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<channel>
	<title>Drawing from Line to Life</title>
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	<link>https://sibleyfineart.com/_blog</link>
	<description>Drawing Lessons, Workshops, Tutorials, Books and Art</description>
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	<title>Drawing from Line to Life</title>
	<link>https://sibleyfineart.com/_blog</link>
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	<item>
		<title>TITLES and SIGNATURES</title>
		<link>https://sibleyfineart.com/_blog/2023/03/titles-and-signatures/</link>
					<comments>https://sibleyfineart.com/_blog/2023/03/titles-and-signatures/#respond</comments>
		
		<dc:creator><![CDATA[Mike Sibley]]></dc:creator>
		<pubDate>Wed, 22 Mar 2023 17:39:25 +0000</pubDate>
				<category><![CDATA[art busines]]></category>
		<category><![CDATA[printing]]></category>
		<category><![CDATA[Signature]]></category>
		<category><![CDATA[Title]]></category>
		<guid isPermaLink="false">https://sibleyfineart.com/_blog/?p=1139</guid>

					<description><![CDATA[TITLES and SIGNATURES Julian (JulianCourtDrawing.com/) emailed me to ask:&#8220;I&#8217;ve been putting the title to my drawings quite small, just below my drawing&#8217;s bottom left. Simply handwritten neatly in pencil. The chap who&#8217;s mounting my drawings says I should do the same for prints. In fact, he winced when he saw one of my drawings with &#8230; <a href="https://sibleyfineart.com/_blog/2023/03/titles-and-signatures/" class="more-link">Continue reading <span class="screen-reader-text">TITLES and SIGNATURES</span></a>]]></description>
		
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		<title>DRAWING ANIMALS</title>
		<link>https://sibleyfineart.com/_blog/2018/06/drawing-animals/</link>
					<comments>https://sibleyfineart.com/_blog/2018/06/drawing-animals/#respond</comments>
		
		<dc:creator><![CDATA[Mike Sibley]]></dc:creator>
		<pubDate>Tue, 26 Jun 2018 17:42:32 +0000</pubDate>
				<category><![CDATA[art lessons]]></category>
		<category><![CDATA[workshops]]></category>
		<category><![CDATA[drawing animals]]></category>
		<category><![CDATA[drawing course]]></category>
		<category><![CDATA[drawing fur]]></category>
		<category><![CDATA[drawing hair]]></category>
		<category><![CDATA[workshop]]></category>
		<guid isPermaLink="false">https://sibleyfineart.com/_blog/?p=1098</guid>

					<description><![CDATA[What a wonderful weekend we had here in my studio... running the Drawing Animals workshop for the first time. Too find out when I'm running it again (UK/USA/CANADA) read on...]]></description>
		
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		<title>Do I need to draw from life?</title>
		<link>https://sibleyfineart.com/_blog/2017/12/do-i-need-to-draw-from-life/</link>
					<comments>https://sibleyfineart.com/_blog/2017/12/do-i-need-to-draw-from-life/#respond</comments>
		
		<dc:creator><![CDATA[Mike Sibley]]></dc:creator>
		<pubDate>Sun, 31 Dec 2017 14:49:40 +0000</pubDate>
				<category><![CDATA[art lessons]]></category>
		<category><![CDATA[Tips & Tricks]]></category>
		<guid isPermaLink="false">https://sibleyfineart.com/_blog/?p=1088</guid>

					<description><![CDATA[I sometimes answer drawing-related question on Quora. This is my latest post in answer to the query "DO I NEED TO DRAW FROM LIFE IN ORDER TO GET BETTER AT DRAWING?"<br /><br />
Because the pencil is a relatively narrow, pointed stylus, we tend to concentrate on the finer details. To do that you need to know what the details are. You cannot successfully draw something you don't understand. That understanding, and the knowledge of the detail, comes from observation. You store individual elements in your brain and subconsciously retrieve them as you work. Drawing from life is an excellent way to load data into your brain, because it forces you to focus on the make-up of your subject. And the more data you store, the easier drawing becomes...<br /><br />
The human brain loves images. Draw what you see - convert your vision to an image - and you'll remember everything about it for years to come.]]></description>
		
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		<title>Adjusting Values For Increased Three-dimensionality</title>
		<link>https://sibleyfineart.com/_blog/2017/09/adjusting-values-for-increased-three-dimensionality/</link>
					<comments>https://sibleyfineart.com/_blog/2017/09/adjusting-values-for-increased-three-dimensionality/#comments</comments>
		
		<dc:creator><![CDATA[Mike Sibley]]></dc:creator>
		<pubDate>Sat, 02 Sep 2017 22:23:26 +0000</pubDate>
				<category><![CDATA[art lessons]]></category>
		<category><![CDATA[Tips & Tricks]]></category>
		<guid isPermaLink="false">https://sibleyfineart.com/_blog/?p=1077</guid>

					<description><![CDATA[Jay emailed me to say " I am a little disappointed that I didn't even go darker. "

I'm disappointed too, Jay. Judging from the shadows across the Terrapin the light appears to be very even across the shell… but I think you can use artistic license to lie about that convincingly.

I suggest you progressively darken the left-hand side of the shell.  That would increase its three-dimensionality, and allow you to further darken the shadow cast by the shell.  There appears to be a lot of white in this drawing that needn't be there.

I've had an attempt at adjusting your image - darkening the places I mentioned with Photoshop to show you what I mean:...
]]></description>
		
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		<title>The Pencil Artist&#8217;s view of Negative Space</title>
		<link>https://sibleyfineart.com/_blog/2017/07/pencil-artists-and-negative-space/</link>
					<comments>https://sibleyfineart.com/_blog/2017/07/pencil-artists-and-negative-space/#respond</comments>
		
		<dc:creator><![CDATA[Mike Sibley]]></dc:creator>
		<pubDate>Mon, 17 Jul 2017 14:50:04 +0000</pubDate>
				<category><![CDATA[art lessons]]></category>
		<category><![CDATA[Tips & Tricks]]></category>
		<category><![CDATA[aerial perspective]]></category>
		<category><![CDATA[drawing trees]]></category>
		<category><![CDATA[false perspective]]></category>
		<category><![CDATA[negative drawing]]></category>
		<category><![CDATA[negative space]]></category>
		<category><![CDATA[white hair]]></category>
		<guid isPermaLink="false">https://sibleyfineart.com/_blog/?p=1050</guid>

					<description><![CDATA[Jay emailed me to say that at recent art show:
  "One artist commented that drawing is vastly different than painting. If I was being judged by brush wielders they might see my work as incomplete. Pencil artists see white or negative space differently."

I totally agree. You can perhaps best compare drawing to watercolour painting, since both have only the white of the paper available. In my workshops and online I try my hardest to get the artists to see the negative space positively. Two pencil strokes can leave a very usable white shape between them, and we pencil artists need to be constantly aware of the white spaces we are creating. I often find those spaces suggest something that I wouldn't perhaps have consciously thought of, yet...

]]></description>
		
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		<title>Troubleshooting Fine Art Printing</title>
		<link>https://sibleyfineart.com/_blog/2017/01/troubleshooting-fine-art-printing/</link>
					<comments>https://sibleyfineart.com/_blog/2017/01/troubleshooting-fine-art-printing/#comments</comments>
		
		<dc:creator><![CDATA[Mike Sibley]]></dc:creator>
		<pubDate>Fri, 20 Jan 2017 16:21:09 +0000</pubDate>
				<category><![CDATA[art busines]]></category>
		<category><![CDATA[equipment]]></category>
		<category><![CDATA[printing]]></category>
		<category><![CDATA[Tips & Tricks]]></category>
		<guid isPermaLink="false">http://www.sibleyfineart.com/_blog/?p=1027</guid>

					<description><![CDATA[Laurene asked about printing and the problems she's encountered:<br /><br />
Printing is not so much an art as a frustration.  It involves... compromise!  When I first went into print I couldn't understand why printers kept saying "Well, this is as close as we can get to the original."  My mind kept saying "Why are they happy with 'close'? Shouldn't they be looking for ways to improve the printing process?" This was in the days when offset-litho was the only printing system available.<br /><br /> 
Later I understood the inherent limitations of printing... Now I print in-house using a gicl&#233;e (pigment-based inkjet) printer that doesn't have that limitation... ]]></description>
		
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			</item>
		<item>
		<title>Why don&#8217;t you use colour? That&#8217;s much more beautiful!</title>
		<link>https://sibleyfineart.com/_blog/2015/10/why-dont-you-use-colour-thats-much-more-beautiful/</link>
					<comments>https://sibleyfineart.com/_blog/2015/10/why-dont-you-use-colour-thats-much-more-beautiful/#comments</comments>
		
		<dc:creator><![CDATA[Mike Sibley]]></dc:creator>
		<pubDate>Sun, 18 Oct 2015 15:01:06 +0000</pubDate>
				<category><![CDATA[art lessons]]></category>
		<category><![CDATA[Tips & Tricks]]></category>
		<category><![CDATA[workshops]]></category>
		<category><![CDATA[color vs pencil]]></category>
		<category><![CDATA[how to draw]]></category>
		<category><![CDATA[monochrome art]]></category>
		<guid isPermaLink="false">http://www.sibleyfineart.com/_blog/?p=989</guid>

					<description><![CDATA[Chris emailed to ask:
"Drawing with graphite pencil gives me a lot of pleasure and happiness. In the past using color made me more and more feel like I was losing contact with my work and the pleasure disappeared. But since I removed color from my drawings people keep saying: "Why don't you use color? You have to use color, that's much more beautiful". Could you please advise me what to say to these people?"

Leaning against one wall of my studio are two pristine stretched canvasses.  One drawer of the unit containing my drawing materials is full of unused oil paints, palette knives and brushes. They've been there for fifteen years, awaiting the day I feel the urge to paint. 

Pencil does everything that I ask of it. I believe the lack of colour in pencil work forces the eye to look deeper into the image. The eye can scan over a painting and quickly pick up sufficient... ]]></description>
		
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		<title>The Best Scanners for Artwork</title>
		<link>https://sibleyfineart.com/_blog/2015/07/the-best-scanners-for-artwork/</link>
					<comments>https://sibleyfineart.com/_blog/2015/07/the-best-scanners-for-artwork/#respond</comments>
		
		<dc:creator><![CDATA[Mike Sibley]]></dc:creator>
		<pubDate>Wed, 22 Jul 2015 21:52:44 +0000</pubDate>
				<category><![CDATA[art busines]]></category>
		<category><![CDATA[equipment]]></category>
		<category><![CDATA[printing]]></category>
		<category><![CDATA[drum scanner]]></category>
		<category><![CDATA[drum scanning]]></category>
		<category><![CDATA[flat-bed scanner]]></category>
		<category><![CDATA[giclee]]></category>
		<category><![CDATA[laser drum scanner]]></category>
		<category><![CDATA[reprotech]]></category>
		<category><![CDATA[scaning]]></category>
		<category><![CDATA[scanner]]></category>
		<guid isPermaLink="false">http://www.sibleyfineart.com/_blog/?p=971</guid>

					<description><![CDATA[Artur's disappointed with the scanning results from his local copy shop, and possibly having to draw the same image multiple times.

Well, you don't need to draw it multiple times! I suggest you get a really good scan of the single drawing, which I'd reserve for your Father-in-Law, and then supply prints to any other family members who wants a copy. The main point above is the "really good scan".  That costs money but I don't think the cost is exorbitant, and it's definitely justified. I've tried...
]]></description>
		
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		<item>
		<title>DETAIL v FORM &#8211; DRAWING SHORT HAIR</title>
		<link>https://sibleyfineart.com/_blog/2015/06/detail-vs-form-in-drawing-short-hair/</link>
					<comments>https://sibleyfineart.com/_blog/2015/06/detail-vs-form-in-drawing-short-hair/#respond</comments>
		
		<dc:creator><![CDATA[Mike Sibley]]></dc:creator>
		<pubDate>Sat, 06 Jun 2015 16:17:11 +0000</pubDate>
				<category><![CDATA[art lessons]]></category>
		<category><![CDATA[Tips & Tricks]]></category>
		<category><![CDATA[drawing fur]]></category>
		<category><![CDATA[drawing hair]]></category>
		<guid isPermaLink="false">http://www.sibleyfineart.com/_blog/?p=960</guid>

					<description><![CDATA[Liz emailed me to ask: How far do I take the &#8220;detail&#8221; of short hair, when the horse&#8217;s coat is so very smooth? I feel I&#8217;m losing the &#8220;sense&#8221; of shape if no detail. in the very smooth areas. So detail or not? It depends on what you think the major features are &#8211; the &#8230; <a href="https://sibleyfineart.com/_blog/2015/06/detail-vs-form-in-drawing-short-hair/" class="more-link">Continue reading <span class="screen-reader-text">DETAIL v FORM &#8211; DRAWING SHORT HAIR</span></a>]]></description>
		
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		<title>The &#8220;Universal&#8221; Chisel Pencil Point</title>
		<link>https://sibleyfineart.com/_blog/2014/12/the-chisel-pencil-point/</link>
					<comments>https://sibleyfineart.com/_blog/2014/12/the-chisel-pencil-point/#respond</comments>
		
		<dc:creator><![CDATA[Mike Sibley]]></dc:creator>
		<pubDate>Wed, 03 Dec 2014 19:38:50 +0000</pubDate>
				<category><![CDATA[art lessons]]></category>
		<category><![CDATA[Tips & Tricks]]></category>
		<category><![CDATA[chisel point]]></category>
		<category><![CDATA[flat point]]></category>
		<category><![CDATA[how to draw]]></category>
		<category><![CDATA[layers]]></category>
		<category><![CDATA[shading]]></category>
		<category><![CDATA[sharp point]]></category>
		<guid isPermaLink="false">http://www.sibleyfineart.com/_blog/?p=941</guid>

					<description><![CDATA[Julian emailed to ask:
<blockquote> I've always been told to keep my pencil sharp but in your book in the 'Charlotte-portrait' chapter you mention in stage 4 using a 'flat' tip.  I'm not quite sure what 'flat' means. </blockquote>
 
I always use a chisel point, which has many advantages. Sharpen your lead as usual and then, holding it at your normal drawing angle, rub the point off on a piece of scrap paper. Now you'll have a flat face surrounded by a sharp edge.<br />
 
<ul>
  <li>Use the edge whenever you usually use a point - except the edge lasts a lot longer.</li>
  <li>Use the flat face for shading. It cannot draw hard edged or thin lines so the coverage is smoother and more even. And...</li>
  <li>Every time you use the flat face you automatically sharpen the edge.</li>
</ul>
If you need to sharpen the edge, restore it by quickly by scrubbing the face on scrap paper again. It's almost an ever-lasting "point". No constant pencil sharpening to break your concentration; and there's one more major benefit...  <br /><br /> 
<a href="http://www.sibleyfineart.com/_blog/2014/12/the-chisel-pencil-point/">Read more.......</a>]]></description>
		
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