tag:blogger.com,1999:blog-5100095028037924092026-04-06T14:21:35.367+09:00内田伸一｜Writer / EditorUnknownnoreply@blogger.comBlogger588125tag:blogger.com,1999:blog-510009502803792409.post-88111281193134961842026-03-31T12:41:00.020+09:002026-04-02T12:49:26.032+09:00<a href="https://iaad.tamabi.ac.jp/publications/art-anthropology-21/" target="_blank"> <img border="0" data-original-height="3042" data-original-width="2145" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhODjQIhKT3jvJFkNnc5vT-CuaC-msE_4iIBFlW5Q9FMnJRvaB0XBm1Tx_vo_voQPqVRXCXUCrHzgnpFHoWq2BBkCstxq9QENWbQUXP0-xxEqdjiRANPmfa0FFjFjdW-cfKFsD198fMVM9dAcNLkRIvNOEkpWbxVn0Pn5LADHIAoE74R5PH-XHPT1Wtm040/w451-h640/aa21.jpeg" width="451" /></a><b><u><br /></u></b><div><b><u><a href="https://iaad.tamabi.ac.jp/publications/art-anthropology-21/" target="_blank">Art Anthropology 21号｜多摩美術大学アートとデザインの人類学研究所</a></u></b><div><br /></div><div>編集で参加（同研究所・大友真希さんとの協働）。</div><div>デザインは<a href="https://k-ball.net/" target="_blank">菊地昌隆さん</a>（Asyl／Ball Design）</div></div>Unknownnoreply@blogger.comtag:blogger.com,1999:blog-510009502803792409.post-74889980007096957042025-12-26T13:26:00.008+09:002026-01-14T13:36:56.309+09:00<a href="https://note.com/tokyobiennale/n/n12287ea9bda9" style="margin-left: 1em; margin-right: 1em;" target="_blank"><img border="0" data-original-height="795" data-original-width="1200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjMnyzt7zrEzsusIbAJGKmGYUycw8OGglVBGsNlY8MqWO46p0_1X_2HUpIAdEsZCZbZpuSNY4W_n5dyFoPTIWKdpIOUINcE3kMTQczdxqw5crZahKNMC78zu6029lJ8Rygskf90AOu7twA9PCS6gH6x2WAdsweR2PhVuJ0AGVeIhmGkTSzaybtVr1U7rZXK/s16000/R0044285.JPG" /></a><div><br /></div><div><a href="https://note.com/tokyobiennale/n/n12287ea9bda9" target="_blank"><b>東京アート鼎談#３：「看板建築」から考える、人・まち・時間のつながり ━ 市井の建物に宿る歴史と記憶を社会資源に</b></a></div><div><br /></div><div><div>藤森照信（建築史家・建築家）</div><div>窪田直子（日本経済新聞 編集委員兼論説委員）</div><div>中村政人（東京ビエンナーレ2025総合プロデューサー）</div><div><br /></div></div><div>編集・構成を担当。</div>Unknownnoreply@blogger.comtag:blogger.com,1999:blog-510009502803792409.post-84088230051497228432025-12-10T13:10:00.028+09:002025-12-11T13:32:31.487+09:00<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEisdV2a1MaRQpO78VrhwCYYWhRfDr33aWwbjbXM0u3rusXKubkWPU6-dsC2GrAIsPkaKaAmcAYgX0TMsxP1RXO6AQYyDRZ7enQszE49ETVUmSELxQs3O-vxr9QTIkvU3NXxeqZ8SgC-BKuit8kclGY-2iephxyu1wu59A1_34QdX8MJ53SiJj1RUg_Dt4__/s2124/DSC09438-crop.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1412" data-original-width="2124" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEisdV2a1MaRQpO78VrhwCYYWhRfDr33aWwbjbXM0u3rusXKubkWPU6-dsC2GrAIsPkaKaAmcAYgX0TMsxP1RXO6AQYyDRZ7enQszE49ETVUmSELxQs3O-vxr9QTIkvU3NXxeqZ8SgC-BKuit8kclGY-2iephxyu1wu59A1_34QdX8MJ53SiJj1RUg_Dt4__/s16000/DSC09438-crop.JPG"></a></div> <a href="https://www.shinichiuchida.com/2025/12/tokyobiennale-matsushima-Rapela-koike.html#more">&gt;&gt;</a>Unknownnoreply@blogger.comtag:blogger.com,1999:blog-510009502803792409.post-78158381723723419322025-12-10T12:49:00.015+09:002025-12-11T13:34:59.385+09:00<p><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhx5dFBCzXyAqINQdUcxwksg9RoLi_oBu4_DwDA0PHD0cUS00fPvUoz4PZ2mRws4lCMyslk2SLhO6zkTT6cD33tW1cRGi8U099kcA_Cas1KznZW5nHGQ8_a0lVym6rwtEBCORk71LoZzBwq2uMWNK8qMZBD5Qou95icVFYCrfVn6fLrX4VI887uHAvT1tw-/s1200/sawaragi-noi-masse-no-geijutsu.jpg" style="font-weight: bold; margin-left: 1em; margin-right: 1em; text-align: center;"><img border="0" data-original-height="804" data-original-width="1200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhx5dFBCzXyAqINQdUcxwksg9RoLi_oBu4_DwDA0PHD0cUS00fPvUoz4PZ2mRws4lCMyslk2SLhO6zkTT6cD33tW1cRGi8U099kcA_Cas1KznZW5nHGQ8_a0lVym6rwtEBCORk71LoZzBwq2uMWNK8qMZBD5Qou95icVFYCrfVn6fLrX4VI887uHAvT1tw-/s16000/sawaragi-noi-masse-no-geijutsu.jpg"></a></p> <a href="https://www.shinichiuchida.com/2025/12/noi-sawaragi-masse-no-geijutsu.html#more">&gt;&gt;</a>Unknownnoreply@blogger.comtag:blogger.com,1999:blog-510009502803792409.post-20933197928616659502025-11-27T17:59:00.019+09:002026-01-14T13:37:21.685+09:00<p><a href="https://note.com/tokyobiennale/n/n092b408cf36a" target="_blank"><img border="0" data-original-height="1067" data-original-width="1600" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhmts2MdkJvIQZdLnzx_VkfTCd4HMVPHmu2EQeFOzxObbkNV2kW6kVyldaa54DVpfz5k9P1a5uXiWF9MeH6Ezjq4_86LSaBWuPEWKK1psrxSzEuoZLvQfM0-1esEC6ZJt3dXdQpsLXxccRsWXBS78-HhLbAZADTJ_xnntW5uXo2xnbp24f-2UXAbuEe8dyQ/s16000/_DSC2419s.jpeg"></a><br></p><p></p><span></span><a href="https://www.shinichiuchida.com/2025/11/tokyobiennale-kataoka-toya-nakamura.html#more">&gt;&gt;</a>Unknownnoreply@blogger.comtag:blogger.com,1999:blog-510009502803792409.post-58647132016794385802025-11-27T11:46:00.009+09:002025-12-11T12:46:38.575+09:00<p><a href="https://aichitriennale.jp/" style="margin-left: 1em; margin-right: 1em; text-align: center;" target="_blank"><img border="0" data-original-height="1067" data-original-width="1600" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg0w8nsOfrIXxl58yIvojGu2ib3KNSTuG1CEomM1WMVR_pS6pgWsmT5NqtdyyAEnxkClbOSZ0t8rBknAqoWZ7Npm-3E2PVgD66BS7hp1imOHUyQFPvaOu2GUY7DehZAd9qV8GrYM94QkbOLLXC8uHqR3yIvKpOgCWOQvUtDPMVe79Gawmy8ZZbUoJbAEvW0/s16000/at2025.jpeg"></a></p><p></p><p><span></span></p><a href="https://www.shinichiuchida.com/2025/11/aichi-triennale-2025.html#more">&gt;&gt;</a>Unknownnoreply@blogger.comtag:blogger.com,1999:blog-510009502803792409.post-65083849114710941102025-11-17T10:21:00.052+09:002025-12-11T10:48:09.576+09:00<p><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgk-HhdQRzfjH_E8PAOUJp_GieZ6OW3VXopxXRF-eBCdlWGEXuufMOlmn3FtVObCmwU_7hE66r-otqtWG4GJiE4YYJrAcZFYJYm9huwdBm7NavauW2doZae8wcoRvV9fodowWyPSymGy_VXyR4hBUi0QHt1t08B4iguWI34im91svcyKK5V1o0mh10mda5r/s1920/tsukahara-cover03.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1080" data-original-width="1920" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgk-HhdQRzfjH_E8PAOUJp_GieZ6OW3VXopxXRF-eBCdlWGEXuufMOlmn3FtVObCmwU_7hE66r-otqtWG4GJiE4YYJrAcZFYJYm9huwdBm7NavauW2doZae8wcoRvV9fodowWyPSymGy_VXyR4hBUi0QHt1t08B4iguWI34im91svcyKK5V1o0mh10mda5r/s16000/tsukahara-cover03.jpg" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"></td></tr></tbody></table><b><u><a href="https://www.shueisha.co.jp/books/items/contents.html?isbn=978-4-08-721388-1" target="_blank">塚原龍雲『なぜ日本の手しごとが世界を変えるのか — 経年美化の思想』｜集英社新書</a></u></b></p><p>日本の伝統工芸品とそこにある価値観を世界へ橋渡しすることを目標に「KASASAGI」を設立し、日本各地で出会った職人さんたちの工芸品を販売、さらに伝統技術を建材やアートなどの他分野に応用する「KASASAGI STUDIO」も展開する塚原龍雲さんの初著。</p><p><br />&nbsp;構成を担当しました。</p>Unknownnoreply@blogger.comtag:blogger.com,1999:blog-510009502803792409.post-1421162319433527392025-11-17T09:00:00.002+09:002026-01-15T12:07:56.790+09:00<img border="0" data-original-height="1150" data-original-width="1800" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhql7cdnCK8UeSIa6HVDTcO7yLH6HdRw8sdme9g7GgSqNE0BB2dm5_jXmIsJ2NUZGdWHSjlLFUbdKIfCSB63loQBldhv5fYxlITi4rZMA1PIHQ3DjB3UY49zMla-zn-TT7sz1OeRZiwV2X3m07Kmv_v0cA_mQSACe647ozXnB5AoL7V7uSWFWZHuCTHqJGg/s16000/morinotes-on-note-202503.jpg" />&nbsp;<div><b>森星×塚原龍雲 対談：経年美化とサステナブルな世界&nbsp;— 伝統工芸が開く未来の可能性｜集英社新書プラス</b><p><a href="https://shinsho-plus.shueisha.co.jp/interview/mori_tukahara/32338" target="_blank">前編</a>　<a href="https://shinsho-plus.shueisha.co.jp/interview/mori_tukahara/32345" target="_blank">後編</a></p><p>構成を担当しました。</p></div>Unknownnoreply@blogger.comtag:blogger.com,1999:blog-510009502803792409.post-57125644975846912012025-11-05T11:14:00.024+09:002025-12-11T11:45:28.458+09:00<div class="separator" style="clear: both; text-align: center;"><a href="https://artweektokyo.com/" style="margin-left: 1em; margin-right: 1em;" target="_blank"><img border="0" data-original-height="1301" data-original-width="1950" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgq6BCoU1WmjRAQ_3UcX8RlSJozHOXgkwLMnfZFx79CWs1zCDFuQhlSBSQKCntKP1C94vlQ3aLZkqgIniC0_N9HDSet_ZpOKExoxxXQUfNnjeNRLKzBms7QbPUWY3HEzBkP1qsfsB26i7FlAIZvvX1MS9kOjDx106MEX6Sxj3zZ5RAvMZyMm8wN1KXK2FEB/s16000/AWT2025-04.jpeg"></a></div> <span></span><a href="https://www.shinichiuchida.com/2025/11/art-week-tokyo-2025.html#more">&gt;&gt;</a>Unknownnoreply@blogger.comtag:blogger.com,1999:blog-510009502803792409.post-21094563370041036022025-09-25T16:45:00.003+09:002025-10-07T16:51:20.135+09:00<a href="https://www.tobikan.jp/diy/report02.html" target="_blank"><img border="0" data-original-height="1200" data-original-width="1800" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi4vyKFf8bZ1jSzCQc_-27iZYzfaG56lozUZAcqw-PyUMvlUKt6S2eEXdO8wv6nvpUfENN0K10ctzwLjW0CAwxYDrivSi8ecKDy19hczUf-hYO1-W1d9-1HKswmtmunRNGtlfk7ZSQTZeaLKISJUyNUpKPl9PAu-p6YO2Ci6WJNDeCaURfzazljiVVgW4eG/s16000/tobi-diy-noguchi.jpg" /></a> <p><a href="https://www.tobikan.jp/diy/report02.html" target="_blank"><b><u>野口健吾インタビュー：「庵（いおり）の人々」を訪ねた10年間｜</u></b><b><u>東京都美術館</u></b></a></p><p>「つくるよろこび　生きるためのDIY」展での取材</p>Unknownnoreply@blogger.comtag:blogger.com,1999:blog-510009502803792409.post-77741081691174067002025-09-05T20:44:00.006+09:002025-12-11T10:43:49.471+09:00<p>&nbsp;</p><div class="separator" style="clear: both; text-align: center;"><a href="https://note.com/tokyobiennale/n/n0531a5401235" imageanchor="1" style="margin-left: 1em; margin-right: 1em;" target="_blank"><img border="0" data-original-height="800" data-original-width="1260" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhzMTOUBe3yYNCRzMd1vrnam-xB7rrjC4Z7H4cKt955mxl2vOZZbOwfl3EheR8vJIAkDRNtFdeSgr3DYWD-hkpqirnV1_05IZqquM8qbYcH2WEeNVCsCGIBXF2RTpbyQ-jfQOIVx3wycO9ng3zH6aFRBFc-UHu5raSAdo33_C8H6lJeYfFEc7QaEhLLTI3S/s16000/dusseldorf.jpg" /></a></div><br /><p></p><p><b><u><a href="https://note.com/tokyobiennale/n/n0531a5401235" target="_blank">鈴木昭男インタビュー：耳で都市を感じる「点 音（おとだて）」｜東京ビエンナーレ</a></u></b></p>Unknownnoreply@blogger.comtag:blogger.com,1999:blog-510009502803792409.post-14970885118772023562025-08-25T20:29:00.013+09:002025-12-11T10:46:44.326+09:00<a href="https://note.com/tokyobiennale/n/n4dfc45df711a" imageanchor="1" style="margin-left: 1em; margin-right: 1em; text-align: center;" target="_blank"><img border="0" data-original-height="2315" data-original-width="3949" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj5RzdYblicx1F1K671SF3MPwU9CwLByhZY53q11IZu32rihxqkHaoY-WnNFLHv9usFRMkOqQRTvDA8Rx2ocJm7gjMCYPswVKYJ4HkwMlSY-jiZzPh_fmICYtMZCjRhwwLt5chRp3CFWQpcqFMqw9QM6VS3AHBcKAQqVlg3XeKL13DtbzC-ml64OEHb_CgQ/s16000/collage.jpg" /></a><br /><br /><p><b><u><a href="https://note.com/tokyobiennale/n/n4dfc45df711a" target="_blank">東京ビエンナーレ2025の歩きかた｜東京ビエンナーレ</a></u></b></p><br /><br />Unknownnoreply@blogger.comtag:blogger.com,1999:blog-510009502803792409.post-62168837269462339332025-08-16T20:24:00.018+09:002025-09-10T20:37:41.148+09:00<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><span style="margin-left: auto; margin-right: auto;"><a href="https://note.com/tokyobiennale/n/n4d5d2ee4880b" target="_blank"><img border="0" data-original-height="640" data-original-width="1138" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhMdYhqfPvwGRH6DhZsAj2wCc4JZmIhf98KrMHVBvhHMtMqjlHRWv9zoTLTUQnLptUkddvhr9pAjREGqiEVKbyhisdfwXSjhaTusdoM4h0WqYJ9O6rNRtpwfguDa-hNbPBRA0KUYEFC-l5Fj6Q5OUpBB4qgUeAFIKagu1RCT_7KV-GslGov6pN1EVyrNS_g/s16000/yubido-01.jpg" /></a></span></td></tr><tr><td class="tr-caption" style="text-align: center;"></td></tr></tbody></table><p><b><a href="https://note.com/tokyobiennale/n/n4d5d2ee4880b" target="_blank">ボランティアから見る、もうひとつの芸術祭｜東京ビエンナーレ</a></b></p><br /><br />Unknownnoreply@blogger.comtag:blogger.com,1999:blog-510009502803792409.post-74074553430469863662025-08-02T21:05:00.020+09:002025-10-07T19:18:42.313+09:00<p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://artnode.smt.jp/etc/20250908_13638" style="margin-left: 1em; margin-right: 1em;" target="_blank"><img alt="" data-original-height="1280" data-original-width="1920" src="https://blogger.googleusercontent.com/img/a/AVvXsEj8kX5ntR2eQtaX9He2t2rcHidXXMDXf6YLF9aWr0sJUBUM7H8-SZI5yN4-HY6utyx1G0s8QZNbIoxG4LCE4Ee9GheWsRMVh8nOyqAE_q6WtOphYU4PNSYrBmi1EizEGWD5oWRuB_zBBaPiMmP45wUHkJ0qBhxaJHinZN5gl-kJKFcSapiUAORANJK9sYgJ=s16000" /></a></div><br /><b><u><a href="https://artnode.smt.jp/etc/20250908_13638" target="_blank">&nbsp;川俣 正　仙台インプログレス 2016-2025｜せんだいメディアテーク 🔗</a></u></b><div><span style="color: #0000ee;"><b><u></u></b></span></div><br />せんだいメディアテークが展開するアートプロジェクトのドキュメントブック。既刊版（2020年までの内容）をもとに内容を追加・改訂した新版です。編集で参加しました。<div><div><span style="color: #0000ee;"><div></div></span><p></p></div></div>Unknownnoreply@blogger.comtag:blogger.com,1999:blog-510009502803792409.post-27711339119290823962025-06-19T18:33:00.013+09:002025-07-18T10:20:21.790+09:00<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjTwXnl69iKOP69CNDxrGt9pLcbN3It5IRBWg51kAL9mCES45ftnusC59AyFftZ1RNsGlICFp9ek_w0rek_pknV-YC1DUGs_Tvv8eLFmCPlXdX140GI4gGCtbv9MqIGRx98d8lEHAhYNAJIlCfN-9utdgDHRImVGx-f5w6qOJr_5Nm5XqtUv_OzvrcoeOzS/s1920/tokas-2024.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1440" data-original-width="1920" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjTwXnl69iKOP69CNDxrGt9pLcbN3It5IRBWg51kAL9mCES45ftnusC59AyFftZ1RNsGlICFp9ek_w0rek_pknV-YC1DUGs_Tvv8eLFmCPlXdX140GI4gGCtbv9MqIGRx98d8lEHAhYNAJIlCfN-9utdgDHRImVGx-f5w6qOJr_5Nm5XqtUv_OzvrcoeOzS/s16000/tokas-2024.jpg"></a></div> <div><b><br></b></div><b>Interview with Nakamoto Hirofumi | Tokyo Arts and Space Annual Report 2024<br></b><p></p><span></span><a href="https://www.shinichiuchida.com/2025/06/okas-annual-report-2024.html#more">&gt;&gt;</a>Unknownnoreply@blogger.comtag:blogger.com,1999:blog-510009502803792409.post-30152673976918167582025-03-31T21:34:00.017+09:002025-12-11T12:48:43.747+09:00<div class="separator" style="clear: both;"><a href="https://iaad.tamabi.ac.jp/publications/art-anthropology-20/" style="display: block; padding: 1em 0px; text-align: center;"><img alt="" border="0" data-original-height="1446" data-original-width="1024" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhziKb4dGlyZNoGyM_dJHGOrGMKnvPY3xYcSc8xvFzwsnVZqFvK8aNuh5hiIHQVjVahOyoHZMWtrVmUaBy7nBoKKY7dtJD1nCg930wENsPVbuNQBCvyzByJSDCXv6Yeoi6J-hvgUQICnZl01mwjvpSzsxQsGSzafrzGHqxmHpsd3weA6f7V2vvXEytFWajl/w453-h640/aa20.jpg" width="453"></a></div> <a href="https://www.shinichiuchida.com/2025/03/iaad-art-anthropology-20.html.html#more">&gt;&gt;</a>Unknownnoreply@blogger.comtag:blogger.com,1999:blog-510009502803792409.post-34650935885352515042025-03-04T12:00:00.034+09:002025-12-11T12:48:08.118+09:00<div class="separator" style="clear: both; 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