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    <title>Staticpulse writings</title>
    <link>http://blog.staticpulse.com</link>
    <description>blog of neil alejandro anderson</description>
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      <pubDate>Mon, 16 Jan 2012 07:00:00 -0800</pubDate>
      <title>No-Bake Chocolate Peanut Butter Oatmeal Cookies</title>
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      <description>&lt;p&gt;
	&lt;p&gt;It wasn&amp;rsquo;t love at first listen when my friend Todd gave me a CD with a dozen or two tracks that mostly contained distorted guitars and screaming voices. But the excitement of seeing some of those bands play in basements and barns to a bunch of sweaty, happy listeners was enough to keep me interested while I decided whether the music was something that I could get behind.&lt;/p&gt;
&lt;p&gt;One example: The Assistant&amp;rsquo;s record release show for &amp;ldquo;We&amp;rsquo;ll Make the Roads by Walking&amp;rdquo;. The show was way back in 2003. May 1st. Not that I remember the date all that well. I just know &lt;a href="http://web.archive.org/web/20030425082948/http://www.535online.com/theassistant/shows.html"&gt;where to look&lt;/a&gt; to help jog my memory.&lt;/p&gt;
&lt;p&gt;The drive up to Old Bridge from Manasquan was one of the easier ones, since I was driving with someone who knew the route. Later, on other occasions when I&amp;rsquo;d be going to shows in Old Bridge, I would always make sure to leave 30 minutes extra for the expected time lost navigating the combination highway/country-road system that most of New Jersey is filled with.&lt;/p&gt;
&lt;p&gt;I had never been to Todd&amp;rsquo;s barn before (not my friend Todd, but Todd from The Assistant), but I was expecting something rural. With high ceilings. And red paint on the outside. On this final expectation, I was not let down. It was indeed red on the outside.&lt;/p&gt;
&lt;p&gt;But it was almost definitely not rural. It was behind a generally suburban house, with a nice backyard and an above-ground pool above it.&lt;/p&gt;
&lt;p&gt;And it was most definitely not high-ceilinged. It was basically &amp;mdash; no disrespect intended &amp;mdash; a glorified shed.&lt;/p&gt;
&lt;p&gt;All this is to say that a lot about this show was pretty normal. But the good feelings this gathering engendered&amp;hellip; those are not something found at just any old concert.&lt;/p&gt;
&lt;p&gt;To encounter these good feelings, we need only enter the kitchen of the house where the show was taking place. Milling about were smiling faces, and below all of their noses were platters filled with pastas, salads, chips, and a few other vegan/vegetarian delicacies. But of particular interest to my 17-year-old self was a baking pan with a layer of some brown, gooey-looking, chunky blobs of weirdness that I couldn&amp;rsquo;t take my eyes off of. I wasn&amp;rsquo;t really hungry at the time, so I wasn&amp;rsquo;t hunting for food. I was hunting for understanding. An understanding of what food group those blobs fell into.&lt;/p&gt;
&lt;p&gt;Overhearing some word-drops like &amp;ldquo;peanut butter&amp;rdquo; and &amp;ldquo;oatmeal&amp;rdquo;, I decided to get adventurous. This being my first quasi-potluck, I wasn&amp;rsquo;t sure of etiquette &amp;mdash; was I allowed to eat if I hadn&amp;rsquo;t brought any food myself? &amp;mdash; but after asking one of the few people there I knew by name, I found out that it was highly encouraged to eat as much food as I desired. Later in life I would come to the conclusion that this was because people liked having their food eaten by others and then to be complemented and thanked for the hard work and thought that went into the meal. Personal experience.&lt;/p&gt;
&lt;p&gt;I reached my hand into the baking pan and peeled off one of those globs. It was a weird feeling. &amp;ldquo;Peeling&amp;rdquo; something like this. Something with a weird consistency. Let me try to explain it. It was like a small blob of dough, but brown and somewhat rugged on the outside. It didn&amp;rsquo;t stick to your fingers, so it was sort of like dough coated in flour, but instead of flour, it was greasy. It didn&amp;rsquo;t fall apart, or flake. But you &lt;em&gt;could&lt;/em&gt; tear it in half, sort of like dough.&lt;/p&gt;
&lt;p&gt;And when I bit into it, it was soft. And the inside &lt;em&gt;was&lt;/em&gt; flaky, a texture unexpected from the greasy, malleable outer shell. It was also a much lighter shade of the shiny-brown-black of the outside.&lt;/p&gt;
&lt;p&gt;Turns out, these were Leigh Sabol&amp;rsquo;s (the singer and keyboardist in The Assistant) &amp;ldquo;No-Bake Chocolate Peanut Butter Oatmeal Cookies&amp;rdquo;. And after my first bite, I couldn&amp;rsquo;t stop. There were 4 layers of them in that baking pan, and I probably ate at least a full layer myself. After sheepishly requesting the recipe a few years later, I began making them a few times yearly. Any more than that and I would be a diabetic test case by now. Maybe if I show you the recipe, you&amp;rsquo;ll understand why. Why they&amp;rsquo;re so good, and why they&amp;rsquo;ll kill you if you&amp;rsquo;re not careful.&lt;/p&gt;
&lt;blockquote&gt;
&lt;h2&gt;No-Bake Chocolate Peanut Butter Oatmeal Cookie Recipe&lt;/h2&gt;
&lt;h3&gt;Ingredients&lt;/h3&gt;
&lt;ol&gt;
&lt;li&gt;Quick Rolling Oats (3 cups)&lt;/li&gt;
&lt;li&gt;Creamy Peanut Butter (2/3 cup)&lt;/li&gt;
&lt;li&gt;Vegan Margarine (1 stick)&lt;/li&gt;
&lt;li&gt;Soy Milk (&amp;frac12; cup)&lt;/li&gt;
&lt;li&gt;Sugar (2 cups)&lt;/li&gt;
&lt;li&gt;Cocoa Powder (&amp;frac12; cup)&lt;/li&gt;
&lt;li&gt;Vanilla Extract (1 tsp)&lt;/li&gt;
&lt;/ol&gt;
&lt;h3&gt;Instructions&lt;/h3&gt;
&lt;ol&gt;
&lt;li&gt;In a large bowl, mix oats and peanut butter until combined.&amp;nbsp;&lt;span style="font-size: x-small;"&gt;&lt;em&gt;This will be a royal pain in the arse until you realize that you don&amp;rsquo;t have to go nuts here. Later, hot liquid will be mixed in with this and will make mixing everything &lt;strong&gt;much&lt;/strong&gt; easier. Promise!&lt;/em&gt;&lt;/span&gt;&lt;/li&gt;
&lt;li&gt;On stove, melt margarine, soy milk, sugar, and cocoa powder until it is one bubbly liquid mass&lt;/li&gt;
&lt;li&gt;Dump melted liquid onto peanut butter &amp;amp; oats mixture&lt;/li&gt;
&lt;li&gt;Add vanilla&lt;/li&gt;
&lt;li&gt;Stir it all up!&lt;/li&gt;
&lt;li&gt;Scoop it onto foil or wax paper in chunks the size you want the cookies to be.&lt;/li&gt;
&lt;li&gt;Let cool for about 2 hours. Refrigerate for harder cookies.&lt;/li&gt;
&lt;/ol&gt;&lt;/blockquote&gt;
&lt;p&gt;I suppose, if you're interested, I could share with you some of my favorite tracks from The Assistant's catalog. They were, after all, the reason I was there, and the source for this amazing recipe.&lt;/p&gt;
&lt;p&gt;You may not realize what you're getting into. But if you do get into it, do me a favor, and listen through to the end of the song. You may find something in there you can enjoy. And if you see me, let me know if you want to see the booklets that come with the CDs. They tell you where the songs came from, what they mean to the songwriters, and the lyrics, too. It's all quite an experience. I didn't include the song here that I based by college application essay on. That one I'll share personally with anybody who wants to know. Now, enjoy:&lt;/p&gt;
&lt;p&gt;&lt;div class='p_embed p_audio_embed'&gt;
&lt;a href="http://blog.staticpulse.com/private/wnerubpypd"&gt;&lt;img alt="" src="http://posterous.com/images/filetypes/unknown.png" /&gt;&lt;/a&gt;
&lt;div class='p_embed_description'&gt;
&lt;span class='p_id3'&gt;04_Tom_Hanks_Has_a_Huge_Beard.m4a&lt;/span&gt;
&lt;a href="http://blog.staticpulse.com/private/wnerubpypd"&gt;Listen on Posterous&lt;/a&gt;
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&lt;/div&gt;
&lt;/p&gt;
&lt;p&gt;&lt;div class='p_embed p_audio_embed'&gt;
&lt;a href="http://blog.staticpulse.com/private/wnerubpypd"&gt;&lt;img alt="" src="http://posterous.com/images/filetypes/unknown.png" /&gt;&lt;/a&gt;
&lt;div class='p_embed_description'&gt;
&lt;span class='p_id3'&gt;08_Isabelle_Hates_Charlie.m4a&lt;/span&gt;
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&lt;div class='p_embed p_audio_embed'&gt;
&lt;a href="http://blog.staticpulse.com/private/wnerubpypd"&gt;&lt;img alt="" src="http://posterous.com/images/filetypes/unknown.png" /&gt;&lt;/a&gt;
&lt;div class='p_embed_description'&gt;
&lt;span class='p_id3'&gt;03_I_Don't_Believe.m4a&lt;/span&gt;
&lt;a href="http://blog.staticpulse.com/private/wnerubpypd"&gt;Listen on Posterous&lt;/a&gt;
&lt;/div&gt;
&lt;/div&gt;
&lt;/p&gt;
	
&lt;/p&gt;

&lt;p&gt;&lt;a href="http://blog.staticpulse.com/no-bake-chocolate-peanut-butter-oatmeal-cooki"&gt;Permalink&lt;/a&gt; 

	| &lt;a href="http://blog.staticpulse.com/no-bake-chocolate-peanut-butter-oatmeal-cooki#comment"&gt;Leave a comment&amp;nbsp;&amp;nbsp;&amp;raquo;&lt;/a&gt;

&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/staticpulse_writings/~4/OGVd1RfnLnY" height="1" width="1"/&gt;</description>
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        <posterous:firstName>Nano</posterous:firstName>
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      <pubDate>Thu, 29 Dec 2011 16:49:00 -0800</pubDate>
      <title>« The Dumbest Idea In The World: Maximizing Shareholder Value »</title>
      <link>http://feedproxy.google.com/~r/staticpulse_writings/~3/CGKeFV03iIA/the-dumbest-idea-in-the-world-maximizing-shar</link>
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      <description>&lt;p&gt;
	&lt;div class="posterous_bookmarklet_entry"&gt;
&lt;blockquote class="posterous_long_quote"&gt;
&lt;p&gt;&amp;ldquo;The expectations market,&amp;rdquo; says Martin, &amp;ldquo;generates little meaning. It is all about gaining advantage over a trading partner or putting two trading partners together, then tolling them for the service. This structure breeds a kind of amorality in which information is withheld or manipulated and trading partners are treated as vehicles from which to extract money in the short run, at whatever the cost to the relationship.&amp;rdquo;&lt;/p&gt;
&lt;/blockquote&gt;
&lt;div class="posterous_quote_citation"&gt;via &lt;a href="http://www.forbes.com/sites/stevedenning/2011/11/28/maximizing-shareholder-value-the-dumbest-idea-in-the-world/print/"&gt;forbes.com&lt;/a&gt;&lt;/div&gt;
&lt;p&gt;The stock market has long been treated as a game by many investors, but, as this article puts it, since 1976 the executives at the companies themselves have become incentivized participants in the game as well.&lt;/p&gt;
&lt;p&gt;And this quote from Roger Martin explains the reasons that I loathe the stock market as it stands today. The game of one-upsmanship that traders and their intermediaries play with one another for maximum short-term gain is a zero-sum game, because business information is sacred and there are no incentives to keep the game going (a.k.a. maintaing a steadily profitable business) as long as it's possible to cash out before the other schmucks find out the game's over.&lt;/p&gt;
&lt;/div&gt;
	
&lt;/p&gt;

&lt;p&gt;&lt;a href="http://blog.staticpulse.com/the-dumbest-idea-in-the-world-maximizing-shar"&gt;Permalink&lt;/a&gt; 

	| &lt;a href="http://blog.staticpulse.com/the-dumbest-idea-in-the-world-maximizing-shar#comment"&gt;Leave a comment&amp;nbsp;&amp;nbsp;&amp;raquo;&lt;/a&gt;

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      <pubDate>Sun, 04 Dec 2011 16:48:00 -0800</pubDate>
      <title>Novel Endings (The Third Reich by Roberto Bolaño)</title>
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      <description>&lt;p&gt;
	&lt;p&gt;That feeling you get when you&amp;rsquo;ve passed the 80% mark in a book. You hold in your right hand the last small chunk of pages. Plot mysteries are revealed one by one, with every turn of the page. You start to smile as you realize that your hypotheses were mostly wrong, but that the truths are all much more interesting and exciting. The words get more sexual.&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;I just finished reading &lt;a href="http://www.amazon.com/gp/product/0374275629/ref=as_li_ss_tl?ie=UTF8&amp;amp;tag=neilalejande-20&amp;amp;linkCode=as2&amp;amp;camp=1789&amp;amp;creative=390957&amp;amp;creativeASIN=0374275629"&gt;The Third Reich&lt;/a&gt; by Roberto Bola&amp;ntilde;o. I&amp;rsquo;d read him before, so the weirdness didn&amp;rsquo;t turn me off at all.&lt;/p&gt;
&lt;p&gt;But the ending wasn&amp;rsquo;t as romantic and satisfying as it was in the other books of his that I&amp;rsquo;d read. He kept insinuating things that would happen to the main character, but never completely following through. Or following through, but limply.&lt;/p&gt;
&lt;p&gt;I&amp;rsquo;m off now to read one of his books again, only this time in Spanish. I&amp;rsquo;m not sure this is such a good idea.&lt;/p&gt;
	
&lt;/p&gt;

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      <pubDate>Tue, 15 Nov 2011 21:08:00 -0800</pubDate>
      <title>Photo Stories: Earplugs</title>
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      <description>&lt;p&gt;
	&lt;h1&gt;&lt;span style="font-size: 13px; font-weight: normal;"&gt;&lt;div class='p_embed p_image_embed'&gt;
&lt;a href="http://getfile5.posterous.com/getfile/files.posterous.com/temp-2011-11-18/hsHpcvyxAhAfDzvkfDDzAzFdiwkmJdfpkFmCJiIheukuwsjbfhcsiCkwwqpo/6155837419_59c0e68dbf_b.jpg.scaled1000.jpg"&gt;&lt;img alt="6155837419_59c0e68dbf_b" height="333" src="http://getfile7.posterous.com/getfile/files.posterous.com/temp-2011-11-18/hsHpcvyxAhAfDzvkfDDzAzFdiwkmJdfpkFmCJiIheukuwsjbfhcsiCkwwqpo/6155837419_59c0e68dbf_b.jpg.scaled500.jpg" width="500" /&gt;&lt;/a&gt;
&lt;/div&gt;
&lt;/span&gt;&lt;/h1&gt;
&lt;p&gt;I look pretty happy in that photo, yeah? Let&amp;rsquo;s get chronological.&lt;/p&gt;
&lt;h5&gt;2001&amp;hellip;&lt;/h5&gt;
&lt;p&gt;Back in the early &amp;lsquo;aughts, I was in high school. My musical interests were limited. I listened to my stand-bys, especially Michael Jackson. Green Day&amp;rsquo;s &lt;em&gt;Dookie&lt;/em&gt;, Blink-182&amp;rsquo;s &lt;em&gt;Enema of the State&lt;/em&gt; and &lt;em&gt;Take off Your Pants and Jacket&lt;/em&gt;, Get Up Kids &lt;em&gt;Something to Write Home About&lt;/em&gt;, various Ataris songs. I was satisfied with what I had, because my real passion computer gaming. Especially Counter-Strike. My concert experience was a bunch of classical guitar concerts when I was too young to remember things (my dad was a pro guitarist) and a solitary Hall and Oates concert my friend&amp;rsquo;s family brought me to on a whim (I enjoyed it).&lt;/p&gt;
&lt;p&gt;Then girls.&lt;/p&gt;
&lt;h5&gt;2002&amp;hellip;&lt;/h5&gt;
&lt;p&gt;I spent some time crushing pretty hard for one particular woman a year older than I. The feeling was not reciprocal, as was the case many times before and after. But when she showed me her Microphones and Outsmarting Simon posters and pictures (we shared digital photography as a hobby), I was intrigued, both at the prospect of finding new music and at the prospect of finding a new interest for us to share.&lt;/p&gt;
&lt;h5&gt;2003&amp;hellip;&lt;/h5&gt;
&lt;p&gt;I found the Microphones through file-sharing, and their songs were sonically displeasing. Too weird.&lt;/p&gt;
&lt;p&gt;Surprisingly, Outsmarting Simon I did not find through file sharing. A search produced their &lt;a href="http://web.archive.org/web/20031130004129/http://artists.mp3s.com/artists/240/outsmarting_simon.html"&gt;mp3.com page&lt;/a&gt;, which looked exactly like the one in that link there, except without the attribution to &amp;ldquo;Triple Crown Records,&amp;rdquo; which they had not signed to yet. Listening to these songs, I didn&amp;rsquo;t exactly fall in love, but I wasn&amp;rsquo;t turned off either.&lt;/p&gt;
&lt;p&gt;I continued on to &lt;a href="http://web.archive.org/web/20031206201732/http://outsmartingsimon.com/"&gt;their website&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;Who knows what possessed me, but I used my recently established PayPal account to purchase an actual CD of their recently released &amp;ldquo;Silent, Sober, &amp;amp; Sound&amp;rdquo; album&lt;a name="fnrefosfootnote" href="#osfootnote" class="footnote" title="see footnote"&gt;1&lt;/a&gt;. It felt like a good thing to do, and it was a chance to make an online impulse purchase, which is quite a draw if you&amp;rsquo;ve ever felt it.&lt;/p&gt;
&lt;p&gt;This timeframe of this purchase coincided with my purchase of a 1st-generation iPod. I was still a Windows user back then, but I did my research, finding out that &lt;a href="http://en.wikipedia.org/wiki/XPlay"&gt;XPlay&lt;/a&gt; would give me a way to get music onto the iPod without a Mac or iTunes. I bought it for its looks mainly, since I thought Apple products were famous for their &amp;ldquo;graphic editing&amp;rdquo; capabilities, not at all for their ease of use. That thing was pretty, but holy shit did it get scratched easily.&lt;/p&gt;
&lt;p&gt;One day, a not-so-close friend of mine came up to me during that weird period in between lunch and next period where the teachers had nowhere to put us all but the auditorium while the &lt;em&gt;other&lt;/em&gt; kids had lunch. He did that thing that people you&amp;rsquo;re not really friends with but who covet something of yours sometimes do, which is to act very friendly to you and then complement you in an attempt to gain access to that thing they covet. Todd said &amp;ldquo;I heard you had one of those iPods, can I see it?&amp;rdquo; We weren&amp;rsquo;t supposed to listen to music during that &amp;ldquo;recess&amp;rdquo; in the auditorium, but I lent him my iPod anyways.&lt;/p&gt;
&lt;p&gt;At the end of that time-sink, he came back to me and returned the iPod, and he said &amp;ldquo;You like Outsmarting Simon?&amp;rdquo; to which I said &amp;ldquo;Sorta, Kristin told me about them, I haven&amp;rsquo;t listened to them enough to know if I like them yet&amp;rdquo; and Todd said &amp;ldquo;they&amp;rsquo;re good, I heard of them before but this is the first time I listened, I like that song &lt;strong&gt;&lt;em&gt;&lt;em&gt;&lt;/em&gt;&lt;/em&gt;&lt;/strong&gt;&amp;rdquo; and I promptly forgot (8 years later) the song he liked.&lt;/p&gt;
&lt;p&gt;After that day, Todd became my friend.&lt;/p&gt;
&lt;p&gt;He made me a mixtape, a mix CD, and written on it was &amp;ldquo;The Todd Schmeling EP&amp;rdquo;. There was a song listing on a piece of paper, but I don&amp;rsquo;t think any of the songs had explanations next to them. I don&amp;rsquo;t remember which was my first mixtape with explanations, but it was probably later in life. The songs spoke for themselves&amp;hellip; one could say they &amp;ldquo;screamed&amp;rdquo; for themselves, as plenty of screamy bands were featured on the mix.&lt;/p&gt;
&lt;p&gt;One day, the day before a major English Honors project was due (I was creating a glass-bound T.S. Eliot poetry report and collection), Todd asked if I wanted to go with him to a show. It was January 19th, 2003 (&lt;a href="http://web.archive.org/web/20030814031724/http://www.zenshows.com/pastshows.html"&gt;proof&lt;/a&gt;). He really wanted to see this band &lt;a href="http://staticpulse.com/pine"&gt;The Pine&lt;/a&gt;, from Bakersfield CA. Or maybe he just wanted to pick up their record for a friend. They had just released their second LP, and on this tour they were selling a very limited edition one encased in silk-screened, hand-sewn fabric&lt;a name="fnrefpfn" href="#pinefoot" class="footnote" title="see footnote"&gt;2&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;This was the first time I&amp;rsquo;d ever been to a show. Or invited to a show. I didn&amp;rsquo;t even know what a &amp;ldquo;show&amp;rdquo; was. I thought they were called &amp;ldquo;concerts.&amp;rdquo; I had to ask Todd if there would be moshing at this show, since I didn&amp;rsquo;t think I would like that. He said that no, people usually just stand there and listen and bop their heads or clap their hands. There would be no pressure there&lt;a name="fnrefallages" href="#allages" class="footnote" title="see footnote"&gt;3&lt;/a&gt; to be anything but myself.&lt;/p&gt;
&lt;p&gt;That show was in a cold, dark basement in New Brunswick, NJ, and it was loud, and we didn&amp;rsquo;t even stay for the Pine&amp;rsquo;s whole set. Todd got a ticket on the way home for going 80 in the left lane with nobody else on Route 18 but us (speed limit 65). I felt bad, but I don&amp;rsquo;t think I gave him any money to help pay the ticket. We were in his mom&amp;rsquo;s purple minivan. Earlier on the drive home, before Route 18 turns into a freeway, Todd was drifting off at the wheel and I had to yell at him to snap him out of it before we crashed into a pickup in front of us at a red light. First near-crash experience. Not the last.&lt;/p&gt;
&lt;p&gt;One show we went to later on was a show at M&amp;amp;M hall. We went to see one of Todd&amp;rsquo;s absolute favorite bands, The Assistant. They were opening up for another band who were playing their final show, &lt;a href="http://www.penfoldband.com/"&gt;Penfold&lt;/a&gt;. Neither of us knew Penfold very much, though I had read somewhere that they influenced Outsmarting Simon. In fact, I noticed PJ from OS watching the show on the other side of the room. Funny story for another time, but despite being the 4th car/van in the parking lot (we knew the show would be pretty packed for Penfold), we did not get to see the Assistant. It was fun watching Penfold, but I did so from the back of the hall, standing on a chair, watching people go insane singing along to the catchy tunes. A happy point came when their lead singer, Brian Carley, asked the crowd who came the farthest to see them (sounds kinda cocky when you write it out like that&amp;hellip;). Turned out that a couple from Japan had flown out to see their last show. How cool is that?&lt;/p&gt;
&lt;h5&gt;2004&amp;hellip;&lt;/h5&gt;
&lt;p&gt;So began a long love for basement shows. They became one of the main reasons I chose to go to Rutgers. They became &lt;em&gt;the&lt;/em&gt; reason I began hosting shows with my best friends at the Abdab.&lt;/p&gt;
&lt;h5&gt;2005&amp;hellip;&lt;/h5&gt;
&lt;p&gt;They became a way I got to know the boys from Outsmarting Simon more. Which is how we ended up hosting shows for them. Which is how, to our surprise, we ended up preparing for a show by some unknown band called &amp;ldquo;&lt;a href="http://elfpond.com/"&gt;Elf Pond&lt;/a&gt;.&amp;rdquo; Just a week or two before the show was to go on, we found out via some enthusiastic hinting that perhaps Elf Pond (which had no mentions &lt;em&gt;anywhere&lt;/em&gt; on the internet) was an anagram for some other band we may know a little better.&lt;/p&gt;
&lt;p&gt;Could it be &lt;em&gt;Penfold&lt;/em&gt;?&lt;/p&gt;
&lt;p&gt;Yes. It was Penfold. So we realized we had to prepare a little more. Make sure we had our soundproofing panels ready and in place (we had been cited for a noise violation early in our show-presenting tenure). Make more food than usual. Stock up on beer (hard to do when none of your roommates are 21 yet).&lt;/p&gt;
&lt;h5&gt;2006&amp;hellip;&lt;/h5&gt;
&lt;p&gt;Those two kids from Japan did not know about the secret show, but as it happens, the show was partly an experiment to see if Penfold was ready to play an actual reunion show, something they had been considering. That show was a blast&lt;a name="fnreftamifootnote" href="#tamifootnote" class="footnote" title="see footnote"&gt;4&lt;/a&gt;, despite getting crushed against the stage multiple times. I didn&amp;rsquo;t drink at all, either, which was probably one of the last shows I attended where I had an incredible time without a drop of alcohol. Sad realization. Interests change.&lt;/p&gt;
&lt;h5&gt;2010&lt;/h5&gt;
&lt;p&gt;That secret show went off beautifully, with the slight exception that there was another show going on down the street whose audience may have appreciated being able to see both line-ups. Years later, &lt;a href="http://anthonycafaro.com/"&gt;a friend&lt;/a&gt; and I created &lt;a href="http://elfpond.com/"&gt;a website about the night of Penfold&amp;rsquo;s secret show&lt;/a&gt;.&lt;/p&gt;
&lt;h5&gt;2011&lt;/h5&gt;
&lt;p&gt;Fall of this year, Penfold announces a reunion show, and a not-so-secret Elf Pond pre-show the day before. I show up with my friend and old Abdab-roommate Greg, meeting up with a few close friends to enjoy the show. PJ, the singer from Outsmarting Simon who helped me feel included in the New Brunswick music scene when I arrived at college, was reuniting his &lt;em&gt;other&lt;/em&gt; band, Marigold, so it would be a fun night with some great music. And I wasn&amp;rsquo;t disappointed. Which is why you can see a happy Nano in this photo (taken by Penfold&amp;rsquo;s friend and the older brother of my great friend Anthony, John Cafaro).&lt;/p&gt;
&lt;p&gt;&lt;div class='p_embed p_image_embed'&gt;
&lt;a href="http://getfile5.posterous.com/getfile/files.posterous.com/temp-2011-11-18/hsHpcvyxAhAfDzvkfDDzAzFdiwkmJdfpkFmCJiIheukuwsjbfhcsiCkwwqpo/6155837419_59c0e68dbf_b.jpg.scaled1000.jpg"&gt;&lt;img alt="6155837419_59c0e68dbf_b" height="333" src="http://getfile7.posterous.com/getfile/files.posterous.com/temp-2011-11-18/hsHpcvyxAhAfDzvkfDDzAzFdiwkmJdfpkFmCJiIheukuwsjbfhcsiCkwwqpo/6155837419_59c0e68dbf_b.jpg.scaled500.jpg" width="500" /&gt;&lt;/a&gt;
&lt;/div&gt;
&lt;/p&gt;
&lt;p&gt;I wonder who that happy fellow singing next to me is.&lt;/p&gt;
&lt;div class="footnotes"&gt;
&lt;hr /&gt;
&lt;ol&gt;
&lt;li&gt; &lt;a name="osfootnote"&gt;&lt;/a&gt;
&lt;p&gt;One of the transformative events in my life was finding a letter (and envelope drawing) accompanying the &amp;ldquo;Silent, Sober, and Sound&amp;rdquo; CD. It was from PJ. It was just a thank you letter, apparently written because not many people ordered the CD online. It meant a lot to me.&lt;a href="#fnrefosfootnote" class="reversefootnote" title="return to article"&gt;&amp;nbsp;↩&lt;/a&gt;&lt;/p&gt;
&lt;/li&gt;
&lt;li&gt; &lt;a name="pinefoot"&gt;&lt;/a&gt;
&lt;p&gt;Years later, I would become pen pals and then good friends with Roger and Kurt, two brothers from The Pine. Life is funny.&lt;a href="http://#fnrefpfn" title="return to article" style="display: none;"&gt;&amp;nbsp;↩&lt;/a&gt;&lt;a href="#fnrefpfn" title="return to article"&gt;&amp;nbsp;↩&lt;/a&gt;&lt;/p&gt;
&lt;/li&gt;
&lt;li&gt; &lt;a name="allages"&gt;&lt;/a&gt;
&lt;p&gt;The essence of &amp;ldquo;all ages&amp;rdquo; shows was this no-pressure atmosphere, something I&amp;rsquo;d later try to foster at &lt;a href="http://blog.staticpulse.com/abdab-chili"&gt;Abdab shows via our potluck style dining&lt;/a&gt; and homey character.&lt;a href="#fnrefallages" title="return to article"&gt;&amp;nbsp;↩&lt;/a&gt;&lt;/p&gt;
&lt;/li&gt;
&lt;li&gt; &lt;a name="tamifootnote"&gt;&lt;/a&gt;
&lt;p&gt;Highly tangential to this exact story, but this show is where one of my best friends met the girlfriend he would have for about 2 years after that. Changed the course of my life and our friendship on many occasions, which you can read a bit about when I release &lt;a href="http://blog.staticpulse.com/pages/about-sunflowers"&gt;Sunflowers&lt;/a&gt;.&lt;a href="#fnreftamifootnote" class="reversefootnote" title="return to article"&gt;&amp;nbsp;↩&lt;/a&gt;&lt;/p&gt;
&lt;/li&gt;
&lt;/ol&gt;&lt;/div&gt;
	
&lt;/p&gt;

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      <posterous:author>
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        <posterous:firstName>Nano</posterous:firstName>
        <posterous:lastName>Anderson</posterous:lastName>
        <posterous:nickName>nano</posterous:nickName>
        <posterous:displayName>Nano Anderson</posterous:displayName>
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      <pubDate>Mon, 31 Oct 2011 20:47:00 -0700</pubDate>
      <title>Abdab Chili</title>
      <link>http://feedproxy.google.com/~r/staticpulse_writings/~3/OPYUM2nzqsg/abdab-chili</link>
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      <description>&lt;p&gt;
	&lt;p&gt;When I was living in Venezuela, I spent a lot of time with my extended family. Especially my grandmother, the exciting, loving &amp;ldquo;Bita.&amp;rdquo; One night, while I was in the car with Bita and some other relatives, I made some comment, the content of which I forget, but which I prefaced with the descriptor &amp;ldquo;in my youth&amp;hellip;&amp;rdquo;.&lt;/p&gt;
&lt;p&gt;The entire car erupted in laughter. My godmother managed to ask &amp;mdash; in between gasping for breaths &amp;mdash; just how old I thought I was. I told them I realized I was in the company of people decades older than me, but that it wasn&amp;rsquo;t as if I had just graduated high school and college the day before. I was 24 at the time.&lt;/p&gt;
&lt;p&gt;Now I&amp;rsquo;m 25 (26 creeping closer), even further removed from the days of &amp;ldquo;my youth,&amp;rdquo; if you&amp;rsquo;ll humor me, and I like to reflect on some of those days, especially the most positive of them. Many of those positive days coincided with shows put on at my old house/venue, &amp;ldquo;The Abdab.&amp;rdquo;&lt;/p&gt;
&lt;p&gt;The music we heard there was great. But like so many things human, it was the community that gathered around the place that made it so memorable. Every few weeks or so, for 2 years, my roommates and I had the pleasure of hosting bands from around the world and the locals who embraced and supported their art.&lt;/p&gt;
&lt;p&gt;One of the people who influenced us to share our basement with the community was &lt;a href="http://pjbondmusic.com"&gt;PJ Bond&lt;/a&gt;. We enjoyed his stories of amazing house shows he had been to and thrown, and as stories usually go, they portrayed the New Brunswick scene the way we wanted to see it: idealistic, beautiful, fun.&lt;/p&gt;
&lt;p&gt;We especially latched onto the idea that food is a great way to get people in a good mood. Pot-luck style, that was the way to go. Who doesn&amp;rsquo;t smile when they arrive at a show and find out there&amp;rsquo;s free food there? My mouth waters at the thought of it.&lt;/p&gt;
&lt;p&gt;So when we had our first show, we thought real hard about what to make. The easy way out was the universal punk pasta. Put tons of pasta in a bowl, heat up a ton of tomato sauce in another bowl, and if you&amp;rsquo;re feeling saucy, put out some shredded parm. Can&amp;rsquo;t really go wrong (except that the pasta dries out if you don&amp;rsquo;t keep it covered, which is a problem with punks coming in and out of your dining room / mess hall).&lt;/p&gt;
&lt;p&gt;Someone smart made a good call though. We had recently experimented with some recipes pulled from roommate Zach&amp;rsquo;s  amazing vegetarian cookbook &lt;a href="http://www.amazon.com/gp/product/0609802410/ref=as_li_ss_tl?ie=UTF8&amp;amp;tag=neilalejande-20&amp;amp;linkCode=as2&amp;amp;camp=217145&amp;amp;creative=399369&amp;amp;creativeASIN=0609802410"&gt;Moosewood Restaurant New Classics&lt;/a&gt;. The cookbook is from some vegetarian restaurant out in the midwest I think (look it up kids). And almost all the recipes were way bigger and more intricate than a few curious-but-not-so-serious college sophomores to cook very often.&lt;/p&gt;
&lt;p&gt;One of those recipes became the basis of what would become known as Abdab Chili. I&amp;rsquo;m not going to rip the recipe from the cookbook &amp;mdash; I don&amp;rsquo;t have the book, and the recipe, like all good recipes, has evolved from its prototype into the monster it is today.&lt;/p&gt;
&lt;p&gt;The Abdab Chili monster became a staple at our shows. A huge vat of it with bowls of shredded cheese, sour cream, and sometimes some chopped sweet onions could invariably be found on our dining room table while music blared below. Punks would fill styrofoam bowls of it, ask us if those meat-looking things were meat or veggie-protein-crumbles (they were always the latter, or sometimes our home-seared tofu crumbles) and then criticize our use of non-environmentally-friendly bowls. It was tons of fun. If I made my home-fried tortilla chips and put them out there, people would dip straight into the vat of chili for a nice corn-fueled scoop of deliciousness, wiping the dripping tomato sauce off of their smile with their bare arms.&lt;/p&gt;
&lt;p&gt;I can&amp;rsquo;t share Abdab Chili on the internet, because I haven&amp;rsquo;t yet started a company that sells digital food sent and assembled via 3-D printers that are fed edible ingredients and use meat lasers to cut&amp;hellip; so the best I can do is share a recipe. When you cook it (preferably with a partner to talk to and a beverage in hand), do it with the  best, most idealistic intentions. Share it, make a mess, and clean up later. Celebrate.&lt;/p&gt;
&lt;p&gt;There used to be potatoes in it, and the ratios are probably all wrong, but here goes:&lt;/p&gt;
&lt;blockquote&gt;
&lt;h2&gt;Abdab Chili&lt;/h2&gt;
&lt;h3&gt;Ingredients&lt;/h3&gt;
&lt;ol&gt;
&lt;li&gt;4 medium-size cans of &lt;em&gt;Diced Tomato&lt;/em&gt;&lt;/li&gt;
&lt;li&gt;2 tiny cans of &lt;em&gt;Tomato Paste&lt;/em&gt; (thickener; use more or less as desired)&lt;/li&gt;
&lt;li&gt;1 &lt;em&gt;huge onion&lt;/em&gt; (or 2 medium, who cares? add more for more yum)&lt;/li&gt;
&lt;li&gt;Two-tree &lt;em&gt;garlic cloves&lt;/em&gt;. Again, your choice how many.&lt;/li&gt;
&lt;li&gt;2 &lt;em&gt;squash/zucchini&lt;/em&gt; (your choice. not butternut, unless you want to try it out! I&amp;rsquo;m talking about yellow/green guys)&lt;/li&gt;
&lt;li&gt;2 normal bell-size &lt;em&gt;peppers&lt;/em&gt;, whatever kind you want. Remember, spicy peppers will make your chili spicier&lt;/li&gt;
&lt;li&gt;2 packs of &lt;em&gt;ground &lt;a href="http://en.wikipedia.org/wiki/Textured_vegetable_protein"&gt;TVP&lt;/a&gt;&lt;/em&gt; (I have used &lt;a href="http://www.lightlife.com/product_detail.jsp?p=smartgroundoriginal"&gt;this smartground stuff&lt;/a&gt; to great effect, but this is up to you! use whatever &amp;ldquo;meat&amp;rdquo; you want)&lt;/li&gt;
&lt;li&gt;A bunch (like, 3tbsp?) of &lt;em&gt;ground coriander&lt;/em&gt;&lt;/li&gt;
&lt;li&gt;A bunch (like, 2tbsp?) of &lt;em&gt;ground cumin&lt;/em&gt;&lt;/li&gt;
&lt;li&gt;One more bunch (like, 3tbsp?) of &lt;em&gt;chili powder&lt;/em&gt;&lt;/li&gt;
&lt;li&gt;&lt;em&gt;Salt&lt;/em&gt; to taste, my friend. I use &lt;em&gt;n&lt;/em&gt; number of pinches&lt;/li&gt;
&lt;/ol&gt;
&lt;h3&gt;Directions (Abdab-style)&lt;/h3&gt;
&lt;ol&gt;
&lt;li&gt;This is chili, so chop the veggies to whatever size you like to bite into. Everything will shrink a little and get soft, so, you know, something to think about.&lt;/li&gt;
&lt;li&gt;Saut&amp;eacute; onions and garlic in oil. I&amp;rsquo;m an oil lover, so I basically deep fry them. I do this in the same vat that I&amp;rsquo;ll be cooking the chili in. IMPORTANT: do not burn garlic. I suggest waiting a few minutes before adding it in.&lt;/li&gt;
&lt;li&gt;Once onions are golden-brown and your kitchen starts getting compliments on how it smells so good, add a little more oil (if you feel like it) and then throw in the peppers.&lt;/li&gt;
&lt;li&gt;Let the peppers soften and maybe even char a little (a few minutes) before adding the chopped squash.&lt;/li&gt;
&lt;li&gt;Once you start getting scared that everything&amp;rsquo;s starting to burn (5 minutes perhaps?), add in those spices! STIR! YUM! Ok, so it&amp;rsquo;s starting to smell a little more serious, and less onion-aromatic.&lt;/li&gt;
&lt;li&gt;Throw that &amp;ldquo;meat&amp;rdquo; in there. If you are using real ground meat, I hope you already cooked it in a separate pan. We&amp;rsquo;re just warming it up here, before&amp;hellip;&lt;/li&gt;
&lt;li&gt;Tossing in ALL the tomato cans. Remember, remove the actual metal cans from the chili before serving. Suggestion: open cans, pour contents into chili, then recycle the cans.&lt;/li&gt;
&lt;li&gt;Cook on low-medium for about forever (at least until that huge vat starts bubbling mildly), then reduce to low/simmer and let it reduce a tiny bit. Start serving it whenever you feel like it. It&amp;rsquo;s going to look watery when it&amp;rsquo;s super-hot on the stove, so don&amp;rsquo;t be afraid to serve it, it&amp;rsquo;ll congeal or something once it cools down, and it&amp;rsquo;ll look more like &amp;ldquo;chili&amp;rdquo; then.&lt;/li&gt;
&lt;/ol&gt;&lt;/blockquote&gt;
	
&lt;/p&gt;

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      <pubDate>Fri, 21 Oct 2011 14:36:00 -0700</pubDate>
      <title>Enjoying Reading</title>
      <link>http://feedproxy.google.com/~r/staticpulse_writings/~3/4TUoXfbLXY4/enjoying-reading</link>
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      <description>&lt;p&gt;
	&lt;p&gt;The past two evenings have been spent with new friends and my best friend Mrs. Pint-o-ale, and much of the discussions I&amp;rsquo;ve had revolved around reading. What we like to read, when we read, on what media we find ourselves reading the most. My answer to the first question was something along the lines of &amp;ldquo;fiction, historical accounts, Edward Tufte&amp;rdquo;.&lt;/p&gt;
&lt;p&gt;Which brings me to my point. I&amp;rsquo;m not really enjoying reading historical accounts these days. I know I crave the information, and I find military history fascinating in general. I had more than enough credits to minor  (and nearly enough to major) in history in college, only I skipped the intro courses so I couldn&amp;rsquo;t count those credits towards some more words on my degree. I watched the History Channel almost exclusively through high school and college.&lt;/p&gt;
&lt;p&gt;And I enjoy reading. I don&amp;rsquo;t tear through books like some people, but about 95% of my subway riding is conducted with my nose up to paper pages.&lt;/p&gt;
&lt;p&gt;Back to my original train of thought: Why can&amp;rsquo;t I get through more than a few pages of &lt;a href="http://www.amazon.com/gp/product/0375400524/ref=as_li_ss_tl?ie=UTF8&amp;amp;tag=neilalejande-20&amp;amp;linkCode=as2&amp;amp;camp=217145&amp;amp;creative=399369&amp;amp;creativeASIN=0375400524"&gt;John Keegan&amp;rsquo;s incredible one-volume account of &lt;em&gt;The First World War&lt;/em&gt;&lt;/a&gt; before wanting to stick my earbuds in and listen to a podcast or music? This never happens when I&amp;rsquo;m reading fiction (not even while reading the incredibly dense fourth section of &lt;a href="http://www.amazon.com/gp/product/0312429215/ref=as_li_ss_tl?ie=UTF8&amp;amp;tag=neilalejande-20&amp;amp;linkCode=as2&amp;amp;camp=217145&amp;amp;creative=399369&amp;amp;creativeASIN=0312429215"&gt;2666&lt;/a&gt; which chronicles, one by one, hundreds of gruesome killings of women in Mexico, shit).&lt;/p&gt;
&lt;p&gt;The closest I can come to diagnosing this bizarre aversion to reading history is that I don&amp;rsquo;t get &amp;ldquo;sucked in.&amp;rdquo; When I read Bola&amp;ntilde;o or Fitzgerald, I find certain passages pulling me deep into the story. I even think about reading when I&amp;rsquo;m not reading. That&amp;rsquo;s a pretty good barometer of a good book, I think! But it&amp;rsquo;s not happening with history books the way I want it to.&lt;/p&gt;
&lt;p&gt;Oh, and I had to put Infinite Jest down a few pages into the ebonics-written chapter. Lost my patience. I&amp;rsquo;m told it gets better.&lt;/p&gt;
	
&lt;/p&gt;

&lt;p&gt;&lt;a href="http://blog.staticpulse.com/enjoying-reading"&gt;Permalink&lt;/a&gt; 

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&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/staticpulse_writings/~4/4TUoXfbLXY4" height="1" width="1"/&gt;</description>
      <posterous:author>
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        <posterous:firstName>Nano</posterous:firstName>
        <posterous:lastName>Anderson</posterous:lastName>
        <posterous:nickName>nano</posterous:nickName>
        <posterous:displayName>Nano Anderson</posterous:displayName>
      </posterous:author>
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    <item>
      <pubDate>Wed, 05 Oct 2011 09:41:00 -0700</pubDate>
      <title>Stuck in Yellowstone National Park, Day 2 (Page 210)</title>
      <link>http://feedproxy.google.com/~r/staticpulse_writings/~3/vL_CART1fHY/stuck-in-yellowstone-national-park-day-2-page</link>
      <guid isPermaLink="false">http://blog.staticpulse.com/stuck-in-yellowstone-national-park-day-2-page</guid>
      <description>&lt;p&gt;
	&lt;p&gt;Frequent visitors to this site (or &lt;a href="http://staticpulse.com/"&gt;my portfolio&lt;/a&gt;) may have noticed a new button in the menu &amp;mdash; &amp;ldquo;sunflowers&amp;rdquo;. Go ahead and click it if you like. It will take you to a short explanation of my book (not yet published) and a listing of the blog posts I wrote about it. I might write some more, but the short story is that I was writing a ton in late 2008, early 2009 (both on the book and on the blog about the book), but petered out in the summer of 2009 as school was heating up and life had more structure than it had the previous year.&lt;/p&gt;
&lt;p&gt;I kept in touch with my friends who were characters in my book, sending them my chapter drafts, soliciting feedback, and just generally trying to keep the flow of inspiration on full for as long as possible.&lt;/p&gt;
&lt;p&gt;It didn&amp;rsquo;t last.&lt;/p&gt;
&lt;p&gt;Turns out inspiration is fickle, even when you&amp;rsquo;re writing about arguably the most exciting experience of your life, as I was (and still am, ostensibly). So here I am, wondering where I&amp;rsquo;m going to get it next.&lt;/p&gt;
&lt;p&gt;My girlfriend faces these issues daily, in the writing phase of her PhD. We seem to be in a weird cycle where when she is inspired, I am in the doldrums, and when I&amp;rsquo;m on a roll programming and creating, she is down in the dumps about her work. Lots of problems, but it&amp;rsquo;s clear that our discussions about the creative process aren&amp;rsquo;t exactly cures for our inspirational woes.&lt;/p&gt;
&lt;p&gt;Here&amp;rsquo;s the funny part. This whole post is an attempt at finding inspiration to keep writing my book. It&amp;rsquo;s my first blog post about the book since &lt;a href="http://blog.staticpulse.com/worrying-ahead-or-how-to-design-a-book-before"&gt;April 2009&lt;/a&gt;, and I&amp;rsquo;ve written probably about &lt;a href="http://www.flickr.com/photos/nanderson/sets/72157608757295080/"&gt;60 moleskine pages&lt;/a&gt; since that time, so we&amp;rsquo;ll just have to wait and see if any kind of burst of productivity results from this meta-writing.&lt;/p&gt;
&lt;p&gt;To end with a question, what do &lt;em&gt;you&lt;/em&gt; do about this crap? Other than reading &lt;a href="http://43folders.com/"&gt;43folders&lt;/a&gt;, of course.&lt;/p&gt;
	
&lt;/p&gt;

&lt;p&gt;&lt;a href="http://blog.staticpulse.com/stuck-in-yellowstone-national-park-day-2-page"&gt;Permalink&lt;/a&gt; 

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&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/staticpulse_writings/~4/vL_CART1fHY" height="1" width="1"/&gt;</description>
      <posterous:author>
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        <posterous:firstName>Nano</posterous:firstName>
        <posterous:lastName>Anderson</posterous:lastName>
        <posterous:nickName>nano</posterous:nickName>
        <posterous:displayName>Nano Anderson</posterous:displayName>
      </posterous:author>
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    <item>
      <pubDate>Mon, 26 Sep 2011 09:08:00 -0700</pubDate>
      <title>« Malcolm Gladwell on Bruce Ratner and the Barclays Center »</title>
      <link>http://feedproxy.google.com/~r/staticpulse_writings/~3/jwRxDH5F6do/malcolm-gladwell-on-bruce-ratner-and-the-barc</link>
      <guid isPermaLink="false">http://blog.staticpulse.com/malcolm-gladwell-on-bruce-ratner-and-the-barc</guid>
      <description>&lt;p&gt;
	&lt;div class="posterous_bookmarklet_entry"&gt;
&lt;blockquote class="posterous_long_quote"&gt;
&lt;p&gt;For whatever reason, the wealthy of that era could have pushed for a world that more closely conformed to their self-interest and they chose not to. Today the wealthy have no such qualms. We have moved from a country of relative economic equality to a place where the gap between rich and poor is exceeded by only Singapore and Hong Kong. The rich have gone from being grateful for what they have to pushing for everything they can get. They have mastered the arts of  whining and predation, without regard to logic or shame.  In the end, this is the lesson of the NBA lockout. A man buys a basketball team as insurance on a real estate project, flips the franchise to a Russian billionaire when he wins the deal, and then &amp;mdash; as both parties happily count their winnings &amp;mdash; what lesson are we asked to draw? The players are greedy.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;div class="posterous_quote_citation"&gt;via &lt;a href="http://www.grantland.com/story/_/id/7021031/the-nets-nba-economics"&gt;grantland.com&lt;/a&gt;&lt;/div&gt;
&lt;p&gt;Malcolm Gladwell writes about the NBA lockout, ending with a scathing indictment of today's anti-tax wealthy US citizens. I don't really care about basketball, but I do care about taxes, and the public shaming of some of the US's most embarrassing citizens gives my populist side a reason to smile.&lt;/p&gt;
&lt;/div&gt;
	
&lt;/p&gt;

&lt;p&gt;&lt;a href="http://blog.staticpulse.com/malcolm-gladwell-on-bruce-ratner-and-the-barc"&gt;Permalink&lt;/a&gt; 

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&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/staticpulse_writings/~4/jwRxDH5F6do" height="1" width="1"/&gt;</description>
      <posterous:author>
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        <posterous:firstName>Nano</posterous:firstName>
        <posterous:lastName>Anderson</posterous:lastName>
        <posterous:nickName>nano</posterous:nickName>
        <posterous:displayName>Nano Anderson</posterous:displayName>
      </posterous:author>
    <feedburner:origLink>http://blog.staticpulse.com/malcolm-gladwell-on-bruce-ratner-and-the-barc</feedburner:origLink></item>
    <item>
      <pubDate>Sat, 10 Sep 2011 12:04:00 -0700</pubDate>
      <title>Infographic Critique: NYTimes, The Limping Middle Class</title>
      <link>http://feedproxy.google.com/~r/staticpulse_writings/~3/mKLGoaRO-7c/infographic-critique-nytimes-the-limping-midd</link>
      <guid isPermaLink="false">http://blog.staticpulse.com/infographic-critique-nytimes-the-limping-midd</guid>
      <description>&lt;p&gt;
	&lt;p&gt;In my twitter feed this past week, I caught a link from &lt;a href="https://twitter.com/kylestanding" title="Daniele Codega Twitter"&gt;@kylestanding&lt;/a&gt; to &lt;a href="http://graphics8.nytimes.com/images/2011/09/04/opinion/04reich-graphic/04reich-graphic-popup.jpg" title="Middle Class Economics Infographic"&gt;an infographic on the NYTimes website&lt;/a&gt;. The graphic is a companion piece designed by &lt;a href="http://marshmaps.com/author.html" title="Bill Walsh bio"&gt;Bill Walsh&lt;/a&gt; to an opinion piece titled "&lt;a href="http://www.nytimes.com/2011/09/04/opinion/sunday/jobs-will-follow-a-strengthening-of-the-middle-class.html?pagewanted=all" title="The New York Times -- The Limping Middle Class, by Robert Reich"&gt;The Limping Middle Class&lt;/a&gt;" by &lt;a href="http://robertreich.org/"&gt;Robert Reich&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;The main jist of the article and infographic are that pay for the middle class have stagnated since 1980 while productivity has skyrocketed. I had some compliments and questions regarding this chart, so I decided to publish them here, overlayed on the graphic itself. In order to read the text on the image, I recommend clicking the "Download full size" link at the bottom of the image (hover over the image to display link).&lt;/p&gt;
&lt;p&gt;&lt;div class='p_embed p_image_embed'&gt;
&lt;a href="http://posterous.com/getfile/files.posterous.com/temp-2011-09-10/JIwGBbpwBDhyxnnynfHthDqjpsBihCfuvloprbafBptlHEkAtlmCwgpjseFu/NYTimes_Middle_Class_Chart.png.scaled1000.png"&gt;&lt;img alt="Nytimes_middle_class_chart" height="738" src="http://posterous.com/getfile/files.posterous.com/temp-2011-09-10/JIwGBbpwBDhyxnnynfHthDqjpsBihCfuvloprbafBptlHEkAtlmCwgpjseFu/NYTimes_Middle_Class_Chart.png.scaled500.png" width="500" /&gt;&lt;/a&gt;
&lt;/div&gt;
&lt;/p&gt;
&lt;div class="footnotes"&gt;
&lt;hr /&gt;
&lt;ol&gt;
&lt;li&gt;
&lt;p&gt;&lt;a href="http://en.wikipedia.org/wiki/Productivity#Measuring_and_interpreting_partial_productivity"&gt;Wikipedia article for Productivity&lt;/a&gt;&lt;/p&gt;
&lt;/li&gt;
&lt;/ol&gt;&lt;/div&gt;
	
&lt;/p&gt;

&lt;p&gt;&lt;a href="http://blog.staticpulse.com/infographic-critique-nytimes-the-limping-midd"&gt;Permalink&lt;/a&gt; 

	| &lt;a href="http://blog.staticpulse.com/infographic-critique-nytimes-the-limping-midd#comment"&gt;Leave a comment&amp;nbsp;&amp;nbsp;&amp;raquo;&lt;/a&gt;

&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/staticpulse_writings/~4/mKLGoaRO-7c" height="1" width="1"/&gt;</description>
      <posterous:author>
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        <posterous:firstName>Nano</posterous:firstName>
        <posterous:lastName>Anderson</posterous:lastName>
        <posterous:nickName>nano</posterous:nickName>
        <posterous:displayName>Nano Anderson</posterous:displayName>
      </posterous:author>
      <media:content type="image/png" height="1824" width="1235" url="http://getfile1.posterous.com/getfile/files.posterous.com/temp-2011-09-10/JIwGBbpwBDhyxnnynfHthDqjpsBihCfuvloprbafBptlHEkAtlmCwgpjseFu/NYTimes_Middle_Class_Chart.png">
        <media:thumbnail height="738" width="500" url="http://getfile0.posterous.com/getfile/files.posterous.com/temp-2011-09-10/JIwGBbpwBDhyxnnynfHthDqjpsBihCfuvloprbafBptlHEkAtlmCwgpjseFu/NYTimes_Middle_Class_Chart.png.scaled500.png" />
      </media:content>
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    <item>
      <pubDate>Wed, 07 Sep 2011 08:00:00 -0700</pubDate>
      <title>« Reflections of a GOP Operative Who Left the Cult »</title>
      <link>http://feedproxy.google.com/~r/staticpulse_writings/~3/OAW3KapdHZE/reflections-of-a-gop-operative-who-left-the-c</link>
      <guid isPermaLink="false">http://blog.staticpulse.com/reflections-of-a-gop-operative-who-left-the-c</guid>
      <description>&lt;p&gt;
	&lt;div class="posterous_bookmarklet_entry"&gt;
&lt;blockquote class="posterous_long_quote"&gt;
&lt;p&gt;It was not always thus. It would have been hard to find an uneducated farmer during the depression of the 1890s who did not have a very accurate idea about exactly which economic interests were shafting him. An unemployed worker in a breadline in 1932 would have felt little gratitude to the Rockefellers or the Mellons. But that is not the case in the present economic crisis. After a riot of unbridled greed such as the world has not seen since the conquistadors' looting expeditions and after an unprecedented broad and rapid transfer of wealth upward by Wall Street and its corporate satellites, where is the popular anger directed, at least as depicted in the media? At "Washington spending" - which has increased primarily to provide unemployment compensation, food stamps and Medicaid to those economically damaged by the previous decade's corporate saturnalia. Or the popular rage is harmlessly diverted against pseudo-issues: death panels, birtherism, gay marriage, abortion, and so on, none of which stands to dent the corporate bottom line in the slightest.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;div class="posterous_quote_citation"&gt;via &lt;a href="http://truth-out.org/goodbye-all-reflections-gop-operative-who-left-cult/1314907779"&gt;truth-out.org&lt;/a&gt;&lt;/div&gt;
&lt;/div&gt;
	
&lt;/p&gt;

&lt;p&gt;&lt;a href="http://blog.staticpulse.com/reflections-of-a-gop-operative-who-left-the-c"&gt;Permalink&lt;/a&gt; 

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&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/staticpulse_writings/~4/OAW3KapdHZE" height="1" width="1"/&gt;</description>
      <posterous:author>
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        <posterous:firstName>Nano</posterous:firstName>
        <posterous:lastName>Anderson</posterous:lastName>
        <posterous:nickName>nano</posterous:nickName>
        <posterous:displayName>Nano Anderson</posterous:displayName>
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    <item>
      <pubDate>Wed, 07 Sep 2011 08:00:00 -0700</pubDate>
      <title>« The [Dark] Art of Pricing Freelance Work » </title>
      <link>http://feedproxy.google.com/~r/staticpulse_writings/~3/8noSevWDg14/the-dark-art-of-pricing-freelance-work</link>
      <guid isPermaLink="false">http://blog.staticpulse.com/the-dark-art-of-pricing-freelance-work</guid>
      <description>&lt;p&gt;
	&lt;div class="posterous_bookmarklet_entry"&gt;
&lt;blockquote class="posterous_long_quote"&gt;
&lt;p&gt;You know that there will be MANY rounds of revision in your future and that over the course of working together you&amp;rsquo;ll be as much a therapist as a designer. Totaling those 500 hours at WHATEVER your hourly rate is will equal a pretty good pay day.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;div class="posterous_quote_citation"&gt;via &lt;a href="http://www.jessicahische.is/obsessedwiththeinternet/andhelpingyougetpaid/the-dark-art-of-pricing"&gt;jessicahische.is&lt;/a&gt;&lt;/div&gt;
&lt;p&gt;Jessica Hische struck out on her own not so very long ago, and is sharing her wisdom regarding pricing freelance projects with the rest of us. A long read, but well worth it. Well-written. Thanks, Jessica.&lt;/p&gt;
&lt;/div&gt;
	
&lt;/p&gt;

&lt;p&gt;&lt;a href="http://blog.staticpulse.com/the-dark-art-of-pricing-freelance-work"&gt;Permalink&lt;/a&gt; 

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&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/staticpulse_writings/~4/8noSevWDg14" height="1" width="1"/&gt;</description>
      <posterous:author>
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        <posterous:firstName>Nano</posterous:firstName>
        <posterous:lastName>Anderson</posterous:lastName>
        <posterous:nickName>nano</posterous:nickName>
        <posterous:displayName>Nano Anderson</posterous:displayName>
      </posterous:author>
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    <item>
      <pubDate>Mon, 05 Sep 2011 16:43:00 -0700</pubDate>
      <title>Project Status, September 2011</title>
      <link>http://feedproxy.google.com/~r/staticpulse_writings/~3/H-B_1MJA7zM/68561075</link>
      <guid isPermaLink="false">http://blog.staticpulse.com/68561075</guid>
      <description>&lt;p&gt;
	&lt;p&gt;This post is about sharing my project status. But first, a little backstory on why I&amp;rsquo;m bothering (scroll down a few paces to skip the boring parts and see the juicy image):&lt;/p&gt;
&lt;h2&gt;Sideclick&amp;rsquo;s origin story&lt;/h2&gt;
&lt;p&gt;For a while now, I&amp;rsquo;ve wanted to share what I&amp;rsquo;m working on with my friends and family. It seems like every time my dad calls, the answer to &amp;ldquo;what are you up to?&amp;rdquo; is always different, and I want a way to explain why and how without taxing his short-term memory with a long verbal explanation.&lt;/p&gt;
&lt;p&gt;And for almost as long, I&amp;rsquo;ve been molding an idea for a solution to that problem in my head. The catalyst to get me really working on it was the announcement of the &lt;a href="http://10k.aneventapart.com/"&gt;2011 10k Apart&lt;/a&gt; contest back one month ago. The challenge of building a place to share what I&amp;rsquo;m working within the constraint of only using 10 kilobytes of fully portable code &amp;amp; images (no back-end code allowed) was one I couldn&amp;rsquo;t turn down.&lt;/p&gt;
&lt;p&gt;A few basic criteria for this project-sharing project:&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;Not project-type-specific (didn&amp;rsquo;t want this to only apply to programmers)&lt;/li&gt;
&lt;li&gt;Projects can have multiple members&lt;/li&gt;
&lt;li&gt;Highly visual and fun to use&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;I used these basic criteria to sketch out some layouts and concepts, and got to programming immediately. I will explain more about Sideclick once I actually release something.&lt;/p&gt;
&lt;h2&gt;Explorations in project status sharing&lt;/h2&gt;
&lt;p&gt;I ended up sidelining Sideclick for now because I couldn&amp;rsquo;t figure out how to do proper JS-only authentication without being allowed to write any back-end code, even with great back-end APIs like &lt;a href="https://cloudant.com/"&gt;Cloudant&lt;/a&gt;, &lt;a href="http://aws.amazon.com/s3/"&gt;S3&lt;/a&gt;, and &lt;a href="http://stackmob.com/"&gt;StackMob&lt;/a&gt; to handle data storage and authentication. &lt;a href="http://en.wikipedia.org/wiki/Cross-Origin_Resource_Sharing"&gt;CORS&lt;/a&gt;, I need you &lt;em&gt;now&lt;/em&gt;.&lt;/p&gt;
&lt;p&gt;So in the meantime, I&amp;rsquo;m going to share my first exploration into project status sharing, in image format. Let me know what you think.&lt;/p&gt;

&lt;p&gt;&lt;div class='p_embed p_image_embed'&gt;
&lt;a href="http://posterous.com/getfile/files.posterous.com/temp-2011-09-05/eFfpeFnxbHfJJhzBenyCqIpngAygiEaoqAoBEvCcivrakrJDBefIDvhsBqiJ/Current_Projects.png.scaled1000.png"&gt;&lt;img alt="Current_projects" height="391" src="http://posterous.com/getfile/files.posterous.com/temp-2011-09-05/eFfpeFnxbHfJJhzBenyCqIpngAygiEaoqAoBEvCcivrakrJDBefIDvhsBqiJ/Current_Projects.png.scaled500.png" width="500" /&gt;&lt;/a&gt;
&lt;/div&gt;
&lt;/p&gt;
	
&lt;/p&gt;

&lt;p&gt;&lt;a href="http://blog.staticpulse.com/68561075"&gt;Permalink&lt;/a&gt; 

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        <posterous:firstName>Nano</posterous:firstName>
        <posterous:lastName>Anderson</posterous:lastName>
        <posterous:nickName>nano</posterous:nickName>
        <posterous:displayName>Nano Anderson</posterous:displayName>
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    <item>
      <pubDate>Mon, 29 Aug 2011 12:33:00 -0700</pubDate>
      <title>« He Just Gets it Done » </title>
      <link>http://feedproxy.google.com/~r/staticpulse_writings/~3/hr-AXaYwMR4/he-just-gets-it-done</link>
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      <description>&lt;p&gt;
	&lt;div class="posterous_bookmarklet_entry"&gt;
&lt;blockquote class="posterous_long_quote"&gt;
&lt;p&gt;I&amp;rsquo;ve heard minecraft's success 'explained' in so many ways, from luck to marketing genius to niche appeal. Watching notch code, I think it's due more to a very competent, hardworking guy putting in an unbelievable number of hours. He just gets it done.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;div class="posterous_quote_citation"&gt;via &lt;a href="http://thestartuptoolkit.com/blog/Hard_work_and_high_skills/"&gt;thestartuptoolkit.com&lt;/a&gt;&lt;/div&gt;
&lt;p&gt;I still don't get the appeal of &lt;a href="http://minecraft.net/"&gt;Minecraft&lt;/a&gt;, but clearly its creator understands the &lt;code&gt;cause =&amp;gt; effect&lt;/code&gt; flow of hard work, experience, and generally getting things done.&lt;/p&gt;
&lt;/div&gt;
	
&lt;/p&gt;

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        <posterous:firstName>Nano</posterous:firstName>
        <posterous:lastName>Anderson</posterous:lastName>
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        <posterous:displayName>Nano Anderson</posterous:displayName>
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    <item>
      <pubDate>Wed, 24 Aug 2011 14:12:00 -0700</pubDate>
      <title>Social Networks (A Living Document)</title>
      <link>http://feedproxy.google.com/~r/staticpulse_writings/~3/ZuwH61rTQTk/66882413</link>
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      <description>&lt;p&gt;
	&lt;p&gt;All these social networks. It&amp;rsquo;s getting out of hand. I&amp;rsquo;m not going to analyze here, I&amp;rsquo;m simply going to attempt a listing and categorization (of social things that &lt;em&gt;I have personally heard of&lt;/em&gt;).&lt;/p&gt;
&lt;p&gt;This is a living document. It will never be as extensive as &lt;a href="http://crunchbase.com/"&gt;Crunchbase&lt;/a&gt; or &lt;a href="http://en.wikipedia.org/wiki/List_of_social_networking_websites"&gt;Wikipedia&amp;rsquo;s List of Social Networking Sites&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;This post started out as a bit of a mental rant in response to my confusion over what to do with all of these social network invites I get. What really matters in a social network or application? I&amp;rsquo;m building one, so I better figure it out. Here is a small piece of that:&lt;/p&gt;
&lt;h4&gt;Table of Contents&lt;/h4&gt;
&lt;table width="100%"&gt;
       
&lt;tr&gt;
&lt;th&gt;&lt;a href="http://blog.staticpulse.com/66882413#messaging"&gt;Messaging&lt;/a&gt;&lt;/th&gt; &lt;th&gt;&lt;a href="http://blog.staticpulse.com/66882413#general"&gt;General&lt;/a&gt;&lt;/th&gt; &lt;th&gt;&lt;a href="http://blog.staticpulse.com/66882413#locationsharing"&gt;Location&lt;/a&gt;&lt;/th&gt; &lt;th&gt;&lt;a href="http://blog.staticpulse.com/66882413#ideasharing"&gt;Idea&lt;/a&gt;&lt;/th&gt; &lt;th&gt;&lt;a href="http://blog.staticpulse.com/66882413#photosharing"&gt;Photo&lt;/a&gt;&lt;/th&gt; &lt;th&gt;&lt;a href="http://blog.staticpulse.com/66882413#newsandmagazines"&gt;News/Magazines&lt;/a&gt;&lt;/th&gt;
&lt;/tr&gt;
 

&lt;tr&gt;
&lt;td align="left"&gt;Beluga&lt;/td&gt;
&lt;td align="left"&gt;Glassboard&lt;/td&gt;
&lt;td align="left"&gt;Forecast&lt;/td&gt;
&lt;td align="left"&gt;Percolate&lt;/td&gt;
&lt;td align="left"&gt;Instagram&lt;/td&gt;
&lt;td align="left"&gt;Flipboard&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td align="left"&gt;&amp;nbsp;&lt;/td&gt;
&lt;td align="left"&gt;Facebook&lt;/td&gt;
&lt;td align="left"&gt;Foursquare&lt;/td&gt;
&lt;td align="left"&gt;Bagcheck&lt;/td&gt;
&lt;td align="left"&gt;Flickr&lt;/td&gt;
&lt;td align="left"&gt;&amp;nbsp;&lt;/td&gt;
&lt;/tr&gt;
&lt;tr&gt;
&lt;td align="left"&gt;&amp;nbsp;&lt;/td&gt;
&lt;td align="left"&gt;Google+&lt;/td&gt;
&lt;td align="left"&gt;&amp;nbsp;&lt;/td&gt;
&lt;td align="left"&gt;Listgeeks&lt;/td&gt;
&lt;td align="left"&gt;Color&lt;/td&gt;
&lt;td align="left"&gt;&amp;nbsp;&lt;/td&gt;
&lt;/tr&gt;

&lt;/table&gt;
&lt;p&gt;&lt;a name="messaging"&gt;&lt;/a&gt;&lt;/p&gt;
&lt;h2&gt;Messaging&lt;/h2&gt;
&lt;p&gt;&lt;a href="http://belugapods.com/"&gt;Beluga&lt;/a&gt; is one of those new &amp;ldquo;group messaging&amp;rdquo; apps/platforms. Bought by Facebook, now basically relaunched as &lt;a href="http://www.facebook.com/mobile/messenger"&gt;Facebook Messenger&lt;/a&gt;. Feels like &amp;ldquo;group SMS.&amp;rdquo; Sounds useful, but it hasn&amp;rsquo;t found its way into my life even once yet. Guess I don&amp;rsquo;t hang out with enough groups.&lt;/p&gt;
&lt;p&gt;&lt;a name="general"&gt;&lt;/a&gt;&lt;/p&gt;
&lt;h2&gt;General&lt;/h2&gt;
&lt;p&gt;&lt;a href="http://glassboard.com/"&gt;Glassboard&lt;/a&gt; was just released to the public a few hours ago as I write this. Its premise &amp;ndash; to let you share photos, videos, etc. to private groups &amp;ndash; is boring, but Sepia Labs seems to believe that they offer the missing link of private+social.&lt;/p&gt;
&lt;p&gt;&lt;a href="http://facebook.com/"&gt;Facebook&lt;/a&gt; is one you already know.&lt;/p&gt;
&lt;p&gt;&lt;a href="http://plus.google.com/"&gt;Google+&lt;/a&gt; is another one you already know. To me, it&amp;rsquo;s a large-scale version of a product (group of products?) trying to bridge the privacy+social chasm. I actually find that social and privacy don&amp;rsquo;t really mix all that well.&lt;/p&gt;
&lt;p&gt;&lt;a href="https://joindiaspora.com/"&gt;Diaspora&lt;/a&gt; is a Facebook clone, only distributed (who wants the hell of server management for a social network?), and possibly more &amp;ldquo;private.&amp;rdquo; I think people will flock to this like they did to &lt;a href="http://wave.google.com/"&gt;Google Wave&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;a name="locationsharing"&gt;&lt;/a&gt;&lt;/p&gt;
&lt;h2&gt;Location sharing&lt;/h2&gt;
&lt;p&gt;&lt;a href="http://foreca.st/"&gt;Forecast&lt;/a&gt; &amp;ldquo;is a fun and simple way for friends to share where they&amp;rsquo;re going.&amp;rdquo; It&amp;rsquo;s like &lt;a href="https://foursquare.com/"&gt;Foursquare&lt;/a&gt; but with &amp;ldquo;planning ahead&amp;rdquo; baked in?&lt;/p&gt;
&lt;p&gt;&lt;a href="https://foursquare.com/"&gt;Foursquare&lt;/a&gt; lets me check-in to real-world places or weird &amp;ldquo;events&amp;rdquo; (Snowpocalypse, Heatwavepocalypse, Please-stop-this-pocalypse) and share this knowledge with my friends. I heard it was great for finding the most popular SXSW parties in 2009 and &lt;a href="http://www.weeplaces.com/"&gt;visualizing your life&lt;/a&gt; and for keeping track of where you&amp;rsquo;ve been for archival purposes, like I like to do when traveling.&lt;/p&gt;
&lt;p&gt;&lt;a name="ideasharing"&gt;&lt;/a&gt;&lt;/p&gt;
&lt;h2&gt;Idea sharing&lt;/h2&gt;
&lt;p&gt;&lt;a href="http://percolate.com/"&gt;Percolate&lt;/a&gt; figures out what &amp;ldquo;people&amp;rdquo; (aka twitter follows and google reader subscriptions) are &amp;ldquo;talking about&amp;rdquo; (aka things that more than one &amp;ldquo;person&amp;rdquo; links to) and sends you a list of those things in a nice email digest format at intervals of your choosing.&lt;/p&gt;
&lt;p&gt;&lt;a href="http://bagcheck.com/"&gt;Bagcheck&lt;/a&gt; hosts lists of gear/software/stuff that you share and compare with other people. Great execution of a limited scope project. Jerks got acquired (acq-hired?) by Twitter, so who knows where the service will go from here. They would have been (will be?) a competitor to a start-up I&amp;rsquo;m a part of, and I wish they&amp;rsquo;d have stuck it out. Lots of great ideas in there for improving &amp;ldquo;list-making&amp;rdquo; and &amp;ldquo;list-sharing,&amp;rdquo; so I&amp;rsquo;m going to miss them, even if I found the market for their service as extremely narrow and low-usefulness.&lt;/p&gt;
&lt;p&gt;&lt;a href="http://listgeeks.com/"&gt;Listgeeks&lt;/a&gt; is a &amp;ldquo;socially-oriented platform for creating, sharing and comparing lists of things.&amp;rdquo; If I&amp;rsquo;m not mistaken, English is not the first language of this site&amp;rsquo;s developers, but wow, where is the soul of this site? Making simple text lists is super easy. Everything else? Not so much. Weird attempts at social engineering and analysis going on here.&lt;/p&gt;
&lt;p&gt;&lt;a name="photosharing"&gt;&lt;/a&gt;&lt;/p&gt;
&lt;h2&gt;Photo sharing&lt;/h2&gt;
&lt;p&gt;&lt;a href="http://instagr.am/"&gt;Instagram&lt;/a&gt; is a photo-sharing network. Sounds boring, yeah? Well these guys are huge, and even your curmudgeonly narrator likes them. They have two products: an iPhone app and an API. And so far, their iPhone app is the only thing that&amp;rsquo;s really caught on. All it does is let you post, view, and like photos. The photos can be easily adjusted with retro-ish filters and then auto-shared to your Twitter or Facebook account. In my opinion, it was all those weird &lt;a href="http://instagr.am/"&gt;http://instagr.am/&lt;/a&gt; urls in my Twitter stream that got my attention and convinced me to download their app and jump on the bandwagon.&lt;/p&gt;
&lt;p&gt;&lt;a href="http://flickr.com/"&gt;Flickr&lt;/a&gt; was one of the proto-social networks. Like Instagram, they&amp;rsquo;re a photo-sharing network, but it almost seems like they stumbled into the wonders of &amp;ldquo;social&amp;rdquo; rather than targeting it as a major business goal. The word &amp;ldquo;social&amp;rdquo; appears nowhere in their &lt;a href="http://www.flickr.com/about/"&gt;about page&lt;/a&gt;. I would say that they succeeded because they were a great &lt;em&gt;tool&lt;/em&gt; before they were a great &lt;em&gt;network&lt;/em&gt;. They began taking money directly from users in exchange for more storage and features early on, unlike most social startups. That&amp;rsquo;s probably helped them last as long as they have. They&amp;rsquo;re not being &lt;a href="http://techcrunch.com/2010/12/16/is-yahoo-shutting-down-del-icio-us/"&gt;sunsetted&lt;/a&gt; like &lt;a href="http://delicious.com/"&gt;del.icio.us&lt;/a&gt;&amp;hellip; at least not yet.&lt;/p&gt;
&lt;p&gt;&lt;a href="http://color.com/"&gt;Color&lt;/a&gt;. Awesome name, awesome domain name, completely indecipherable use case. The over-hyping (fueled mostly by the news of their massive funding dollars received before they had released a product) certainly didn&amp;rsquo;t help, but even the aesthetically-pleasing design didn&amp;rsquo;t do much to explain their product. Flopped. Visionary founders leaving. Where will this company/product go next?&lt;/p&gt;
&lt;p&gt;&lt;a name="newsandmagazines"&gt;&lt;/a&gt;&lt;/p&gt;
&lt;h2&gt;News and Magazines&lt;/h2&gt;
&lt;p&gt;&lt;a href="http://flipboard.com/"&gt;Flipboard&lt;/a&gt; was named Apple&amp;rsquo;s iPad App of the Year in 2010 for their social news magazine that pulls in links from your social networks (and selected RSS feeds and magazines which partner with Flipboard) to provide you with a customized magazine full of news and photos you presumably care about.&lt;/p&gt;
	
&lt;/p&gt;

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    <item>
      <pubDate>Wed, 24 Aug 2011 09:52:00 -0700</pubDate>
      <title>« Technology Devices Either Sell Big or Die Fast »</title>
      <link>http://feedproxy.google.com/~r/staticpulse_writings/~3/tmAvXW5F8PQ/technology-devices-either-sell-big-or-die-fas</link>
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      <description>&lt;p&gt;
	&lt;div class="posterous_bookmarklet_entry"&gt;
&lt;blockquote class="posterous_long_quote"&gt;
&lt;p&gt;&amp;ldquo;You know pretty quickly, and in a very public way, whether a product is successful or not,&amp;rdquo; said Mr. Hilwa.&lt;/p&gt;
&lt;p&gt;Similar to opening week at the movies, early reviews on the Web panning a new tablet or phone can be disastrous for its makers.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;cite class="posterous_quote_citation"&gt;via &lt;a href="http://www.nytimes.com/2011/08/24/technology/technology-devices-either-sell-big-or-die-fast.html?_r=1&amp;amp;src=tp"&gt;nytimes.com&lt;/a&gt;&lt;/cite&gt;
&lt;p&gt;This New York Times piece makes the case for its title conclusion. My question is: &lt;strong&gt;does this also apply to software releases?&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;Does &lt;a href="http://techcrunch.com/"&gt;Techcrunch&lt;/a&gt; have the same sort of promoting power with web startups that &lt;a href="http://pitchfork.com/"&gt;Pitchfork&lt;/a&gt; has &lt;a href="http://www.washingtonpost.com/wp-dyn/content/article/2006/04/28/AR2006042800457_3.html"&gt;with music&lt;/a&gt;? How does software get that elusive &lt;a href="http://venturehacks.com/articles/traction"&gt;traction&lt;/a&gt; that gives them the initial userbase needed to succeed in the long-term? How much harder is it to &lt;a href="http://www.startuplessonslearned.com/2009/06/pivot-dont-jump-to-new-vision.html"&gt;pivot&lt;/a&gt; a hardware venture versus a software venture, and is there a chance for smaller startups to enter the hardware game? &lt;a href="http://www.fusiongarage.com/"&gt;Fusion Garage's&lt;/a&gt; JooJoo tablet didn&amp;rsquo;t have that early success. We&amp;rsquo;ll see how their recently-released &amp;ldquo;Grid&amp;rdquo; systems sell.&lt;/p&gt;
&lt;/div&gt;
	
&lt;/p&gt;

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        <posterous:firstName>Nano</posterous:firstName>
        <posterous:lastName>Anderson</posterous:lastName>
        <posterous:nickName>nano</posterous:nickName>
        <posterous:displayName>Nano Anderson</posterous:displayName>
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    <item>
      <pubDate>Mon, 01 Aug 2011 06:19:02 -0700</pubDate>
      <title>« You are not running out of time »</title>
      <link>http://feedproxy.google.com/~r/staticpulse_writings/~3/_ndtScNqfHc/you-are-not-running-out-of-time-rahul-bijlani</link>
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      <description>&lt;p&gt;
	&lt;div class="posterous_bookmarklet_entry"&gt;
&lt;blockquote class="posterous_long_quote"&gt;
&lt;p&gt;A revolutionary thought! The point of my life was to enjoy it to its potential, with goals to set the direction in which I was headed.&lt;/p&gt;
&lt;p&gt;This was my new definition of the game.&lt;/p&gt;
&lt;p&gt;And it meant it was impossible to run out of time, because every day was a brand new opportunity to play and win.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;cite class="posterous_quote_citation"&gt;&amp;ndash; Rahul Bijlani, via &lt;a href="http://rahulbijlani.com/essays/you-are-not-running-out-of-time-essay/"&gt;rahulbijlani.com&lt;/a&gt;&lt;/cite&gt;
&lt;p&gt;The point being &amp;mdash; you're not wasting your time if you're doing what makes you happy. Rahul used to worry about the goalposts always moving, making success just a new starting point for another, more impossible, farther goal which implies success.&lt;/p&gt;
&lt;p&gt;It's often tough for me, but I've found that the best way to be happy is to look at all experiences as valuable, even your "failures".&lt;/p&gt;
&lt;/div&gt;
	
&lt;/p&gt;

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        <posterous:firstName>Nano</posterous:firstName>
        <posterous:lastName>Anderson</posterous:lastName>
        <posterous:nickName>nano</posterous:nickName>
        <posterous:displayName>Nano Anderson</posterous:displayName>
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    <item>
      <pubDate>Sun, 31 Jul 2011 06:07:00 -0700</pubDate>
      <title>Programming Stories</title>
      <link>http://feedproxy.google.com/~r/staticpulse_writings/~3/_lG_olc6wHY/programming-stories</link>
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      <description>&lt;p&gt;
	&lt;p&gt;Whenever I go to interviews, there is one area where I always bomb: &lt;strong&gt;the programming stories&lt;/strong&gt;. These are the stories of &amp;ldquo;obstacles&amp;rdquo; I have overcome, &amp;ldquo;problems of scale&amp;rdquo; that I solved, &amp;ldquo;interesting&amp;rdquo; programs or algorithms. I am no good at telling stories, probably because I&amp;rsquo;m no good at on-the-spot recollection. I&amp;rsquo;m nervous enough as it is, and now they want to hear an interesting, compelling story about my work life? Scary, I know.&lt;/p&gt;
&lt;p&gt;One of the more common approaches interviewers take with this question is to focus it on specific technologies. They want to know what you&amp;rsquo;ve done that applies to the languages and technologies that &lt;em&gt;they&lt;/em&gt; know.&lt;/p&gt;
&lt;p&gt;So I&amp;rsquo;m going to list a few of my stories here categorized by language/technology, for posterity mostly, but also to help anybody else out who has had trouble listing their accomplishments on the spot.&lt;/p&gt;
&lt;h4&gt;Javascript&lt;/h4&gt;
&lt;p&gt;&lt;strong&gt;The Project&lt;/strong&gt;:&lt;/p&gt;
&lt;p&gt;Tables. Datagrids. Spreadsheets. Everybody needs to build something like this at some point in their programming careers. I had to build a student grading spreadsheet recently (June 2011) at NYU. There were some weird custom calculations in the spreadsheet I was replicating, and I was told that the spreadsheet changes year to year. Great. So this will make teachers&amp;rsquo; lives easier while making my life hell each year as they start sending piecemeal update requests every year (and multiple times in between I&amp;rsquo;m sure).&lt;/p&gt;
&lt;p&gt;My solution was to build a revisioning form-builder which generates a spreadsheet view for the graders to enter values. It made sense for me to build it from scratch since we have a customized PEAR-based framework, and all the PHP &amp;amp; Javascript DataGrid solutions were either overkill or would be harder to implement than a custom-made Table-based spreadsheet.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;The Problem&lt;/strong&gt;:&lt;/p&gt;
&lt;p&gt;It was imperative that the columns be resizable. Name fields need to be bigger than grade fields, and the table can have unlimited columns, therefore there is no single optimal sizing algorithm. Plus, these people are used to resizing columns, which means if I can enable that function I don&amp;rsquo;t have to worry about doing anything too fancy with a column width algorithm.&lt;/p&gt;
&lt;p&gt;Unfortunately, nobody seems to have thought of a super-simple column-resizing plugin for jQuery. It was either &amp;uuml;ber-datagrid or nothing. I &lt;em&gt;did&lt;/em&gt; however find a fantastic little javascript snippet at a russian website which offered a script which did exactly the two things I needed: simple column resizing from any &lt;code&gt;&amp;lt;th&amp;gt;&lt;/code&gt; field and callbacks with the column widths accessible (though not easy to find in that spaghetti code).&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;The Solution&lt;/strong&gt;:&lt;/p&gt;
&lt;p&gt;While technically I could just import that &lt;code&gt;.js&lt;/code&gt; file and call its  methods ad-hoc, I decided that using the base code I could create my own jQuery plugin. I&amp;rsquo;ve been in the process of moving each of the methods into the plugin itself, as well as tinkering with how the callback with the column widths array is delivered. Currently, you have to bind a function to the &lt;code&gt;onchange&lt;/code&gt; event of the table you are changing the column of, and it feels like there should be an easier way to do this.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Code available at &lt;a href="https://github.com/workwithnano/jquery-resizeColumns"&gt;https://github.com/workwithnano/jquery-resizeColumns&lt;/a&gt;&lt;/p&gt;
&lt;/blockquote&gt;
&lt;h4&gt;Objective-C&lt;/h4&gt;
&lt;p&gt;&lt;strong&gt;The Project&lt;/strong&gt;:&lt;/p&gt;
&lt;p&gt;Silent Shout, a &amp;ldquo;note-passing&amp;rdquo; app for iPhones.&lt;/p&gt;
&lt;p&gt;Our ideal workflow had the &amp;ldquo;options&amp;rdquo; page be the first page a user sees, and one that they return to often, so it had to be easy-to-understand, fun, and fast. In it, a user selects what &amp;ldquo;font&amp;rdquo; they want to use, what background the text should display against, and what &amp;ldquo;style&amp;rdquo; of presentation they want (their text can scroll like a marquee or fill the screen).&lt;/p&gt;
&lt;p&gt;We decided that making the options hyper-visual would be the best way to go. There would be three rows of options that could be swiped left or right to select the desired option. The user would hit the &amp;ldquo;Next&amp;rdquo; button at the bottom right to move on, and their option choices would be stored for future use.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;The Problem&lt;/strong&gt;:&lt;/p&gt;
&lt;p&gt;This was my first UIKit app, and as resourceful as I am, I couldn&amp;rsquo;t find any UIKit objects that would help me out here. This type of option-selecting mechanism had never been done before! Yikes.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;The Solution&lt;/strong&gt;:&lt;/p&gt;
&lt;p&gt;With the help of StackOverflow, I managed to discover some helpful &amp;ldquo;photo-swipe&amp;rdquo; code snippets which made for a great starting point in my journey.&lt;/p&gt;
&lt;p&gt;Ultimately, I created a UIView subclass which when fed an array of images &amp;amp; descriptions, would generate a swipe-able options menu that would store its current selection in the app&amp;rsquo;s preferences to be used in the &amp;ldquo;Shout&amp;rdquo; mode.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Code available at &lt;a href="https://github.com/workwithnano/silent_shout"&gt;https://github.com/workwithnano/silent_shout&lt;/a&gt;&lt;/p&gt;
&lt;/blockquote&gt;
&lt;h4&gt;CSS&lt;/h4&gt;
&lt;p&gt;&lt;strong&gt;The Project&lt;/strong&gt;:&lt;/p&gt;
&lt;p&gt;&lt;a href="http://elfpond.com"&gt;http://elfpond.com&lt;/a&gt;. A single-page site dedicated to a wonderful musical performance in my basement. Yes, one of my most memorable undergraduate evenings took place in a basement. Many of them did, in fact.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;The Problem&lt;/strong&gt;:&lt;/p&gt;
&lt;p&gt;We were pretty excited about the possibility of exploiting some awesome CSS3 stuff. Especially drop shadows. We felt it was high time that we take advantage of the &lt;code&gt;box-shadow&lt;/code&gt; property, something which would make our lives much easier. The thing was, we were using a very strict grid, and if we wanted our shadows to extend past the boundaries of a box aligned within the grid, it&amp;rsquo;s not like we could just apply a background-image to it. It would get cut off by the box! We&amp;rsquo;d have to put boxes within boxes and rejigger the grid to accommodate the oversized shadows, and our lives would just be terrible.&lt;/p&gt;
&lt;p&gt;&lt;code&gt;box-shadow&lt;/code&gt; to the rescue! It could extend past the boundaries of a box, no problem.&lt;/p&gt;
&lt;p&gt;Oh wait, problem. When we implemented these huge shadows to these huge video boxes, scrolling the page became an exercise in patience. Patience is one thing we &amp;ldquo;web builders&amp;rdquo; know our users aren&amp;rsquo;t expected to have much of.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;The Solution&lt;/strong&gt;:&lt;/p&gt;
&lt;p&gt;Back to background images, of course! But how to implement? Well, I realized we already had &amp;ldquo;boxes within boxes&amp;rdquo;, since each video box would be one element within a larger &amp;ldquo;section&amp;rdquo; box (also contained in that &amp;ldquo;section&amp;rdquo; box were mini-menus and descriptions and such). Then I also realized that in each &amp;ldquo;section&amp;rdquo; box, there was only a need for a single large drop-shadow.&lt;/p&gt;
&lt;p&gt;So, I realized, since we were using a very strict grid which guaranteed vertical and horizontal positions for each element, I could reliably place a drop shadow image as a background image in the &amp;ldquo;section&amp;rdquo; box, positioned directly behind the video box. Scrolling was now unbelievably faster, which was pretty important since you weren&amp;rsquo;t going to get very far if you couldn&amp;rsquo;t scroll down.&lt;/p&gt;
&lt;p&gt;&lt;cite&gt;This post was graciously edited by &lt;strong&gt;Marc Ubaldi&lt;/strong&gt;&lt;/cite&gt;&lt;/p&gt;
	
&lt;/p&gt;

&lt;p&gt;&lt;a href="http://blog.staticpulse.com/programming-stories"&gt;Permalink&lt;/a&gt; 

	| &lt;a href="http://blog.staticpulse.com/programming-stories#comment"&gt;Leave a comment&amp;nbsp;&amp;nbsp;&amp;raquo;&lt;/a&gt;

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        <posterous:firstName>Nano</posterous:firstName>
        <posterous:lastName>Anderson</posterous:lastName>
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    <item>
      <pubDate>Sat, 30 Jul 2011 06:06:00 -0700</pubDate>
      <title>Startup Gone Wrong, Part 1</title>
      <link>http://feedproxy.google.com/~r/staticpulse_writings/~3/LH4Re7M6ibA/startup-gone-wrong-part-1</link>
      <guid isPermaLink="false">http://blog.staticpulse.com/startup-gone-wrong-part-1</guid>
      <description>&lt;p&gt;
	&lt;p&gt;The day after my good friend Greg proposed the idea for &lt;a href="http://staticpulse.com/#exp_TH"&gt;Teacher Hub&lt;/a&gt; to me, I was sure we had a hit on our hands. 7 months, 1354 lines of code, and one &amp;ldquo;pivot&amp;rdquo; later, I called it quits and moved on.&lt;/p&gt;
&lt;h4&gt;Chronologically, from the beginning&lt;/h4&gt;
&lt;p&gt;Greg&amp;rsquo;s wife is an &amp;ldquo;early-stage&amp;rdquo; teacher (a few years in), and given the &lt;a href="http://www.top-colleges.com/blog/2011/01/23/christie-elimination-teacher-tenure/"&gt;horrendous job-security&lt;/a&gt; that newly minted New Jersey teachers have currently, she&amp;rsquo;s dealt with having to teach entirely new classes year after year. All new classes =&amp;gt; all new needs. New classroom supplies (largely teacher-purchased or teacher-subsidized), new curriculums to learn (and inevitably update), and possibly a new school to get used to.&lt;/p&gt;
&lt;p&gt;Her itch: wouldn&amp;rsquo;t life be better if there were an online destination where all those things could be found easily and cheaply? It would be a place where teachers could trade, barter, sell, or share their wares, skills, and advice. A place where teachers could meet other teachers from their area. A place where teachers could write about their experiences &amp;mdash; the good, the bad, and the ugly.&lt;/p&gt;
&lt;p&gt;A &amp;ldquo;Teacher Hub,&amp;rdquo; you could call it.&lt;/p&gt;
&lt;p&gt;I loved it. It seemed like a real need in an interesting industry. And I was desperate to step into the startup ring once more (my first startup, back in 2006, was a movie social network called Reel Critics that never launched).&lt;/p&gt;
&lt;h4&gt;Start coding, talking, coding, talking&lt;/h4&gt;
&lt;p&gt;First thing I did was start coding the boilerplate and basic multi-column layout. I had been simply writing new SQL code and the occasional &lt;samp&gt;unordered list&lt;/samp&gt; for the past year, and was just excited for an excuse to build something from scratch.&lt;/p&gt;
&lt;p&gt;We scheduled weekly meetings to keep things on track (keep on what track? we hadn&amp;rsquo;t laid any tracks at all), which one of us usually showed up late for. I was 37signals-crazy, shoving all my clients and projects into Basecamp, writing roadmaps in Writeboard, tracking life tasks in Ta-da List. So of course, our meetings were in Campfire. Text-only. So the rate of conversation-to-useful-work was diminished for us by the very nature of our communication medium.&lt;/p&gt;
&lt;p&gt;One of our first goals was to get Greg up-to-speed on programming. We weren&amp;rsquo;t sure how much he could contribute code-wise, but I was hoping to get one more person coding. The last time I was the only coder on a large-ish project, I got tired after a few months. Nobody to talk to and pump me up creates a tough gig.&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;Let&amp;rsquo;s get something out of the way. If you&amp;rsquo;re starting a startup and someone wants to teach themselves programming in the process, don&amp;rsquo;t expect good results. This is &lt;em&gt;not&lt;/em&gt; a knock on those people. My advice is to look at the priorities of the business and the priorities of the person. If either of those points away from a &lt;em&gt;need&lt;/em&gt; or &lt;em&gt;desire&lt;/em&gt; to be a programmer, then this could be a waste of time for everybody and for the business. There&amp;rsquo;s a school of thought that if you have a startup idea, you should &lt;a href="http://techboise.com/2010/06/have-a-great-startup-idea-teach-yourself-to-program/"&gt;teach yourself to code&lt;/a&gt;, or that &lt;a href="http://an.ton.io/blog/pages/pycon2010"&gt;everybody in the startup should be able to code&lt;/a&gt;, but the fact remains that there is a &lt;em&gt;lot&lt;/em&gt; of stuff that needs to be done at a startup, and if someone&amp;rsquo;s motivations aren&amp;rsquo;t conducive to programming, don&amp;rsquo;t get hung up on that. Do something that you can do already, and do it now.&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;So those first few months, while I was still living in Venezuela (Greg was in New Jersey), we&amp;rsquo;d spend our time doing the following: coding, setting up Greg&amp;rsquo;s RoR dev setup, setting up the staging server on my &lt;a href="http://mediatemple.net/"&gt;Media Temple&lt;/a&gt; VPS, talking about doing research on the industry of teacher-oriented websites, doing some nominal research on said industry, and debating with gusto about the financial aspects to our business model.&lt;/p&gt;
&lt;h4&gt;Let&amp;rsquo;s Align our Interests&lt;/h4&gt;
&lt;p&gt;All of this meeting stuff was an attempt to align our interests to the goal of building Teacher Hub. We were trying to get on the same page so that we could work on the same thing (programming our Minimum Viable Product), but our differing skill sets kept us drifting apart throughout the week and then struggling to re-align our interests and goals during our weekly meetings:&lt;/p&gt;
&lt;p&gt;&lt;div class='p_embed p_image_embed'&gt;
&lt;a href="http://posterous.com/getfile/files.posterous.com/temp-2011-07-15/lumEpIeadlHsCfGDIBscvnxBtbvBrFJynADBfjifgxsIBmswwdqdojtgapCy/Teacher_Hub_Un-aligned_Interests.png.scaled1000.png"&gt;&lt;img alt="Teacher_hub_un-aligned_interests" height="167" src="http://posterous.com/getfile/files.posterous.com/temp-2011-07-15/lumEpIeadlHsCfGDIBscvnxBtbvBrFJynADBfjifgxsIBmswwdqdojtgapCy/Teacher_Hub_Un-aligned_Interests.png.scaled500.png" width="500" /&gt;&lt;/a&gt;
&lt;/div&gt;
&lt;/p&gt;
&lt;p&gt;Instead of what we were doing, we probably should have specialized in what we were each capable of already, keeping our end-goal in sight and on the same page, but not concerning ourselves with making sure we were both contributing the same things in the same amount as each other:&lt;/p&gt;
&lt;p&gt;&lt;div class='p_embed p_image_embed'&gt;
&lt;a href="http://posterous.com/getfile/files.posterous.com/temp-2011-07-15/sFiGihBtaqbIAGiGChkwFjczhmxmfxwDhCpJpzJDbsuDlgmxrDloavmegwbs/Teacher_Hub_Aligned_Interests.png.scaled1000.png"&gt;&lt;img alt="Teacher_hub_aligned_interests" height="167" src="http://posterous.com/getfile/files.posterous.com/temp-2011-07-15/sFiGihBtaqbIAGiGChkwFjczhmxmfxwDhCpJpzJDbsuDlgmxrDloavmegwbs/Teacher_Hub_Aligned_Interests.png.scaled500.png" width="500" /&gt;&lt;/a&gt;
&lt;/div&gt;
&lt;/p&gt;
&lt;h4&gt;Next time on &amp;ldquo;Startup Gone Wrong&amp;rdquo;&amp;hellip;&lt;/h4&gt;
&lt;p&gt;We&amp;rsquo;re only 2 months in, and Edyta and I are about to realize that Venezuela is just not going to work out. Find out what happens to Teacher Hub (and my programming life) as we start our journey back to the USA.&lt;/p&gt;
&lt;p&gt;&lt;div class='p_embed p_image_embed'&gt;
&lt;a href="http://posterous.com/getfile/files.posterous.com/temp-2011-07-15/rqtkzpmBxqrrkCCdJBhhoHJooAijhfBCFdvIbvcqgFryafIdcFkpDCnbsjkd/Teacher_Hub_Timeline_Jan10-Mar10.png.scaled1000.png"&gt;&lt;img alt="Teacher_hub_timeline_jan10-mar10" height="167" src="http://posterous.com/getfile/files.posterous.com/temp-2011-07-15/rqtkzpmBxqrrkCCdJBhhoHJooAijhfBCFdvIbvcqgFryafIdcFkpDCnbsjkd/Teacher_Hub_Timeline_Jan10-Mar10.png.scaled500.png" width="500" /&gt;&lt;/a&gt;
&lt;/div&gt;
&lt;/p&gt;
&lt;p&gt;&lt;cite&gt;This post was graciously edited by &lt;strong&gt;Marc Ubaldi&lt;/strong&gt;&lt;/cite&gt;&lt;/p&gt;
	
&lt;/p&gt;

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      <media:content type="image/png" height="267" width="800" url="http://getfile9.posterous.com/getfile/files.posterous.com/temp-2011-07-15/rqtkzpmBxqrrkCCdJBhhoHJooAijhfBCFdvIbvcqgFryafIdcFkpDCnbsjkd/Teacher_Hub_Timeline_Jan10-Mar10.png">
        <media:thumbnail height="167" width="500" url="http://getfile8.posterous.com/getfile/files.posterous.com/temp-2011-07-15/rqtkzpmBxqrrkCCdJBhhoHJooAijhfBCFdvIbvcqgFryafIdcFkpDCnbsjkd/Teacher_Hub_Timeline_Jan10-Mar10.png.scaled500.png" />
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    <item>
      <pubDate>Fri, 29 Jul 2011 06:00:00 -0700</pubDate>
      <title>Realizing Your Business Shouldn't be Your Business</title>
      <link>http://feedproxy.google.com/~r/staticpulse_writings/~3/aUAHaFmiEJE/realizing-your-business-shouldnt-be-your-busi</link>
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      <description>&lt;p&gt;
	&lt;p&gt;Around my internet&lt;a name="fnref_myinternetfootnote"&gt;&lt;/a&gt;&lt;a href="#fn_myinternetfootnote" class="footnote" title="see footnote"&gt;1&lt;/a&gt;, there&amp;rsquo;s been a recent meme concerning dedication to starting your own business. It&amp;rsquo;s not unique to our time, but over the past week it feels like everything I read, watch, or listen to is talking to me about the need to devote yourself fully to whatever it is that you believe your business to be, otherwise it will likely never get done.&lt;/p&gt;
&lt;p&gt;Dan Benjamin and Merlin Mann talked about it on the &lt;a href="http://5by5.tv/b2w/23"&gt;latest episode of their podcast Back to Work&lt;/a&gt;, Jim Coudal implored us to &lt;a href="http://vimeo.com/26133811"&gt;build your beer cozies &lt;em&gt;today&lt;/em&gt;&lt;/a&gt;, and&amp;hellip; those are the only two I can remember right now, but it feels like I&amp;rsquo;ve been pestered with these messages for the past week non-stop.&lt;/p&gt;
&lt;p&gt;Listening to these smart, successful exemplars in my industry, I realized that I had essentially followed their advice. I spent all of 2010 as a full-time self-employed freelance programmer, and now, in 2011, I work a &amp;ldquo;corporate&amp;rdquo; job while relegating projects of passion to my off-hours. What happened?&lt;/p&gt;
&lt;h4&gt;Some backstory:&lt;/h4&gt;
&lt;p&gt;When I finished my Master&amp;rsquo;s degree (you don&amp;rsquo;t have to call me &amp;ldquo;Master&amp;rdquo; if you don&amp;rsquo;t want to) at the end of 2009, I knew exactly what I was going to do. I was going to take my 2 current freelance (programming) clients, find a few more, and eventually hire employees and sit back while they make me lots of money. I was even going to expedite the &amp;ldquo;retire on a tropical beach&amp;rdquo; part of it by setting up my business in &lt;a href="http://en.wikipedia.org/wiki/Isla_Margarita"&gt;Porlamar, Venezuela&lt;/a&gt;. By my back-of-the-napkin calculations, between my current meager freelance income and Edyta&amp;rsquo;s doctoral scholarship, we would live quite comfortably in relative solitude and peace in the tropics, given the expat-favoring pricing in Venezuela.&lt;/p&gt;
&lt;p&gt;The plan was to stay there for 1 year. We lasted 3 months.&lt;/p&gt;
&lt;p&gt;Then, 6 months after we moved back to the U.S., I was looking for a &amp;ldquo;normal&amp;rdquo; job.&lt;/p&gt;
&lt;h4&gt;What happened? Why?&lt;/h4&gt;
&lt;p&gt;Well, our general reason for leaving Venezuela was that we couldn&amp;rsquo;t get a reliable internet connection &amp;mdash; a vital tool in both of our fields of work.&lt;/p&gt;
&lt;p&gt;But in general, I found that while many of the aspects of freelancing were empowering, other aspects were putting my brain&amp;rsquo;s anxiety receptors on high alert. You&amp;rsquo;ve heard about the empowering aspects already &amp;mdash; no boss, working on what you want, etc. &amp;mdash; so I&amp;rsquo;m only going to explain how the empowering aspects lost out (for the time being) to the anxiety-inducing aspects.&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;&lt;em&gt;I loathed searching for new clients.&lt;/em&gt; I would stare for hours at the 37signals gig board (defunct) and the &lt;a href="http://www.authenticjobs.com/#types=2"&gt;Authentic Jobs freelance listings&lt;/a&gt;, thinking to myself that I couldn&amp;rsquo;t possibly sell myself as capable of doing those jobs. Or maybe the jobs had weak descriptions, making me wonder if the clients would be flaky.&lt;/li&gt;
&lt;li&gt;&lt;em&gt;Lonely.&lt;/em&gt; That&amp;rsquo;s what I felt while working in my home office on sites with no designers or programmers other than me. When we moved to New York, I had no excuse not to put myself out there at hackathons or conferences, but I convinced myself that sitting at home working was time better spent.&lt;/li&gt;
&lt;li&gt;&lt;em&gt;Once you&amp;rsquo;re locked in at an hourly rate, it&amp;rsquo;s hard to raise your rate.&lt;/em&gt; I had almost 30 hours per week of work to do, but I was still charging my cheap college-student rates to my most trusted clients. Not a good thing when you consider my lack of new clients.&lt;/li&gt;
&lt;li&gt;&lt;em&gt;You still have to find time to do the things you love.&lt;/em&gt; Despite having the luxury of setting all my own hours, I still found that I had to make time for my projects of passion outside of client-work time. If you&amp;rsquo;re not working on your startup full-time, then you&amp;rsquo;re just not working on your startup full-time. Not much different than working a &amp;ldquo;normal&amp;rdquo; job and coming home to startup work.&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;Overall, these things (and other, less explainable things) contributed to my anxiety over running my own business. And this doesn&amp;rsquo;t even get into the anxiety of an exciting startup project turning sour (another post, another time).&lt;/p&gt;
&lt;p&gt;So I suppose this is where I put in a little warning to all the would-be self-employers out there. Be as aware as you can be. Which is probably not enough. You can do it if that&amp;rsquo;s your goal. But the alternatives are not so bad, if you ask me.&lt;/p&gt;
&lt;div class="footnotes"&gt;
&lt;hr /&gt;
&lt;ol&gt;
&lt;li&gt;&lt;a name="fn_myinternetfootnote"&gt;&lt;/a&gt;
&lt;p&gt;This deserves a post of its own, but what I mean by &amp;ldquo;my internet&amp;rdquo; is simple enough: the internet as I experience it is not always the same as the internet as you experience it. We follow different Twitterers, we post to different message boards, we use different photo-sharing services. Does that make sense?&lt;a href="#fnref_myinternetfootnote" class="reversefootnote" title="return to article"&gt;&amp;nbsp;↩&lt;/a&gt;&lt;/p&gt;
&lt;/li&gt;
&lt;/ol&gt;&lt;/div&gt;
&lt;p&gt;&lt;cite&gt;This post was graciously edited by &lt;strong&gt;Marc Ubaldi&lt;/strong&gt;&lt;/cite&gt;&lt;/p&gt;
	
&lt;/p&gt;

&lt;p&gt;&lt;a href="http://blog.staticpulse.com/realizing-your-business-shouldnt-be-your-busi"&gt;Permalink&lt;/a&gt; 

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&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/staticpulse_writings/~4/aUAHaFmiEJE" height="1" width="1"/&gt;</description>
      <posterous:author>
        <posterous:userImage>http://files.posterous.com/user_profile_pics/1096659/nano_in_poland.jpg</posterous:userImage>
        <posterous:profileUrl>http://posterous.com/users/hdKd7RYay93Zw</posterous:profileUrl>
        <posterous:firstName>Nano</posterous:firstName>
        <posterous:lastName>Anderson</posterous:lastName>
        <posterous:nickName>nano</posterous:nickName>
        <posterous:displayName>Nano Anderson</posterous:displayName>
      </posterous:author>
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    <item>
      <pubDate>Thu, 16 Apr 2009 09:00:00 -0700</pubDate>
      <title>Worrying Ahead, or How to Design a Book Before You Have To</title>
      <link>http://feedproxy.google.com/~r/staticpulse_writings/~3/h1DY6v48fWk/worrying-ahead-or-how-to-design-a-book-before</link>
      <guid isPermaLink="false">http://blog.staticpulse.com/worrying-ahead-or-how-to-design-a-book-before</guid>
      <description>&lt;p&gt;
	&lt;blockquote class="posterous_medium_quote"&gt;Disclaimer: I&amp;rsquo;ve never been formally educated in design. The closest I&amp;rsquo;ve come to that is a web design course during undergraduate studies. Most of what I know comes from over a decade of programming and web design tutorials and the tutelage of co-workers. Books? I&amp;rsquo;ve thought about designing them plenty of times, but I&amp;rsquo;m a complete newbie to this.&lt;/blockquote&gt;
&lt;p&gt;You&amp;rsquo;d think that I would use the entry title for this, but I prefer to use the title more creatively&amp;hellip; here is the main issue I am here to discuss. I want to design my book right now, and not just &amp;ldquo;write&amp;rdquo; it until I&amp;rsquo;m done. Is this idiotic? Isn&amp;rsquo;t the main point of writing a book the written word? &lt;strong&gt;No&lt;/strong&gt;. Not for me, anyways. As anybody who knows me already knows, I am a picture guy. I prefer my news in pictures, video, and most especially &lt;a href="http://www.edwardtufte.com/tufte/"&gt;info graphics&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;I&amp;rsquo;m kicking myself though, because I&amp;rsquo;m spending so much time worrying about how to lay out the pages, thinking about the table of contents design (someone mentioned to me that I should design the TOC as a &lt;a href="http://www.flickr.com/photos/nanderson/2979083104/in/set-72157608757295080/"&gt;map of the USA&lt;/a&gt;, and I like that idea), contemplating the placement and typography for the title of the book on Roger&amp;rsquo;s &lt;a href="http://sunflowers.staticpulse.com/2009/01/the-drawing-for-the-cover/"&gt;excellently-designed drawing&lt;/a&gt; which is going on the cover, and other non-written aspects of the book. I&amp;rsquo;m concerned over how to design the photographs which make up the bulk of the book. I love that Anthony pushed me towards scanning every single image to keep a consistent aesthetic throughout the book, but I don&amp;rsquo;t have the skills, time, or money to get some decent color reproduction. Think about this: the pictures were taken on different cameras by (mostly) non-photographers, printed out on more than one printer on many different occasions, and then I&amp;rsquo;m going to scan each of them on a budget all-in-one printer, and then print them out again in a book. Did I mention I don&amp;rsquo;t have any desire to get into color management for this book? I&amp;rsquo;m glad that &lt;a href="http://blurb.com"&gt;Blurb&lt;/a&gt; doesn&amp;rsquo;t offer color management for non-pro customers.&lt;/p&gt;
&lt;p&gt;So, back to the main issue I raised earlier. Should I be worrying about these things now? I&amp;rsquo;ve so far written about the planning stages and the first 6 days of a 21-day trip. I have plans on writing appendices, as well as organizing some of the notes and comments my friends have made in yet more appendices. I&amp;rsquo;m even thinking about publishing these in separate volumes, especially considering that at the rate I&amp;rsquo;m going, I&amp;rsquo;ll be over the page limit for most do-it-yourself print outfits, which won&amp;rsquo;t print more than 500 or so pages per book (without the planned TOC, introduction, &amp;amp; appendices, I&amp;rsquo;m already at 150 for the planning stages + 6 days of travel).&lt;/p&gt;
&lt;p&gt;There&amp;rsquo;s a part of me that feels I should just concentrate on the writing and leave the design for later when I actually know how much information I&amp;rsquo;m working with. Then I would just write for a while and put things together afterwards, leaving less time for me to worry about design and layout, things that I might change my mind about in the future anyways.&lt;/p&gt;
&lt;p&gt;Design is so important in this project, though! The conclusion I&amp;rsquo;ve come to over and over again is that I should lay out my writing with pictures, and that by placing them together now I can make better decisions about the direction the book takes. And I can&amp;rsquo;t foresee myself taking any other direction with this book in the near future. So I guess this book won&amp;rsquo;t be seeing the light of day for quite a while.&lt;/p&gt;
&lt;p&gt;Was this all just a rant?&lt;/p&gt;
	
&lt;/p&gt;

&lt;p&gt;&lt;a href="http://blog.staticpulse.com/worrying-ahead-or-how-to-design-a-book-before"&gt;Permalink&lt;/a&gt; 

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&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/staticpulse_writings/~4/h1DY6v48fWk" height="1" width="1"/&gt;</description>
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        <posterous:firstName>Nano</posterous:firstName>
        <posterous:lastName>Anderson</posterous:lastName>
        <posterous:nickName>nano</posterous:nickName>
        <posterous:displayName>Nano Anderson</posterous:displayName>
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