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	<title>Storymoja</title>
	
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		<title>African Writing Online – 2010 Publication Schedule</title>
		<link>http://storymojaafrica.co.ke/main/2010/03/african-writing-online-2010-publication-schedule/</link>
		<comments>http://storymojaafrica.co.ke/main/2010/03/african-writing-online-2010-publication-schedule/#comments</comments>
		<pubDate>Tue, 16 Mar 2010 18:51:10 +0000</pubDate>
		<dc:creator>Storymoja</dc:creator>
				<category><![CDATA[News]]></category>
		<category><![CDATA[Opportunities]]></category>

		<guid isPermaLink="false">http://storymojaafrica.co.ke/main/?p=2156</guid>
		<description><![CDATA[Our natural constituency of writers and material are African or Diasporan (please interpret boldly) but we will publish any writer who writes into the African Condition (please interpret boldly). We are adventurous in our definition of Africana, but we will also publish good literature generally.]]></description>
			<content:encoded><![CDATA[<div id="_mcePaste"><strong>2010 Publication Schedule</strong></div>
<p>&nbsp;</p>
<div id="_mcePaste">Issue No. 10.</div>
<div id="_mcePaste">13th April, 2010</div>
<p>&nbsp;</p>
<div id="_mcePaste">Issue No. 11.</div>
<div id="_mcePaste">12th June, 2010</div>
<p>&nbsp;</p>
<div>Issue No. 12.</div>
<div id="_mcePaste">14th August, 2010</div>
<p>&nbsp;</p>
<div>Issue No. 13.</div>
<div id="_mcePaste">14th October, 2010</div>
<p>&nbsp;</p>
<div>Issue No. 14.</div>
<div id="_mcePaste">14th December, 2010</div>
<p>&nbsp;</p>
<div><strong>Submissions Guidelines</strong></div>
<div>
&nbsp;<br />
<div id="attachment_2157" class="wp-caption alignleft" style="width: 305px"><a href="http://storymojaafrica.co.ke/main/wp-content/uploads/2010/03/African.jpg"><img class="size-full wp-image-2157" title="African" src="http://storymojaafrica.co.ke/main/wp-content/uploads/2010/03/African.jpg" alt="" width="295" height="400" /></a><p class="wp-caption-text">African Writing</p></div></p>
</div>
<div>We welcome submissions from our readers. Our preference is for new, unpublished work. Our natural constituency of writers and material are African or Diasporan (please interpret boldly) but we will publish any writer who writes into the African Condition (please interpret boldly). We are adventurous in our definition of Africana, but we will also publish good literature generally.</div>
<p>&nbsp;</p>
<div>Please read us before submitting. If you are a poet, send a long poem or four smaller pieces. Essays, fiction, memoirs and other prose pieces should be 1,500 to 6000 words. Please attach a third person biography and a photograph. We aim to acknowledge submissions. Editorial decisions are usually made within a month.</div>
<p>&nbsp;</p>
<div>We actively encourage the submission of literature in translation. We are keen to publish good writers who are not particularly familiar to readers in English.</div>
<p>&nbsp;</p>
<div>We will not publish hate literature. We do not currently pay for submissions. This policy is under constant review. We are happy to publish event information of interest to the writing world. We are happy to receive advertising enquiries.</div>
<p>&nbsp;</p>
<div>Please query before sending reviews. We are happy to receive books for review that may be of interest to our readers.</div>
<p>&nbsp;</p>
<div id="_mcePaste">Photo stories, art, writer profiles, book reviews, interviews and critical essays may be submitted to the editor@african-writing.com. The editor will happily receive queries.</div>
<p>&nbsp;</p>
<div><strong><a href="http://www.african-writing.com/eight">Visit Website for more information.</a></strong></div>
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		<title>Best new queer African short fiction – Call Out</title>
		<link>http://storymojaafrica.co.ke/main/2010/03/best-new-queer-african-short-fiction-call-out/</link>
		<comments>http://storymojaafrica.co.ke/main/2010/03/best-new-queer-african-short-fiction-call-out/#comments</comments>
		<pubDate>Tue, 16 Mar 2010 18:29:51 +0000</pubDate>
		<dc:creator>Storymoja</dc:creator>
				<category><![CDATA[Opportunities]]></category>

		<guid isPermaLink="false">http://storymojaafrica.co.ke/main/?p=2140</guid>
		<description><![CDATA[Gay and Lesbian Memory in Action, the pioneering, highly regarded South African gay and lesbian archives, invites African writers to submit stories on a queer African theme for publishing in a ground-breaking anthology. Gay and Lesbian Memory in Action intends the anthology to query stereotypes, show that there are many ways of being queer in [...]]]></description>
			<content:encoded><![CDATA[<p>Gay and Lesbian Memory in Action, the pioneering, highly regarded South African gay and lesbian archives, invites African writers to submit stories on a queer African theme for publishing in a ground-breaking anthology. Gay and Lesbian Memory in Action intends the anthology to query stereotypes, show that there are many ways of being queer in Africa, and encourage queer artistic expression and appreciation. Literary merit and an insightful response to the complexities of African queerness will guide the selection.</p>
<div id="attachment_2142" class="wp-caption aligncenter" style="width: 335px"><a href="http://storymojaafrica.co.ke/main/wp-content/uploads/2010/03/Gala.gif"><img class="size-full wp-image-2142" title="Gala" src="http://storymojaafrica.co.ke/main/wp-content/uploads/2010/03/Gala.gif" alt="" width="325" height="120" /></a><p class="wp-caption-text">GALA</p></div>
<p>Submit your unpublished short fiction of between 1,000 and 5,000 words to<a rel="nofollow" href="mailto:queerafricanfiction@gmail.com" target="_blank">queerafricanfiction@gmail.com</a> by 30 June 2010. Provide a covering page with the title of the story, your first name and surname, your email address and a contact telephone number, and a bio of not more than 100 words. All submissions will be acknowledged.</p>
<p>The selection will be made by 30 September 2010, and writers will work with an editor to refine their stories for publishing in June 2011. The anthology will be launched at the 2011 Cape Town Book Fair and will be distributed locally, in Africa and internationally. With writers’ permissions, all submissions will be archived by Gay and Lesbian Memory in Action and will be accessible to the archives’ many local and international users.</p>
<p>For more information check out the Gay and Lesbian Memory in Action website at <a rel="nofollow" href="http://www.gala.co.za/" target="_blank">www.gala.co.za</a>, or email <a rel="nofollow" href="mailto:queerafricanfiction@gmail.com" target="_blank">queerafricanfiction@gmail.com</a>.</p>
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		<title>Film Producer Wanted: CWS-FilmAid International</title>
		<link>http://storymojaafrica.co.ke/main/2010/03/film-producer-wanted-cws-filmaid-international/</link>
		<comments>http://storymojaafrica.co.ke/main/2010/03/film-producer-wanted-cws-filmaid-international/#comments</comments>
		<pubDate>Mon, 15 Mar 2010 22:17:25 +0000</pubDate>
		<dc:creator>Storymoja</dc:creator>
				<category><![CDATA[Opportunities]]></category>

		<guid isPermaLink="false">http://storymojaafrica.co.ke/main/?p=2138</guid>
		<description><![CDATA[
CWS-FilmAid International (FilmAid) invites applications from qualified Kenyans to fill the above position. The position will involve extensive work in Kibera, Naivasha, Eldoret and Kisumu.]]></description>
			<content:encoded><![CDATA[<div id="_mcePaste"><strong>Position:  Film Producer </strong></div>
<div><strong><br />
</strong></div>
<div id="_mcePaste">CWS-FilmAid International (FilmAid) invites applications from qualified Kenyans to fill the above position. The position will involve extensive work in Kibera, Naivasha, Eldoret and Kisumu.</div>
<div></div>
<div>FilmAid International is a non-governmental organization that uses film to promote health, strengthen communities and enrich the lives of the world’s vulnerable and uprooted. FilmAid is currently implementing programmes in Dadaab and Kakuma refugee camps in Kenya.</div>
<div></div>
<div id="_mcePaste"><strong>Project Objectives</strong></div>
<div id="_mcePaste">1. Produce together with the youth a 30-60 minute film on issues relating to youth participation on mitigating inter-ethnic violence, understanding critical issues pertaining to leadership, civic affairs and reform and highlighting shared concerns among youth from different ethnic and geographical background.</div>
<div></div>
<div id="_mcePaste">2. Promote dialogue on inter-ethnic violence, critical issues pertaining to leadership, civic affairs and reform, shared concerns among youth from different ethnic and geographical background.</div>
<div></div>
<div id="_mcePaste"><strong>Specific Tasks</strong></div>
<div id="_mcePaste">1. Will be required to conceptualize the stories and work together with the program manager, program coordinator, relevant project staff to determine the viability of the stories while taking into account the target audiences.</div>
<div></div>
<div id="_mcePaste">2. Work with the project manager to coordinate the scripting of the film segments form the different locations by liaising with the youth leaders the program coordinator and the relevant staff and ensuring participatory approach in the development of the film.</div>
<div></div>
<div id="_mcePaste">3. Working together with the program manager to develop a work schedule and a working budget for the production process and keeping track of production in line with the laid down budget.</div>
<div></div>
<div id="_mcePaste">4. Ensure a community based approach and a participatory methodology in all activities and a timely completion of deliverables.</div>
<div></div>
<div id="_mcePaste">5. Work together with the program manager, the relevant FilmAid program staff to select actors, interviewees, and locations, and organize for the recording of content for the film.</div>
<div></div>
<div id="_mcePaste">6. Supervise a team of screening crew and ensure positive team atmosphere and team-building relationships, and provide appropriate support to them.</div>
<div></div>
<div id="_mcePaste">7. Organize for a feedback session on the rough cuts with the youth representatives in the different locations to ensure involvement of the target group in the process.</div>
<div></div>
<div id="_mcePaste">8. Together with the program manager, ensure that the final video products are to the satisfactory standards and are approved by youth leaders, program coordinator and country manager.</div>
<div></div>
<div id="_mcePaste">9. Organize for the review of the same content by the program manager, coordinator and country manger and the youth leaders to ensure proper feedback from the target audiences.</div>
<div></div>
<div id="_mcePaste">10. Work closely with the program manager in providing regular updates of the production through quantitative and qualitative reports.</div>
<div></div>
<div id="_mcePaste">11. Supervision of usage and protocol of all project equipment and supplies. Ensure all FilmAid facilities in the field are well maintained and equipped</div>
<div></div>
<div id="_mcePaste">12. Create and maintain an environment that is free from sexual exploitation and abuse to beneficiaries of the program and report any suspected violations of the Code of Conduct as per the FAI reporting procedures.</div>
<div></div>
<div id="_mcePaste"><strong>Time Frame</strong></div>
<div><strong><br />
</strong></div>
<div id="_mcePaste">The producer will be engaged for three (3) months.</div>
<div></div>
<div id="_mcePaste"><strong>Required knowledge skills and abilities</strong></div>
<div id="_mcePaste">1. In depth Knowledge of Research work, Civic education and current political agendas in focus among the Kenyan youth.</div>
<div></div>
<div>2. Sufficient knowledge of Conflict resolution techniques in relation to peace and reconciliation with a bias to youth empowerment</div>
<div></div>
<div id="_mcePaste">3. Working knowledge of planning, budgeting, supervision of production process.</div>
<div></div>
<div id="_mcePaste">4. Must have executed minimum of 3 projects of similar nature to promote social development and empowerment.</div>
<div></div>
<div id="_mcePaste">5. Over 5 years of experiences in film making. Experience of success story/stories would be an added advantage.</div>
<div></div>
<div id="_mcePaste">6. Knowledge on scripting will be an added advantage Please email applications with ONLY COVER LETTER, CV AND 3 REFERENCES ASAP to: smotieno@filmaid.org</div>
<div></div>
<div id="_mcePaste">Applications to be submitted through email only by latest <strong>19th March 2010</strong></div>
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		<title>Storymoja Blog – 7 ways to Defeat Writer’s Block</title>
		<link>http://storymojaafrica.co.ke/main/2010/03/storymoja-blog-7-ways-to-defeat-writers-block/</link>
		<comments>http://storymojaafrica.co.ke/main/2010/03/storymoja-blog-7-ways-to-defeat-writers-block/#comments</comments>
		<pubDate>Mon, 15 Mar 2010 05:30:04 +0000</pubDate>
		<dc:creator>Storymoja</dc:creator>
				<category><![CDATA[News]]></category>
		<category><![CDATA[Reading]]></category>

		<guid isPermaLink="false">http://storymojaafrica.co.ke/main/?p=2136</guid>
		<description><![CDATA[Everyone always gets to a point when they are staring at the blank computer screen, the cursor laughing at them in its blinky way, and they do know what to write next]]></description>
			<content:encoded><![CDATA[<div>
<p>Everyone always gets to a point when they are staring at the blank computer screen, the cursor laughing at them in its blinky way, and they do know what to write next. That is where brainstorming is one of the lifesavers for writers.  As such, here are seven ways that may or may not help.</p>
<p>1. <strong>Interview the characte</strong>r. Just sit down and talk to him or her and try to pick their brain.  Incredibly things come to light.</p>
<div class="mceTemp">
<dl id="attachment_1551" class="wp-caption alignleft" style="width: 131px;">
<dt><a href="http://storymojaafrica.files.wordpress.com/2010/03/story-characters1.jpg"><img title="Story characters" src="http://storymojaafrica.files.wordpress.com/2010/03/story-characters1.jpg?w=121" alt="" width="121" height="150" /></a></dt>
<dd>Draw a Picture <img src='http://storymojaafrica.co.ke/main/wp-includes/images/smilies/icon_smile.gif' alt=':)' class='wp-smiley' /> </dd>
</dl>
</div>
<p>2. <strong>Draw a picture from the story</strong>. Now, I know that not everyone is an artist, but sometimes drawing a picture gives a new perspective and helps everything seem more clear. It might also give you unique ideas as to what to include.</p>
<p>3. <strong>Freewrite</strong>. I have never been a serious fan of freewriting but sometimes putting thoughts on paper can be enough to trigger an idea about where to go with the story. There have been times that it helped me more than anything else. And maybe it doesn’t have to be in paragraph format. I often times write outlines in bullet format.</p>
<p>4. <strong>Look from the other characters’ perspective</strong>s. Especially when writing a singular POV piece, we get so caught up in the POV character that we forget to think about the motivations of everyone else. A story is really everyone’s motivations all happening at the same time and triggering problems.</p>
<p>5. <strong>Write it out on index cards</strong>. I’ve never actually done this, but  I always imagine when there is a complicated thing the best thing to do is to write out my problems on index cards and play with them on a giant table. Since I can’t see the index cards too well, and because of the time, I never have.</p>
<p>6. <strong>Rewrite the whole scen</strong>e. This seems daunting and frustrating, like going backwards, but sometimes the problem is a surrounding scene that didn’t quite click and sometimes, writers just have to throw it out and start again.</p>
<p>7. <strong>Set it aside for a few day</strong>s. If all else fails, just let it rest. Sometimes the subconscious will work miracles for you. But remember: Come back.</p>
<p>The above note was shared with us from <a id="m0.." title="Always a Writer." href="http://alwaysawriter.wordpress.com/">Always a Writer</a></p>
<p>And now to the <strong>Word of the Week</strong>.</p>
<blockquote><p><strong>Perspective</strong>:</p>
<p>1 a : the technique or process of representing on a plane or curved surface the spatial relation of objects as they might appear to the eye; specifically : representation in a drawing or painting of parallel lines as converging in order to give the illusion of depth and distance</p>
<p>1 b: a picture in perspective</p>
<p>2 a : the interrelation in which a subject or its parts are mentally viewed &lt;places the issues in proper perspective&gt;; also : <a href="http://www.merriam-webster.com/dictionary/point+of+view">point of view</a></p>
<p>2 b : the capacity to view things in their true relations or relative importance &lt;urge you to maintain your perspective and to view your own task in a larger framework — W. J. Cohen&gt;</p>
<p>3 a : a visible scene; especially : one giving a distinctive impression of distance : <a href="http://www.merriam-webster.com/dictionary/vista">vista</a></p>
<p>3 b : a mental view or prospect &lt;gain a broader perspective on the situation&gt;</p>
<p>4 : the appearance to the eye of objects in respect to their relative distance and positions.</p>
<p>As illustrated by the above dictionary meanings, it is possible that the words you use have several meanings. In this case, I would have liked Perspective to mean: how the narrator of the scene views what is happening and therefore shapes how they portray what they have seen to the reader. Also known as point of view, perspective can be shaped by distance and relation to the actual event and/or the character or narrators own feelings towards the scene at hand or their state of mind leading up to the event.</p>
<p>So please exercise caution in how you construct your sentences to avoid reader confusion.  Why don’t you send in your suggested word of the week to <a href="http://storymojaafrica.wordpress.com/juliet@storymojaafrica.co.ke">juliet@storymojaafrica.co.ke</a>?</p></blockquote>
<p>And now to this week&#8217;s readings.</p>
<p>We begin with <a href="http://storymojaafrica.wordpress.com/culture/made-in-somalia-by-waga-odongo/"><strong>Made in Somalia by Waga Odong</strong>o</a>: It is manufactured and disseminated from Eastlands. Its heart is here: creative vibrant and often deviant. Fast changing, unstructured aural graffiti. It awaits shipment to the suburbs. Its eagerly assimilated edicts usually delivered via the pervasive medium that is urban music.</p>
<p>Then a little bit of heartbreak at<strong> </strong><a href="http://storymojaafrica.wordpress.com/careers/for-the-children-of-this-land-by-naomi-kamau/"><strong>Naomi Kamau&#8217;s For the Children of this Land</strong>?</a>: The desire to become a teacher and writer, made him wake up everyday and search for the best colleges and universities in Kenya. The Martyr College of East Africa did not offer a degree in Education, but the Presbyterian Joiners University offered the Course and was well known for its standards.</p>
<p>A little loss of faith in <a href="http://storymojaafrica.wordpress.com/culture/the-new-religion-by-jack-nganga/"><strong>Jack Nganga&#8217;s Science vs Religion</strong></a>: No one can confidently paint the situation that we shall encounter after we die. Our science might be incredible but we have yet to conquer death or bring people back to life. And we cannot say for certain whether there is life after death.</p>
<p>Alex Mutua&#8217;s Lo Debar continues with <a href="http://storymojaafrica.wordpress.com/writing/ten-miles-to-kopsiror-by-alex-mutua/"><strong>Ten Miles to Kopsiro</strong>r</a>: He thought of platoons, a Vietnam movie he had fallen in love at 10 and had seen in over ten times at their local movie house. He pressed the trigger, this time like the movie star he had seen, smoothly. Bang!</p>
<p>This week we have been graced by yet another opinion piece.<strong> </strong><a href="http://storymojaafrica.wordpress.com/careers/an-abstract-viewpoint-on-education-enterprising-entrepreneurship-by-jaimin-vyas/"><strong>Jaimin Vyas&#8217; Abstract Viewpoint on Education &amp; Enterprising Entrepreneurship!</strong></a> : As a guest lecturer at a local university, I had the first-hand experience of finding that students who enrolled for the MBA course had no idea of the problems we face in the practical world. This phenomenon is nothing new in Kenya.</p>
<p>Thank you for your continued support. If you would like your story to feature here, please send in your work to blogs@storymojaafrica.co.ke. <a id="j9bu" title="Please refer to the blog submission guidelines here." href="http://storymojaafrica.wordpress.com/about/submission-guidelines/">Please refer to the blog submission guidelines here.</a></p>
<p>Do you have any ideas about how to make your weekly reading more fun? Please send your suggestions to juliet@storymojaafrica.co.ke today. Join us here on Monday for the next batch of stories and be sure to vote for the next Story of the Week.</p>
<p>Here’s to a wonderful week ahead!</p>
</div>
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		<title>Storymoja Blog – Writing Science Fiction</title>
		<link>http://storymojaafrica.co.ke/main/2010/03/storymoja-blog-writing-science-fiction/</link>
		<comments>http://storymojaafrica.co.ke/main/2010/03/storymoja-blog-writing-science-fiction/#comments</comments>
		<pubDate>Mon, 08 Mar 2010 05:30:25 +0000</pubDate>
		<dc:creator>Storymoja</dc:creator>
				<category><![CDATA[News]]></category>
		<category><![CDATA[Reading]]></category>

		<guid isPermaLink="false">http://storymojaafrica.co.ke/main/?p=2150</guid>
		<description><![CDATA[Do you harbor a secret desire to create alternate worlds like the Marvel Universe of Superman, Batman, Ben10, Heroes, The Rama Trilogy?  Are you an aspiring Science Fiction or Fantasy writer? Do you want to be the Kenyan or African writer who finally produces that really incredible SF or F novel or series that blows away [...]]]></description>
			<content:encoded><![CDATA[<p>Do you harbor a secret desire to create alternate worlds like the Marvel Universe of Superman, Batman, Ben10, Heroes, The Rama Trilogy?  Are you an aspiring Science Fiction or Fantasy writer? Do you want to be <em>the</em> Kenyan or African writer who finally produces that really incredible SF or F novel or series that blows away minds and expectations and causes a stir, like Equilibrium, Surrogates, Avatar&#8230;?</p>
<p><strong>What Is Science Fiction Anyway? Or Fantasy?</strong></p>
<p>There are almost as many definitions of science fiction and fantasy (SF &amp; F) as there are readers and writers — so many that it&#8217;s much easier to say,</p>
<p>&#8220;It&#8217;s what I mean when I point to it.&#8221;</p>
<div id="attachment_2153" class="wp-caption alignleft" style="width: 280px"><a href="http://storymojaafrica.co.ke/main/wp-content/uploads/2010/03/ScienceFiction1.gif"><img class="size-medium wp-image-2153 " title="ScienceFiction1" src="http://storymojaafrica.co.ke/main/wp-content/uploads/2010/03/ScienceFiction1-385x385.gif" alt="" width="270" height="270" /></a><p class="wp-caption-text">Science Fiction</p></div>
<p>SF stories are those that could not happen without some element of science, or some imagined change (futuristic or otherwise) from the world as we know it today. SF stories tend to be based on, well — science, or worlds that seem possible or plausible, based on what we know or can guess about science. Although science fiction is often written primarily to entertain, many authors have a deeper purpose, using the genre to provide insight into science, society, or the human condition. The borders of this genre are not well defined, and the dividing lines between its sub-genres are often fluid.</p>
<p>A great deal of science fiction expands on specific themes: Space travel, The future, Technology not yet invented, Mental and Biological changes in humans and animals, Time travel, Humans with extraordinary powers, Contact with aliens from other worlds, The evolution of the human race. In defining the scope of the science fiction genre, we speak of the effect of science or technology on society or individuals. This may be epic in scope, or personal. The purpose may be to produce a sense of wonder, or to examine the effect of extraordinary circumstances on human character.</p>
<p>Fantasy is a joining of myth with imagination. If science fiction is drawn from our rational side, fantasy wells up from the subconscious. Fantasy also takes place in otherworldly settings, but in this case, the worlds are usually magical or mythical.</p>
<p><strong>Where Do You Get Your (Crazy) Ideas?</strong></p>
<p>That&#8217;s probably the most common question asked of all professional writers. It&#8217;s a good question, too—though it&#8217;s not the most important question. Most writers have plenty of ideas; the question is how to turn them into stories. But still, the idea is where it starts. There&#8217;s a joke among science fiction writers that ideas come in plain brown wrapping from a post office box in Schenectady. But if you don&#8217;t believe that, the question remains—where do they come from?</p>
<p>Quite simply, from all over. Anything you read in a book or the newspaper could trigger the idea you need. Likewise, everything you observe in the world around you, and everything you hear. (A dog barking. A teacher talking to a parent. A stranger complaining in the supermarket. A bad joke in a TV sitcom. An item on the evening news.) Literally, anything can be the trigger for a story idea. Note, however: While TV shows and movies can be sources of ideas, if you&#8217;re writing a story that&#8217;s just like one you saw on TV last week, you&#8217;re not exercising your imagination enough.</p>
<p>The key is to keep your eyes and ears open. Look for ideas not just where you expect them, but also where you&#8217;d least expect them.</p>
<p><strong>We will discuss more next week.</strong></p>
<p>This week&#8217;s Words of the Week are:</p>
<blockquote><p><strong>Utopia:</strong></p>
<div>
<p>1 : an imaginary and indefinitely remote place</p>
<p><span style="font-size: x-small;">2 often capitalized : a place of ideal perfection especially in laws, government, and social conditions</span></p>
<p>3 : an impractical scheme for social improvement</p>
<p><strong> </strong></p>
</div>
<p><strong>Dystopia:</strong></p>
<p>1 : an imaginary place where people lead dehumanized and often fearful lives</p>
<p><span style="font-size: x-small;">2 : <a href="http://www.merriam-webster.com/dictionary/anti-utopia"><span style="color: #000000;">anti-utopia</span></a> — dys·to·pi·an \-p?-?n\ adjective</span></p></blockquote>
<p><span style="font-size: small;">Why don’t you send in your suggested word of the week to <a href="juliet@storymojaafrica.co.ke">juliet@storymojaafrica.co.ke</a>? Please label your subject: <strong>Word of the Week.</strong> Must have word, definition and etymology.</span></p>
<p><span style="font-size: small;">And now to this week&#8217;s readings:</span></p>
<p><span style="font-size: small;">We begin with a little treat from Ali Painter&#8217;s <strong><a href="http://storymojaafrica.wordpress.com/writing/fox-murderer-by-ali-painter/">Fox Murderer</a></strong> &#8211; I plunged my teeth into the neck of the person; as they squirmed terrified within my mouth’s grasp, coppery liquid seeped into my mouth. I kept my grip until they withered and died, then I opened my jaw and let them lie on the ground.</span></p>
<p><span style="font-size: small;">We begin with Alex Mutua&#8217;s <strong><a href="http://storymojaafrica.wordpress.com/writing/daughter-of-man-by-alex-mutua/">Daughter of Man</a></strong> &#8211; As the sun dawdled in an old man pace to finish the routine of a day and cross a cloudless summer sky a small angelic cry pierced through the door of a remote local dispensary in Chache village. Mutua rose to his feet and applauded in whisper, ‘I&#8217;m a man.’</span></p>
<p><span style="font-size: small;"><br />
</span></p>
<p><span style="font-size: small;">Then we go on to the next installment of Rayhab Gachango&#8217;s <strong><a href="http://storymojaafrica.wordpress.com/relationships/flight-by-rayhab-gachango/">Love Story</a></strong> &#8211; “Kamau, there’s trouble. Mama Nyambura told Mr. Mbae that she saw you kissing Nyobaki,, now he is mad. He is going to get the police to come and arrest you. Nyokabisays that you should go hide for a while.”</span></p>
<p><span style="font-size: small;"><br />
</span></p>
<p><span style="font-size: small;">Lastly, in view of the fact that March is a month to observe Equal rights and Equal opportunities for all, we here share with you an excerpt from Gideon Chumo&#8217;s <strong><a href="http://storymojaafrica.wordpress.com/culture/sufferation-street-by-gideon-chumo/">Sufferation Street</a></strong> &#8211; A new style of lobbying had emerged recently where money power were used to influence crucial decision makers in a bid to support these pressure groups.</span></p>
<p>Thank you for your continued support. If you would like your story to feature here, please send in your work to <a id="lgq9" title="blogs@storymojaafrica.co.ke" href="http://blogs@storymojaafrica.co.ke/"><span style="color: #000000;"><strong>blogs@storymojaafrica.co.ke</strong></span></a>. Please refer to the blog submission guidelines<strong> </strong><a id="m6qb" title="here." href="http://storymojaafrica.wordpress.com/about/submission-guidelines/"><span style="color: #000000;"><strong>here.</strong></span></a></p>
<p>Do you have any ideas about how to make your weekly reading more fun? Please send your suggestions to <a id="cqrr" title="juliet@storymojaafrica.co.ke" href="http://juliet@storymojaafrica.co.ke/"><span style="color: #000000;"><strong>juliet@storymojaafrica.co.ke</strong></span></a> today. Join us here on Monday for the next batch of stories and be sure to vote for the next Story of the Week.</p>
<p>Here’s to a wonderful week ahead!</p>
<p><span style="font-size: small;"><br />
</span></p>
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		<title>Storymoja Blog – Simplicity vs Complexity?</title>
		<link>http://storymojaafrica.co.ke/main/2010/03/storymoja-blog-simplicity-vs-complexity/</link>
		<comments>http://storymojaafrica.co.ke/main/2010/03/storymoja-blog-simplicity-vs-complexity/#comments</comments>
		<pubDate>Mon, 01 Mar 2010 05:30:09 +0000</pubDate>
		<dc:creator>Storymoja</dc:creator>
				<category><![CDATA[News]]></category>
		<category><![CDATA[Reading]]></category>

		<guid isPermaLink="false">http://storymojaafrica.co.ke/main/?p=2148</guid>
		<description><![CDATA[ 
This Saturday, I read a piece in one local newspaper about a Menage-a- trois. I must admit that a few years ago, I would have felt completely confused by this; . How in the world can you possibly share the man or woman you love with anyone else and be absolutely comfortable with it. [...]]]></description>
			<content:encoded><![CDATA[<blockquote><p><span style="font-size:small;"> </span></p>
<div class="wp-caption alignleft" style="width: 241px"><a href="www.storymojaafrica.wordpress.com"><img class="  " src="http://mypenmypaper.files.wordpress.com/2008/03/fatbellypolygamist.jpg?w=300&amp;h=287" alt="" width="231" height="220" /></a><p class="wp-caption-text">Polygamy</p></div>
<p>This Saturday, I read a piece in one local newspaper about a <strong><span style="font-size:small;">Menage-a- trois. </span></strong><span style="font-size:small;">I must admit that a few years ago, I would have felt completely confused by this; . How in the world can you possibly share the man or woman you love with anyone else and be absolutely comfortable with it. In the same sigh, I have wondered about polygamous families, and dismissed the matter to those whose cup of tea it is. It takes a little bit more than mere </span><strong><span style="font-size:small;">ennui</span></strong><span style="font-size:small;"> for me to try and find out more about relationships like these. And I suppose I have been able to explore and accept that every single person on this earth has his or her own preferences. Sometimes, those preferences are more than preferences, they are nature. More than that, I have come to know and love certain people, who have chosen not to look down on me, but rather to help me see their lives from their perspective. In this way, I have been able to avoid being a complete </span><strong><span style="font-size:small;">ignoramus</span></strong><span style="font-size:small;">, but to learn how to accept and let others live their own lives.</span></p>
<p><span style="font-size:small;"> </span></p></blockquote>
<p>&nbsp;</p>
<div><span style="font-size:small;">The above paragraph has been developed using words that <strong>Alex Gitura</strong> sent in for <strong>Word of the Week.</strong> As you can see, it is possible to use words that are not in common usage to tell a story. However, you might also notice that using too many words that might not be common in one piece of writing, can make it stiff and rather boring. So use discretion in the words that you use. Say what you mean in a manner that your general reader will understand and enjoy. Truth be told, people who use magnanimous words, will be noticed, but what they say may sometimes be lost in the awe. So if you want people to get the message, simplicity is the way to go.</span></div>
<div><span style="font-size:small;">That said, the Word of the Week is</span></div>
<blockquote><p>
&nbsp;</p>
<div><strong><span style="font-size:small;">Fortuitous</span></strong><span style="font-size:small;"> : Occuring by chance. </span><span style="font-size:small;">— </span><strong><span style="font-size:small;">for·tu·itous·ly</span></strong> <em><span style="font-size:small;">adverb</span></em></p>
<p><span style="font-size:small;">— </span><strong><span style="font-size:small;">for·tu·itous·ness</span></strong> <em><span style="font-size:small;">noun</span></em></p>
<p><span style="font-size:small;">In Usage: </span><span style="color:#333333;"><em><span style="font-size:small;">a series of fortuitous events that advanced her career.</span></em></span></p>
</div>
</blockquote>
<p>&nbsp;<br />
<span style="font-size:small;">Thank you, Alex Gitura. The Word of the Week will now be a constant feature in our weekly blog. If you have a word or words that you would like highlighted please send it in </span><span style="color:#2a2a2a;"><span style="font-size:small;">to </span><a href="http://storymojaafrica.wordpress.com/juliet@storymojaafrica.co.ke"><strong><span style="font-size:small;">juliet@storymojaafrica.co.ke</span></strong></a><span style="font-size:small;">. Please label your subject: </span><strong><span style="font-size:small;">Word of the Week</span></strong><span style="font-size:small;">. Must have word, definition and etymology.</span></span></p>
<p>&nbsp;<br />
<span style="font-size:small;">And now to this week&#8217;s readings:</span></p>
<p>&nbsp;<br />
<span style="font-size:small;">We begin with Patrick Ochieng&#8217;s rant about Ohangla, or is it his cousin Olly? <strong><span style="color:#ff00ff;"><a href="http://storymojaafrica.wordpress.com/culture/hip-hop-in-the-village-by-p-ochieng/">Hip-Hop in the Village</a></span></strong> : To Olly -as he loves to be called- Ohangla is raunchy, and the dark skinned tight arsed girls that gyrate to its beat- rustic. He’d rather the sleek catchy moves of: 50cent and Beyonce, than the racy steps of ohangla performers.</span></p>
<p>&nbsp;<br />
<span style="font-size:small;">Then we go back a few years to a great love that was lost in a great hate. Alex Mutua&#8217;s <strong><span style="color:#ff00ff;"><a href="http://storymojaafrica.wordpress.com/writing/lo-debar-by-alex-mutua/">Lo Debar</a></span></strong>: The first day Lorna knew she was Soy and Serut Ndorobo, was the day they applied for their identity cards but that was not an issue it lasted two seconds and they went on with life.</span><br />
&nbsp;<br />
<span style="font-size:small;">This a surprise. <strong><span style="font-size:small;"><span style="color:#ff00ff;"><a href="http://storymojaafrica.wordpress.com/writing/insect-conversations-by-marvin-tumbo/">Insect Conversations by Marvin Tumbo</a></span></span></strong>: <span style="color:#0000ff;"><em><span style="font-size:small;">Fly:</span></em></span><span style="font-size:small;"> What are you laughing for? They would inherit shit from me if they survived in the first place. And that would never happen because with all the bloo</span><span style="font-size:small;">d you have been sucking, you</span><span style="font-size:small;"> probably</span><span style="font-size:small;"> have HIV</span><span style="font-size:small;">.</span></span><br />
&nbsp;<br />
<span style="font-size:small;">And lastly, the editor gives in to temptation. No, she is not competing for the crown. A bit of moderation here. <strong><span style="color:#ff00ff;"><a href="http://storymojaafrica.wordpress.com/relationships/beyond-the-veil-by-juliet-maruru/">Beyond the veil</a></span></strong>: Seeing beyond the veil allows me to stare in amazement at the kaleidoscope of colors that life unleashes everyday, and allows my life to evolve every day, so that I have something to look forward to every morning&#8230;</span><br />
&nbsp;<br />
<span style="font-size:small;">Once again, please send in your work to <a href="http://storymojaafrica.wordpress.com/page/blogs@storymojaafrica.co.ke."></a></span><strong><a href="http://storymojaafrica.wordpress.com/page/blogs@storymojaafrica.co.ke."><span style="font-size:small;">blogs@storymojaafrica.co.ke.</span></a> </strong><span style="font-size:small;">We will be awarding one of our readers and contributors every month, so be sure to send in your work or comment on the featured stories. Please refer to the blog submission guidelines <strong><span style="color:#ff00ff;"><a href="http://storymojaafrica.wordpress.com/2010/02/26/story-of-the-week-pains-shortlisted-by-gideon-chumo/">here.</a></span></strong></span><br />
&nbsp;<br />
<span style="font-size:small;">Do you have any ideas about how to make your weekly reading more fun? Please send your suggestions to </span><strong><span style="font-size:small;"><a href="mailto:blogs@storymojaafrica.co.ke">juliet@storymojaafrica.co.ke</a> </span></strong><span style="font-size:small;">today. Join us here on Monday for the next batch of stories and be sure to vote for the next Story of the Week.</span><br />
&nbsp;<br />
<span style="font-size:small;">Here&#8217;s to a wonderful week ahead!</span></p>
<p><em><br />
</em></p>
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		<title>Storymoja Blog – Blow your reader’s mind away</title>
		<link>http://storymojaafrica.co.ke/main/2010/02/storymoja-blog-blow-your-reader%e2%80%99s-mind-away/</link>
		<comments>http://storymojaafrica.co.ke/main/2010/02/storymoja-blog-blow-your-reader%e2%80%99s-mind-away/#comments</comments>
		<pubDate>Mon, 22 Feb 2010 05:30:30 +0000</pubDate>
		<dc:creator>Storymoja</dc:creator>
				<category><![CDATA[News]]></category>
		<category><![CDATA[Reading]]></category>

		<guid isPermaLink="false">http://storymojaafrica.co.ke/main/?p=2144</guid>
		<description><![CDATA[This editor has at certain times sworn never to read romance novels, the likes of Mill&#038;Boon, Harlequin and so on. Truth be told the said swearing has been in the presence of a certain very harsh presence. Now I just admit to reading Bayou Murder Mysteries. But have you ever wondered why it is that those popular fiction writers sell so incredibly much?]]></description>
			<content:encoded><![CDATA[<div style="padding-left: 60px;"><span style="font-size: small;">This editor has at certain times sworn never to read romance novels, the likes of Mill&amp;Boon, Harlequin and so on. Truth be told the said swearing has been in the presence of a certain very harsh presence. Now I just admit to reading Bayou Murder Mysteries. But have you ever wondered why it is that those popular fiction writers sell so incredibly much? </span></div>
<p>&nbsp;</p>
<blockquote>
<div><span style="font-size: small;"><strong><em><span style="color: #808080;">Word of the Week</span></em></strong></span></div>
<p><em><span style="color: #808080;"><br />
</span></em></p>
<h5><span style="font-size: small;"><strong><em><span style="color: #808080;"></p>
<div id="attachment_1475" class="wp-caption alignleft" style="width: 250px"><a href="http://storymojaafrica.files.wordpress.com/2010/02/bayou.jpg"><img class="size-full wp-image-1475" title="Bayou" src="http://storymojaafrica.files.wordpress.com/2010/02/bayou.jpg" alt="" width="240" height="159" /></a><p class="wp-caption-text">Bayou</p></div>
<p></span></em></strong><strong><em>Bayou</em></strong><em><span style="color: #808080;"><span style="font-weight: normal;">: a body of water typically found in flat, low-lying areas; either refer to extremely slow-moving stream or river, or to a marshy lake or wetland. Bayous are commonly found in the Gulf Coast of the southern United States, particularly the Mississippi River region, with the state of Louisiana being famous for them. A bayou is a minor braid of a channel that is moving much more slowly than the main stem, so becomes boggy and stagnant. Many bayous are home to crawfish, shrimp, shellfish, catfish, and alligators. Beautiful country apparently, and prime material for murder stories, serial killer hideout, and predator (human and animal) terror.</span></span></em></p>
<p></span></h5>
</blockquote>
<p>&nbsp;</p>
<div><span style="font-size: small;">Don&#8217;t get me wrong, I am not telling to jump over into the Romance department, or perhaps base your murder mysteries on the Bayou. So what am I saying?</span></div>
<p>&nbsp;</p>
<div><span style="font-size: small;">Going back to those Romance novels that I never read but might have read one or two some, say, 10 years ago. I remember quite distinctly reading a novel, I am not sure now who the writer was, but I damn sure remember the story. It was about two boys, best friends, who when they were about 8 or 9 experienced something from the twilight zone. Holding hands as they ran down a hill, one boy fell through a port hole into an alternate reality. ( I might have mentioned I am also a science fiction junkie.)</span></div>
<p>&nbsp;</p>
<div><span style="font-size: small;">In the alternate world, the boy is found on a mountain and accepted by the people of that land as the &#8216;chosen one&#8217;. He is raised as a warrior, and becomes a force to reckon with for the enemy nations around the people that take him up. His &#8216;new&#8217; people appoint him King. In the &#8216;our&#8217; world, the boy who is left behind develops schizophrenia and is hospitalised through much of his life, until one young psychiatrist woman decides to investigate what might have triggered &#8216;real world boy/schizophrenic&#8217;s illness. </span></div>
<p>&nbsp;</p>
<div><span style="font-size: small;">So she travels all the way to Wiltshire, England ( where the Stonehenge monuments stand). While wandering around the area, she falls right into the very same port hole that &#8216;alternate boy/warrior&#8217; fell through. Inadvertently she has fulfilled a prophecy that stated that the king-warrior&#8217;s bride would fall from another world. Although she falls in love, eventually (romance novels have this formula of convolution) she decides to return home. A great wizard facilitates this return, and in tears she leaves her great lover.</span></div>
<p>&nbsp;</p>
<div><span style="font-size: small;">Of course the story is not over. Psychiatrist lady goes back and convinces everyone, I can&#8217;t quite remember how, that &#8216;real&#8217; world boy is as sane as anyone. She facilitates &#8216;real world boy&#8217;s return to normal life. Turn out he is quite a genius/mathematician. One of the person he meets is a physics professor who is researching time, space in the realms within physics. Corny, but when psychiatrist woman meets physics proffesor, turns out he is the exact image of the great wizard who shuttled her back. </span></div>
<p>&nbsp;</p>
<div><span style="font-size: small;">I am guessing you can see the other double we would be looking for. Tribulations, trials, blah blah blah, and we have everyone getting what they want. A king-warrior for the other world, a quite cop for this world, a great wizard for that world, and a great physicist for this world. People get their lovers, even work out how to merge it all up, and the story concludes with the reader in tears. No, not me, it was just something in my eye.</span></div>
<p>&nbsp;</p>
<div><span style="font-size: small;">By now you are wondering what in the world this meandering is about.</span></div>
<p>&nbsp;</p>
<div><span style="font-size: small;">Simple: There is what the writer wants the story to be. And there is what the reader wants from the story.</span></div>
<p>&nbsp;</p>
<div><span style="font-size: small;">Take some quiet time to contemplate. What is more important? What </span><em><span style="font-size: small;">the writer</span></em><span style="font-size: small;"> wants? What </span><em><span style="font-size: small;">the reader</span></em><span style="font-size: small;"> wants? </span></div>
<p>&nbsp;</p>
<div><span style="font-size: small;">Trust me you will never grow as a writer unless you figure this out. Your answer is what will determine the path you will take in your writing career. And I am not giving you the answer. I have <em>my</em> answer. But you are very welcome to share your opinions in the comments section.</span></div>
<p>&nbsp;</p>
<div><span style="font-size: small;">I am instituting a new feature. We are going to call it </span><strong><span style="font-size: small;">Word of the Week</span></strong><span style="font-size: small;">. I would really appreciate your input in this because if you leave it to me, you might end up with words like egomaniacal, lecher, and lupine which are not bad words in themselves but are words that describe my feelings towards a certain very irritating iconoclast. So why dob&#8217;t you send in your suggested word of the week to <a href="juliet@storymojaafrica.co.ke">juliet@storymojaafrica.co.ke</a>. Please label your subject: Word of the Week. Must have word, definition and etymology.</span></div>
<p>&nbsp;</p>
<div><span style="font-size: small;">And now to this week&#8217;s readings:</span></div>
<p>&nbsp;</p>
<div><span style="font-size: small;">We begin with another Adam vs Eve debate-<strong><span style="color: #ff00ff;"><a href="http://storymojaafrica.wordpress.com/relationships/long-distance-relationships-a-license-to-cheat-by-adam-vs-eve/"> </a><span style="color: #ff00ff;"><a href="http://storymojaafrica.wordpress.com/relationships/long-distance-relationships-a-license-to-cheat-by-adam-vs-eve/">Long Distance relationship</a></span></span></strong><span style="color: #ff00ff;"><a href="http://storymojaafrica.wordpress.com/relationships/long-distance-relationships-a-license-to-cheat-by-adam-vs-eve/">s</a></span>: <em>Human being is a love freak, who is in love with the self and not the partner. They are innately selfish, narcissists. Proof? The number of extremely beautiful women married to extremely ugly men?</em></span></div>
<p>&nbsp;</p>
<div><span style="font-size: small;">Then we have another of Mwangi Ichungwa&#8217;s out of this world mind-blasters &#8211; <strong><span style="color: #ff00ff;"><a href="http://storymojaafrica.wordpress.com/writing/the-meet-by-mwangi-ichungwa/"><span style="color: #ff00ff;">The Meet</span></a></span></strong>: <em>Lucifer burst out laughing, a markedly creepy sound in the leather and wood cocoon they were cruising in. “You said </em></span><span style="font-size: small;"><em>shit</em></span><span style="font-size: small;"><em>!” He leaned out of the window, “You hear that world? Christ said a bad word!” </em></span></div>
<p>&nbsp;</p>
<div><span style="font-size: small;">You think we are done with Mind-blasters? Here is another one by Gideon Chumo &#8211; <strong><a href="http://storymojaafrica.wordpress.com/culture/pains-shortlisted-by-gideon-chumo/">Pains Shortlisted</a></strong>: <em>In fact, nowadays I yell because I think God won’t hear my petitions otherwise. Fate smiles my way and I am called for an interview. </em></span><span style="font-size: small;"><em>Bon chance!</em></span><span style="font-size: small;"><em> I encourage myself and think of my creative talent as I build my air castle before the interview panel.</em></span></div>
<p>&nbsp;<br />
<span style="font-size: small;">Would you like to blow our minds away next week? Please send in your piece, not more than 1250 words long, in word attachment to blogs@storymojaafrica.co.ke before Friday 4pm. In the meantime, please read, critique and vote for this week&#8217;s stories. </span><span style="color: #2a2a2a;"><span style="font-size: small;">At the end of the week, the votes will be tallied and the story with the most votes will posted on the </span><strong><span style="color: #ff00ff;"><a id="d9hd" title="Storymoja Website" href="http://www.storymojaafrica.co.ke/"><span style="font-size: small;">Storymoja Website</span></a></span></strong><span style="font-size: small;"> as the Story of the Week on the Friday of the same week.</span></span><br />
&nbsp;</p>
<div><span style="color: #2a2a2a;"><span style="font-size: small;">Thank you and have a wonderful week!</span></span></div>
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		<title>A WORD FOR HAITI</title>
		<link>http://storymojaafrica.co.ke/main/2010/02/a-word-for-haiti/</link>
		<comments>http://storymojaafrica.co.ke/main/2010/02/a-word-for-haiti/#comments</comments>
		<pubDate>Fri, 19 Feb 2010 14:04:43 +0000</pubDate>
		<dc:creator>Storymoja</dc:creator>
				<category><![CDATA[News]]></category>

		<guid isPermaLink="false">http://storymojaafrica.co.ke/main/?p=2128</guid>
		<description><![CDATA[Blacklondoners Appeal,  a London based  group are calling on all writers for contribution of short stories, poems and lyrics to a collection of works to be published in May 2010.  The book, A Word for Haiti, will be part of BlackLondoners year long appeal to raise  funds for Haiti.]]></description>
			<content:encoded><![CDATA[<div id="_mcePaste">
<div id="_mcePaste">Blacklondoners Appeal,  a London based  group are calling on all writers for contribution of short stories, poems and lyrics to a collection of works to be published in May 2010.  The book, <strong>A Word for Haiti</strong>, will be part of BlackLondoners year long appeal to raise  funds for Haiti.</div>
<div>
&nbsp;<br />
<div id="attachment_2129" class="wp-caption alignleft" style="width: 367px"><a href="http://storymojaafrica.co.ke/main/wp-content/uploads/2010/02/Haiti.jpg"><img class="size-full wp-image-2129 " title="Haiti" src="http://storymojaafrica.co.ke/main/wp-content/uploads/2010/02/Haiti.jpg" alt="" width="357" height="241" /></a><p class="wp-caption-text">Haiti</p></div>
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<div id="_mcePaste">BlackLondoners Appeal is about grassroots organizations and communities coming together to help raise funds, raise awareness and help keep the focus on Haiti long after the cameras are gone.</div>
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<div id="_mcePaste">Yetunde Ruban, the Appeal Coordinator says “although the appeal is a response to the 12 January disaster in Haiti, the book will be a celebration of Haiti’s culture, its people, its art, and Haiti’s place in world history, in particular its role in the emancipation of black people everywhere.   A Word for Haiti will stand as testament to the enduring spirit of the Haitian people and a reminder of their pre-eminent place in world history.”</div>
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<div id="_mcePaste">Proceeds from the sale of the book will be donated to the Lambi Fund of Haiti.  Writers should send their work to <a href="word4haiti@blacklondonerappeal.com">word4haiti@blacklondonerappeal.com</a> The closing date for all submissions is <strong>20 March 2010.</strong></div>
<p>&nbsp;</p>
<div id="_mcePaste">website: <strong><a href="www.blacklondonerappeal.com">www.blacklondonerappeal.com</a></strong></div>
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<div id="_mcePaste">Contact: <strong><a href="yetunde@blacklondonerappeal.com">yetunde@blacklondonerappeal.com</a></strong></div>
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		<title>Story of the Week – Chicken Crossing</title>
		<link>http://storymojaafrica.co.ke/main/2010/02/story-of-the-week-chicken-crossing/</link>
		<comments>http://storymojaafrica.co.ke/main/2010/02/story-of-the-week-chicken-crossing/#comments</comments>
		<pubDate>Fri, 19 Feb 2010 13:30:29 +0000</pubDate>
		<dc:creator>Storymoja</dc:creator>
				<category><![CDATA[Free Stories]]></category>
		<category><![CDATA[News]]></category>

		<guid isPermaLink="false">http://storymojaafrica.co.ke/main/?p=2133</guid>
		<description><![CDATA[The farms nurtured. They bore fruits and extended to each man an affiliation limited only by his talent, his dexterity, and his enthusiasm and aptitude for labour. For Smokie Joe and his kin, a yearning had been roused and conque...]]></description>
			<content:encoded><![CDATA[<p>Your votes are in and this week’s Story of the Week is…</p>
<h3><span style="color: #ff00ff;">Chicken Crossing by Gideon Chumo!</span> Read it below&#8230;</h3>
<p>Congratulations Gideon!</p>
<p>Would you like your story to feature here, please send in your work, in word 97-2003 format, and not more than 1200 words to <a href="http://storymojaafrica.wordpress.com/page/blogs@storymojaafrica.co.ke."></a><a href="http://storymojaafrica.wordpress.com/page/blogs@storymojaafrica.co.ke.">blogs@storymojaafrica.co.ke.</a> We will be awarding one of our readers and contributors every month, so be sure to send in your work or comment on the featured stories.</p>
<p>Do you have any ideas about how to make your weekly reading more fun? Please send your suggestions to <a href="mailto:blogs@storymojaafrica.co.ke">juliet@storymojaafrica.co.ke</a>today. Join us here on Monday for the next batch of stories and be sure to vote for the next Story of the Week.</p>
<h1><span style="color: #ff00ff;"><a href="http://storymojaafrica.wordpress.com/culture/chicken-crossing-by-gideon-chumo/">Chicken Crossing by Gideon Chumo</a></span></h1>
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<p><strong><br />
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<div id="attachment_2134" class="wp-caption alignleft" style="width: 138px"><a href="http://storymojaafrica.co.ke/main/wp-content/uploads/2010/02/farm.jpg"><img class="size-thumbnail wp-image-2134" title="farm" src="http://storymojaafrica.co.ke/main/wp-content/uploads/2010/02/farm-128x128.jpg" alt="" width="128" height="128" /></a><p class="wp-caption-text">Farming </p></div>
<p>At the inception of the chicken century, the sons of men pounced on the farms with obstinate wills and sincere and unyielding ambition. The earth fed greedily on their energies and nourished in ecstasy. They inflated her abdomen until it ruptured and gave birth to a thousand hamlets and wheat fields, a thousand paved roads and muddy paths, a thousand granaries and barnyards and abattoirs and butcheries.</p>
<p>The farms nurtured. They bore fruits and extended to each man an affiliation limited only by his talent, his dexterity, and his enthusiasm and aptitude for labour. For Smokie Joe and his kin, a yearning had been roused and conquered. But for us animals and our kith, life proposed no such promise or connection. We came from the wrong places, the forests, the wilderness; we came strapping, fervent, penetrating and unrefined.</p>
<p>The farms declined our offers and we took refuge back into the woodlands, along water points and underground abodes. We re-organised and cut deals with sons of men. We traded the use of our brute force and our sinewy muscles for food and security. We tilled farms and dragged carriages, we laid eggs and produced milk, and in hushed harassment and aggrieved arrogance, we desired, and endured in quest for our own dream; that we could live in liberty, finally, and rise to welcome life with might and majesty or suchlike simplicity, life could accord.</p>
<p>And there were hard battles and so were sweet victories, fortifying the communal might of the Animal Revolution. We fought and tasted triumphs, tackling a new dream that consumed equality and allegiance as its energy. We were kings, and life was promising, bursting, and blooming. The calves, lambs and chicks of change that would make our generation a cringing, cowering, subdued, and pacific generation had not yet been conceived.</p>
<p>Well, that’s gone with the wind now. It’s an animal dream crushed, and just half a chicken century after the glorious Animal Revolution. Neighbouring farms, earlier on liberated, have been lost back to the descendants of Smokie Joe, who now dominate the landscape with might and power. Ask Dog—never has he felt so servile in his life than to Smokie Joe. He only has to see his pipe on his desk to feel undersized. He has only to smell his cigar and he gets timid like a mare—even now when he looks at his boots, stepping on that the gas pedal, taking us for a ride, so flexible and springy, he feels his heart sinking, as they say, into his paws.</p>
<p>Mine too, that’s why I sometimes plant my chicken shit right inside those boots, accidentally of course, as poetic justice. I guess, it’s those old, biased ‘accepted wisdom’ fed into us as young pups and chicks. Dog has sleepless nights (for our sake) thinking up ways to ruin Smokie Joe without being found out. Perhaps cut the brake cables of his truck, but then, we almost always ride in it and that would spell doom for all of us.</p>
<p>His three boys toil too, on the farm, and the two girls hide in the kitchen, perfecting skills, as plain Janes do (sad but true), being useful only in culinary arts and in housekeeping for what they lack in looks. Smokie Joe has to look at himself in the mirror to know where they got their deficient looks—and perhaps their dexterity. And as the boys hanker after bean-stalk cutes in short-skirts that can’t boil tea, they rust on the shelf. Sometimes at night around the kitchen table, they help the servants shell French beans; their wages, after powder for their dull faces, can’t even keep me in shoelaces, assuming I have shoes. Poor girls! Poor servants! They are just like the rest of us animals.</p>
<p>That’s why Smokie Joe has to run the farm with might and muscle—and only when he’s around. Right now, I bet you, as we drive to town, you wouldn’t find any servants at home. They would have taken a French leave to rave and crave in honour of the free occasion. Last night, when Ol’ Trevor developed complications, and had to be taken to the veterinary clinic, Smokie Joe ordered them to be around, just in case, as he wouldn’t return until this morning, and gave them explicit instructions to stick in the compound. The briefing was enough, we well knew, to insure their immediate departure, all and sundry, as soon as his truck hit the road.</p>
<p>The evening breeze, as sharp as a Somali sword, slices over our heads and we all cower at the back of Smokie Joe’s old truck. It negotiates the bumps and cruises round the hilltop with loud threats of speed. He shifts the gears carefully and peeks at us from time to time, as if we would jump off the truck! He is only met by Ol’ Trevor who, in her mournful eyes, is staring into empty space as she chews the morning’s cud; Dog and Cat are busy quarrelling, as they usually seem to be doing. I am the only one who seems collected and calm, and perhaps the eldest, north of fifty—in chicken years, that is!</p>
<p>A Cattle Crossing poster hangs dejectedly at the bend and it seems to have been written by a drunken monkey. Smokie Joe lights his pipe, and hums to the music from the car stereo.</p>
<p><em>You’ve been riding<br />
You’ve been riding quite a while, child<br />
(keep on riding, keep on riding)<br />
You’ve been jiving<br />
Like a peacock, that’s your style<br />
(keep on jiving), ooh (keep on jiving)</em></p>
<p>Smokie Joe puffs his pipe with unembarrassed and contented air, exhaling as if he has summed up the world in a phrase, or perhaps his own world.</p>
<p>Mrs Mabel waves; she’s a senior spinster and neighbour. Smokie Joe has a soft heart towards her, so he pulls to a stop, and they chit-chat. She has lost Daffy again, her favourite nanny-goat, and the only one she has. She peers, from time to time, into the distant bush searchingly, like a starved dog that can’t remember where he had hidden a bone.</p>
<p>Then her peeping eyes of poverty stare at the ‘goodies’ at the back of the truck. The disappointment of their search—perhaps for a goat track that would guide her back to a monarchy of realistic happiness—keeps them wary and cagey. She hadn’t done so well on the farm business, like Smokie Joe, but still retained that matriarchic authority about her. All her suitors were would-be inheritors of large wheat fields, and of course, she had hoped to settle down with one and raise her family on huge plantation tracts with plenty of servants. But man proposed—and woman accepted the proposal, if I am to contrast that ageing maxim modestly.</p>
<p>She leans at Smokie Joe’s half-opened window, but withdraws when the fumes hit her nose. Smokie Joe hums to the radio’s tune.</p>
<p><em>You’ve been riding quite a while<br />
(keep on riding), keep on, ride (keep on riding)<br />
Ooh, wait till I get my hooks on you<br />
I’ll show you what a fisherman can do</em></p>
<p>‘Where are you taking my likkle darlings?’ She asks, throwing another generous look at the eggs in the tray.</p>
<p>‘Ol’ Trevor had a miscarriage last night; she has been uneasy all day, so I’m taking her back to the Vet. Nana here has chicken flu. I guess Titi and Toto just hopped along.’</p>
<p>‘Shall I have a tray then, I’ll surely pay you at the end of the week.’ She begs, still gazing expectantly at the tray, her mouth hanging open, wide enough to allow in a swarm of flies. Her pitiful eyes are dramatic, they are always so lively and gay, and explains why she almost always get away with every bout of begging. Today she forgot her eyeglasses and obviously didn’t apply her sun-repellent lotion in her anxiety, and light has starved the rosy dimples in her cheeks and depressed the lilied tint of her face, to give a shade blacker than Daffy’s coat.</p>
<p>Smokie Joe grudgingly lifts a tray and hands over to her—an example of his ‘widow and ol’ spinster’ charity—loving his crooked neighbours with his crooked heart.</p>
<p>‘But you can have it for keeps,’ he changes his mind, ‘if you ride alongside me, of course. I won’t be long. That way, we can come and look for your nanny together.’ And he puts his hands at the side pockets of his dungaree, exaggerating his manliness.</p>
<p>‘But, but…’ She blushes, and starts drawing sketches on the dashboard. Perhaps Smokie Joe has inspired poetic imagination in her, but they are only some knick-knacks of writing, such as a baby with an author’s pen might make for idleness or for practice</p>
<p>She gives in, in spite of herself, and opens the front door, enters and sits, in her queenly grace.</p>
<p>Smokie Joe is being sensible because he knows she won’t pay back, that easy, for that tray—they almost never repay! He has lost four shrewd neighbours for good by loaning them money and hoping they’d keep their word; they keep his money instead! He assumes they feel he doesn’t miss his money. He expects them to feel embarrassed, as he would have, if they did not repay him. Still, he was not about to lose another by refusing her a ‘tray’ loan.</p>
<p>Smokie Joe winds the side window for her and hits the road, cruising softly, as before. He throws us a distant look, increases the volume in the car stereo and settles to smoke his ‘eternal’ pipe. He whistles to the lyrics.</p>
<p><em>At Christmas, more like an Easter bunny<br />
Just like a rabbit, you’re always on the run<br />
But wait till I get my trap on you<br />
I’ll see where you gonna run to<br />
Wait till I get my trap on you<br />
Then I’ll see where you gonna run to</em></p>
<p>‘That shong ish about Mishis Mabel.’ Dog suggests, lifting his ears as if to listen to the lyrics.<br />
‘You have more fur than brains!’ Cat teases Dog, ‘And more foolishness than fur!’<br />
‘You have more wormsh than shtomach.’ Dog retorts.<br />
‘More fur than intelligence? I love that.’ Cow agrees.</p>
<p>‘Lishten to me you shilly gooshe.’<br />
‘Why must I listen? I know who ate Mrs Mabel’s Bunny, last Christmas!’<br />
‘Thish ish no time for bloody nonshenshe, it ish sherioush.’<br />
‘When you want somebody to listen it ish sherioush.’ Cow joins, imitating the lisping Dog.<br />
‘Cow never know de ushe of him tail till de butcher cut it off!’ Dog digresses, hitting at Cow.<br />
‘Let sleeping dogs lie.’ The cow challenges back.<br />
‘Every dog hash hish day!’ Dog balances the battle of puns.</p>
<p>‘That’s why you have more hair than intelligence!’ Cat goes on.<br />
‘If the cover of the shalt shaker hides the shalt, then it ish more than the shalt. And sho the hair that coversh my intelligence ish more than the brainsh, for the lessh cannot hide the greater.’ Dog justifies himself.</p>
<p>‘Miaw.’</p>
<p>‘Moo.’</p>
<p>‘Bow-wow.’</p>
<p>They go talking about origins, that the ancient line of his great grandfather was descended from the very Dog that Ceausescu had seated in the House of Senate, with full ranks of a Comrade and even saluted by other Comrades.</p>
<p>‘Each day you tell that fairy-tale, you find different ways to tell it, different crap to spice it up.’ Cat sneers.</p>
<p>‘I’m shpicing up nothing. I’m telling you the factsh of my genealogy. They imported bishcuit from Harrods for my anceshtor, and delivered through the Romanian Embasshy in London. We were kingsh!’</p>
<p>‘But the trouble is—no liberty! A hungry dog believesh in nothing but meat.’ He muses dreamily but wakes up at once! ‘It’sh the shame with me—I can think of nothing but liberty.’</p>
<p>They roar rumbustiously with laughter at their dull dry jokes, but Doggy dries a tear when Cat informs him about the death of her kitten, and stretches, yawns, sighs, and groans like any other Dog with a rendezvous at the back of his mind. He then pokes his head against the railing of the truck unconsciously, and begins to pant, mechanically lolling out his tongue.</p>
<p>‘Why is it that,’ Cat asks, ‘dogs always feel a sweet sensation when they poke out their heads out of car windows?’</p>
<p>‘Like in Bolt? He watches too much TV and Bolt!’ Cow suggests, and they all go into giving opinion about our favourite character, Bolt.</p>
<p>The air is electric and crunching and shouting out with opinions, and they pretend they have some. Each one of us animal has opinions to give, and they are demanded in return. They misinterpret my absence of opinion as opinion.</p>
<p>Smokie Joe doesn’t shout at us to stop the incessant noise, but instead, he increases the volume in his stereo.</p>
<p><em>Ooh-ooh<br />
Old Mr. Joe, he build a house away<br />
On top of some hill<br />
Old Mr. Joe knew he had to go, so he<br />
He got right down and wrote bank will<br />
He say now, here’s to Mother Hen<br />
And her Chicken, Lord have mercy now</em></p>
<p>‘Why not perfect your acting shkills by watching more Tom and Jerry?’ Dog says to Cat, after Bolt’s intelligence is ridiculed. ‘What a shtray Cat! You shall go back to the shtreets where all condemned catsh live!’</p>
<p>‘Shut up, Doggy, you can’t! You haven’t the invention of a cockroach! Can you fast for a week with bran and water?’ Cat asks.</p>
<p>‘Yesh, and alsho pray for a month with moushe and pigeon.’ Replies Dog.</p>
<p>‘Sshh!’ I warn, ‘when Chicken merry, Hawk de near! Why don’t you be reasonable like Ol’ Trevor here?’ I plead.<br />
‘Shut up, you, chicken heart! Don’t you know that a totally reashonable cow is alwaysh pregnant and calving, haha!’ Dog teased.<br />
‘Calves are a blessing from Taurus!’ Trevor could hardly restrain herself.<br />
‘Well, Taurus can have the pupsh and bitchesh back!’ Dog went on.</p>
<p><em>Master, will you take a roll in the mud<br />
Like you know you should?<br />
The old barnyard, the old barnyard<br />
Birds and the Chicks, ooh-wee<br />
Who’s got to watch out for Brother Mongoose<br />
With his top hat and walking-stick?</em></p>
<p>The truck speeds past the mulberry plantation that is even mentioned in the encyclopaedia.</p>
<p><em>It’s just the poor’s brain washing<br />
(Poor’s …) They told me a long time ago,<br />
It’s just the poor’s brain washing, ooh-wee<br />
(Poor’s brain washing) Now look at a thing like this</em></p>
<p>At the Zebra Crossing, we meet Mini, Dog’s half-sister, wobbling in the mud-spattered pot-holed section of the road with the energy levels of a starving village mongrel. Smokie Joe slows down, to let her get out of the road. He becomes impatient and gives a deafening hoot for the silly bitch to get out of the way. She doesn’t. She has recognised Ol’ Trevor and is barking madly, coming towards the truck. We make telepathic noise and even Smokie Joe recognises her in his smoky mind.</p>
<p>‘Be careful now, ol’ un!’ Mrs Mabel warns.</p>
<p>He gets out of the car and hoists her to the back of the truck. He is so mechanical, he doesn’t even think about it. In a while, we are riding once again like before, him curiously blowing smoke into the air like a Victorian steam locomotive.</p>
<p><em>Cinderella and her long lost fellow<br />
In the midnight hour, she lost her silver slipper<br />
Humpty Dumpty sat on a wall<br />
While Jack and Jill had themselves a fall</em></p>
<p>Dog breaks the pregnant silence in an actor’s voice. ‘Forgive me my shweet lady, but I haven’t had chanche to shay “hidy dey do’’ to you.’ He tries to kiss Mini’s paw but she pulls it away.</p>
<p>‘Spare me Doggy; I am not in the mood for nonsense. If I permit you to kiss my paw you’ll be yearning for my elbow next, then my shoulder!’ She was offended.</p>
<p>‘Oh, you won’t return my compliment becaushe you are not in the mood. Oh, the logic of bitchesh! Come to think of that, I never have liked bitchesh; I could do without their shillinessh! Thank God I’m no daughter of a bitch! Mutton dresshed as lambsh! Jusht to shee one in the dishtance getsh me horny. My shaliva shtarts pouring with rage.’</p>
<p>‘You can’t touch us, Doggy, we are the emancipated bitches. ALL ANIMALS ARE EQUAL! No more incest! How can children be fathers of their own brothers? We can’t be the very same to our mothers who bore us! To be son and husband—the very same who mount their father’s beds still wet with their mother’s milk! What inglorious shamelessness?’ Mini sounds seriously disturbed.</p>
<p>‘All animalsh are equal but shome of ush are more equal.’ Dog adds, looking greedily at Mini’s shy tits, like he never turned down a third course of any meal.</p>
<p>‘Your depraved psychosis will plague this land. O thunderbolts, where art thou? But what use for the thunder? O precious villain!’ Mini swears, but she knows, as much as I do, that her trepidation to bring down a piece of the sky is only a vacant boasting. That’s the noble office for my husband, for when he crows early in the morning, the sky and Sirius star obeys him and comes out of the sky, and dawns listens to his crows. For Doggy, Smokie Joe’s leash is enough.</p>
<p><em>It’s just the poor’s (… brain washing)<br />
And I don’t need it no longer (… washing)<br />
It’s just the poor’s brain washing<br />
Coming through to a poor man’s child, ooh-wee, look at this</em></p>
<p>Smokie Joe slams the brakes so hard and abruptly. The truck jerks. Swerves from the left. Swings to the right. My chicken heart comes to my beak and I shake. And before we know it, we have hit a nanny goat, and on a Cattle Crossing sign! She now lies in a pool of blood, kicking the last kicks of dying horse—nanny, before finally succumbing to her internal injuries.</p>
<p>Baa, baa black sheep. Baa baa have you any wool? Baa…dead!</p>
<p>‘Oh my Living God!’ Cries Mrs Mabel. It’s her lost Daffy.</p>
<p>But Smokie Joe only gets out of the truck to asses the damage on his bumper. Then comes behind the truck and curses at the careless number of eggs that has broken. Throws us his meanest looks, but never for once ask us how we are feeling, he just goes back to his steering wheel, trying to restart the stalled old truck. My feathers are still ruffled.</p>
<p>‘You killed her!’ Mrs Mabel stares disbelievingly at her favourite nanny. ‘Only you Smokie Joe, can do this! Told you to drive slowly, didn’t I?’ She gives him a ‘didn’t-I-tell-you’ look, but obviously knows its futility. Even Mrs Columbus with her cold shoulder couldn’t have prevented her husband from that carelessness of going out to sea and discovering America.</p>
<p>‘Why do goats keep crossing these roads so slowly?’ Smokie Joe keeps swearing. ‘Why can’t they learn like the dogs?’ Something occurs to him, and suddenly he seems so surprised, finally, although I didn’t see anything about the death of a nanny goat on the road that went beyond the bounds of the ordinary. His eyes look away from where Daffy lies, as though he had thoughts to hide. His pipe shakes for once in his lower lip.</p>
<p>The dead nanny lies, as dead nannies always do, in a uniquely dreary monochrome, her rigid limbs slouched in the rough tarmac, with the head forever bowed to the yellow sign. Her pallid brow with bare patches over her depressed eye-socket had been re-organised by the screeching tyres. The ears had subdued, and in the way typical to the dead, the jutting muzzle seemed to compress the almost popped out tongue.</p>
<p>She had transfigured divinely and had grown even fatter since I last saw her, but, as is always the case with the dead; her countenance was more composed and above all more venerable than when she lived. The dead still looked peaceful—never mind if Orwell got terrified by dead humans he saw when he was supposedly shooting down rogue elephants. The appearance on Daffy’s face testified against it, and added that, what was crucial in her life had been consummated, and done properly with a nanny’s dignity.</p>
<p>Further more, there was in that dignified expression, a caution and a counsel to the living. This reproach, however, seemed an afterthought—don’t cross the road carelessly—or, as I felt, it was an out of place thing, at least not for my kind. We all stood there, paying our deepest last respects and feeling an assured discomposure, even Mrs Mabel hurriedly crossed herself once more, turned, opened and slammed the truck door— too hurriedly, and too disregarding of all her queenly decorum. I think she was oblivious or just too hysterical to care.</p>
<p>‘Why do they keep crossing the road like they were going to a wedding ceremony?’ Smokie Joe kept cursing, even after the truck had jump-started, and his music filled the mourning air.</p>
<p><em>Little Miss Muffet she sat on a tuffet<br />
While Little Red Riding Hood<br />
Delivered her grandmom’s food<br />
Ooh-wee ooh-wee<br />
Ooh-wee, look at one more thing like this<br />
The Cow jumping over the moon<br />
While the Dish got jealous,<br />
He grabbed the Handy Spoon</em></p>
<p>Yes, why indeed, were our kind—goats, sheep, cows, chicken, dogs and cats—dying on the roads day by day, in spite of the Zebra Crossings? The Cattle Crossings? Ol’ Trevor has the explanation, she read it somewhere in the Animal Farm Chronicles. Hearing the story from her would be like hearing the theory of relativity from Einstein himself.</p>
<p>A few chicken centuries ago, our ancestors shared a cab home after an evening out. At their destination, Cow paid her fare in full amount. That’s why she crosses the road majestically, gracefully, or sometimes, at her choosing, even doesn’t get out of the road at all, for she owes no one, nothing. Furthermore, she has a Cattle Crossing sign specially designated for her kind.</p>
<p>Goat paid half-amount, is why she moves out, but quite reluctantly, because she has to—she still owes a half-much!</p>
<p>But watch the dog as he crosses the road—always too fast! For he paid nothing! He’s on the wanted list, and drivers don’t get to hit him much too often because he darts like a female lizard being chased by her mate. He’s guilty. He’s afraid.</p>
<p><em>It’s just the poor’s brain washing<br />
And I don’t need it no longer, I don’t want it no longer<br />
I don’t need it no longer (…washing)<br />
And I don’t care for no more brain washing (… washing) …</em></p>
<p>Cow’s anxious eyes, still reeling from her personal loss, and now this, drift damply inside her yawning dark sockets; semi-cloaked by stern upper lids and weighed down heavily by bushy white brows. Deep furrows fan out from the soggy corner, stretch past the muzzle, and suddenly she puffs up her nose and licks at her snotty mouth.</p>
<p>Her old gaze is straight ahead, but at what? Perhaps at nothing. Some imperceptible target. Some parting point of exodus. I feel for her, it has to be the crossing business. Her kind has to learn the hard way. Even Chameleon learns to run faster when the forest is on fire. She stops chewing. She shakes her head as if to say this isn’t her head she has right now—something that used to belong to Shrek or Nemo.</p>
<p>The sun plays hide and seek with the fluffy clouds and genially swathes the oriental sky with an ornate layer of gold. We are heading back to the farm from the Vet. I’ve witnessed two more road carnages. The last one was a chick, barely a year old (in chicken years)! Where are Chicken Crossing signs, before all chicken are wiped out from the face of the road? Scattered like locusts all over the railway track and crushed to death in hundreds by passing trains? Bewildered creatures that will one day rise up in swarms from their graves and curse, ‘we never took a ride in your cab, yet you buried us by the roadside! Woe unto you?’</p>
<p>Who will run up against a hit-and-run truck that even after hitting you, keep on going and a-going and it won’t stop till the day Sirius hits Planet Mongo? Good thing, when I am done for, the wheel has run over me, I will have no reason to get anxious about the future. Death is just an old comic fool, but every animal sees him in a brand new costume. Until that day when wheels grind me, as I walk under the shadow of death, I will feel no fear, for I shall not be able to find consciousness! The Michelin tyre that would compress my skull down to the tarmac, shall help transport me to Sirius, which with its bluish light, has always caused wonder and terror in my husband’s mind, in fact I think he worships it as a divinity.</p>
<p>©RoundSquare 2008 <strong><a title="http://myroundsquare.blogspot.com/" href="http://myroundsquare.blogspot.com/">http://myroundsquare.blogspot.com/</a></strong></p>
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		<title>Cut Off My Tongue at USIU</title>
		<link>http://storymojaafrica.co.ke/main/2010/02/cut-off-my-tongue-at-usiu/</link>
		<comments>http://storymojaafrica.co.ke/main/2010/02/cut-off-my-tongue-at-usiu/#comments</comments>
		<pubDate>Wed, 17 Feb 2010 14:05:22 +0000</pubDate>
		<dc:creator>Storymoja</dc:creator>
				<category><![CDATA[Cut Off My Tongue]]></category>
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		<description><![CDATA[See it at USIU Auditorium, 2nd March 2010, 6pm.

Special Student Price: 500/=

Tickets Call 0724077524, 0729298157]]></description>
			<content:encoded><![CDATA[<div id="_mcePaste"><strong>Cut Off My Tongu</strong>e will leave you speechless! It rants, sweats, and breaks into song and dance as it explores the truths that shape us Modern Africans: Our beliefs, the way we behave and why. Woven into music and dance, Sitawa Namwalie&#8217;s dramatised poetry is moving and frighteningly honest. It is politics &#8211; and love &#8211; that bites as it teases!</div>
<div></div>
<div id="_mcePaste">See it at USIU Auditorium, 2nd March 2010, 6pm.</div>
<div></div>
<div id="_mcePaste"><strong>Special Student Price: 500/=</strong></div>
<div></div>
<div id="_mcePaste">Tickets Call 0724077524, 0729298157</div>
<div id="attachment_2125" class="wp-caption alignleft" style="width: 601px"><a href="http://storymojaafrica.co.ke/main/wp-content/uploads/2010/02/Poster-COMT.jpg"><img class="size-full wp-image-2125" title="COMT template" src="http://storymojaafrica.co.ke/main/wp-content/uploads/2010/02/Poster-COMT.jpg" alt="" width="591" height="838" /></a><p class="wp-caption-text">Cut Off My Tongue</p></div>
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