Technique | Craft > Recording, Sound Design, Mixing on Movies, TV, Commercials and Music Videos | Studio Daily

Record, Decode and Edit Surround Sound with Holophone’s H4 Supermini or Portamic 5.1

Tue, 1 Jul 2008 0:00:00 EDT

There are three methods to decode Dolby Pro Logic II– encoded audio using a hardware-based workflow: with Holophone D-CODE; with an A/V receiver that has a built-in Dolby Pro Logic II...

Remove Unwanted Noise from Clips in Apple Soundtrack Pro 2

Tue, 1 Jul 2008 0:00:00 EDT

In this tutorial, the objective is to remove the unwanted noise without degrading the overall sound quality of the scene. Sounds that vary wildly in pitch are the most difficult to remove. Be mindful of your shooting environment and if you anticipate that a particular background noise will give you problems in post......

Record Time

Tue, 1 Jul 2008 0:00:00 EDT

Sound Devices is announcing the latest addition to its 7-Series line of digital audio recorders, the 788T eight-track recorder....

Re-Recording Mixer Rick Ash Joins Widget

Wed, 25 Jun 2008 0:00:00 EDT

Three-time Emmy Award-winning re-recording mixer Rick Ash has joined Widget Post, Los Angeles. Ash, who won his most recent Emmy last year for his work on HBO Films’ Bury My Heart at Wounded Knee, arrives from Todd-AO where his credits include more than 100 feature films....

Q&A: Louis Bertini, sound editor/mixer

Tue, 24 Jun 2008 0:00:00 EDT

Bertini is a veteran sound editor/mixer of numerous high-profile television shows, including all six seasons of HBO’s Sex In The City and the CW Network’s Life Is Wild. His specialty is automated dialogue replacement (ADR) and creating original sound effects....