Here’s where to go for the best and most complete information on the whole web about kiln-fired stained glass painting.

Not one not two but 17 kiln-fired glass painting strategies right here.

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An excellent question. And to discover the answer, you just need to go to the main site right here.

For a fascinating tale of St. Martha’s origins – happily unsullied by dressing up and playing with brooms - click here.

We’re often asked, Is it possible to use ceramic / pottery paints instead of proprietary stained glass paints.

Here is our response …

Of glass painting, Liverpool Cathedral and Ludwig Wittgenstein. Not to mention our dark side. It’s all here.

Read the post and watch the short video right here!

It can happen to any of us … we stop painting for a bit, and, when we return, our paint has completely dried up.

Here’s a short video to show you exactly what to do. Just visit the new site right here.

“Plating” is the leading up of two or more glasses of the same shape, one behind the other.

E. Liddall Armitage comments thus:

“Some artists resort to plating and even tend to boast about it, but it is best avoided” (Stained Glass, Leonard Hill Books Limited, London, 1960, p. 130).

He presents two arguments. First, that it is unsound craftsmanship. Second, that medieval glass is beautiful and never, ever plated.

Have we done something terrible and unaesthetic?

Find out right here.

For a simply gorgeous close-up video demonstration just click right here.

Here’s where the action is from now on: right here.