OK, so last time it was Brigitte Bardot, Bill Haley, a broken-nosed bodyguard with two missing fingers, Henry Miller and – a pussy cat … And all this in a stained glass studio?

So how do I follow that?

David (my dear fellow director and fellow glass painter) has left me with one Hell of a cliff-hanger.

Which gives me an idea … Read on!

Only until sun down today, an exclusive 30-minute episode from our latest film – The Heraldic Arms of Hampton Hall. But go there now because once the sun goes down today, the clip will disappear forever. It’s right here!

For a thrilling preview of a stunning guide to stained glass painting as it’s really done, see here.

People who do things well will always hear cheap, easy put-downs from people who choose to waste their time on other things. And here are three fine examples.

Here’s a useful article on the speed of stained glass tracing.

Here’s the start of a technique-packed 3-part mini series on stained glass painting with oil.

This is a sad and yet all-too-typical tale of how paper-pushing bureaucrats prevent stained glass restoration from being done. Be prepared. It’s here.

Here’s where to go for the best and most complete information on the whole web about kiln-fired stained glass painting.

An excellent question. And to discover the answer, you just need to go to the main site right here.

For a fascinating tale of St. Martha’s origins – happily unsullied by dressing up and playing with brooms - click here.