The commenter was suggesting that I apply to teach my online indigo class at Craftsy. This is not the first time someone has suggested this to me.  Now I know that “everyone is doing it”, and before I get more emails asking  why I’m not, I thought I’d try to explain my hesitation to do so.

First, it’s not “all about the money”.  But then again, it is about the money too.   About where the money goes. I prefer it to come directly to me for the work I put into my classes.

Craftsy is great for those who don’t want to or can’t set up their own system of teaching online.  They do it for you.  And I hear they do a fine job of it.  They even do your hair and makeup and send a limo for you.  (Somehow, that just doesn’t feel like me being me.) I’ve seen some of the promos and they are pretty slick.  Again, that doesn’t really feel like me either.  I don’t want to turn my indigo dyeing teachings into something that resembles a morning talk program.  I kinda like it the way it is, personal,real, and kinda funky.  Shot here in my own studio on my trusty iphone and edited in imovie.  Not so slick.

Yes, I probably could sell a lot of classes there.  I might even make more money (but like I said before, it’s not all about the money). But then again I might not.  I have spent a considerable amount of time and even travel teaching, learning, practicing, marketing my own  work and “brand” over the past many years and I’m not so quick to turn that over to someone else to take a cut off the top.  I am not so interested in becoming a class in a category on a site offering everything from decorating cupcakes to pizza making and parenting. I guess I’m a little weird that way.

As I look over Craftsy, I see that since their beginning offerings in 2011 they have grown to encompass so many topics- a clearing house of sorts. They make their money by being that clearing house.  Online learning is here to stay.  That much is sure. Coursera is now booming and their offerings are free!

For some of us that have been at this, teaching craft (or whatever you want to call it) online, for longer than that, I believe we paved the way for this sort of thing. The first one I was aware of was Joggles, where I taught a couple of classes in the beginning as a requirement for having my ribbon sold on the site.  It was a fair trade in the beginning.  Later down the road, I wanted to offer more (was told that it was impossible to teach dyeing online!) and I wanted to include video so I went solo and started developing my own methods and means.  Part of my intention was that I knew there were many folks out there like myself who couldn’t afford the trips to take in-person workshops with great teachers.  Whether it was a time or money issue, I thought that teaching dyeing online was a possibility. I also didn’t want to be limited by geography. I wondered. Things were changing. Technology was offering up new possibilities. I just started doing it.  I learned as I went and I learned from and with others.

Susan Sorrell   stands out in my mind as someone who was in on the online teaching very early on. Maybe as early as 2002 from what I could see on her website! I think my own first online classes were somewhere around 2006.  And of course, we include the masterful Jude of Spiritcloth for bringing us classes online that feed our soul, make us wonder, and have helped us in so many ways-stitch by stitch- by just being herself. There are many more I am sure.  We each have created a small niche for ourselves that supports us and our families. We are not rich by conventional terms, but we are independent and we are entrepreneurial. We also want to be ourselves. I  want to own my own materials, my own copyright.  I like being able to add to my class whenever I like-as I learn and grow with the students. Once a Craftsy class is “in the can” it is what it is.

feathered friends by Peg Mathes Yates

Immature Great Blue Heron looking for dinner ©2010 Peg Mathes Yates

I am reminded of a retelling of a Native American myth that I once read called  ”Heron and the Hummingbird” where the two get in a race to see who will own all of the fish in the rivers and lakes. The hummingbird loved to eat small minnows and the heron loved to eat large fish. I think we are the hummingbirds in the story.

I imagine that at some point down the road Craftsy might be bought by some media company larger than itself.  Seems that is how many of these sorts of startups go. Big fish swallowing up smaller fish -the way of the world these days.

I just hope that the future will still hold a place for hummingbirds to flit free and enjoy the nectar. Some days though, it does feel as if the odds are stacked against it. Once, when I was in Mexico, I saw a hummingbird laying dead near a large window. I went over and picked it up and to my surprise it started to move.  It sat there in my hand for a few minutes gathering itself together and then flew right out of my hand- off and away! It had merely been stunned I guess, running into that large window.

I’d never bet against the hummers out there. We’re colorful, we can take a few knocks, and we keep on zip-zipping around tasting nectar from here and there. Plus, as my friend Peg reminds me, hummingbirds can fly backwards! (thanks for the photos Peg!!)

indigo flowering 4/30/13

If so, you might consider taking my online indigo dyeing class “Let’s Dye with Indigo“.  Now is a good time to consider starting your vat as the weather warms up.  I just started a new 40 gallon natural fermentation vat and within one week it was already producing beautiful blues.  My class consists of two parts- the 5 lesson workshop plus the student forum. Both are very informative.  You can easily jump from one to the other through links in the sidebar of each.  Four (4) types of vats are explained and maintained.  You choose which one is right for you.

adding the wetted out indigo into the new vat

Although this workshop covers 4 different vat types, continuing posts will focus on the fermentation vat. There have been a lot of things fermenting around here over this past year. Many having to do with how we go about our lives- what we add to it and what we take away from it; the marks we make, the marks we leave behind, perhaps leaving no mark at all!  Fermentation has produced many of the best things we can enjoy in life- wine, beer, miso, bread, yogurt, cheese, pickled vegetables and so much more (even compost!).

Fermentation is a cellular process that occurs in an environment lacking oxygen that converts organic matter into simpler compounds and releases energy as a result (along with the byproduct of many delicious and useful things).

Pretty cool huh?  Simplifying organic matter to create energy and other good things.  I’m gonna stick with that.   I’ll also be adding posts about growing and using indigo as well.

So let’s continue to dye indigo by fermentation this year.  Let’s Experiment. Let’s Wonder. Are you in? If so, sign up here:

Let’s Dye with Indigo-online workshop

Why should you sign up now?  For “This Week Only” (sounds like an infomercial!) I am adding in the Shibori Techniques on Silk -Self Study Online Workshop (usually sold separately for $25). The principles in the shibori techniques class can be applied to your indigo dyeing as well. This sale will be available only until this Saturday   – giving me enough time to add you into the class before the Silk Study Tour to Japan departs. So both classes for the price of the indigo class.  A sort of Sayonara Sale!

the daily dyer preview

Additionally, if you have been a part of my series the daily dyer for the past 5 months, you know we are entering the final month which will be broadcast from Japan.  Thank you to all who have participated in that little experiment- I hope you have found some of it useful or at least entertaining.  This last month should prove to be an exciting month.  I have decided to continue there as well and will be offering  two options for the daily dyer in the shop:

option one: continuing. for original subscribers only. this will secure your subscription through the end of the year.  cost is $35

option two: new subscriber. here you will get access to the full year; the upcoming Japan Silk Study Tour posts and whatever lies beyond that.  the past, the present, and the future. cost is $95.

Sign up in the shop here.

a small couture mfg sees some of my work and wants to incorporate it into their line.  meeting takes place where we discuss the possibilities.  i share some sources and ideas, send samples etc.  there actually was a decent possibility that i could produce something for them -basically a wide cotton woven tape arashi dyed with natural indigo.  they loved this-something of mine they had seen from a while back:

indigo arashi on cotton tape

they also loved the silk ribbon but the above was what they started with.  indigo being ever so “popular” at the moment and the cotton being more practical for the purpose.  fast forward to now. they have worked with the cotton tape supplier i directed them to to produce a faux version of this.  of course it is only faux.  the company actually did a decent job of interpreting the idea but since it is a woven it is very regular and well, manufactured looking.  originally we talked about how adding a very artisanal element to the product was highly desired.  so now i receive an email asking if i can take what they have created and add an “artisanal” touch to it.  or if i have any ideas.

i had to sit with it a bit and think about how i would reply.  here are my thoughts on it…

I know it is a desire of many to produce a handmade artisanal effect through a quicker manufacturing process. The result of that often lacks the desired  end.    My work strives to keep the hand in the making.  It is an intentional thought all along the process. I believe that through this intention the final result contains this energy of beauty.  It is there, even if one doesn’t recognize it as such. 

it is like this process of silk and indigo. to raise some silk myself, to grow the indigo. to use a natural fermentation vat. to make the silk shibori ribbon by hand.  it is all intention.  to let the end result speak for itself.

i just thought it was interesting that at this point i was being asked back into the project to somehow inject what seemed to be missing-even to them.  i actually see it as a good sign.  that something different is being sought or desired.

perhaps next time!

more indigo boro fabric collections-

indigo boro packs

NEW! indigo dyed vintage fabric collections- all vintage fabrics…

indigo vintage collection

more of the vintage whites are in stock:

vintage whites 

vintage silk collections are available for pre-order.  these will be shipped mid June and will be limited so I am taking pre-orders. (add this to any order in the shop and it will ship free in June)

detail

vintage kimono silk linings

and the ever popular silk shibori ribbon scrap bags. many of you have asked me to email you when they are available again but honestly- i just don’t have the time to hunt down you all.  i’ll give it my best though…

composition in C major borealis

shibori ribbon scrap bags-$20

also added-

indigo sky fabric

shades of indigo

silk satin bias ribbon (white) for dyeing

phew!

and there will be more 3 way color shibori ribbon packs in a week or so.  start thinking color!

that’s it for this Monday- またね！

]]> http://shiborigirl.wordpress.com/2013/04/15/indigovintageand-shibori-shop-update/feed/ 4 shiborigirl indigo_pack indigo vintage detail white detail composition in C major borealis http://shiborigirl.wordpress.com/2013/04/11/wondering-in-white/ http://shiborigirl.wordpress.com/2013/04/11/wondering-in-white/#comments Thu, 11 Apr 2013 17:07:54 +0000 shiborigirl http://shiborigirl.wordpress.com/?p=5386 Continue reading →]]> White.  Is it a color? If black is the absence of color (darkness) then is white (light)  the combination of all colors in the visible spectrum? As a dyer, this is interesting to me.  White is often my canvas when dyeing and dyeing something black takes a whole lot of colors mixed together.  Strange.

As a dyer with an eye towards using what is around and available I have collected lots of old cloth that can be dyed. But are they white?  Many are what I would call a natural white. They are what they are-ivory, cream, white, eggshell,off-white, antique white, snow white, pearl white, bleached white etc…

Many of you who have taken indigo classes from me recently have received materials kits containing a whole variety of great old fabrics-all natural and of course dyeable in indigo. It’s informative to look at the structure of old fabrics. This cloth that was formally the fabric of people’s  lives. Literally- laces, tablecloths, clothing, bed coverings, kitchen towels, even mosquito netting and more. Each type of cloth reveals more about itself when dyed in the vat-it’s thickness, weave, age, and even stains that dye differently from the whole cloth.  Next to each other, they can form an amazing array of beautiful blues or whites.

But what if they were left as they are?  Left to use in other ways, to stitch together new dreams and aspirations? That is what I see going on in Jude’s new class What If Diaries. Definitely not a craftsy class where everything is laid out for you to make or do according to the plan, but a way to explore much deeper. The class is now sold out but she has others of a similar nature to explore. I like that the cloth is explored more deeply- that students not only connect themselves to the fabrics, the stitches, but that there is always a stream of consciousness floating in the background as a jumping off point to some new or even old idea. It’s kind of like what I imagine the beginning of the universe to be-  sort of like a primordial soup of creation.

old battenburg lace- in process

And speaking of creation- last weekend at the JANM (Japanese American National Museum) we had a really grand time. I took a whole silk display and we even reeled silk on the old zakuri. The students were in awe as most had never seen this before. The ingeniousness of the device AND that of the silkworm and it’s cocoon. I don’t think they’ll ever take silk for granted again!

student reeling silk on the old zakuri

And of course we dyed silk- new and old. Itajime was the focus and this was a quick pic of their first pieces of the day.  After this, I got too busy to take photos-as usual. Many left class and went straight out to the front desk to sign up for the Aug 31-Sept 1 class.  

Saturday, August 31, 2013

12:00 PM—4:30 PM

Lifelong Learning

Indigo and Shibori Techniques with Shibori Girl

In this 2-day workshop we will focus our intentions on practicing itajime (fold and clamp) shibori on recycled kimono lining silks. Once considered as precious as gold, old silks are being discarded at an alarming rate! Let’s breathe new life into them and improve our understanding of both silk and itajime shibori. Indigo and colorhue dyes will be used in this workshop. Both days: $70 members; $90 non-members, an additional $45 materials fee (cash only) will be collected at the beginning of class, admission is included. RSVP early, 20 students max.

cranes in the moon-indigo on silk

In Japan, cranes have long been associated with longevity and good fortune. Often a wedding kimono will have cranes incorporated into the design.  This old silk with jacquard crane imagery had me wondering if combining it with a moon might enhance its loveliness.  The moon has long been associated with beauty and the appreciation of beauty in Japan.  I think it makes a handsome pairing.

some wondering about more shibori texture.  more of this soon.

and the indigo has had its first haircut which has been dried and stored!  these plants volunteered themselves by self sowing.

and some old silk kimono linings had me practicing my itajime with the fermentation vat

which is really liking spring!

from the fermentation vat. i’ve been working almost exclusively with it since the beginning of the year.

the chem vat  is off in a corner. i wonder if i will ever use it again?

and… i’m going to saturday school to practice my Japanese (hence the old かな cards).  this old doll came out of the cupboard to help me design a piece for my friend Donna’s line of mannequins. it all looked interesting lying on the table soI snapped this shot for fun.

that’s it for now- back to finishing up the taxes.  need to get them in asap so my son can figure out if he can get the appropriate mix of financial aid and scholarship funds so he can accept his graduate school acceptance offer from ………

…the San Francisco Conservatory of Music!  (so proud of him….congrats Trev!) cross your fingers for him…it’s an honor and a really big deal. If he can swing it, he will be studying under Jack Van Geem and David Herbert the principal percussionist and principal timpanist of the San Francisco Symphony. He’s making his dreams come true through hard work, persistance and practice.

this is the time when i can “live in the shadow of the wind”. a small space in time of seeming protection from outside forces.

i am working still, of course.  but more at my own pace.  and moving at one’s own pace, one can linger here and there. wonder about a thing or two. even plant a few seeds between dyepots.

last year i had saved some tomato seeds from a plant that grew along the driveway. it was particularly productive with an early , moderately sized flavorful crop.  i dried them on a piece of paper toweling just because it seemed practical at the time.  now that i am planting them, i just had to snip the paper towel into bits and plant it right along with the attached seeds.

and the cores of the ribbon rolls i had been saving worked great.  also planted were えだまめ、ししと、おちゃ、みずな。(that would be edamame (soybeans),shishito (sweet peppers great for grilling),mizuna (greens),and tea.)

i am working at reviewing some of my offerings and changing up a few things.  trying out some new ideas on arashi.  stitching lots of silk.  dyeing indigo. the vat continues and yesterday i started a new  indigo fermentation soup.  i’ve decided to leave the madder alone for now.  too many things going on in one small workspace leads to confusion and mediocrity.  i have enough going on at the moment.　but the madder out back along the fence continues to grow…madly!

i do want to say thank you to all the wonderful folks who came out to the Sew Expo show in Puyallup.  i was very pleasantly surprised by this show.  it is a bit different from the other shows i have been doing in that many of the attendees are garment sewers.  i like that.  there were even some young middle schoolers who were learning to sew for themselves (thanks to the 4H programs there) and were eager to show me their projects.  i noticed that some of the items that didn’t sell at the houston show were the first to go at this show!  interesting.  i was pleased because i really do want to make more of those items and next year i will be tailoring my fare to suit this customer even more.

and buddy, the new pup stayed on top of things in the office while i was gone.

now- i’m off to do some work on the Japan Silk Study Tour and to get to work on a boatload of silk shibori ribbon. the wind’s shadow is fading fast…

じゃまた！

Mt Rainier from the room (over the freeway) at the extended stay in Fife

we were instructed first thing at the desk not to leave personal items in the car. apparently, break-ins are rampant here.
inside the room though all was good.

a small kitchen so we don’t have to go out much. I await Katrina’s arrival. We are sharing expenses and so forth.

later, we have hauled most of our stuff into the room and are settling in for the week of teaching and vending.
the room is filled with sewing machines, dye, kits, electronics, fancy irons and more.

this is while we are still organized.

it’s less glamorous than it sounds but we are READY- almost. booth set up starts in one hour.
またあした、！

apricot blossoms’ sweet promise…

there are days.  then there are THOSE days, yesterday being one of them.  i was reminded of the toll mental illness can take and where it leads to in a society with heels firmly dug in against the costs of creating solutions-or at the very least putting into place a safety net for people who are in no condition to make decisions for their own health, safety, and welfare without going to extremes.  but no, once again we must wait for the bottom to fall out before we can affect some sort of solution.   in that waiting period, we trust;  what else can we do?

on another front, i am reminded that even if you do your best work over many years,   you share that work far and wide,  you teach that work, that this does not assure education managers of trade shows won’t pass over your teaching proposal in favor of someone who signed up for your online class a year ago; someone who has no body of work on the subject at hand to back it up but has an “in” with the right crowd.  just know that to be true.  i am reminded to remember this when choosing shows and teaching venues.  sometimes i am naive and forget these things,  being in the bubble of my studio here.

then, as if that were not the end of a very, very long day, a late email arrives effusively deriding (even threatening!) me for a mistake on an order. crestfallen, i make haste in correcting the error, reshipping the order via express mail and emailing back all pertinent info and an even more effusive apology AND refunding the original order (although, admittedly, in the back of my mind thinking- ya know, i really don’t need this sort of treatment from a customer even if i did make a mistake). 

waking up this morning, i see an email from said customer. the order WAS correctly received.  oops.  sorry.  her mistake.

i had sent a small gift of a silk shibori ribbon scrap bag with the order and for some reason she thought it was all she had received. ahh…nice.  a gift turns into this?  perhaps we should not be so hasty next time…beauty takes time. even the buds on the apricot tree are slowly bringing us their beautiful sweet bounty.   

have a little sympathy for us who make for a living.  we are not robots, amazon.com,  walmart, or even craftsy.  we will make a mistake now and again.  we might get a little behind, trying to balance all the things we must do to keep the ship afloat. but the makers i know will go above and beyond for you, making each item by hand.  and we will often tuck a little something extra into your package just because we like to imagine your surprise when you receive the order.

all i can say is, i’m glad it is a new day… is it spring where you are yet?

maybe it’s just spring fever!

in the shop 

One day Richard and I were emailing back and forth about this and that.  Mostly about textiles and old things he had come across and how they could be saved and utilized.  And about him coming here from Japan to teach another workshop.  And about how he had gone into the attic of an old farmhouse and found some remnants of the family’s sericulture activities.  At the time I was putting together the “Silk Experience, Then and Now” exhibit for last year’s Houston’s International Quilt Festival.  He had found some examples of the straw cocoon bedding and of the cardboard cocoon trays which followed years later.  He saved me some samples that I was able to display at the show.  A couple of weeks later, he emailed me to say that he had come across some washi “cocoon bags”- was I interested?  Without hesitation I said yes! Get what you can, I said, not really knowing what they were but instinctually sure they were important somehow.  If you saw the exhibit last year you saw these remarkable examples of what I consider to be folk craft-handmade objects that served a purpose in daily life. I love stuff like this.  Everyday objects that are used but also are beautiful both visually and for the fact that they fit into the structure of everyday life of the time in which they were produced by craftsman of those times.  Eventually, he had the opportunity to acquire a few more.

cocoon bags at exhibit

Now,  I have been to the main sericulture/silk museums in Japan as well as seen the collection of items at the Tokyo Silk Science Institute associated with Tokyo University.  I had never before seen anything like these washi bags!  I wondered…

cotton cocoon bag with markings

I started researching online.  Couldn’t find anything.  In fact, vintage or antique washi itself was rare to find.  Mostly now you find a scrapbooking product claiming to be vintage washi tape.  An image search of “vintage Japanese washi” comes up with this page.  Not e x a c t l y…

this is washi

What we have surmised so far is this- that these bags were made in Mino City-known for it’s papermaking and it’s close proximity to where they were discovered by Richard.  That they are easily over 100 years old. That some are treated with kakishibu (persimmon tannin) and others were dyed with tumeric (the yellow ones or yellow patches on them).  That they predate the use of cotton bags for silk cocoon transportation and storage.  That they were regularly sent back for repair and patching when needed and in the end, they were abandoned in favor of cotton bags.  Since Mino was a center of papermaking, they may be a somewhat regional object-using what comes naturally and is close at hand.  Hence, why I have yet to see them in other areas like Gunma or Yokohama which are more north.

Imagine!  Giant gusseted cocoon bags made of thick fibrous paper, patched, repaired and saved for tens of decades.  I have saved one out to give as a gift to the Yokohama Silk Museum if they are interested.  I have not seen one there.  I have saved myself one and have it hanging on a wall where I can see it every day and wonder.  Some people have expressed an interest in using the paper itself in their own artwork.  Either way, these pieces have ki or 気 which is another way to say vital life energy.  That they have resurfaced after all these years is so interesting to me.  We have several of them available in the shop.  It’s a joint effort between us to find these pieces good homes where they can continue to produce 気.

in the shop now