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<?xml-stylesheet type="text/xsl" media="screen" href="/~d/styles/rss2full.xsl"?><?xml-stylesheet type="text/css" media="screen" href="http://feeds.feedburner.com/~d/styles/itemcontent.css"?><rss xmlns:atom="http://www.w3.org/2005/Atom" xmlns:openSearch="http://a9.com/-/spec/opensearchrss/1.0/" xmlns:georss="http://www.georss.org/georss" xmlns:gd="http://schemas.google.com/g/2005" xmlns:thr="http://purl.org/syndication/thread/1.0" xmlns:feedburner="http://rssnamespace.org/feedburner/ext/1.0" version="2.0"><channel><atom:id>tag:blogger.com,1999:blog-3558510800346770495</atom:id><lastBuildDate>Thu, 16 Feb 2012 23:02:19 +0000</lastBuildDate><category>report</category><title>Antenna Updates</title><description>News from the Antenna</description><link>http://www.theantenna.net/</link><managingEditor>noreply@blogger.com (-)</managingEditor><generator>Blogger</generator><openSearch:totalResults>9</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>25</openSearch:itemsPerPage><atom10:link xmlns:atom10="http://www.w3.org/2005/Atom" rel="self" type="application/rss+xml" href="http://feeds.feedburner.com/the-antenna" /><feedburner:info uri="the-antenna" /><atom10:link xmlns:atom10="http://www.w3.org/2005/Atom" rel="hub" href="http://pubsubhubbub.appspot.com/" /><item><guid isPermaLink="false">tag:blogger.com,1999:blog-3558510800346770495.post-3452722303032569400</guid><pubDate>Fri, 08 Apr 2011 14:10:00 +0000</pubDate><atom:updated>2011-04-12T06:47:46.954-07:00</atom:updated><title>Gavin Coyle</title><description>&lt;div id="layout" class="workshop"&gt;&lt;div class="gl-cell w-2 c-1" data-layout="{x:1,w:2}"&gt;• Workshop case study&lt;/div&gt;&lt;br /&gt;
&lt;div class="gl-cell c-3 w-2" data-layout="{x:3,w:2}"&gt;&lt;a href="http://gavincoyle.co.uk"&gt;http://gavincoyle.co.uk&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;
&lt;div class="gl-cell w-2 c-1" data-layout="{x:1,w:2}"&gt;&lt;img data-s="{w:288,h:288}" src="https://lh5.googleusercontent.com/_XABiR2JVSkA/TZ8JAcPw3SI/AAAAAAAABRU/4TCeT6h7K_A/s288/Gavin%20Coyle%20Roundel.png" height="220" width="220"&gt;&lt;/div&gt;&lt;br /&gt;
&lt;div class="gl-cell w-1 c-7" data-layout="{x:7,w:1}"&gt;WZO-049&lt;/div&gt;&lt;br /&gt;
&lt;div class="gl-cell w-1 right c-8" data-layout="{x:8,w:1}"&gt;02-2011&lt;/div&gt;&lt;br /&gt;
&lt;div class="gl-cell c-3 w-6" data-layout="{x:3,w:6}"&gt;&lt;img class="macbook" data-s="{w:506,h:316}" src="https://lh6.googleusercontent.com/_XABiR2JVSkA/TZ7-7Gz7EzI/AAAAAAAABRQ/pGqc_tuo44s/gc-1.jpg" height="316" width="506"&gt;&lt;/div&gt;&lt;br /&gt;
&lt;div class="gl-cell copy w-2 c-1" data-layout="{x:1,w:2}"&gt;Wallzo (Darren Wall) is one of the few art directors still taking neo-modernism to the next level. If you lived in London during 2008 you are probably familiar with his designs; The Hot Chip &lt;a href="http://www.wallzo.com/#/projects/mitdposterseries"&gt;&lt;i&gt;Made in the Dark&lt;/i&gt;&lt;/a&gt; artwork decorated many a wall and tube station, a cut above the standard dreck.&lt;br /&gt;
&lt;br /&gt;
So it was a pleasure to collaborate with Wallzo on a new site for the furniture designer Gavin Coyle.&lt;br /&gt;
&lt;br /&gt;
The treatment is quite simple - a straightforward showcase of Gavin’s work (as it should be) - but this ostensible simplicity exists due to Darren's careful and skillful consideration of many details…&lt;br /&gt;
&lt;br /&gt;
The site has been engineered in a thoroughly modern manner and works happily across a broad range of platforms from old (IE7) to new (iOS, Android). The biggest challenge was making use of the @font-face type system, a nascent evolving web standard which is still patchily implemented by some browsers. But it was worth persevering with; we like to think the clean Century Gothic typeface brought the design one step closer to a print-style standard of execution.&lt;br /&gt;
&lt;br /&gt;
[~A] April 2011&lt;/div&gt;&lt;br /&gt;
&lt;div class="gl-cell c-1 w-2" data-layout="{x:1,w:2}"&gt;AD: Gavin Coyle (Great Britain)&lt;br /&gt;
DIR/DES: &lt;a href="http://www.wallzo.com"&gt;Wallzo&lt;/a&gt; (Great Britain)&lt;br /&gt;
DEV: ~Antenna (Great Britain)&lt;br /&gt;
&lt;/div&gt;&lt;br /&gt;
&lt;div class="gl-cell w-1 c-8" data-layout="{x:8,w:1}"&gt;UI Paradigms&lt;br /&gt;
&lt;br /&gt;
Sliding panels&lt;br /&gt;
&lt;img data-s="{w:100,h:80}" src="https://lh6.googleusercontent.com/_XABiR2JVSkA/TZ8LnLpevaI/AAAAAAAABRY/UKI7VfhzrPo/panels.png" height="80" width="100"&gt;&lt;br /&gt;
&lt;br /&gt;
Lightbox&lt;br /&gt;
&lt;img data-s="{w:100,h:120}" src="https://lh6.googleusercontent.com/_XABiR2JVSkA/TWFJw1gZ1-I/AAAAAAAAA8w/w9JbfB2P9w4/lightbox.png" height="120" width="100"&gt;&lt;/div&gt;&lt;br /&gt;
&lt;div class="gl-cell c-3 w-4" data-layout="{x:3,w:4}"&gt;Schematic&lt;br /&gt;
&lt;br /&gt;
&lt;img data-s="{w:460,h:420}" src="https://lh3.googleusercontent.com/_XABiR2JVSkA/TZ8TmDpDEEI/AAAAAAAABRg/3Ev1iuecBY0/WZO-modulemap.png" height="420" width="460"&gt;&lt;/div&gt;&lt;br /&gt;
&lt;a class="parent" href="/2011/01/case-studies.html"&gt;See more case studies&lt;/a&gt;&lt;br /&gt;
&lt;a class="next" href="/2011/01/museum-studio.html"&gt;Next case study: Museum Studio&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3558510800346770495-3452722303032569400?l=www.theantenna.net' alt='' /&gt;&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/the-antenna/~4/qkbVCtuXVZM" height="1" width="1"/&gt;</description><link>http://feedproxy.google.com/~r/the-antenna/~3/qkbVCtuXVZM/gavin-coyle.html</link><author>noreply@blogger.com (-)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://lh5.googleusercontent.com/_XABiR2JVSkA/TZ8JAcPw3SI/AAAAAAAABRU/4TCeT6h7K_A/s72-c/Gavin%20Coyle%20Roundel.png" height="72" width="72" /><thr:total>0</thr:total><feedburner:origLink>http://www.theantenna.net/2011/01/gavin-coyle.html</feedburner:origLink></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-3558510800346770495.post-3114157303480670618</guid><pubDate>Tue, 15 Mar 2011 15:36:00 +0000</pubDate><atom:updated>2011-03-15T08:36:08.100-07:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">report</category><title>Browser Burn</title><description>&lt;div id="layout" class="report"&gt;&lt;br /&gt;
&lt;div class="gl-cell c-3 w-2" data-layout="{x:3,w:2}"&gt;Antenna Research Fclty.&lt;/div&gt;&lt;br /&gt;
&lt;div class="gl-cell c-1 w-2" data-layout="{x:1,w:2}"&gt;• Report (draft)&lt;/div&gt;&lt;br /&gt;
&lt;div class="gl-cell w-1 c-8 right" data-layout="{x:8,w:1}"&gt;03-2011&lt;/div&gt;&lt;br /&gt;
&lt;div class="gl-cell c-1 w-4" data-layout="{x:1,w:4}"&gt;&lt;h2&gt;“Some people just want to watch the browser burn”&lt;/h2&gt;&lt;/div&gt;&lt;br /&gt;
&lt;div class="gl-cell c-1 w-7 break" data-layout="{x:1,w:7}"&gt;&lt;/div&gt;&lt;br /&gt;
&lt;div class="gl-cell c-1 w-4" data-layout="{x:1,w:4}"&gt;Before&lt;br /&gt;
&lt;hr&gt;&lt;/div&gt;&lt;br /&gt;
&lt;div class="gl-cell c-5 w-4" data-layout="{x:5,w:4}"&gt;After&lt;br /&gt;
&lt;hr&gt;&lt;/div&gt;&lt;br /&gt;
&lt;div class="gl-cell c-1 w-4" data-layout="{x:1,w:4}"&gt;&lt;img data-s="{w:459,h:471}" src="https://lh3.googleusercontent.com/_XABiR2JVSkA/TX-C8QoishI/AAAAAAAABOc/84ulGm6gga0/w460/Screen%20shot%202011-03-15%20at%2015.09.30.png" height="471" width="459"&gt;&lt;br /&gt;
&lt;a href="http://www.youtube.com/wariolandshakeit2008"&gt;Wario Land YouTube viral marketing&lt;/a&gt;, 2008&lt;/div&gt;&lt;br /&gt;
&lt;div class="gl-cell c-5 w-4" data-layout="{x:5,w:4}"&gt;&lt;img data-s="{w:459,h:471}" src="https://lh4.googleusercontent.com/_XABiR2JVSkA/TX-ENl8aUfI/AAAAAAAABOo/Oc96mjKceJo/w460/Screen%20shot%202011-03-15%20at%2015.21.38.png" height="471" width="459"&gt;&lt;/div&gt;&lt;br /&gt;
&lt;div class="gl-cell w-1 c-5" data-layout="{x:5,w:1}"&gt;&lt;/div&gt;&lt;br /&gt;
&lt;div class="gl-cell w-4 c-1" data-layout="{x:1,w:4}"&gt;&lt;img data-s="{w:459,h:471}" src="https://lh3.googleusercontent.com/_XABiR2JVSkA/TX-C57zkQ2I/AAAAAAAABOQ/s01QW_YB7uU/w460/Screen%20shot%202011-03-15%20at%2015.11.48.png" height="471" width="459"&gt;&lt;br /&gt;
&lt;a href="http://mrdoob.com/projects/chromeexperiments/google_gravity/"&gt;Google Gravity&lt;/a&gt; - Mr.Doob / HiReS!, 2009&lt;/div&gt;&lt;br /&gt;
&lt;div class="gl-cell c-5 w-4" data-layout="{x:5,w:4}"&gt;&lt;img data-s="{w:459,h:471}" src="https://lh6.googleusercontent.com/_XABiR2JVSkA/TX-C7FoivpI/AAAAAAAABOY/KEArc76D5R8/w460/Screen%20shot%202011-03-15%20at%2015.11.51.png" height="471" width="459"&gt;&lt;/div&gt;&lt;br /&gt;
&lt;div class="gl-cell c-1 w-4" data-layout="{x:1,w:4}"&gt;&lt;img data-s="{w:459,h:471}" src="https://lh6.googleusercontent.com/_XABiR2JVSkA/TX-C_flN70I/AAAAAAAABOk/zRl8UYN8y0s/w460/Screen%20shot%202011-03-15%20at%2015.12.57.png" height="471" width="459"&gt;&lt;br /&gt;
&lt;a href="http://kathack.com/"&gt;Katamari Hack&lt;/a&gt; - Alex Leone, David Nufer, and David Truong, 2011&lt;/div&gt;&lt;br /&gt;
&lt;div class="gl-cell w-1 c-5" data-layout="{x:5,w:1}"&gt;&lt;/div&gt;&lt;br /&gt;
&lt;div class="gl-cell w-4 c-5" data-layout="{x:5,w:4}"&gt;&lt;img data-s="{w:459,h:471}" src="https://lh3.googleusercontent.com/_XABiR2JVSkA/TX-C-Wre_PI/AAAAAAAABOg/wVy79FRlXWc/w460/Screen%20shot%202011-03-15%20at%2015.13.54.png" height="471" width="459"&gt;&lt;/div&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3558510800346770495-3114157303480670618?l=www.theantenna.net' alt='' /&gt;&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/the-antenna/~4/BaZGs3YRQYs" height="1" width="1"/&gt;</description><link>http://feedproxy.google.com/~r/the-antenna/~3/BaZGs3YRQYs/browser-burn.html</link><author>noreply@blogger.com (-)</author><thr:total>0</thr:total><feedburner:origLink>http://www.theantenna.net/2011/01/browser-burn.html</feedburner:origLink></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-3558510800346770495.post-4470508734515350263</guid><pubDate>Thu, 10 Mar 2011 14:11:00 +0000</pubDate><atom:updated>2011-03-10T06:17:38.067-08:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">report</category><title>Infinite Scroll</title><description>&lt;div id="layout" class="report"&gt;&lt;div class="gl-cell w-2 c-1" data-layout="{x:1,w:2}"&gt;• Report (Draft)&lt;/div&gt;&lt;br /&gt;
&lt;div class="gl-cell c-1 w-2" data-layout="{x:1,w:2}"&gt;&lt;img data-s="{w:1467,h:1143}" src="https://lh5.googleusercontent.com/_XABiR2JVSkA/TXjU4sUWj5I/AAAAAAAABMU/9EfZ5tHCPQk/infinite%20scroll.png" height="171" width="220"&gt;&lt;/div&gt;&lt;br /&gt;
&lt;div class="gl-cell w-3 c-3" data-layout="{x:3,w:3}"&gt;Antenna Research Fclty.&lt;/div&gt;&lt;br /&gt;
&lt;div class="gl-cell w-1 c-8 right" data-layout="{x:8,w:1}"&gt;03-2011&lt;/div&gt;&lt;br /&gt;
&lt;div class="gl-cell w-2 c-3" data-layout="{x:3,w:2}"&gt;&lt;h2&gt;Infinite Scroll&lt;/h2&gt;&lt;/div&gt;&lt;br /&gt;
&lt;div class="gl-cell c-1 w-8" data-layout="{x:1,w:8}"&gt;&lt;img data-s="{w:1000,h:82}" src="https://lh6.googleusercontent.com/_XABiR2JVSkA/TXQwo7VWc8I/AAAAAAAABKk/7WbwDW29PsU/w1000/Scrollable%20Landscape_1299460065093%20copy.jpg" height="77" width="940"&gt;1&lt;/div&gt;&lt;br /&gt;
&lt;div class="gl-cell w-1 c-1" data-layout="{x:1,w:1}"&gt;&lt;img data-s="{w:115,h:1000}" src="https://lh5.googleusercontent.com/_XABiR2JVSkA/TXQyXzeVyVI/AAAAAAAABKo/wJEQ3fyi9w4/h1000/_1299460379537.jpg" height="870" width="100"&gt;2&lt;/div&gt;&lt;br /&gt;
&lt;div class="gl-cell w-2 copy c-3" data-layout="{x:3,w:2}"&gt;Scrolling - it's the modern pastime - We are all cyber-&lt;a href="http://en.wikipedia.org/wiki/Fl%C3%A2neur"&gt;flâneurs&lt;/a&gt;* in the broadband age. It would be an interesting statistic to know how far a day one scrolls (perhaps an idea for a browser plugin or &lt;a href="http://www.daytum.com/"&gt;Daytum&lt;/a&gt;).&lt;br /&gt;
&lt;br /&gt;
Infinite scroll is the web design practice of loading more content into the bottom of a page, so that an entire site can be viewed simply by stroking the mousewheel – the opposite approach to advert-heavy sites who split a short article across numerous pages to increase traffic.&lt;br /&gt;
&lt;br /&gt;
Infinitely scrolling visual data dumps proliferate - &lt;a href="http://butdoesitfloat.com/"&gt;Does it Float&lt;/a&gt; being a positive example, aswell as a number of &lt;a href="http://ffffound.com/"&gt;Ffffound&lt;/a&gt; clones and its popularity in the galaxy of Tumblrs. Perhaps the mother of all scrolls is Google Reader, which turns any number of sites into one unending information superhighway.&lt;br /&gt;
&lt;br /&gt;
How this simple mechanic affects the relationship between viewer and viewed is subtle. It's possible to consume huge amounts of imagery in a short space of time, like a whale feeding on plankton or &lt;a href="http://www.youtube.com/watch?v=4TBcQ8h_kXU"&gt;Johnny-5&lt;/a&gt; reading a book [00:55], deep in a twilight semi-conscious revery- internet addiction is a topic all of its own.&lt;/div&gt;&lt;br /&gt;
&lt;div class="gl-cell copy w-2 c-5" data-layout="{x:5,w:2}"&gt;Arguably viewing content in this way is a cheap, throwaway experience, stripped of all context and rationale- but it’s also relentlessly modern, the closest thing to a &lt;i&gt;Matrix&lt;/i&gt;-style brainpatch we have.&lt;br /&gt;
&lt;br /&gt;
And this takes place within a wider arc; the transition from longer form blogging to tumble-logging, in turn replaced by Tweeting, is a somewhat frightening progression - the Antenna proposes Twitter's replacement to have a 5 word limit (140 characters being too long-winded), and this to be superceded by the one-word Twitter in a few years/months/hours time, whatever the current attention span is.&lt;br /&gt;
&lt;br /&gt;
The web remains a frontier - unlike television there is no recognised code of transmission standards such as strobing effects or subliminal advertising, so innovators are free to invent new, marginally hazardous forms of consumption; &lt;a href="http://zapreader.com/"&gt;Zap reading&lt;/a&gt; being a prime example. Perhaps one day scrolling could be regulated as detrimental to your family's health - take a stroll instead.&lt;/div&gt;&lt;br /&gt;
&lt;div class="gl-cell c-7 w-2" data-layout="{x:7,w:2}"&gt;1. &lt;a href="http://scrollable-landscape.org/"&gt;Scrollable Landscape&lt;/a&gt; (Jürg Lehni?)&lt;br /&gt;
2. Build studio's &lt;a href="http://b-u-i-l-d.tumblr.com/"&gt;Tumblr&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;
&lt;div class="gl-cell w-2 c-3" data-layout="{x:3,w:2}"&gt;* from the French for “to stroll” - there's a pleasant resonance between 'scroll' and 'stroll'&lt;/div&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3558510800346770495-4470508734515350263?l=www.theantenna.net' alt='' /&gt;&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/the-antenna/~4/9ZE_Cebv3WU" height="1" width="1"/&gt;</description><link>http://feedproxy.google.com/~r/the-antenna/~3/9ZE_Cebv3WU/infinite-scroll.html</link><author>noreply@blogger.com (-)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://lh5.googleusercontent.com/_XABiR2JVSkA/TXjU4sUWj5I/AAAAAAAABMU/9EfZ5tHCPQk/s72-c/infinite%20scroll.png" height="72" width="72" /><thr:total>0</thr:total><feedburner:origLink>http://www.theantenna.net/2011/01/infinite-scroll.html</feedburner:origLink></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-3558510800346770495.post-7211309311290827298</guid><pubDate>Wed, 09 Mar 2011 20:15:00 +0000</pubDate><atom:updated>2011-03-10T08:51:37.483-08:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">report</category><title>Focus fade</title><description>&lt;div id="layout" class="report"&gt;&lt;div class="gl-cell w-1 c-1" data-layout="{x:1,w:1}"&gt;• Report (draft)&lt;/div&gt;&lt;br /&gt;
&lt;div class="gl-cell c-2 w-4" data-layout="{x:2,w:4}"&gt;Antenna Research Fclty.&lt;/div&gt;&lt;br /&gt;
&lt;div class="gl-cell w-1 c-8 right" data-layout="{x:8,w:1}"&gt;09-03-2011&lt;/div&gt;&lt;br /&gt;
&lt;div class="gl-cell c-1 copy w-3" data-layout="{x:1,w:3}"&gt;&lt;h2&gt;Focus fade&lt;/h2&gt;&lt;/div&gt;&lt;br /&gt;
&lt;div class="gl-cell copy w-2 c-2" data-layout="{x:2,w:2}"&gt;A transition effect aimed at drawing all focus onto a hero graphic. Similar in implementation to a lightbox, it requires careful alignment of two layers to achieve a seamless crossfade.&lt;br /&gt;
&lt;br /&gt;
The effect works in both directions; to pan out to reveal a whole page, or to zero in. The latter is hijack-like, and as with all floating panels or modal dialogs that overlay the page, should be used with extreme caution.&lt;/div&gt;&lt;br /&gt;
&lt;div class="gl-cell c-5 w-4 centre" data-layout="{x:5,w:4}"&gt;Apple.com (fade out)&lt;br /&gt;
&lt;img data-s="{w:459,h:460}" src="https://lh3.googleusercontent.com/_XABiR2JVSkA/TXfWr_VAlaI/AAAAAAAABL8/FffSG3EMGWo/w460/Screen%20shot%202010-10-22%20at%2012.29.08.png" height="461" width="460"&gt;&lt;br /&gt;
&lt;img data-s="{w:459,h:460}" src="https://lh5.googleusercontent.com/_XABiR2JVSkA/TXfWs6bybtI/AAAAAAAABME/idrzpjfEK2k/w460/Screen%20shot%202010-10-22%20at%2012.29.16.png" height="461" width="460"&gt;&lt;br /&gt;
&lt;img data-s="{w:459,h:460}" src="https://lh5.googleusercontent.com/_XABiR2JVSkA/TXfWsj0zDwI/AAAAAAAABMA/sKNClNiUs0Q/w460/Screen%20shot%202010-10-22%20at%2012.29.02.png" height="461" width="460"&gt;&lt;br /&gt;
&lt;div class="hr"&gt;&lt;hr/&gt;&lt;/div&gt;&lt;br /&gt;
MoneySavingExpert.com (fade in)&lt;br /&gt;
&lt;img data-s="{w:459,h:460}" src="https://lh5.googleusercontent.com/_XABiR2JVSkA/TXfVvF7JL8I/AAAAAAAABLw/z5726kkYR_I/w460/Screen%20shot%202011-03-09%20at%2019.14.17.png" height="365" width="460"&gt;&lt;br /&gt;
&lt;img data-s="{w:459,h:460}" src="https://lh3.googleusercontent.com/_XABiR2JVSkA/TXfVv2CMgiI/AAAAAAAABL0/ozWv0GoPCNA/w460/Screen%20shot%202011-03-09%20at%2019.14.07.png" height="365" width="460"&gt;&lt;/div&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3558510800346770495-7211309311290827298?l=www.theantenna.net' alt='' /&gt;&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/the-antenna/~4/sG44z7FmHgM" height="1" width="1"/&gt;</description><link>http://feedproxy.google.com/~r/the-antenna/~3/sG44z7FmHgM/focus-fade.html</link><author>noreply@blogger.com (-)</author><thr:total>0</thr:total><feedburner:origLink>http://www.theantenna.net/2011/01/focus-fade.html</feedburner:origLink></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-3558510800346770495.post-1797098089474172816</guid><pubDate>Thu, 13 Jan 2011 08:00:00 +0000</pubDate><atom:updated>2011-04-08T07:15:00.223-07:00</atom:updated><title>Museum Studio</title><description>&lt;div id="layout" class="workshop" &gt;&lt;br /&gt;
&lt;div data-layout="{x:1,w:2}"&gt;• Workshop case study&lt;br /&gt;
&lt;/div&gt;&lt;div data-layout="{x:3,w:2}"&gt;&lt;a href="http://www.museumstudio.se/"&gt;http://www.museumstudio.se&lt;/a&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div data-layout="{x:7,w:1}"&gt;MUS-042&lt;br /&gt;
&lt;/div&gt;&lt;div class="right" data-layout="{x:8,w:1}"&gt;02-2011&lt;br /&gt;
&lt;/div&gt;&lt;br /&gt;
&lt;div class="centre" data-layout="{x:2,w:6}"&gt;&lt;img width="220" height="220" src="https://lh5.googleusercontent.com/_XABiR2JVSkA/TWFu7eiadhI/AAAAAAAAA9U/D5HcrT0sUcE/w220/MS_New_logo.png"/&gt;&lt;br /&gt;
&lt;/div&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;div  data-layout="{x:2,w:6}"&gt;&lt;img class="macbook" width="506" height="316" src="https://lh5.googleusercontent.com/_XABiR2JVSkA/TWqzkVvltuI/AAAAAAAABHI/LByRT8MjIRQ/w506/ms-1.jpg" /&gt;&lt;br /&gt;
&lt;/div&gt;&lt;br /&gt;
&lt;div class="break" data-layout="{x:1,w:8}"&gt;&lt;/div&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;div class="copy" data-layout="{x:3,w:2}"&gt;Considering the population of Sweden is less than 10 million, the nation's cultural output far outways its size. Scandinavian design features a unique aesthetic; clean and simple, but too colourful and organic to be considered minimal.&lt;br /&gt;
&lt;br /&gt;
From this mystical land comes Museum Studio. We’ve admired Anders Jander’s work (and curation at &lt;a href="http://temple-of-light.blogspot.com/"&gt;Temple of Light&lt;/a&gt;) ever since seeing a copy of his Museum Paper zine imprint, so were honoured to work on a new homesite.&lt;br /&gt;
&lt;br /&gt;
The UI concepts evolved naturally through discussion and evaluation of the previous site, which also featured image-stacks, albeit static ones. The pop-open transition was quite tricky to develop but hopefully adds more character than a stock lightbox effect. The ’snake‘ layout of the opened projects also took a lot of careful tweaking to achieve the right amount of vertical space.&lt;br /&gt;
&lt;/div&gt;&lt;br /&gt;
&lt;div class="copy" data-layout="{x:5,w:2}"&gt;Despite the apparent simplicity of the engine, the image zooming coupled with CSS dropshadows pushed the limits of HTML's capabilities, so a fair amount of optimisation was required.&lt;br /&gt;
&lt;br /&gt;
A simplified mobile version was created too.&lt;br /&gt;
&lt;br /&gt;
Keeping the graphic treatment to a minimum has left the site open for restyling – watch out for new developments.&lt;br /&gt;
[~A] Feb 2011&lt;br /&gt;
&lt;/div&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;div data-layout="{x:1,w:2}"&gt;AD: Museum Studio (Sweden)&lt;br /&gt;
DIR/DES: Museum Studio&lt;br /&gt;
UX/DEV: Antenna (Great Britain)&lt;br /&gt;
&lt;/div&gt;&lt;br /&gt;
&lt;div class="centre" data-layout="{x:7,w:2}"&gt;&lt;img class="iphone" width="186" height="279" src="https://lh4.googleusercontent.com/_XABiR2JVSkA/TWq_Esljx4I/AAAAAAAABHM/eG5K5kR7Bh0/w186/-2.jpg" /&gt;&lt;br /&gt;
Mobile version&lt;br /&gt;
&lt;/div&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;div class="centre" data-layout="{x:5,w:2}"&gt;&lt;img width="220" height="220" src="https://lh5.googleusercontent.com/_XABiR2JVSkA/TV04ksXdTZI/AAAAAAAAA4I/iuStxnjHRWw/ms-bg.png" /&gt;&lt;br /&gt;
Background tile (magnified)&lt;br /&gt;
&lt;/div&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;div data-layout="{x:1,w:2}"&gt;&lt;h3&gt;Key UI paradigms&lt;/h3&gt;&lt;/div&gt;&lt;br /&gt;
&lt;div class="centre" data-layout="{x:1,w:1}"&gt;&lt;img width="100" height="110" src="https://lh5.googleusercontent.com/_XABiR2JVSkA/TWFDkEuTYxI/AAAAAAAAA8g/rQH6Ptqbit4/stack.png"/&gt;&lt;br /&gt;
Stacks&lt;br /&gt;
&lt;br /&gt;
&lt;img width="100" height="180" src="https://lh4.googleusercontent.com/_XABiR2JVSkA/TWFDkKlWN4I/AAAAAAAAA8c/nzJsVUmV0n8/snake.png"/&gt;&lt;br /&gt;
“Snake” layout&lt;br /&gt;
&lt;/div&gt;&lt;br /&gt;
&lt;div class="centre" data-layout="{x:2,w:1}"&gt;&lt;img width="100" height="120" src="https://lh6.googleusercontent.com/_XABiR2JVSkA/TWFJw1gZ1-I/AAAAAAAAA8w/w9JbfB2P9w4/lightbox.png"/&gt;&lt;br /&gt;
Lightbox&lt;br /&gt;
&lt;br /&gt;
&lt;img width="100" height="120" src="https://lh4.googleusercontent.com/_XABiR2JVSkA/TWFDkM0mMOI/AAAAAAAAA8U/p3WuDjOH5V8/accordion.png"/&gt;&lt;br /&gt;
Accordion&lt;br /&gt;
&lt;/div&gt;&lt;br /&gt;
&lt;a class="parent" href="/2011/01/case-studies.html"&gt;See more case studies&lt;/a&gt;&lt;br /&gt;
&lt;a class="prev" href="/2011/01/gavin-coyle.html"&gt;Prior case study: Gavin Coyle&lt;/a&gt;&lt;br /&gt;
&lt;a class="next" href="/2011/01/build.html"&gt;Next case study: Build&lt;/a&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3558510800346770495-1797098089474172816?l=www.theantenna.net' alt='' /&gt;&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/the-antenna/~4/AfEpglJfoCk" height="1" width="1"/&gt;</description><link>http://feedproxy.google.com/~r/the-antenna/~3/AfEpglJfoCk/museum-studio.html</link><author>noreply@blogger.com (-)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://lh5.googleusercontent.com/_XABiR2JVSkA/TV04ksXdTZI/AAAAAAAAA4I/iuStxnjHRWw/s72-c/ms-bg.png" height="72" width="72" /><thr:total>0</thr:total><feedburner:origLink>http://www.theantenna.net/2011/01/museum-studio.html</feedburner:origLink></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-3558510800346770495.post-1260995942740350347</guid><pubDate>Wed, 12 Jan 2011 08:00:00 +0000</pubDate><atom:updated>2011-03-06T11:33:11.226-08:00</atom:updated><title>Build</title><description>&lt;div class="workshop" id="layout"&gt;&lt;br /&gt;
&lt;div data-layout="{x:1,w:2}"&gt;• Workshop case study&lt;br /&gt;
&lt;/div&gt;&lt;div data-layout="{x:3,w:2}"&gt;&lt;a href="http://wearebuild.com"&gt;http://wearebuild.com&lt;/a&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div data-layout="{x:7,w:1}"&gt;BLD-040&lt;br /&gt;
&lt;/div&gt;&lt;div class="right" data-layout="{x:8,w:1}"&gt;07-2010&lt;br /&gt;
&lt;/div&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;div data-layout="{x:1,w:2}"&gt;&lt;img width="220" height="220" src="https://lh6.googleusercontent.com/_XABiR2JVSkA/TWFwEjliErI/AAAAAAAAA9Y/ys8_AlfbU4E/w220/build-favicon.png"/&gt;&lt;/div&gt;&lt;br /&gt;
&lt;div class="copy" data-layout="{x:1,w:2}"&gt;Michael C. Place – the closest our generation has to a Müller-Brockmann figure? Build should need no introduction to anyone involved in the graphic design industry, so it was our distinct pleasure to work on the studio's homesite.&lt;br /&gt;
&lt;br /&gt;
Conceptually the site platform began with the simplest of ideas: backdrop images, scaled to fill the window, with information text overlaid. But as is often the case with HTML the devil is in the details. Tints, window scrollbars, click events and element clipping/resizing all needed careful attention to function harmoniously.&lt;br /&gt;
&lt;br /&gt;
And that is only the technical side of things; the simpler a design is the more attention to detail is needed – Build's skillful direction teased out the maximum potential from the medium.&lt;br /&gt;
&lt;br /&gt;
Beyond the main gallery mechanic a few extra pieces of UI polish were incorporated – keyboard controls for navigating the images and a collapsible/filterable index page.&lt;br /&gt;
&lt;br /&gt;
After the desktop version was in place all that was left to do was give the site a clean bill of mobile health - it now functions happily on iPhone &amp;amp; iPad.&lt;br /&gt;
&lt;br /&gt;
All in all a very satisfying project to be involved with.&lt;br /&gt;
[~A] Feb 2011&lt;/div&gt;&lt;br /&gt;
&lt;div data-layout="{x:1,w:2}"&gt;AD: Build (Great Britain)&lt;br /&gt;
DIR/DES: Build&lt;br /&gt;
DEV: Antenna (Great Britain)&lt;br /&gt;
&lt;/div&gt;&lt;br /&gt;
&lt;div class="centre" data-layout="{x:3,w:6}"&gt;&lt;img class="macbook" width="506" height="316" src="https://lh5.googleusercontent.com/_XABiR2JVSkA/TWpthNK6QJI/AAAAAAAABGA/NK57ZIqQ2bk/w506/bld-1.jpg"/&gt;&lt;br /&gt;
Project page with overlay&lt;br /&gt;
&lt;/div&gt;&lt;br /&gt;
&lt;div class="centre" data-layout="{x:3,w:6}"&gt;&lt;img class="macbook" width="506" height="316" src="https://lh3.googleusercontent.com/_XABiR2JVSkA/TWp6w7CFmNI/AAAAAAAABGc/oDFoMAfFZm4/w506/bld-2.jpg"/&gt;&lt;br /&gt;
Project page, overlay toggled off&lt;br /&gt;
&lt;/div&gt;&lt;br /&gt;
&lt;div class="centre" data-layout="{x:5,w:2}"&gt;&lt;img class="iphone" width="186" height="279" src="https://lh5.googleusercontent.com/_XABiR2JVSkA/TWqMo6NfA3I/AAAAAAAABGo/2WQQS3eomQQ/w186/bld-iphone.jpg"/&gt;&lt;br /&gt;
Mobile version&lt;/div&gt;&lt;br /&gt;
&lt;div class="centre" data-layout="{x:8,w:1}"&gt;Key UI paradigms&lt;br /&gt;
&lt;br /&gt;
&lt;img width="100" height="80" src="https://lh6.googleusercontent.com/_XABiR2JVSkA/TWFLEiAW-DI/AAAAAAAAA80/KW3tvBicCyI/hud.png"/&gt;&lt;br /&gt;
Overlay/HUD&lt;br /&gt;
&lt;br /&gt;
&lt;img width="100" height="80" src="https://lh3.googleusercontent.com/_XABiR2JVSkA/TWFLE5lGW0I/AAAAAAAAA88/6KPgqq78ZnE/full-bleed.png"/&gt;&lt;br /&gt;
Full-bleed BG&lt;br /&gt;
&lt;br /&gt;
&lt;img width="101" height="70" src="https://lh4.googleusercontent.com/_XABiR2JVSkA/TWFLpj5gSOI/AAAAAAAAA9E/9KYrvpfF1ZY/collapse.png"/&gt;&lt;br /&gt;
Collapsible index&lt;/div&gt;&lt;br /&gt;
&lt;a class="parent" href="/2011/01/case-studies.html"&gt;See more case studies&lt;/a&gt;&lt;br /&gt;
&lt;a class="prev" href="/2011/01/museum-studio.html"&gt;Previous: Museum Studio&lt;/a&gt;&lt;br /&gt;
&lt;a class="next" href="/2011/01/timothy-saccenti.html"&gt;Next: Timothy Saccenti&lt;/a&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3558510800346770495-1260995942740350347?l=www.theantenna.net' alt='' /&gt;&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/the-antenna/~4/mFkf-WWafIM" height="1" width="1"/&gt;</description><link>http://feedproxy.google.com/~r/the-antenna/~3/mFkf-WWafIM/build.html</link><author>noreply@blogger.com (-)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://lh6.googleusercontent.com/_XABiR2JVSkA/TWFLEiAW-DI/AAAAAAAAA80/KW3tvBicCyI/s72-c/hud.png" height="72" width="72" /><thr:total>0</thr:total><feedburner:origLink>http://www.theantenna.net/2011/01/build.html</feedburner:origLink></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-3558510800346770495.post-7343037209724618350</guid><pubDate>Tue, 11 Jan 2011 08:00:00 +0000</pubDate><atom:updated>2011-03-06T11:33:00.572-08:00</atom:updated><title>Crashhaus</title><description>&lt;div class="research" id="layout" &gt;&lt;br /&gt;
&lt;div data-layout="{x:1,w:2}"&gt;• Research Fclty. &amp;gt; Lab&lt;br /&gt;
&lt;/div&gt;&lt;br /&gt;
&lt;div data-layout="{x:3,w:2}"&gt;&lt;a href="http://lab.theantenna.net/crashhaus/"&gt;lab.theantenna.net/crashhaus&lt;/a&gt;&lt;br /&gt;
&lt;/div&gt;&lt;br /&gt;
&lt;div class="right" data-layout="{x:8,w:1}"&gt;06-2010&lt;br /&gt;
&lt;/div&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;div data-layout="{x:1,w:2}"&gt;&lt;h2&gt;Crash-&lt;br /&gt;
haus&lt;/h2&gt;&lt;/div&gt;&lt;br /&gt;
&lt;div class="copy" data-layout="{x:1,w:2}"&gt;&lt;img width="220" height="311" src="https://lh3.googleusercontent.com/_XABiR2JVSkA/TV6yGddD0FI/AAAAAAAAA7U/nRhnT0PiVvo/w220/3251724062_6a1659b688.jpg"/&gt;&lt;br /&gt;
&lt;br /&gt;
Iconic, universal, like atomic elements of graphic design - the perennially popular shapes of the Bauhaus. We created a small crash-testing &lt;a href="http://lab.theantenna.net/crashhaus/"&gt;app&lt;/a&gt; to examine them colliding in slow motion.&lt;br /&gt;
&lt;br /&gt;
&lt;a href="http://www.box2d.org/"&gt;Box2D&lt;/a&gt; is a physics library that has been ported to numerous platforms, most recently Javascript (by &lt;a href="http://29a.ch/2010/4/17/box2d-2-flash-ported-javascript"&gt;Jonas Wagner&lt;/a&gt; and &lt;a href="http://box2d-js.sourceforge.net/index2.html"&gt;Ando Yasushi&lt;/a&gt;). This enables its use in the browser without plugins. Here the shapes are rendered to an HTML canvas tag (performance may vary, try Safari or Chrome for best results).&lt;br /&gt;
[~A] Feb 2011&lt;br /&gt;
&lt;/div&gt;&lt;br /&gt;
&lt;div data-layout="{x:3,w:6}"&gt;&lt;img width="700" height="210" src="https://lh4.googleusercontent.com/_XABiR2JVSkA/TWHOYaW1OzI/AAAAAAAAA-M/ANP8jg6gxIY/crashhaus-static.png"/&gt;&lt;br /&gt;
&lt;hr/&gt;Static&lt;br /&gt;
&lt;img width="700" height="342" src="https://lh4.googleusercontent.com/_XABiR2JVSkA/TWPAq3GZzZI/AAAAAAAABBE/13xuXf18A0Y/ch-2-01.png"/&gt;&lt;br /&gt;
&lt;hr/&gt;Stressed&lt;br /&gt;
&lt;br /&gt;
&lt;img width="700" height="338" src="https://lh6.googleusercontent.com/_XABiR2JVSkA/TWPArO0alJI/AAAAAAAABBI/gtldPAJQMv8/ch-3-01.png"/&gt;&lt;br /&gt;
&lt;hr/&gt;Bones&lt;br /&gt;
&lt;/div&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3558510800346770495-7343037209724618350?l=www.theantenna.net' alt='' /&gt;&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/the-antenna/~4/dQRsIM26vNQ" height="1" width="1"/&gt;</description><link>http://feedproxy.google.com/~r/the-antenna/~3/dQRsIM26vNQ/crashhaus.html</link><author>noreply@blogger.com (-)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://lh4.googleusercontent.com/_XABiR2JVSkA/TWHOYaW1OzI/AAAAAAAAA-M/ANP8jg6gxIY/s72-c/crashhaus-static.png" height="72" width="72" /><thr:total>0</thr:total><feedburner:origLink>http://www.theantenna.net/2011/01/crashhaus.html</feedburner:origLink></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-3558510800346770495.post-7301462001297958066</guid><pubDate>Mon, 10 Jan 2011 08:00:00 +0000</pubDate><atom:updated>2011-03-06T11:32:44.159-08:00</atom:updated><title>Timothy Saccenti</title><description>&lt;div class="workshop" id="layout"&gt;&lt;br /&gt;
&lt;div data-layout="{x:1,w:2}"&gt;• Workshop case study&lt;br /&gt;
&lt;/div&gt;&lt;div data-layout="{x:3,w:2}"&gt;&lt;a href="http://timothysaccenti.com"&gt;http://timothysaccenti.com&lt;/a&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div data-layout="{x:5,w:2}"&gt;All images &amp;copy; Timothy Saccenti&lt;br /&gt;
&lt;/div&gt;&lt;div class="right" data-layout="{x:7,w:1}"&gt;TMS-032&lt;br /&gt;
&lt;/div&gt;&lt;div class="right" data-layout="{x:8,w:1}"&gt;03-2010&lt;br /&gt;
&lt;/div&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;div class="centre" data-layout="{x:1,w:8}"&gt;&lt;h2&gt;TimothySaccenti.com&lt;/h2&gt;&lt;/div&gt;&lt;br /&gt;
&lt;div data-layout="{x:1,w:8}"&gt;&lt;img src="https://lh5.googleusercontent.com/_XABiR2JVSkA/TV2EYI0ziKI/AAAAAAAAA5c/piMZQWDepGs/w940/TS_Website3.jpg" width="940" height="627"/&gt;&lt;br /&gt;
Photo reel with list nav&lt;br /&gt;
&lt;/div&gt;&lt;br /&gt;
&lt;div data-layout="{x:1,w:4}"&gt;&lt;img src="https://lh3.googleusercontent.com/_XABiR2JVSkA/TV2EX9bOHlI/AAAAAAAAA5Y/Xy9v0SymW48/w460/TS_Website2.jpg" width="460" height="307"/&gt;&lt;br /&gt;
Photo reel, slide nav&lt;br /&gt;
&lt;/div&gt;&lt;br /&gt;
&lt;div data-layout="{x:5,w:4}"&gt;&lt;img src="https://lh6.googleusercontent.com/_XABiR2JVSkA/TV2EYe_zzkI/AAAAAAAAA5g/DEj9eDJFuws/w460/TS_Website6.jpg" width="460" height="307"/&gt;&lt;br /&gt;
Full screen&lt;br /&gt;
&lt;/div&gt;&lt;br /&gt;
&lt;div class="copy" data-layout="{x:1,w:4}"&gt;For fans of &lt;a href="http://warp.net/"&gt;Warp Records&lt;/a&gt;, Timothy Saccenti’s imagery should be well known. The iconic LA-based photographer / director has worked with some of the label’s most popular artists like Battles (the &lt;i&gt;&lt;a href="http://www.youtube.com/watch?v=IpGp-22t0lU"&gt;Mirrored&lt;/a&gt;&lt;/i&gt; artwork being arguably one of the key images of 2007) and more recently the unstoppable Flying Lotus.&lt;br /&gt;
&lt;br /&gt;
Being a self-professed Warp fanboy meant that working with Tim was an opportunity not to be missed, especially with Build directing. The design plans detailed a site that until recently might only have been attempted with Flash, but it being 2010 (and the iPad just around the corner) we set out to push the boundaries of HTML.&lt;br /&gt;
&lt;br /&gt;
Cufon type substitution, custom slide/reel mechanics (including mousewheel control), a bespoke media player and fullscreen image viewer all added up to a thoroughly modern website. If you find it a little uncompromising well this was mostly the Antenna's doing - Tim trusted us to go beyond a ’safe‘ experience, and as the artist’s work is anything but plain vanilla the interface followed suit. [~A] Feb 2011&lt;br /&gt;
&lt;/div&gt;&lt;br /&gt;
&lt;div class="centre" data-layout="{x:8,w:1}"&gt;UI Paradigms&lt;br /&gt;
&lt;br /&gt;
&lt;img src="https://lh6.googleusercontent.com/_XABiR2JVSkA/TWFL_RYPjdI/AAAAAAAAA9I/T9Y6cXcI9lA/reels.png" width="100" height="70"/&gt;&lt;br /&gt;
Reels&lt;br /&gt;
&lt;br /&gt;
&lt;img src="https://lh6.googleusercontent.com/_XABiR2JVSkA/TWFJw1gZ1-I/AAAAAAAAA8w/w9JbfB2P9w4/lightbox.png" width="100" height="120"/&gt;&lt;br /&gt;
Lightbox&lt;br /&gt;
&lt;/div&gt;&lt;br /&gt;
&lt;div data-layout="{x:5,w:2}"&gt;AD: Timothy Saccenti (USA)&lt;br /&gt;
DIR/DES: &lt;a href="http://wearebuild.com"&gt;Build&lt;/a&gt; (Great Britain)&lt;br /&gt;
DEV/UX: Antenna (Great Britain)&lt;br /&gt;
&lt;/div&gt;&lt;br /&gt;
&lt;a class="parent" href="/2011/01/case-studies.html"&gt;See more case studies&lt;/a&gt;&lt;br /&gt;
&lt;a class="prev" href="/2011/01/build.html"&gt;Previous: Build&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3558510800346770495-7301462001297958066?l=www.theantenna.net' alt='' /&gt;&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/the-antenna/~4/iaeXG9rQwmA" height="1" width="1"/&gt;</description><link>http://feedproxy.google.com/~r/the-antenna/~3/iaeXG9rQwmA/timothy-saccenti.html</link><author>noreply@blogger.com (-)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://lh6.googleusercontent.com/_XABiR2JVSkA/TWFL_RYPjdI/AAAAAAAAA9I/T9Y6cXcI9lA/s72-c/reels.png" height="72" width="72" /><thr:total>0</thr:total><feedburner:origLink>http://www.theantenna.net/2011/01/timothy-saccenti.html</feedburner:origLink></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-3558510800346770495.post-3896267552490912931</guid><pubDate>Sat, 01 Jan 2011 08:00:00 +0000</pubDate><atom:updated>2011-04-08T07:13:00.012-07:00</atom:updated><title>Case Studies</title><description>&lt;div id="layout" &gt;&lt;br /&gt;
&lt;div data-layout="{x:1,w:2}"&gt;&lt;a class="child" href="/2011/01/gavin-coyle.html"&gt;&lt;img width="220" height="220" src="https://lh5.googleusercontent.com/_XABiR2JVSkA/TZ8JAcPw3SI/AAAAAAAABRU/4TCeT6h7K_A/Gavin%20Coyle%20Roundel.png"/&gt;&lt;/a&gt;&lt;br /&gt;
Gavin Coyle&lt;br /&gt;
&lt;/div&gt;&lt;br /&gt;
&lt;br /&gt;
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