<?xml version="1.0" encoding="UTF-8" standalone="no"?><?xml-stylesheet href="http://www.blogger.com/styles/atom.css" type="text/css"?><rss xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" version="2.0"><channel><title>)))SURGERY(((</title><description></description><managingEditor>noreply@blogger.com (e.)</managingEditor><pubDate>Sun, 6 Oct 2024 22:01:30 -0700</pubDate><generator>Blogger http://www.blogger.com</generator><openSearch:totalResults xmlns:openSearch="http://a9.com/-/spec/opensearchrss/1.0/">237</openSearch:totalResults><openSearch:startIndex xmlns:openSearch="http://a9.com/-/spec/opensearchrss/1.0/">1</openSearch:startIndex><openSearch:itemsPerPage xmlns:openSearch="http://a9.com/-/spec/opensearchrss/1.0/">25</openSearch:itemsPerPage><link>http://surgeryradio.blogspot.com/</link><language>en-us</language><itunes:explicit>no</itunes:explicit><itunes:image href="http://photos1.blogger.com/blogger/251/372/1600/SURGERY%2031.jpg"/><itunes:keywords>experimental,,music,,modern,,ambient,,electronic,,free,,jazz,,IDM</itunes:keywords><itunes:summary>Exploratory, Experimental, Elective, Eclectic Radio</itunes:summary><itunes:subtitle>Exploratory, Experimental, Elective, Eclectic Radio</itunes:subtitle><itunes:category text="Music"/><itunes:author>Eric Hill</itunes:author><itunes:owner><itunes:email>noreply@blogger.com</itunes:email><itunes:name>Eric Hill</itunes:name></itunes:owner><item><title>)))Moved(((</title><link>http://surgeryradio.blogspot.com/2010/03/moved.html</link><pubDate>Tue, 16 Mar 2010 16:52:00 -0700</pubDate><guid isPermaLink="false">tag:blogger.com,1999:blog-11808502.post-3969528025601570139</guid><description>&lt;div class="separator" style="clear: both; text-align: left;"&gt;&lt;a href="http://farm5.static.flickr.com/4055/4432424860_3f39a7ce25.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="200" src="http://farm5.static.flickr.com/4055/4432424860_3f39a7ce25.jpg" width="200" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;
If you're looking for new shows they are over at Surgery's new home on &lt;a href="http://surgeryradio.podbean.com/"&gt;Podbean&lt;/a&gt;.&amp;nbsp; This site will remain active for the foreseeable future... possibly mutating into something different but just as wonderful.&amp;nbsp; Thanks. e</description><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" height="72" url="http://farm5.static.flickr.com/4055/4432424860_3f39a7ce25_t.jpg" width="72"/><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">10</thr:total><author>noreply@blogger.com (Eric Hill)</author></item><item><title>Surgery 92</title><link>http://surgeryradio.blogspot.com/2010/01/surgery-92.html</link><pubDate>Tue, 19 Jan 2010 16:01:00 -0800</pubDate><guid isPermaLink="false">tag:blogger.com,1999:blog-11808502.post-3075969666204888022</guid><description>&lt;div class="separator" style="clear: both; text-align: left;"&gt;&lt;a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgfl-wECoT1jeIX_IqMVNU9IrR5BjBrMCOLW9grtRJ5-IzveMCcSElqCUEZvx15AYJaVnJWatY3l8zb-X1y32cxyeyK9SDs5uhVDq7lwUUHhPAZPmEQzkpeW-rdKSFZ_WZ46Puf/s1600-h/92.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgfl-wECoT1jeIX_IqMVNU9IrR5BjBrMCOLW9grtRJ5-IzveMCcSElqCUEZvx15AYJaVnJWatY3l8zb-X1y32cxyeyK9SDs5uhVDq7lwUUHhPAZPmEQzkpeW-rdKSFZ_WZ46Puf/s320/92.jpg" /&gt;&lt;/a&gt;&lt;br /&gt;
&lt;/div&gt;&lt;b&gt;Various&lt;/b&gt; -  Portland Stories (&lt;a href="http://sonicpieces.com/"&gt;Sonic Pieces&lt;/a&gt;) &lt;br /&gt;
&lt;b&gt;Tom White&lt;/b&gt; - In Poor Visibility (&lt;a href="http://hibernate-recs.com/"&gt;Hibernate&lt;/a&gt;) &lt;br /&gt;
&lt;b&gt;Martin Schulte&lt;/b&gt; - On The Moon (&lt;a href="http://www.sinergy-networks.com/"&gt;Sinergy Networks)&lt;/a&gt; &lt;br /&gt;
&lt;b&gt;Crushed Stars&lt;/b&gt; - The Refracted Light Of Crushed Stars (&lt;a href="http://www.simulacrarecords.com/"&gt;Simulacra&lt;/a&gt;)&lt;br /&gt;
&lt;b&gt;Oren Ambarchi&lt;/b&gt; - Intermission 2000-2008 (&lt;a href="http://www.touchmusic.org.uk/"&gt;Touch&lt;/a&gt;) &lt;br /&gt;
&lt;b&gt;Elm&lt;/b&gt; - Nemcatacoa Psychedelic (&lt;a href="http://www.digitalisindustries.com/rec_index.html"&gt;Digitalis&lt;/a&gt;)&lt;br /&gt;
&lt;b&gt;The Beautiful Schizophonic&lt;/b&gt; - Erotikon (&lt;a href="http://www.cronicaelectronica.org/"&gt;Cronica&lt;/a&gt;) &lt;br /&gt;
&lt;b&gt;The Sight Below&lt;/b&gt; - Murmur (&lt;a href="http://ghostly.com/"&gt;Ghostly International&lt;/a&gt;) &lt;br /&gt;
&lt;b&gt;Minamo&lt;/b&gt; - DurCe (&lt;a href="http://www.12k.com/main.html"&gt;12k&lt;/a&gt;) &lt;br /&gt;
&lt;b&gt;Peter Broderick &amp;amp; Machinefabriek&lt;/b&gt; - Blank Grey Canvas Sky (&lt;a href="http://www.fangbomb.com/"&gt;Fang Bomb&lt;/a&gt;)  &lt;br /&gt;
&lt;b&gt;Eluvium&lt;/b&gt; - Similes (&lt;a href="http://temporaryresidence.com/"&gt;Temporary Residence&lt;/a&gt;)&lt;br /&gt;
&lt;br /&gt;
&lt;i&gt;&lt;b&gt;Track Listing &lt;/b&gt;&lt;/i&gt;&lt;br /&gt;
&lt;br /&gt;
Heather Woods Broderick - &lt;i&gt;Behind Doors&lt;/i&gt; [0:00]&lt;br /&gt;
Tom White - &lt;i&gt;Moredon Cooling Towers&lt;/i&gt; [2:45]&lt;br /&gt;
Martin Schulte - &lt;i&gt;On The Moon&lt;/i&gt; [6:57]&lt;br /&gt;
Crushed Stars - &lt;i&gt;Lens Flare&lt;/i&gt; [11:17]&lt;br /&gt;
Oren Ambarchi - &lt;i&gt;Iron Waves&lt;/i&gt; [16:14]&lt;br /&gt;
Elm - &lt;i&gt;Covered In Blankets And Moss&lt;/i&gt; [27:41]&lt;br /&gt;
The Beautiful Schizophonic - &lt;i&gt;Fornarina&lt;/i&gt; [29:37]&lt;br /&gt;
The Sight Below - &lt;i&gt;No Place For Us&lt;/i&gt; &lt;span style="font-size: x-small;"&gt;(Eluvium Remix)&lt;/span&gt; [36:09]&lt;br /&gt;
Minamo - &lt;i&gt;Helical Scenery&lt;/i&gt; [43:51]&lt;br /&gt;
Peter Broderick &amp;amp; Machinefabriek - &lt;i&gt;Rain&lt;/i&gt; [49:06]&lt;br /&gt;
Eluvium - &lt;i&gt;The Motion Makes Me Last&lt;/i&gt; [54:34]&lt;br /&gt;
&lt;br /&gt;
Listen Now:&lt;br /&gt;
&lt;object data="http://www.podbean.com/wp-content/plugins/podpress/player.swf" height="24" id="audioplayer5464" type="application/x-shockwave-flash" width="290"&gt;  &lt;param name="movie" value="http://www.podbean.com/wp-content/plugins/podpress/player.swf"&gt;&lt;param name="FlashVars" value="playerID=5464&amp;amp;bg=0xF8F8F8&amp;amp;leftbg=0xEEEEEE&amp;amp;text=0x666666&amp;amp;lefticon=0x666666&amp;amp;rightbg=0xCCCCCC&amp;amp;rightbghover=0x999999&amp;amp;righticon=0x666666&amp;amp;righticonhover=0xFFFFFF&amp;amp;slider=0x666666&amp;amp;track=0xFFFFFF&amp;amp;loader=0x9FFFB8&amp;amp;border=0x666666&amp;amp;soundFile=http%3A%2F%2Fsurgeryradio.podbean.com%2Fmf%2Fplay%2Fuchugx%2Fsurgery92.mp3"&gt;&lt;param name="quality" value="high"&gt;&lt;param name="menu" value="false"&gt;&lt;param name="wmode" value="transparent"&gt;&amp;nbsp; &lt;/object&gt;</description><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" height="72" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgfl-wECoT1jeIX_IqMVNU9IrR5BjBrMCOLW9grtRJ5-IzveMCcSElqCUEZvx15AYJaVnJWatY3l8zb-X1y32cxyeyK9SDs5uhVDq7lwUUHhPAZPmEQzkpeW-rdKSFZ_WZ46Puf/s72-c/92.jpg" width="72"/><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">14</thr:total><author>noreply@blogger.com (Eric Hill)</author></item><item><title>Patient friends of Surgery</title><link>http://surgeryradio.blogspot.com/2010/01/patient-friends-of-surgery.html</link><pubDate>Tue, 12 Jan 2010 16:47:00 -0800</pubDate><guid isPermaLink="false">tag:blogger.com,1999:blog-11808502.post-8216769527561447283</guid><description>&lt;div class="separator" style="clear: both; text-align: left;"&gt;&lt;a href="http://www.nysm.nysed.gov/podcast/images/podcast-logo.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://www.nysm.nysed.gov/podcast/images/podcast-logo.jpg" /&gt;&lt;/a&gt;&lt;br /&gt;
&lt;/div&gt;Some of you may have noticed there hasn't been a new show since early December.&amp;nbsp; Aside from the usual holiday slowdown the other reason is my current podcast host that had been turning a blind eye to the mounting bandwidth demands has decided enough was enough.&amp;nbsp; I can't blame them.&amp;nbsp; I had always intended to archive and remove older shows but never gotten around to it.&amp;nbsp; So here we are.&lt;br /&gt;
&lt;br /&gt;
I am making arrangements and setting up a new host, so the first show of 2010 is imminent.&amp;nbsp; Hopefully the switch over won't create any undue difficulty, such as converting from the old feed to the new one in iTunes etc.&amp;nbsp; I will attempt to make it painless as possible.&lt;br /&gt;
&lt;br /&gt;
Thanks again for your patronage and support.&lt;span id="goog_1263343167370"&gt;&lt;/span&gt;&lt;span id="goog_1263343167371"&gt;&lt;/span&gt;</description><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">8</thr:total><author>noreply@blogger.com (Eric Hill)</author></item><item><title>Surgery 91</title><link>http://surgeryradio.blogspot.com/2009/12/surgery-91.html</link><pubDate>Wed, 2 Dec 2009 18:08:00 -0800</pubDate><guid isPermaLink="false">tag:blogger.com,1999:blog-11808502.post-5909083453378546314</guid><description>&lt;div class="separator" style="clear: both; text-align: left;"&gt;&lt;a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj13Qe8jLJ86KvRtstyaaoipbaQ3gu52lTA7Z-RcCygMum8Bf7ICncwPWSLjrfoppL2oxQU39MwgJZWmOTJ-pewf7rPlMwfxD30-Wk4DN9us-P3lBaO8Gg7XSEZ-J0yd-QWTQ_Y/s1600-h/91.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj13Qe8jLJ86KvRtstyaaoipbaQ3gu52lTA7Z-RcCygMum8Bf7ICncwPWSLjrfoppL2oxQU39MwgJZWmOTJ-pewf7rPlMwfxD30-Wk4DN9us-P3lBaO8Gg7XSEZ-J0yd-QWTQ_Y/s320/91.jpg" /&gt;&lt;/a&gt;&lt;br /&gt;
&lt;/div&gt;&lt;b&gt;SP:MC&lt;/b&gt; - Trust Nobody / Future (&lt;a href="http://www.tempa.co.uk/"&gt;Tempa&lt;/a&gt;)&lt;br /&gt;
&lt;b&gt;Thomas Fehlmann&lt;/b&gt; - One To Three (&lt;a href="http://www.randsrecords.com/"&gt;R&amp;amp;S&lt;/a&gt;)&lt;br /&gt;
&lt;b&gt;Clubroot&lt;/b&gt; - S/T (&lt;a href="http://www.myspace.com/lodubsrecords"&gt;Lodubs&lt;/a&gt;)&lt;br /&gt;
&lt;b&gt;Cv313&lt;/b&gt; - Subtraktive (&lt;a href="http://www.echospacedetroit.com/"&gt;Echospace&lt;/a&gt;)&lt;br /&gt;
&lt;b&gt;Bibio&lt;/b&gt; - The Apple and the Tooth (&lt;a href="http://warp.net/"&gt;Warp&lt;/a&gt;)&lt;br /&gt;
&lt;b&gt;The Embassadors&lt;/b&gt; - Coptic Dub (&lt;a href="http://nonplace.de/"&gt;Nonplace&lt;/a&gt;)&lt;br /&gt;
&lt;b&gt;Six Organs Of Admittance&lt;/b&gt; - Empty The Sun (&lt;a href="http://www.dragcity.com/"&gt;Drag City&lt;/a&gt;)&lt;br /&gt;
&lt;b&gt;Ian Hawgood&lt;/b&gt; - Before I Let The Sunshine Rot (&lt;a href="http://www.phantomchannel.co.uk/"&gt;Phantom Channel&lt;/a&gt;)&lt;br /&gt;
&lt;b&gt;Felix&lt;/b&gt; - You Are The One I Pick (&lt;a href="http://www.kranky.net/"&gt;Kranky&lt;/a&gt;)&lt;br /&gt;
&lt;b&gt;Keijo&lt;/b&gt; - Here They Come (&lt;a href="http://www.reverbworship.com/"&gt;Reverb Worship&lt;/a&gt;)&lt;br /&gt;
&lt;b&gt;Manual With Jess Kahr&lt;/b&gt; - The North Shore (&lt;a href="http://darla.com/"&gt;Darla&lt;/a&gt;)&lt;br /&gt;
&lt;b&gt;Strom Noir&lt;/b&gt; -&amp;nbsp; Sen Zimnej Noci (&lt;a href="http://hibernate-recs.com/"&gt;Hibernate&lt;/a&gt;)&lt;br /&gt;
&lt;b&gt;Dakota Suite&lt;/b&gt; - The Night Just Keeps Coming In (&lt;a href="http://www.navigatorsyard.com/"&gt;Navigator's Yard&lt;/a&gt;)&lt;br /&gt;
&lt;br /&gt;
&lt;i&gt;&lt;b&gt;Track Listing &lt;/b&gt;&lt;br /&gt;
&lt;/i&gt;&lt;br /&gt;
&lt;br /&gt;
SP:MC - &lt;i&gt;Future&lt;/i&gt; [0:00]&lt;br /&gt;
Thomas Fehlmann - &lt;i&gt;Superflowing&lt;/i&gt;[5:19]&lt;br /&gt;
Clubroot - &lt;i&gt;Sempiternal&lt;/i&gt; [10:40]&lt;br /&gt;
Cv313 - &lt;i&gt;Subtraktive&lt;/i&gt; &lt;span style="font-size: x-small;"&gt;(Intrusion's twilight dub)&lt;/span&gt;&amp;nbsp; [15:14]&lt;br /&gt;
Bibio - &lt;i&gt;Dwrcan&lt;/i&gt; &lt;span style="font-size: x-small;"&gt;(Eskmo Remix)&lt;/span&gt; [23:18]&lt;br /&gt;
The Embassadors - &lt;i&gt;Desdemona Breathes&lt;/i&gt; [27:29]&lt;br /&gt;
Six Organs Of Admittance - &lt;i&gt;Goodnight Hal&lt;/i&gt; [30:40]&lt;br /&gt;
Ian Hawgood - &lt;i&gt;Thank You Sara&lt;/i&gt; [33:49]&lt;br /&gt;
Felix - &lt;i&gt;Where Is My Dragon?&lt;/i&gt; [38:34]&lt;br /&gt;
Keijo - &lt;i&gt;Clear After Midnight&lt;/i&gt; [41:36]&lt;br /&gt;
Manual With Jess Kahr -&lt;b&gt; &lt;/b&gt;&lt;i&gt;Ica&lt;/i&gt; [46:40]] &lt;br /&gt;
Strom Noir - &lt;span style="font-size: small;"&gt;&lt;i&gt;Cicada Queen&lt;/i&gt;&lt;/span&gt; [51:45]&lt;br /&gt;
Dakota Suite - &lt;i&gt;A Quietly Gathering Tragedy&lt;/i&gt; &lt;span style="font-size: x-small;"&gt;(Hauschka&amp;nbsp;remix)&lt;/span&gt; [56:27]&lt;br /&gt;
&lt;br /&gt;
Listen to &lt;span style="font-weight: bold;"&gt;Surgery 91&lt;/span&gt; &lt;a href="http://www.unbf.ca/cetl/ehill/surgery/surgery%2091.mp3" target="_blank"&gt;click here&lt;/a&gt;</description><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" height="72" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj13Qe8jLJ86KvRtstyaaoipbaQ3gu52lTA7Z-RcCygMum8Bf7ICncwPWSLjrfoppL2oxQU39MwgJZWmOTJ-pewf7rPlMwfxD30-Wk4DN9us-P3lBaO8Gg7XSEZ-J0yd-QWTQ_Y/s72-c/91.jpg" width="72"/><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">4</thr:total><author>noreply@blogger.com (Eric Hill)</author></item><item><title>Today's Video</title><link>http://surgeryradio.blogspot.com/2009/11/todays-video.html</link><pubDate>Wed, 18 Nov 2009 14:12:00 -0800</pubDate><guid isPermaLink="false">tag:blogger.com,1999:blog-11808502.post-8518642390532805405</guid><description>&lt;object id="flashObj" width="400" height="346" classid="clsid:D27CDB6E-AE6D-11cf-96B8-444553540000" codebase="http://download.macromedia.com/pub/shockwave/cabs/flash/swflash.cab#version=9,0,47,0"&gt;&lt;param name="movie" value="http://c.brightcove.com/services/viewer/federated_f9/10032373001?isVid=1&amp;publisherID=1612833736" /&gt;&lt;param name="bgcolor" value="#FFFFFF" /&gt;&lt;param name="flashVars" value="videoId=50851477001&amp;playerID=10032373001&amp;domain=embed&amp;" /&gt;&lt;param name="base" value="http://admin.brightcove.com" /&gt;&lt;param name="seamlesstabbing" value="false" /&gt;&lt;param name="allowFullScreen" value="true" /&gt;&lt;param name="swLiveConnect" value="true" /&gt;&lt;param name="allowScriptAccess" value="always" /&gt;&lt;embed src="http://c.brightcove.com/services/viewer/federated_f9/10032373001?isVid=1&amp;publisherID=1612833736" bgcolor="#FFFFFF" flashVars="videoId=50851477001&amp;playerID=10032373001&amp;domain=embed&amp;" base="http://admin.brightcove.com" name="flashObj" width="400" height="346" seamlesstabbing="false" type="application/x-shockwave-flash" allowFullScreen="true" swLiveConnect="true" allowScriptAccess="always" pluginspage="http://www.macromedia.com/shockwave/download/index.cgi?P1_Prod_Version=ShockwaveFlash"&gt;&lt;/embed&gt;&lt;/object&gt;</description><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">0</thr:total><author>noreply@blogger.com (Eric Hill)</author></item><item><title>Surgery 90</title><link>http://surgeryradio.blogspot.com/2009/11/surgery-90.html</link><pubDate>Sun, 15 Nov 2009 22:00:00 -0800</pubDate><guid isPermaLink="false">tag:blogger.com,1999:blog-11808502.post-6872793527148412429</guid><description>&lt;div class="separator" style="clear: both; text-align: left;"&gt;&lt;a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgDslNBKNveGBZ3bcDFHJESA85OWbcjb-KmYK2ZRszB1HEFaxP6JnCwiH7Ts22LMFm_nN8EAoq-QqgTTpKg8pgRjmZsBsLvxn3sQKYCwHoZooqELsivP_VtGUAohnWO0paYq-3K/s1600/90.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgDslNBKNveGBZ3bcDFHJESA85OWbcjb-KmYK2ZRszB1HEFaxP6JnCwiH7Ts22LMFm_nN8EAoq-QqgTTpKg8pgRjmZsBsLvxn3sQKYCwHoZooqELsivP_VtGUAohnWO0paYq-3K/s320/90.jpg" /&gt;&lt;/a&gt;&lt;br /&gt;
&lt;/div&gt;&lt;b&gt;Brian Harnetty &amp;amp; Bonnie 'Prince' Billy&lt;/b&gt; - Silent City (&lt;a href="http://www.atavistic.com/"&gt;Atavistic&lt;/a&gt;) &lt;br /&gt;
&lt;b&gt;Dirac&lt;/b&gt; - Emphasis (&lt;a href="http://www.spekk.net/"&gt;Spekk&lt;/a&gt;)&lt;br /&gt;
&lt;b&gt;Quantec&lt;/b&gt; - Cauldron Subsidence (&lt;a href="http://www.echocord.com/"&gt;Echocord&lt;/a&gt;)&lt;br /&gt;
&lt;b&gt;Fieldhead&lt;/b&gt; - They Shook Hands For Hours (&lt;a href="http://www.homeassemblymusic.com/"&gt;Home Assembly&lt;/a&gt;)&lt;br /&gt;
&lt;b&gt;Northerner&lt;/b&gt; - 1976 (&lt;a href="http://hibernate-recs.com/"&gt;Hibernate&lt;/a&gt;)&lt;br /&gt;
&lt;b&gt;Ben Frost&lt;/b&gt; - By The Throat (&lt;a href="http://www.bedroomcommunity.net/Site/news/news.html"&gt;Bedroom Community&lt;/a&gt;)&lt;br /&gt;
&lt;b&gt;Sleep Whale&lt;/b&gt; - Houseboat (&lt;a href="http://westernvinyl.com/"&gt;Western Vinyl&lt;/a&gt;)&lt;br /&gt;
&lt;b&gt;Segue&lt;/b&gt; - Grey (&lt;a href="http://www.tokyodroning.com/"&gt;Tokyo Droning&lt;/a&gt;)&lt;br /&gt;
&lt;b&gt;Natural Snow Buildings&lt;/b&gt; - Shadow Kingdom (&lt;a href="http://www.blackest-rainbow.moonfruit.com/"&gt;Blackest Rainbow&lt;/a&gt;)&lt;br /&gt;
&lt;b&gt;Pub&lt;/b&gt; - Do You Ever Regret Pantomime? (&lt;a href="http://artuniongroup.co.jp/moamoo/"&gt;Moamoo&lt;/a&gt;)&lt;br /&gt;
&lt;b&gt;Zelienople&lt;/b&gt; - Give It Up (&lt;a href="http://typerecords.com/"&gt;Type&lt;/a&gt;)&lt;br /&gt;
&lt;b&gt;David Sylvian&lt;/b&gt; - Manafon (&lt;a href="http://www.samadhisound.com/"&gt;Samadhisound&lt;/a&gt;)&lt;br /&gt;
&lt;br /&gt;
&lt;i&gt;&lt;b&gt;Track Listing&lt;/b&gt;&lt;/i&gt;&lt;br /&gt;
&lt;br /&gt;
Brian Harnetty &amp;amp; Bonnie 'Prince' Billy&lt;b&gt; - &lt;/b&gt;&lt;i&gt;Sleeping in the Driveway&lt;/i&gt; [0:00]&lt;br /&gt;
Dirac - &lt;i&gt;Augarten&lt;/i&gt; (edit) [4:07]&lt;br /&gt;
Quantec - &lt;i&gt;Plateau&lt;/i&gt; [10:37]&lt;br /&gt;
Fieldhead - &lt;i&gt;Of October&lt;/i&gt; [17:06]&lt;br /&gt;
Northerner - &lt;i&gt;The End Of December&lt;/i&gt; [21:04] &lt;br /&gt;
Ben Frost - &lt;i&gt;O God Protect Me&lt;/i&gt; [27:01]&lt;br /&gt;
Sleep Whale - &lt;i&gt;Roof Sailing&lt;/i&gt; [30:01]&lt;br /&gt;
Segue - &lt;i&gt;October&lt;/i&gt; [34:13]&lt;br /&gt;
Natural Snow Buildings - &lt;i&gt;Go Away Disappear&lt;/i&gt; [40:03]&lt;br /&gt;
Pub - &lt;i&gt;In the meantime&lt;/i&gt; [43:14]&lt;br /&gt;
Zelienople - &lt;i&gt;All I Want Is Calm&lt;/i&gt; [47:42]&lt;br /&gt;
David Sylvian - &lt;i&gt;Emily Dickinson&lt;/i&gt; [53:35]&lt;br /&gt;
&lt;br /&gt;
Listen to &lt;span style="font-weight: bold;"&gt;Surgery 90&lt;/span&gt; &lt;a href="http://www.unbf.ca/cetl/ehill/surgery/surgery%2090.mp3" target="_blank"&gt;click here&lt;/a&gt;</description><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" height="72" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgDslNBKNveGBZ3bcDFHJESA85OWbcjb-KmYK2ZRszB1HEFaxP6JnCwiH7Ts22LMFm_nN8EAoq-QqgTTpKg8pgRjmZsBsLvxn3sQKYCwHoZooqELsivP_VtGUAohnWO0paYq-3K/s72-c/90.jpg" width="72"/><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">1</thr:total><author>noreply@blogger.com (Eric Hill)</author></item><item><title>Video of the day:</title><link>http://surgeryradio.blogspot.com/2009/11/video-of-day.html</link><pubDate>Sun, 15 Nov 2009 11:03:00 -0800</pubDate><guid isPermaLink="false">tag:blogger.com,1999:blog-11808502.post-3356585689070363723</guid><description>&lt;object width="500" height="405"&gt;&lt;param name="movie" value="http://www.youtube.com/v/QYt4fp3TYQg&amp;hl=en_US&amp;fs=1&amp;rel=0&amp;border=1"&gt;&lt;/param&gt;&lt;param name="allowFullScreen" value="true"&gt;&lt;/param&gt;&lt;param name="allowscriptaccess" value="always"&gt;&lt;/param&gt;&lt;embed src="http://www.youtube.com/v/QYt4fp3TYQg&amp;hl=en_US&amp;fs=1&amp;rel=0&amp;border=1" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="500" height="405"&gt;&lt;/embed&gt;&lt;/object&gt;</description><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">1</thr:total><author>noreply@blogger.com (Eric Hill)</author></item><item><title>Surgery 89</title><link>http://surgeryradio.blogspot.com/2009/10/surgery-89.html</link><pubDate>Wed, 28 Oct 2009 15:50:00 -0700</pubDate><guid isPermaLink="false">tag:blogger.com,1999:blog-11808502.post-7419066947937973633</guid><description>&lt;div class="separator" style="clear: both; text-align: left;"&gt;&lt;a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjttlD_nDpZb7ueZK9VRWgnDi9r1dCeUjcDS7TzsnzlS9QEOzf5j7R0aWdgg6sVrpIRNuwypEAG_k-hYQuLCLqo4kw0VLjVkdywd6sW4yLd47J6E4JKg0gaWhs95l05zH1I_PkG/s1600-h/89.jpg" imageanchor="1"&gt;&lt;img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjttlD_nDpZb7ueZK9VRWgnDi9r1dCeUjcDS7TzsnzlS9QEOzf5j7R0aWdgg6sVrpIRNuwypEAG_k-hYQuLCLqo4kw0VLjVkdywd6sW4yLd47J6E4JKg0gaWhs95l05zH1I_PkG/s320/89.jpg" /&gt;&lt;/a&gt;&lt;br /&gt;
&lt;/div&gt;&lt;b&gt;Gabriel Séverin&lt;/b&gt; - Soliloques (&lt;a href="http://www.subrosa.net/index_fr.htm"&gt;Sub Rosa&lt;/a&gt;)&lt;br /&gt;
&lt;b&gt;Cindytalk&lt;/b&gt; - The Crackle Of My Soul (&lt;a href="http://www.editionsmego.com/twiki/bin/view/Editionsmego/"&gt;eMego&lt;/a&gt;)&lt;br /&gt;
&lt;b&gt;Black To Comm&lt;/b&gt; - Alphabet 1968 (&lt;a href="http://typerecords.com/"&gt;Type&lt;/a&gt;)&lt;br /&gt;
&lt;b&gt;10-20&lt;/b&gt; - Island (&lt;a href="http://highpointlowlife.com/"&gt;Highpoint Lowlife&lt;/a&gt;) &lt;br /&gt;
&lt;b&gt;Antye Greie &lt;span style="font-size: x-small;"&gt;Aka AGF&lt;/span&gt;&lt;/b&gt; - Einzelkämpfer (&lt;a href="http://agfproducktion.com/"&gt;AGF Produktion&lt;/a&gt;)&lt;br /&gt;
&lt;b&gt;Molly Berg &amp;amp; Stephen Vitiello&lt;/b&gt; - The Gorilla Variations (&lt;a href="http://www.12k.com/"&gt;12k&lt;/a&gt;)&lt;br /&gt;
&lt;b&gt;Aaron Martin&lt;/b&gt; - Grass Wounds (&lt;a href="http://underthespire.blogspot.com/"&gt;Under the Spire&lt;/a&gt;)&lt;br /&gt;
&lt;b&gt;Akira Kosemura&lt;/b&gt; - Polaroid Piano (&lt;a href="http://www.someonegood.org/"&gt;Someone Good&lt;/a&gt;)&lt;br /&gt;
&lt;b&gt;Caethua&lt;/b&gt; - The Long Afternoon Of Earth (Into The Dog-Dayed Night) (&lt;a href="http://www.preservation.com.au/"&gt;Preservation&lt;/a&gt;)&lt;br /&gt;
&lt;b&gt;Leyland Kirby&lt;/b&gt; - Sadly, The Future Is No Longer What It Was (&lt;a href="http://haftw.wordpress.com/"&gt;HAFTW&lt;/a&gt;)&lt;br /&gt;
&lt;b&gt;Ryuichi Sakamoto&lt;/b&gt; - Playing&amp;nbsp;The&amp;nbsp;Piano (&lt;a href="http://www.deccaclassics.com/"&gt;Decca&lt;/a&gt;)&lt;br /&gt;
&lt;b&gt;Tsukimono&lt;/b&gt; - Heart Attack Money (&lt;a href="http://www.kalligrammofon.com/"&gt;Kalligrammofon&lt;/a&gt;)&lt;br /&gt;
&lt;b&gt;Ian Hawgood&lt;/b&gt; - Wolfskin CDR (&lt;a href="http://hibernate-recs.com/"&gt;Hibernate&lt;/a&gt;)&lt;br /&gt;
&lt;b&gt;Autistici&lt;/b&gt; - Complex Tone Test (&lt;a href="http://keshhhhhh.com/"&gt;Keshhhhhh&lt;/a&gt;)&lt;br /&gt;
&lt;br /&gt;
&lt;i&gt;&lt;b&gt;Track Listing&lt;/b&gt;&lt;/i&gt;&lt;br /&gt;
&lt;br /&gt;
Gabriel Séverin - &lt;i&gt;Jacqueline: "Je Ne Sais Pas Faire De Charme Devant Un Micro"&lt;/i&gt; [0:00]&lt;br /&gt;
Cindytalk - &lt;i&gt;Our Shadow, Remembered&lt;/i&gt; [0:59]&lt;br /&gt;
Black To Comm - &lt;i&gt;Jonathan&lt;/i&gt; [4:30]&lt;br /&gt;
10-20 - &lt;i&gt;Thing From Inner Space&lt;/i&gt; [11:09]&lt;br /&gt;
Antye Greie -&lt;i&gt; Rhythm, Rules And Ink&lt;/i&gt; [15:59]&lt;br /&gt;
Molly Berg &amp;amp; Stephen Vitiello - &lt;i&gt;Variation 2&lt;/i&gt; [21:01]&lt;br /&gt;
Aaron Martin - &lt;i&gt;Shot Tower&lt;/i&gt; [26:04]&lt;br /&gt;
Akira Kosemura - &lt;i&gt;Would&lt;/i&gt; [30:08]&lt;br /&gt;
Caethua - &lt;i&gt;The Cold Stark North East&lt;/i&gt; [33:13]&lt;br /&gt;
Leyland Kirby - &lt;i&gt;Tonight Is The Last Night Of The World&lt;/i&gt; [36:56]&lt;br /&gt;
Ryuichi Sakamoto- &lt;i&gt;A&amp;nbsp;Flower&amp;nbsp;Is&amp;nbsp;Not&amp;nbsp;A&amp;nbsp;Flower&lt;/i&gt; [46:21]&lt;br /&gt;
Tsukimono - &lt;i&gt;Oh Cannibal&lt;/i&gt; [49:31]&lt;br /&gt;
Ian Hawgood - &lt;i&gt;All These Memories Are Blue Type&lt;/i&gt; [51:55]&lt;br /&gt;
Autistici - &lt;i&gt;Resonating Wire&lt;/i&gt; [54:10]&lt;br /&gt;
&lt;br /&gt;
Listen to &lt;span style="font-weight: bold;"&gt;Surgery 89&lt;/span&gt; &lt;a href="http://www.unbf.ca/cetl/ehill/surgery/surgery%2089.mp3" target="_blank"&gt;click here&lt;/a&gt;</description><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" height="72" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjttlD_nDpZb7ueZK9VRWgnDi9r1dCeUjcDS7TzsnzlS9QEOzf5j7R0aWdgg6sVrpIRNuwypEAG_k-hYQuLCLqo4kw0VLjVkdywd6sW4yLd47J6E4JKg0gaWhs95l05zH1I_PkG/s72-c/89.jpg" width="72"/><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">5</thr:total><author>noreply@blogger.com (Eric Hill)</author></item><item><title>Surgery 88</title><link>http://surgeryradio.blogspot.com/2009/10/surgery-88.html</link><pubDate>Thu, 15 Oct 2009 16:21:00 -0700</pubDate><guid isPermaLink="false">tag:blogger.com,1999:blog-11808502.post-1851617698305301602</guid><description>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiEDFXnIkO3aw85tcsbYQVddl59R7wp5bI_oOne-jOweUdqEuH-YSkw5_dXtaeo9wY_Z5fQ6KlAab7QfXQriSmBiL47YZk7RR8qgaq39MI-d6LlPVkLBdK9QUK-qXiDIgFKrOD7/s1600-h/88.jpg"&gt;&lt;img style="cursor: pointer; width: 320px; height: 320px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiEDFXnIkO3aw85tcsbYQVddl59R7wp5bI_oOne-jOweUdqEuH-YSkw5_dXtaeo9wY_Z5fQ6KlAab7QfXQriSmBiL47YZk7RR8qgaq39MI-d6LlPVkLBdK9QUK-qXiDIgFKrOD7/s320/88.jpg" alt="" id="BLOGGER_PHOTO_ID_5392986776743585922" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Nudge&lt;/span&gt; - As Good As Gone (&lt;a href="http://www.kranky.net/"&gt;Kranky&lt;/a&gt;)&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;What Capitalism Was&lt;/span&gt; - Plays Philip Glass on Accordion (&lt;a href="http://www.last.fm/music/what+capitalism+was"&gt;Self-released&lt;/a&gt;)&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Heather Woods Broderick&lt;/span&gt; - From The Ground (&lt;a href="http://www.preservation.com.au/"&gt;Preservation&lt;/a&gt;)&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Porzellan&lt;/span&gt; - The Fourth Level Of Comprehension (&lt;a href="http://hibernate-recs.com/"&gt;Hibernate&lt;/a&gt;)&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Klimek&lt;/span&gt; - Movies Is Magic (&lt;a href="http://www.anticipaterecordings.com/news/index.php"&gt;Anticipate&lt;/a&gt;)&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Steven R. Smith&lt;/span&gt; - Cities (&lt;a href="http://immunerecordings.net/"&gt;Immune&lt;/a&gt;)&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Milieu&lt;/span&gt; - New Drugs For Nuclear Families Of The Seventies (&lt;a href="http://www.milieu-music.com/"&gt;MMD&lt;/a&gt;)&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Bvdub&lt;/span&gt; - We Were The Sun (&lt;a href="http://www.quietus-recordings.com/"&gt;Quietus&lt;/a&gt;)&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Loscil&lt;/span&gt; - Strathcona Variations (&lt;a href="http://ghostly.com/"&gt;Ghostly&lt;/a&gt;)&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Pleq&lt;/span&gt; - The Metamorphosis (&lt;a href="http://www.u-cover.com/cdr/"&gt;U-Cover/CD-r&lt;/a&gt;)&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Isnaj Dui&lt;/span&gt; - Unstable Equilibrium (&lt;a href="http://www.homenormal.com/archives/category/news"&gt;Home Normal&lt;/a&gt;)&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Chihei Hatakeyama&lt;/span&gt; - The River (&lt;a href="http://hibernate-recs.com/"&gt;Hibernate&lt;/a&gt;)&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Brave Radar&lt;/span&gt; - A Building (&lt;a href="http://www.fixture-records.com/"&gt;Fixture&lt;/a&gt;)&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold; font-style: italic;"&gt;Track Listing&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Nudge - &lt;span style="font-style: italic;"&gt;Harmo&lt;/span&gt; [0:00]&lt;br /&gt;What Capitalism Was - &lt;span style="font-style: italic;"&gt;Etoile Polaire&lt;/span&gt; [4:53]&lt;br /&gt;Heather Woods Broderick - &lt;span style="font-style: italic;"&gt;Left&lt;/span&gt; [7:21]&lt;br /&gt;Porzellan - &lt;span style="font-style: italic;"&gt;One Week &amp;amp; One Day&lt;/span&gt; [12:05]&lt;br /&gt;Klimek - &lt;span style="font-style: italic;"&gt;Sound Of Confusion&lt;/span&gt; [20:43]&lt;br /&gt;Steven R. Smith - &lt;span style="font-style: italic;"&gt;Night Upon Us&lt;/span&gt; [25:58]&lt;br /&gt;Milieu - &lt;span style="font-style: italic;"&gt;Dionysus In Reds&lt;/span&gt; [30:20]&lt;br /&gt;Bvdub - &lt;span style="font-style: italic;"&gt;Lest You Forget&lt;/span&gt; [33:45]&lt;br /&gt;Loscil -&lt;span style="font-style: italic;"&gt; Midnight on Princess&lt;/span&gt; [37:47]&lt;br /&gt;Pleq - &lt;span style="font-style: italic;"&gt;Song Of Nonsens&lt;/span&gt; [43:50]&lt;br /&gt;Isnaj Dui - &lt;span style="font-style: italic;"&gt;Chill Turns To Cold&lt;/span&gt; [48:58]&lt;br /&gt;Chihei Hatakeyama - &lt;span style="font-style: italic;"&gt;Gray Hued Sky&lt;/span&gt; [54:33]&lt;br /&gt;Brave Radar - &lt;span style="font-style: italic;"&gt;Fireball&lt;/span&gt; &lt;span style="font-size:85%;"&gt;(Surgery Edit)&lt;/span&gt; [59:07]&lt;br /&gt;&lt;br /&gt;Listen to &lt;span style="font-weight: bold;"&gt;Surgery 88&lt;/span&gt; &lt;a href="http://www.unbf.ca/cetl/ehill/surgery/surgery%2088.mp3" target="_blank"&gt;click here&lt;/a&gt;</description><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" height="72" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiEDFXnIkO3aw85tcsbYQVddl59R7wp5bI_oOne-jOweUdqEuH-YSkw5_dXtaeo9wY_Z5fQ6KlAab7QfXQriSmBiL47YZk7RR8qgaq39MI-d6LlPVkLBdK9QUK-qXiDIgFKrOD7/s72-c/88.jpg" width="72"/><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">0</thr:total><author>noreply@blogger.com (Eric Hill)</author></item><item><title>Christopher Tignor - Core Memory Unwound</title><link>http://surgeryradio.blogspot.com/2009/10/christopher-tignor-core-memory-unwound.html</link><pubDate>Tue, 13 Oct 2009 17:38:00 -0700</pubDate><guid isPermaLink="false">tag:blogger.com,1999:blog-11808502.post-7138840205475580534</guid><description>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhE0Hw_ETWr2DudhgOEWB5Tir1NW6HWttgPc4nEgIjHt_NHIPiNdoFVVEfomEtdtrqO7y2i9L8Sn-CkdeixmuQYAp2GfjGWpXG5Nf90VxBF75U0LVUPIM-62mZa24VZBNQP-mlA/s1600-h/333-1.jpg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 200px; height: 200px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhE0Hw_ETWr2DudhgOEWB5Tir1NW6HWttgPc4nEgIjHt_NHIPiNdoFVVEfomEtdtrqO7y2i9L8Sn-CkdeixmuQYAp2GfjGWpXG5Nf90VxBF75U0LVUPIM-62mZa24VZBNQP-mlA/s200/333-1.jpg" alt="" id="BLOGGER_PHOTO_ID_5392249052396276290" border="0" /&gt;&lt;/a&gt;An aptly titled solo debut from the musical director/violinist of the &lt;span style="font-weight: bold;"&gt;Slow Six&lt;/span&gt; ensemble that tests the elasticity of piano and violin themes with live sampling software. Where Slow Six dabble in Glass/Reich minimalism these pieces come closer to the chamber classical of Koji Asano or even austere John Cale. The eight pieces progress in pairs that alternate purely acoustic and treated electronic works..  “Last Thought at Night” is a lovely duet that slowly interlocks and pulls apart like a door latch, while the piano of “Last Nights on Eagle Street” tiptoes through an arpeggiated patch of violin samples.  The title track at the centre of the album inverts the cascade, creating waves of piano samples that envelope slowly shifting drones spiking in the upper frequencies.  Both sides of the equation approach each other closely on the subtly evanescent moments of “Cathedral,” a two-parter that closes the album.&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.blogger.com/www.westernvinyl.com"&gt;Western Vinyl&lt;/a&gt;</description><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" height="72" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhE0Hw_ETWr2DudhgOEWB5Tir1NW6HWttgPc4nEgIjHt_NHIPiNdoFVVEfomEtdtrqO7y2i9L8Sn-CkdeixmuQYAp2GfjGWpXG5Nf90VxBF75U0LVUPIM-62mZa24VZBNQP-mlA/s72-c/333-1.jpg" width="72"/><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">0</thr:total><author>noreply@blogger.com (Eric Hill)</author></item><item><title>Various - Iceberg</title><link>http://surgeryradio.blogspot.com/2009/10/various-iceberg.html</link><pubDate>Tue, 13 Oct 2009 17:33:00 -0700</pubDate><guid isPermaLink="false">tag:blogger.com,1999:blog-11808502.post-2426118178271133403</guid><description>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgAHib4TJn8mA0tM9NZ79ohtQQkNViqUQyfQzrEXG6fXyPFhnXcVC9SIqrLTZpLg2jWOETk-TLgJKnFKDknG9RnWzZSysnuWlov-4cphPCxOByqvMLIQBjvHQHz5r_hVZHYSKrn/s1600-h/29_8809128c323b12c02d8a0277c2583f02_fullsize.jpg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 200px; height: 200px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgAHib4TJn8mA0tM9NZ79ohtQQkNViqUQyfQzrEXG6fXyPFhnXcVC9SIqrLTZpLg2jWOETk-TLgJKnFKDknG9RnWzZSysnuWlov-4cphPCxOByqvMLIQBjvHQHz5r_hVZHYSKrn/s200/29_8809128c323b12c02d8a0277c2583f02_fullsize.jpg" alt="" id="BLOGGER_PHOTO_ID_5392248276229912834" border="0" /&gt;&lt;/a&gt;Montreal’s experimental music scene has a new label to exhibit its wares, both hard and soft.   Minimalism is the watchword here, but the twelve artists approach it from intersecting spheres of ambience, concrete, dub and  techno.  Simon Carpentier (&lt;span style="font-weight: bold;"&gt;Sapin&lt;/span&gt;) provides a fitting introduction with “Balade,” a track that combines a soggy electroacoustic soundwalk with a chilly network of electronics from the Raster-Noton catalogue. &lt;span style="font-weight: bold;"&gt; Laforge&lt;/span&gt; and &lt;span style="font-weight: bold;"&gt;Sul.a&lt;/span&gt; follow up with a couple of micro-beat pieces that are part Tangerine Dream part Frank Bretschneider. “Luminescence” is a vapor by Julie LeBlanc (&lt;span style="font-weight: bold;"&gt;/de.i.te/&lt;/span&gt;) that seems to hover and vibrate in the middle distance just out of focus.  Martin Dumais (&lt;span style="font-weight: bold;"&gt;AUN&lt;/span&gt;) labels his efforts as “blight metal,” but “Human Prince” seems light on doom, heavier on the hazy echo.  More haunted is “Somewhere Cold” by Pascal Asselin (&lt;span style="font-weight: bold;"&gt;Le Chat Blanc Orchestra&lt;/span&gt;) that conjures quiet moments of devastation from Lynch films.  At heart a post-dusk collection that contemplates isolation as the streetlights flicker.&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.blogger.com/www.cccltd.ca"&gt;CCCLTD&lt;/a&gt;</description><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" height="72" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgAHib4TJn8mA0tM9NZ79ohtQQkNViqUQyfQzrEXG6fXyPFhnXcVC9SIqrLTZpLg2jWOETk-TLgJKnFKDknG9RnWzZSysnuWlov-4cphPCxOByqvMLIQBjvHQHz5r_hVZHYSKrn/s72-c/29_8809128c323b12c02d8a0277c2583f02_fullsize.jpg" width="72"/><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">0</thr:total><author>noreply@blogger.com (Eric Hill)</author></item><item><title>Martin Schulte – Depth of Soul</title><link>http://surgeryradio.blogspot.com/2009/10/martin-schulte-depth-of-soul.html</link><pubDate>Tue, 13 Oct 2009 17:22:00 -0700</pubDate><guid isPermaLink="false">tag:blogger.com,1999:blog-11808502.post-3446070361037793516</guid><description>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh_JrpATuScbopRWT9ZrQl1ovIVYPypuA-ma9nBbd21lheLxMebWvIWU4vRBHNAdn6ObBzBwOL0Unik8CTgLC4kybIv52lFC7SlvAjlqipFpB-4A4KDT61g5voTleCP5-NTJGZM/s1600-h/B001F4TF4M.jpg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 200px; height: 200px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh_JrpATuScbopRWT9ZrQl1ovIVYPypuA-ma9nBbd21lheLxMebWvIWU4vRBHNAdn6ObBzBwOL0Unik8CTgLC4kybIv52lFC7SlvAjlqipFpB-4A4KDT61g5voTleCP5-NTJGZM/s200/B001F4TF4M.jpg" alt="" id="BLOGGER_PHOTO_ID_5392244903765133538" border="0" /&gt;&lt;/a&gt;&lt;span style=";font-family:&amp;quot;;font-size:12pt;"  &gt;&lt;span style="font-size:100%;"&gt;Having spent a few years rising through the ranks on netlabels like Red and Op3n, Russia’s Marat Shibaev has found a new hard disc home on Tokyo’s fledgling Lantern Records.&lt;/span&gt;&lt;span style=";font-size:100%;" &gt;  &lt;/span&gt;&lt;span style="font-size:100%;"&gt;While there are echoes of dub and Kompakt-influenced minimalism (his pseudonym hints at the gutte vibrations), there is a compacted surface to these tracks that render them dancefloor-friendly. What distinguishes them from your average upper-middle tempo cuts are the detailed undercurrents built into pieces like “Big City Street” and “Supper.”&lt;/span&gt;&lt;span style=";font-size:100%;" &gt;  &lt;/span&gt;&lt;span style="font-size:100%;"&gt;The latter’s clattering flatware and mealtime chatter is more prominent, while the former features more subliminal snippets of voice that encourage slightly paranoid sidelong glances.&lt;/span&gt;&lt;span style=";font-size:100%;" &gt;  &lt;/span&gt;&lt;span style="font-size:100%;"&gt;Even the less ambience infected tracks are gibbous with little working parts.&lt;/span&gt;&lt;span style=";font-size:100%;" &gt;  &lt;/span&gt;&lt;span style="font-size:100%;"&gt;Even as the topmost 4/4 is prodding the plexus there are blurry washes that graze the surface, like moving water under ice.&lt;/span&gt;&lt;span style=";font-size:100%;" &gt;  &lt;/span&gt;&lt;span style="font-size:100%;"&gt;Having just cracked the big 2-0 Shibaev has many promising nights ahead of him.&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.myspace.com/lanternrecords"&gt;Lantern Records&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;!--EndFragment--&gt;</description><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" height="72" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh_JrpATuScbopRWT9ZrQl1ovIVYPypuA-ma9nBbd21lheLxMebWvIWU4vRBHNAdn6ObBzBwOL0Unik8CTgLC4kybIv52lFC7SlvAjlqipFpB-4A4KDT61g5voTleCP5-NTJGZM/s72-c/B001F4TF4M.jpg" width="72"/><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">0</thr:total><author>noreply@blogger.com (Eric Hill)</author></item><item><title>City Centre - S/T</title><link>http://surgeryradio.blogspot.com/2009/10/city-centre-st.html</link><pubDate>Tue, 13 Oct 2009 17:19:00 -0700</pubDate><guid isPermaLink="false">tag:blogger.com,1999:blog-11808502.post-4212315612909496280</guid><description>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjn8Eq7B6erfe8vQlNruN8PvRctgi3-pPw_6MNd3EtZak8j3ospmpIj5NbUKboM8aVoV8_Nu6QkqihJTU7TFeSt4LRsryvqY7YHbYHIgP8v6j1sc3vz5fDt5Hss7CQSUYdIxt7y/s1600-h/10116.jpg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 200px; height: 200px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjn8Eq7B6erfe8vQlNruN8PvRctgi3-pPw_6MNd3EtZak8j3ospmpIj5NbUKboM8aVoV8_Nu6QkqihJTU7TFeSt4LRsryvqY7YHbYHIgP8v6j1sc3vz5fDt5Hss7CQSUYdIxt7y/s200/10116.jpg" alt="" id="BLOGGER_PHOTO_ID_5392244255834635522" border="0" /&gt;&lt;/a&gt;The same shifty restlessness that made &lt;span style="font-weight: bold;"&gt;Saturday Looks Good to Me&lt;/span&gt; such an undervalued pop curiosity blossoms at the heart of Fred Thomas’ City Centre.  Parts of this eponymous debut have the feel of a pillow fight where exploded feathers touch off loops of mbira, gamelan and then unexpectedly drop like rhythmic hammers.  It takes a few tracks for the disparate elements to synch, but “Bleed Blood” succeeds by shunting the acoustics and embracing the Panda Bearishness of sweet and sticky tug-of-war layers.  The wall of noise on “Cloud Center” is an appropriately nebulous one that is the aural equivalent of the debris that circles Saturn.  Even in varied states of deliquescence, the hard pop core of each track retains enough form to survive declassification.  “Young Diamond” sounds like a wet dream Kevin Drew wishes he could remember and closer “Unfinished Hex” proves there is a machine inside the ghost with its more minimalist guitar/vocal approach.  Get your pillows ready.&lt;br /&gt;&lt;br /&gt;&lt;a href="http://typerecords.com/"&gt;Type&lt;/a&gt;</description><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" height="72" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjn8Eq7B6erfe8vQlNruN8PvRctgi3-pPw_6MNd3EtZak8j3ospmpIj5NbUKboM8aVoV8_Nu6QkqihJTU7TFeSt4LRsryvqY7YHbYHIgP8v6j1sc3vz5fDt5Hss7CQSUYdIxt7y/s72-c/10116.jpg" width="72"/><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">0</thr:total><author>noreply@blogger.com (Eric Hill)</author></item><item><title>Surgery 87</title><link>http://surgeryradio.blogspot.com/2009/09/surgery-87.html</link><pubDate>Wed, 30 Sep 2009 16:55:00 -0700</pubDate><guid isPermaLink="false">tag:blogger.com,1999:blog-11808502.post-1751318248104332432</guid><description>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjtP_M9F32l3cbwDCaw1L1CKfDZtQA8TV7v2OIKBj8YbOzLPiLxwg-iKA37tXbiaMuXif87pLgw9p4eGQuVqWE_tL7fDzCH_F0KlGFYt-0kwSMbubYHqWRNUbGWhl0-hqnQIo_h/s1600-h/87.jpg"&gt;&lt;img style="cursor: pointer; width: 320px; height: 320px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjtP_M9F32l3cbwDCaw1L1CKfDZtQA8TV7v2OIKBj8YbOzLPiLxwg-iKA37tXbiaMuXif87pLgw9p4eGQuVqWE_tL7fDzCH_F0KlGFYt-0kwSMbubYHqWRNUbGWhl0-hqnQIo_h/s320/87.jpg" alt="" id="BLOGGER_PHOTO_ID_5387790626729529250" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Lawrence&lt;/span&gt; - Until Then, Goodbye (&lt;a href="http://www.mulemusiq.com/"&gt;Mule Musiq&lt;/a&gt;)&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Ben Klock&lt;/span&gt; - Remixes (&lt;a href="http://www.ostgut.de/ton/"&gt;Ostgut&lt;/a&gt;)&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Daniel Meteo&lt;/span&gt; - Working Class (&lt;a href="http://www.shitkatapult.com/"&gt;Shitkatapult&lt;/a&gt;)&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Dubkasm&lt;/span&gt; - Transform I (&lt;a href="http://www.dubkasm.com/Dubkasm.com/News.html"&gt;Sufferah's Choice&lt;/a&gt;)&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Variant&lt;/span&gt; - The Setting Sun (&lt;a href="http://www.echospacedetroit.com/"&gt;Echospace&lt;/a&gt;)&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;The Notwist&lt;/span&gt; - Music For "Storm"    (&lt;a href="http://www.alientransistor.de/"&gt;Alien Transistor&lt;/a&gt;)&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Naptha&lt;/span&gt; - Long Time Burning (&lt;a href="http://www.thefear.ie/"&gt;Ruff Revival&lt;/a&gt;)&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;M &lt;/span&gt;- Pop Muzik (30th Anniversary Remixes) (&lt;a href="http://www.echobeach.de/"&gt;Echobeach&lt;/a&gt;)&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Midaircondo&lt;/span&gt; - Curtain Call (&lt;a href="http://www.midaircondo.com/"&gt;Twin Seed&lt;/a&gt;)&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Rainer Wiens&lt;/span&gt; - Shadows of Forgotten Ancestors (&lt;a href="http://www.ambiancesmagnetiques.com/"&gt;Ambiances Magnetiques&lt;/a&gt;)&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Thomas  Köner&lt;/span&gt; -    La Barca (&lt;a href="http://www.feardrop.net/"&gt;Fario&lt;/a&gt;)&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Ganesh Anandan &amp;amp; Hans Reichel&lt;/span&gt; - Self Made (&lt;a href="http://www.ambiancesmagnetiques.com/"&gt;Ambiances Magnetiques&lt;/a&gt;)&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold; font-style: italic;"&gt;Track List&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Lawrence - &lt;span style="font-style: italic;"&gt;Sleep And Suffer &lt;/span&gt;&lt;span&gt;[0:00]&lt;/span&gt;&lt;br /&gt;Ben Klock - &lt;span style="font-style: italic;"&gt;Subzero&lt;/span&gt; &lt;span style="font-size:85%;"&gt;(Function-Regis aka Sandwell District Remix) &lt;/span&gt;&lt;span style="font-size:100%;"&gt;&lt;span class="Apple-style-span"&gt;[3:31]&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;Daniel Mateo -&lt;span style="font-style: italic;"&gt; On The Corner &lt;/span&gt;&lt;span&gt;[9:37]&lt;/span&gt;&lt;br /&gt;Dubkasm - &lt;span style="font-style: italic;"&gt;Sangue Brasileiro &lt;/span&gt;&lt;span&gt;[16:03]&lt;/span&gt;&lt;br /&gt;Variant - &lt;span style="font-style: italic;"&gt;Adrift &lt;/span&gt;&lt;span&gt;[20:12]&lt;/span&gt;&lt;br /&gt;The Notwist - &lt;span style="font-style: italic;"&gt;Sarajevo 2 &lt;/span&gt;&lt;span&gt;[25:09]&lt;/span&gt;&lt;br /&gt;Naphta - &lt;span style="font-style: italic;"&gt;My Heart Beating &lt;/span&gt;&lt;span&gt;[31:05]&lt;/span&gt;&lt;br /&gt;M - &lt;span style="font-style: italic;"&gt;Pop Muzik&lt;/span&gt; &lt;span style="font-size:85%;"&gt;(Dub Spencer &amp;amp; Trance Hill Remix)&lt;/span&gt;&lt;span style="font-size:100%;"&gt;&lt;span class="Apple-style-span"&gt;[32:48]&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;Midaircondo - &lt;span style="font-style: italic;"&gt;Bringing Me Home &lt;/span&gt;&lt;span&gt;[38:52]&lt;/span&gt;&lt;br /&gt;Rainer Weins - &lt;span style="font-style: italic;"&gt;The Valley of Green Ghosts &lt;/span&gt;&lt;span&gt;[43:11]&lt;/span&gt;&lt;br /&gt;Thomas Köner - &lt;span style="font-style: italic;"&gt;35° 40' N 139° 42' E (Hour One) &lt;/span&gt;&lt;span&gt;[45:31]&lt;/span&gt;&lt;br /&gt;Ganesh Anandan &amp;amp; Hans Reichel&lt;span style="font-weight: bold;"&gt; - &lt;/span&gt;&lt;span style="font-style: italic;"&gt;In the Stillness &lt;/span&gt;&lt;span&gt;(edit) [51:47]&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Listen to &lt;span style="font-weight: bold;"&gt;Surgery 87&lt;/span&gt; &lt;a href="http://www.unbf.ca/cetl/ehill/surgery/surgery%2087.mp3" target="_blank"&gt;click here&lt;/a&gt;</description><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" height="72" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjtP_M9F32l3cbwDCaw1L1CKfDZtQA8TV7v2OIKBj8YbOzLPiLxwg-iKA37tXbiaMuXif87pLgw9p4eGQuVqWE_tL7fDzCH_F0KlGFYt-0kwSMbubYHqWRNUbGWhl0-hqnQIo_h/s72-c/87.jpg" width="72"/><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">0</thr:total><author>noreply@blogger.com (Eric Hill)</author></item><item><title>Surgery 86</title><link>http://surgeryradio.blogspot.com/2009/09/surgery-86.html</link><pubDate>Sun, 6 Sep 2009 14:38:00 -0700</pubDate><guid isPermaLink="false">tag:blogger.com,1999:blog-11808502.post-3776113588762399552</guid><description>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiER9QnmivSWxRtKHdJhkcLjn1EgffTD0ZIvJzG2Xln9fj-BDKhHmVpSF3kGb4jd6h61YYvTvINjPJvc0qRWHHvCu-ibavAAmufYHO4-cNGRs_gx2QZ0kuf6H9IqRShEQnmHzo-/s1600-h/86.jpg"&gt;&lt;img style="cursor: pointer; width: 320px; height: 320px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiER9QnmivSWxRtKHdJhkcLjn1EgffTD0ZIvJzG2Xln9fj-BDKhHmVpSF3kGb4jd6h61YYvTvINjPJvc0qRWHHvCu-ibavAAmufYHO4-cNGRs_gx2QZ0kuf6H9IqRShEQnmHzo-/s320/86.jpg" alt="" id="BLOGGER_PHOTO_ID_5378480123022685618" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Vladislav Delay&lt;/span&gt; - Tummaa (&lt;a href="http://www.theleaflabel.com/en/index.php"&gt;Leaf&lt;/a&gt;)&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Ethernet&lt;/span&gt; - 144 Pulsations of Light (&lt;a href="http://kranky.net/"&gt;Kranky&lt;/a&gt;)&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;RJ Valeo&lt;/span&gt; - September (&lt;a href="http://typerecords.com/"&gt;Type&lt;/a&gt;)&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;900x &lt;/span&gt;- Music For Lubbock, 1980 (&lt;a href="http://asthmatickitty.com/"&gt;Asthmatic Kitty&lt;/a&gt;)&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Epic45&lt;/span&gt; - In All The Empty Houses (&lt;a href="http://www.makeminemusic.co.uk/"&gt;Make Mine Music&lt;/a&gt;)&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Various&lt;/span&gt; - XVI Reflections On Classical Music (&lt;a href="http://www.xvi-reflections.com/"&gt;Universal&lt;/a&gt;)&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Rameses III&lt;/span&gt; - I Could Not Love You More (&lt;a href="http://typerecords.com/"&gt;Type&lt;/a&gt;)&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Ólafur Arnalds&lt;/span&gt; - Found Songs (&lt;a href="http://erasedtapes.com/"&gt;Erased Tapes&lt;/a&gt;)&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Mem1&lt;/span&gt; - +1  (&lt;a href="http://www.interval-recordings.com/"&gt;Interval Recordings&lt;/a&gt;)&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Con Cetta &lt;/span&gt;- Micro (&lt;a href="http://www.moteer.co.uk/"&gt;Moteer&lt;/a&gt;)&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Cresting&lt;/span&gt; - an e.p. (&lt;a href="http://www.fixture-records.com/"&gt;Fixture&lt;/a&gt;)&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Radian&lt;/span&gt; - Chimeric (&lt;a href="http://www.thrilljockey.com/"&gt;Thrill Jockey&lt;/a&gt;)&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold; font-style: italic;"&gt;Track Listing&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Vladislav Delay - &lt;span style="font-style: italic;"&gt;Musta Planeetta&lt;/span&gt; [0:00]&lt;br /&gt;Ethernet - &lt;span style="font-style: italic;"&gt;Seaside&lt;/span&gt; [5:12]&lt;br /&gt;RJ Valeo - &lt;span style="font-style: italic;"&gt;Black Ice&lt;/span&gt; [10:39]&lt;br /&gt;900x  - &lt;span style="font-style: italic;"&gt;Lands&lt;/span&gt; [16:26]&lt;br /&gt;Epic45 - &lt;span style="font-style: italic;"&gt;In All The Empty Houses&lt;/span&gt; [20:35]&lt;br /&gt;Gavin Bryars - &lt;span style="font-style: italic;"&gt;Tramp With Orchestra III (No Strings)&lt;/span&gt; [24:08]&lt;br /&gt;Rameses III - &lt;span style="font-style: italic;"&gt;No Water, No Moon&lt;/span&gt; [29:01]&lt;br /&gt;Ólafur Arnalds - &lt;span style="font-style: italic;"&gt;Raein&lt;/span&gt; [35:39]&lt;br /&gt;Mem1 - &lt;span style="font-style: italic;"&gt;+Area C&lt;/span&gt; [38:28]&lt;br /&gt;Con Cetta  - &lt;span style="font-style: italic;"&gt;Shown Anatomicophysiologic&lt;/span&gt; [43:44]&lt;br /&gt;Cresting - &lt;span style="font-style: italic;"&gt;A Bottom Hill&lt;/span&gt; [46:41]&lt;br /&gt;Radian - &lt;span style="font-style: italic;"&gt;Subcolors&lt;/span&gt; [51:05]&lt;br /&gt;&lt;br /&gt;Listen to &lt;span style="font-weight: bold;"&gt;Surgery 86&lt;/span&gt; &lt;a href="http://www.unbf.ca/cetl/ehill/surgery/surgery%2086.mp3" target="_blank"&gt;click here&lt;/a&gt;</description><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" height="72" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiER9QnmivSWxRtKHdJhkcLjn1EgffTD0ZIvJzG2Xln9fj-BDKhHmVpSF3kGb4jd6h61YYvTvINjPJvc0qRWHHvCu-ibavAAmufYHO4-cNGRs_gx2QZ0kuf6H9IqRShEQnmHzo-/s72-c/86.jpg" width="72"/><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">0</thr:total><author>noreply@blogger.com (Eric Hill)</author></item><item><title>Surgery 85</title><link>http://surgeryradio.blogspot.com/2009/08/surgery-85.html</link><pubDate>Sat, 22 Aug 2009 18:40:00 -0700</pubDate><guid isPermaLink="false">tag:blogger.com,1999:blog-11808502.post-8251442440919743107</guid><description>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhtdn_fcB0wX6h9B6ykgrzbJAPFUB_44a4WNRBOwIQhpr4ceQyaOh9PSc-SAoHZjcIfES9bGzFtiaCZcq3KgSHAfORPbwKUx7j9H0i1mWRJnhAhMgmQMiqvFh4mffeF8OP8cyBp/s1600-h/85.jpg"&gt;&lt;img style="cursor: pointer; width: 320px; height: 320px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhtdn_fcB0wX6h9B6ykgrzbJAPFUB_44a4WNRBOwIQhpr4ceQyaOh9PSc-SAoHZjcIfES9bGzFtiaCZcq3KgSHAfORPbwKUx7j9H0i1mWRJnhAhMgmQMiqvFh4mffeF8OP8cyBp/s320/85.jpg" alt="" id="BLOGGER_PHOTO_ID_5372974982227719106" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Sonogram&lt;/span&gt; - Pixels (&lt;a href="http://www.blogger.com/www.simulacrarecords.com"&gt;Simulacra&lt;/a&gt;)&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Sparklehorse + Fennesz&lt;/span&gt; - In The Fishtank (&lt;a href="http://www.konkurrent.nl/"&gt;Konkurrent&lt;/a&gt;]&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Gardenia&lt;/span&gt; - Untitled (&lt;a href="http://www.blogger.com/www.myspace.com/gardeniadrift"&gt;CD-R&lt;/a&gt;)&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Autistici&lt;/span&gt; - Volume Objects (&lt;a href="http://www.12k.com/"&gt;12k&lt;/a&gt;)&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Lokai &lt;/span&gt;- Transition (&lt;a href="http://www.thrilljockey.com/"&gt;Thrill Jockey&lt;/a&gt;)&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Giuseppe Ielasi &amp;amp; Howard Stelzer&lt;/span&gt; - Night Life (&lt;a href="http://www.kormplastics.nl/"&gt;Korm Plastics&lt;/a&gt;)&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Lawrence English&lt;/span&gt; - Transit (&lt;a href="http://www.cajid.com/"&gt;Cajid&lt;/a&gt;)&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Brock Van Wey&lt;/span&gt; - White Clouds Drift On And On (&lt;a href="http://www.echospacedetroit.com/"&gt;Echospace&lt;/a&gt;)&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Stephan Mathieu + Taylor Deupree&lt;/span&gt; - Transcriptions (&lt;a href="http://www.spekk.net/"&gt;Spekk&lt;/a&gt;)&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Tickley Feather&lt;/span&gt; - Hors D'Oeuvre (&lt;a href="http://www.paw-tracks.com/"&gt;Paw Tracks&lt;/a&gt;)&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Six Organs of Admittance&lt;/span&gt; - Luminous Night (&lt;a href="http://www.dragcity.com/"&gt;Drag City&lt;/a&gt;)&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Tu M'&lt;/span&gt; - Monochromes Vol. 1  (&lt;a href="http://12k.com/line/"&gt;Line&lt;/a&gt;)&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold; font-style: italic;"&gt;Track Listing&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Sonogram - &lt;span style="font-style: italic;"&gt;Brakhage By Seashore&lt;/span&gt; [0:00]&lt;br /&gt;Sparklehorse + Fennesz - &lt;span style="font-style: italic;"&gt;If My Heart&lt;/span&gt; [4:13]&lt;br /&gt;Gardenia - &lt;span style="font-style: italic;"&gt;Blow Away Like Cosmic Dust&lt;/span&gt; (excerpt) [9:06]&lt;br /&gt;Autistici - &lt;span style="font-style: italic;"&gt;Broken Guitar, Discarded Violi&lt;/span&gt; [16:37]&lt;br /&gt;Lokai - &lt;span style="font-style: italic;"&gt;Salvador&lt;/span&gt; [20:54]&lt;br /&gt;Giuseppe Ielasi &amp;amp; Howard Stelzer - &lt;span style="font-style: italic;"&gt;Ruin 3&lt;/span&gt; [24:47]&lt;br /&gt;Lawrence English - &lt;span style="font-style: italic;"&gt;Shinagawa (Moment On Tokaido)&lt;/span&gt; [29:40]&lt;br /&gt;Brock Van Wey - &lt;span style="font-style: italic;"&gt;Too Little Too Late&lt;/span&gt; &lt;span style="font-size:85%;"&gt;(Intrusion Shape VI)&lt;/span&gt; [35:59]&lt;br /&gt;Stephan Mathieu + Taylor Deupree - &lt;span style="font-style: italic;"&gt;Largo&lt;/span&gt; [42:13]&lt;br /&gt;Tickley Feather - &lt;span style="font-style: italic;"&gt;Fly Like an Eagle&lt;/span&gt; [45:37]&lt;br /&gt;Six Organs of Admittance - &lt;span style="font-style: italic;"&gt;Cover Your Wounds With The Sky&lt;/span&gt; [48:50]&lt;br /&gt;Tu M' - &lt;span style="font-style: italic;"&gt;Monochrome 3&lt;/span&gt; [52:56]&lt;br /&gt;&lt;br /&gt;Listen to &lt;span style="font-weight: bold;"&gt;Surgery 85&lt;/span&gt; &lt;a href="http://www.unbf.ca/cetl/ehill/surgery/surgery%2085.mp3" target="_blank"&gt;click here&lt;/a&gt;</description><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" height="72" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhtdn_fcB0wX6h9B6ykgrzbJAPFUB_44a4WNRBOwIQhpr4ceQyaOh9PSc-SAoHZjcIfES9bGzFtiaCZcq3KgSHAfORPbwKUx7j9H0i1mWRJnhAhMgmQMiqvFh4mffeF8OP8cyBp/s72-c/85.jpg" width="72"/><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">0</thr:total><author>noreply@blogger.com (Eric Hill)</author></item><item><title>Coming up short?</title><link>http://surgeryradio.blogspot.com/2009/08/coming-up-short.html</link><pubDate>Thu, 13 Aug 2009 15:36:00 -0700</pubDate><guid isPermaLink="false">tag:blogger.com,1999:blog-11808502.post-3274470221312402676</guid><description>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgPOPYQHotELtYYj3qMDAXFPmAX88Zh2jUeC7pgoKa1gIcF2c38H7PflQELm-DDUMFaw53-xoehYCD1VE2CsYyswMBxDBRBGqQ9u8Wgb1RmJ_Vrt5ApAKFHB0SNsZx0abGKLOlO/s1600-h/oop.jpg"&gt;&lt;img style="cursor: pointer; width: 320px; height: 229px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgPOPYQHotELtYYj3qMDAXFPmAX88Zh2jUeC7pgoKa1gIcF2c38H7PflQELm-DDUMFaw53-xoehYCD1VE2CsYyswMBxDBRBGqQ9u8Wgb1RmJ_Vrt5ApAKFHB0SNsZx0abGKLOlO/s320/oop.jpg" alt="" id="BLOGGER_PHOTO_ID_5369583730134707458" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;This is a little strange.  After putting episode #84 on my iPod for the final roadtest (which admittedly I do after posting it to the site... making it fairly useless as far as a quality control goes) I noticed the running time was 59:09 and not the full 60 minutes I always make the edit.  The original file is indeed an hour long and I have tried re-uploading it, but the iTunes running time still has it at the truncated version.  Hmmm.  Anyhow it doesn't seem to affect the direct download from the site... only the subscription version, so I apologize to Gareth Hardwick for the rude end to his lovely drone and to people whose enjoyment may be affected by it.&lt;br /&gt;&lt;br /&gt;Scratching my head,&lt;br /&gt;&lt;br /&gt;Eric</description><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" height="72" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgPOPYQHotELtYYj3qMDAXFPmAX88Zh2jUeC7pgoKa1gIcF2c38H7PflQELm-DDUMFaw53-xoehYCD1VE2CsYyswMBxDBRBGqQ9u8Wgb1RmJ_Vrt5ApAKFHB0SNsZx0abGKLOlO/s72-c/oop.jpg" width="72"/><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">0</thr:total><author>noreply@blogger.com (Eric Hill)</author></item><item><title>Surgery 84</title><link>http://surgeryradio.blogspot.com/2009/08/surgery-84.html</link><pubDate>Tue, 11 Aug 2009 16:17:00 -0700</pubDate><guid isPermaLink="false">tag:blogger.com,1999:blog-11808502.post-7030317798059910893</guid><description>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEge_zKd7StQ0Wclqog5CHf5obofZVSVVXu5FFHd_cxMfWalCuDKFbb0VM1zi_MOHP2Gomd-l8zERcdnTZUNOkoHWEueUo6GEzs5zb7pbIiYV6l0ca4DS7cCSq97FtXBP2QCT8jK/s1600-h/84.jpg"&gt;&lt;img style="cursor: pointer; width: 320px; height: 320px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEge_zKd7StQ0Wclqog5CHf5obofZVSVVXu5FFHd_cxMfWalCuDKFbb0VM1zi_MOHP2Gomd-l8zERcdnTZUNOkoHWEueUo6GEzs5zb7pbIiYV6l0ca4DS7cCSq97FtXBP2QCT8jK/s320/84.jpg" alt="" id="BLOGGER_PHOTO_ID_5368859413518476594" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Clubroot&lt;/span&gt; - S/T (&lt;a href="http://www.lodubs.com/"&gt;LoDubs&lt;/a&gt;)&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Father Murphy&lt;/span&gt; - ... and He told Us to turn to the Sun (&lt;a href="http://www.maledetto.it/?lang=en"&gt;Madcap Collective&lt;/a&gt;)&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;To Kill A Petty Bourgeoisie&lt;/span&gt; - Marlone (&lt;a href="http://kranky.net/"&gt;Kranky&lt;/a&gt;)&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Jack Rose&lt;/span&gt; - The Black Dirt Sessions (&lt;a href="http://www.threelobed.com/tlr/"&gt;Three Lobed&lt;/a&gt;)&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Risil&lt;/span&gt; - Non Meters Vol. 1 (&lt;a href="http://www.importantrecords.com/"&gt;Important&lt;/a&gt;)&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Susanna And The Magical Orchestra&lt;/span&gt; - 3  (&lt;a href="http://www.runegrammofon.com/"&gt;Rune Grammofon&lt;/a&gt;)&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Cheju&lt;/span&gt; - Waiting For Tomorrow (&lt;a href="http://www.distantnoiserecords.co.uk/"&gt;Distant Noise Records&lt;/a&gt;)&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Murcof&lt;/span&gt; - La Sangre Iluminada  (OST)     &lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Luigi Archetti / Bo Wiget&lt;/span&gt; - Low Tide Digitals III (&lt;a href="http://www.runegrammofon.com/"&gt;Rune Grammofon&lt;/a&gt;)&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Gareth Hardwick / David Tagg&lt;/span&gt; - Split (&lt;a href="http://www.installsound.net/"&gt;Install&lt;/a&gt;)&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold; font-style: italic;"&gt;Track Listing&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Clubroot - &lt;span style="font-style: italic;"&gt;Dulcet&lt;/span&gt; [0:00]&lt;br /&gt;Father Murphy - &lt;span style="font-style: italic;"&gt;Hide Yourself In The Woods&lt;/span&gt; [5:50]&lt;br /&gt;To Kill a Petty Bourgeoisie - &lt;span style="font-style: italic;"&gt;Villain&lt;/span&gt; [9:21]&lt;br /&gt;Jack Rose - &lt;span style="font-style: italic;"&gt;The World Has Let Me Down&lt;/span&gt; [15:25]&lt;br /&gt;Risil - &lt;span style="font-style: italic;"&gt;We Were Ruined Before We Started&lt;/span&gt; [21:59]&lt;br /&gt;Susanna and the Magical Orchestra - &lt;span style="font-style: italic;"&gt;Subdivisions&lt;/span&gt; [29:34]&lt;br /&gt;Cheju - &lt;span style="font-style: italic;"&gt;Grid Reference&lt;/span&gt; [34:20]&lt;br /&gt;Murcof - &lt;span style="font-style: italic;"&gt;Eugenio IV&lt;/span&gt; [39:34]&lt;br /&gt;Luigi Archetti / Bo Wiget - &lt;span style="font-style: italic;"&gt;Stück 28&lt;/span&gt; [42:41]&lt;br /&gt;Gareth Hardwick - &lt;span style="font-style: italic;"&gt;Five Points&lt;/span&gt; [48:48]&lt;br /&gt;&lt;br /&gt;Listen to &lt;span style="font-weight: bold;"&gt;Surgery 84&lt;/span&gt; &lt;a href="http://www.unbf.ca/cetl/ehill/surgery/surgery%2084.mp3" target="_blank"&gt;click here&lt;/a&gt;</description><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" height="72" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEge_zKd7StQ0Wclqog5CHf5obofZVSVVXu5FFHd_cxMfWalCuDKFbb0VM1zi_MOHP2Gomd-l8zERcdnTZUNOkoHWEueUo6GEzs5zb7pbIiYV6l0ca4DS7cCSq97FtXBP2QCT8jK/s72-c/84.jpg" width="72"/><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">3</thr:total><author>noreply@blogger.com (Eric Hill)</author></item><item><title>Surgery 83</title><link>http://surgeryradio.blogspot.com/2009/07/surgery-83.html</link><pubDate>Tue, 7 Jul 2009 15:18:00 -0700</pubDate><guid isPermaLink="false">tag:blogger.com,1999:blog-11808502.post-2577367533471818896</guid><description>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhm_rFfgZEE6D1aTVuj3E36T4rV5f_83vyG3ux_GFwgcwd0FB0Gb6ktHAkfcHqrKEP7MVt6mxHMih7Qt8SeY59v1dlgso5cS_ISNG_1XVGG7eXgBDj4rJC2fD5d9Rjas6ftw-O-/s1600-h/83.jpg"&gt;&lt;img style="cursor: pointer; width: 320px; height: 320px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhm_rFfgZEE6D1aTVuj3E36T4rV5f_83vyG3ux_GFwgcwd0FB0Gb6ktHAkfcHqrKEP7MVt6mxHMih7Qt8SeY59v1dlgso5cS_ISNG_1XVGG7eXgBDj4rJC2fD5d9Rjas6ftw-O-/s320/83.jpg" alt="" id="BLOGGER_PHOTO_ID_5355855919529508290" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Groupshow&lt;/span&gt; - The Martyrdom Of Groupshow (&lt;a href="http://www.scape-music.com/"&gt;~Scape&lt;/a&gt;)&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Gareth Davis &amp;amp; Steven R. Smith&lt;/span&gt; - Westering (&lt;a href="http://www.importantrecords.com/"&gt;Important&lt;/a&gt;)&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Giuseppe Ielasi&lt;/span&gt; - (Another) Stunt (&lt;a href="http://www.schoolmap-records.com/"&gt;Schoolmap&lt;/a&gt;)&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Chihei Hatakeyama&lt;/span&gt; - Saunter (&lt;a href="http://www.room40.org/"&gt;Room40&lt;/a&gt;)&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Pillowdiver&lt;/span&gt; - Sleeping Pills (&lt;a href="http://www.12k.com/"&gt;12k&lt;/a&gt;)&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;James Stephen Finn&lt;/span&gt; - The Antique Metronome (&lt;a href="http://www.cottongoods.co.uk/"&gt;Cotton Goods&lt;/a&gt;)&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Le Chat Blanc Orchestra&lt;/span&gt; - Ste-Claire Hotel (&lt;a href="http://www.makeminemusic.co.uk/"&gt;Make Mine Music&lt;/a&gt;)&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Aaron Martin + Part Timer&lt;/span&gt; - Seed Collection (&lt;a href="http://www.mobeer.co.uk/"&gt;Mobeer&lt;/a&gt;)&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Gregg Kowalsky&lt;/span&gt; - Tape Chants (&lt;a href="http://kranky.net/"&gt;Kranky&lt;/a&gt;)&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Kreng&lt;/span&gt; - L'autopsie Phénoménale De Dieu (&lt;a href="http://www.miasmah.com/"&gt;Miasmah&lt;/a&gt;)&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Boduf Songs&lt;/span&gt; - There Is Something Hanging Above (&lt;a href="http://www.underthespire.co.uk/"&gt;Under the Spire&lt;/a&gt;)&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Nils Frahm&lt;/span&gt; - The Bells (&lt;a href="http://www.kningdisk.com/01_index.asp?id=01"&gt;Kning Disk&lt;/a&gt;)&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Final&lt;/span&gt; - Reading All The Right Signals Wrong (&lt;a href="http://www.noquarter.net/"&gt;No Quarter&lt;/a&gt;)&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Jóhann Jóhannsson&lt;/span&gt; - And In The Endless Pause There Came The Sound Of Bees (&lt;a href="http://www.mutesong.com/"&gt;Mutesong&lt;/a&gt;)&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold; font-style: italic;"&gt;Track Listing&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Groupshow - &lt;span style="font-style: italic;"&gt;Dog Shoes To The Stars&lt;/span&gt; [0:00]&lt;br /&gt;Gareth Davies + Steven R. Smith - &lt;span style="font-style: italic;"&gt;A Relic&lt;/span&gt; [2:28]&lt;br /&gt;Giuseppe Ielasi - &lt;span style="font-style: italic;"&gt;Part 5&lt;/span&gt; [7:21]&lt;br /&gt;Chihei Hatakeya - &lt;span style="font-style: italic;"&gt;A stone inside the box&lt;/span&gt;  [11:02]&lt;br /&gt;Pillowdriver - &lt;span style="font-style: italic;"&gt;Nineteen&lt;/span&gt; [16:04]&lt;br /&gt;James Stephen Flinn - &lt;span style="font-style: italic;"&gt;Ghosts Are Making Appearances On Closed Circuit&lt;/span&gt; [20:44]&lt;br /&gt;Le Chat Blanc Orchestra - &lt;span style="font-style: italic;"&gt;Stephen Harper Dreams Of Kyoto&lt;/span&gt; [23:04]&lt;br /&gt;Part Timer - &lt;span style="font-style: italic;"&gt;Darkness Settles Over Jones (Voice Of Jim)&lt;/span&gt; [29:48]&lt;br /&gt;Gregg Kowalsky - &lt;span style="font-style: italic;"&gt;IX&lt;/span&gt; [32:35]&lt;br /&gt;Kreng - &lt;span style="font-style: italic;"&gt;Aspyxia&lt;/span&gt; [36:48]&lt;br /&gt;Boduf Songs - &lt;span style="font-style: italic;"&gt;Deathbed Triumphs Of Eminent Lackwits&lt;/span&gt; [38:18]&lt;br /&gt;Nils Frahm - &lt;span style="font-style: italic;"&gt;Peter Is Dead In The Piano&lt;/span&gt; [44:14]&lt;br /&gt;Final - &lt;span style="font-style: italic;"&gt;Green&lt;/span&gt; [46:58]&lt;br /&gt;Jóhann Jóhannsson - &lt;span style="font-style: italic;"&gt;The Flat&lt;/span&gt; [56:35]&lt;br /&gt;&lt;br /&gt;Listen to &lt;span style="font-weight: bold;"&gt;Surgery 83&lt;/span&gt; &lt;a href="http://www.unbf.ca/cetl/ehill/surgery/surgery%2083.mp3" target="_blank"&gt;click here&lt;/a&gt;</description><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" height="72" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhm_rFfgZEE6D1aTVuj3E36T4rV5f_83vyG3ux_GFwgcwd0FB0Gb6ktHAkfcHqrKEP7MVt6mxHMih7Qt8SeY59v1dlgso5cS_ISNG_1XVGG7eXgBDj4rJC2fD5d9Rjas6ftw-O-/s72-c/83.jpg" width="72"/><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">0</thr:total><author>noreply@blogger.com (Eric Hill)</author></item><item><title>Comfort – Sleep Talking Shared</title><link>http://surgeryradio.blogspot.com/2009/06/comfort-sleep-talking-shared.html</link><pubDate>Mon, 22 Jun 2009 12:28:00 -0700</pubDate><guid isPermaLink="false">tag:blogger.com,1999:blog-11808502.post-436761497761223976</guid><description>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj6PnZ2T_uc7AkkEFKxJ868I7kMClLNBRVq_CKPvkzo9lUFS83urOrxFMPuHcUK7sDExh77Cq6mDFGfDLZMJdcdQq7AfcOqE2k_sjYJXnKekaVrBRNwTQ_HgrLg-mDEqTi0DiGU/s1600-h/offcd01072dpiev7.jpg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 200px; height: 180px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj6PnZ2T_uc7AkkEFKxJ868I7kMClLNBRVq_CKPvkzo9lUFS83urOrxFMPuHcUK7sDExh77Cq6mDFGfDLZMJdcdQq7AfcOqE2k_sjYJXnKekaVrBRNwTQ_HgrLg-mDEqTi0DiGU/s200/offcd01072dpiev7.jpg" alt="" id="BLOGGER_PHOTO_ID_5350236601650453314" border="0" /&gt;&lt;/a&gt;Groups that decide to combine the acoustic and the electronic in their work generally draw heavily from one and add the other as an afterthought.  Italian duo Alessandro Baris and Leonardo Chirulli take a much more balanced approach.  On the rock side their bass/piano/drums framework is as complex and far reaching as any Tortoise jazz/rock essay.  Rather than resting on this level tracks like “The Missed Environment” rework the script to include microtonal violin loops, hissing electronic percussion and synth textures.  While it calls to mind works by Crescent or Radian, Comfort’s sound is much more expansive and not as dry.  Tracks like “Florian” and “Iceberg” successfully combine hints of classic 60s soundtrack, 70s European jazz and modern digital effects in one cool, detail-rich flow.  And though their scope is broad and guests many the duo is careful to let instruments breathe and silences matter. There is no abused space and each track comes with a fresh new secret waiting to be discovered.&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.blogger.com/www.stilll.org"&gt;Stilll/Off&lt;/a&gt;</description><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" height="72" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj6PnZ2T_uc7AkkEFKxJ868I7kMClLNBRVq_CKPvkzo9lUFS83urOrxFMPuHcUK7sDExh77Cq6mDFGfDLZMJdcdQq7AfcOqE2k_sjYJXnKekaVrBRNwTQ_HgrLg-mDEqTi0DiGU/s72-c/offcd01072dpiev7.jpg" width="72"/><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">0</thr:total><author>noreply@blogger.com (Eric Hill)</author></item><item><title>Anduin &amp; Jasper TX – The Bending of Light</title><link>http://surgeryradio.blogspot.com/2009/06/anduin-jasper-tx-bending-of-light.html</link><pubDate>Mon, 22 Jun 2009 12:26:00 -0700</pubDate><guid isPermaLink="false">tag:blogger.com,1999:blog-11808502.post-7499351145954823910</guid><description>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEigdnNlx32rg8hpBuwgp3qnf4tBtKuoAqFUhpa7uM05LnUOxyPMtTQS45yuXmc_nkcQcBN0vwmXlosmRdysLW89urGkh3LLTpq9P1JXhTwl6IDy5Uau55PN36N3uqtTGzzvZ-Rm/s1600-h/333.jpg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 200px; height: 200px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEigdnNlx32rg8hpBuwgp3qnf4tBtKuoAqFUhpa7uM05LnUOxyPMtTQS45yuXmc_nkcQcBN0vwmXlosmRdysLW89urGkh3LLTpq9P1JXhTwl6IDy5Uau55PN36N3uqtTGzzvZ-Rm/s200/333.jpg" alt="" id="BLOGGER_PHOTO_ID_5350235787165848978" border="0" /&gt;&lt;/a&gt;With a more than a dozen recent releases on labels small and smaller, including last year’s wonderful &lt;span style="font-style: italic;"&gt;Black Sleep&lt;/span&gt; on Miasmah, Dag Rosenqvist’s Jasper TX has been careful not to slip into a single-minded way of doing things.  His ability to describe the desolate with either acoustic melody of dense drone comes to bear in this collaboration with Virginia native Jordan Lee’s Anduin alias.  Using a Carl Sagan description of a black hole’s formation to unify their musical theories the duo create a mood that drifts between awe and resignation in the face of such raw but emotionless power.  The first suite of three tracks is more dependent on the electronics that swallow, compile and compound tones, allowing only faint pulses and distant notes to emit.  The album’s second half is comparatively sparse with the musical elements rising to the foreground like the debris left to orbit the gravitational well.  It’s a work of stark beauty that serves as a worthy entry to both gentlemen’s discography.&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.blogger.com/www.smtgltd.com"&gt;SMTG Limited&lt;/a&gt;</description><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" height="72" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEigdnNlx32rg8hpBuwgp3qnf4tBtKuoAqFUhpa7uM05LnUOxyPMtTQS45yuXmc_nkcQcBN0vwmXlosmRdysLW89urGkh3LLTpq9P1JXhTwl6IDy5Uau55PN36N3uqtTGzzvZ-Rm/s72-c/333.jpg" width="72"/><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">0</thr:total><author>noreply@blogger.com (Eric Hill)</author></item><item><title>Baja - Aether Obelisk</title><link>http://surgeryradio.blogspot.com/2009/06/baja-aether-obelisk.html</link><pubDate>Mon, 22 Jun 2009 12:23:00 -0700</pubDate><guid isPermaLink="false">tag:blogger.com,1999:blog-11808502.post-5421605148633416193</guid><description>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjjBTzlKxpOD3e2tV0I0MaEc4CdC4zKVGXGZ8fP6AqOKt9i7GHxCwLoRvZSMK-rEGOu3omEMFPINDxTXawBM1Y_Ifl6xPq3uF19w-mitIb96PhrzMB5K2y9HkulRyrQ7OPu6srL/s1600-h/f86765188f.jpg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 200px; height: 198px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjjBTzlKxpOD3e2tV0I0MaEc4CdC4zKVGXGZ8fP6AqOKt9i7GHxCwLoRvZSMK-rEGOu3omEMFPINDxTXawBM1Y_Ifl6xPq3uF19w-mitIb96PhrzMB5K2y9HkulRyrQ7OPu6srL/s200/f86765188f.jpg" alt="" id="BLOGGER_PHOTO_ID_5350235206785685394" border="0" /&gt;&lt;/a&gt;Not the splashdown into pop waters of, say, a Caribou, Daniel Vujanic is nonetheless dipping his toes in the pool with a few more lyrics on this fourth release.  Baja signals the continued cross wiring with an introductory cough and wolf slide on the acoustic guitar that’s pierced by a sine tone on "9 seconds."  From there on vibraphones and 70s flutes rub against cut-up drum patterns and vocal edits. Vujanic neatly interchanges noise and melody roles, creating competition and dissonance that evolves into harmony.  For example "Graph-viak" unexpectedly flips from post-Drum n Bass froth to oddly 80ish pop song without breaking rhythm.  Last year’s Wolfhour had a similarly broad palette of sounds, though this year’s model works it’s transitions and shifts with greater subtlety.  “The Story of Fissa Maines” starts as a taped monologue unspooled from a noisy source and segues into a venue-changing woodwind cue that itself merges with an electronic pulse and piano figure as “Prism Break” starts.  It's an album of (lovely) surprises that never lags or lulls.&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.blogger.com/www.other-electricities.com"&gt;Other Electricities&lt;/a&gt;</description><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" height="72" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjjBTzlKxpOD3e2tV0I0MaEc4CdC4zKVGXGZ8fP6AqOKt9i7GHxCwLoRvZSMK-rEGOu3omEMFPINDxTXawBM1Y_Ifl6xPq3uF19w-mitIb96PhrzMB5K2y9HkulRyrQ7OPu6srL/s72-c/f86765188f.jpg" width="72"/><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">0</thr:total><author>noreply@blogger.com (Eric Hill)</author></item><item><title>Fridge – Early Output 1996 – 1998</title><link>http://surgeryradio.blogspot.com/2009/06/fridge-early-output-1996-1998.html</link><pubDate>Mon, 22 Jun 2009 12:20:00 -0700</pubDate><guid isPermaLink="false">tag:blogger.com,1999:blog-11808502.post-9173082231604321115</guid><description>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEge34l-DzAhFEaEqQBIi8uGPmqjpDXC1jRl41-ED8b5VNhh5CkzqwZpD-RZwRGI0tXWG89LjRyILACH10jebHQAr2vbKYzFLzvwi0BQbRrN6KGWN42hyphenhyphenSY168BlBaHI1mXiJ24X/s1600-h/03262142_49cb782ade337.jpg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 200px; height: 200px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEge34l-DzAhFEaEqQBIi8uGPmqjpDXC1jRl41-ED8b5VNhh5CkzqwZpD-RZwRGI0tXWG89LjRyILACH10jebHQAr2vbKYzFLzvwi0BQbRrN6KGWN42hyphenhyphenSY168BlBaHI1mXiJ24X/s200/03262142_49cb782ade337.jpg" alt="" id="BLOGGER_PHOTO_ID_5350234399063683442" border="0" /&gt;&lt;/a&gt;That this trio of London kids was still in high school and essentially just dicking around with a cassette 8-track when Trevor Jackson began releasing their explosively imaginative post-rock experiments on his Output label is humbling.  It’s well known that they’ve gone on to glory with Four Tet and Adem; and a reunion in 2007 that produced the new album &lt;span style="font-style: italic;"&gt;Sun&lt;/span&gt; whetted the appetite for more.  Culled from sessions that yielded two full lengths and a handful of singles comes this blend of Tortoisesque musculature with swatches of cheap electronics and cheeky melodies for drapery.  Sam Jefffers’ unschooled and deeply intuitive drumming was the loose backbone that let Adem Ilhan and Kieran Hebden drop noise guitar and droning keyboards wherever their hearts desired.  Standouts like faux-dance groovy “Lojen,” Mogwai-winking “Swerve and Spin,” and the patient 808 epic “Anglepoised” prove the breadth of ideas and influences that continue to serve these gentlemen today.&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.blogger.com/www.temporaryresidence.com"&gt;Temporary Residence&lt;/a&gt;</description><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" height="72" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEge34l-DzAhFEaEqQBIi8uGPmqjpDXC1jRl41-ED8b5VNhh5CkzqwZpD-RZwRGI0tXWG89LjRyILACH10jebHQAr2vbKYzFLzvwi0BQbRrN6KGWN42hyphenhyphenSY168BlBaHI1mXiJ24X/s72-c/03262142_49cb782ade337.jpg" width="72"/><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">0</thr:total><author>noreply@blogger.com (Eric Hill)</author></item><item><title>Various – Enjoy the Silence</title><link>http://surgeryradio.blogspot.com/2009/06/various-enjoy-silence.html</link><pubDate>Mon, 22 Jun 2009 12:16:00 -0700</pubDate><guid isPermaLink="false">tag:blogger.com,1999:blog-11808502.post-2523398104315573081</guid><description>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgr4rFDsrsPOZbIjnkaXT8BOLGgsrttHg6_DJQ8Vsjma1mJwxhLorVjdvqNCgw-rNHGsQvd-KFx2OQuYivcl-Eq3V_E_Xe7FVE3oOxJLjjOv9QD8hw9Z3GBvtqtFj6Cp8mhnkBO/s1600-h/mulecd015-enjoy_the_silence_vol_1.jpg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 200px; height: 200px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgr4rFDsrsPOZbIjnkaXT8BOLGgsrttHg6_DJQ8Vsjma1mJwxhLorVjdvqNCgw-rNHGsQvd-KFx2OQuYivcl-Eq3V_E_Xe7FVE3oOxJLjjOv9QD8hw9Z3GBvtqtFj6Cp8mhnkBO/s200/mulecd015-enjoy_the_silence_vol_1.jpg" alt="" id="BLOGGER_PHOTO_ID_5350233602707547490" border="0" /&gt;&lt;/a&gt;Taking a cue from the Kompakt Pop Ambient compilations, Japanese label Mule Electronic celebrates five years of bliss with its own collection of serene themes.  Veterans like Strategy, Jan Jelinek and Thomas Fehlmann, who trumps even his IMPS remix from earlier this year with a wonderful piano-in-a-whirlpool bit, sit next to eagerly ascendant artists.  Kuniyuki Takahashi, who records as Koss, takes a regal piano theme and adds slightly unsettled ambient noise to generate something lovely and a little unnerving.  Sweden’s Minilogue continue to develop their non-dancefloor side with a lengthy synthpad churner that is treated to hide-and-seek polyrhythms from several sources.  Peter M. Kersten’s Lawrence track is a simple and effective balance of a few echoing elements with a thread of playful vibraphone stringing them along.  It isn’t as fluid a collection as the Kompakt offerings, but still makes a splendid label overview and bookend to their German counterpart.&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.blogger.com/www.mulemusiq.com"&gt;Mule Electronic&lt;/a&gt;</description><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" height="72" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgr4rFDsrsPOZbIjnkaXT8BOLGgsrttHg6_DJQ8Vsjma1mJwxhLorVjdvqNCgw-rNHGsQvd-KFx2OQuYivcl-Eq3V_E_Xe7FVE3oOxJLjjOv9QD8hw9Z3GBvtqtFj6Cp8mhnkBO/s72-c/mulecd015-enjoy_the_silence_vol_1.jpg" width="72"/><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">0</thr:total><author>noreply@blogger.com (Eric Hill)</author></item><item><title>Our Brother the Native – Sacred Psalms</title><link>http://surgeryradio.blogspot.com/2009/06/our-brother-native-sacred-psalms.html</link><pubDate>Mon, 22 Jun 2009 12:13:00 -0700</pubDate><guid isPermaLink="false">tag:blogger.com,1999:blog-11808502.post-6206390999994203907</guid><description>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjbuvjw_8hSSh99aj1wM7c2_i7gG1Yod3hGrCJ6MPKa7i9bqJ3MSJ3sXTxQfkRAfFHMoPKUnLvhp5AJUy9cOhbTzzBW-stz2zlmPi8TdOhaH085mqgh738x4FDq6E_VmidPpwky/s1600-h/sacred_psalms_cover-300x300.jpg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 200px; height: 200px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjbuvjw_8hSSh99aj1wM7c2_i7gG1Yod3hGrCJ6MPKa7i9bqJ3MSJ3sXTxQfkRAfFHMoPKUnLvhp5AJUy9cOhbTzzBW-stz2zlmPi8TdOhaH085mqgh738x4FDq6E_VmidPpwky/s200/sacred_psalms_cover-300x300.jpg" alt="" id="BLOGGER_PHOTO_ID_5350232613888900530" border="0" /&gt;&lt;/a&gt;Pared down to a duo OBTN seem to have discovered a slightly more lucid spirit guide to follow on this third full length.  Joshua Bertram and Chaz Knapp, both barely into their 20s, are still adventurers into and melders of twilit global musical forms, but with a firmer grasp on the western pop trope.  Easy but accurate comparisons to Animal Collective’s earlier acoustic and ecstatic campfire songs paint part of the picture. However, for every song like opener “Well Bred” that thrives on adrenaline and a layered choir of voice and horns there is a “Sores” that has a simple and mournful folk song atop the bongo/sitar/gamelan exoticism.  Certain tracks have a jammed-out feel where competing found sounds and meandering samples eventually stumble across the song proper.  “Behold” has a repeated lyric that states, “there is no use in holding back / this is who we are,” and that is as good a self-descriptor of OBTN’s approach to music making as any critic could ascribe; best just to relax and enjoy the overflow&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.blogger.com/www.fatcat-usa.com"&gt;FatCat Records&lt;/a&gt;</description><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" height="72" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjbuvjw_8hSSh99aj1wM7c2_i7gG1Yod3hGrCJ6MPKa7i9bqJ3MSJ3sXTxQfkRAfFHMoPKUnLvhp5AJUy9cOhbTzzBW-stz2zlmPi8TdOhaH085mqgh738x4FDq6E_VmidPpwky/s72-c/sacred_psalms_cover-300x300.jpg" width="72"/><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">0</thr:total><author>noreply@blogger.com (Eric Hill)</author></item></channel></rss>