I’ve been presenting a series of lectures at Ravensbourne College, London over the last two weeks, exploring the history of electronic music and the evolution of the technology that has made the music I love possible.  From Edison’s Phonograph, which though staggeringly important, offered no more than recording and playback, to magnetic tape, which allowed manipulation of sound (backwards, forwards, slowed down, sped up, re-sequenced) and gave birth to music concrete and some of my favorite music, through to the voltage controlled era of synthesisers such as Moog, Buchla and EMS.

Even with a world of virtual studio tools at their finger tips in the form of laptops, it is encouraging to see the students interest in some of the pioneering techniques and how these might be used in combination with new technology to create exciting new sounds. No-one wants a world filled with sound-alike Logic Pro/Pro Tools virtual instruments! Even a cheap reel to reel tape recorder can be used to add a bit of texture to the other wise cold digital world.

Just wanted to let you know about an event that I will be appearing at this Saturday at the BFI in London. Earlier in the year I (under my The Simonsound guise) was invited by Musicity to create a composition inspired by a London landmark. I chose the Skylon, a futuristic structure created for the Festival of Britain in 1951. Sadly the Skylon never got to see the future it aimed to represent; it was torn down shortly after the festival ended and its ultimate demise is a confusion of myth and mystery. Did it end up in the Thames or was it broken up and turned into ash trays??? Anyway, my piece ‘In the Shadow of the Skylon’ celebrates its short optimistic life. So that’s the background -  at this Musicity event I’ll be speaking on a panel alongside Paul Morley, Fiona Talkington, Maija Handover and Melodie Leung, and I’ll be playing a selection of records, including ‘In the Shadow of the Skylon’ too.

Musicity is an ongoing, city by city curated music program that explores the intersection of music and architecture created by DJ and broadcaster Nick Luscombe (BBC Radio 3/Flomotion) and Jump Studios co-founder Simon Jordan. Recording artists are commissioned to compose original music based on an aspect of the city that inspires them. Through a purpose built app, people can visit these locations to hear and download the music. The idea is to inspire people to explore and discover the city, musically, architecturally and experientially.

Full info and tickets here

The latest episode of The Tone Generation explores experimental (and library music in the form of Roger Roger/Cecil Leuter) music created on the Moog range of synthesisers.  Don’t be expecting the usual Switched on Bach and Keith Emerson fare. As usual with The Tone Generation, its all about sharing some of the lesser known early electronic material from Ian Helliwell’s vast collection.

Music from Walter Sear, Cecil Leuter, William S. Fischer, Paul Beaver, Bernie Kraus, Andrew Rudin and Nik Raicevic.

Listen here

I also want to take this opportunity to tell you about Ian Helliwell’s new film. Practical Electronica tells the story of unsung British electronic pioneer, Fred Judd.  Full details at Ian’s website, but the world premiere is in Cork on the 9th of November 2011, the UK premiere is in Brighton as part of the Cinecity film festival on the 20th of November, and the London premiere is at the Barbican on the 25th of November. A very exciting Practical Electronica exhibition will open on November the 18th at the Phoenix Gallery in Brighton,  bringing together machines and sounds created by Ian and used in the making of the documentary, alongside items of Fred Juddrabilia, including books, magazines and records. Together with collages, and modified television, there will be new interactive stereophonic sound generator Hellimatic, a remodelled 1960s exercise machine.

Here is the blurb from Battered Ornaments Records, the label behind the release.

Finders Keepers’ fitful pocket empire Battered Ornaments Records rears its head one again with another bespoke vinyl release featuring the unlikely but essential partnership of Liverpudlian chanteuse Laura J Martin and The Simonsound - a sonic partnership consisting of Simon James and Matt Ford (DJ Format).

Analogue synthesizers, tone generators, and reel to reel tape machines buzz and whirr amongst the roots of Laura J Martin’s homegrown supernatural siren song as folk traditions merge with The Simonsound’s science fiction fantasies for this hauntingly progressive/regressive experiment.

This strictly limited edition (500 only) vinyl release is the eighth release from Battered Ornaments Records, an independent label with a DIY asthetic producing lovingly made limited vinyl runs of off-kilter independent music housed in jaw dropping sleeves created by top artists and graphic designers.

Beautiful artwork by Luke Insect.

The latest episode of the ongoing electronic music history series The Tone Generation, is now available here. Focusing on music composed on the legendary Buchla range of electronic music boxes, Ian Helliwell plays and discusses tracks by Morton Subotnick, Ernst Krenek, Michael Czajkowski, Warner Jepson, Bulent Arel and Arthur Krieger.

For those that delight in the old fashioned wireless transmissions, London’s Resonance FM will be broadcasting programme’s 19, 20 and 21 starting on February 23rd at 5pm then the next 2 Wednesday’s following that.

The session, which includes an exclusive medley of ‘It’s Just Begun’ and ‘Tour de Mars’, and an interview with The Simonsound was played on Tuesday 25th May and you can download the full show here.

We just took delivery of finished vinyl copies of ‘Reverse Engineering’, the first Simonsound album which is due for release in May on First Word Records. Emily at iamstanley has created the perfect visual representation for the space age, science fiction and strange sounds contained within. We are forever indebted! Look out for limited edition prints and t-shirts featuring the album artwork.

Gilles Peterson has been featuring tracks from the album on his BBC Radio 1 Worldwide show and even included a track on his ‘All Winners’ programme which features his pick of the year so far.

Head over to the official Simonsound website for more info and to listen to tracks. Its worth pointing out that ‘The Simonsound’ and this Simonsound website are two separate but slightly confusing things! This website is for my commercial music and production work and ‘The Simonsound’ is my music project with Matt Ford. Still confused? Me too……