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	<title>theatreVOICE</title>
	
	<link>http://www.theatrevoice.com</link>
	<description>the web's leading resource for audio about British theatre</description>
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	<itunes:summary>Theatrevoice is the online forum for lively and incisive debate about theatre in London and beyond. The hope is to see if theatre could be talked about in a new way: critics could be more expansive than the usual space constraints of the print media allowed; actors, writers, directors and designers could be heard talking in detail and at length about their work; and members of the public could give their feedback directly to those who often can make or break a show, and generally get closer to the theatre world.</itunes:summary>
	<itunes:author>theatreVOICE</itunes:author>
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	<managingEditor>admin@theatrevoice.com (theatreVOICE)</managingEditor>
	<copyright>Copyright retained by original author, refer to http://www.theatrevoice.com/copyright/ for further information</copyright>
	<itunes:subtitle>Theatrevoice is the online forum for lively and incisive debate about theatre in London and beyond</itunes:subtitle>
	<itunes:keywords>library,archive,museum,history,video,London,theatre,UK,British,views,reviews,reviewers,interviews,critics,audio,discussion,forum,debate,talk,musicals,plays,drama,West,End,fringe,stage,actors,directors,producers,playwrights,designers,broadsheets,press,luvv</itunes:keywords>
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		<title>Playwright Howard Brenton on a revival of his Bloody Poetry</title>
		<link>http://feedproxy.google.com/~r/theatrevoice/~3/xWyzIUcvbag/</link>
		<comments>http://www.theatrevoice.com/7622/playwright-howard-brenton-on-a-revival-of-his-bloody-poetry/#comments</comments>
		<pubDate>Tue, 31 Jan 2012 13:50:10 +0000</pubDate>
		<dc:creator>editor@theatrevoice.com</dc:creator>
				<category><![CDATA[Audio]]></category>
		<category><![CDATA[Playwrights]]></category>
		<category><![CDATA[Political theatre]]></category>
		<category><![CDATA[Theatre People]]></category>
		<category><![CDATA[Bloody Poetry]]></category>
		<category><![CDATA[history plays]]></category>
		<category><![CDATA[Howard Brenton]]></category>
		<category><![CDATA[Jermyn Street Theatre]]></category>
		<category><![CDATA[playwriting]]></category>
		<category><![CDATA[Roland Rees]]></category>
		<category><![CDATA[Romanticism]]></category>
		<category><![CDATA[State of the Nation]]></category>

		<guid isPermaLink="false">http://www.theatrevoice.com/?p=7622</guid>
		<description>INTERVIEW: HOWARD BRENTON The playwright and screen writer talks to Aleks Sierz about Bloody Poetry, his 1984 play about Shelley, Byron and the loves of these Romantic poets, which is currently being revived by Tom Littler at the Jermyn Street Theatre in the West End.&lt;img src="http://feeds.feedburner.com/~r/theatrevoice/~4/xWyzIUcvbag" height="1" width="1"/&gt;</description>
		<wfw:commentRss>http://www.theatrevoice.com/7622/playwright-howard-brenton-on-a-revival-of-his-bloody-poetry/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>

			<itunes:keywords>Bloody Poetry,history plays,Howard Brenton,Jermyn Street Theatre,playwriting,Roland Rees,Romanticism,State of the Nation</itunes:keywords>
		<itunes:subtitle>INTERVIEW: HOWARD BRENTON The playwright and screen writer talks to Aleks Sierz about Bloody Poetry, his 1984 play about Shelley, Byron and the loves of these Romantic poets, which is currently being revived by Tom Littler at the Jermyn Street Theatre ...</itunes:subtitle>
		<itunes:summary>INTERVIEW: HOWARD BRENTON The playwright and screen writer talks to Aleks Sierz about Bloody Poetry, his 1984 play about Shelley, Byron and the loves of these Romantic poets, which is currently being revived by Tom Littler at the Jermyn Street Theatre in the West End.</itunes:summary>
		<itunes:author>theatreVOICE</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:duration>28:07</itunes:duration>
	<media:content url="http://feedproxy.google.com/~r/theatrevoice/~5/lUXvIab4PuI/I_brenton_01_12.mp3" fileSize="26999036" type="audio/mpeg" /><feedburner:origLink>http://www.theatrevoice.com/7622/playwright-howard-brenton-on-a-revival-of-his-bloody-poetry/</feedburner:origLink><enclosure url="http://feedproxy.google.com/~r/theatrevoice/~5/lUXvIab4PuI/I_brenton_01_12.mp3" length="26999036" type="audio/mpeg" /><feedburner:origEnclosureLink>http://www.theatrevoice.com/wp-content/uploads/2012/01/I_brenton_01_12.mp3</feedburner:origEnclosureLink></item>
		<item>
		<title>London International Mime Festival: No Fit State Circus</title>
		<link>http://feedproxy.google.com/~r/theatrevoice/~3/kIyGVmB04vQ/</link>
		<comments>http://www.theatrevoice.com/7612/london-international-mime-festival-no-fit-state-circus/#comments</comments>
		<pubDate>Sat, 28 Jan 2012 15:22:41 +0000</pubDate>
		<dc:creator>editor@theatrevoice.com</dc:creator>
				<category><![CDATA[Actors and Performers]]></category>
		<category><![CDATA[Audio]]></category>
		<category><![CDATA[Physical and Visual theatre]]></category>
		<category><![CDATA[Reviews and Roundtables]]></category>
		<category><![CDATA[circus]]></category>
		<category><![CDATA[Mundo Paralelo]]></category>
		<category><![CDATA[National Theatre Wales]]></category>
		<category><![CDATA[No Fit State]]></category>
		<category><![CDATA[South Bank Centre]]></category>

		<guid isPermaLink="false">http://www.theatrevoice.com/?p=7612</guid>
		<description>MIME FEST SPECIAL Postshow discussion with No Fit State Circus hosted by Dick McCaw about their show, Mundo Paralelo, performed as part of the 2012 London International Mime Festival, at the Southbank Centre.&lt;img src="http://feeds.feedburner.com/~r/theatrevoice/~4/kIyGVmB04vQ" height="1" width="1"/&gt;</description>
		<wfw:commentRss>http://www.theatrevoice.com/7612/london-international-mime-festival-no-fit-state-circus/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>

			<itunes:keywords>circus,Mundo Paralelo,National Theatre Wales,No Fit State,South Bank Centre</itunes:keywords>
		<itunes:subtitle>MIME FEST SPECIAL Postshow discussion with No Fit State Circus hosted by Dick McCaw about their show, Mundo Paralelo, performed as part of the 2012 London International Mime Festival, at the Southbank Centre.</itunes:subtitle>
		<itunes:summary>MIME FEST SPECIAL Postshow discussion with No Fit State Circus hosted by Dick McCaw about their show, Mundo Paralelo, performed as part of the 2012 London International Mime Festival, at the Southbank Centre.</itunes:summary>
		<itunes:author>theatreVOICE</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:duration>13:38</itunes:duration>
	<media:content url="http://feedproxy.google.com/~r/theatrevoice/~5/z49ByZvAVkg/m_fitstate_01_12.mp3" fileSize="13082667" type="audio/mpeg" /><feedburner:origLink>http://www.theatrevoice.com/7612/london-international-mime-festival-no-fit-state-circus/</feedburner:origLink><enclosure url="http://feedproxy.google.com/~r/theatrevoice/~5/z49ByZvAVkg/m_fitstate_01_12.mp3" length="13082667" type="audio/mpeg" /><feedburner:origEnclosureLink>http://www.theatrevoice.com/wp-content/uploads/2012/01/m_fitstate_01_12.mp3</feedburner:origEnclosureLink></item>
		<item>
		<title>Playwright Ishy Din and director Iqbal Khan get Snookered</title>
		<link>http://feedproxy.google.com/~r/theatrevoice/~3/rQ6HjOTTLPs/</link>
		<comments>http://www.theatrevoice.com/7592/playwright-ishy-din-and-director-iqbal-khan-get-snookered/#comments</comments>
		<pubDate>Thu, 26 Jan 2012 10:36:45 +0000</pubDate>
		<dc:creator>editor@theatrevoice.com</dc:creator>
				<category><![CDATA[Asian Voices]]></category>
		<category><![CDATA[Audio]]></category>
		<category><![CDATA[Directors]]></category>
		<category><![CDATA[Playwrights]]></category>
		<category><![CDATA[Asian theatre]]></category>
		<category><![CDATA[Bush Theatre]]></category>
		<category><![CDATA[identity]]></category>
		<category><![CDATA[Iqbal Khan]]></category>
		<category><![CDATA[Ishy Din]]></category>
		<category><![CDATA[masculinity]]></category>
		<category><![CDATA[Oldham Coliseum Theatre]]></category>
		<category><![CDATA[Snookered]]></category>
		<category><![CDATA[Tamasha]]></category>

		<guid isPermaLink="false">http://www.theatrevoice.com/?p=7592</guid>
		<description>ASIAN VOICES: ISHY DIN and IQBAL KHAN The playwright and director of Snookered (Oldham Coliseum Theatre/Bush Theatre) talk to Suman Bhuchar about the genesis and staging of this new play, produced by Tamasha, which examines British Muslim life today.&lt;img src="http://feeds.feedburner.com/~r/theatrevoice/~4/rQ6HjOTTLPs" height="1" width="1"/&gt;</description>
		<wfw:commentRss>http://www.theatrevoice.com/7592/playwright-ishy-din-and-director-iqbal-khan-get-snookered/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>

			<itunes:keywords>Asian theatre,Bush Theatre,identity,Iqbal Khan,Ishy Din,masculinity,Oldham Coliseum Theatre,Snookered,Tamasha</itunes:keywords>
		<itunes:subtitle>ASIAN VOICES: ISHY DIN and IQBAL KHAN The playwright and director of Snookered (Oldham Coliseum Theatre/Bush Theatre) talk to Suman Bhuchar about the genesis and staging of this new play, produced by Tamasha, which examines British Muslim life today.</itunes:subtitle>
		<itunes:summary>ASIAN VOICES: ISHY DIN and IQBAL KHAN The playwright and director of Snookered (Oldham Coliseum Theatre/Bush Theatre) talk to Suman Bhuchar about the genesis and staging of this new play, produced by Tamasha, which examines British Muslim life today.</itunes:summary>
		<itunes:author>theatreVOICE</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:duration>27:06</itunes:duration>
	<media:content url="http://feedproxy.google.com/~r/theatrevoice/~5/nLGKnQ0g-Dw/I_Din_Khan_01_12.mp3" fileSize="26021011" type="audio/mpeg" /><feedburner:origLink>http://www.theatrevoice.com/7592/playwright-ishy-din-and-director-iqbal-khan-get-snookered/</feedburner:origLink><enclosure url="http://feedproxy.google.com/~r/theatrevoice/~5/nLGKnQ0g-Dw/I_Din_Khan_01_12.mp3" length="26021011" type="audio/mpeg" /><feedburner:origEnclosureLink>http://www.theatrevoice.com/wp-content/uploads/2012/01/I_Din_Khan_01_12.mp3</feedburner:origEnclosureLink></item>
		<item>
		<title>London International Mime Festival: Theatre Ad Infinitum</title>
		<link>http://feedproxy.google.com/~r/theatrevoice/~3/kUNSaIFDuIk/</link>
		<comments>http://www.theatrevoice.com/7580/london-international-mim-festival-theatre-ad-infinitum/#comments</comments>
		<pubDate>Mon, 23 Jan 2012 16:29:25 +0000</pubDate>
		<dc:creator>editor@theatrevoice.com</dc:creator>
				<category><![CDATA[Actors and Performers]]></category>
		<category><![CDATA[Audio]]></category>
		<category><![CDATA[Physical and Visual theatre]]></category>
		<category><![CDATA[Reviews and Roundtables]]></category>
		<category><![CDATA[Barbican]]></category>
		<category><![CDATA[George Mann]]></category>
		<category><![CDATA[London International Mime Festival]]></category>
		<category><![CDATA[mask]]></category>
		<category><![CDATA[mime]]></category>
		<category><![CDATA[Theatre Ad Infinitum]]></category>
		<category><![CDATA[Translunar Paradise]]></category>

		<guid isPermaLink="false">http://www.theatrevoice.com/?p=7580</guid>
		<description>MIME FEST SPECIAL Postshow discussion with Theatre Ad Infinitum hosted by Mike Tweddle with performers George Mann, Deborah Pugh, Kim Heron and Nir Paldi about their show, Translunar Paradise, performed as part of the 2012 London International Mime Festival, at the Barbican Pit.&lt;img src="http://feeds.feedburner.com/~r/theatrevoice/~4/kUNSaIFDuIk" height="1" width="1"/&gt;</description>
		<wfw:commentRss>http://www.theatrevoice.com/7580/london-international-mim-festival-theatre-ad-infinitum/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>

			<itunes:keywords>Barbican,George Mann,London International Mime Festival,mask,mime,Theatre Ad Infinitum,Translunar Paradise</itunes:keywords>
		<itunes:subtitle>MIME FEST SPECIAL Postshow discussion with Theatre Ad Infinitum hosted by Mike Tweddle with performers George Mann, Deborah Pugh, Kim Heron and Nir Paldi about their show, Translunar Paradise, performed as part of the 2012 London International Mime Fes...</itunes:subtitle>
		<itunes:summary>MIME FEST SPECIAL Postshow discussion with Theatre Ad Infinitum hosted by Mike Tweddle with performers George Mann, Deborah Pugh, Kim Heron and Nir Paldi about their show, Translunar Paradise, performed as part of the 2012 London International Mime Festival, at the Barbican Pit.</itunes:summary>
		<itunes:author>theatreVOICE</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:duration>35:06</itunes:duration>
	<media:content url="http://feedproxy.google.com/~r/theatrevoice/~5/zsGs4PhEhzE/I_adinfinitum_01_12.mp3" fileSize="33697668" type="audio/mpeg" /><feedburner:origLink>http://www.theatrevoice.com/7580/london-international-mim-festival-theatre-ad-infinitum/</feedburner:origLink><enclosure url="http://feedproxy.google.com/~r/theatrevoice/~5/zsGs4PhEhzE/I_adinfinitum_01_12.mp3" length="33697668" type="audio/mpeg" /><feedburner:origEnclosureLink>http://www.theatrevoice.com/wp-content/uploads/2012/01/I_adinfinitum_01_12.mp3</feedburner:origEnclosureLink></item>
		<item>
		<title>London International Mime Festival: Blind Summit</title>
		<link>http://feedproxy.google.com/~r/theatrevoice/~3/CnJRKHTk1wA/</link>
		<comments>http://www.theatrevoice.com/7571/london-international-mime-festival-blind-summit/#comments</comments>
		<pubDate>Fri, 20 Jan 2012 14:56:11 +0000</pubDate>
		<dc:creator>editor@theatrevoice.com</dc:creator>
				<category><![CDATA[Actors and Performers]]></category>
		<category><![CDATA[Audio]]></category>
		<category><![CDATA[Physical and Visual theatre]]></category>
		<category><![CDATA[Reviews and Roundtables]]></category>
		<category><![CDATA[bunraku]]></category>
		<category><![CDATA[London International Mime Festival]]></category>
		<category><![CDATA[puppetry]]></category>
		<category><![CDATA[Soho Theatre]]></category>
		<category><![CDATA[total theatre]]></category>

		<guid isPermaLink="false">http://www.theatrevoice.com/?p=7571</guid>
		<description>MIME FEST SPECIAL Postshow discussion with Blind Summit hosted by Dorothy Max Prior with performers Mark Down, Nick Barnes, Sean Garratt, Sarah Calver and Ivan Thorley about their show, The Table, performed as part of the 2012 London International Mime Festival, at the Soho Theatre.&lt;img src="http://feeds.feedburner.com/~r/theatrevoice/~4/CnJRKHTk1wA" height="1" width="1"/&gt;</description>
		<wfw:commentRss>http://www.theatrevoice.com/7571/london-international-mime-festival-blind-summit/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>

			<itunes:keywords>bunraku,London International Mime Festival,puppetry,Soho Theatre,total theatre</itunes:keywords>
		<itunes:subtitle>MIME FEST SPECIAL Postshow discussion with Blind Summit hosted by Dorothy Max Prior with performers Mark Down, Nick Barnes, Sean Garratt, Sarah Calver and Ivan Thorley about their show, The Table, performed as part of the 2012 London International Mime...</itunes:subtitle>
		<itunes:summary>MIME FEST SPECIAL Postshow discussion with Blind Summit hosted by Dorothy Max Prior with performers Mark Down, Nick Barnes, Sean Garratt, Sarah Calver and Ivan Thorley about their show, The Table, performed as part of the 2012 London International Mime Festival, at the Soho Theatre.</itunes:summary>
		<itunes:author>theatreVOICE</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:duration>20:35</itunes:duration>
	<media:content url="http://feedproxy.google.com/~r/theatrevoice/~5/I-owla6TA9I/I_summit_01_12.mp3" fileSize="19761655" type="audio/mpeg" /><feedburner:origLink>http://www.theatrevoice.com/7571/london-international-mime-festival-blind-summit/</feedburner:origLink><enclosure url="http://feedproxy.google.com/~r/theatrevoice/~5/I-owla6TA9I/I_summit_01_12.mp3" length="19761655" type="audio/mpeg" /><feedburner:origEnclosureLink>http://www.theatrevoice.com/wp-content/uploads/2012/01/I_summit_01_12.mp3</feedburner:origEnclosureLink></item>
		<item>
		<title>Playwright and screenwriter Abi Morgan explores love and death</title>
		<link>http://feedproxy.google.com/~r/theatrevoice/~3/LzWi059Vo2s/</link>
		<comments>http://www.theatrevoice.com/7555/playwright-and-screenwriter-abi-morgan-explores-love-and-death/#comments</comments>
		<pubDate>Wed, 18 Jan 2012 08:57:05 +0000</pubDate>
		<dc:creator>editor@theatrevoice.com</dc:creator>
				<category><![CDATA[Audio]]></category>
		<category><![CDATA[New Writing]]></category>
		<category><![CDATA[Physical and Visual theatre]]></category>
		<category><![CDATA[Playwrights]]></category>
		<category><![CDATA[Abi Morgan]]></category>
		<category><![CDATA[death]]></category>
		<category><![CDATA[Frantic Assembly]]></category>
		<category><![CDATA[love]]></category>
		<category><![CDATA[Lovesong]]></category>
		<category><![CDATA[Lyric Hammersmith]]></category>
		<category><![CDATA[playwriting]]></category>
		<category><![CDATA[Scott Graham]]></category>
		<category><![CDATA[sex]]></category>
		<category><![CDATA[Steven Hoggett]]></category>
		<category><![CDATA[Tiny Dynamite]]></category>

		<guid isPermaLink="false">http://www.theatrevoice.com/?p=7555</guid>
		<description>INTERVIEW: ABI MORGAN The playwright and writer of the film The Iron Lady talks to Aleks Sierz about Lovesong, her latest collaboration with Scott Graham and Steven Hoggett of Frantic Assembly, currently at the Lyric Hammersmith as part of a nationwide tour.&lt;img src="http://feeds.feedburner.com/~r/theatrevoice/~4/LzWi059Vo2s" height="1" width="1"/&gt;</description>
		<wfw:commentRss>http://www.theatrevoice.com/7555/playwright-and-screenwriter-abi-morgan-explores-love-and-death/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>

			<itunes:keywords>Abi Morgan,death,Frantic Assembly,love,Lovesong,Lyric Hammersmith,playwriting,Scott Graham,sex,Steven Hoggett,Tiny Dynamite</itunes:keywords>
		<itunes:subtitle>INTERVIEW: ABI MORGAN The playwright and writer of the film The Iron Lady talks to Aleks Sierz about Lovesong, her latest collaboration with Scott Graham and Steven Hoggett of Frantic Assembly, currently at the Lyric Hammersmith as part of a nationwide...</itunes:subtitle>
		<itunes:summary>INTERVIEW: ABI MORGAN The playwright and writer of the film The Iron Lady talks to Aleks Sierz about Lovesong, her latest collaboration with Scott Graham and Steven Hoggett of Frantic Assembly, currently at the Lyric Hammersmith as part of a nationwide tour.</itunes:summary>
		<itunes:author>theatreVOICE</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:duration>21:25</itunes:duration>
	<media:content url="http://feedproxy.google.com/~r/theatrevoice/~5/q8ydomj27UA/I_morgan_01_12.mp3" fileSize="20559957" type="audio/mpeg" /><feedburner:origLink>http://www.theatrevoice.com/7555/playwright-and-screenwriter-abi-morgan-explores-love-and-death/</feedburner:origLink><enclosure url="http://feedproxy.google.com/~r/theatrevoice/~5/q8ydomj27UA/I_morgan_01_12.mp3" length="20559957" type="audio/mpeg" /><feedburner:origEnclosureLink>http://www.theatrevoice.com/wp-content/uploads/2012/01/I_morgan_01_12.mp3</feedburner:origEnclosureLink></item>
		<item>
		<title>Award-winning playwright Joe Penhall discusses Haunted Child</title>
		<link>http://feedproxy.google.com/~r/theatrevoice/~3/XEY9V2TBHuc/</link>
		<comments>http://www.theatrevoice.com/7522/award-winning-playwright-joe-penhall-discusses-his-haunted-child/#comments</comments>
		<pubDate>Fri, 13 Jan 2012 09:45:10 +0000</pubDate>
		<dc:creator>editor@theatrevoice.com</dc:creator>
				<category><![CDATA[Audio]]></category>
		<category><![CDATA[New Writing]]></category>
		<category><![CDATA[Playwrights]]></category>
		<category><![CDATA[Birthday]]></category>
		<category><![CDATA[children]]></category>
		<category><![CDATA[domestic drama]]></category>
		<category><![CDATA[Haunted Child]]></category>
		<category><![CDATA[Joe Penhall]]></category>
		<category><![CDATA[playwriting]]></category>
		<category><![CDATA[religious cult]]></category>
		<category><![CDATA[Royal Court]]></category>

		<guid isPermaLink="false">http://www.theatrevoice.com/?p=7522</guid>
		<description>INTERVIEW: JOE PENHALL The playwright talks to Aleks Sierz about his latest Royal Court play, Haunted Child, which is about a man who suddenly walks out on his wife and child and then returns as a cult member, and about his upcoming play, Birthday, which will be at the same venue in June.&lt;img src="http://feeds.feedburner.com/~r/theatrevoice/~4/XEY9V2TBHuc" height="1" width="1"/&gt;</description>
		<wfw:commentRss>http://www.theatrevoice.com/7522/award-winning-playwright-joe-penhall-discusses-his-haunted-child/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>

			<itunes:keywords>Birthday,children,domestic drama,Haunted Child,Joe Penhall,playwriting,religious cult,Royal Court</itunes:keywords>
		<itunes:subtitle>INTERVIEW: JOE PENHALL The playwright talks to Aleks Sierz about his latest Royal Court play, Haunted Child, which is about a man who suddenly walks out on his wife and child and then returns as a cult member, and about his upcoming play, Birthday,</itunes:subtitle>
		<itunes:summary>INTERVIEW: JOE PENHALL The playwright talks to Aleks Sierz about his latest Royal Court play, Haunted Child, which is about a man who suddenly walks out on his wife and child and then returns as a cult member, and about his upcoming play, Birthday, which will be at the same venue in June.</itunes:summary>
		<itunes:author>theatreVOICE</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:duration>25:16</itunes:duration>
	<media:content url="http://feedproxy.google.com/~r/theatrevoice/~5/teiZ-YzUUqM/I_penhall_01_12.mp3" fileSize="24262239" type="audio/mpeg" /><feedburner:origLink>http://www.theatrevoice.com/7522/award-winning-playwright-joe-penhall-discusses-his-haunted-child/</feedburner:origLink><enclosure url="http://feedproxy.google.com/~r/theatrevoice/~5/teiZ-YzUUqM/I_penhall_01_12.mp3" length="24262239" type="audio/mpeg" /><feedburner:origEnclosureLink>http://www.theatrevoice.com/wp-content/uploads/2012/01/I_penhall_01_12.mp3</feedburner:origEnclosureLink></item>
		<item>
		<title>Co-authors of the powerful new play Fog speak out</title>
		<link>http://feedproxy.google.com/~r/theatrevoice/~3/AR6wTdu72aw/</link>
		<comments>http://www.theatrevoice.com/7515/co-authors-of-the-powerful-fog-speak-out/#comments</comments>
		<pubDate>Wed, 11 Jan 2012 10:38:24 +0000</pubDate>
		<dc:creator>editor@theatrevoice.com</dc:creator>
				<category><![CDATA[Audio]]></category>
		<category><![CDATA[London Fringe]]></category>
		<category><![CDATA[New Writing]]></category>
		<category><![CDATA[Playwrights]]></category>
		<category><![CDATA[absent parents]]></category>
		<category><![CDATA[collaboration]]></category>
		<category><![CDATA[Finborough Theatre]]></category>
		<category><![CDATA[new writing]]></category>
		<category><![CDATA[playwriting]]></category>
		<category><![CDATA[Tash Fairbanks]]></category>
		<category><![CDATA[Toby Wharton]]></category>

		<guid isPermaLink="false">http://www.theatrevoice.com/?p=7515</guid>
		<description>INTERVIEW: TASH FAIRBANKS and TOBY WHARTON The co-authors of Fog, which is currently playing at the Finborough Theatre, tell Aleks Sierz about their unique cross-generational collaboration, which produced a powerful and disturbing drama, in which Wharton also plays the lead.&lt;img src="http://feeds.feedburner.com/~r/theatrevoice/~4/AR6wTdu72aw" height="1" width="1"/&gt;</description>
		<wfw:commentRss>http://www.theatrevoice.com/7515/co-authors-of-the-powerful-fog-speak-out/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>

			<itunes:keywords>absent parents,collaboration,Finborough Theatre,new writing,playwriting,Tash Fairbanks,Toby Wharton</itunes:keywords>
		<itunes:subtitle>INTERVIEW: TASH FAIRBANKS and TOBY WHARTON The co-authors of Fog, which is currently playing at the Finborough Theatre, tell Aleks Sierz about their unique cross-generational collaboration, which produced a powerful and disturbing drama,</itunes:subtitle>
		<itunes:summary>INTERVIEW: TASH FAIRBANKS and TOBY WHARTON The co-authors of Fog, which is currently playing at the Finborough Theatre, tell Aleks Sierz about their unique cross-generational collaboration, which produced a powerful and disturbing drama, in which Wharton also plays the lead.</itunes:summary>
		<itunes:author>theatreVOICE</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:duration>25:48</itunes:duration>
	<media:content url="http://feedproxy.google.com/~r/theatrevoice/~5/215dh-xiZfQ/I_fairbanks_wharton_01_12.mp3" fileSize="24773821" type="audio/mpeg" /><feedburner:origLink>http://www.theatrevoice.com/7515/co-authors-of-the-powerful-fog-speak-out/</feedburner:origLink><enclosure url="http://feedproxy.google.com/~r/theatrevoice/~5/215dh-xiZfQ/I_fairbanks_wharton_01_12.mp3" length="24773821" type="audio/mpeg" /><feedburner:origEnclosureLink>http://www.theatrevoice.com/wp-content/uploads/2012/01/I_fairbanks_wharton_01_12.mp3</feedburner:origEnclosureLink></item>
		<item>
		<title>New York report: Village Voice critic surveys the scene</title>
		<link>http://feedproxy.google.com/~r/theatrevoice/~3/omkkV-r3N7w/</link>
		<comments>http://www.theatrevoice.com/7487/new-york-report-village-voice-critic-surveys-the-scene/#comments</comments>
		<pubDate>Mon, 02 Jan 2012 14:27:27 +0000</pubDate>
		<dc:creator>editor@theatrevoice.com</dc:creator>
				<category><![CDATA[American Drama]]></category>
		<category><![CDATA[Audio]]></category>
		<category><![CDATA[Criticism]]></category>
		<category><![CDATA[acting]]></category>
		<category><![CDATA[Chinglish]]></category>
		<category><![CDATA[Condola Rashad]]></category>
		<category><![CDATA[criticism]]></category>
		<category><![CDATA[David Henry Hwang]]></category>
		<category><![CDATA[Ethan Cohen]]></category>
		<category><![CDATA[Lydia R Diamond]]></category>
		<category><![CDATA[Michael Feingold]]></category>
		<category><![CDATA[musicals]]></category>
		<category><![CDATA[New York]]></category>
		<category><![CDATA[Relatively Speaking]]></category>
		<category><![CDATA[Ruben Santiago-Hudson]]></category>
		<category><![CDATA[Stick Fly]]></category>
		<category><![CDATA[The Book of Mormon]]></category>
		<category><![CDATA[triple bill]]></category>
		<category><![CDATA[Village Voice]]></category>
		<category><![CDATA[Woody Allen]]></category>

		<guid isPermaLink="false">http://www.theatrevoice.com/?p=7487</guid>
		<description>NEW YORK SPECIAL Michael Feingold, chief theatre critic of the Village Voice, chats to Philip Fisher about theatrical life during the past few months, covering both the big houses of Broadway as well as Off-Broadway venues, looking at both the latest new musicals and plays, especially the rise and rise of the triple bill.&lt;img src="http://feeds.feedburner.com/~r/theatrevoice/~4/omkkV-r3N7w" height="1" width="1"/&gt;</description>
		<wfw:commentRss>http://www.theatrevoice.com/7487/new-york-report-village-voice-critic-surveys-the-scene/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>

			<itunes:keywords>acting,Chinglish,Condola Rashad,criticism,David Henry Hwang,Ethan Cohen,Lydia R Diamond,Michael Feingold,musicals,New York,Relatively Speaking,Ruben Santiago-Hudson</itunes:keywords>
		<itunes:subtitle>NEW YORK SPECIAL Michael Feingold, chief theatre critic of the Village Voice, chats to Philip Fisher about theatrical life during the past few months, covering both the big houses of Broadway as well as Off-Broadway venues,</itunes:subtitle>
		<itunes:summary>NEW YORK SPECIAL Michael Feingold, chief theatre critic of the Village Voice, chats to Philip Fisher about theatrical life during the past few months, covering both the big houses of Broadway as well as Off-Broadway venues, looking at both the latest new musicals and plays, especially the rise and rise of the triple bill.</itunes:summary>
		<itunes:author>theatreVOICE</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:duration>23:55</itunes:duration>
	<media:content url="http://feedproxy.google.com/~r/theatrevoice/~5/D2uzZk14Em0/i_feingold-12-11.mp3" fileSize="22952826" type="audio/mpeg" /><feedburner:origLink>http://www.theatrevoice.com/7487/new-york-report-village-voice-critic-surveys-the-scene/</feedburner:origLink><enclosure url="http://feedproxy.google.com/~r/theatrevoice/~5/D2uzZk14Em0/i_feingold-12-11.mp3" length="22952826" type="audio/mpeg" /><feedburner:origEnclosureLink>http://www.theatrevoice.com/wp-content/uploads/2012/01/i_feingold-12-11.mp3</feedburner:origEnclosureLink></item>
		<item>
		<title>Theatrevoice Review of 2011 (part 1)</title>
		<link>http://feedproxy.google.com/~r/theatrevoice/~3/uHkIUdNZyYI/</link>
		<comments>http://www.theatrevoice.com/7463/theatrevoice-review-of-2011-part-1/#comments</comments>
		<pubDate>Fri, 23 Dec 2011 18:02:26 +0000</pubDate>
		<dc:creator>editor@theatrevoice.com</dc:creator>
				<category><![CDATA[Audio]]></category>
		<category><![CDATA[Review of the Year]]></category>
		<category><![CDATA[Reviews and Roundtables]]></category>
		<category><![CDATA[London Road]]></category>
		<category><![CDATA[Neil LaBute]]></category>
		<category><![CDATA[Nick Hytner]]></category>
		<category><![CDATA[Richard Bean]]></category>
		<category><![CDATA[Shakespeare's Globe]]></category>

		<guid isPermaLink="false">http://www.theatrevoice.com/?p=7463</guid>
		<description>Review of the Year: 2011 (part 1). Mark Shenton invites guests Kate Bassett (Independent on Sunday), David Benedict (Variety), and Matt Wolf (International Herald Tribune) to consider the highs and lows of the reviewing year. In part 1, they consider Best New Play, Best Musical, Best Actor, Best Actress, and Best Director. Recorded at the V&amp;#038;A, London.&lt;img src="http://feeds.feedburner.com/~r/theatrevoice/~4/uHkIUdNZyYI" height="1" width="1"/&gt;</description>
		<wfw:commentRss>http://www.theatrevoice.com/7463/theatrevoice-review-of-2011-part-1/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>

			<itunes:keywords>London Road,Neil LaBute,Nick Hytner,Richard Bean,Shakespeare's Globe</itunes:keywords>
		<itunes:subtitle>Review of the Year: 2011 (part 1). Mark Shenton invites guests Kate Bassett (Independent on Sunday), David Benedict (Variety), and Matt Wolf (International Herald Tribune) to consider the highs and lows of the reviewing year. In part 1,</itunes:subtitle>
		<itunes:summary>Review of the Year: 2011 (part 1). Mark Shenton invites guests Kate Bassett (Independent on Sunday), David Benedict (Variety), and Matt Wolf (International Herald Tribune) to consider the highs and lows of the reviewing year. In part 1, they consider Best New Play, Best Musical, Best Actor, Best Actress, and Best Director. Recorded at the V&amp;A, London.</itunes:summary>
		<itunes:author>theatreVOICE</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:duration>28:48</itunes:duration>
	<media:content url="http://feedproxy.google.com/~r/theatrevoice/~5/WCrPSCA0CFk/theatrevoice_2011_pt1.mp3" fileSize="27651349" type="audio/mpeg" /><feedburner:origLink>http://www.theatrevoice.com/7463/theatrevoice-review-of-2011-part-1/</feedburner:origLink><enclosure url="http://feedproxy.google.com/~r/theatrevoice/~5/WCrPSCA0CFk/theatrevoice_2011_pt1.mp3" length="27651349" type="audio/mpeg" /><feedburner:origEnclosureLink>http://www.theatrevoice.com/wp-content/uploads/2011/12/theatrevoice_2011_pt1.mp3</feedburner:origEnclosureLink></item>
	<media:credit role="author">theatreVOICE</media:credit><media:rating>nonadult</media:rating><media:description type="plain">Theatrevoice is the online forum for lively and incisive debate about theatre in London and beyond</media:description></channel>
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