We trust you enjoyed our last photo challenge – the month of May brings a new photo challenge, with a new theme and more relaxed guidelines. For this challenge, enter up to three photos that represents your interpretation of the theme “Long Time”, that you’ve taken in the past year. In addition to still photos, this challenge is open to video as well. Entries close midnight on May 21.

There are no right or wrong ways to interpret the theme, but how well your photograph captures it will be considered in the judging. For more information, please visit this discussion forum thread.

To enter, simply create an account with Shuttertalk if you haven’t already, and post your entry to this discussion thread.

This month’s photo challenge is sponsored by Totally Rad, and up for grabs are:

1 x The Original Totally Rad! Lightroom Presets Pack (valued at $99 USD)

Will be awarded to the winner of the challenge. The Totally Rad Lightroom Presets are a groundbreaking set of 103 Lightroom Presets, encompassing 51 unique tools, which will help take your images from bland to bitchin in record time. The Totally Rad Lightroom Presets allow you to choose from Lite, Medium, or Strong versions of most tools for more power and possibilities for your photos. Click here for more details on the The Original Totally Rad! Lightroom Presets Pack.

1 x AMPED Presets Pack For Lightroom 4(valued at $49 USD)

Simply like our Facebook Photo Challenge post, or share it on Facebook using the buttons below, and one lucky winner will be randomly selected at the close of the competition. AMPED Presets for Lightroom 4 take the strengths of LR4 and magnify them, using LR4′s new RGB curves feature to supply a spectrum of color tweaks for your images. With 20 presets, each coming in light, medium, and strong versions, you’ll have a heap of options for adding just the right character to your photos. Click here for more details on the Totally Rad AMPED Presets Pack.

Thanks again to our sponsor for this month’s photo challenge. Apart from providing the prizes, Totally Rad are also offering a 15% discount code for use in their store. Simply enter the code 1222SHUTTER at checkout to take 15% off the price.

All the best for the photo challenge – I hope it will be an enjoyable and fun experience for all.

• Slejhamer (Mitch) – with his submission, “Jaws – The Family”.
  This was the overall favourite. The theme was clearly and powerfully expressed with a pleasing and interesting composition. Focus is well-controlled, and the metal sheen of the wrenches is wonderfully captured. Great work.

  

  Mitch picks up a Zenfolio Unlimited Plan (12 months of free membership) worth $50 USD. Congratulations Mitch!

• NT73 (Ray) was also selected at random to receive a prize for participating in the challenge. He picks up a LensCapTrap Pro Kit for his efforts.

Honourable mentions also go to:

• Toad: Power Pipes
  While a strong and gritty industrial image, the judges didn’t see a strong expression of the theme. Great colour palette of greens and blue-grey to go with the interesting lines and diagonals.
• NT73: Untitled
  Knowing the theme of the challenge, the choice of a watch as a tool to tell time was inventive, but the text was something of a distraction. The focus on the watches’ crown is good with interesting detail to look at.

For a full coverage of the photo challenge, please visit the discussion thread in the forums.

Thank again for your support for this month’s photo challenge – look forward to the May Photo Challenge with a new theme and more prizes!

For the challenge, enter one photo that represents your interpretation of the theme “Tools”, that you’ve taken between now and the close of the entry period. Entries close midnight on April 21.

There are no right or wrong ways to interpret the theme, but how well your photograph captures it will be considered in the judging. For more information, please visit this discussion forum thread.

To enter, simply create an account with Shuttertalk if you haven’t already, and upload your entry to the gallery.

Up for grabs are:

1 x Zenfolio Unlimited Plan (12 months of free membership, worth $50 USD)
Will be awarded to the winner of the challenge. Zenfolio is a photo and video hosting service, and is the ultimate destination to present your photos and video clips online. The Unlimited Plan allows unlimited storage, high definition video hosting, and the ability to use your own domain name to point to your gallery. More details on Zenfolio here.

1 x LensCapTrap Pro Kit
Will be awarded to a randomly selected participant. LensCapTrap is a simple way of making sure your lens caps stay where you want them. The Pro Kit contains 5 lens patches and 2 strap strips/carriers. We recently reviewed the LensCapTrap here, and more details are available here.

All the best for the photo challenge – I hope it will be an enjoyable and fun experience for all.

• Canon AE-D Mirrorless Concept (via Yanko): concept camera based on the classic Canon AE and AE-P, designed by David Riesenberg. Features a full frame sensor, CM-D lens mount with EF adapter, and a removable, prism based EVF.

  

• Adobe Photoshop CS6 public beta now available for download: with a greatly redesigned UI and apparently 62% more features, including content aware patch and move tools. Dpreview takes a detailed look at the new features here.
• Fujifilm X100 Firmware Update to v1.20: based on customer feedback, Fujifilm have updated their popular X100 camera with added features such as the ability to customise the RAW button function, and also make it easier to access the ND filter and Auto ISO settings.
• Pancake Lens Teardown: if you’ve ever wondered what the innards of those compact pancake lenses look like, Petapixel takes apart an Olympus 17mm f2.8 m/43 mount and the Sony 18mm f2.8 E mount.
• Sony SLT-A57 Announced: successor to the Sony A55, with a semitranslucent mirror, 12 FPS shooting and their renowned high resolution EVF.

  

Also, if you haven’t had the chance, check out our review of Gordy’s Camera Straps and our LensCapTrap review.

The design itself is straightforward. There is semi-circular piece of black 3M Scotchmate velcro, which sticks on to the lens cap via 3M industrial pressure sensitive adhesives. The other side of the velcro is attached to a die cut piece of Lexan polycarbonate plastic, with cutouts to allow it to be attached to your camera strap.

LensCapTrap

The LensCapTrap comes in two sizes – micro and standard – corresponding to the size of the cap. Apart from matching the size, the bigger versions also give more grip due to the larger velcro surface area. In use, one simply takes off the lens cap and sticks it onto the holder via the velcro. It remains securely attached – shaking and jumping with it, did not dislodge the cap easily. One quick pull and the lens cap is released from the holder, ready to be put back on to the camera.

LensCapTrap - Sizes

Pros:

1. The lens cap is stored in an easily remembered position.
2. Many lenses can share the same holder on the strap.
3. Unlike “string” type holders, there is no dangling string to get in the way.

Cons:

1. Cap removal is a two step process – remove, hunt and stick. With “string” type holders, you can simply “drop” the cap without much care.
2. Larger lens caps may get in the way when attached to your neck strap – your mileage may vary.
3. The velcro may spoil the look of your lens cap, especially if it’s not black in colour

LensCapTrap - In Use

All in all, the LensCapTrap is a nice alternative to the usual “string” type cap keepers, or just stowing your lens cap in your pocket. It will probably come down to personal preference as to whether the LensCapTrap is the right solution for you but it’s nice to know that there are choices out there.

The LensCapTrap comes in the following packs for puchase:

• Standard Kit: 2 standard lens patches, 1 strap carrier for $6 USD.
• Pro Kit: 5 standard lens patches, 2 strap carriers for $9.50 USD.
• Micro Kit: 2 micro lens patches, 1 strap carrier for $7 USD.

Shipping is $1 USD extra, and additional lens patches and larger kits are also available.

For more on LensCapTrap products, visit their website.

Article Sections:

• Introduction
• Wrist Straps
• Neck Straps
• Conclusion

Gordy’s Camera Straps are a fine example of what camera straps could be – natural, stylish, unique looking, and a far cry from the common nylon and faux leather variety emblazoned with the usual manufacturer names. The straps from Gordy are handmade in Washington, USA by either Gordy or his helper, which they have been doing since 2005. Made from strips of California Latigo belt leather originating from toughened steer hides, they are tied off with a 1mm diameter waxed polyester cord.

Today, their range of camera strap products encompasses wrist straps, neck straps – both adjustable and non-adjustable; and tripod straps as well, and they come in a variety of designs and colours. When ordering online, you can choose your preferred colour for the leather and wrapping cord, and in some cases the type of attachment as well including metal split rings, string, or tripod socket mounts.

Gordy's Camera Straps - Wrist Straps

Gordy was kind enough to send us some lug mount hand straps and non-adjustable neck straps, both with and without the wrist and neck pads.

Wrist Straps

Wrist straps are a great way of carrying cameras, without the customary neck strap getting in the way. When wearing them around, your camera is always on hand (pun intended) and securely attached to your wrist to prevent accidental drops. If your camera is light enough, you could even let it dangle if you need a free hand. They’re also very easy to tuck away in your camera bag or case.

Gordy's Camera Straps - Wrist Straps

The straps we received were made of russet coloured and black coloured leather, both finished with red cord. Both looked very handsome and striking, and I personally really liked the natural appearance especially when paired with a classic looking camera such as the Fuji X100. Attachment of the strap to the camera was via a metal split ring, and some rubber O-rings were thoughtfully supplied to prevent the metalwork of the camera from being scratched.

The leather strips are roughly a quarter inch wide and a sixth of an inch thick, and I tried an impromptu strength test by literally grabbing hold with both hands and trying to pull the strap apart with all my strength. Long after I wore myself out, the strap itself showed no sign of breaking, and surprisingly, no signs of tearing or deformation either. I would have no qualms at all about the durability of Gordy’s straps.

On initial use of the straps, the leather does feel a bit hard and rough against the skin. After a day or so of normal use though, the leather began to soften, and it actually becomes more pliable and comfortable to wear.

Gordy's Camera Straps - Wrist Strap + Wrist Pad

We were also supplied with a model with an inch wide wrist pad constructed of the same leather. This has the added benefit of evenly distributing the weight and providing more surface area to grip your wrist, leading to increased comfort and stability. I’m on the fence about this one – it’s definitely more comfortable to wear but the sleek, streamlined look is somewhat marred, especially when attached to a compact camera.

Neck Straps

The neck straps from Gordy are a longer version of the wrist straps, only with the coloured nylon wrapping and metal split ring attachments at the both ends of the leather strip. These would be more suited towards DSLRs or maybe mirrorless compact camera systems with larger lenses, and they allow the camera to be slung around your neck or shoulder.

Gordy's Camera Straps - Neck Strap

Gordy's Camera Straps - Neck Strap

The versions we were supplied were the non-adjustable variety and were 45 inches long – but you can actually specify your desired length when ordering. This is a nice touch but obviously you are limited if you decide to use a different lens configuration or body, or perhaps loan the camera to a taller friend.

One might have reservations with regards to durability especially when carrying heavier gear, but on Gordy’s site he actually does some amusing tests such as suspending an old 25 pound CRT computer monitor without any problems.

Gordy's Camera Straps - Strength

The model with the neck pad uses the same 1 inch wide strip for padding behind your neck and it actually works very well. Once again, the weight is more widely distributed, leading to less stress on your neck. I tried both pad and padless versions with my Canon 7D DSLR and I must say that the padless version cuts into your neck and gets very uncomfortable very quickly, especially if you’re used to wide padded straps.

Gordy's Camera Straps - Neck Strap + Neck Pad

Conclusion

Gordy’s Camera Straps are certainly a very stylish way to carry your equipment. Their handmade, natural look adds character to your camera, especially if you have a vintage or retro styled body. The straps themselves are very well made, durable, and comfortable as well.

Personally, the hand strap without the wrist pad is a clear winner for me in terms of quality and value. With regards to the neck straps, I would definitely opt for the strap with the neck pad if you have a heavier DSLR camera, but if you have a lighter camera like a compact or Micro Four Thirds camera, then you could probably get away without a neck pad.

The lug-mount wrist straps are priced at $18 USD, with an extra $13 USD for the wrist pad.
The lug-mount horizonal neck straps are priced at $27 USD, with an extra $13 USD for the neck pad.
Note that international shipping is included in the price, which makes it very cost effective especially for those living on other continents like us.

Find out more about the full range of Gordy’s Camera straps on their website.

The New iPad

On the down side, they have had to increase the weight and thickness of the new iPad to accommodate a larger battery, no doubt to provide more juice required by the new display. Note that the battery life stays the same from the iPad 2.

So, what does the new iPad mean for photographers?

Firstly, the new 5 megapixel camera which features backside illumination for better low-light capability and also an image stabilization feature is all well and good, but it boils down to this: do you see yourself holding up an unwieldly 10-inch tablet to take photos? Didn’t think so…

The screen on the new iPad however definitely is a huge bonus. For photo viewing and post processing, the increased resolution will mean a more refined experience, the ability to see more detail in photos and better precision in manipulation. On that note, Apple has also announced the launch of iPhoto for iOS today, meaning that the popular desktop photo organisation software is now available on tablets as an app for $4.99. iPhoto on the new iPad will pack new Multi-Touch features so you can use simple gestures to sort through photos, and enhance and retouch your images using fingertip brushes.

Multi Touch Editing

Photoshop Touch is now also available for iPads, with an easy to use tablet-friendly package for mobile editing. However, there are some caveats such as a maximum 1600×1600 canvas size restriction which has got us scratching our heads.

I think the greatest strength of the new iPad will be its iCloud offering which allows syncing and sharing of photos and media between desktops, mobile phones and tablets seamlessly. This is key as the limited memory available on the new iPad (which still stands at a maximum of 64GB) will mean that even though you won’t be able to cart a significant amount of photos with you, you will be able to still access photos from your desktop provided the appropriate connectivity is available.

iPhoto for iOS

All in all, the new iPad is a solid upgrade to the market leading tablet product. The new screen is the singular best feature, and effectively make true High Definition content and media a reality on tablets. Given that this is a significant hardware feature upgrade to the iPad 2, I think existing users will be easily persuaded to trade up, while new users will be definitely enticed, if not convinced.

The new iPad Wi-Fi models will be available in black or white on Friday, March 16 for a suggested retail price of $499 (US) for the 16GB model, $599 (US) for the 32GB model and $699 (US) for the 64GB model. iPad Wi-Fi + 4G for either AT&T or Verizon will be available for a suggested retail price of $629 (US) for the 16GB model, $729 (US) for the 32GB model and $829 (US) for the 64GB model.

FULL PRESS RELEASE

Apple Launches New iPad
New iPad Features Retina Display, A5X Chip, 5 Megapixel iSight Camera & Ultrafast 4G LTE

SAN FRANCISCO―March 7, 2012―Apple® today introduced the new iPad®, the third generation of its category defining mobile device, featuring a stunning new Retina™ display, Apple’s new A5X chip with quad-core graphics and a 5 megapixel iSight® camera with advanced optics for capturing amazing photos and 1080p HD video. iPad with Wi-Fi + 4G connects to fast networks worldwide, including AT&T’s and Verizon’s 4G LTE networks, and still delivers the same all-day 10 hour battery life* while remaining amazingly thin and light. Beginning today, iPad 2 will be offered at an even more affordable price starting at just $399.

“The new iPad redefines the category Apple created less than two years ago, delivering the most amazing experience people have ever had with technology,” said Philip Schiller, Apple’s senior vice president of Worldwide Marketing. “The new iPad now has the highest resolution display ever seen on a mobile device with 3.1 million pixels, delivering razor sharp text and unbelievable detail in photos and videos.”

The new iPad’s Retina display delivers four times the number of pixels of iPad 2, so dense that the human eye is unable to distinguish individual pixels when held at a normal distance, making web pages, text, images and video look incredibly sharp and realistic. The 3.1 million pixels in the Retina display are more than one million more pixels than an HD TV, and with 44 percent increased color saturation the new iPad displays colors that are unbelievably richer, deeper and more vivid. Movies are now capable of playing at full 1080p HD-resolution, delivering an incomparable viewing experience on a mobile device.

The powerful new A5X chip with quad-core graphics was specifically designed by Apple to deliver a fast, responsive user experience while supporting the incredible Retina display. With double the graphics performance of the A5 chip, the A5X provides a superb balance between performance and power efficiency so users can enjoy all the benefits of the stunning new display while experiencing a smooth Multi-Touch™ interface, immersive gameplay, incredible visual depth and all-day battery life that iPad is known for delivering.

The 5 megapixel iSight camera features advanced optics for taking stunning pictures and recording full HD video. Backside illumination allows you to take great photos in low-light conditions and a new video image stabilization feature removes the bumps and shakes typically seen when filming with a hand-held device. Images can be enjoyed on the large Retina display, then edited, enhanced and easily shared with friends and family using the built-in Photos app on iPad.

iPad Wi-Fi + 4G with built-in next generation 4G LTE has the most comprehensive support for fast networks worldwide including HSPA+ and DC-HSDPA, and now both CDMA and GSM iPad users have the ability to easily roam internationally. The world-ready iPad delivers blazing download and upload speeds so web pages load incredibly quickly and email with large attachments can be sent and received easily. Personal Hotspot can be used to share the fast network connection on your iPad with up to 5 other devices using Wi-Fi, Bluetooth or USB**.

With iOS 5.1, the latest update to the world’s most advanced mobile operating system, the new iPad has a number of new features and enhancements including: a redesigned Camera app with video stabilization technology; the ability to delete photos from Photo Stream; support for dictation in English, French, German and Japanese; and Personal Hotspot. iOS 5.1 also works seamlessly with iCloud®, a breakthrough set of free cloud services including iTunes® in the Cloud, Photo Stream and Documents in the Cloud, that works seamlessly with your iPhone®, iPad, iPod touch®, Mac® or PC to automatically and wirelessly store your content and push it to your devices. When content changes on one of your devices, your other devices are updated automatically.

The new iPad also supports dictation, another amazing way to get things done just using your voice. Instead of typing, tap the microphone icon on the keyboard, then say what you want to say and the new iPad listens. Tap done, and iPad converts your words into text. You can use dictation to write messages, take notes, search the web and more. Dictation also works with third-party apps, so you can update your Facebook status, tweet, or write Instagram captions.

Apple also introduced the iPhoto® app, along with major updates to iMovie® and GarageBand®, completing its suite of iLife® apps for iOS. iLife and the iWork® apps, Pages®, Keynote® and Numbers®, have all been updated to take advantage of the new iPad Retina display. iPhoto includes breakthrough Multi-Touch features so you can use simple gestures to sort through hundreds of photos and find your best shots, enhance and retouch your images using fingertip brushes and share stunning photo journals with iCloud. iMovie now gives you the ability to create amazing Hollywood-style trailers as you record HD video, and GarageBand introduces Jam Session, an innovative and fun new feature that allows a group of friends to wirelessly connect to play instruments and record music together live on their iOS devices.

iPad runs almost all of the over 585,000 apps available on the App Store™, including more than 200,000 native iPad apps, from a wide range of categories, including books, games, business, news, sports, health, reference and travel. The iTunes Store® puts the world’s most popular online music, TV and movie store at your fingertips with a catalog of over 20 million songs, over 90,000 TV episodes and over 15,000 movies. The new iBooks® 2 app for iPad lets users experience an entirely new kind of ebook that’s dynamic, engaging and truly interactive. iBooks created with Apple’s new iBooks Author offer gorgeous, fullscreen ebooks with interactive animations, diagrams, photos, videos, unrivaled navigation and much more.

Pricing & Availability
The new iPad Wi-Fi models will be available in black or white on Friday, March 16 for a suggested retail price of $499 (US) for the 16GB model, $599 (US) for the 32GB model and $699 (US) for the 64GB model. iPad Wi-Fi + 4G for either AT&T or Verizon will be available for a suggested retail price of $629 (US) for the 16GB model, $729 (US) for the 32GB model and $829 (US) for the 64GB model. iPad will be sold in the US through the Apple Store® (www.apple.com), Apple’s retail stores, and select Apple Authorized Resellers. iPad will also be available in Australia, Canada, France, Germany, Hong Kong, Japan, Puerto Rico, Singapore, Switzerland, UK and the US Virgin Islands on Friday, March 16. Customers can begin pre-ordering their new iPad today, and the incredible iPad 2 is now offered at a more affordable price of $399 (US) for the 16GB Wi-Fi model and just $529 (US) for the 16GB Wi-Fi + 3G model.

iOS 5.1 and iTunes 10.6 are available today as free software updates. iPhoto, iMovie 1.3 and GarageBand 1.2 are available today for $4.99 (US) each from the App Store (www.itunes.com/appstore). Keynote 1.6, Pages 1.6 and Numbers 1.6 are available today for $9.99 (US) each from the App Store. Updates are available for free to existing customers. By the end of March iPad will be available in Austria, Belgium, Bulgaria, Czech Republic, Denmark, Finland, Greece, Hungary, Iceland, Ireland, Italy, Liechtenstein, Luxembourg, Macau, Mexico, The Netherlands, New Zealand, Norway, Poland, Portugal, Romania, Slovakia, Slovenia, Spain and Sweden.

*Battery life depends on device settings, usage and other factors. Actual results vary.

**Personal Hotspot requires supporting data plan. Customers should check with their carrier for availability.

Apple designs Macs, the best personal computers in the world, along with OS X, iLife, iWork and professional software. Apple leads the digital music revolution with its iPods and iTunes online store. Apple has reinvented the mobile phone with its revolutionary iPhone and App Store, and is defining the future of mobile media and computing devices with iPad.

Article Sections:

• Introduction
• Design
• In Use
• Conclusion

BlackRapid has the proud achievement of designing the first upside down strap system. Using a D-ring mounted to the tripod socket of a camera, their R-straps allow the camera to hang upside down at rest, and to be brought up to a shooting position easily. While traditionally aimed towards SLR users, BlackRapid are catering for compact users with the SnapR series.

Billed as a 3-in-1 bag / sling strap / hand strap combo, the BlackRapid SnapR is a cleverly designed bag and strap system with the ability to be used in three different configurations. It functions as a strap and bag combo by default, but when you want to lessen the load it can be used a sling strap alone, or as a wrist strap as well.

BlackRapid SnapR20 - Packaging

The SnapR series comes in three different sizes, priced at 29.95, 39.95 and 44.95 USD (RRP) respectively. The SnapR10 fits cameras up to 5″ x 3″ x 1″ and comes in a wrap style case more suited to small compacts. The SnapR20 and SnapR30 is more of a bag style with 2 handy outside pockets and can accommodate cameras up to 5.25″ x 3.25″ x 2″ and 5.25″ x 3.25″ x 3.25″ respectively. The largest should accommodate cameras such as the Fuji X100 and most micro four thirds cameras with a pancake lens attached.

In this review, we take a look at the middle of the bunch, the SnapR20.

Disclaimer: We made a slight oversight in ordering the right size for the review. The SnapR20 is actually quite a tight fit for the Fuji X100 and Panasonic GX1 with 20mm F1.7 lens depicted in the photos – we would actually recommend the SnapR35 instead for these cameras.

Design top

The BlackRapid SnapR20 is constructed of a nylon outer shell, with some handsome touches such as a rubber grey and yellow logo, grey highlights on the pocket linings, and rubberised zip toggles with a bright yellow R. The strap itself has a comfortable, removable shoulder pad that is very broad and has a non-slip backing to ensure that it doesn’t slide around easily when wearing.

BlackRapid SnapR20 - Front and Rear Views

The interior of the pockets has soft padding perhaps a sixth of an inch thick – but because the pockets have padding both sides there ends up being quite a bit of cushioning all round. One thing I did notice is that in the main compartment which houses the camera, only the bottom and the two narrow sides have the soft padding – the top and the two sides that would be in contact with the camera’s front and back are made of nylon. My concern is that the LCD screen or lens of the camera may eventually be abraded by this material and I think the design could be improved if the padding was moved from the inner side of each pocket to inside the main compartment instead.

As a right of reply, the lead designer at BlackRapid have responded with these reassurances: “The padding could make sense on the inside, the reason its not is to allow for less friction internally. Basically by having the padding outside the compartment the customer gains an easier experience when sliding your camera in and out of the bag. Furthermore it’s a nylon fabric that shouldn’t in any way scratch the screen of your camera. The fabric is strong and the texture is a part of that strength, but should in no way be abrasive”

There are two large outer pockets, front and back, which are large enough to fit a wallet, smartphone, spare batteries or other accessories. These pockets and main opening are secured by zips that open smoothly but at the same time ensure that nothing will fall out unexpectedly.

BlackRapid SnapR20 - Product Views

Now, the strap system is where the ingenuity of the designers start to shine through. Firstly, there is the D-ring (albeit a mini one) which attaches to the camera’s tripod socket to allow it to hang upside down on the strap. This D-ring is attached to a mini strap which clips on to the main strap on a gliding mechanism – this allows the user to slide the camera from the bag up to a shooting position.

The two ends of the main strap also have clips which attach to the camera bag, but as alluded to previously, these can be detached and joined together so that you can use the strap without the bag. Finally, you can also discard the main strap in favour of a small hand strap which BlackRapid has supplied – this clips on to the D-ring and mini strap.

In Use top

The nice thing about this system is that your camera is tethered to the strap at all times minimising any chance of dropping your precious camera when taking it out or putting it back into the bag.

BlackRapid SnapR20 - Bag Configuration

I also like how you eliminate a redundant set of straps. Traditionally, there would be one strap for the camera bag, and then another neck strap or hand strap for the camera itself. Shooting would involve taking the camera out, putting on the camera strap, and oftentimes you will end up wearing both straps at once, leading to a tangled mess if you tried to take them off in the wrong order.

Modularity is also another plus – there are times when you don’t feel like carrying a camera bag with you, and just using the main strap or hand strap alone can be liberating. As to whether having a compact hanging upside down and bouncing around by your side is practical – it will probably come down to personal preference.

BlackRapid SnapR20 - Shoulder Strap Configuration

BlackRapid SnapR20 - Hand Strap Configuration

The strap itself is also very comfortable – BlackRapid have done well in designing a ergonomic shoulder pad that stays in place, while still maintaining a slim profile. Carrying the SnapR20 out and about for a whole day is not a burden in the slightest, and the pockets do really make handy storage for a wallet and phone.

Conclusion top

In short, I think BlackRapid have hit on a great idea here with the SnapR20. The whole system is clever, flexible and offers great protection while promoting quick shooting. The bag itself looks quite attractive, and the two pockets increase the usability, making carrying it with you bonus and not a liability.

My one reservation is with the choice of materials in the main compartment, although once again, BlackRapid have assured that the nylon fabric will not damage cameras in any way.

Overall, the BlackRapid SnapR20 is another quality product from BlackRapid, great value for money and a worthwhile investment for compact camera users.

Find out more about the BlackRapid SnapR20 as well as other BlackRapid products on their website.

Canon EOS 5D Mark III

The new 22.3 megapixel sensor is the highest resolution Canon DSLR to date, featuring a gapless microlens design and improved noise reduction. This translates to increased sensitivity and image quality in low light, with a standard ISO range of 100 to 25,600, expandable to 50 and 102,400.

The 5D Mark III borrows the new new 61-point High Density Reticular AF System from the top-of-the-line EOS-1D X. Out of the 61, it includes 5 center ultra-high precision diagonal cross-type points, and an additional 20 high-precision cross-type outer focusing points. Another borrowed feature is the silent shooting modes, available for low-speed continuous shooting as well as single exposures.

Improvements to the optical viewfinder system mean that users now get approximately 100 percent coverage, with an optional grid on demand and a built-in Dual Axis Electronic Level that can be displayed on both the LCD screen and the optical viewfinder.

The 5D Mark III features a 3.2-inch Clear View II LCD screen with 1,040,000 dot resolution. Taking advantage of the high resolution, the new Comparative Playback feature allows photographers to display two images side by side on the camera’s 3.2-inch LCD screen. The images can be displayed with a histogram to check exposure levels, or magnified to check for focus or facial expressions.

Additionally, the EOS 5D Mark III accepts both Compact Flash Type 1 and SD/SDHC/SDXC memory cards in a dual card slot configuration.

Canon 5D Mark II Comparison

The Canon EOS 5D Mark III Digital SLR camera is expected to be available at the end of March 2012 for an estaimated retail price of $3,499 USD (body only) and $4,299 USD with the EF24-105mm f/4L IS USM zoom lens kit.

Full Press Release

Canon U.S.A. Announces the Highly Anticipated EOS 5D Mark III Digital SLR Camera

Featuring Improved Image Quality, a 61-Point High Density Reticular AF, Six fps High-Speed Continuous Shooting and Enhanced HD Video Recording Features

LAKE SUCCESS, N.Y., March 2, 2012 – On the 25th anniversary of its world-renowned EOS System, Canon U.S.A., Inc., a leader in digital imaging solutions, is proud to announce its latest model, the new EOS 5D Mark III Digital SLR Camera. Positioned between the extremely popular EOS 5D Mark II and Canon’s top-of-the-line professional EOS-1D X model, the EOS 5D Mark III delivers superb image quality, thanks to a new 22.3-megapixel full-frame Canon CMOS sensor, a high-performance DIGIC 5+ Imaging Processor, a 61-point High Density Reticular Autofocus (AF) System and six frames-per-second (fps) continuous shooting speed. Building upon the trailblazing success of the EOS 5D Mark II, the EOS 5D Mark III also incorporates enhanced video features for professionals in the fields of cinematography, television production and documentary filmmaking, including better noise reduction, longer recording times and a built-in headphone jack for audio monitoring. The EOS 5D Mark III is Canon’s answer to hundreds of thousands of advanced amateurs and emerging professionals looking for a compact, high-quality camera system to help them achieve their artistic vision, whether it be through still or video imagery. The EOS 5D Mark III introduction coincides with Canon’s 25th anniversary celebration of the EOS camera system. Canon’s award-winning EOS system first debuted in March of 1987 with the introduction of the EOS 650 SLR camera and three EF lenses.

“We are extremely excited to announce the highly anticipated follow-up to our EOS 5D Mark II, a camera which has been called a ‘game-changer’ in most professional photography and videography circles. The EOS 5D Mark III will carry on that tradition, delivering better and more advanced features, helping our customers achieve excellent image quality for stills and video,” stated Yuichi Ishizuka, executive vice president and general manager, Imaging Technologies and Communications Group, Canon U.S.A.

The EOS 5D Mark III inherits many features from Canon’s recently announced flagship DSLR, the EOS-1D X, including a DIGIC 5+ Imaging Processor and a high-performance 61-point High Density Reticular AF array with up to 41 cross-type points and five dual cross-type points available, depending on the lens in use. The enhanced processing power enables fast continuous shooting of up to six fps, exceeding the speed of the EOS 5D Mark II model by more than 50 percent, and with improved weather resistance the EOS 5D Mark III is a serious option for sports and wildlife photographers.

EOS 5D Mark III Video: The Legacy Continues
The EOS 5D Mark II blazed the trail for EOS cameras and Canon to enter the professional video and cinema markets, paving the way for Canon’s recent introduction of the Cinema EOS system of cameras and lenses. Now, the EOS 5D Mark III continues Canon’s commitment to these new markets with new and requested features from cinematographers, television production professionals and independent filmmakers. This new model captures 1080p Full HD video at 24p (23.976), 25p, and 30p (29.97) fps; 720p HD recording at 60 (59.94) and 50 fps; and SD recording at 30 (29.97) and 25 fps, giving cinematographers and videographers more flexibility and options for video capture.

The EOS 5D Mark III includes new H.264 video compression formats to simplify and speed up post-production work: intraframe (ALL-I) compression for an editing-friendly format and interframe (IPB) compression for superior data storage efficiency, giving professionals options to help achieve their ideal workflow. Like the EOS-1D X, the 5D Mark III also includes two methods of SMPTE-compliant timecode embedding, Rec Run and Free Run, allowing video footage from multiple cameras and separate audio recordings to be synced together in post production.

The new full-frame CMOS sensor and DIGIC 5+ processor have enhanced the camera’s image processing performance over the 5D Mark II, significantly reducing moir‚ and color artifacts in scenes with horizontal lines. The video footage produced will exhibit less moir‚ than seen in previous DSLR models, resulting in a significant improvement in HD video quality. Accommodating documentary filmmakers, and event videographers using EOS DSLR cameras, the 5D Mark III includes the ability to record video continuously up to 29 minutes and 59 seconds across multiple 4GB files. Long-form filmmakers will enjoy the camera’s automatic file splitting in combination with the extended memory capacity offered by dual card slots.

The Canon EOS 5D Mark III also includes manual audio level control with 64 levels, adjustable both before and during movie recording. There is also an automatic audio level setting, or sound recording can be turned off entirely. A wind filter is also included. Sound can be recorded either through the internal monaural microphone or via an optional external microphone through the stereo mic input. Notably, the EOS 5D Mark III is the first EOS Digital SLR to feature a built-in headphone jack for real-time audio monitoring during video capture.

Newly Developed Canon CMOS Sensor
With its completely new 22.3-megapixel full-frame Canon CMOS image sensor, the EOS 5D Mark III becomes the highest resolution Canon Digital SLR released to date. It is eminently suitable for a wide variety of assignments including weddings and portraits, nature and wildlife, travel and landscapes as well as commercial and industrial photography. With a gapless microlens design, a new photodiode structure and improved on-chip noise reduction, the new sensor achieves higher sensitivity and lower noise levels for both RAW image data as well as in-camera JPEGs and EOS Movies compared to the 5D Mark II. The result is outstanding image quality in all shooting conditions, even low light. An eight-channel readout doubles the speed of image data throughput from the sensor to the DIGIC 5+ processor, resulting in better video image quality as well as six fps for still photos.

The low-light capability of the EOS 5D Mark III is evident in its incredible ISO range and image quality in poor lighting conditions. Adjustable from ISO 100 to 25,600 within its standard range, the new model also offers a low ISO 50 setting for studio and landscape photography and two extended ISO settings of 51,200 and 102,400, well suited for law enforcement, government or forensic field applications.

The new 5D Mark III is also equipped with Canon’s EOS Integrated Cleaning System, featuring a Self Cleaning Sensor Unit with a fluorine coating that repels dust and dirt particles.

Canon-Exclusive DIGIC 5+ Imaging Processor
The EOS 5D Mark III’s new DIGIC 5+ Imaging Processor is 17 times faster than the DIGIC 4.The EOS 5D Mark III uses that extra speed not only for improved image quality, but also to add no less than nine new features that do not exist on the 5D Mark II. These new features include six fps continuous shooting, HDR and Multiple Exposure modes, in-camera RAW processing, a comparative playback function, Scene Intelligent Auto mode, two forms of movie compression, and support for high-speed UDMA 7 Compact Flash memory cards.

Another extremely valuable feature enhanced by the DIGIC 5+ Imaging Processor is the EOS 5D Mark III’s choice of reduced resolution M-RAW (10.5 megapixel) and S-RAW (5.5 megapixel) recording modes. These settings are particularly useful to wedding photographers for candid photos that do not require the EOS 5D Mark III’s 22 megapixel full resolution, because they take up less space on the memory cards and speed up post-processing without losing the critical benefits of RAW image data, such as highlight and shadow control as well as white balance adjustment. M-RAW and S-RAW also preserve the full field of view rather than cropping the image or resorting to JPEG mode to reduce resolution.

High-Performance 61-Point High Density Reticular AF
For still photographers, Canon has included its new 61-point High Density Reticular AF System, originally introduced with the top-of-the-line EOS-1D X professional camera. A significant advancement over previous 5D-series AF systems, the new 61-Point High Density Reticular AF included in the EOS 5D Mark III is the most sophisticated SLR AF system Canon has ever released. All 61 points are manually selectable and sensitive to horizontal contrast with maximum apertures larger than or equal to f/5.6. The camera’s twenty one focusing points in the central area are also standard precision cross-type and effective with maximum apertures larger than or equal to f/5.6. The center five points are ultra-high-precision diagonal cross-type points for maximum apertures larger than or equal to f/2.8. The 20 outer focusing points function as high-precision cross-type points with maximum apertures larger than or equal to f/4.0. Other innovations of the new 61-point High Density Reticular AF include expanded AF coverage area, superior focusing precision and low-light sensitivity to EV -2, and greater low-contrast subject detection capability compared to earlier EOS AF systems. (See image below for AF point configuration)

All AF functions now have their own menu tab for quick and easy access (formerly AF custom functions in previous EOS models). A new AF Configuration Tool allows for customized setting of tracking sensitivity, the acceleration and deceleration of tracking subjects, and AF point auto switching, all of which are easily accessed and adjusted via the new AF menu tab. A built-in Feature Guide advises photographers on which settings to use according to subject matter.

The EOS 5D Mark III uses the same high-performance AI Servo III AF tracking algorithm as the flagship EOS-1D X professional DSLR. This new feature works together with the 61-point High Density Reticular AF system to provide superb tracking performance that blends very well with the new camera’s 6 frames-per-second high-speed continuous shooting capabilities.

Similar to the AF point selection options offered in the EOS 7D and EOS-1D X camera models, the EOS 5D Mark III offers six AF point selection modes: Spot, Single Point, Single Point with surrounding four points, Single Point with surrounding eight points, Zone selection and Automatic AF point selection.

iFCL Metering
Complementing the EOS 5D Mark III camera’s 61-point AF system is Canon’s 63-zone iFCL dual layer metering system. The ‘FCL’ stands for ‘Focus, Color and Luminance,’ and references the fact that the metering system not only measures color and luminance data, but also analyzes the data provided by each point of the AF system. Canon’s iFCL metering keeps exposure levels stable from shot to shot, even as the light source changes. The camera’s autofocus information is also used to help determine which area of the scene is of greatest importance in determining exposure.

HDR Mode
The EOS 5D Mark III camera features a built-in HDR mode, merging three images at various exposure levels into a single image, in-camera, for stunning photographs of landscapes and architecture with enhanced tonal gradation beyond the range of the naked eye. The exposure levels in the camera’s HDR mode can be set to cover a range of up to ñ3 stops, in a choice of five settings: Natural, Art Standard, Art Vivid, Art Bold and Art Embossed providing unique visual effects. Individual source images can be saved as separate files, and the HDR mode has an optional automatic alignment function that can be useful for hand-held shooting. The EOS 5D Mark III’s standard Auto Exposure Bracketing function has been upgraded to allow for up to seven exposures per sequence, and exposure compensation can now be set for up to +/- 5EV.

Multiple Exposure Mode
The EOS 5D Mark III is the second EOS Digital SLR after the EOS-1D X to feature Multiple Exposure capabilities with the ability to combine up to nine individual images into a single composite image, with no need for post-processing in a computer. Four different compositing methods are provided for maximum creative control, including Additive, Average, Bright and Dark. Compositing results can be viewed in real time on the camera’s LCD monitor, and there is a one-step Undo command that allows photographers to delete an image and try again if desired. The EOS 5D Mark III camera’s Multiple Exposure mode even allows photographers to specify a previously captured RAW image as the starting point for a new Multiple Exposure composite image, or shoot continuously when photographing moving subjects.

Comparative Playback
A new feature seen for the first time in the EOS System on the 5D Mark III is Comparative Playback allowing photographers to display two images side by side on the camera’s 3.2-inch LCD screen. The images can be displayed with a histogram to check exposure levels, or magnified to check for focus or facial expressions.

Durability, Reliability and Other Features
The EOS 5D Mark III features a rugged camera body with magnesium alloy body covers and a stainless steel lens mount. The new camera also has dust- and moisture-resistant design with improved gaskets and seals. Although not quite as weatherproof as an EOS-1D-series camera, the EOS 5D Mark III does feature improved weather resistance over the EOS 5D Mark II model. The EOS 5D Mark III’s newly developed shutter unit has a durability rating of 150,000 exposures, and shutter release lag time has been reduced to 59 milliseconds, making the shutter button very responsive. Canon’s locking mode dial is standard on the new model and a new custom function allows photographers to shut off other dials to prevent inadvertent operation.

The EOS 5D Mark III uses the same LP-E6 lithium-ion battery pack as other popular EOS cameras like the 5D Mark II, 7D and 60D. Battery life is estimated at 950 exposures at normal temperatures, an improvement of 100 exposures more than the EOS 5D Mark II. The EOS 5D Mark III body weighs approximately 33.5 oz. with a battery installed, and the dimensions are approximately 6.0 x 4.6 x 3.0 inches.

The EOS 5D Mark III incorporates Silent shooting modes, available for low-speed continuous shooting as well as single exposures. This feature is ideal when photographing in quiet environments. For better file management especially when working with multiple cameras, the new model also supports custom file names. There is also a new image rating feature that lets photographers rank their photos from 1 to 5 stars for quick editing.

The EOS 5D Mark III features a 3.2-inch Clear View II LCD screen with 1,040,000 dot resolution. This is the same screen that’s used in the top-of-the-line EOS-1D X. The camera’s optical viewfinder has been upgraded to approximately 100 percent coverage, and it features an Intelligent Viewfinder display with an optional grid on demand. The EOS 5D Mark III also has a built-in Dual Axis Electronic Level that can be displayed on both the LCD screen and the optical viewfinder.

The EOS 5D Mark III accepts both Compact Flash Type 1 and SD/SDHC/SDXC memory cards in a dual card slot configuration. Three recording methods are supported: Record the same data to both cards, record different file sizes or types to each card, or automatically switch to the second card when the first card is full.

Accessories
The EOS 5D Mark III DSLR also has a number of new optional accessories, including the new Canon Wireless File Transmitter WFT-E7A featuring wireless LAN support for 802.11 a/b/g/n signal protocols for various network environments. The WFT-E7A connects to the camera through its USB port and includes a built-in gigabit Ethernet connection, time syncing for multiple cameras on the same network, FTP mode, EOS Utility mode, WFT Server mode and Media Server mode. With this new WFT model, professionals can synchronize clocks on multiple cameras and use the unit to support linked shooting when utilizing multiple cameras. In addition, Bluetooth-compatible equipment can be easily linked to the device as well.

The EOS 5D Mark III also has an optional Canon GPS Receiver GP-E2, which can be connected to the camera via the accessory shoe or a USB cable. With a GPS logging function built-in, the GP-E2 will log latitude, longitude, elevation, and the Universal Time Code – and allow viewing of camera movement on a PC after shooting. With its built-in compass, the GP-E2 receiver will also record camera direction when shooting, even when shooting vertically. The Canon GPS Receiver GP-E2 is compatible with the EOS-1D X and EOS 7Di as well as the EOS 5D Mark III.ii

Battery Grip BG-E11 is an optional accessory for the EOS 5D Mark III that accepts one or two LP-E6 lithium-ion battery packs or a set of six AA-size batteries. This new grip has a multicontroller and a multifunction (M.Fn) button together a with a full set of grip controls for easy operation when shooting portraits or other vertical format photos. The BG-E11 is made from sturdy magnesium alloy and has the same degree of weather resistance as the EOS 5D Mark III.

Speedlite 600EX-RT
In addition to the EOS 5D Mark III, Canon is also announcing the first professional Speedlite on the market with a built-in wireless radio transmitter, the new Speedlite 600EX-RT. The new Canon Speedlite 600EX-RT is the flagship model in the Speedlite line, ideal for wedding portrait and photojournalism. Compatible with all EOS Digital SLRs, this new model eliminates the need for accessory radio slave units and their inherent limitations. Speedlite 600EX-RT features Master-Slave two-way transmission, letting the photographer control the Speedlite settings directly from the “Master” camera.

Radio-based Wireless E-TTL can be performed with up to 15 Speedlite 600EX-RT “slave units”, used off-camera up to 98.4 feet (30m) away, and triggered by either a “Master” 600EX-RT on-camera, or the optional new Speedlite Transmitter ST-E3-RT. Used with the EOS 5D Mark III or EOS-1D X, up to five groups of flashes can be completely controlled, independently, off-camera. And, it remains fully compatible with Canon’s legacy optical-based Wireless E-TTL technology, for users already committed to existing EOS Speedlites. The Speedlite features enhanced weather-resistant construction – matching that of the EOS-1D X camera body – and a more reliable electrical contact. The flash head zoom range now reaches from 20mm to 200mm.The Speedlite also allows remote shutter release of a single EOS camera, or Linked Shooting (simultaneous firing of up to 15 cameras, when one “Master” camera is fired), and includes gelatin filters and a dedicated filter holder to help photographers match ambient light.

Speedlite Transmitter ST-E3-RT
Canon is also introducing the new Speedlite Transmitter ST-E3-RT. Providing full support of Canon’s new radio-based wireless flash technology, the new ST-E3-RT can control up to five groups of flashes, up to 98.4 feet (30m) from the camera. The remote shutter release capability enables photographers to either fire a single camera remotely (by pressing a button on the ST-E3-RT), or to fire up to 15 EOS cameras with Canon’s Linked Shooting feature. Making it easy to control and adjust, all of the Speedlite Transmitter features are accessible through the Flash control menu of the EOS-1D X and EOS 5D Mark III cameras.

Pricing and Availability
The Canon EOS 5D Mark III Digital SLR camera is expected to be available at the end of March 2012 and will be sold in a body-only configuration at an estimated retail price of $3,499.00. The EOS 5D Mark III will also be available with the EF24-105mm f/4L IS USM zoom lens in a kit for an estimated retail price of $4,299.00. The Wireless File Transmitter WFT-E7A is scheduled to be available by the end of April 2012 at an estimated retail price of $849.99. Availability for GPS Receiver GP-E2 is expected by the end of April 2012, with an estimated retail price of $390.00.Battery Grip BG-E11 is scheduled to be available at the end of April 2012 for an estimated retail price of $490.00. The Speedlite 600EX-RT and Speedlite Transmitter ST-E3-RT are also scheduled for end of March 2012 availability at estimated retail prices of $629.99 and $470.00 respectively.

About Canon U.S.A., Inc.
Canon U.S.A., Inc., is a leading provider of consumer, business-to-business, and industrial digital imaging solutions. With $45.6 billion in global revenue, its parent company, Canon Inc. (NYSE:CAJ), ranks third overall in patent holdings in the U.S. in 2011†, and is one of Fortune Magazine’s World’s Most Admired Companies in 2011. Canon U.S.A. is committed to the highest levels of customer satisfaction and loyalty, providing 100 percent U.S.-based consumer service and support for all of the products it distributes. Canon U.S.A. is dedicated to its Kyosei philosophy of social and environmental responsibility. To keep apprised of the latest news from Canon U.S.A., sign up for the Company’s RSS news feed by visiting www.usa.canon.com/rss.

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† Based on weekly patent counts issued by United States Patent and Trademark Office.

All referenced product names, and other marks, are trademarks of their respective owners.

Availability, prices, and specifications of all products are subject to change without notice. Actual prices are set by individual dealers and may vary.

i When the EOS 7D is used with the GP-E2, the following restrictions will apply: a) geotagging function will not work for movies while recording; b) geotagging features will not work for movies when using the Map Utility; c) electronic compass information and automatic time setting is not available; d) transmission via the hot shoe is not possible.

ii In certain countries and regions, the use of GPS may be restricted. Therefore, be sure to use GPS in accordance with the laws and regulations of your country or region. Be particularly careful when traveling outside your home country. As a signal is received from GPS satellites, take sufficient measures when using in locations where the use of electronics is regulated.

The EOS 5D Mark III requires a firmware upgrade to be compatible with the GPS Receiver GP-E2, which will be available soon.

Without further ado, here are the winners of the prizes:

1. 1 x BlackRapid RS-7 Curve camera strap, valued at $58.95 USD
   Randomly selected from those that liked our Facebook page: Angela Van Rijs!
2. 1 x BlackRapid SnapR20 3-in-1 bag/strap, valued at $39.95 USD
   For making the 80,000th discussion forum post (or rather 80,002 to be exact): NT73!
3. 1 x BlackRapid RS-Sport camera strap, valued at $69.95 USD
   For posting a photo in our showcase forum, and having the most non-owner replies: squirl033!
   

Congratulations again to the winners, we will be in touch shortly to deliver your prize. Also a big thanks to everyone who joined in the fun — stay tuned for more giveaways and competitions in the near future.

And finally, a huge shout out to BlackRapid who have been super generous and an absolute pleasure to work with.