gt;Nueva ilustración radical - Marina Garcés&lt;/li&gt;
&lt;li&gt;+KAOS - Austistici/Inventati&lt;/li&gt;
&lt;li&gt;The Wave in the Mind - Ursula K. Le Guin&lt;/li&gt;
&lt;li&gt;A ditadura portuguesa contra Castelao - Antonio Iglesias Mira&lt;/li&gt;
&lt;li&gt;Prospecto - André Guedes&lt;/li&gt;
&lt;li&gt;On the Duty of Civil Disobedience - Henry David Thoreau&lt;/li&gt;
&lt;li&gt;On the Abolition of All Political Parties - Simone Weil&lt;/li&gt;
&lt;li&gt;A revolução social e a sua interpretação anarquista - José Correia Pires&lt;/li&gt;
&lt;li&gt;A Participação Cívica em Portugal - José Carlos Mota&lt;/li&gt;
&lt;/ul&gt;</description></item><item><title>“But in some ways parties were serious and important too, she thought” — Ghosts by César Aira</title><link>https://sergiosantos.info/post/2025/03/19-ghosts/</link><guid>https://sergiosantos.info/post/2025/03/19-ghosts/</guid><pubDate>Wed, 19 Mar 2025 10:00:00 +0100</pubDate><description>&lt;blockquote&gt;
&lt;p&gt;But in some ways parties were serious and important too, she thought. They were a way of suspending life, all the serious business of life, in order to do something unimportant: and wasn&amp;rsquo;t that an important thing to do?&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;— Ghosts by César Aira&lt;/p&gt;</description></item><item><title>“It’s equally stupid to say that capitalism is fine but fascism is a step too far. (&amp;hellip;)” — …</title><link>https://sergiosantos.info/post/2025/02/24-refugee-conversations/</link><guid>https://sergiosantos.info/post/2025/02/24-refugee-conversations/</guid><pubDate>Mon, 24 Feb 2025 12:00:00 +0100</pubDate><description>&lt;blockquote&gt;
&lt;p&gt;It’s equally stupid to say that capitalism is fine but fascism is a step too far. If capitalism had been capable of existing without fascism, fascism wouldn’t have existed. Fascism is supposed to be just an excrescence, or so I’ve read. But a person suffering from a certain type of excrescence known as cancer is prone to die even if he is otherwise perfectly healthy. The idea of a peaceful capitalism is lunacy. People think this is how it works: everything is ticking along quite nicely, peace reigns, but then there’s a disruption, an unfortunate incident: war. It’s like with fattening pigs! Every day someone brings you a nice meal; you get washed, flattered and photographed; but from time to time an unfortunate incident occurs and you get slaughtered.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;— Refugee Conversations by Bertolt Brecht&lt;/p&gt;</description></item><item><title>Teevee by G.E.K.</title><link>https://sergiosantos.info/post/2025/01/23-teevee-gek/</link><guid>https://sergiosantos.info/post/2025/01/23-teevee-gek/</guid><pubDate>Thu, 23 Jan 2025 16:30:00 +0100</pubDate><description>
&lt;iframe style="border: 0; width: 100%; height: 120px;" src="https://bandcamp.com/EmbeddedPlayer/album=3848636291/size=large/bgcol=ffffff/linkcol=0687f5/tracklist=false/artwork=small/track=3189027214/transparent=true/" seamless&gt;&lt;a href="https://otomatikmuziek.bandcamp.com/album/faculty-of-perception"&gt;Faculty Of Perception by G.E.K.&lt;/a&gt;&lt;/iframe&gt;

&lt;p&gt;First heard at &lt;a href="https://www.mixcloud.com/radiojardim/meio-dia-meio-noite-22-radio-alhara-07012025/"&gt;Meio Dia Meio Noite #22&lt;/a&gt; on &lt;a href="https://www.radioalhara.net/"&gt;Radio Alhara&lt;/a&gt;.&lt;/p&gt;</description></item><item><title>we will not cancel us by Adrienne Maree Brown</title><link>https://sergiosantos.info/post/2025/01/23-we-will-not-cancel-us/</link><guid>https://sergiosantos.info/post/2025/01/23-we-will-not-cancel-us/</guid><pubDate>Thu, 23 Jan 2025 16:00:00 +0100</pubDate><description>&lt;blockquote&gt;
&lt;p&gt;We hurt people.&lt;/p&gt;
&lt;p&gt;But we will not cancel us.&lt;/p&gt;
&lt;p&gt;Canceling is punishment, and punishment doesn’t stop the cycle of harm, not long term. (&amp;hellip;)&lt;/p&gt;
&lt;p&gt;We will not cancel us. But we must earn our place on this earth.&lt;/p&gt;
&lt;p&gt;We will tell each other we hurt people, and who. We will tell each other why, and who hurt us and how. (&amp;hellip;)&lt;/p&gt;
&lt;p&gt;We will not cancel us. If we give up this strategy, we will learn together the other strategies that will ultimately help us break these cycles, liberate future generations from the burden of our shared and private pain, leaving nothing unspeakable in our bones, no shame in our dirt.&lt;/p&gt;
&lt;p&gt;Each of us is precious. We, together, must break every cycle that makes us forget this.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;— &lt;a href="https://adriennemareebrown.net/2018/05/10/we-will-not-cancel-us/"&gt;we will not cancel us&lt;/a&gt; by Adrienne Maree Brown&lt;/p&gt;</description></item><item><title>Books read in 2024</title><link>https://sergiosantos.info/post/2025/01/01-books-read-in-2024/</link><guid>https://sergiosantos.info/post/2025/01/01-books-read-in-2024/</guid><pubDate>Wed, 01 Jan 2025 15:00:00 +0000</pubDate><description>&lt;p&gt;I spent a good deal of 2024 reading books. Below are my favourites and the full list of books I read. You can also check my lists for &lt;a href="https://sergiosantos.info/post/638855919587966976/books-read-in-2020"&gt;2020&lt;/a&gt;, &lt;a href="https://sergiosantos.info/post/672192509300064256/books-read-in-2021"&gt;2021&lt;/a&gt;, &lt;a href="https://sergiosantos.info/post/705245026981134336/books-read-in-2022"&gt;2022&lt;/a&gt; and &lt;a href="https://sergiosantos.info/post/2024/01/books-read-in-2023/"&gt;2023&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;As a focus for next year, I plan on reading less North American writers, more fiction, and more women writers (only 17 of 81 books this year).&lt;/p&gt;
&lt;h2 id="favourites-"&gt;Favourites ⭐️&lt;/h2&gt;
&lt;h3 id="raised-from-the-ground-levantado-do-chão-by-josé-saramago"&gt;Raised from the Ground (Levantado do Chão) by José Saramago&lt;/h3&gt;
&lt;blockquote&gt;
&lt;p&gt;a fome é uma boa razão para roubo, quem rouba por precisão tem cem anos de perdão, bem sei que o ditado não é assim, mas devia ser, se eu sou ladrão por ir roubar bolota, ladrão é também o dono dela, que nem fabricou a terra nem plantou a árvore e a podou e limpou&lt;/p&gt;
&lt;/blockquote&gt;
&lt;h3 id="how-music-works-by-david-byrne"&gt;How Music Works by David Byrne&lt;/h3&gt;
&lt;blockquote&gt;
&lt;p&gt;It can often seem that those in power don&amp;rsquo;t want us to enjoy making things for ourselves - they&amp;rsquo;d prefer to establish a cultural hierarchy that devalues our amateur efforts and encourages consumption rather than creation.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;h3 id="a-fortune-teller-told-me-by-tiziano-terzani"&gt;A Fortune-Teller Told Me by Tiziano Terzani&lt;/h3&gt;
&lt;blockquote&gt;
&lt;p&gt;This is one aspect of a reporter&amp;rsquo;s job that never ceases to fascinate and disturb me: facts that go unreported do not exist. How many massacres, how many earthquakes happen in the world, how many ships sink, how many volcanoes erupt, and how many people are persecuted, tortured and killed. Yet if no one is there to see, to write, to take a photograph, it is as if these facts had never occurred, this suffering has no importance, no place in history. Because history exists only if someone relates it. Every little description of a thing observed one can leave a seed in the soil of memory - that keeps me tied to my profession.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;h3 id="bullshit-jobs-by-david-graeber"&gt;Bullshit Jobs by David Graeber&lt;/h3&gt;
&lt;blockquote&gt;
&lt;p&gt;In 2014 there was a transit strike when London’s mayor threatened to close perhaps a hundred London Underground ticket offices, leaving only machines. This sparked an online debate among certain local Marxists about whether the workers threatened with redundancy had “bullshit jobs” […] Asked to respond, I eventually referred my interlocutors to a circular put out by the strikers themselves, called “Advice to Passengers Using the Future London Underground.” It included lines like these:&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Please ensure you are thoroughly familiar with London Underground’s 11 lines and 270 stations before traveling . . . Please ensure that there are no delays in your journey, or any accidents, emergencies, incidents, or evacuations. Please do not be disabled. Or poor. Or new to London. Please avoid being too young or too old. Please do not be harassed or assaulted while traveling. Please do not lose your property or your children. Please do not require assistance in any way.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;[…] What tube workers actually do, then, is something much closer to what feminists have termed “caring labor.” It has more in common with a nurse’s work than a bricklayer’s. It’s just that, in the same way as women’s unpaid caring labor is made to disappear from our accounts of “the economy,” so are the caring aspects of other working-class jobs made to disappear as well.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;h3 id="teaching-as-a-subversive-activity-by-neil-postman"&gt;Teaching As a Subversive Activity by Neil Postman&lt;/h3&gt;
&lt;blockquote&gt;
&lt;p&gt;It is not uncommon, for example, to hear “teachers” make statements such as, “Oh, I taught them that, but they didn’t learn it.” There is no utterance made in the Teachers’ Room more extraordinary than this. From our point of view, it is on the same level as a salesman’s remarking, “I sold it to him, but he didn’t buy it”—which is to say, it makes no sense. It seems to mean that “teaching” is what a “teacher” does, which, in turn, may or may not bear any relationship to what those being “taught” do.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;h3 id="beyond-powerlessness-sair-da-nossa-impotência-política-by-geoffroy-de-lagasnerie"&gt;Beyond powerlessness (Sair da Nossa Impotência Política) by Geoffroy de Lagasnerie&lt;/h3&gt;
&lt;blockquote&gt;
&lt;p&gt;If we want to escape from our situation of powerlessness and anxiety, we must re-examine our relationship to the political, and strive to produce new types of political practice.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;h2 id="full-list"&gt;Full list&lt;/h2&gt;
&lt;h3 id="fiction"&gt;Fiction&lt;/h3&gt;
&lt;ul&gt;
&lt;li&gt;An Episode in the Life of a Landscape Painter - César Aira&lt;/li&gt;
&lt;li&gt;The Plains - Gerald Murnane&lt;/li&gt;
&lt;li&gt;Mr. Penumbra&amp;rsquo;s 24-Hour Bookstore - Robin Sloan&lt;/li&gt;
&lt;li&gt;How High We Go in the Dark - Sequoia Nagamatsu&lt;/li&gt;
&lt;li&gt;Levantado do Chão - José Saramago ⭐️&lt;/li&gt;
&lt;li&gt;Até Amanhã Camaradas - Manuel Tiago&lt;/li&gt;
&lt;li&gt;A Noite - José Saramago&lt;/li&gt;
&lt;li&gt;Accidental Death of an Anarchist - Dario Fo&lt;/li&gt;
&lt;li&gt;Nós Matámos o Cão-Tinhoso - Luís Bernardo de Honwana&lt;/li&gt;
&lt;li&gt;Cousas - Alfonso Castelao&lt;/li&gt;
&lt;li&gt;Stories of Mr. Keuner - Bertolt Brecht&lt;/li&gt;
&lt;li&gt;Niebla - Miguel de Unamuno&lt;/li&gt;
&lt;li&gt;The Ministry for the Future - Kim Stanley Robinson&lt;/li&gt;
&lt;li&gt;Human Acts - Han Kang&lt;/li&gt;
&lt;li&gt;The Invisible Ones - Nanni Balestrini&lt;/li&gt;
&lt;/ul&gt;
&lt;h3 id="poetry"&gt;Poetry&lt;/h3&gt;
&lt;ul&gt;
&lt;li&gt;Par de Olhos - Inês Morão Dias&lt;/li&gt;
&lt;li&gt;Eu Índice N - E.M de Melo e Castro&lt;/li&gt;
&lt;li&gt;Trabalho Poético 2 - Carlos de Oliveira&lt;/li&gt;
&lt;li&gt;Queda de Neve nas Terras Altas - Rui S. Magalhães&lt;/li&gt;
&lt;/ul&gt;
&lt;h3 id="non-fiction"&gt;Non-fiction&lt;/h3&gt;
&lt;ul&gt;
&lt;li&gt;No Time to Spare - Ursula K. Le Guin&lt;/li&gt;
&lt;li&gt;The Creative Act - Rick Rubin&lt;/li&gt;
&lt;li&gt;The Art Collector&amp;rsquo;s Handbook - Mary Rozell&lt;/li&gt;
&lt;li&gt;Unreasonable Hospitality - Will Guidara&lt;/li&gt;
&lt;li&gt;Management of Art Galleries - Magnus Resch&lt;/li&gt;
&lt;li&gt;Contro l’automobile - Andrea Coccia&lt;/li&gt;
&lt;li&gt;Sonic Life - Thurston Moore&lt;/li&gt;
&lt;li&gt;The Carrier Bag Theory of Fiction - Ursula K. Le Guin&lt;/li&gt;
&lt;li&gt;Diálogos de Colecionar - Adelaide Duarte&lt;/li&gt;
&lt;li&gt;How Music Works - David Byrne ⭐️&lt;/li&gt;
&lt;li&gt;The Curator&amp;rsquo;s Handbook - Adrian George&lt;/li&gt;
&lt;li&gt;Trabalho Capital - Paulo Mendes&lt;/li&gt;
&lt;li&gt;Utopía no es una isla - Layla Martínez&lt;/li&gt;
&lt;li&gt;A Fortune-Teller Told Me - Tiziano Terzani ⭐️&lt;/li&gt;
&lt;li&gt;Arquivo e Intervalo - José Maçãs de Carvalho&lt;/li&gt;
&lt;li&gt;In Praise of the Bicycle - Marc Augé&lt;/li&gt;
&lt;li&gt;The Abolition of Work - Bob Black&lt;/li&gt;
&lt;li&gt;The Communist Manifesto: Insights and Problems - Murray Bookchin&lt;/li&gt;
&lt;li&gt;Bullshit Jobs - David Graeber ⭐️&lt;/li&gt;
&lt;li&gt;Textos escolhidos - Gonçalo Ribeiro Telles&lt;/li&gt;
&lt;li&gt;A Escola Infinita - Eva Gonçalves&lt;/li&gt;
&lt;li&gt;Practical Anarchism - Scott Branson&lt;/li&gt;
&lt;li&gt;FIRE com Obrigações - Dama de Ouros&lt;/li&gt;
&lt;li&gt;Teaching As a Subversive Activity - Neil Postman ⭐️&lt;/li&gt;
&lt;li&gt;Terra de Catarina - Margarida Fernandes&lt;/li&gt;
&lt;li&gt;Sad by Design - Geert Lovink&lt;/li&gt;
&lt;li&gt;Botânica - Vasco Araújo&lt;/li&gt;
&lt;li&gt;Privacidade 404 - Filipe Cruz&lt;/li&gt;
&lt;li&gt;Sair da Nossa Impotência Política - Geoffroy de Lagasnerie ⭐️&lt;/li&gt;
&lt;li&gt;O Coleccionador de Belas-Artes - Sara &amp;amp; André&lt;/li&gt;
&lt;li&gt;Os Galifões e a Luta Contra a Praxe na Coimbra dos Anos 70 seguido de Os Quentes Anos 70 em Coimbra - M. Ricardo de Sousa &amp;amp; F. Carmichel&lt;/li&gt;
&lt;li&gt;Lisboa Clichê - Daniel Blaufuks&lt;/li&gt;
&lt;li&gt;The New Nihilism - Peter Lamborn Wilson&lt;/li&gt;
&lt;li&gt;Background Noise: Perspectives on Sound Art - Brandon LaBelle&lt;/li&gt;
&lt;li&gt;Entrevistas Corsárias - Pier Paolo Pasolini&lt;/li&gt;
&lt;li&gt;The Year of Dreaming Dangerously - Slavoj Žižek&lt;/li&gt;
&lt;li&gt;Inland Journal - André Cepeda e Eduardo Matos&lt;/li&gt;
&lt;li&gt;Cúmplice dos Artistas - Alexandre Melo&lt;/li&gt;
&lt;li&gt;I Like Your Work: Art and Etiquette&lt;/li&gt;
&lt;li&gt;Las comunas - José María Carandell&lt;/li&gt;
&lt;li&gt;Lágrimas de Crocodilo - Susana Lourenço Marques&lt;/li&gt;
&lt;li&gt;Two Cheers for Anarchism - James C. Scott&lt;/li&gt;
&lt;li&gt;Sobre o Combate contra a Mudança Climática - António Cândido Franco&lt;/li&gt;
&lt;li&gt;Carta de Florença - Ana Mata&lt;/li&gt;
&lt;li&gt;A Exposição como Parcela de Tempo - Hugo Canoilas&lt;/li&gt;
&lt;li&gt;Portugal, Povo de Suicidas - Miguel de Unamuno&lt;/li&gt;
&lt;li&gt;A Arquitectura é um Gesto - Maria Filomena Molder&lt;/li&gt;
&lt;li&gt;Scorched Earth - Jonathan Crary&lt;/li&gt;
&lt;li&gt;Nem obedecer nem comandar - Francesco Codello&lt;/li&gt;
&lt;li&gt;Copenhagenize - Mikael Colville-Andersen&lt;/li&gt;
&lt;li&gt;Bad New Days - Hal Foster&lt;/li&gt;
&lt;li&gt;Ghost Image - Hervé Guibert&lt;/li&gt;
&lt;li&gt;All Art is Ecological - Timothy Morton&lt;/li&gt;
&lt;li&gt;The Right to Be Lazy - Paul Lafargue&lt;/li&gt;
&lt;li&gt;Lifehouse - Adam Greenfield&lt;/li&gt;
&lt;li&gt;Bird by Bird - Anne Lamott&lt;/li&gt;
&lt;li&gt;Care where no-one does - Freek Lomme&lt;/li&gt;
&lt;li&gt;Wrong Way - Joanne McNeil&lt;/li&gt;
&lt;li&gt;O Dogma da Não-Violência - Rolando d&amp;rsquo;Alessandro&lt;/li&gt;
&lt;li&gt;Monsters: A Fan&amp;rsquo;s Dilemma - Claire Dederer&lt;/li&gt;
&lt;li&gt;Bookshops - Jorge Carrión&lt;/li&gt;
&lt;/ul&gt;</description></item><item><title>“I need you to realize that most people are not like you and are actively victimized by the tech …</title><link>https://sergiosantos.info/post/2024/12/19-never-forgive-them/</link><guid>https://sergiosantos.info/post/2024/12/19-never-forgive-them/</guid><pubDate>Thu, 19 Dec 2024 15:00:00 +0100</pubDate><description>&lt;blockquote&gt;
&lt;p&gt;Even if you’re technologically savvy, you’re still dealing with these problems — fresh installs of Windows on new laptops, avoiding certain websites because you’ve learned what the dodgy ones look like, not interacting with random people in your DMs because you know what a spam bot looks like, and so on. It’s not that you’re immune. It’s that you’re instinctually ducking and weaving around an internet and digital ecosystem that continually tries to interrupt you, batting away pop-ups and silencing notifications knowing that they want something from you — and I need you to realize that most people are not like you and are actively victimized by the tech ecosystem.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;— &lt;a href="https://www.wheresyoured.at/never-forgive-them/"&gt;Never Forgive Them&lt;/a&gt; by Edward Zitron&lt;/p&gt;</description></item></channel></rss>