Kenyon Dixon is stepping into a new era with the release of his latest single, “Talk You Through It,” offering fans a smooth and seductive preview of what’s to come from his forthcoming album Ego Ruins Everything, due later this year.

The track finds Dixon leaning into vulnerability and desire, delivering a late-night anthem that feels both personal and immersive. With warm production and emotionally charged lyrics, “Talk You Through It” captures the essence of connection and romance, highlighting his ability to turn real-life emotions into sonic experiences. His vocals glide effortlessly across the record, pulling listeners deeper into its intimate atmosphere.

This release marks Dixon’s first solo offering since his 2024 EP The R&B You Love: For the ‘99 and the 2000s, a project that further solidified his reputation as one of R&B’s most consistent voices. Since then, his momentum has only grown, including standout appearances like lending background vocals during the Tyrese vs. Tank Verzuz and continuing to deliver dynamic live performances.

With Ego Ruins Everything on the way, Dixon is not only expanding his sound but also embracing a more confident and self-assured version of himself. “Talk You Through It” sets the tone for what promises to be a deeply personal and impactful project, reinforcing his place as a leading voice in today’s R&B landscape.

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Julian Horton, known on screen for his role as Roy in Beauty in Black, continues to evolve behind the scenes as a producer, entrepreneur, and creative force in music. Operating under his musical alias J12, Horton adds another layer to his growing catalog with the release of “UH HUHH,” a high-energy single from rising artist Dae2x featuring Timo.

Released through TMO Music Group, Horton’s own label, the track reflects his ongoing commitment to artist development and building sustainable opportunities within the industry. While many audiences were first introduced to Horton through acting, his transition into music production and executive leadership is proving to be just as intentional as it is impactful.

Produced by J12, “UH HUHH” leans into a raw, bass-heavy trap sound designed for late nights and high-volume playlists. The record carries an infectious bounce, anchored by a hook that sticks and production that doesn’t overcomplicate the moment. It’s the kind of track that feels built for replay value.

Dae2x steps into the spotlight with confidence, delivering a performance that matches the energy of the production while maintaining control throughout the track. His presence feels natural, not forced an early indicator of an artist finding his pocket. Paired with a feature from Timo, the collaboration adds another layer to the record’s dynamic without disrupting its momentum.

For J12, releases like “UH HUHH” represent more than just another drop, they’re part of a larger blueprint. Through TMO Music Group, he continues to position himself as a curator of emerging talent, focused on long-term growth rather than quick wins. It’s a strategy that aligns with where the industry is headed, where ownership, development, and vision carry just as much weight as the music itself.

As he continues to balance his presence across film, music, and business, J12’s trajectory reflects a creator who understands the importance of evolution. With “UH HUHH,” he not only delivers a record that meets the moment, but reinforces his role in shaping what comes next.

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Mike Clark Jr. returns with “No Chaser,” a smooth, genre-blending record that effortlessly fuses R&B, soul, and subtle country influences into one cohesive sound. Featuring K Camp, the track leans into a laid-back, late-night vibe while still carrying a strong emotional core.

At its heart, “No Chaser” is about admiration centered around a woman who naturally commands attention without trying. Mike taps into that “lover boy” energy, delivering a performance that feels both confident and intentional. The record carries a quiet sexiness, not in an over-the-top way, but through its tone, pacing, and honesty. It’s about appreciating her presence, her energy, and the feeling of wanting to be fully locked in with her.

Sonically, the track stands out for its blend of influences. While rooted in R&B, there’s a soulful depth and a subtle country-inspired storytelling element that gives the record a distinct warmth and relatability. It feels personal, almost like a conversation set to music.

“With ‘No Chaser,’ I wanted to show a different side of my sound still soulful, but a little more laid-back and confident,” Mike shares. “K Camp came in and elevated it, and we made something authentic.”

Coming out of Macon, Georgia a city known for its rich musical legacy, Mike Clark Jr. continues to shape a sound influenced by gospel, soul, and Southern roots. With growing momentum and a dedicated fanbase, “No Chaser” highlights his evolution while staying true to what makes his artistry resonate.

Smooth, honest, and effortlessly vibey, “No Chaser” is the kind of record that naturally fits into the moment and keeps Mike Clark Jr. moving steadily in his own lane.

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In a world obsessed with outcomes, Klassik Poet invites listeners to pause and reflect on everything in between. His fourth studio project, Somewhere In The Grey Album (SITGA), is more than music—it’s a deeply personal narrative about the overlooked space between intention and destination.

Spanning 14 tracks across a 55-minute runtime, SITGA delivers an immersive experience rooted in vulnerability, self-awareness, and truth. Originally debuting on the EVEN platform as a direct-to-consumer release, the album now finds its way to all streaming platforms—ready to reach a broader audience in need of its message.

At its core, Klassik Poet’s artistry is driven by purpose. His mission is clear: improve mental health through storytelling, connection, and honesty. SITGA embodies that vision, offering listeners a soundtrack for introspection in a fast-moving world that rarely slows down long enough to process emotion.

Standout singles like “Tick Tock” capture the urgency of time and the pressure of expectation, while “Body Language (feat. Arianna Marie)” explores communication beyond words—diving into emotional nuance and human connection. Each track contributes to a cohesive story that challenges societal norms, materialism, and the conventional definition of success.

Rather than measuring achievement through numbers or popularity, Klassik Poet measures impact. And SITGA is built to resonate—especially with those navigating their own “grey areas” in life.

Beyond the album, fans should also tap into Klassik Poet’s appearance on the Jon Batiste Jam Session, a raw display of lyrical skill and passion that further showcases his commitment to authenticity and craft.

If you’re searching for music that speaks to real-life experiences, encourages self-discovery, and prioritizes mental wellness, Somewhere In The Grey Album deserves your attention. This isn’t just an album—it’s a conversation, a mirror, and a moment of clarity.

Step into the grey.

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The West Coast is speaking loud right now and J-Sunn, Legacy, and Flame 500 are making sure it’s heard.

On their new single “We Do the Most,” the trio taps into a sound that feels both rooted in tradition and fully aligned with the next wave of West Coast hip-hop. It’s a record that doesn’t just ride the line between classic and current it owns it.

J-Sunn sets the tone, bringing a steady presence that connects the track from start to finish. There’s a clear intention behind the collaboration, and it shows in how seamlessly each artist finds their pocket.

Legacy, representing Santa Ana and Orange County, steps in with a seasoned delivery that carries weight. His voice cuts through with a raw, street-centered energy that reflects years of experience and authenticity. It’s the kind of presence that grounds the record and gives it substance.

Coming out of Compton, Flame 500 adds a different kind of intensity. His cadence is sharp, energetic, and impactful bringing a fresh voice that feels like a new chapter for the West. There’s a hunger in his delivery that elevates the record and pushes its momentum forward.

Together, the three create a track that feels right at home in the West Coast lineage knocking production, confident flows, and a vibe made for cruising through the city or turning up with the homies.

“We Do the Most” isn’t just about flexing, it’s about showing what happens when artists from different corners of Southern California come together with a shared purpose. The result is a record that feels unified, unapologetic, and ready to make noise.

With this release, J-Sunn, Legacy, and Flame 500 aren’t just adding to the conversation, they’re making a statement.

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Fresh off his sold out show in Los Angeles, our guy, All Hail Y.T. Is making a stop in Philadelphia at Crate Diggaz for an exclusive show and he is bring DJ Ampz, Jamal Gasol and some other friends along in celebration of RSD and 420!

The show is April 18th, and doors open at 6pm. Get your tickets here.

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Coming out of Rialto, CA, GOLD is making it clear he’s not here to sugarcoat anything. His new 18-track project, “They Got Some Sh** To Say Too”, feels like a straight-up conversation with the streets raw, unfiltered, and rooted in real-life experiences.

From start to finish, GOLD is talking his talk. The lyricism hits direct, no extras, just truth. You can tell this isn’t music made to chase trends, it’s coming from a place of lived moments, pressure, and growth. Whether he’s speaking on his environment, relationships, or the weight of everything around him, there’s a certain honesty that carries through the whole project.

The features help round it out too, with appearances from artists like Vanity, Zythaprophet, Joe Moses, K Man, and G Slam. Everybody slides in and does their part without taking away from the overall vibe, keeping the energy consistent all the way through.

At the end of the day, “They Got Some Sh** To Say Too” feels like GOLD planting his flag. It’s personal, it’s real, and it sounds like someone who knows exactly what they want to get off their chest.

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Virginia’s own Krown Vic is back outside and wasting no time getting back into motion. With his latest release, “Fresh Out,” the Commonwealth staple turns a real-life pause into a confident return, picking up right where he left off.

Produced by Kidd Slopes, the track carries that classic “first day out” energy but with a twist. Instead of dwelling on the past, Krown Vic keeps it forward-focused, delivering a quick, self-assured flex that feels more like a reintroduction than a comeback. It’s smooth, direct, and rooted in the idea that some artists don’t lose their place they just step back in.

In his own words, Vic describes the record as his take on a first-day-out anthem, highlighting how quickly he got back into the mix. From being backstage at a major arena show on day one to dropping new music, the message is clear: he’s home and ready to work.

“Fresh Out” sets the tone for what’s next, with a music video already on the way. For Krown Vic, this isn’t about starting over it’s about continuing the run.

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Philadelphia’s own Chromonicci is back with “Days of You” a project that feels less like a typical album and more like stepping into a fully realized universe of modern day music and nostalgia. Known for blending smooth vocals with immersive production, Chromonicci leans all the way into that duality here showing he’s just as intentional behind the boards as he is behind the mic.

Released across all streaming platforms, “Days of You” arrives alongside a visual for “FIRE,” giving fans another layer into the project’s aesthetic. Early standouts like “SUPERSTORE.,” featuring Avara, and previously released singles “STUPIDLOVE.” and “FAVORITE.” (featuring Safa) set the tone, but the full 13-track experience is where everything really comes together.

At its core, the album plays like a love story stretched across time, two people finding each other in different lifetimes, never quite the same but always connected. It’s a concept that could easily feel heavy, but Chromonicci keeps it fluid, layering emotion through sound rather than over explaining it. His vocals carry a quiet intimacy, while the production builds these airy, almost cinematic soundscapes that pull you in without trying too hard.

There’s something effortless about how “Days of You” unfolds and provides a easy listen. One moment you’re caught in a mellow groove, the next you’re sitting with something a little deeper that’s reflecting, longing, nostalgia. It’s that balance that makes the project stick. Chromonicci isn’t chasing a moment; he’s creating a feeling.

With this release, he continues to carve out his own lane one that doesn’t rush, doesn’t force, and doesn’t fit neatly into a box. “Days of You“ is for listeners who want to sit with the music, not just skim through it. It’s a must listen- stream HERE on all DSP’s.

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In the world of modern music, few names carry as much weight behind the scenes as Jozzy. If you haven’t heard her name yet, you have certainly heard her pen. With over 900 songwriting credits to her name, including work with icons like Beyoncé, Drake, SZA, Mary J. Blige, and Chris Brown, Jozzy has established herself as the secret weapon of the industry. Recently, she sat down for a deep-dive interview to discuss her new project, Soundtrack to Get Her Back, and her mission to revitalize the genre she calls “Expensive R&B.”

From her early days contributing to Grammy-winning projects like “Old Town Road” to her transition from Diddy’s Love Records to BMG, Jozzy’s journey is a masterclass in artistic integrity and industry evolution. This conversation explores why she is being hailed as the most important voice in R&B today and how she is bridging the gap between the legendary soul of the 90s and the futuristic sounds of 2026.

The Tank vs. Tyrese Debate: A Masterclass in the Pen Game

The conversation kicked off with a breakdown of the recent Versuz-style performance between R&B titans Tank and Tyrese. While both artists are legends in their own right, Jozzy offered a unique perspective from the eyes of a songwriter. While Tyrese brought the energy and the uptempo hits that defined an era, Jozzy felt that Tank ultimately owned the night.

“Tank is an all-out artist, but when you put his pen game as a writer into the mix, it’s a different level,” Jozzy noted. She highlighted how Tank performed songs he wrote for others, reminding the audience of his deep roots in the DNA of modern R&B. She compared the event to a high-stakes playoff game, where one player simply becomes “memorable” in a way that transcends the score. For Jozzy, Tank’s ability to showcase his songwriting prowess alongside his vocal ability made him the “added ingredient” that the night needed.

Defining “Expensive R&B”

One of the most compelling parts of the interview was Jozzy’s definition of her own sound. GQ Magazine recently described her as the “direct link” between the heavy-hitting, soulful R&B of the Timberland and Missy Elliott era and the current landscape. Jozzy took this a step further by labeling her work “Expensive R&B.”

But what exactly does that mean? According to Jozzy, R&B used to have a “glossy” and “pop” appeal. It was music so high-quality and visual that you could sell a product just by placing it in the video. She argues that the genre became “diluted” over the last decade as artists attempted to mimic the Trap Soul sound pioneered by Bryson Tiller in 2014.

The Bryson Tiller Influence

Jozzy was quick to give flowers to Bryson Tiller, calling him a true innovator. She noted that from 2015 to 2019, almost every R&B track had “Bryson in the DNA”—that dark, low-fi, rappy aesthetic. However, she believes that while Tiller’s sound was incredible, the industry’s over-reliance on it caused R&B to lose its “expensive” feel. “We need to make R&B glossy again,” she insisted, moving away from the “scraps” and back toward high-production, cinematic soul.

The “Neo Soul” Trap and Raphael Saadiq’s Wisdom

The discussion took a serious turn when addressing the labels placed on Black artists. Jozzy referenced a recent statement by the legendary Raphael Saadiq, who claimed that the term “Neo Soul” was essentially a “dog whistle” or a code word used by the industry to limit budgets for Black artists.

Jozzy resonated deeply with this sentiment. She explained that labels like “Alternative R&B” or “Progressive R&B” often serve to “condense” the music and keep it out of the pop conversation. By calling her music “Expensive R&B,” she is reclaiming the idea that this music is popular music—it is “sinkable” for TV, film, and global brands. She acknowledged that while the community took the “scraps” of the Neo Soul label and turned it into “soul food,” the systematic nature of these labels often prevents artists from accessing the same budgets as their pop counterparts.

The Transition: Leaving Love Records for Freedom

Perhaps the most personal part of the interview involved Jozzy’s professional transition. Originally signed to Diddy’s Love Records, Jozzy found herself at a crossroads as the mogul faced significant legal challenges. She shared the story of traveling to Miami to have an “uncomfortable conversation” with Puff about her future.

“Puff loved me,” she shared, noting that he was willing to listen to her concerns. In a moment of clarity, Diddy acknowledged that his situation was his “cross to bear” and agreed to let her out of her contract. This move allowed Jozzy to sign with BMG, giving her the freedom to release her new album on her own terms. Despite the departure, she credited Diddy with teaching her invaluable lessons about the “R&B recipe,” specifically the importance of ad-libs and the structure of a hit record.

Key Takeaways from Jozzy’s Journey

• Songwriting is the Foundation: With over 900 credits, Jozzy proves that a “true pen” is the most sustainable asset in the music industry.
• Innovation vs. Imitation: While Bryson Tiller’s Trap Soul was revolutionary, Jozzy encourages artists to find their own “swag” rather than diluting an existing sound.
• Reclaim Your Value: By using the term “Expensive R&B,” Jozzy is fighting against industry labels that limit the reach and budget of Black artists.
• The Power of Ad-libs: Drawing from her time with Diddy, she emphasizes that the “feel” of a song—the ad-libs and the “vibe”—is often just as important as the lyrics themselves.
• Professional Grace: Her ability to navigate a high-stakes exit from Love Records shows the importance of direct communication and mutual respect in business.

The Future of the Genre

Jozzy’s return to the spotlight with Soundtrack to Get Her Back marks a pivotal moment for R&B. She isn’t just releasing music; she is advocating for a return to quality, luxury, and “expensive” sounds that refuse to be boxed into narrow categories. Whether she’s discussing the intricacies of a Versuz battle or the systematic hurdles of music marketing, Jozzy speaks with the authority of someone who has seen it all and is ready to lead the next generation.

As she continues to bridge the gap between the 90s legends and the future of the charts, one thing is certain: Jozzy is the ingredient that the R&B recipe was missing. Be sure to stream Soundtrack to Get Her Back on all platforms to experience the evolution of Expensive R&B for yourself.

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