In this week’s Five Minute Patch, we dive into the world of Berlin School electronic music and recreate a classic Tangerine Dream-style ratcheting sequencer using the Korg Wavestate. Using the onboard motion sequencer, envelopes, and shape lanes, we build a hypnotic sequence complete with double and triple trigger patterns – all in five minutes.

If you’ve ever wanted to capture that iconic retro sequencer vibe, this is a great place to start!

Download the Patch

Grab this Wavestate patch for free from the link below:
Download the Ratcheting Sequencer Patch

Download: Berlin School Ratcheting Sequencer Patch for Korg Wavestate

1 file(s) 8.00 KB

Download

What You’ll Learn

• How to create tempo-synced sequences on the Wavestate

• Using pitch steps and short envelopes for pluck-style sequences

• Triggering envelopes using shape lanes for ratcheting

• Adding double and triple step pulses

• Layering multiple sequences for depth

• Applying effects like stereo delay and compression for ambience

Watch the Full Tutorial

Video Chapters

• 0:00 – Introduction

• 0:10 – Setting up the sequencer

• 0:31 – Waveform selection

• 1:06 – Envelope programming

• 1:38 – Filter tweaks

• 1:50 – Pitch step setup

• 2:10 – Triggering envelopes properly

• 3:20 – Adding ratcheting via shape lanes

• 4:30 – Double/triple triggering and modulation

• 5:25 – Bonus: Layering more sequences

• 6:45 – Final sounds and wrap-up

Tip

You can get even more variation by changing waveforms across layers – mix square, sawtooth, and more to give your sequence new life. Try lowering the probability of certain triggers to add some random variation.

Got Suggestions?

If you’ve got an idea for a future five-minute Wavestate patch—whether it’s ambient, cinematic, retro, or experimental—leave a comment on the YouTube video or drop me a message here on the blog.

This week on The Digital Lifestyle Show, Ian and Garry are back with a deep-dive discussion after a string of great guest episodes. From the creative impact of AI to hands-on synth sound design and smart home automation hacks — it’s a wide-ranging conversation packed with insights, demos, and gear tips.

Listen Now:
Listen Here (download mp3)

In This Episode

• AI in Music Creation
  Can AI truly be creative? Or is it just cleverly copying? Ian and Garry explore the impact of AI-generated lyrics, music, and vocals — and how prompt engineering is becoming a new creative skillset.

• Home Assistant & AI Integration
  Garry shows off his latest Home Assistant upgrades, including ESP32-powered devices, AI camera feeds, presence tracking, and voice assistants using Chinese open-source projects like Xiaoi.

• Using AI for Productivity
  Ian explains how he uses Copilot and ChatGPT to automate repetitive tasks like podcast show notes, timestamps, and YouTube descriptions — freeing up time for creative work.

• Synth Talk & Sound Design
  Ian shares his 5-minute synth patch challenges (with free downloads), recreating everything from MiniMoog leads to CR-78 drum patterns using the RD-78. He also previews a new Pink Floyd sound pack for the Korg Wavestate and a free community sound pack.

• Smart EV Charging Hacks
  Automating your car charger with Home Assistant? Garry walks through how he uses presence detection and charger APIs to set charging targets automatically.

Timestamps
00:00 – Introduction and recent guest highlights
01:13 – AI in music: creativity vs. automation
04:41 – How prompt engineering shapes AI output
07:06 – AI for smart home: Home Assistant and LLM Vision
09:02 – Using AI to automate podcast show notes and timestamps
10:45 – Can AI design YouTube thumbnails and album art?
12:06 – Xiaoi open-source Chinese AI device overview
14:25 – Integrating Xiaoi with Home Assistant using MCP
16:59 – UK vs China AI accessibility & open tools
17:43 – Real-world AI use: security cameras and gate detection
19:11 – Using Copilot + Power Automate to process documents
21:04 – AI hallucinations and corrections
23:01 – Songwriting with AI and prompt quality
25:02 – Vocal synthesis and creative applications
29:11 – 5-minute synth patch creation challenges
30:42 – Pink Floyd sound pack for Korg Wavestate
31:19 – Free community sound pack: 23 performances
32:03 – Recreating CR-78 patterns on the Behringer RD-78
32:38 – ESP32 and BLE triangulation for home presence tracking
35:08 – Dashboard automations and context awareness
36:41 – mmWave sensors and Zigbee repeaters
38:00 – Smart EV charging automation via Home Assistant
40:05 – Follow-me LED lighting and ambient control
41:55 – Retro-futurism, LED strip tracking, and presence UX
43:25 – Temperature sensors and home heat mapping
45:21 – USB-controlled Zigbee hubs and gadgets
47:00 – Sun tracking for blind control and temperature automation
48:13 – Simplifying overly complex home automations
49:01 – Gary’s EV channel and future interviews
50:00 – Ian’s Surface Go travel plans and synth-free holiday
50:34 – Wrap-up and where to find downloads and videos
50:55 – Outro: AI-generated theme music

If you want more information about how to subscribe to podcasts read our Podcast How To page. Follow us on twitter @isdixon @garrywma @Thedigitallife

Watch the full episode on YouTube

We’re excited to share a brand-new community patch pack for the Korg Multi/Poly, available now as a free download from TheDigitalLifestyle.com!

Following the success of the previous Modwave community collection, this new pack brings together the creativity of the Multi/Poly user base. It features 23 unique performances, crafted by synth enthusiasts and patch designers from across the community – plus a few bonus patches from me!

From lush pads to aggressive basses, vintage EPs to modular-style textures, there’s something in here for everyone. Whether you’re looking for inspiration or building out your personal sound library, this free pack is a great addition to your Multi/Poly setup.

Download the pack:

Multi/Poly Community Patch Pack – Free Download

1 file(s) 62.73 KB

Download

What’s Inside:

• 23 expertly crafted performances

• Community-submitted patches + bonus contributions

• Classic synth styles including DW8000, DX7, PolySix, Prophet-5, and more

• Pads, basses, electric pianos, sync leads, and evolving textures

• Designed for performance and creative exploration

Watch the Full Demo Video:

I go through each of the 23 performances in the video, so you can hear exactly what you’re getting!

Patch Demonstration Timestamps:

• 00:00 – Intro

• 00:40 – EBH Pad

• 02:17 – Cinemascope

• 03:08 – Distorted Piano

• 03:47 – Disc Split

• 04:45 – DW8000 Pad (by Ian)

• 05:39 – DX7 Soft Brass

• 06:32 – Flatline Bass

• 07:00 – Jan Hammer Sync Lead

• 07:34 – Twin Peaks Lead

• 08:50 – MiniMoog Bass

• 09:46 – Electric Piano

• 10:26 – Modular Patch (Mark Piggot)

• 11:23 – Lag Pitch FX (Mark Piggot)

• 12:05 – Muse Pad

• 12:49 – Muse Tremolo Version

• 13:08 – Prophet-5 Arp

• 13:44 – Reese & Slap Basses

• 14:08 – Jen SX-1000 Emulation

• 14:40 – Sync Bass 2

• 15:04 – Flutter Pad with XY

• 15:54 – ARP 2600 Thriller Bass

• 16:33 – Outro & Submissions Call

Contribute to the Next Pack!

I’m already working on a new Wavestate community pack, so if you’ve created patches you’d like to share, please get in touch via the contact form or drop me an email. Let’s keep building this amazing synth community together.

In this week’s episode of The Digital Lifestyle Show, I’m joined by none other than Daniel Fisher from Sweetwater. If you’re into synthesisers, programming, or live performance — this is a must-listen episode.

Daniel has had a long and fascinating journey through music and synthesis, and in this episode, he shares stories from his early musical experiences, how he got started with synthesisers, and how he became one of the most respected sound designers in the industry.

Listen Now:
Listen Here (download mp3)

We chat about:

• How Daniel learned music by ear and discovered synthesis as a child

• His first synth experiences with instruments like the Minimoog and DX7

• Transitioning from analog to digital synthesis

• Creating synth patches for tribute bands, including Pink Floyd

• The importance of learning one synth deeply vs collecting too many plugins

• Hardware vs software synths — and why he prefers a hands-on approach

• Daniel’s all-time favourite synth (spoiler: it’s a Kurzweil!)

Whether you’re a beginner or a synth veteran, Daniel shares brilliant insights and practical tips — especially if you play live or work with cover bands. He also talks about his amazing free Synth Clips series on YouTube, which walks through the fundamentals of synthesis step by step.

Timestamps / Chapters

00:00 – Introduction: Daniel Fisher joins the show
00:42 – Early inspiration and first encounter with the Magnus chord organ
02:50 – Taking B3 lessons, learning drawbars and 60s/70s pop
04:25 – Discovering music by ear, learning from bands like Styx and Kansas
06:06 – Switching to trombone and guitar as portable instruments
07:00 – Joining a bar band at 15 after a synth fix from his dad
08:00 – Starting on organ shaped approach to synthesis
09:00 – Rejecting weighted keyboards and loving synth-style playing
10:00 – The Motorola synth album and discovering sound design
11:00 – First synth experiences: Micromoog and performance memories
12:15 – Creating sound programming business: “Systems Exclusive”
13:30 – Learning to work with limited synths (DX7, M1) and evolving through constraint
15:30 – Advice: Focus on one synth/plugin to master synthesis
16:40 – Modwave, Wavestate, and learning deeply vs skimming presets
17:30 – Daniel’s Synth Clips series and sharing knowledge freely
18:30 – Favorite synths to program: DX7 and Korg M1 tricks
20:45 – MIDI glitches, hacking patches, and deep programming creativity
22:00 – From romplers to virtual analogues and the loss of knobs
23:45 – Return of real-time control and modern synth flexibility
25:00 – Plugins vs hardware: Daniel prefers hardware for live performance
26:00 – Vintage vs modern synths: reliability and modern enhancements win
27:45 – Current rig: no fixed setup, tailored for each project
28:50 – Pink Floyd tribute setup and theremin wind sounds
30:00 – How Daniel recreates Floyd’s complex sounds live
31:30 – Naming patches with key and FX cues for easy recall
33:00 – Saving patch versions incrementally for long-term refinement
34:10 – Long envelopes to replicate mix automation in songs
35:00 – Daniel’s favorite synth of all time: Kurzweil K2661
36:00 – No regrets on past synths; prefers modern synths with deep EQ
37:10 – Synth he wishes existed: flexible, layered, sample-capable synth
38:40 – Final thoughts, shoutouts, and appreciation for the community

If you want more information about how to subscribe to podcasts read our Podcast How To page. Follow us on twitter @isdixon @garrywma @Thedigitallife

Watch the full episode on YouTube

Explore Daniel’s Synth Clips series
Search for “Synth Clips Daniel Fisher” on YouTube, or just type Daniel Fisher Sweetwater to find his full library of tutorials and demos.

(188) Synth Clips by Daniel Fisher – YouTube

Let us know your thoughts!
What synth did you first fall in love with? Do you prefer plugins or hardware? Drop a comment below or join the discussion in our Discord server.

Welcome to another sound design post from TheDigitalLifestyle.com! In today’s quick tutorial, we look at how to craft dynamic wind instrument sounds—flute-style patches that respond beautifully to both modwheel and polyphonic aftertouch.

Using the Wavestate Native plugin, I walk through a 4-layer setup featuring multiple woodwind samples. Each sample is dynamically controlled using filters and mod sources, allowing you to switch articulations in real-time. Whether you’re going for subtle expression or dramatic swells, this method offers a ton of creative potential.

What you’ll learn:

• How to layer multiple flute samples

• Using modwheel and aftertouch to switch articulations

• Filter-based volume modulation

• Adding delay, reverb, and compression

• Tips for expanding to more layers or custom sample types

Patch Download:

Download: Dynamic Flute Patch for Korg Wavestate (Modwheel & Aftertouch Controlled)

1 file(s) 3.04 KB

Download

Have your own ideas for future tutorials or techniques you’d like to see covered? Drop a comment or send a message—I’d love to hear your suggestions.

In this quick 5-minute patch tutorial, I show you how to build expressive string sounds using velocity switching on the Korg Wavestate. This technique allows you to layer different string samples and switch between them depending on how hard you play, adding realistic dynamics to your performances.

We start with an initialized patch and build up a performance using the Motion Sequencer, multiple string samples, and modulation sources. You’ll also see how to use the Mod Processor to smooth out the velocity response and fine-tune the switching behavior.

Watch the full tutorial video here:

Download the Patch Here:

Velocity Switching Strings on the Korg Wavestate in Just 5 Minutes! Free Download

1 file(s) 4.16 KB

Download

• Loading multiple string samples into the Motion Sequencer

• Using velocity to select different layers

• Fine-tuning the velocity curve with Mod Processors

• Adding envelopes, reverb, and effects for a polished sound

This is part of my ongoing 5 Minute Patch series, where I create quick and useful patches for the Korg Wavestate, Modwave, and Multi/Poly. Check out the full series on my YouTube Channel.

Have a patch idea you’d like to see?
Leave a comment or contact me and I may feature it in a future video!

In this quick 5-minute sound design tutorial, we recreate a classic Minimoog-style three-oscillator lead patch on the Korg Multi/Poly. This iconic lead sound is perfect for vintage synth solos, fat unison lines, and classic analog-style performances — and you can easily build it from scratch following the simple steps I cover in the video.

Building the Minimoog-Style Lead

Using the Multi/Poly’s powerful synthesis engine, we take advantage of:

• Mono mode for authentic lead performance behavior

• Classic oscillator waveforms (saw, triangle, sub layers)

• Oscillator detuning and layering for rich, thick textures

• Moog-style filter settings for warm, rounded tone

• Vintage-style envelopes using the built-in Mini template

• CMT voice variation drift to emulate oscillator instability

• Subtle LFO pitch modulation for analog-style motion

• Vintage effects like chorus and cross delay to add space and character

The result is a fat, warm, and expressive analog lead that pays tribute to the legendary Minimoog, while fully utilizing the Multi/Poly’s modern flexibility.

Minimoog-Style Lead for Korg Multi/Poly — Free Download

1 file(s) 3.88 KB

Download

Watch the Full Tutorial

Here’s a full breakdown of the tutorial chapters:

• 0:00 – Introduction

• 0:02 – What we’re creating: Minimoog-style lead

• 0:17 – Initializing the patch

• 0:23 – Switching to mono mode

• 0:34 – Selecting oscillator waveforms

• 0:51 – Amp section and modulation

• 1:12 – Layering triangle and detuned oscillators

• 1:41 – Adding Moog-style filter and envelope

• 2:09 – Envelope settings using Mini template

• 2:32 – Enabling drift with CMT voice variation

• 2:55 – Adding subtle pitch LFO for analog-style drift

• 3:42 – Optional sub oscillator and fourth layer

• 4:22 – Final tweak to modulation

• 4:52 – Adding vintage chorus and cross delay

• 5:16 – Final sound and saving the patch

• 5:23 – Free patch download and series wrap-up

Free Patch Download

You can download the finished Minimoog-style lead patch for your Korg Multi/Poly completely free:

Minimoog-Style Lead for Korg Multi/Poly — Free Download

1 file(s) 3.88 KB

Download

Join the Conversation

Got ideas for future tutorials? Drop your suggestions in the comments — I’d love to hear what kinds of patches or synths you’d like to see next!

And don’t forget to subscribe on YouTube for more Korg Multi/Poly tutorials, sound design tips, and free patches.

In this detailed post, I explore the process of recreating the distinctive drum pattern from Nick Kershaw’s Human Racing using the Behringer RD-78, a modern take on the classic Roland CR-78 analog drum machine. Although the original track likely wasn’t recorded on a CR-78, the challenge was to capture the vintage analog beatbox vibe and replicate the feel as closely as possible with the RD-78’s capabilities.

I analyze the drum pattern, noting the longer envelope settings on the hi-hats and cymbals compared to the original CR-78’s typically short envelopes. The pattern consists of carefully placed bass drums, hi-hats, open cymbals, maracas, and congas, all arranged to create that laid-back, rhythmic groove. I use custom programming on the RD-78 to mimic the tonal qualities and timing nuances, including accents and percussive variations that add depth and movement to the beat.

Throughout the video, I provide step-by-step instructions on setting the envelopes, selecting appropriate percussion sounds, and sequencing the pattern, emphasizing how slight adjustments in envelope length and note placement can drastically alter the feel of a drum machine groove. This post is perfect for vintage synth enthusiasts, electronic musicians, and anyone interested in detailed drum machine programming techniques.

If you’re curious about analog drum machine recreation, programming vintage-style beats, or the RD-78’s features, this deep dive will give you practical insights and inspiration for your own projects.

In this in-depth tutorial, I dive into creating classic oscillator sync lead sounds on the Korg Multi/Poly, inspired by iconic synths like the Prophet 5 and PPG Wave. Follow along as I explain the core principles of oscillator sync, modulation techniques, and advanced tuning to craft dynamic, evolving sync tones.

Introduction to Oscillator Sync (0:00 – 1:10)

I start by explaining what oscillator sync is and how it works on the Korg Multi/Poly. Using examples from factory presets and custom patches, I demonstrate the characteristic “sync” tonal effect—where one oscillator’s waveform cycle is locked to another’s frequency, creating harmonic complexity without changing pitch.

Setting Up Two Oscillators for Sync (1:10 – 3:20)

Learn how to configure two oscillators for sync, including selecting waveforms (classic sawtooth waves) and assigning modulation controls such as the mod wheel to manipulate pitch dynamically. I show how oscillator one remains fixed while oscillator two’s pitch changes, producing the sync sound.

Understanding the Sync Effect in Detail (3:20 – 5:30)

Explore the oscillator sync mechanism visually through waveform displays and hear how tuning oscillator two affects the overtones and tonal complexity. I explain why syncing oscillator two to oscillator one works, but not the reverse, and how to balance oscillator levels for desired sound output.

Double Sync Mode: Syncing Oscillator Pairs (5:30 – 7:20)

Discover the Multi/Poly’s double sync feature, which links oscillator pairs (1 to 2 and 3 to 4) simultaneously. Using modulation controls and tuning adjustments, I create richer sync textures and explore chaotic pitch modulations for unique analog-style effects.

Exploring Alternative Waveforms and Modulations (7:20 – 9:50)

Beyond sawtooth waves, I demonstrate how sync sounds can be generated using pulse waves, chaos modulation, and digital wavetable oscillators. This section covers wave shaping and crossfading techniques to achieve both analog and digital sync timbres.

Sync Effects with Digital Wavetables (9:50 – 11:40)

Delve into sync applied within digital wavetable oscillators. By manipulating wavetable position and combining sync modulation with wave table scanning, you can produce complex, stepped sync effects characteristic of digital synths.

Using Pitch Envelopes for Classic Sync Leads (11:40 – 13:20)

I show how to use pitch envelopes to mimic the classic Prophet 5 sync lead sound. This involves setting pitch envelope parameters, enabling sync mode, and shaping attack and release times for the rapid pitch drops and rises synonymous with vintage analog leads.

Additional Sync Preset Examples (13:20 – End)

Finally, I showcase recreated classic presets such as the Prophet 5 pulse sync and the Korg Odyssey sync, highlighting the flexibility of the Multi/Poly’s oscillator sync feature. These examples illustrate practical applications of the techniques covered throughout the video.

Whether you’re a synth programmer, sound designer, or synth enthusiast, this guide provides a thorough, technical approach to mastering oscillator sync on the Korg Multi/Poly. Feel free to ask questions or request a similar tutorial for the Korg Modwave in the comments!

Last week, I posted a long-term review of the Behringer RD-78—Behringer’s clone of the classic Roland CR-78 drum machine. While I praised the RD-78’s vintage vibe and solid sound engine, I also highlighted a few key issues, including inaccurate rhythm variations and a Güiro sound that didn’t quite hit the mark.

In a surprising twist, Behringer released a firmware update (v1.0.16) just 30 minutes after my review went live. In this follow-up post, I document my experience updating the RD-78 using the SynthTribe app and test whether Behringer addressed the main problems.

Key Improvements:

• Rhythm Variations have been refined and now sound closer to the original CR-78

• The Güiro has been reworked for a more natural tone

• Swing and groove feel more authentic on factory presets

• You can now edit rhythm variations manually within the SynthTribe app

Still Missing:

• Preset combining (like holding two buttons on the original CR-78) hasn’t been implemented—but I explain a workaround in the video

I also demo updated patterns like OMD’s Enola Gay, John Foxx’s Underpass, and Genesis’s Duchess to see how well the RD-78 now performs after the update. Spoiler: It’s a solid step forward.

Stay tuned—I’ll be releasing a RD-78 pattern pack based on these classic tracks soon!

Check out my long-term RD-78 review

In this post, I dive into my long-term experience with the Behringer RD-78, Behringer’s modern clone of the legendary Roland CR-78 drum machine. After using it extensively in my studio setup for the past couple of months, I’ve gathered plenty of insights — the good, the quirky, and the “I wish it could” moments.

I break down the sound quality, build, and connectivity, and explore how the RD-78 handles preset rhythms, custom programming, and fills. I also highlight some of the limitations compared to the original CR-78, especially when it comes to combining patterns and using fills.

You’ll also hear recreations of classic tracks from artists like Peter Gabriel, Genesis, OMD, Gary Numan, and Blondie, programmed directly on the RD-78 or via the Synthtribe editor.

Watch the full video review:

Browse all RD-78 videos and demos here:
RD-78 Playlist

If you’re thinking about adding the RD-78 to your setup or just want to hear how those classic CR-78 rhythms hold up today, this one’s for you. Got a track you’d like to hear recreated? Drop me a comment — I’d love to hear your suggestions.

Create FM-Style Bell Sounds on the Korg Modwave in 5 Minutes

If you’re into digital synth textures and want to explore FM-style synthesis on the Korg Modwave, this quick tutorial is for you. In just five minutes, I’ll walk you through how to craft beautiful, metallic FM bell tones reminiscent of the Yamaha DX7, but with the modern power of Korg’s wavetable engine.

This patch is simple to build but rich in tone—perfect for ambient tracks, synth-pop, and experimental soundscapes.

What You’ll Learn

• How to use two oscillators to simulate FM synthesis
• Why sine waves work best for bell tones
• How to modulate one oscillator with another to create harmonic complexity
• Using envelopes to shape attack and decay for bell-like dynamics
• Layering techniques for a richer, more dynamic sound
• Which effects (chorus, delay, reverb) enhance the FM bell sound

Why FM for Bells?

FM synthesis excels at creating harmonically rich and percussive sounds. By using one oscillator to modulate another, you can generate the kind of inharmonic overtones that define bells, chimes, and other metallic instruments. On the Modwave, you can easily build this kind of architecture using basic sine waves and a few clever modulation tricks.

Patch Details

• Layer A: FM setup using two sine wave oscillators
• Modulation: Oscillator 1 modulates oscillator 2 via frequency modulation
• Envelope: Fast attack, soft decay to emulate a percussive hit
• Layer B: A second FM bell tone pitched higher for shimmer
• Effects: Compression, chorus, tape delay, and reverb for atmosphere

Download the Free Patch

You can download the FM bell patch used in the video for free:

How to Make FM Bell Sounds on the Korg Modwave in 5 Minutes - Free Download

1 file(s) 9.41 KB

Download

It works on both Modwave hardware and Modwave Native, so you can explore it in your DAW or on your synth.

More Five Minute Patches

This is just one of many quick sound design sessions I’m doing for the Modwave, Wavestate, and Multi/Poly. These videos are designed to teach synthesis concepts while also helping you build your own custom library of patches.

Check out the full playlist on YouTube and subscribe for weekly tutorials.

Got a Patch Idea?

I’m always looking for suggestions. Got a classic sound or synth style you’d like me to recreate on the Modwave? Let me know in the comments or reach out on social media.

Thanks for reading—and happy patching!

Using Pitch Envelopes on Korg Modwave, Wavestate & Multi/Poly

Unlocking Key Release Tricks & Classic Brass Punch

If you’ve ever wondered how to give your brass sounds more punch or how to shape your leads and effects with more expression, pitch envelopes might be the secret weapon you’ve overlooked. In this post (and video), we dive into pitch envelope techniques on the Korg Modwave, Wavestate, and Multi/Poly to help you master dynamic transitions and expressive tone shaping.

What Are Pitch Envelopes?

Pitch envelopes are like volume envelopes, but instead of controlling amplitude, they temporarily affect pitch over time. You can use them for:

• Brass stabs with sharp initial pitch rises
• FX sweeps and risers
• Subtle key-release movements for natural decays
• Dynamic attack variations that make patches feel “played” rather than programmed

Key Concepts Covered in the Video

1. Basic Pitch Envelope Setup

We start with an init patch on each synth and assign a pitch envelope with a fast attack and decay. This creates that signature brassy punch—ideal for synth brass, stabs, and horns.

2. Controlling Envelope Depth

Using modulation parameters or fixed values, we shape how much the pitch envelope affects the oscillator—just enough for expression without sounding over the top.

3. Release Tricks

Here’s where things get interesting:

• On all three synths, you can tie the pitch envelope to key release.
• This lets you create sounds that drop in pitch as you release the key, adding realism or dreamy effects to pads and leads.

4. Layering for Impact

With the Multi/Poly and Wavestate especially, layering two programs with slightly offset pitch envelopes gives incredible stereo width and motion.

Quick Setup: Pitch Envelope Brass on Modwave

1. Start with an Init Program.
2. Set Oscillator 1 to a saw wave.
3. Go to the MOD section → Assign Envelope 1 to Osc 1 Pitch.
4. Set Attack = 0, Decay = 0.2 sec, Sustain = 0, Release = 0.3 sec.
5. Adjust the envelope amount for taste (try +24 to +36 semitones for brass stab effect).
6. Optional: Route the envelope to key release or modulate depth via velocity for expressive playing.

Why This Matters for Sound Design

Using pitch envelopes transforms static patches into performable instruments. Whether you’re programming classic ’80s brass, expressive synth leads, or cinematic risers, this technique adds nuance and energy that presets often lack.

Watch the Full Video

Don’t forget to check out the full walkthrough on YouTube, where I demo these tips in action on all three synths — including some layered performance patches and motion sequencing!

Got Questions or Want the Patch Files?

Drop a comment on the video or reach out on socials. I’ll be sharing a few downloadable presets for these techniques in my newsletter next week.

In this video, I test the new Surface Pro 11 with the Snapdragon X Elite processor for music production. With native ARM64 support improving on Windows, can you now run serious DAWs and plugins on ARM hardware?

What’s Covered:

• Installing and running Cubase 14 for ARM

• Using Steinberg’s ARM-compatible ASIO driver

• Audio latency and performance testing

• Connecting USB audio interfaces and MIDI controllers

• Running VST plugins including Halion, Retrologue, and Cherry Audio’s Pro-10

• Compatibility with Korg Collection VSTs (spoiler: mixed results)

• Using touch and pen for mixing/editing in Cubase

• USB-C hubs and expandability

• A quick look at Windows Recall for producers

Key Takeaways:

• Cubase runs well natively on ARM, but some plugins (like Korg’s latest) aren’t yet compatible.

• Cherry Audio plugins work perfectly.

• Built-in ASIO driver works, but has some latency.

• Most MIDI controllers work plug-and-play, but audio interfaces may vary.

I test various gear including:

• Korg Keystage

• USB MIDI interfaces

• External USB mixers

If you’re considering Surface Pro 11 for your DAW setup, this video shows what works now—and what doesn’t (yet).

Chapters: 00:00 Introduction
01:06 Cubase on ARM
02:03 Audio Driver Setup
03:15 MIDI Controller Compatibility
04:04 Using Touch and Pen
05:35 Playback & VST Performance
07:03 Korg Plugin Issues
09:01 General Performance & Latency
10:04 Windows Recall for Music Production
11:36 Final Thoughts
12:29 More Hardware Tests

Questions? Drop them in the comments and I’ll do my best to help!

Welcome to this video from The Digital Lifestyle! In this video, I’m showcasing my new sound collection for the Korg Multi/Poly—The PPG Collection.

This set features 52 performances and programs inspired by the legendary PPG Wave, a wavetabled synth from the early ’80s. I’ve meticulously recreated the sounds using the original PPG wave tables, which are freely available online but have been cleaned up, labeled, and organized for easy use.

The collection includes both a free, cut-down set and a full version for more versatility. The PPG Wave uses wave tables with analog filters, offering digital sounds with that classic analog warmth. I demonstrate various ways I’ve shaped these sounds, including smooth and harsh transitions, and how the 8-bit mode adds a vintage feel to the tones. Throughout the video, you’ll hear examples of: Bass sounds with digital clarity and deep analog undertones. Vocal and bell tones enhanced by 8-bit processing for that early ’80s digital vibe. Lead sounds, pads, and sequence-driven effects, perfect for cinematic or ambient use. A variety of dynamic performance layers, from electric pianos to ensemble strings and drum kits, all customizable to your taste.

You’ll also see how I use modulation and wave table positioning to create evolving textures and interesting sonic shifts—using both the Multi/Poly’s powerful modulation capabilities and the vintage qualities of these wave tables.

The set includes both individual programs and performances, plus the wave tables themselves, all neatly organized and ready for you to explore and integrate into your own projects.

The free set includes 5 performances and 5 wavetables. The full pack includes 52 performances, 52 programs and all 32 PPG wavetables.

PPG Wave Collection for Korg Multi/Poly Free Edition

1 file(s) 2.19 MB

Download

In this video, I’m recreating the iconic drum pattern from Chris Rea’s “Fool (If You Think It’s Over)” using the Behringer RD-78, a clone of the classic Roland CR-78.

While the original track wasn’t made with a CR-78, the drum sound is similar to what you’d hear from an early drum machine, with two different versions of the track—the original ’78 version with that distinct organ-style auto-accompaniment and the ’80s version that leans more into a TR-808 vibe.

I’ll walk you through how I recreated the laid-back Latin feel of the track, starting with the kick drum and layering the snare, hi-hats, and percussion to capture that authentic sound. I’ll also show you how to add accents, bongo, and conga sounds, with a little metallic beat thrown in for a personal touch.

If you’re interested in more classic drum machine pattern recreations, drop a comment below with your suggestions!

Timestamps:

• 00:00 Introduction to the track
• 00:58 Setting up the RD-78 pattern
• 04:08 Conclusion

Thanks for watching! If you enjoy this content, don’t forget to like, subscribe, and hit the bell for more drum machine recreations!

Podcast 2025: New Surface Devices, Snapdragon Music Tests, & EV Show Highlights
This week, Garry returns and we catch up on all the latest in tech and electric vehicles!

️ I dive into testing the new Snapdragon-powered Surface Pro 11, sharing my experience using it for music production with Cubase 14 ARM and low-latency studio headphones. We also cover the newly announced 12″ Surface Pro and 13″ Surface Laptop, exploring their specs, price points, and limitations.

We also talk about OneOdio Studio Max headphones, the challenges of audio drivers on ARM, and Microsoft’s new AI-powered features like Recall.

Garry shares his trip to Everything Electric London, test driving the new MG EVs, the exciting MG Cyberster, and exploring cutting-edge tech like Android Automotive in the Kia PV series. He also covers electric vans, camper conversions, smart home charging gear, and the growing EV infrastructure in the UK.

Whether you’re into Windows, synths, or EVs—this episode’s packed with insights!

Chapters:
00:00 Intro
01:20 Surface Pro 11 for Music Production
10:00 OneOdio Studio Max Headphones
13:00 AI features & Recall on Surface
16:30 New 12″ Surface Pro & Surface Laptop
25:00 Everything Electric London Recap
34:00 Kia PV Series & Android Automotive
41:00 Hydrogen vs EV: What’s Next?
48:00 Retro-Inspired EVs & New Tech
51:00 Smart Home Gadgets & Wrap-Up

Listen Here (download mp3)

If you want more information about how to subscribe to podcasts read our Podcast How To page. Follow us on twitter @isdixon @garrywma @Thedigitallife

In this video, I recreate the iconic Roland CR-78 drum machine pattern used in Orchestral Manoeuvres in the Dark’s “Sacred Heart”, using the Behringer RD-78.

This track is a B-side gem with a beautifully programmed vintage rhythm section that showcases the unique charm of the CR-78. I walk through the pattern step-by-step, showing how to dial in the right sounds, timing, and feel using the RD-78’s interface. Whether you’re an OMD fan, synthpop enthusiast, or vintage drum machine lover, this tutorial will help you capture that authentic early ’80s vibe.

Chapters:

• 00:00 Introduction
• 00:35 Part a
• 02:25 Part b
• 04:07 Linking part a and b

Want more CR-78 and RD-78 content? Subscribe and check out my other drum machine breakdowns!

In this video, I explore the classic Korg DW-8000, a hybrid digital/analog synth that helped define the sound of the late ’80s.

From wavetables to analog filters, this synth packs a unique character that still holds up today.

I’ll walk through the architecture, play a variety of patches, and show how to edit and shape your own sounds using the front panel.

Chapters:

• 00:00 Introduction
• 00:58 Welcome to the DW-8000
• 01:45 Architecture
• 03:11 Connections
• 04:05 Sound Demos
• 10:26 Wavetables
• 13:40 Oscillators
• 16:28 Filter
• 18:19 Envelopes
• 20:17 VCA
• 21:48 LFO
• 24:25 Digital Delay
• 28:51 Portamento
• 30:00 Piano
• 30:20 Steel Drum
• 30:28 Arp
• 32:36 MIDI Control
• 32:54 Legacy

Whether you’re a fan of vintage gear or just discovering the DW-8000, this video covers everything you need to get inspired by this hybrid powerhouse.

Let me know in the comments if you’re still using one.

This week on TDL Synth Chat, Ian Dixon is joined by keyboardist, composer, and producer Beat Zimmermann for a deep dive into music, synths, and an exciting upcoming project. Beat shares his journey from classical piano training to jazz and fusion, his early passion for synthesizers, and his impressive collection of gear through the decades—from DX7s to JX-3Ps and beyond.

They explore the evolution of live performance setups, the shift from hardware to software, and Beat’s refreshing take on recording in the modern age. Plus, he discusses his ambitious new album project Unicorn Umbrellas, featuring Michael Sadler of Saga on vocals and Todd Sucherman of Styx on drums. Hear how the collaboration came together, the tech and instruments behind it, and how he’s handling production and remote recording.

It’s a conversation full of synth nostalgia, production tips, and inspiration for musicians at any level.

Topics include:

• Beat’s transition from classical to prog and fusion

• His vintage and modern synth setups

• The use of AI in demo production

• Building a personal studio

• Collaborating remotely with legendary musicians

• The making of Unicorn Umbrellas

More on Beat: https://beatzimmermann.com
Follow Unicorn Umbrellas on Facebook for updates.

Listen Here (download mp3)

If you want more information about how to subscribe to podcasts read our Podcast How To page. Follow us on twitter @isdixon @garrywma @Thedigitallife