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<?xml-stylesheet type="text/xsl" media="screen" href="/~d/styles/rss2full.xsl"?><?xml-stylesheet type="text/css" media="screen" href="http://feeds.feedburner.com/~d/styles/itemcontent.css"?><rss xmlns:feedburner="http://rssnamespace.org/feedburner/ext/1.0" version="2.0"><channel><title>[ sturtle.com ]</title><link>http://www.sturtle.com/home.html</link><description>New Orleans gay guy talks about gay stuff. And New Orleans stuff. And random junk.</description><language>en</language><managingEditor>noreply@blogger.com (richard)</managingEditor><lastBuildDate>Sun, 08 Nov 2009 09:08:38 PST</lastBuildDate><generator>Blogger http://www.blogger.com</generator><openSearch:totalResults xmlns:openSearch="http://a9.com/-/spec/opensearchrss/1.0/">1960</openSearch:totalResults><openSearch:startIndex xmlns:openSearch="http://a9.com/-/spec/opensearchrss/1.0/">1</openSearch:startIndex><openSearch:itemsPerPage xmlns:openSearch="http://a9.com/-/spec/opensearchrss/1.0/">25</openSearch:itemsPerPage><atom10:link xmlns:atom10="http://www.w3.org/2005/Atom" rel="self" href="http://feeds.feedburner.com/sturtle" type="application/rss+xml" /><feedburner:browserFriendly>This is an XML content feed. It is intended to be viewed in a newsreader or syndicated to another site.</feedburner:browserFriendly><atom10:link xmlns:atom10="http://www.w3.org/2005/Atom" rel="hub" href="http://pubsubhubbub.appspot.com" /><item><title>Adventures in speech-to-text</title><link>http://feedproxy.google.com/~r/sturtle/~3/omMXmHOu20k/adventures-in-speech-to-text.html</link><author>noreply@blogger.com (richard)</author><pubDate>Sun, 08 Nov 2009 09:08:38 PST</pubDate><guid isPermaLink="false">tag:blogger.com,1999:blog-210432.post-7722267721231683656</guid><description>For better or worse, I have a lot of writing to do these days, and much of it needs to be finished before I walk out the door to my day job. To be perfectly honest, it's become borderline overwhelming.&lt;br /&gt;&lt;br /&gt;To improve the situation (i.e. prevent myself from going bananas, and not the Rachel Zoe way), I first tried tweaking my sleep schedule and even my writing style, but eventually it became clear that I needed outside help. As I've mentioned before -- either here or on &lt;a href="http://twitter.com/sturtledotcom"&gt;Twitter&lt;/a&gt; -- I've opted for &lt;a href="http://www.amazon.com/Nuance-Communications-Inc-A309A-G01-10-0-NaturallySpeaking/dp/B001B5J7T8/sturtle"&gt;speech-to-text software&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;All has not gone as planned. In my head, I had this fairly romantic,&lt;span style="font-style: italic;"&gt; Star Trek&lt;/span&gt;-ish fantasy of easy, intuitive communications with my laptop. Sadly, that ain't the way The Dragon likes to roll. She's got a reasonably good vocabulary, but it takes a VERY long time to train her on the translation part. For weeks, it felt as if I were making so many corrections, I might as well have typed the stuff by hand.&lt;br /&gt;&lt;br /&gt;And that's to say nothing of the process of writing itself. See, as it turns out, &lt;span style="font-style: italic;"&gt;thinking and typing&lt;/span&gt; is much different than just &lt;span style="font-style: italic;"&gt;speaking into a microphone&lt;/span&gt;. Typing is obviously slower, it's hands-on, and it's visual: you type something you don't like, you back up and pen it again. There's a chance for reflection as you see your words pop onto the screen. Using speech-to-text, on the other hand, your mouth is moving in time with your brain -- possibly faster. It makes for long sentences, conversational tone, and a bigger chunk of editing when I finish. I've begun training myself to speak slower, reflect, and dictate more like I would if I were typing, but it's not easy, learning to think before you speak. (I could point to examples in the political realm, but I'm sure you could, too.)&lt;br /&gt;&lt;br /&gt;That said, the program and I finally seem to have reached something of a truce. I speak slowly and distinctly, pulling back on my emotions and inflection so that I don't confuse her. In return, she does a mostly good job with everything but proper names, and she's begun to shed her habit of tossing in extra "ands" and "withs". Things are livable.&lt;br /&gt;&lt;br /&gt;I wanted to show a couple of examples of the translation in action, but just to make things interesting (and completely useless), I've thrown Miss Dragon a couple of curve balls. You'll see what I mean:&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold; color: rgb(0, 0, 153);"&gt;&lt;/span&gt;&lt;blockquote style="color: rgb(0, 0, 0);"&gt;&lt;span style="font-weight: bold; color: rgb(0, 0, 153);"&gt;Opening passage from Nabokov's &lt;/span&gt;&lt;span style="font-style: italic; font-weight: bold; color: rgb(0, 0, 153);"&gt;Lolita&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold; color: rgb(0, 0, 153);"&gt;Original&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(0, 0, 153);"&gt;                Lolita, light of my life, fire of my loins. My sin, my soul.                    Lo-lee-ta: the tip of the tongue taking a trip of three steps                    down the palate to tap, at three, on the teeth. Lo. Lee. Ta.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold; color: rgb(0, 0, 153);"&gt;Translation&lt;/span&gt;&lt;br /&gt;&lt;span style="font-style: italic; color: rgb(0, 0, 153);"&gt;Lolita, light of my life, fire of my loins. My sin, my soul. Low-Lee-tot: the tip of the time taking a trip of three steps down the palate to tap, at three, on the teeth. Low. Lee. Top.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: rgb(0, 0, 153);"&gt;* * * * *&lt;/span&gt;&lt;br /&gt;&lt;/blockquote&gt;&lt;blockquote style="color: rgb(0, 0, 0);"&gt;&lt;span style="font-weight: bold;"&gt;&lt;span style="color: rgb(0, 0, 153);"&gt;Opening lines from &lt;/span&gt;&lt;span style="font-style: italic; color: rgb(0, 0, 153);"&gt;The Canterbury Tales&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-style: italic; color: rgb(0, 0, 153);"&gt;(Read in my best Middle English accent, courtesy of Dr. Nona Feinberg)&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold; color: rgb(0, 0, 153);"&gt;Original&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(0, 0, 153);"&gt;Whan that aprill with his shoures soote&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(0, 0, 153);"&gt;The droghte of march hath perced to the roote,&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(0, 0, 153);"&gt;And bathed every veyne in swich licour&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(0, 0, 153);"&gt;Of which vertu engendred is the flour;&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(0, 0, 153);"&gt;Whan zephirus eek with his sweete breeth&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(0, 0, 153);"&gt;Inspired hath in every holt and heeth&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(0, 0, 153);"&gt;Tendre croppes, and the yonge sonne&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(0, 0, 153);"&gt;Hath in the ram his halve cours yronne,&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(0, 0, 153);"&gt;And smale foweles maken melodye,&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(0, 0, 153);"&gt;That slepen al the nyght with open ye&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(0, 0, 153);"&gt;(so priketh hem nature in hir corages);&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(0, 0, 153);"&gt;Thanne longen folk to goon on pilgrimages,&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(0, 0, 153);"&gt;And palmeres for to seken straunge strondes,&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(0, 0, 153);"&gt;To ferne halwes, kowthe in sondry londes;&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(0, 0, 153);"&gt;And specially from every shires ende&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(0, 0, 153);"&gt;Of engelond to caunterbury they wende,&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(0, 0, 153);"&gt;The hooly blisful martir for to seke,&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(0, 0, 153);"&gt;That hem hath holpen whan that they were seeke.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold; color: rgb(0, 0, 153);"&gt;Translation&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(0, 0, 153); font-style: italic;"&gt;One that I pre-the which he sure is.&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(0, 0, 153); font-style: italic;"&gt;The draw of much have pasted to the Rocha,&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(0, 0, 153); font-style: italic;"&gt;and all that every then yukking speech to the core&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(0, 0, 153); font-style: italic;"&gt;of which there Chu and John for it is the floor; &lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(0, 0, 153); font-style: italic;"&gt;lines and if it is a good that he's safe to breath&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(0, 0, 153); font-style: italic;"&gt;in spirit hath in every Holton Keith&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(0, 0, 153); font-style: italic;"&gt;10 the Acropolis, and the on some&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(0, 0, 153); font-style: italic;"&gt;half in the round is half course you're on, &lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(0, 0, 153); font-style: italic;"&gt;and smaller file is mocking Ms. O'Dea, &lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(0, 0, 153); font-style: italic;"&gt;that second of the night with open ye&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(0, 0, 153); font-style: italic;"&gt;(so predicting hem not sure I need you quarter I just);&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(0, 0, 153); font-style: italic;"&gt;then long been sold to goon on to remind just,&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(0, 0, 153); font-style: italic;"&gt;and palmettos for second strongest wrongs,&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(0, 0, 153); font-style: italic;"&gt;to Ferne Hollis, not use laundry loans;&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(0, 0, 153); font-style: italic;"&gt;inspection of the from every she it is and that&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(0, 0, 153); font-style: italic;"&gt;of in the long to come the battery bay window, &lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(0, 0, 153); font-style: italic;"&gt;the only place will mark the fourth Seca,&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(0, 0, 153); font-style: italic;"&gt;that hem hath Holton one that they would expect.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: rgb(0, 0, 153);"&gt;* * * * * &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold; color: rgb(0, 0, 153);"&gt;Jacques Prevert: "Déjeuner du matin"&lt;br /&gt;&lt;/span&gt;&lt;span style="font-style: italic; color: rgb(0, 0, 153);"&gt;(A high school fave, for many obvious reasons: simplicity, angst, coffee, cigarettes)&lt;/span&gt;&lt;span style="font-weight: bold; color: rgb(0, 0, 153);"&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: bold; color: rgb(0, 0, 153);"&gt;Original&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(0, 0, 153);"&gt;Il a mis le café&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(0, 0, 153);"&gt;Dans la tasse&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(0, 0, 153);"&gt;Il a mis le lait&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(0, 0, 153);"&gt;Dans la tasse de café&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(0, 0, 153);"&gt;Il a mis le sucre&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(0, 0, 153);"&gt;Dans le café au lait&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(0, 0, 153);"&gt;Avec la petite cuiller&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(0, 0, 153);"&gt;Il a tourné&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(0, 0, 153);"&gt;Il a bu le café au lait&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(0, 0, 153);"&gt;Et il a reposé la tasse&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(0, 0, 153);"&gt;Sans me parler&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: rgb(0, 0, 153);"&gt;Il a allumé&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(0, 0, 153);"&gt;Une cigarette&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(0, 0, 153);"&gt;Il a fait des ronds&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(0, 0, 153);"&gt;Avec la fumée&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(0, 0, 153);"&gt;Il a mis les cendres&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(0, 0, 153);"&gt;Dans le cendrier&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(0, 0, 153);"&gt;Sans me parler&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(0, 0, 153);"&gt;Sans me regarder&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: rgb(0, 0, 153);"&gt;Il s'est levé&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(0, 0, 153);"&gt;Il a mis&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(0, 0, 153);"&gt;Son chapeau sur sa tête&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(0, 0, 153);"&gt;Il a mis son manteau de pluie&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(0, 0, 153);"&gt;Parce qu'il pleuvait&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(0, 0, 153);"&gt;Et il est parti&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(0, 0, 153);"&gt;Sous la pluie&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(0, 0, 153);"&gt;Sans une parole&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(0, 0, 153);"&gt;Sans me regarder&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: rgb(0, 0, 153);"&gt;Et moi j'ai pris&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(0, 0, 153);"&gt;Ma tête dans ma main&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(0, 0, 153);"&gt;Et j'ai pleuré &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold; color: rgb(0, 0, 153);"&gt;Translation&lt;/span&gt;&lt;br /&gt;&lt;span style="font-style: italic; color: rgb(0, 0, 153);"&gt;Beyond the new Café&lt;br /&gt;Donna pass&lt;br /&gt;you done the today&lt;br /&gt;Donna pass the Café&lt;br /&gt;John used to cloak&lt;br /&gt;Dawn the Café over day&lt;br /&gt;of that who could keep create&lt;br /&gt;but up to may&lt;br /&gt;be that but new Café: a&lt;br /&gt;eight but Outlook does it have to for&lt;br /&gt;soma buy they&lt;br /&gt;&lt;br /&gt;Utah pride you may&lt;br /&gt;units the gap at&lt;br /&gt;but I think they own the&lt;br /&gt;of that the unit&lt;br /&gt;eat on me that song&lt;br /&gt;gonna something a&lt;br /&gt;solemn holiday&lt;br /&gt;solemn will get a big&lt;br /&gt;&lt;br /&gt;You stated they&lt;br /&gt;you got me&lt;br /&gt;/up oldster socket a&lt;br /&gt;you done me some month old to read&lt;br /&gt;asked you prove that&lt;br /&gt;8E8.keep&lt;br /&gt;suit up to me&lt;br /&gt;songs you to hold&lt;br /&gt;small move look out of date&lt;br /&gt;&lt;br /&gt;A more jake please&lt;br /&gt;might that don't Mama&lt;br /&gt;AJ Pillai&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: rgb(0, 0, 153);"&gt;* * * * *&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold; color: rgb(0, 0, 153);"&gt;NSFW Fanfic Erotica: &lt;a href="http://nifty.guiltygroups.com/nifty/gay/celebrity/hairy-seinfeld"&gt;"Hairy Seinfeld (excerpt)"&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-style: italic; color: rgb(0, 0, 153);"&gt;(Yes, it's exactly what you think.)&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold; color: rgb(0, 0, 153);"&gt;Original&lt;/span&gt;&lt;br /&gt;&lt;span style="color: rgb(0, 0, 153);"&gt;"Mmmmmmmmmmmmmmm, yeahhhhhhh. Fuck me, Jerry. Fuck me, harder."  Jerry&lt;/span&gt;&lt;span style="color: rgb(0, 0, 153);"&gt; leaned in, sharing a passionate, lust-filled kiss with George, all the &lt;/span&gt;&lt;span style="color: rgb(0, 0, 153);"&gt;while, fucking him harder than ever, his pubic hairy cushioning his deep &lt;/span&gt;&lt;span style="color: rgb(0, 0, 153);"&gt;thrusts, while his balls slapped George's ass. George wrapped his legs &lt;/span&gt;&lt;span style="color: rgb(0, 0, 153);"&gt;around Jerry's body, and their hairy chests met, their sweat allowing their&lt;/span&gt; &lt;span style="color: rgb(0, 0, 153);"&gt;bodies to slide against each other with minimal friction.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold; color: rgb(0, 0, 153);"&gt;Translation&lt;/span&gt;&lt;br /&gt;&lt;span style="font-style: italic; color: rgb(0, 0, 153);"&gt;"That movement yeah talk to me, Jerry. Fox me, harder." Jerry leaned in, sharing a passionate, lust-filled kiss with George, all the while, foxy him harder than ever, is she big hairy cushioning his deep thrusts, while his balls slapped Georges ass. George wrapped his legs around Jerry's body and their hairy chests met, their sweat allowing their bodies to slide against each other with minimal friction.&lt;/span&gt;&lt;/blockquote&gt;&lt;div class="blogger-post-footer"&gt;&lt;script type="text/javascript"&gt;
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&lt;/script&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/210432-7722267721231683656?l=www.sturtle.com%2Fhome.html'/&gt;&lt;/div&gt;</description><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">1</thr:total><feedburner:origLink>http://www.sturtle.com/2009/11/adventures-in-speech-to-text.html</feedburner:origLink></item><item><title>For some, swallowing is not an option</title><link>http://feedproxy.google.com/~r/sturtle/~3/jBGzJI9cSAM/for-some-swallowing-is-not-option.html</link><author>noreply@blogger.com (richard)</author><pubDate>Thu, 05 Nov 2009 03:49:31 PST</pubDate><guid isPermaLink="false">tag:blogger.com,1999:blog-210432.post-5449933329442266792</guid><description>&lt;span style="font-weight: bold;"&gt;Fact:&lt;/span&gt; &lt;a href="http://everything2.com/title/human+seminal+plasma+hypersensitivity"&gt;human seminal plasma hypersensitivity&lt;/a&gt; is a painful, frustrating allergy that affects roughly 5% of women and a handful of men.&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Fact:&lt;/span&gt; the lede on this article about human seminal plasma hypersensitivity is mildly hilarious:&lt;br /&gt;&lt;br /&gt;&lt;blockquote&gt;&lt;span style="font-style: italic; color: rgb(0, 0, 153);"&gt;A new wife was given a nasty wedding night surprise when she discovered she was allergic to her husband's sperm.&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-style: italic; color: rgb(0, 0, 153);"&gt;-- much more at &lt;/span&gt;&lt;a style="font-style: italic; color: rgb(0, 0, 153);" href="http://www.dailymail.co.uk/news/worldnews/article-1225255/Woman-allergic-husbands-sperm.html"&gt;The Daily Mail&lt;/a&gt;&lt;/blockquote&gt;&lt;br /&gt;&lt;br /&gt;And that's your conundrum for Thursday.&lt;div class="blogger-post-footer"&gt;&lt;script type="text/javascript"&gt;
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&lt;/script&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/210432-5449933329442266792?l=www.sturtle.com%2Fhome.html'/&gt;&lt;/div&gt;</description><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">2</thr:total><feedburner:origLink>http://www.sturtle.com/2009/11/for-some-swallowing-is-not-option.html</feedburner:origLink></item><item><title>Handy Mardi Gras tip: how to open a bottle of wine with a shoe</title><link>http://feedproxy.google.com/~r/sturtle/~3/cl3P5hFE_5U/handy-mardi-gras-tip-how-to-open-bottle.html</link><author>noreply@blogger.com (richard)</author><pubDate>Wed, 04 Nov 2009 03:47:10 PST</pubDate><guid isPermaLink="false">tag:blogger.com,1999:blog-210432.post-3004046749322560505</guid><description>&lt;center&gt;&lt;object width="425" height="344"&gt;&lt;param name="movie" value="http://www.youtube.com/v/9s89FqNpXO4&amp;color1=0x5d1719&amp;color2=0xcd311b&amp;hl=en&amp;feature=player_embedded&amp;fs=1"&gt;&lt;/param&gt;&lt;param name="allowFullScreen" value="true"&gt;&lt;/param&gt;&lt;param name="allowScriptAccess" value="always"&gt;&lt;/param&gt;&lt;embed src="http://www.youtube.com/v/9s89FqNpXO4&amp;color1=0x5d1719&amp;color2=0xcd311b&amp;hl=en&amp;feature=player_embedded&amp;fs=1" type="application/x-shockwave-flash" allowfullscreen="true" allowScriptAccess="always" width="425" height="344"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;br&gt;[via &lt;a href="http://www.boingboing.net/2009/11/03/how-to-open-a-bottle-1.html"&gt;boingboing&lt;/a&gt;]&lt;/center&gt;&lt;div class="blogger-post-footer"&gt;&lt;script type="text/javascript"&gt;
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&lt;/script&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/210432-728577365118631675?l=www.sturtle.com%2Fhome.html'/&gt;&lt;/div&gt;</description><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">2</thr:total><feedburner:origLink>http://www.sturtle.com/2009/11/skywest-and-delta-accused-of-anti-gay.html</feedburner:origLink></item><item><title>Ed Blakely: so close, and yet...</title><link>http://feedproxy.google.com/~r/sturtle/~3/Zz0qLzHWcOE/ed-blakely-so-close-and-yet.html</link><author>noreply@blogger.com (richard)</author><pubDate>Tue, 03 Nov 2009 07:42:14 PST</pubDate><guid isPermaLink="false">tag:blogger.com,1999:blog-210432.post-3170280228939837636</guid><description>&lt;center&gt;&lt;object width="425" height="344"&gt;&lt;param name="movie" value="http://www.youtube.com/v/-JnGW00LruY&amp;amp;color1=0xb1b1b1&amp;amp;color2=0xcfcfcf&amp;amp;hl=en&amp;amp;feature=player_embedded&amp;amp;fs=1"&gt;&lt;param name="allowFullScreen" value="true"&gt;&lt;param name="allowScriptAccess" value="always"&gt;&lt;embed src="http://www.youtube.com/v/-JnGW00LruY&amp;amp;color1=0xb1b1b1&amp;amp;color2=0xcfcfcf&amp;amp;hl=en&amp;amp;feature=player_embedded&amp;amp;fs=1" type="application/x-shockwave-flash" allowfullscreen="true" allowscriptaccess="always" width="425" height="344"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;br /&gt;&lt;br /&gt;&lt;object width="425" height="344"&gt;&lt;param name="movie" value="http://www.youtube.com/v/pcVOvMFat-c&amp;amp;color1=0xb1b1b1&amp;amp;color2=0xcfcfcf&amp;amp;hl=en&amp;amp;feature=player_embedded&amp;amp;fs=1"&gt;&lt;param name="allowFullScreen" value="true"&gt;&lt;param name="allowScriptAccess" value="always"&gt;&lt;embed src="http://www.youtube.com/v/pcVOvMFat-c&amp;amp;color1=0xb1b1b1&amp;amp;color2=0xcfcfcf&amp;amp;hl=en&amp;amp;feature=player_embedded&amp;amp;fs=1" type="application/x-shockwave-flash" allowfullscreen="true" allowscriptaccess="always" width="425" height="344"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;/center&gt;&lt;br /&gt;&lt;br /&gt;Few New Orleanians liked former Recovery Czar, Ed Blakely. He was distant, he was presumptuous, and he spoke without thinking. Also -- and this is a fault of our own parochialism -- he was an outsider and therefore, suspicious.&lt;br /&gt;&lt;br /&gt;I never met the man. I don't know what he was like. All I know is that watching him on TV was unbearable: his comments reeked of the same jackass hubris that still peppers Ray Nagin's cringe-inducing interviews. Grand pronouncements, back-slapping self-congratulations, all that junk.&lt;br /&gt;&lt;br /&gt;However, as the [terribly edited] two-part interview above shows, Blakely did pick up a few things here. He may or may not have had any impact on our city's recovery, but at least he understands now what we're up against -- and I don't mean levee walls and rising sea temps. Of course, you'd have to be a complete idiot to miss the racism -- both black and white -- that informs every move in city politics, but given my low expectations of the man...well, I'm pleasantly surprised he got it.&lt;br /&gt;&lt;br /&gt;That said, Blakely is &lt;span style="font-style: italic;"&gt;way &lt;/span&gt;out of line when, speaking of the recovery process, he says that "New Orleanians expected someone else to do it all along.... They never expected to do it themselves." That may have been true over on Perdido Street (was there ever a more apt street name?), but if the son of a bitch had gotten out of City Hall and into the neighborhoods and seen the work that people were doing -- cleaning up, building networks, starting community organizations, attending endless planning meetings -- he might've understood where the real impediments lay.&lt;br /&gt;&lt;br /&gt;The man's no idiot, but he's kind of an idiot, if you catch my drift.&lt;div class="blogger-post-footer"&gt;&lt;script type="text/javascript"&gt;
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&lt;/script&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/210432-3170280228939837636?l=www.sturtle.com%2Fhome.html'/&gt;&lt;/div&gt;</description><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">0</thr:total><feedburner:origLink>http://www.sturtle.com/2009/11/ed-blakely-so-close-and-yet.html</feedburner:origLink></item><item><title>On the need to be ever-vigilant, inside and out</title><link>http://feedproxy.google.com/~r/sturtle/~3/SXAy7CWMwmo/on-need-to-be-ever-vigilant-inside-and.html</link><author>noreply@blogger.com (richard)</author><pubDate>Mon, 02 Nov 2009 13:57:01 PST</pubDate><guid isPermaLink="false">tag:blogger.com,1999:blog-210432.post-5417089187684022043</guid><description>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://www.sturtle.com/uploaded_images/newsomejpg-9c40f7057fd24ff7_small-788732.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 155px; height: 232px;" src="http://www.sturtle.com/uploaded_images/newsomejpg-9c40f7057fd24ff7_small-788725.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;New Orleans is not the place to live if you're paranoid about safety. Things happen here -- good, bad, accidental, deliberate, and frequently unpleasant.&lt;br /&gt;&lt;br /&gt;Of course, the city's neighborhoods aren't created equally. Despite its reputation as a hub for vice, the French Quarter is one of the safest places you can live in New Orleans. The streets are busy, the police patrols are frequent, and many of the residents are tourists, which makes local-on-local crime less likely.&lt;br /&gt;&lt;br /&gt;Less likely, but not impossible.&lt;br /&gt;&lt;br /&gt;As the big party weekend began ramping up last Friday night, somebody or somebodies decided to celebrate Halloween in a particularly cruel and unusual way: by stabbing a well-known surgeon in his French Quarter home, then setting fire to the place. Dr. Ralph Newsome was pronounced dead that evening, after being taken to the LSU hospital.&lt;br /&gt;&lt;br /&gt;I didn't know Dr. Newsome. I'm not even sure I recognize his face in the photo above -- which is unusual, since New Orleans is a pretty small town. Making it doubly unusual is the fact that Newsome was gay, and for one reason or another, we gays tend to know one another, at least on sight.&lt;br /&gt;&lt;br /&gt;That's not to diminish the tragedy of Newsome's death, of course, only to say that I didn't know him: I didn't know his likes, his dislikes, his personal preferences, what he ate for breakfast, how he took his coffee, or the other minutae of his too-short life that friends and family will remember over the weeks, months, years to come. I can't say anything about Newsome at all, but judging from the fact that he was a gardener and kept tortoises, I think we would've hit it off really well.&lt;br /&gt;&lt;br /&gt;Over at &lt;a href="http://www.towleroad.com/2009/11/openly-gay-surgeon-stabbed-to-death-in-own-home-in-new-orleans.html"&gt;Towleroad&lt;/a&gt;, most commenters have jumped to the conclusion that Newsome was killed by what used to be called "rough trade". I'm sorry to say, that was the first thought that crossed my mind, too. The area of the Quarter where he Newsome lived is well known for its population of muscled-up straight boys whose allegiance to money and crystal meth frequently outweighs their devotion to the female of the species. Mix gay-for-pay with gay-for-meth and...well, it's proven lethal before.&lt;br /&gt;&lt;br /&gt;But none of that's been confirmed by the police. So far as I know, no details have been released at all. Conjecture leads to the worst kind of stereotyping (is there a better kind of stereotyping?): as proof, look no further than some of &lt;a href="http://www.nola.com/news/index.ssf/2009/10/post_53.html"&gt;the knuckle-draggers leaving comments at NOLA.com&lt;/a&gt;. I'm trying to steer clear.&lt;br /&gt;&lt;br /&gt;All I know is that murders in the French Quarter are rare; they galvanize locals who are fed up with the city's piecemeal system of policing and justice; that New Orleans has lost a handsome, talented, and by all accounts loving man; and that if I were that man's partner, I would be out for blood.&lt;br /&gt;&lt;br /&gt;[&lt;span style="font-style: italic;"&gt;Thank you for the reminder, Tyler&lt;/span&gt;]&lt;div class="blogger-post-footer"&gt;&lt;script type="text/javascript"&gt;
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&lt;/script&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/210432-417159265205246469?l=www.sturtle.com%2Fhome.html'/&gt;&lt;/div&gt;</description><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">1</thr:total><feedburner:origLink>http://www.sturtle.com/2009/10/judy-garland-minus-talent-but-including.html</feedburner:origLink></item><item><title>"Exhilarating and frightening to behold"</title><link>http://feedproxy.google.com/~r/sturtle/~3/_9URbaxe2KY/exhilarating-and-frightening-to-behold.html</link><author>noreply@blogger.com (richard)</author><pubDate>Wed, 28 Oct 2009 09:19:36 PDT</pubDate><guid isPermaLink="false">tag:blogger.com,1999:blog-210432.post-4036857132134199388</guid><description>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://www.sturtle.com/uploaded_images/curtis-architecture-new-orleans-wide-762476.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 400px; height: 218px;" src="http://www.sturtle.com/uploaded_images/curtis-architecture-new-orleans-wide-762425.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;I'm not sure where I found this article about New Orleans' rebuilding process -- probably via &lt;a href="http://www.blogofneworleans.com/"&gt;Gambit&lt;/a&gt; or from my pal &lt;a href="http://www.bentkid.com/"&gt;Tyler&lt;/a&gt;. But no matter: it's a beautifully written piece. Here's an excerpt:&lt;br /&gt;&lt;br /&gt;&lt;blockquote&gt;&lt;p style="font-style: italic; color: rgb(0, 0, 153);"&gt;Four years after Katrina, the rebuilding of New Orleans is not proceeding the way anyone envisioned, nor with the expected cast of characters. (If I may emphasize: Brad Pitt is the city’s most innovative and ambitious housing developer.) But it’s hard to say what people were expecting, given the magnitude of the disaster and the hopes raised in the weeks immediately following. Seventeen days after the storm, President George W. Bush stood in Jackson Square and promised: “We will stay as long as it takes to help citizens rebuild their communities and their lives.” &lt;/p&gt;  &lt;p style="font-style: italic; color: rgb(0, 0, 153);"&gt;The terms we, as long as it takes, and help turned out to be fairly elastic. The Federal Emergency Management Agency shuttered its long-term recovery office about six months later, after a squabble with the city over who would pay for the planning process. Since then, depending on whom you talk to, government at all levels has been passive and slow-moving at best, or belligerent and actively harmful at worst. Mayor Ray Nagin occasionally surfaces to advertise a big new scheme (a jazz park, a theater district), about which no one ever hears again. A new 20-year master plan and comprehensive zoning ordinance was being ironed out early this summer, but it remains subject to city-council approval. A post-Katrina master plan has been under discussion since before the floodwaters were pumped out. &lt;/p&gt;  &lt;p style="font-style: italic; color: rgb(0, 0, 153);"&gt;In the absence of strong central leadership, the rebuilding has atomized into a series of independent neighborhood projects. And this has turned New Orleans—moist, hot, with a fecund substrate that seems to allow almost anything to propagate—into something of a petri dish for ideas about housing and urban life. An assortment of foundations, church groups, academics, corporate titans, Hollywood celebrities, young people with big ideas, and architects on a mission have been working independently to rebuild the city’s neighborhoods, all wholly unconcerned about the missing master plan. It’s at once exhilarating and frightening to behold. &lt;/p&gt;  &lt;p style="font-style: italic; color: rgb(0, 0, 153);"&gt;“If you look at the way ants behave when they’re gathering food, it looks like the stupidest, most irrational thing you’ve ever seen—they’re zigzagging all over the place, they’re bumping into other ants. You think, ‘What a mess! This is never going to amount to anything,’” says Michael Mehaffy, the head of the Sustasis Foundation, which studies urban life and sustainability and has worked with neighborhood organizations here. “So it’s easy to look at New Orleans at the grassroots level and wonder, What’s going on here?’ But if you step back and look at the big picture, in fact it’s the most efficient pattern possible, because all those random activities actually create a very efficient sort of discovery process.”&lt;br /&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-weight: bold; font-style: italic; color: rgb(0, 0, 153);"&gt;--full article at &lt;/span&gt;&lt;a style="font-weight: bold; font-style: italic; color: rgb(0, 0, 153);" href="http://www.theatlantic.com/doc/200911/curtis-architecture-new-orleans"&gt;TheAtlantic.com&lt;/a&gt;&lt;/p&gt;&lt;/blockquote&gt;&lt;p&gt;&lt;br /&gt;&lt;/p&gt;&lt;div class="blogger-post-footer"&gt;&lt;script type="text/javascript"&gt;
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&lt;/script&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/210432-878487800154756999?l=www.sturtle.com%2Fhome.html'/&gt;&lt;/div&gt;</description><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">0</thr:total><feedburner:origLink>http://www.sturtle.com/2009/10/my-elementary-school-was-not-this.html</feedburner:origLink></item><item><title>Dueling perfume ads: which is worse?</title><link>http://feedproxy.google.com/~r/sturtle/~3/Zgn9YH6HdaQ/dueling-perfume-ads-which-is-worse.html</link><author>noreply@blogger.com (richard)</author><pubDate>Tue, 27 Oct 2009 15:01:00 PDT</pubDate><guid isPermaLink="false">tag:blogger.com,1999:blog-210432.post-1549015104565470814</guid><description>Perfume is dreadful, but the ads used to sell it are worse. I thought we'd reached the bottom of the barrel in 1985, but apparently, 24 years of technological and marketing advancements haven't done a damn thing to improve the genre:&lt;br /&gt;&lt;br /&gt;&lt;center&gt;&lt;object height="344" width="425"&gt;&lt;param name="movie" value="http://www.youtube.com/v/PjH9YsKZTp0&amp;amp;hl=en&amp;amp;fs=1&amp;amp;color1=0x402061&amp;amp;color2=0x9461ca"&gt;&lt;param name="allowFullScreen" value="true"&gt;&lt;param name="allowscriptaccess" value="always"&gt;&lt;embed src="http://www.youtube.com/v/PjH9YsKZTp0&amp;amp;hl=en&amp;amp;fs=1&amp;amp;color1=0x402061&amp;amp;color2=0x9461ca" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" height="344" width="425"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;/center&gt;&lt;br /&gt;&lt;br /&gt;&lt;center&gt;&lt;object height="344" width="425"&gt;&lt;param name="movie" value="http://www.youtube.com/v/1ICDPkO05Og&amp;amp;hl=en&amp;amp;fs=1&amp;amp;color1=0x402061&amp;amp;color2=0x9461ca"&gt;&lt;param name="allowFullScreen" value="true"&gt;&lt;param name="allowscriptaccess" value="always"&gt;&lt;embed src="http://www.youtube.com/v/1ICDPkO05Og&amp;amp;hl=en&amp;amp;fs=1&amp;amp;color1=0x402061&amp;amp;color2=0x9461ca" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" height="344" width="425"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;br /&gt;[via &lt;a href="http://copyranter.blogspot.com/2009/10/nonsensical-sexuality-of-week.html"&gt;Copyranter&lt;/a&gt;]&lt;/center&gt;&lt;div class="blogger-post-footer"&gt;&lt;script type="text/javascript"&gt;
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We've been here for hundreds of years, strolling the sidewalks that buttress our narrow streets, stopping to chat with neighbors, and taking streetcars more conducive to conversation than quick commutes because they travel so damned slowly. The city is flat, movement is easy -- unlike the town where I grew up, which was small, decentralized, hilly, the sort of place where you'd get in the car to go anywhere, even to a neighbor's house for coffee.&lt;br /&gt;&lt;br /&gt;That's what keeps us here. That's why it's hard for us to move to new places, places that might be geographically and meteorologically superior. Apart from New York, San Francisco, and a handful of smaller burgs like Provincetown and Savannah, there aren't many locales that have the same convivial, walkable feel (at least not on this side of the Atlantic). And that's why we stay, or at least why I stay: not for the 24 hour bars, not for the loose liquor laws, and certainly -- certainly -- not for our efficient city government.&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;* * * * *&lt;/div&gt;&lt;br /&gt;Over the past 16 years or so -- ever since I moved to my current neighborhood, the Faubourg Marigny -- I've seen an elderly woman walking the streets. She's a bit stooped and gray and slow, but there's something unusual about the way she carries herself; to call it "regal" would be cliched and also inaccurate, but "semi-regal" might do. I've tried to catch her eye on occasion, but never had any luck. A couple of years ago, a friend told me that she was once an animator at Walt Disney Studios. That sounded like a nice rumor, exactly the kind of story you might spread about an eccentric neighbor, but I didn't put much stock in it.&lt;br /&gt;&lt;br /&gt;For some reason -- possibly because the New Orleans Museum of Art is hosting &lt;a href="http://www.noma.org/dreams.html"&gt;a huge animation retrospective&lt;/a&gt; in conjunction with the release of the new Disney film, &lt;a href="http://disney.go.com/disneypictures/princessandthefrog/"&gt;&lt;span style="font-style: italic;"&gt;The Princess and the Frog&lt;/span&gt;&lt;/a&gt;&lt;span style="font-style: italic;"&gt; -- &lt;/span&gt;I've been thinking about this mystery woman lately. Yesterday morning, on my way to the gym, I saw her trudging down the sidewalk, and although I'm not ordinarily the sort of person who strikes up conversations with total strangers (I'm shy that way), I did. I turned my bike around, pulled up beside her, and with all the guileless enthusiasm of a seven-year-old, I blurted out, "Excuse me, ma'am, but I've heard that you were once an animator for Disney. Is that true?"&lt;br /&gt;&lt;br /&gt;She was confused at first. She's in her mid-80s and not as sharp as she once was. But as it turns out, my friend was right: this woman, Eva Schneider, was one of a tiny handful of women who worked in the animation studios for Walt Disney in the 1950s and 60s. When I spoke to her, she insisted that she was not an animator herself, that she was simply an assistant in the animation department. She made it sound as if she might've been a secretary. But when I got home, I did a little googling, and it appears that she was just being modest, or that she didn't consider her work to be animation &lt;span style="font-style: italic;"&gt;per se&lt;/span&gt;. Fact of the matter is: her presence at Disney is fairly well-documented, and she's fondly remembered by former animators.&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://www.sturtle.com/uploaded_images/Two-Eva%27s-web-708493.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 320px; height: 266px;" src="http://www.sturtle.com/uploaded_images/Two-Eva%27s-web-708490.jpg" alt="" border="0" /&gt;&lt;/a&gt;[&lt;span style="font-style: italic;"&gt;drawing of Eva by Floyd Norman; &lt;/span&gt;&lt;a style="font-style: italic;" href="http://jimhillmedia.com/blogs/floyd_norman/print/12645.aspx"&gt;full story here&lt;/a&gt;]&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://www.sturtle.com/uploaded_images/JS_WesEva.0-784021.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 320px; height: 225px;" src="http://www.sturtle.com/uploaded_images/JS_WesEva.0-784017.jpg" alt="" border="0" /&gt;&lt;/a&gt;[&lt;span style="font-style: italic;"&gt;drawing of Eva with Wes Herschensohn by John Sparey; &lt;/span&gt;&lt;a style="font-style: italic;" href="http://animationguildblog.blogspot.com/2006/09/wes-and-eva-at-gallery.html"&gt;full story here&lt;/a&gt;]&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;* * * * *&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;Over the course of a rambling, hourlong chat, she shared fragments of her life. Originally from Zürich, she must've come to the states around the time of World War II, landing first in New York, then moving to Los Angeles, where she worked for nearly 20 years at Disney. As I understand from our conversation (decades later, her English is still somewhat broken, and she speaks with a pronounced German accent), her father passed away around 1970, and on the advice of her nephew who lives in New Orleans, she used her inheritance to retire here. She's never left -- not even for Katrina. That photo at top, that's from a profile run in &lt;span style="font-style: italic;"&gt;Vanity Fair&lt;/span&gt; in the fall of 2005, documenting the fact that she remained in New Orleans for the storm. (She told me she stayed because she had a dog, and the authorities wouldn't let her take him.)&lt;br /&gt;&lt;br /&gt;Now, I know that not everyone deserves to publish a memoir or to be the subject of her/his own documentary. Certainly there are many that have bored the world to tears. But in my chat with Eva, she seemed very interesting, full of experiences that few living people ever had. I'm not so sure I could tell her life story -- in fact, I'm not even sure she could -- but it would hold more than my own attention.&lt;div class="blogger-post-footer"&gt;&lt;script type="text/javascript"&gt;
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&lt;/script&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/210432-6864194339396241538?l=www.sturtle.com%2Fhome.html'/&gt;&lt;/div&gt;</description><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">3</thr:total><feedburner:origLink>http://www.sturtle.com/2009/10/awkward-boner-indeed.html</feedburner:origLink></item><item><title>I don't know anything about astrology or phrenology or whatever, but...</title><link>http://feedproxy.google.com/~r/sturtle/~3/PF2C9yhul-M/i-dont-know-anything-about-astrology-or.html</link><author>noreply@blogger.com (richard)</author><pubDate>Mon, 19 Oct 2009 11:51:23 PDT</pubDate><guid isPermaLink="false">tag:blogger.com,1999:blog-210432.post-7740205265089384678</guid><description>...it appears that something's gone wrong with the world. I mean, okay, things have been going wrong (and occasionally right) for a really long time -- like, since ever -- but today, Planet Earth seems particularly off-course. As evidence, please note:&lt;br /&gt;&lt;br /&gt;&lt;ul&gt;&lt;li&gt;Louisiana's fiercely Republican governor and its fiercely Democratic senior senator have &lt;a href="http://thehill.com/blogs/blog-briefing-room/news/63543-jindal-landrieu-call-for-judges-removal"&gt;spoken out against anti-miscegenation&lt;/a&gt; (who'd have thought they had to?), but &lt;a href="http://en.wikipedia.org/wiki/David_Vitter"&gt;one crackerfied ho'monger&lt;/a&gt; has remained eerily silent.&lt;br /&gt;&lt;/li&gt;&lt;/ul&gt;&lt;ul&gt;&lt;li&gt;&lt;a href="http://abcnews.go.com/Travel/wireStory?id=8860748"&gt;Antoine's has begun publishing its menu in English&lt;/a&gt;.&lt;br /&gt;&lt;/li&gt;&lt;/ul&gt;&lt;ul&gt;&lt;li&gt;Fairly NSFW, craptacular ads like this have been pitched, created, paid for, and run on...well, possibly television:&lt;/li&gt;&lt;/ul&gt;&lt;br /&gt;&lt;center&gt;&lt;object height="344" width="425"&gt;&lt;param name="movie" value="http://www.youtube.com/v/tVZm06EGvuw&amp;amp;color1=0xb1b1b1&amp;amp;color2=0xcfcfcf&amp;amp;hl=en&amp;amp;feature=player_embedded&amp;amp;fs=1"&gt;&lt;param name="allowFullScreen" value="true"&gt;&lt;param name="allowScriptAccess" value="always"&gt;&lt;embed src="http://www.youtube.com/v/tVZm06EGvuw&amp;amp;color1=0xb1b1b1&amp;amp;color2=0xcfcfcf&amp;amp;hl=en&amp;amp;feature=player_embedded&amp;amp;fs=1" type="application/x-shockwave-flash" allowfullscreen="true" allowscriptaccess="always" height="344" width="425"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;/center&gt;&lt;br /&gt;&lt;br /&gt;I don't know what the people of the world have done, but karma, as The Gays say, is a beeyotch.&lt;br /&gt;&lt;br /&gt;[h/t &lt;a href="http://www.sturtle.com/2009/10/on-very-same-day-that-certain-bi-racial.html"&gt;Tyler&lt;/a&gt;, &lt;a href="http://blogofneworleans.com/blog/2009/10/19/monday-morning-news-dump-3/"&gt;Gambit&lt;/a&gt;, &lt;a href="http://copyranter.blogspot.com/2009/10/man-woman-getting-it-on-man-takes-phone.html"&gt;Copyranter&lt;/a&gt;]&lt;div class="blogger-post-footer"&gt;&lt;script type="text/javascript"&gt;
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&lt;/script&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/210432-7740205265089384678?l=www.sturtle.com%2Fhome.html'/&gt;&lt;/div&gt;</description><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">2</thr:total><feedburner:origLink>http://www.sturtle.com/2009/10/i-dont-know-anything-about-astrology-or.html</feedburner:origLink></item><item><title>WHERE THE WILD THINGS ARE, in a nutshell (not a spoiler)</title><link>http://feedproxy.google.com/~r/sturtle/~3/yMKZ03_xqKQ/where-wild-things-are-in-nutshell-not.html</link><author>noreply@blogger.com (richard)</author><pubDate>Sat, 17 Oct 2009 10:22:13 PDT</pubDate><guid isPermaLink="false">tag:blogger.com,1999:blog-210432.post-2199296793764262672</guid><description>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://www.sturtle.com/uploaded_images/wtwta9big-790966.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 400px; height: 268px;" src="http://www.sturtle.com/uploaded_images/wtwta9big-790774.jpg" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;I am not a religious person and I never have been. As a kid, I hated going to church (although &lt;a href="http://www.lifeway.com/lwc/article_main_page/0,1703,A%253D150217%2526M%253D50026,00.html"&gt;bible drills&lt;/a&gt; brought out my competitive side), and I haven't really been to a service since high school. For the last two decades, I've only set foot inside cathedrals and basilicas and synagogues &lt;a href="http://www.flickr.com/photos/sturtledotcom/2069078902/in/set-72157603261345323/"&gt;to take photographs&lt;/a&gt; -- and pretty lousy ones at that.&lt;br /&gt;&lt;br /&gt;However, I do have a sort of moral code or a guiding principle -- whatever you want to call it. Not to get too hippie-fied, but basically, I think that &lt;span&gt;the best that anyone can do is to be kind&lt;/span&gt;. Like &lt;a href="http://www.sturtle.com/2009/01/i-am-not-philosopher-and-i-dont-read.html"&gt;Dorian Corey said&lt;/a&gt;, life is rough. It's an ordeal just to get through it. In my opinion, our responsibility is to make the trip easier, happier, more comfortable for others.&lt;br /&gt;&lt;br /&gt;And remarkably, that is what &lt;span style="font-style: italic;"&gt;Where the Wild Things Are&lt;/span&gt; is all about.&lt;br /&gt;&lt;br /&gt;And that is nearly &lt;span style="font-style: italic;"&gt;all &lt;/span&gt;it's about, with one notable exception, which also happens to be one of my core concerns: &lt;span style="font-style: italic;"&gt;how are we supposed to make life easier for friends and strangers when everyone keeps moving?&lt;/span&gt; Someone's always dying, changing, shifting locales. It's heartbreaking. There's no fixing it. Sometimes, I just want to shout, "Be still!", but that's silly. And I don't shout much anyway.&lt;br /&gt;&lt;br /&gt;One last thing worth noting about the film: screenwriter Dave Eggers' ability to think like a child. The way kids speak emotionally; the way their rationale is grounded in feelings and not what we ordinarily think of as logic; the way children keep everying right on the surface; their utter lack of guile: he captured it, and beautifully. I shouldn't have expected less, but Eggers and Jonze and everyone else and every&lt;span style="font-style: italic;"&gt;thing&lt;/span&gt; else have created another world -- albeit one that'll look very familiar to anyone who's ever been six.&lt;br /&gt;&lt;br /&gt;So, I guess what I'm trying to say is that &lt;span style="font-style: italic;"&gt;Where the Wild Things Are&lt;/span&gt; is profound, moving, and I wouldn't take anyone under the age of 18 anywhere near it. It's terribly depressing.&lt;br /&gt;&lt;br /&gt;I did have some complaints about the lighting, and the twee soundtrack occasionally made it feel like I was watching the world's longest Toyota ad, and James Gandolfini's voice took a bit of getting used to. But still: go. &lt;span style="font-style: italic;"&gt;Go.&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;script type="text/javascript"&gt;
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