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     <title>The Moscow Times Columns :: Theater Plus</title> 
     <link>http://www.themoscowtimes.com/columns/1289</link>
     <description>The Moscow Times is a daily English-language newspaper featuring objective, reliable news on business, politics and culture in Russia and the former Soviet Union (CIS).</description> 
     <language>en</language> 
     <lastBuildDate>Mon, 04 Apr 2011 00:56:12 +0400</lastBuildDate>
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         <guid isPermaLink="false">http://www.themoscowtimes.com/article/434315.html</guid> 
         <category /> 
         <title>Exile and Honor: Nikolai Erdman in Tomsk</title> 
         <author>By John Freedman &lt;moscowtimes@themoscowtimes.com&gt;</author> 
         <link>http://feedproxy.google.com/~r/themoscowtimes/columnsTheaterPlus/~3/ZmYg529Gj_g/434315.html</link> 
         <description>What follows is a small example of how history and personal lives can intertwine over time in unexpected and significant ways. The personal side of this story is largely my own, but not entirely. It usually takes a lot of people coming together to make a story worth telling.
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         <pubDate>Mon, 04 Apr 2011 00:00:00 +0400</pubDate> 
     <feedburner:origLink>http://www.themoscowtimes.com/article/434315.html</feedburner:origLink></item>
     <item>
         <guid isPermaLink="false">http://www.themoscowtimes.com/article/433811.html</guid> 
         <category /> 
         <title>Playwright Yury Klavdiyev Plays Rock</title> 
         <author>By John Freedman &lt;moscowtimes@themoscowtimes.com&gt;</author> 
         <link>http://feedproxy.google.com/~r/themoscowtimes/columnsTheaterPlus/~3/P26TTFBpIIg/433811.html</link> 
         <description>Throughout March, playwright Yury Klavdiyev has been uploading to the Internet album after album of new musical compositions – three albums in three weeks. And those albums have been accompanied by several impressive videos.
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&lt;a href="http://feedads.g.doubleclick.net/~a/WB5HxObHXstrk1gSCJNPwXGzZMU/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/WB5HxObHXstrk1gSCJNPwXGzZMU/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;</description> 
         <pubDate>Mon, 28 Mar 2011 00:00:00 +0400</pubDate> 
     <feedburner:origLink>http://www.themoscowtimes.com/article/433811.html</feedburner:origLink></item>
     <item>
         <guid isPermaLink="false">http://www.themoscowtimes.com/article/433344.html</guid> 
         <category /> 
         <title>Martin Luther King, Jr., Plays to a Russian Audience</title> 
         <author>By John Freedman &lt;moscowtimes@themoscowtimes.com&gt;</author> 
         <link>http://feedproxy.google.com/~r/themoscowtimes/columnsTheaterPlus/~3/yGOcfzcNAd8/433344.html</link> 
         <description>American playwright Katori Hall's "The Mountaintop," a fictional depiction of the last hours of Martin Luther King, Jr.'s life, has not yet made it to New York, but it was given a reading in Moscow on Friday.
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&lt;a href="http://feedads.g.doubleclick.net/~a/EnWZgq6itedL7_zjq8uIS7oraPM/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/EnWZgq6itedL7_zjq8uIS7oraPM/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;</description> 
         <pubDate>Mon, 21 Mar 2011 00:00:00 +0300</pubDate> 
     <feedburner:origLink>http://www.themoscowtimes.com/article/433344.html</feedburner:origLink></item>
     <item>
         <guid isPermaLink="false">http://www.themoscowtimes.com/article/432422.html</guid> 
         <category /> 
         <title>A Rain of Satire on Russian Television</title> 
         <author>By John Freedman &lt;moscowtimes@themoscowtimes.com&gt;</author> 
         <link>http://feedproxy.google.com/~r/themoscowtimes/columnsTheaterPlus/~3/uWl-o_UvCJs/432422.html</link> 
         <description>You rarely will hear me say anything nice about television. But I believe in paying credit where credit is due. So listen up while I change my usual tune, for a moment anyway. The Russian Dozhd, or Rain, television channel, which calls itself the "optimistic channel," is not, I repeat not, your average lumbering, format-bound, blindered television station.
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         <pubDate>Mon, 14 Mar 2011 00:00:00 +0300</pubDate> 
     <feedburner:origLink>http://www.themoscowtimes.com/article/432422.html</feedburner:origLink></item>
     <item>
         <guid isPermaLink="false">http://www.themoscowtimes.com/article/432170.html</guid> 
         <category /> 
         <title>Golden Mask Festival Showcases Riches of Polish Theater and New Drama</title> 
         <author>By John Freedman &lt;moscowtimes@themoscowtimes.com&gt;</author> 
         <link>http://feedproxy.google.com/~r/themoscowtimes/columnsTheaterPlus/~3/ixUa8r0nBDw/432170.html</link> 
         <description>There are more theater festivals in this city than, as an old high school friend used to say, you can shake a stick at. And if you've ever tried to catch all the events these festivals offer, you probably feel as though the person shaking that stick has been whacking you over the head with it.
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         <pubDate>Sun, 06 Mar 2011 00:00:00 +0300</pubDate> 
     <feedburner:origLink>http://www.themoscowtimes.com/article/432170.html</feedburner:origLink></item>
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         <guid isPermaLink="false">http://www.themoscowtimes.com/article/431700.html</guid> 
         <category /> 
         <title>New Names and Developments in St. Petersburg Theater</title> 
         <author>By John Freedman &lt;moscowtimes@themoscowtimes.com&gt;</author> 
         <link>http://feedproxy.google.com/~r/themoscowtimes/columnsTheaterPlus/~3/N6MVi90BdWs/431700.html</link> 
         <description>The atmosphere at the very cool Poryadok Slov was a bit hectic, but Nikolai Pesochinsky is used to keeping his cool under chaotic conditions. In just a few minutes, he delivered a fine impromptu lecture about several important developments in St. Petersburg theater.
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/b0LE2Ve0w3xYA1ePntINEoZ-J1Y/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/b0LE2Ve0w3xYA1ePntINEoZ-J1Y/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
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         <pubDate>Mon, 28 Feb 2011 00:00:00 +0300</pubDate> 
     <feedburner:origLink>http://www.themoscowtimes.com/article/431700.html</feedburner:origLink></item>
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         <guid isPermaLink="false">http://www.themoscowtimes.com/article/431338.html</guid> 
         <category /> 
         <title>Belgorod's Crackdown on 'Spiritually Dangerous' Contemporary Plays</title> 
         <author>By John Freedman &lt;moscowtimes@themoscowtimes.com&gt;</author> 
         <link>http://feedproxy.google.com/~r/themoscowtimes/columnsTheaterPlus/~3/rfdPpm96GIY/431338.html</link> 
         <description>On Tuesday, February 15, news began popping up on my Facebook page with links to numerous other internet sites, including Lenta.ru, Live Journal and Gzt.ru. The reason? Officials at a theater school in Belgorod had banned a performance of Yevgeny Grishkovets' play "The Planet" on the grounds that it was "spiritually dangerous."
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&lt;a href="http://feedads.g.doubleclick.net/~a/-CooZfwNUs6qzbUSUMG8-4sCdIA/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/-CooZfwNUs6qzbUSUMG8-4sCdIA/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;</description> 
         <pubDate>Mon, 21 Feb 2011 00:00:00 +0300</pubDate> 
     <feedburner:origLink>http://www.themoscowtimes.com/article/431338.html</feedburner:origLink></item>
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         <guid isPermaLink="false">http://www.themoscowtimes.com/article/430902.html</guid> 
         <category /> 
         <title>The New Intertwining of Russian and American Theater</title> 
         <author>By John Freedman &lt;moscowtimes@themoscowtimes.com&gt;</author> 
         <link>http://feedproxy.google.com/~r/themoscowtimes/columnsTheaterPlus/~3/qLye49PNRBw/430902.html</link> 
         <description>Under the umbrella of the Bilateral Presidential Commission, a plan for the funding of cultural events in Russia that came into being after a meeting between Barack Obama and Dmitry Medvedev in 2009, a vast array of initiatives, exchanges, partnerships and tours were put into motion.
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/cj7VvnLY1wgU4uD5rdmO92pP8nI/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/cj7VvnLY1wgU4uD5rdmO92pP8nI/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
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         <pubDate>Sun, 13 Feb 2011 00:00:00 +0300</pubDate> 
     <feedburner:origLink>http://www.themoscowtimes.com/article/430902.html</feedburner:origLink></item>
     <item>
         <guid isPermaLink="false">http://www.themoscowtimes.com/article/430533.html</guid> 
         <category /> 
         <title>A Great Russian Playwright Rediscovered as a Great Screenwriter</title> 
         <author>By John Freedman &lt;moscowtimes@themoscowtimes.com&gt;</author> 
         <link>http://feedproxy.google.com/~r/themoscowtimes/columnsTheaterPlus/~3/8TGMsy9OChE/430533.html</link> 
         <description>Nikolai Erdman's comedy "The Suicide" tells the story of a forlorn, unemployed man whom a bunch of creeps, thugs and morons convince to try to commit suicide in order to further causes that they support.
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/DtY3MDcf0xxaXUngkoXIXtYvwQQ/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/DtY3MDcf0xxaXUngkoXIXtYvwQQ/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
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         <pubDate>Mon, 07 Feb 2011 00:00:00 +0300</pubDate> 
     <feedburner:origLink>http://www.themoscowtimes.com/article/430533.html</feedburner:origLink></item>
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         <guid isPermaLink="false">http://www.themoscowtimes.com/article/429796.html</guid> 
         <category /> 
         <title>Finding Words for the Death of Anna Yablonskaya</title> 
         <author>By John Freedman &lt;moscowtimes@themoscowtimes.com&gt;</author> 
         <link>http://feedproxy.google.com/~r/themoscowtimes/columnsTheaterPlus/~3/KR_pbTVagKE/429796.html</link> 
         <description>My wife clarified for me this morning why I have not been able to sit down and write about the death of playwright Anna Yablonskaya on Monday in the terrorist attack at Domodedovo Airport.  "The form cannot possibly fit the content," she said dryly but with perfect accuracy.
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/Mc-waXJBh7U_MT3ddqNN16mmhkc/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/Mc-waXJBh7U_MT3ddqNN16mmhkc/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/Mc-waXJBh7U_MT3ddqNN16mmhkc/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/Mc-waXJBh7U_MT3ddqNN16mmhkc/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;</description> 
         <pubDate>Thu, 27 Jan 2011 00:00:00 +0300</pubDate> 
     <feedburner:origLink>http://www.themoscowtimes.com/article/429796.html</feedburner:origLink></item>
     <item>
         <guid isPermaLink="false">http://www.themoscowtimes.com/article/429428.html</guid> 
         <category /> 
         <title>Arthur Kopit's Russian Doppelganger</title> 
         <author>By John Freedman &lt;moscowtimes@themoscowtimes.com&gt;</author> 
         <link>http://feedproxy.google.com/~r/themoscowtimes/columnsTheaterPlus/~3/oEgQFLHktAk/429428.html</link> 
         <description>The British historian James Howell had this to say about the art of translation: "Some hold translations not unlike to be / The wrong side of a Turkey tapestry." Perhaps that is true if you translate like Howell wrote poetry. But, fortunately, it doesn't have to be that way. Take Sergei Task, for instance.
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/nBbVZVwpz75MSK6DQ6AeOLTg5Hw/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/nBbVZVwpz75MSK6DQ6AeOLTg5Hw/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
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         <pubDate>Sun, 23 Jan 2011 00:00:00 +0300</pubDate> 
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         <guid isPermaLink="false">http://www.themoscowtimes.com/article/428938.html</guid> 
         <category /> 
         <title>15 Productions to Remember, 2001-2010</title> 
         <author>By John Freedman &lt;moscowtimes@themoscowtimes.com&gt;</author> 
         <link>http://feedproxy.google.com/~r/themoscowtimes/columnsTheaterPlus/~3/VGOPXcrlprM/428938.html</link> 
         <description>You think it's too late for one more New Year's list? Then you don't live in Russia, like I do. Today we're talking directors and their productions. And this one is much harder. I'm already in conflict with myself, wondering why I picked "this" and not "that."
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/YXuPvbQWUPiSrXXOwqa-lOEUwfI/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/YXuPvbQWUPiSrXXOwqa-lOEUwfI/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/YXuPvbQWUPiSrXXOwqa-lOEUwfI/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/YXuPvbQWUPiSrXXOwqa-lOEUwfI/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;</description> 
         <pubDate>Sun, 16 Jan 2011 00:00:00 +0300</pubDate> 
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         <guid isPermaLink="false">http://www.themoscowtimes.com/article/428119.html</guid> 
         <category /> 
         <title>15 Plays That Made the Decade</title> 
         <author>By John Freedman &lt;moscowtimes@themoscowtimes.com&gt;</author> 
         <link>http://feedproxy.google.com/~r/themoscowtimes/columnsTheaterPlus/~3/dmBZJRAmzj4/428119.html</link> 
         <description>Russia's theater can be unnerving or daunting. Our theater critic gives highlights and insights into the 2000-2010 period.
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/MyD4w4O_p1Yjq2youqorLDRrEhk/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/MyD4w4O_p1Yjq2youqorLDRrEhk/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
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         <pubDate>Tue, 11 Jan 2011 00:00:00 +0300</pubDate> 
     <feedburner:origLink>http://www.themoscowtimes.com/article/428119.html</feedburner:origLink></item>
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         <guid isPermaLink="false">http://www.themoscowtimes.com/article/427749.html</guid> 
         <category /> 
         <title>Stop the Presses!</title> 
         <author>By John Freedman &lt;moscowtimes@themoscowtimes.com&gt;</author> 
         <link>http://feedproxy.google.com/~r/themoscowtimes/columnsTheaterPlus/~3/XUCEkiT0oLI/427749.html</link> 
         <description>The first thing that came to mind when I saw it was a writer of a very different kind, time and place. "It" is the relatively new Dostoevskaya metro station in Moscow on the Green Line.
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         <pubDate>Thu, 23 Dec 2010 00:00:00 +0300</pubDate> 
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         <guid isPermaLink="false">http://www.themoscowtimes.com/article/426286.html</guid> 
         <category /> 
         <title>Not Getting Serious about Russian Culture</title> 
         <author>By John Freedman &lt;moscowtimes@themoscowtimes.com&gt;</author> 
         <link>http://feedproxy.google.com/~r/themoscowtimes/columnsTheaterPlus/~3/t87hBfB-_mw/426286.html</link> 
         <description>Filipp Kirkorov - Lord, no, that's not culture. During a TV taping, Kirkorov was so unhappy when a director questioned his star quality that he pulled her hair, knocked her down and kicked her.
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         <pubDate>Tue, 14 Dec 2010 00:00:00 +0300</pubDate> 
     <feedburner:origLink>http://www.themoscowtimes.com/article/426286.html</feedburner:origLink></item>
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         <guid isPermaLink="false">http://www.themoscowtimes.com/article/425801.html</guid> 
         <category /> 
         <title>Cue WikiLeaks: Russia's Image Abroad</title> 
         <author>By John Freedman &lt;moscowtimes@themoscowtimes.com&gt;</author> 
         <link>http://feedproxy.google.com/~r/themoscowtimes/columnsTheaterPlus/~3/R4JHjgW18HE/425801.html</link> 
         <description>"Don't you think that those awful new Russian plays are written expressly to tarnish the image of Russia abroad?" My answer to that question: No.
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/47CCUeIp712BgHGTebg-qXtFvYI/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/47CCUeIp712BgHGTebg-qXtFvYI/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/47CCUeIp712BgHGTebg-qXtFvYI/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/47CCUeIp712BgHGTebg-qXtFvYI/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;</description> 
         <pubDate>Mon, 06 Dec 2010 00:00:00 +0300</pubDate> 
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         <guid isPermaLink="false">http://www.themoscowtimes.com/article/424625.html</guid> 
         <category /> 
         <title>Theater History Emerges From Jottings</title> 
         <author>By John Freedman &lt;moscowtimes@themoscowtimes.com&gt;</author> 
         <link>http://feedproxy.google.com/~r/themoscowtimes/columnsTheaterPlus/~3/5bQ9wadsV8s/424625.html</link> 
         <description>"What a mess!" I wrote in a short review in The Moscow Times in 1997. And I have it on good authority that I was right. Boris Milgram, the man who directed it, told me later that he felt the same way.
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/g2toguTs6EfIHPQro-2mk448LPw/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/g2toguTs6EfIHPQro-2mk448LPw/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/g2toguTs6EfIHPQro-2mk448LPw/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/g2toguTs6EfIHPQro-2mk448LPw/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;</description> 
         <pubDate>Thu, 25 Nov 2010 00:00:00 +0300</pubDate> 
     <feedburner:origLink>http://www.themoscowtimes.com/article/424625.html</feedburner:origLink></item>
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         <guid isPermaLink="false">http://www.themoscowtimes.com/article/422186.html</guid> 
         <category /> 
         <title>When Memories Are in the Program</title> 
         <author>By John Freedman &lt;moscowtimes@themoscowtimes.com&gt;</author> 
         <link>http://feedproxy.google.com/~r/themoscowtimes/columnsTheaterPlus/~3/V4FXlvYlTTE/422186.html</link> 
         <description>My wife is to blame for what follows. "Look at this," she said. "It's the program from a performance of Vladimir Vysotsky playing Hamlet that I never got to see."
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/FexuKvW_IBQ8JQ3LLtFnceVNOiE/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/FexuKvW_IBQ8JQ3LLtFnceVNOiE/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/FexuKvW_IBQ8JQ3LLtFnceVNOiE/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/FexuKvW_IBQ8JQ3LLtFnceVNOiE/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;</description> 
         <pubDate>Wed, 10 Nov 2010 00:00:00 +0300</pubDate> 
     <feedburner:origLink>http://www.themoscowtimes.com/article/422186.html</feedburner:origLink></item>
     <item>
         <guid isPermaLink="false">http://www.themoscowtimes.com/article/421710.html</guid> 
         <category /> 
         <title>Snaring Russian Theater in the Net</title> 
         <author>By John Freedman &lt;moscowtimes@themoscowtimes.com&gt;</author> 
         <link>http://feedproxy.google.com/~r/themoscowtimes/columnsTheaterPlus/~3/qfpGWYagiaM/421710.html</link> 
         <description>Recently I did some surfing on the Internet to see what has been written about Russian theater of late. It isn't often that I find something I hadn't seen before. But a handful of surprising pieces cropped up.
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/Ukk_qgsyRuDj9NngTX3Iw4c0USM/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/Ukk_qgsyRuDj9NngTX3Iw4c0USM/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/Ukk_qgsyRuDj9NngTX3Iw4c0USM/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/Ukk_qgsyRuDj9NngTX3Iw4c0USM/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;</description> 
         <pubDate>Tue, 02 Nov 2010 00:00:00 +0300</pubDate> 
     <feedburner:origLink>http://www.themoscowtimes.com/article/421710.html</feedburner:origLink></item>
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         <guid isPermaLink="false">http://www.themoscowtimes.com/article/421017.html</guid> 
         <category /> 
         <title>From a Scribe's Pen to a Harvard Classroom</title> 
         <author>By John Freedman &lt;moscowtimes@themoscowtimes.com&gt;</author> 
         <link>http://feedproxy.google.com/~r/themoscowtimes/columnsTheaterPlus/~3/sm69lSJG0K0/421017.html</link> 
         <description>Something at which Horace Lunt would rail at least once in every Old Church Slavonic course was "scribal error." Let me point this out: The scribes of old were the journalists of today. Or something thereabouts.
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/YoomjfTbs7TD1WZHuc_IYl-fi6o/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/YoomjfTbs7TD1WZHuc_IYl-fi6o/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/YoomjfTbs7TD1WZHuc_IYl-fi6o/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/YoomjfTbs7TD1WZHuc_IYl-fi6o/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;</description> 
         <pubDate>Mon, 25 Oct 2010 00:00:00 +0400</pubDate> 
     <feedburner:origLink>http://www.themoscowtimes.com/article/421017.html</feedburner:origLink></item>
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         <guid isPermaLink="false">http://www.themoscowtimes.com/article/420381.html</guid> 
         <category /> 
         <title>Sheep, Critic Meet Over Sam Shepard</title> 
         <author>By John Freedman &lt;moscowtimes@themoscowtimes.com&gt;</author> 
         <link>http://feedproxy.google.com/~r/themoscowtimes/columnsTheaterPlus/~3/k86PKGjsWHY/420381.html</link> 
         <description>American director Lee Breuer premiered his production of Sam Shepard's "The Curse of the Starving Class" in Saratov, and critic Steven Leigh Morris was there to watch it. Our columnist captures his thoughts on the show and its ruminant.
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/s9XbslCtggwcnPBH8uMuiNBQTwA/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/s9XbslCtggwcnPBH8uMuiNBQTwA/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/s9XbslCtggwcnPBH8uMuiNBQTwA/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/s9XbslCtggwcnPBH8uMuiNBQTwA/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;</description> 
         <pubDate>Fri, 15 Oct 2010 00:00:00 +0400</pubDate> 
     <feedburner:origLink>http://www.themoscowtimes.com/article/420381.html</feedburner:origLink></item>
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         <guid isPermaLink="false">http://www.themoscowtimes.com/article/419689.html</guid> 
         <category /> 
         <title>A New York Take on Moscow Theater</title> 
         <author>By John Freedman &lt;moscowtimes@themoscowtimes.com&gt;</author> 
         <link>http://feedproxy.google.com/~r/themoscowtimes/columnsTheaterPlus/~3/0RJ1S1M3UWs/419689.html</link> 
         <description>If anyone knows anything about developing new work for theater, it is Jim Nicola. Nicola has been the artistic director of the famed New York Theatre Workshop since 1988.
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/dhOpnTCIgVuTqh62G2SCKAaid20/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/dhOpnTCIgVuTqh62G2SCKAaid20/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/dhOpnTCIgVuTqh62G2SCKAaid20/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/dhOpnTCIgVuTqh62G2SCKAaid20/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;</description> 
         <pubDate>Tue, 12 Oct 2010 00:00:00 +0400</pubDate> 
     <feedburner:origLink>http://www.themoscowtimes.com/article/419689.html</feedburner:origLink></item>
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         <guid isPermaLink="false">http://www.themoscowtimes.com/article/418552.html</guid> 
         <category /> 
         <title>Lee Breuer Shakes Up Shepard in Saratov</title> 
         <author>By John Freedman &lt;moscowtimes@themoscowtimes.com&gt;</author> 
         <link>http://feedproxy.google.com/~r/themoscowtimes/columnsTheaterPlus/~3/KMAao7dU-Mw/418552.html</link> 
         <description>Just three days before this conversation took place I had no idea I would be sitting in a theater in Saratov, talking to the renowned American director Lee Breuer. And nothing is predictable with Lee Breuer.
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/-0BSfj3jDuy1wDW9pj39Pb9Ay0M/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/-0BSfj3jDuy1wDW9pj39Pb9Ay0M/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/-0BSfj3jDuy1wDW9pj39Pb9Ay0M/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/-0BSfj3jDuy1wDW9pj39Pb9Ay0M/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;</description> 
         <pubDate>Wed, 06 Oct 2010 00:00:00 +0400</pubDate> 
     <feedburner:origLink>http://www.themoscowtimes.com/article/418552.html</feedburner:origLink></item>
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         <guid isPermaLink="false">http://www.themoscowtimes.com/article/417656.html</guid> 
         <category /> 
         <title>Russian Answers to American Theatre's Questions</title> 
         <author>By John Freedman &lt;moscowtimes@themoscowtimes.com&gt;</author> 
         <link>http://feedproxy.google.com/~r/themoscowtimes/columnsTheaterPlus/~3/hknRnG1iDak/417656.html</link> 
         <description>I walked out of the theater and I had no idea what had happened there. All I could recall were costumes that bounced and ruffled and rustled and bloomed so aggressively that the actors ceased to exist.
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/-6o1zQPjJBsrZa02Ge3OnB1u43U/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/-6o1zQPjJBsrZa02Ge3OnB1u43U/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/-6o1zQPjJBsrZa02Ge3OnB1u43U/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/-6o1zQPjJBsrZa02Ge3OnB1u43U/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;</description> 
         <pubDate>Tue, 28 Sep 2010 00:00:00 +0400</pubDate> 
     <feedburner:origLink>http://www.themoscowtimes.com/article/417656.html</feedburner:origLink></item>
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         <guid isPermaLink="false">http://www.themoscowtimes.com/article/416744.html</guid> 
         <category /> 
         <title>Theater Great Is Gone, But Legacy Is Just Beginning</title> 
         <author>By John Freedman &lt;moscowtimes@themoscowtimes.com&gt;</author> 
         <link>http://feedproxy.google.com/~r/themoscowtimes/columnsTheaterPlus/~3/LtIT2ok_-ew/416744.html</link> 
         <description>Though Alexei Kazantsev died three years ago, the work of this playwright, director, producer and theatrical activist is thriving on the Russian stage and among its artists.
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/YQGR1CQcc-uJ1eNazRVLEppEH6k/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/YQGR1CQcc-uJ1eNazRVLEppEH6k/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/YQGR1CQcc-uJ1eNazRVLEppEH6k/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/YQGR1CQcc-uJ1eNazRVLEppEH6k/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;</description> 
         <pubDate>Tue, 21 Sep 2010 00:00:00 +0400</pubDate> 
     <feedburner:origLink>http://www.themoscowtimes.com/article/416744.html</feedburner:origLink></item>
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         <guid isPermaLink="false">http://www.themoscowtimes.com/article/416051.html</guid> 
         <category /> 
         <title>Taking Russian Drama to Extremes</title> 
         <author>By John Freedman &lt;moscowtimes@themoscowtimes.com&gt;</author> 
         <link>http://feedproxy.google.com/~r/themoscowtimes/columnsTheaterPlus/~3/GtfAKP1-JXU/416051.html</link> 
         <description>Few discussions stir as much fire, smoke and hot air as one that the Russian theater community has been having for the last decade about the so-called "new drama." What is "new drama"? Who is writing it? Who is not?
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/OONy3TbNLSnIGMyFa8ka-gwun4w/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/OONy3TbNLSnIGMyFa8ka-gwun4w/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/OONy3TbNLSnIGMyFa8ka-gwun4w/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/OONy3TbNLSnIGMyFa8ka-gwun4w/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;</description> 
         <pubDate>Mon, 13 Sep 2010 00:00:00 +0400</pubDate> 
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         <guid isPermaLink="false">http://www.themoscowtimes.com/article/414905.html</guid> 
         <category /> 
         <title>Festival Is Host to New Plays, Free Expression</title> 
         <author>By John Freedman &lt;moscowtimes@themoscowtimes.com&gt;</author> 
         <link>http://feedproxy.google.com/~r/themoscowtimes/columnsTheaterPlus/~3/PdXnLt7LW8I/414905.html</link> 
         <description>It has become tradition that Moscow's theater season begins with a daunting dose of new drama. This year, at the Lyubimovka playwriting festival, there will be 40 plays read and performed, including new Russian works.
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/z7JjTv1X20IPrdXM9jngdaMihGU/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/z7JjTv1X20IPrdXM9jngdaMihGU/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/z7JjTv1X20IPrdXM9jngdaMihGU/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/z7JjTv1X20IPrdXM9jngdaMihGU/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;</description> 
         <pubDate>Mon, 06 Sep 2010 00:00:00 +0400</pubDate> 
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         <guid isPermaLink="false">http://www.themoscowtimes.com/article/414110.html</guid> 
         <category /> 
         <title>Martha Coigney Recalls Marilyn Monroe and More</title> 
         <author>By John Freedman &lt;moscowtimes@themoscowtimes.com&gt;</author> 
         <link>http://feedproxy.google.com/~r/themoscowtimes/columnsTheaterPlus/~3/BL9Wlthw9N4/414110.html</link> 
         <description>If just one person were American theater's connection to the world, it surely would be Martha Coigney. She shares her stories of Marilyn Monroe, Lee Strasberg and Soviet-era actor Mikhail Tsaryov with our theater columnist.
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/4cnmo2FjKZs-QseFqQLZVxaCBj4/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/4cnmo2FjKZs-QseFqQLZVxaCBj4/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/4cnmo2FjKZs-QseFqQLZVxaCBj4/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/4cnmo2FjKZs-QseFqQLZVxaCBj4/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;</description> 
         <pubDate>Mon, 30 Aug 2010 00:00:00 +0400</pubDate> 
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         <guid isPermaLink="false">http://www.themoscowtimes.com/article/413235.html</guid> 
         <category /> 
         <title>Theater, Social Commentary and the Paradox of Moscow Traffic</title> 
         <author>By John Freedman &lt;moscowtimes@themoscowtimes.com&gt;</author> 
         <link>http://feedproxy.google.com/~r/themoscowtimes/columnsTheaterPlus/~3/2pVfujVI57E/413235.html</link> 
         <description>Our theater critic interviewed Thomas Irmer, a German journalist and theater critic, who had a keen outsider's view of a controversial play performed in Moscow.
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/uZLv8vcCd7mZRpa1UTsaqGojYdY/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/uZLv8vcCd7mZRpa1UTsaqGojYdY/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/uZLv8vcCd7mZRpa1UTsaqGojYdY/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/uZLv8vcCd7mZRpa1UTsaqGojYdY/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;</description> 
         <pubDate>Wed, 18 Aug 2010 00:00:00 +0400</pubDate> 
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         <guid isPermaLink="false">http://www.themoscowtimes.com/article/411933.html</guid> 
         <category /> 
         <title>Seeing Past the Present, Part Three</title> 
         <author>By John Freedman &lt;moscowtimes@themoscowtimes.com&gt;</author> 
         <link>http://feedproxy.google.com/~r/themoscowtimes/columnsTheaterPlus/~3/N1Eidh7liDg/411933.html</link> 
         <description>In an exploration of one-time haunts of Moscow's major artists, our arts critic helps you enjoy an artistic stroll while avoiding the city's weather. Here's a virtual tour of Mandelstam, Deineka and others, complete with photographs.
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/lQPkTsV5uoaKDspbXN71-MNzb9A/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/lQPkTsV5uoaKDspbXN71-MNzb9A/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/lQPkTsV5uoaKDspbXN71-MNzb9A/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/lQPkTsV5uoaKDspbXN71-MNzb9A/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;</description> 
         <pubDate>Mon, 09 Aug 2010 00:00:00 +0400</pubDate> 
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         <guid isPermaLink="false">http://www.themoscowtimes.com/article/411328.html</guid> 
         <category /> 
         <title>A Russian Fairy Tale in Rural Massachusetts</title> 
         <author>By John Freedman &lt;moscowtimes@themoscowtimes.com&gt;</author> 
         <link>http://feedproxy.google.com/~r/themoscowtimes/columnsTheaterPlus/~3/Me-jjNYXViA/411328.html</link> 
         <description>Double Edge Theater, located on a farm in the tiny town of Ashfield, Massachusetts, is a unique and surprising organization. Its productions have been seen in cities all over the United States and in such countries as Bulgaria, Poland, Hungary and Romania.
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/Ssy9VZGuQkXcxkdPTmYodY29OYk/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/Ssy9VZGuQkXcxkdPTmYodY29OYk/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/Ssy9VZGuQkXcxkdPTmYodY29OYk/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/Ssy9VZGuQkXcxkdPTmYodY29OYk/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;</description> 
         <pubDate>Thu, 29 Jul 2010 00:00:00 +0400</pubDate> 
     <feedburner:origLink>http://www.themoscowtimes.com/article/411328.html</feedburner:origLink></item>
     <item>
         <guid isPermaLink="false">http://www.themoscowtimes.com/article/410702.html</guid> 
         <category /> 
         <title>Developing Plays for Russia and America at the Eugene O'Neill Theater Center</title> 
         <author>By John Freedman &lt;moscowtimes@themoscowtimes.com&gt;</author> 
         <link>http://feedproxy.google.com/~r/themoscowtimes/columnsTheaterPlus/~3/NTLDETPJ8Dg/410702.html</link> 
         <description>Eugene O'Neill is one of those American writers whom Russians accept as if he were one of their own. Whether it's his Irish passion or his grand American scale, O'Neill somehow spoke the same language that Russian theater speaks.
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/HQTeOhKJpUTwO7XLEQWgPFS1IR4/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/HQTeOhKJpUTwO7XLEQWgPFS1IR4/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/HQTeOhKJpUTwO7XLEQWgPFS1IR4/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/HQTeOhKJpUTwO7XLEQWgPFS1IR4/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;</description> 
         <pubDate>Tue, 20 Jul 2010 00:00:00 +0400</pubDate> 
     <feedburner:origLink>http://www.themoscowtimes.com/article/410702.html</feedburner:origLink></item>
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         <guid isPermaLink="false">http://www.themoscowtimes.com/article/409931.html</guid> 
         <category /> 
         <title>Seeing Past the Present, Part Two</title> 
         <author>By John Freedman &lt;moscowtimes@themoscowtimes.com&gt;</author> 
         <link>http://feedproxy.google.com/~r/themoscowtimes/columnsTheaterPlus/~3/lBIdgskYYiE/409931.html</link> 
         <description>In part two of John Freedman's summer series about historical sites honoring Moscow's artistic past, the author takes us down Tverskaya Ulitsa to reflect on some of the city's finest stage actors.
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/I8C6FrdQCYMK6_Phka2bK_90OX4/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/I8C6FrdQCYMK6_Phka2bK_90OX4/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/I8C6FrdQCYMK6_Phka2bK_90OX4/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/I8C6FrdQCYMK6_Phka2bK_90OX4/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;</description> 
         <pubDate>Wed, 07 Jul 2010 00:00:00 +0400</pubDate> 
     <feedburner:origLink>http://www.themoscowtimes.com/article/409931.html</feedburner:origLink></item>
     <item>
         <guid isPermaLink="false">http://www.themoscowtimes.com/article/409233.html</guid> 
         <category /> 
         <title>Bringing Russian Theater to Texas</title> 
         <author>By John Freedman &lt;moscowtimes@themoscowtimes.com&gt;</author> 
         <link>http://feedproxy.google.com/~r/themoscowtimes/columnsTheaterPlus/~3/BxaI9XaF6mM/409233.html</link> 
         <description>Ever since Graham Schmidt, who hails from Austin, TX, encountered the plays of Anton Chekhov, he has been a man on a mission.
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/7KzPPpYtLxiLFfWaCQPiG5f0xco/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/7KzPPpYtLxiLFfWaCQPiG5f0xco/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/7KzPPpYtLxiLFfWaCQPiG5f0xco/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/7KzPPpYtLxiLFfWaCQPiG5f0xco/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;</description> 
         <pubDate>Mon, 28 Jun 2010 00:00:00 +0400</pubDate> 
     <feedburner:origLink>http://www.themoscowtimes.com/article/409233.html</feedburner:origLink></item>
     <item>
         <guid isPermaLink="false">http://www.themoscowtimes.com/article/408856.html</guid> 
         <category /> 
         <title>Seeing Past the Present in Moscow, Part One</title> 
         <author>By John Freedman &lt;moscowtimes@themoscowtimes.com&gt;</author> 
         <link>http://feedproxy.google.com/~r/themoscowtimes/columnsTheaterPlus/~3/4dLeVXiTCHI/408856.html</link> 
         <description>Over the course of the coming summer, our theater critic will lead you on a few walks around Moscow to offer some glimpses at the monuments to famous Russian artists scattered throughout the city.
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/qScm6-pheNLOiEdQB8Bc10I8aOU/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/qScm6-pheNLOiEdQB8Bc10I8aOU/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/qScm6-pheNLOiEdQB8Bc10I8aOU/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/qScm6-pheNLOiEdQB8Bc10I8aOU/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;</description> 
         <pubDate>Tue, 22 Jun 2010 00:00:00 +0400</pubDate> 
     <feedburner:origLink>http://www.themoscowtimes.com/article/408856.html</feedburner:origLink></item>
     <item>
         <guid isPermaLink="false">http://www.themoscowtimes.com/article/408188.html</guid> 
         <category /> 
         <title>Brian Friel's Russian Connection</title> 
         <author>By John Freedman &lt;moscowtimes@themoscowtimes.com&gt;</author> 
         <link>http://feedproxy.google.com/~r/themoscowtimes/columnsTheaterPlus/~3/2BsW26KME3o/408188.html</link> 
         <description>Irish playwright Brian Friel, who has adapted three of Anton Chekhov's works into original stagings, arrives in Moscow this week to see two of his productions.
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/KYaz2hayD5O_PGqXTvSyJ1PwVGI/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/KYaz2hayD5O_PGqXTvSyJ1PwVGI/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/KYaz2hayD5O_PGqXTvSyJ1PwVGI/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/KYaz2hayD5O_PGqXTvSyJ1PwVGI/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;</description> 
         <pubDate>Mon, 14 Jun 2010 00:00:00 +0400</pubDate> 
     <feedburner:origLink>http://www.themoscowtimes.com/article/408188.html</feedburner:origLink></item>
     <item>
         <guid isPermaLink="false">http://www.themoscowtimes.com/article/407817.html</guid> 
         <category /> 
         <title>Anton Chekhov in Wood</title> 
         <author>By John Freedman &lt;moscowtimes@themoscowtimes.com&gt;</author> 
         <link>http://feedproxy.google.com/~r/themoscowtimes/columnsTheaterPlus/~3/YPPwT135d_M/407817.html</link> 
         <description>Of all the subjects that Tomsk-based sculptor Leonty Usov has taken on over the years, Anton Chekhov is clearly a favorite.
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/jEOE8Q5nDpHtWAVNlkuiUZFfLTc/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/jEOE8Q5nDpHtWAVNlkuiUZFfLTc/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/jEOE8Q5nDpHtWAVNlkuiUZFfLTc/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/jEOE8Q5nDpHtWAVNlkuiUZFfLTc/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;</description> 
         <pubDate>Tue, 08 Jun 2010 00:00:00 +0400</pubDate> 
     <feedburner:origLink>http://www.themoscowtimes.com/article/407817.html</feedburner:origLink></item>
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         <guid isPermaLink="false">http://www.themoscowtimes.com/article/407397.html</guid> 
         <category /> 
         <title>Remembering Andrei Voznesensky. America. 1987.</title> 
         <author>By John Freedman &lt;moscowtimes@themoscowtimes.com&gt;</author> 
         <link>http://feedproxy.google.com/~r/themoscowtimes/columnsTheaterPlus/~3/IbiwrYOeYnc/407397.html</link> 
         <description>In honor of the poet Andrei Voznesensky, who passed away Tuesday, John Freedman recalls a reading he witnessed Voznesnensky give at Tufts University.
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/Uk5IdD18ybjXsRN_x2A0GFrsMVc/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/Uk5IdD18ybjXsRN_x2A0GFrsMVc/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/Uk5IdD18ybjXsRN_x2A0GFrsMVc/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/Uk5IdD18ybjXsRN_x2A0GFrsMVc/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;</description> 
         <pubDate>Wed, 02 Jun 2010 00:00:00 +0400</pubDate> 
     <feedburner:origLink>http://www.themoscowtimes.com/article/407397.html</feedburner:origLink></item>
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         <guid isPermaLink="false">http://www.themoscowtimes.com/article/407287.html</guid> 
         <category /> 
         <title>In Memory of Roman Kozak, 1957-2010</title> 
         <author>By John Freedman &lt;moscowtimes@themoscowtimes.com&gt;</author> 
         <link>http://feedproxy.google.com/~r/themoscowtimes/columnsTheaterPlus/~3/d88YRYgRvGc/407287.html</link> 
         <description>Roman Kozak, a director, actor and teacher who had an enormous impact on Moscow theater over three decades, was buried Sunday at the Troyekuroskoye cemetery in Moscow. He died late Thursday evening of cancer of the throat at the age of 52.
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/kLjjDI_8xRaVI-vKF88huMSYHog/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/kLjjDI_8xRaVI-vKF88huMSYHog/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/kLjjDI_8xRaVI-vKF88huMSYHog/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/kLjjDI_8xRaVI-vKF88huMSYHog/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;</description> 
         <pubDate>Tue, 01 Jun 2010 00:00:00 +0400</pubDate> 
     <feedburner:origLink>http://www.themoscowtimes.com/article/407287.html</feedburner:origLink></item>
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         <guid isPermaLink="false">http://www.themoscowtimes.com/article/406782.html</guid> 
         <category /> 
         <title>Repertoire, Innovation Found at Saratov Theater</title> 
         <author>By John Freedman &lt;moscowtimes@themoscowtimes.com&gt;</author> 
         <link>http://feedproxy.google.com/~r/themoscowtimes/columnsTheaterPlus/~3/kybgEXDUPJs/406782.html</link> 
         <description>Founded in 1908, Saratov Theater Yunogo Zritelya is the oldest professional children's theater in the world. It also is a powerhouse of productions with international partners.
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/O18A7vRxp15RCxFuo8cUcNujhR4/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/O18A7vRxp15RCxFuo8cUcNujhR4/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/O18A7vRxp15RCxFuo8cUcNujhR4/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/O18A7vRxp15RCxFuo8cUcNujhR4/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;</description> 
         <pubDate>Tue, 25 May 2010 00:00:00 +0400</pubDate> 
     <feedburner:origLink>http://www.themoscowtimes.com/article/406782.html</feedburner:origLink></item>
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         <guid isPermaLink="false">http://www.themoscowtimes.com/article/406144.html</guid> 
         <category /> 
         <title>Theory Meets Practice at Towson University</title> 
         <author>By John Freedman &lt;moscowtimes@themoscowtimes.com&gt;</author> 
         <link>http://feedproxy.google.com/~r/themoscowtimes/columnsTheaterPlus/~3/gbEOtuKICLc/406144.html</link> 
         <description>When two Russian playwrights saw their creations realized and appreciated by American theater students at a conference in Baltimore, it was a moment of reckoning for all involved.
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/NH_W4qLsYrtXbQRwDKBSkcETuvU/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/NH_W4qLsYrtXbQRwDKBSkcETuvU/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/NH_W4qLsYrtXbQRwDKBSkcETuvU/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/NH_W4qLsYrtXbQRwDKBSkcETuvU/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;</description> 
         <pubDate>Mon, 17 May 2010 00:00:00 +0400</pubDate> 
     <feedburner:origLink>http://www.themoscowtimes.com/article/406144.html</feedburner:origLink></item>
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         <guid isPermaLink="false">http://www.themoscowtimes.com/article/405740.html</guid> 
         <category /> 
         <title>Keeping Track of Russian and East European Performance</title> 
         <author>By John Freedman &lt;moscowtimes@themoscowtimes.com&gt;</author> 
         <link>http://feedproxy.google.com/~r/themoscowtimes/columnsTheaterPlus/~3/_QHTNBcox3Q/405740.html</link> 
         <description>John Freedman sits down with the editor of a small journal published at the City University of New York that has closely followed the development of theater and performance in Russia and East Europe.
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/BLbPi0qyL0Iom8YsaAoYbBEzl0U/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/BLbPi0qyL0Iom8YsaAoYbBEzl0U/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/BLbPi0qyL0Iom8YsaAoYbBEzl0U/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/BLbPi0qyL0Iom8YsaAoYbBEzl0U/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;</description> 
         <pubDate>Tue, 11 May 2010 00:00:00 +0400</pubDate> 
     <feedburner:origLink>http://www.themoscowtimes.com/article/405740.html</feedburner:origLink></item>
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         <guid isPermaLink="false">http://www.themoscowtimes.com/article/405255.html</guid> 
         <category /> 
         <title>Aktovy Zal: A Diamond in the Rough</title> 
         <author>By John Freedman &lt;moscowtimes@themoscowtimes.com&gt;</author> 
         <link>http://feedproxy.google.com/~r/themoscowtimes/columnsTheaterPlus/~3/JPKGQK7jjt8/405255.html</link> 
         <description>Chances are if someone took a vote to determine what the coolest, hippest cultural corner in Moscow is, it would be a place called Aktovy Zal.
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/y_N70ANcBQutVZivZ4dwXMiDSaM/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/y_N70ANcBQutVZivZ4dwXMiDSaM/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/y_N70ANcBQutVZivZ4dwXMiDSaM/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/y_N70ANcBQutVZivZ4dwXMiDSaM/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;</description> 
         <pubDate>Mon, 03 May 2010 00:00:00 +0400</pubDate> 
     <feedburner:origLink>http://www.themoscowtimes.com/article/405255.html</feedburner:origLink></item>
     <item>
         <guid isPermaLink="false">http://www.themoscowtimes.com/article/404780.html</guid> 
         <category /> 
         <title>The Deep Influence of Russian Theater</title> 
         <author>By John Freedman &lt;moscowtimes@themoscowtimes.com&gt;</author> 
         <link>http://feedproxy.google.com/~r/themoscowtimes/columnsTheaterPlus/~3/g8nwJ0LnBos/404780.html</link> 
         <description>Tony Award winner Robert Falls, one of the finest and most successful theater directors in the United States, talks about his connection with Russian drama.
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/UPLg0Q5TP3_rwymwXp6gpiPKg2A/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/UPLg0Q5TP3_rwymwXp6gpiPKg2A/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/UPLg0Q5TP3_rwymwXp6gpiPKg2A/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/UPLg0Q5TP3_rwymwXp6gpiPKg2A/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;</description> 
         <pubDate>Mon, 26 Apr 2010 00:00:00 +0400</pubDate> 
     <feedburner:origLink>http://www.themoscowtimes.com/article/404780.html</feedburner:origLink></item>
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         <guid isPermaLink="false">http://www.themoscowtimes.com/article/404258.html</guid> 
         <category /> 
         <title>Stray Thoughts on the 2010 Golden Mask Festival</title> 
         <author>By John Freedman &lt;moscowtimes@themoscowtimes.com&gt;</author> 
         <link>http://feedproxy.google.com/~r/themoscowtimes/columnsTheaterPlus/~3/ETZfrZRNgk4/404258.html</link> 
         <description>Our theater critic, who got up close and personal with the annual festival, gives his impressions and congratulations in this Golden Mask summary.
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/H7g9TOD2v3AR-9jpx3gvdcl_joY/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/H7g9TOD2v3AR-9jpx3gvdcl_joY/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/H7g9TOD2v3AR-9jpx3gvdcl_joY/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/H7g9TOD2v3AR-9jpx3gvdcl_joY/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;</description> 
         <pubDate>Mon, 19 Apr 2010 00:00:00 +0400</pubDate> 
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         <guid isPermaLink="false">http://www.themoscowtimes.com/article/403770.html</guid> 
         <category /> 
         <title>What's So Funny About Peace, Love and Understanding?</title> 
         <author>By John Freedman &lt;moscowtimes@themoscowtimes.com&gt;</author> 
         <link>http://feedproxy.google.com/~r/themoscowtimes/columnsTheaterPlus/~3/CH96YeQuqps/403770.html</link> 
         <description>If you are an American performer, writer or creator and you have visited Russia on any kind of official exchange &amp;#40;and vice versa if you are Russian&amp;#41;, chances are that the Trust for Mutual Understanding at least partially made your trip possible.
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/rOvVCi9sAt8KVPP-NaFYS3KLc-M/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/rOvVCi9sAt8KVPP-NaFYS3KLc-M/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/rOvVCi9sAt8KVPP-NaFYS3KLc-M/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/rOvVCi9sAt8KVPP-NaFYS3KLc-M/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;</description> 
         <pubDate>Mon, 12 Apr 2010 00:00:00 +0400</pubDate> 
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         <guid isPermaLink="false">http://www.themoscowtimes.com/article/403267.html</guid> 
         <category /> 
         <title>Selling Theater - Down the River?</title> 
         <author>By John Freedman &lt;moscowtimes@themoscowtimes.com&gt;</author> 
         <link>http://feedproxy.google.com/~r/themoscowtimes/columnsTheaterPlus/~3/6SFYNKd3ylg/403267.html</link> 
         <description>A new breed of theater ads are appealing to those who prefer the easy-to-swallow pill that is television; It is as if they are suggesting, "If you don't like all that messy theater stuff, come see our shows. We'll feed you entertainment in one big, happy package."
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/YFM-zsm8ZLBTVZ8DAMF5FGP7ZCs/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/YFM-zsm8ZLBTVZ8DAMF5FGP7ZCs/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/YFM-zsm8ZLBTVZ8DAMF5FGP7ZCs/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/YFM-zsm8ZLBTVZ8DAMF5FGP7ZCs/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;</description> 
         <pubDate>Mon, 05 Apr 2010 00:00:00 +0400</pubDate> 
     <feedburner:origLink>http://www.themoscowtimes.com/article/403267.html</feedburner:origLink></item>
     <item>
         <guid isPermaLink="false">http://www.themoscowtimes.com/article/402869.html</guid> 
         <category /> 
         <title>Russian Theater in Picture Postcards - Part Two</title> 
         <author>By John Freedman &lt;moscowtimes@themoscowtimes.com&gt;</author> 
         <link>http://feedproxy.google.com/~r/themoscowtimes/columnsTheaterPlus/~3/74we9raO3QA/402869.html</link> 
         <description>John Freedman brings us another fascinating glimpse of Russian theater from the early 20th century seen through his personal collection of vintage postcards.
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/KpoxTuFf9tylv3tjfJ8OiynIm0o/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/KpoxTuFf9tylv3tjfJ8OiynIm0o/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/KpoxTuFf9tylv3tjfJ8OiynIm0o/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/KpoxTuFf9tylv3tjfJ8OiynIm0o/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;</description> 
         <pubDate>Tue, 30 Mar 2010 00:00:00 +0400</pubDate> 
     <feedburner:origLink>http://www.themoscowtimes.com/article/402869.html</feedburner:origLink></item>
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         <guid isPermaLink="false">http://www.themoscowtimes.com/article/402314.html</guid> 
         <category /> 
         <title>Russian Drama in Middle America</title> 
         <author>By John Freedman &lt;moscowtimes@themoscowtimes.com&gt;</author> 
         <link>http://feedproxy.google.com/~r/themoscowtimes/columnsTheaterPlus/~3/rJYJXodyce4/402314.html</link> 
         <description>Ahead of a production in Ann Arbor, MI, of Maxim Kurochkin's legendary "Kitchen," our theater critic sat down with the play's American director Katherine Mendeloff to talk about her connection to Russian theater.
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/UtKrxrfJXXXxIPSz4IdCAQf_q_k/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/UtKrxrfJXXXxIPSz4IdCAQf_q_k/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/UtKrxrfJXXXxIPSz4IdCAQf_q_k/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/UtKrxrfJXXXxIPSz4IdCAQf_q_k/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;</description> 
         <pubDate>Mon, 22 Mar 2010 00:00:00 +0300</pubDate> 
     <feedburner:origLink>http://www.themoscowtimes.com/article/402314.html</feedburner:origLink></item>
     <item>
         <guid isPermaLink="false">http://www.themoscowtimes.com/article/401809.html</guid> 
         <category /> 
         <title>'Playing Dead' in Baltimore</title> 
         <author>By John Freedman &lt;moscowtimes@themoscowtimes.com&gt;</author> 
         <link>http://feedproxy.google.com/~r/themoscowtimes/columnsTheaterPlus/~3/JrpdSIP_qY8/401809.html</link> 
         <description>An encounter with one of the most iconic Russian plays of the last decade, brought something new into the life of writer-director Juanita Rockwell: Never before had she had the need to find so many ways to curse in English.
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/nvz0yE43ohupXBiyMlC9hlPNalc/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/nvz0yE43ohupXBiyMlC9hlPNalc/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/nvz0yE43ohupXBiyMlC9hlPNalc/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/nvz0yE43ohupXBiyMlC9hlPNalc/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;</description> 
         <pubDate>Tue, 16 Mar 2010 00:00:00 +0300</pubDate> 
     <feedburner:origLink>http://www.themoscowtimes.com/article/401809.html</feedburner:origLink></item>
     <item>
         <guid isPermaLink="false">http://www.themoscowtimes.com/article/401117.html</guid> 
         <category /> 
         <title>An Englishman From France Who Writes about Russia</title> 
         <author>By John Freedman &lt;moscowtimes@themoscowtimes.com&gt;</author> 
         <link>http://feedproxy.google.com/~r/themoscowtimes/columnsTheaterPlus/~3/ApSkt2ULQbw/401117.html</link> 
         <description>Bernard Besserglik's experience as a reporter in Moscow for 3 years illuminated many a corner of the city's arts scene and helped influence his wacky musical, "A Night in the Kremlin," which imagines Harpo Marx and Joseph Stalin meeting in 1930s Moscow.
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/kQY9wxn6Nq6qd_tf8B-CU9-OTio/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/kQY9wxn6Nq6qd_tf8B-CU9-OTio/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/kQY9wxn6Nq6qd_tf8B-CU9-OTio/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/kQY9wxn6Nq6qd_tf8B-CU9-OTio/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;</description> 
         <pubDate>Mon, 08 Mar 2010 00:00:00 +0300</pubDate> 
     <feedburner:origLink>http://www.themoscowtimes.com/article/401117.html</feedburner:origLink></item>
     <item>
         <guid isPermaLink="false">http://www.themoscowtimes.com/article/400703.html</guid> 
         <category /> 
         <title>Doing the Henry Miller in Moscow</title> 
         <author>By John Freedman &lt;moscowtimes@themoscowtimes.com&gt;</author> 
         <link>http://feedproxy.google.com/~r/themoscowtimes/columnsTheaterPlus/~3/QwJ44rR6mCo/400703.html</link> 
         <description>If you read the New York Times, the Boston Globe, Newsweek, Rolling Stone or almost any other major American news publication, chances are you are reading the work of men and women who started out in Moscow.
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/LJLgfbgYrrHRZCJPSHAPu0c4Z0Y/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/LJLgfbgYrrHRZCJPSHAPu0c4Z0Y/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/LJLgfbgYrrHRZCJPSHAPu0c4Z0Y/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/LJLgfbgYrrHRZCJPSHAPu0c4Z0Y/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;</description> 
         <pubDate>Mon, 01 Mar 2010 00:00:00 +0300</pubDate> 
     <feedburner:origLink>http://www.themoscowtimes.com/article/400703.html</feedburner:origLink></item>
     <item>
         <guid isPermaLink="false">http://www.themoscowtimes.com/article/400219.html</guid> 
         <category /> 
         <title>Snow No Match for Moscow Theater Audiences</title> 
         <author>By John Freedman &lt;moscowtimes@themoscowtimes.com&gt;</author> 
         <link>http://feedproxy.google.com/~r/themoscowtimes/columnsTheaterPlus/~3/mxuOvWv4-f4/400219.html</link> 
         <description>As Moscow was gripped by a record-breaking snowfall during a long holiday weekend, our theater critic made a surprising discovery when he headed to the OKOLO Theater on Sunday night.
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/CfJe6n0SksOgezk5PKMMV1ezJAk/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/CfJe6n0SksOgezk5PKMMV1ezJAk/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/CfJe6n0SksOgezk5PKMMV1ezJAk/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/CfJe6n0SksOgezk5PKMMV1ezJAk/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;</description> 
         <pubDate>Tue, 23 Feb 2010 00:00:00 +0300</pubDate> 
     <feedburner:origLink>http://www.themoscowtimes.com/article/400219.html</feedburner:origLink></item>
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         <guid isPermaLink="false">http://www.themoscowtimes.com/article/399774.html</guid> 
         <category /> 
         <title>Art Meets Life in A New Moscow Production</title> 
         <author>By John Freedman &lt;moscowtimes@themoscowtimes.com&gt;</author> 
         <link>http://feedproxy.google.com/~r/themoscowtimes/columnsTheaterPlus/~3/isC8Zlwo8E0/399774.html</link> 
         <description>Mindaugas Karbauskis' production of "A Stalemate Lasts But a Moment," which opened last week at the National Youth Theater, affected me so deeply that I was compelled to step out from behind the detached gaze of a critic and offer a personal response now.
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/-S4mP0Pj9t2mpQ9Gisvpo6G5Xhk/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/-S4mP0Pj9t2mpQ9Gisvpo6G5Xhk/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/-S4mP0Pj9t2mpQ9Gisvpo6G5Xhk/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/-S4mP0Pj9t2mpQ9Gisvpo6G5Xhk/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;</description> 
         <pubDate>Mon, 15 Feb 2010 00:00:00 +0300</pubDate> 
     <feedburner:origLink>http://www.themoscowtimes.com/article/399774.html</feedburner:origLink></item>
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         <guid isPermaLink="false">http://www.themoscowtimes.com/article/399252.html</guid> 
         <category /> 
         <title>Remembering the Great Vsevolod Yakut</title> 
         <author>By John Freedman &lt;moscowtimes@themoscowtimes.com&gt;</author> 
         <link>http://feedproxy.google.com/~r/themoscowtimes/columnsTheaterPlus/~3/90MBQdMLQ_Y/399252.html</link> 
         <description>Vsevolod Yakut was one of the Soviet Union's great actors from the 1940s to the 1980s, performing more than 150 roles on stage and screen. An actor's actor, he brought to his work scrupulous attention to detail and total devotion to what he believed to be the magic of his profession.
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/r9HZvfVm8nkvr7kjZMQbG2fesco/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/r9HZvfVm8nkvr7kjZMQbG2fesco/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/r9HZvfVm8nkvr7kjZMQbG2fesco/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/r9HZvfVm8nkvr7kjZMQbG2fesco/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;</description> 
         <pubDate>Mon, 08 Feb 2010 00:00:00 +0300</pubDate> 
     <feedburner:origLink>http://www.themoscowtimes.com/article/399252.html</feedburner:origLink></item>
     <item>
         <guid isPermaLink="false">http://www.themoscowtimes.com/article/398750.html</guid> 
         <category /> 
         <title>Theater, Radio and the Internet</title> 
         <author>By John Freedman &lt;moscowtimes@themoscowtimes.com&gt;</author> 
         <link>http://feedproxy.google.com/~r/themoscowtimes/columnsTheaterPlus/~3/EMmjl0gTwvI/398750.html</link> 
         <description>Thanks to my colleague Pavel Podkladov at Podmoskovye Radio, I recently learned about a web site that combines the media of radio-theater and internet and has collected more than 400 recordings of theatrical and literary works, some going back as far as the 1940s, some having been recorded in recent years.
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/jshdPmlyKYfcp-NNa4K49fVqIgw/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/jshdPmlyKYfcp-NNa4K49fVqIgw/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/jshdPmlyKYfcp-NNa4K49fVqIgw/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/jshdPmlyKYfcp-NNa4K49fVqIgw/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;</description> 
         <pubDate>Mon, 01 Feb 2010 00:00:00 +0300</pubDate> 
     <feedburner:origLink>http://www.themoscowtimes.com/article/398750.html</feedburner:origLink></item>
     <item>
         <guid isPermaLink="false">http://www.themoscowtimes.com/article/398138.html</guid> 
         <category /> 
         <title>My Chekhov</title> 
         <author>By John Freedman &lt;moscowtimes@themoscowtimes.com&gt;</author> 
         <link>http://feedproxy.google.com/~r/themoscowtimes/columnsTheaterPlus/~3/mr2tye5RkYY/398138.html</link> 
         <description>Anton Chekhov belongs to the world. In Russia he is Russian. In England he is English. In the United States he is American. Here I am, an English-language American critic in Russia, and I don't know what to make of him.
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/5ZUBiSYL0SXc3ejoTqGs1-T39is/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/5ZUBiSYL0SXc3ejoTqGs1-T39is/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/5ZUBiSYL0SXc3ejoTqGs1-T39is/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/5ZUBiSYL0SXc3ejoTqGs1-T39is/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;</description> 
         <pubDate>Mon, 25 Jan 2010 00:00:00 +0300</pubDate> 
     <feedburner:origLink>http://www.themoscowtimes.com/article/398138.html</feedburner:origLink></item>
     <item>
         <guid isPermaLink="false">http://www.themoscowtimes.com/article/397735.html</guid> 
         <category /> 
         <title>Russian Theater for American Students</title> 
         <author>By John Freedman &lt;moscowtimes@themoscowtimes.com&gt;</author> 
         <link>http://feedproxy.google.com/~r/themoscowtimes/columnsTheaterPlus/~3/gGbH0zRcdxw/397735.html</link> 
         <description>Travelling to Russia as a student is something of a rite of passage for a good many young people from all over the globe, and right now there is a group of 18 students here from multiple disciplines who have been immersing themselves in the world of Moscow theater.
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/v5zDWNhDZ-It0QuVjSrLG1Z26kU/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/v5zDWNhDZ-It0QuVjSrLG1Z26kU/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/v5zDWNhDZ-It0QuVjSrLG1Z26kU/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/v5zDWNhDZ-It0QuVjSrLG1Z26kU/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;</description> 
         <pubDate>Tue, 19 Jan 2010 00:00:00 +0300</pubDate> 
     <feedburner:origLink>http://www.themoscowtimes.com/article/397735.html</feedburner:origLink></item>
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         <guid isPermaLink="false">http://www.themoscowtimes.com/article/397400.html</guid> 
         <category /> 
         <title>The Perfect Fit of the Russian New Year and Eldar Ryazanov</title> 
         <author>By John Freedman &lt;moscowtimes@themoscowtimes.com&gt;</author> 
         <link>http://feedproxy.google.com/~r/themoscowtimes/columnsTheaterPlus/~3/xK-M80PdZVg/397400.html</link> 
         <description>You would be forgiven for believing that Eldar Ryazanov is the sole embodiment of the Russian New Year. His 1975 comedy "The Irony of Fate" is easily the most-showed, most-watched and most-loved New Year's film in Russian cinema history.
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/Ujn1n64UGFlD8CWYh3LH9CnEztY/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/Ujn1n64UGFlD8CWYh3LH9CnEztY/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/Ujn1n64UGFlD8CWYh3LH9CnEztY/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/Ujn1n64UGFlD8CWYh3LH9CnEztY/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;</description> 
         <pubDate>Thu, 14 Jan 2010 00:00:00 +0300</pubDate> 
     <feedburner:origLink>http://www.themoscowtimes.com/article/397400.html</feedburner:origLink></item>
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         <guid isPermaLink="false">http://www.themoscowtimes.com/article/396973.html</guid> 
         <category /> 
         <title>Stories Lurk Behind a Forgotten Photo of Vsevolod Meyerhold</title> 
         <author>By John Freedman &lt;moscowtimes@themoscowtimes.com&gt;</author> 
         <link>http://feedproxy.google.com/~r/themoscowtimes/columnsTheaterPlus/~3/KOX6RlFkUIQ/396973.html</link> 
         <description>There's something intriguing about group portraits. The visages of famous people peer out at us from a sea of unfamiliar faces, reminding us that at one time all of these individuals were mortals who walked the same earth. All were connected as players in a process that led to the making of culture and history.
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/a4ZopUq9lXzefe6Rv30d65qKSXw/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/a4ZopUq9lXzefe6Rv30d65qKSXw/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/a4ZopUq9lXzefe6Rv30d65qKSXw/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/a4ZopUq9lXzefe6Rv30d65qKSXw/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;</description> 
         <pubDate>Tue, 29 Dec 2009 00:00:00 +0300</pubDate> 
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         <guid isPermaLink="false">http://www.themoscowtimes.com/article/396399.html</guid> 
         <category /> 
         <title>Yegor Gaidar, New and Old Vocabularies and the Revival of Russian Theater</title> 
         <author>By John Freedman &lt;moscowtimes@themoscowtimes.com&gt;</author> 
         <link>http://feedproxy.google.com/~r/themoscowtimes/columnsTheaterPlus/~3/tissnflFBrA/396399.html</link> 
         <description>It surely would be a gross exaggeration to draw a direct line from Yegor Gaidar to the renewal of Russian theater. But by the time Gaidar began moving onto the fringes of politics - or, more properly, by the time he was pushed out of the big picture - his work was showing tangible results in all spheres of life, including theater.
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/0hwj4_5I0rD1Ixh2GqjHA7GQxwE/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/0hwj4_5I0rD1Ixh2GqjHA7GQxwE/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/0hwj4_5I0rD1Ixh2GqjHA7GQxwE/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/0hwj4_5I0rD1Ixh2GqjHA7GQxwE/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;</description> 
         <pubDate>Thu, 17 Dec 2009 00:00:00 +0300</pubDate> 
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         <guid isPermaLink="false">http://www.themoscowtimes.com/article/391340.html</guid> 
         <category /> 
         <title>Yury Klavdiyev, an 'Atom-Smashing' Playwright</title> 
         <author>By John Freedman &lt;moscowtimes@themoscowtimes.com&gt;</author> 
         <link>http://feedproxy.google.com/~r/themoscowtimes/columnsTheaterPlus/~3/56YzUQ6WfgY/391340.html</link> 
         <description>Yury Klavdiyev's mix of violence and tenderness, vulgarity and poetry, is now clearly beginning to make a mark in English, and his plays are not for the squeamish. But if you appreciate theater that puts you on the spot, Klavdiyev is ready to do that.
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/ULfTjfZQCCOaXZvEhrtdt9raSxQ/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/ULfTjfZQCCOaXZvEhrtdt9raSxQ/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/ULfTjfZQCCOaXZvEhrtdt9raSxQ/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/ULfTjfZQCCOaXZvEhrtdt9raSxQ/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;</description> 
         <pubDate>Sun, 13 Dec 2009 00:00:00 +0300</pubDate> 
     <feedburner:origLink>http://www.themoscowtimes.com/article/391340.html</feedburner:origLink></item>
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         <guid isPermaLink="false">http://www.themoscowtimes.com/article/391031.html</guid> 
         <category /> 
         <title>Olga Mukhina's 'Tanya-Tanya' Leads Russian Drama Season in United States</title> 
         <author>By John Freedman &lt;moscowtimes@themoscowtimes.com&gt;</author> 
         <link>http://feedproxy.google.com/~r/themoscowtimes/columnsTheaterPlus/~3/A_zP44DuC2k/391031.html</link> 
         <description>Towson University in Towson, Maryland, is currently hosting an entire season of Russian drama in English - ten plays by six authors presented in English translation by various production teams consisting of a Russian director, two Russian choreographers, three American directors, two American playwrights and several American translators.
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/CMI-PCg2d17DUVWgK0eqxg2zkkQ/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/CMI-PCg2d17DUVWgK0eqxg2zkkQ/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/CMI-PCg2d17DUVWgK0eqxg2zkkQ/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/CMI-PCg2d17DUVWgK0eqxg2zkkQ/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;</description> 
         <pubDate>Mon, 07 Dec 2009 00:00:00 +0300</pubDate> 
     <feedburner:origLink>http://www.themoscowtimes.com/article/391031.html</feedburner:origLink></item>
     <item>
         <guid isPermaLink="false">http://www.themoscowtimes.com/article/390599.html</guid> 
         <category /> 
         <title>The Noise of Time</title> 
         <author>By John Freedman &lt;moscowtimes@themoscowtimes.com&gt;</author> 
         <link>http://feedproxy.google.com/~r/themoscowtimes/columnsTheaterPlus/~3/2zNqtSAyU8c/390599.html</link> 
         <description>Stihophone.ru, or the Virtual Theater of Poetry, offers mp3 recordings of poets reading themselves and actors reading poets. The selection is relatively small - it features just 48 Russians and two foreigners - but what a treasure trove!
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/OiiH6cKFcpgUKDg3ANVTZJ_dJ20/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/OiiH6cKFcpgUKDg3ANVTZJ_dJ20/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/OiiH6cKFcpgUKDg3ANVTZJ_dJ20/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/OiiH6cKFcpgUKDg3ANVTZJ_dJ20/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;</description> 
         <pubDate>Mon, 30 Nov 2009 00:00:00 +0300</pubDate> 
     <feedburner:origLink>http://www.themoscowtimes.com/article/390599.html</feedburner:origLink></item>
     <item>
         <guid isPermaLink="false">http://www.themoscowtimes.com/article/390166.html</guid> 
         <category /> 
         <title>Kristin Marting From HERE to Moscow</title> 
         <author>By John Freedman &lt;moscowtimes@themoscowtimes.com&gt;</author> 
         <link>http://feedproxy.google.com/~r/themoscowtimes/columnsTheaterPlus/~3/ewQfU5-ee8s/390166.html</link> 
         <description>Director and producer Kristin Marting has found the time to travel to Moscow several times in her life, and it has intrigued her enough to keep coming back looking for interesting theater.
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/HVre1vlT0Yt4dqv-cds0gMAAKbY/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/HVre1vlT0Yt4dqv-cds0gMAAKbY/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/HVre1vlT0Yt4dqv-cds0gMAAKbY/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/HVre1vlT0Yt4dqv-cds0gMAAKbY/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;</description> 
         <pubDate>Mon, 23 Nov 2009 00:00:00 +0300</pubDate> 
     <feedburner:origLink>http://www.themoscowtimes.com/article/390166.html</feedburner:origLink></item>
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         <guid isPermaLink="false">http://www.themoscowtimes.com/article/389550.html</guid> 
         <category /> 
         <title>Turning Our Backs on Anton Chekhov</title> 
         <author>By John Freedman &lt;moscowtimes@themoscowtimes.com&gt;</author> 
         <link>http://feedproxy.google.com/~r/themoscowtimes/columnsTheaterPlus/~3/2ivOwuMuyGo/389550.html</link> 
         <description>In his new production of "The Seagull," Kristian Smeds did what any self-respecting contemporary visionary would do when confronted with a work groaning under the weight of its own mythology: He took the play on, shook it hard and created something new that responds to it.
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/l8VUHNJAItA6SIfECaLJqUxoBKE/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/l8VUHNJAItA6SIfECaLJqUxoBKE/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/l8VUHNJAItA6SIfECaLJqUxoBKE/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/l8VUHNJAItA6SIfECaLJqUxoBKE/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;</description> 
         <pubDate>Mon, 16 Nov 2009 00:00:00 +0300</pubDate> 
     <feedburner:origLink>http://www.themoscowtimes.com/article/389550.html</feedburner:origLink></item>
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         <guid isPermaLink="false">http://www.themoscowtimes.com/article/389121.html</guid> 
         <category /> 
         <title>Lee Breuer 'Comes Home' to Moscow with 'Dollhouse'</title> 
         <author>By John Freedman &lt;moscowtimes@themoscowtimes.com&gt;</author> 
         <link>http://feedproxy.google.com/~r/themoscowtimes/columnsTheaterPlus/~3/-OY2DzNeJWg/389121.html</link> 
         <description>Lee Breuer's "Mabou Mines Dollhouse" is an often bracing, often hilarious and always eclectic and hectic show that turns Henrik Ibsen's "A Doll House" on its end.
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/BtMyCaCw3xWeFfQ3bE1_2d1x-mM/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/BtMyCaCw3xWeFfQ3bE1_2d1x-mM/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/BtMyCaCw3xWeFfQ3bE1_2d1x-mM/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/BtMyCaCw3xWeFfQ3bE1_2d1x-mM/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;</description> 
         <pubDate>Mon, 09 Nov 2009 00:00:00 +0300</pubDate> 
     <feedburner:origLink>http://www.themoscowtimes.com/article/389121.html</feedburner:origLink></item>
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         <guid isPermaLink="false">http://www.themoscowtimes.com/article/388842.html</guid> 
         <category /> 
         <title>Maksym Kurochkin Cooks Up Great Drama</title> 
         <author>By John Freedman &lt;moscowtimes@themoscowtimes.com&gt;</author> 
         <link>http://feedproxy.google.com/~r/themoscowtimes/columnsTheaterPlus/~3/XuxmwSjV_zE/388842.html</link> 
         <description>"Kitchen," a weird, wild and wonderful force of nature that was commissioned by Oleg Menshikov - Russia's one and only true matinee idol -was a monstrous hit when it premiered in 2000, and suddenly new plays were the hot item in Russian theater.
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/2lQzWXmU7jqitaZeqJs4KPqB_b4/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/2lQzWXmU7jqitaZeqJs4KPqB_b4/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/2lQzWXmU7jqitaZeqJs4KPqB_b4/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/2lQzWXmU7jqitaZeqJs4KPqB_b4/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;</description> 
         <pubDate>Wed, 04 Nov 2009 00:00:00 +0300</pubDate> 
     <feedburner:origLink>http://www.themoscowtimes.com/article/388842.html</feedburner:origLink></item>
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         <guid isPermaLink="false">http://www.themoscowtimes.com/article/388178.html</guid> 
         <category /> 
         <title>Did Bob Dylan Shed Tears of Rage in Russia?</title> 
         <author>By John Freedman &lt;moscowtimes@themoscowtimes.com&gt;</author> 
         <link>http://feedproxy.google.com/~r/themoscowtimes/columnsTheaterPlus/~3/vdDLxt6mAHw/388178.html</link> 
         <description>"What do Russia, Bob Dylan and Christmas have in common?" One of the projected answers was this: "Dylan's ancestors immigrated to the United States from Russia around 1906 and his Christmas album features a cover drawing of a sleigh and driver that looks like something off an old Russian postcard."
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/AByEvbPXa_LdslfcrTntSliNSXY/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/AByEvbPXa_LdslfcrTntSliNSXY/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/AByEvbPXa_LdslfcrTntSliNSXY/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/AByEvbPXa_LdslfcrTntSliNSXY/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;</description> 
         <pubDate>Mon, 26 Oct 2009 00:00:00 +0300</pubDate> 
     <feedburner:origLink>http://www.themoscowtimes.com/article/388178.html</feedburner:origLink></item>
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         <guid isPermaLink="false">http://www.themoscowtimes.com/article/387702.html</guid> 
         <category /> 
         <title>Polish Theater Festival Highlights the Past and Present</title> 
         <author>By John Freedman &lt;moscowtimes@themoscowtimes.com&gt;</author> 
         <link>http://feedproxy.google.com/~r/themoscowtimes/columnsTheaterPlus/~3/xtqV1g1O-bI/387702.html</link> 
         <description>While directors like Ivo van Hove surprise and challenge us with works that, to quote Moscow critic Yelena Kovalskaya, come to us from the 22nd century, Russian directors most likely will continue to seek their path forward based on the lessons of their resonant past.
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/X6fbx6eQcG8S6CTMFJc5H8XlOd8/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/X6fbx6eQcG8S6CTMFJc5H8XlOd8/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/X6fbx6eQcG8S6CTMFJc5H8XlOd8/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/X6fbx6eQcG8S6CTMFJc5H8XlOd8/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;</description> 
         <pubDate>Mon, 19 Oct 2009 00:00:00 +0400</pubDate> 
     <feedburner:origLink>http://www.themoscowtimes.com/article/387702.html</feedburner:origLink></item>
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         <guid isPermaLink="false">http://www.themoscowtimes.com/article/387349.html</guid> 
         <category /> 
         <title>How New Russian Drama Came to Slovakia</title> 
         <author>By John Freedman &lt;moscowtimes@themoscowtimes.com&gt;</author> 
         <link>http://feedproxy.google.com/~r/themoscowtimes/columnsTheaterPlus/~3/5RYH9aMHgnE/387349.html</link> 
         <description>Romana Maliti is well-known in Europe as one of the most important figures in the Slovakian theater world, but her affair with Russian drama had precious little to do with her professional interests.
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/RlZXKox1eNMJGi5Nc5gUynanJY0/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/RlZXKox1eNMJGi5Nc5gUynanJY0/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/RlZXKox1eNMJGi5Nc5gUynanJY0/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/RlZXKox1eNMJGi5Nc5gUynanJY0/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;</description> 
         <pubDate>Tue, 13 Oct 2009 00:00:00 +0400</pubDate> 
     <feedburner:origLink>http://www.themoscowtimes.com/article/387349.html</feedburner:origLink></item>
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         <guid isPermaLink="false">http://www.themoscowtimes.com/article/384848.html</guid> 
         <category /> 
         <title>Eda Urusova Teaches a Critic Some Lessons</title> 
         <author>By John Freedman &lt;moscowtimes@themoscowtimes.com&gt;</author> 
         <link>http://feedproxy.google.com/~r/themoscowtimes/columnsTheaterPlus/~3/YghkmNwdfEw/384848.html</link> 
         <description>Urusova was one of those people whose individual lives somehow embraced the entire history of a nation; an imposing, yet warm and gracious woman, a descendant of the great Urusov line of Russian princes.
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/0OFIeFPv5TqVcRcZ4eohdkG0FXg/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/0OFIeFPv5TqVcRcZ4eohdkG0FXg/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/0OFIeFPv5TqVcRcZ4eohdkG0FXg/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/0OFIeFPv5TqVcRcZ4eohdkG0FXg/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;</description> 
         <pubDate>Mon, 05 Oct 2009 00:00:00 +0400</pubDate> 
     <feedburner:origLink>http://www.themoscowtimes.com/article/384848.html</feedburner:origLink></item>
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         <guid isPermaLink="false">http://www.themoscowtimes.com/article/384321.html</guid> 
         <category /> 
         <title>Russian Theater in Picture Postcards</title> 
         <author>By John Freedman &lt;moscowtimes@themoscowtimes.com&gt;</author> 
         <link>http://feedproxy.google.com/~r/themoscowtimes/columnsTheaterPlus/~3/Vo-kjBMaEBA/384321.html</link> 
         <description>Our theater critic gives us an in-depth look at some rare Russian theater postcards, all of them fascinating glimpses into the past.
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/j3rB6EjqyA-llALSvDQmzv-Q_bU/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/j3rB6EjqyA-llALSvDQmzv-Q_bU/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/j3rB6EjqyA-llALSvDQmzv-Q_bU/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/j3rB6EjqyA-llALSvDQmzv-Q_bU/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;</description> 
         <pubDate>Mon, 28 Sep 2009 00:00:00 +0400</pubDate> 
     <feedburner:origLink>http://www.themoscowtimes.com/article/384321.html</feedburner:origLink></item>
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         <guid isPermaLink="false">http://www.themoscowtimes.com/article/383707.html</guid> 
         <category /> 
         <title>Unforgettable Theater </title> 
         <author>By John Freedman &lt;moscowtimes@themoscowtimes.com&gt;</author> 
         <link>http://feedproxy.google.com/~r/themoscowtimes/columnsTheaterPlus/~3/7j_QW6Eo_xk/383707.html</link> 
         <description>Theater is arguably the most perishable art form; no two nights are ever the same. So what is left, then, when a show is gone?
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/AfGE3uuyH_MHNLPZVzHKZyZbNlw/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/AfGE3uuyH_MHNLPZVzHKZyZbNlw/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/AfGE3uuyH_MHNLPZVzHKZyZbNlw/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/AfGE3uuyH_MHNLPZVzHKZyZbNlw/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;</description> 
         <pubDate>Mon, 21 Sep 2009 00:00:00 +0400</pubDate> 
     <feedburner:origLink>http://www.themoscowtimes.com/article/383707.html</feedburner:origLink></item>
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         <guid isPermaLink="false">http://www.themoscowtimes.com/article/383146.html</guid> 
         <category /> 
         <title>Russian Playwrights Leap From Stage to Screen</title> 
         <author>By John Freedman &lt;moscowtimes@themoscowtimes.com&gt;</author> 
         <link>http://feedproxy.google.com/~r/themoscowtimes/columnsTheaterPlus/~3/pITQ6vOp6g8/383146.html</link> 
         <description>These aren't just cases of talented writers getting a chance to see their names on screen - we are talking about important writers potentially having a serious impact on the quality, themes, style and prestige of Russian cinema.
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/o5wCGeDIoRYGu13OJ6jizWn_AzI/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/o5wCGeDIoRYGu13OJ6jizWn_AzI/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/o5wCGeDIoRYGu13OJ6jizWn_AzI/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/o5wCGeDIoRYGu13OJ6jizWn_AzI/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;</description> 
         <pubDate>Mon, 14 Sep 2009 00:00:00 +0400</pubDate> 
     <feedburner:origLink>http://www.themoscowtimes.com/article/383146.html</feedburner:origLink></item>
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         <guid isPermaLink="false">http://www.themoscowtimes.com/article/382538.html</guid> 
         <category /> 
         <title>Ken Reynolds on Shooting the Satirikon</title> 
         <author>By John Freedman &lt;moscowtimes@themoscowtimes.com&gt;</author> 
         <link>http://feedproxy.google.com/~r/themoscowtimes/columnsTheaterPlus/~3/eyJ9RF4BPqs/382538.html</link> 
         <description>The Satirikon is not merely one of the best theaters in Moscow - it is a photographer's dream.
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/S0M8A4uNleafQ5qrO5eI-IHHCJY/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/S0M8A4uNleafQ5qrO5eI-IHHCJY/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/S0M8A4uNleafQ5qrO5eI-IHHCJY/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/S0M8A4uNleafQ5qrO5eI-IHHCJY/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;</description> 
         <pubDate>Tue, 08 Sep 2009 00:00:00 +0400</pubDate> 
     <feedburner:origLink>http://www.themoscowtimes.com/article/382538.html</feedburner:origLink></item>
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         <guid isPermaLink="false">http://www.themoscowtimes.com/article/381628.html</guid> 
         <category /> 
         <title>Carrying the Russian Aesthetic, From Lithuania to Georgia</title> 
         <author>By John Freedman &lt;moscowtimes@themoscowtimes.com&gt;</author> 
         <link>http://feedproxy.google.com/~r/themoscowtimes/columnsTheaterPlus/~3/MfdYhnwU7FM/381628.html</link> 
         <description>Eimuntas Nekrosius and Robert Sturua are arguably the greatest directors to emerge from their homelands in many decades - Nekrosius from Lithuania, Sturua from Georgia. FEATURES VIDEO
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/S_Drr3q-g2zfd74nZ8fz2e5OKpc/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/S_Drr3q-g2zfd74nZ8fz2e5OKpc/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/S_Drr3q-g2zfd74nZ8fz2e5OKpc/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/S_Drr3q-g2zfd74nZ8fz2e5OKpc/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;</description> 
         <pubDate>Mon, 31 Aug 2009 00:00:00 +0400</pubDate> 
     <feedburner:origLink>http://www.themoscowtimes.com/article/381628.html</feedburner:origLink></item>
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         <guid isPermaLink="false">http://www.themoscowtimes.com/article/381216.html</guid> 
         <category /> 
         <title>Emerging Playwrights Make It to U.K.</title> 
         <author>By Noah Birksted-Breen &lt;moscowtimes@themoscowtimes.com&gt;</author> 
         <link>http://feedproxy.google.com/~r/themoscowtimes/columnsTheaterPlus/~3/waUYlNMoPt8/381216.html</link> 
         <description>Discussing the four plays that will be staged at the forthcoming Russian Theatre Festival in London. FEATURES VIDEO
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/_6NdUGO0ZXEQhe0ikOHVPpqkVyA/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/_6NdUGO0ZXEQhe0ikOHVPpqkVyA/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/_6NdUGO0ZXEQhe0ikOHVPpqkVyA/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/_6NdUGO0ZXEQhe0ikOHVPpqkVyA/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;</description> 
         <pubDate>Tue, 25 Aug 2009 00:00:00 +0400</pubDate> 
     <feedburner:origLink>http://www.themoscowtimes.com/article/381216.html</feedburner:origLink></item>
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         <guid isPermaLink="false">http://www.themoscowtimes.com/article/380870.html</guid> 
         <category /> 
         <title>Tracking Lev Dodin Across Europe</title> 
         <author>By John Freedman &lt;moscowtimes@themoscowtimes.com&gt;</author> 
         <link>http://feedproxy.google.com/~r/themoscowtimes/columnsTheaterPlus/~3/S-r1OT28xo8/380870.html</link> 
         <description>Of all the Russian directors whose productions Ken Reynolds has captured on film, Dodin is second only to Kama Ginkas. FEATURES VIDEO
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/kje5hHLQxsg49WcjGelnypGDi6A/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/kje5hHLQxsg49WcjGelnypGDi6A/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/kje5hHLQxsg49WcjGelnypGDi6A/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/kje5hHLQxsg49WcjGelnypGDi6A/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;</description> 
         <pubDate>Mon, 17 Aug 2009 00:00:00 +0400</pubDate> 
     <feedburner:origLink>http://www.themoscowtimes.com/article/380870.html</feedburner:origLink></item>
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         <guid isPermaLink="false">http://www.themoscowtimes.com/article/380437.html</guid> 
         <category /> 
         <title>Seeking Complexity in Selecting for the West</title> 
         <author>By Noah Birksted-Breen &lt;moscowtimes@themoscowtimes.com&gt;</author> 
         <link>http://feedproxy.google.com/~r/themoscowtimes/columnsTheaterPlus/~3/YQKdVKJ6xVI/380437.html</link> 
         <description>What should British theaters look for in new Russian playwriting?
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/xdfmY4iulTvi8UyKbGt77kuyBYs/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/xdfmY4iulTvi8UyKbGt77kuyBYs/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/xdfmY4iulTvi8UyKbGt77kuyBYs/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/xdfmY4iulTvi8UyKbGt77kuyBYs/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;</description> 
         <pubDate>Tue, 11 Aug 2009 00:00:00 +0400</pubDate> 
     <feedburner:origLink>http://www.themoscowtimes.com/article/380437.html</feedburner:origLink></item>
     <item>
         <guid isPermaLink="false">http://www.themoscowtimes.com/article/380108.html</guid> 
         <category /> 
         <title>100,000 Photos and 23 Chekhov Shows</title> 
         <author>By John Freedman &lt;moscowtimes@themoscowtimes.com&gt;</author> 
         <link>http://feedproxy.google.com/~r/themoscowtimes/columnsTheaterPlus/~3/GD30Yu7LiPc/380108.html</link> 
         <description>A small numbers game provides a lot of insight into the scope of the portfolio Ken Reynolds has accumulated since turning his lens toward theater stages about 15 years ago. FEATURES VIDEO
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/lThYWuQzoj0emLMMImG8r_twAXU/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/lThYWuQzoj0emLMMImG8r_twAXU/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/lThYWuQzoj0emLMMImG8r_twAXU/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/lThYWuQzoj0emLMMImG8r_twAXU/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;</description> 
         <pubDate>Mon, 03 Aug 2009 00:00:00 +0400</pubDate> 
     <feedburner:origLink>http://www.themoscowtimes.com/article/380108.html</feedburner:origLink></item>
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         <guid isPermaLink="false">http://www.themoscowtimes.com/article/379912.html</guid> 
         <category /> 
         <title>How Kama Ginkas Changed a Photographer's Life</title> 
         <author>By John Freedman &lt;moscowtimes@themoscowtimes.com&gt;</author> 
         <link>http://feedproxy.google.com/~r/themoscowtimes/columnsTheaterPlus/~3/RdXWrdDezbA/379912.html</link> 
         <description>After beginning his career shooting patterns created by rust, British theater photographer Ken Reynolds met  director Kama Ginkas, a figure who became central to Reynolds' future. FEATURES VIDEO
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/3GRQhdYr_MkjnBfnLtD49GtgOr8/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/3GRQhdYr_MkjnBfnLtD49GtgOr8/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/3GRQhdYr_MkjnBfnLtD49GtgOr8/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/3GRQhdYr_MkjnBfnLtD49GtgOr8/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;</description> 
         <pubDate>Tue, 28 Jul 2009 00:00:00 +0400</pubDate> 
     <feedburner:origLink>http://www.themoscowtimes.com/article/379912.html</feedburner:origLink></item>
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         <guid isPermaLink="false">http://www.themoscowtimes.com/article/379770.html</guid> 
         <category /> 
         <title>Discovering Russian Art in Paris, Part Two</title> 
         <author>By John Freedman &lt;moscowtimes@themoscowtimes.com&gt;</author> 
         <link>http://feedproxy.google.com/~r/themoscowtimes/columnsTheaterPlus/~3/38mAI22fvmg/379770.html</link> 
         <description>The Zhar-Ptitsa periodical was of extraordinary quality, something that is especially obvious in our age of fast and forgettable journalism.
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/kz-RAYyDq-A3_I-XKZDiCyZy094/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/kz-RAYyDq-A3_I-XKZDiCyZy094/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/kz-RAYyDq-A3_I-XKZDiCyZy094/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/kz-RAYyDq-A3_I-XKZDiCyZy094/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;</description> 
         <pubDate>Thu, 23 Jul 2009 00:00:00 +0400</pubDate> 
     <feedburner:origLink>http://www.themoscowtimes.com/article/379770.html</feedburner:origLink></item>
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         <guid isPermaLink="false">http://www.themoscowtimes.com/article/379641.html</guid> 
         <category /> 
         <title>Discovering Russian Art in Paris, Part One</title> 
         <author>By John Freedman &lt;moscowtimes@themoscowtimes.com&gt;</author> 
         <link>http://feedproxy.google.com/~r/themoscowtimes/columnsTheaterPlus/~3/wq6qr0fOEsc/379641.html</link> 
         <description>Of all the inanimate objects that have entered my life unexpectedly, a find obtained on the quai de Gesvres one fall day in 1986 is probably the nearest and dearest to me.
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/4En_ubq479n12JnvMjOGcOfCUZQ/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/4En_ubq479n12JnvMjOGcOfCUZQ/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/4En_ubq479n12JnvMjOGcOfCUZQ/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/4En_ubq479n12JnvMjOGcOfCUZQ/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;</description> 
         <pubDate>Mon, 20 Jul 2009 00:00:00 +0400</pubDate> 
     <feedburner:origLink>http://www.themoscowtimes.com/article/379641.html</feedburner:origLink></item>
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         <guid isPermaLink="false">http://www.themoscowtimes.com/article/379377.html</guid> 
         <category /> 
         <title>A Personal Remembrance of Vasily Aksyonov</title> 
         <author>By John Freedman &lt;moscowtimes@themoscowtimes.com&gt;</author> 
         <link>http://feedproxy.google.com/~r/themoscowtimes/columnsTheaterPlus/~3/d8IF2Bp7or4/379377.html</link> 
         <description>I have a personal connection to Vasily Pavlovich, who entered my life after he had already become the world-famous author of several of the most important novels in Soviet literature.
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/OYcmmz5JlEHdNAX3vc3I-_02IRA/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/OYcmmz5JlEHdNAX3vc3I-_02IRA/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/OYcmmz5JlEHdNAX3vc3I-_02IRA/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/OYcmmz5JlEHdNAX3vc3I-_02IRA/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;</description> 
         <pubDate>Tue, 07 Jul 2009 00:00:00 +0400</pubDate> 
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         <guid isPermaLink="false">http://www.themoscowtimes.com/article/379262.html</guid> 
         <category /> 
         <title>'Welding and Fusing' American and Russian Culture</title> 
         <author>By John Freedman &lt;moscowtimes@themoscowtimes.com&gt;</author> 
         <link>http://feedproxy.google.com/~r/themoscowtimes/columnsTheaterPlus/~3/lz8kHyWob8w/379262.html</link> 
         <description>As a former mathematician who now runs her own theater in Los Angeles, Olga Petrakova clearly is not cookie-cutter material. FEATURES VIDEO
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/vRN2V-Z1SR_e3f3nlahVw6_EFf4/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/vRN2V-Z1SR_e3f3nlahVw6_EFf4/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/vRN2V-Z1SR_e3f3nlahVw6_EFf4/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/vRN2V-Z1SR_e3f3nlahVw6_EFf4/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;</description> 
         <pubDate>Fri, 03 Jul 2009 00:00:00 +0400</pubDate> 
     <feedburner:origLink>http://www.themoscowtimes.com/article/379262.html</feedburner:origLink></item>
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         <guid isPermaLink="false">http://www.themoscowtimes.com/article/379171.html</guid> 
         <category /> 
         <title>'Russia and U.S. Are Like Romeo and Juliet'</title> 
         <author>By John Freedman &lt;moscowtimes@themoscowtimes.com&gt;</author> 
         <link>http://feedproxy.google.com/~r/themoscowtimes/columnsTheaterPlus/~3/_gZMhcmZuLM/379171.html</link> 
         <description>The man many people believe to be Los Angeles' best theater critic, Steven Leigh Morris, shares his thoughts on Russia and Russian theater. FEATURES VIDEO
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&lt;a href="http://feedads.g.doubleclick.net/~a/zChsw9vnTEc5w5O_Y0TMvDuUNJo/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/zChsw9vnTEc5w5O_Y0TMvDuUNJo/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;</description> 
         <pubDate>Tue, 30 Jun 2009 00:00:00 +0400</pubDate> 
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         <guid isPermaLink="false">http://www.themoscowtimes.com/article/378917.html</guid> 
         <category /> 
         <title>In Search of Russian Theater</title> 
         <author>By John Freedman &lt;moscowtimes@themoscowtimes.com&gt;</author> 
         <link>http://feedproxy.google.com/~r/themoscowtimes/columnsTheaterPlus/~3/Hhw98PL0pu8/378917.html</link> 
         <description>A duo of British theater makers came to town last week in search of material for a new project. David Farr, associate director at the Royal Shakespeare Theatre, and Ferdy Roberts, one of the founders of Filter Theatre, Ltd., had previously collaborated on a work called "Water," which was a huge success in London in 2007. Now they have their sights set on Russian theater.
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&lt;a href="http://feedads.g.doubleclick.net/~a/4NlHF2iNrTPzTnpcNbs4ZiNQWoo/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/4NlHF2iNrTPzTnpcNbs4ZiNQWoo/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;</description> 
         <pubDate>Sun, 21 Jun 2009 00:00:00 +0400</pubDate> 
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         <guid isPermaLink="false">http://www.themoscowtimes.com/article/378775.html</guid> 
         <category /> 
         <title>The Plain, Hard Truth About Klim</title> 
         <author>By John Freedman &lt;moscowtimes@themoscowtimes.com&gt;</author> 
         <link>http://feedproxy.google.com/~r/themoscowtimes/columnsTheaterPlus/~3/N-W_1VMkvl4/378775.html</link> 
         <description>Pardon me if you have heard me tell this one about the director Alexei Yankovsky. But Yankovsky himself loves to repeat the story. In fact, he did it again this weekend at a small gathering following the Moscow premiere of his production of "An Angry Play," a new work by the playwright and director known as Klim. Why should I not indulge?
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&lt;a href="http://feedads.g.doubleclick.net/~a/jlOTU2P_s-50zUaOjO2_3ZyRxaM/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/jlOTU2P_s-50zUaOjO2_3ZyRxaM/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;</description> 
         <pubDate>Mon, 15 Jun 2009 00:00:00 +0400</pubDate> 
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         <guid isPermaLink="false">http://www.themoscowtimes.com/article/378167.html</guid> 
         <category /> 
         <title>Notes of Latino Los Angeles at the Usadba Jazz Fest</title> 
         <author>By John Freedman &lt;moscowtimes@themoscowtimes.com&gt;</author> 
         <link>http://feedproxy.google.com/~r/themoscowtimes/columnsTheaterPlus/~3/sJSFOG0wpco/378167.html</link> 
         <description>Los Angeles-based Latino group Kimera performed at the popular summer music festival outside Moscow on Sunday, following a tour of Russia embarked on by the band that included a concert from a Bolshoi Theater vocalist and a dip in a frigid holy spring.
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/d0gHU4pZh-AdBrRvbQDEj8Ea8NI/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/d0gHU4pZh-AdBrRvbQDEj8Ea8NI/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/d0gHU4pZh-AdBrRvbQDEj8Ea8NI/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/d0gHU4pZh-AdBrRvbQDEj8Ea8NI/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;</description> 
         <pubDate>Mon, 08 Jun 2009 00:00:00 +0400</pubDate> 
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         <guid isPermaLink="false">http://www.themoscowtimes.com/article/377589.html</guid> 
         <category /> 
         <title>A New York Actress in Moscow</title> 
         <author>By John Freedman &lt;moscowtimes@themoscowtimes.com&gt;</author> 
         <link>http://feedproxy.google.com/~r/themoscowtimes/columnsTheaterPlus/~3/iatuQxiILBg/377589.html</link> 
         <description>While in Moscow on a recent visit, OBIE award-winning actress and playwright Heidi Schreck found time to check out a number of shows. I cornered her in a cafe with my trusty digital camera and coerced her into spilling the beans: So, what did she think?
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&lt;a href="http://feedads.g.doubleclick.net/~a/32GwmBPHtkl9TWzvW_K58qC22k8/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/32GwmBPHtkl9TWzvW_K58qC22k8/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;</description> 
         <pubDate>Mon, 01 Jun 2009 00:00:00 +0400</pubDate> 
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         <guid isPermaLink="false">http://www.themoscowtimes.com/article/377473.html</guid> 
         <category /> 
         <title>A Critic's Dubious Premiere in a Moscow Theater</title> 
         <author>By John Freedman &lt;moscowtimes@themoscowtimes.com&gt;</author> 
         <link>http://feedproxy.google.com/~r/themoscowtimes/columnsTheaterPlus/~3/WoVOkafdul4/377473.html</link> 
         <description>My job in "The Epic of Lilikan" was to perform as badly as I possibly could, a task for which I have no limitations.
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/sVvMCJN970Wgu3j5Y7oKoJTQDzc/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/sVvMCJN970Wgu3j5Y7oKoJTQDzc/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/sVvMCJN970Wgu3j5Y7oKoJTQDzc/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/sVvMCJN970Wgu3j5Y7oKoJTQDzc/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;</description> 
         <pubDate>Wed, 27 May 2009 00:00:00 +0400</pubDate> 
     <feedburner:origLink>http://www.themoscowtimes.com/article/377473.html</feedburner:origLink></item>
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         <guid isPermaLink="false">http://www.themoscowtimes.com/article/377355.html</guid> 
         <category /> 
         <title>Photo Gallery: Moscow Bids Farewell to Oleg Yankovsky</title> 
         <author>The Moscow Times &lt;moscowtimes@themoscowtimes.com&gt;</author> 
         <link>http://feedproxy.google.com/~r/themoscowtimes/columnsTheaterPlus/~3/jT3KD6Zk8JE/377355.html</link> 
         <description>Photos of Muscovites lined up around Lenkom Theater on Friday to bid farewell to actor Oleg Yankovsky, who died last week at age 65.
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&lt;a href="http://feedads.g.doubleclick.net/~a/qaqFGKqtG_sapdqEl5CYS14OCws/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/qaqFGKqtG_sapdqEl5CYS14OCws/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;</description> 
         <pubDate>Fri, 22 May 2009 00:00:00 +0400</pubDate> 
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         <guid isPermaLink="false">http://www.themoscowtimes.com/article/377361.html</guid> 
         <category /> 
         <title>Moscow Bids Farewell to Oleg Yankovsky</title> 
         <author>By John Freedman &lt;moscowtimes@themoscowtimes.com&gt;</author> 
         <link>http://feedproxy.google.com/~r/themoscowtimes/columnsTheaterPlus/~3/zTxAtte1kxM/377361.html</link> 
         <description>Oleg Yankovsky died at the age of 65 on Wednesday, May 20, in the wee hours of the morning. On Friday it seemed that half of Moscow's residents left their homes and workplaces to come to the Lenkom Theater, where Yankovsky had worked since 1973, to say farewell.
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/2G8PADRMLTGSUQuFPaUzeyJDikE/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/2G8PADRMLTGSUQuFPaUzeyJDikE/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/2G8PADRMLTGSUQuFPaUzeyJDikE/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/2G8PADRMLTGSUQuFPaUzeyJDikE/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;</description> 
         <pubDate>Fri, 22 May 2009 00:00:00 +0400</pubDate> 
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     <item>
         <guid isPermaLink="false">http://www.themoscowtimes.com/article/377249.html</guid> 
         <category /> 
         <title>Anatoly Vasilyev's School of Dramatic Art (Now Destroyed)</title> 
         <author>By John Freedman &lt;moscowtimes@themoscowtimes.com&gt;</author> 
         <link>http://feedproxy.google.com/~r/themoscowtimes/columnsTheaterPlus/~3/HplleZ7pt_U/377249.html</link> 
         <description>Ever since it became clear that Vasilyev would never again have control over the theater he created, I have wondered how I would feel setting foot in it again. Would I feel like a barbarian? Would I be condoning what was done? Would I feel anything at all?
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/yY3e08J1ZE8SCQQjQJx6VwwyZsA/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/yY3e08J1ZE8SCQQjQJx6VwwyZsA/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/yY3e08J1ZE8SCQQjQJx6VwwyZsA/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/yY3e08J1ZE8SCQQjQJx6VwwyZsA/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;</description> 
         <pubDate>Tue, 19 May 2009 00:00:00 +0400</pubDate> 
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     <item>
         <guid isPermaLink="false">http://www.themoscowtimes.com/article/377009.html</guid> 
         <category /> 
         <title>Lee Breuer in Moscow: 'The Gospel,' the Beats and the Blues</title> 
         <author>By John Freedman &lt;moscowtimes@themoscowtimes.com&gt;</author> 
         <link>http://feedproxy.google.com/~r/themoscowtimes/columnsTheaterPlus/~3/jvo40RYFw6g/377009.html</link> 
         <description>Lee Breuer, the brains and brawn behind Mabou Mines, one of the finest and most innovative theater organizations in the United States, has connections to Russia that go way back.
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/M6UwId3tMZ6MRYnvjdcgafKSK2g/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/M6UwId3tMZ6MRYnvjdcgafKSK2g/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/M6UwId3tMZ6MRYnvjdcgafKSK2g/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/M6UwId3tMZ6MRYnvjdcgafKSK2g/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;</description> 
         <pubDate>Mon, 11 May 2009 00:00:00 +0400</pubDate> 
     <feedburner:origLink>http://www.themoscowtimes.com/article/377009.html</feedburner:origLink></item>
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         <guid isPermaLink="false">http://www.themoscowtimes.com/article/376945.html</guid> 
         <category /> 
         <title>Festival of Student Productions 'Your Chance' Hits Moscow</title> 
         <author>By John Freedman &lt;moscowtimes@themoscowtimes.com&gt;</author> 
         <link>http://feedproxy.google.com/~r/themoscowtimes/columnsTheaterPlus/~3/0uC1hJMHjpY/376945.html</link> 
         <description>For the fifth time in as many years, the Theater Center Na Strastnom will host one of Moscow's most unusual and fastest growing theater events: the Your Chance festival of student productions.
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/HuvTSemTrtBUf71ZDqT2are82M4/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/HuvTSemTrtBUf71ZDqT2are82M4/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/HuvTSemTrtBUf71ZDqT2are82M4/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/HuvTSemTrtBUf71ZDqT2are82M4/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;</description> 
         <pubDate>Fri, 08 May 2009 00:00:00 +0400</pubDate> 
     <feedburner:origLink>http://www.themoscowtimes.com/article/376945.html</feedburner:origLink></item>
     <item>
         <guid isPermaLink="false">http://www.themoscowtimes.com/article/376741.html</guid> 
         <category /> 
         <title>Bulat Okudzhava's 85th Anniversary</title> 
         <author>By John Freedman &lt;moscowtimes@themoscowtimes.com&gt;</author> 
         <link>http://feedproxy.google.com/~r/themoscowtimes/columnsTheaterPlus/~3/jHNW8bYa2sw/376741.html</link> 
         <description>I have always had a soft spot in my heart for Bulat Okudzhava, who would have turned 85 this coming Saturday (May 9) were it not for his sudden death after a heart operation in Paris in 1997. Part of the reason for my fondness is understandable: He was the first Russian writer I met in person.
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/LA3HGoWAWp4csnaKnyJQJ3Vvl78/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/LA3HGoWAWp4csnaKnyJQJ3Vvl78/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/LA3HGoWAWp4csnaKnyJQJ3Vvl78/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/LA3HGoWAWp4csnaKnyJQJ3Vvl78/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;</description> 
         <pubDate>Thu, 30 Apr 2009 00:00:00 +0400</pubDate> 
     <feedburner:origLink>http://www.themoscowtimes.com/article/376741.html</feedburner:origLink></item>
     <item>
         <guid isPermaLink="false">http://www.themoscowtimes.com/article/376620.html</guid> 
         <category /> 
         <title>Playwright Olga Mikhailova Turns Critic</title> 
         <author>By John Freedman &lt;moscowtimes@themoscowtimes.com&gt;</author> 
         <link>http://feedproxy.google.com/~r/themoscowtimes/columnsTheaterPlus/~3/t-Q0b3eTAx4/376620.html</link> 
         <description>In addition to being a playwright who is one of the inspirations of the influential Teatr.doc and a screenwriter whose scripts have had particular success in France where most of them have been filmed, Olga is one of the finest conversationalists in Moscow.
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/h5BlICK8yswAN4PfH0I_BYzuw8k/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/h5BlICK8yswAN4PfH0I_BYzuw8k/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/h5BlICK8yswAN4PfH0I_BYzuw8k/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/h5BlICK8yswAN4PfH0I_BYzuw8k/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;</description> 
         <pubDate>Mon, 27 Apr 2009 00:00:00 +0400</pubDate> 
     <feedburner:origLink>http://www.themoscowtimes.com/article/376620.html</feedburner:origLink></item>
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         <guid isPermaLink="false">http://www.themoscowtimes.com/article/376389.html</guid> 
         <category /> 
         <title>The Golden Mask's Curtain Call</title> 
         <author>By John Freedman &lt;moscowtimes@themoscowtimes.com&gt;</author> 
         <link>http://feedproxy.google.com/~r/themoscowtimes/columnsTheaterPlus/~3/tivzcfyDnZg/376389.html</link> 
         <description>Awards in the arts must be one of the strangest creations on earth.
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/vPaYSlfkuazgJ75n9mBG21d51nk/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/vPaYSlfkuazgJ75n9mBG21d51nk/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/vPaYSlfkuazgJ75n9mBG21d51nk/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/vPaYSlfkuazgJ75n9mBG21d51nk/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;</description> 
         <pubDate>Mon, 20 Apr 2009 00:00:00 +0400</pubDate> 
     <feedburner:origLink>http://www.themoscowtimes.com/article/376389.html</feedburner:origLink></item>
     <item>
         <guid isPermaLink="false">http://www.themoscowtimes.com/article/376302.html</guid> 
         <category /> 
         <title>Olga Mukhina on Anton Chekhov</title> 
         <author>By John Freedman &lt;moscowtimes@themoscowtimes.com&gt;</author> 
         <link>http://feedproxy.google.com/~r/themoscowtimes/columnsTheaterPlus/~3/nkn1AU4C_ho/376302.html</link> 
         <description>"Chekhov wrote in an impossible style. You can't write that way.  But by doing so, he gave us the right to write in impossible ways, too."
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/Udvy7veiVCnw4dzcRITl4UCbHYQ/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/Udvy7veiVCnw4dzcRITl4UCbHYQ/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/Udvy7veiVCnw4dzcRITl4UCbHYQ/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/Udvy7veiVCnw4dzcRITl4UCbHYQ/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;</description> 
         <pubDate>Thu, 16 Apr 2009 00:00:00 +0400</pubDate> 
     <feedburner:origLink>http://www.themoscowtimes.com/article/376302.html</feedburner:origLink></item>
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         <guid isPermaLink="false">http://www.themoscowtimes.com/article/376245.html</guid> 
         <category /> 
         <title>An American in Moscow</title> 
         <author>By John Freedman &lt;moscowtimes@themoscowtimes.com&gt;</author> 
         <link>http://feedproxy.google.com/~r/themoscowtimes/columnsTheaterPlus/~3/bO4zxNnS1zk/376245.html</link> 
         <description>Philip Arnoult, a former actor, director and producer and founder of the Theatre Project in Baltimore, has traveled the world for over two decades helping theaters in the United States find directors in Hungary, introducing dancers in Kenya to choreographers in Chelyabinsk, and bringing innovative productions in Russia to the attention of festival managers in Poland.
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/lAqlI-rYXDYJBMFmprkf6tAAsEc/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/lAqlI-rYXDYJBMFmprkf6tAAsEc/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/lAqlI-rYXDYJBMFmprkf6tAAsEc/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/lAqlI-rYXDYJBMFmprkf6tAAsEc/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;</description> 
         <pubDate>Wed, 15 Apr 2009 00:00:00 +0400</pubDate> 
     <feedburner:origLink>http://www.themoscowtimes.com/article/376245.html</feedburner:origLink></item>
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         <guid isPermaLink="false">http://www.themoscowtimes.com/article/376158.html</guid> 
         <category /> 
         <title>New Drama Festival Dies</title> 
         <author>By John Freedman &lt;moscowtimes@themoscowtimes.com&gt;</author> 
         <link>http://feedproxy.google.com/~r/themoscowtimes/columnsTheaterPlus/~3/64cQAxSd4Jc/376158.html</link> 
         <description>The Festival, originally a complement to and off-shoot of the Golden Mask, has ceased to exist after a seven-year run, marking the end of an era.
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/rljdBa8WOBTU8_QP6Pgh0Qc62SA/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/rljdBa8WOBTU8_QP6Pgh0Qc62SA/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/rljdBa8WOBTU8_QP6Pgh0Qc62SA/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/rljdBa8WOBTU8_QP6Pgh0Qc62SA/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;</description> 
         <pubDate>Mon, 13 Apr 2009 00:00:00 +0400</pubDate> 
     <feedburner:origLink>http://www.themoscowtimes.com/article/376158.html</feedburner:origLink></item>
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         <guid isPermaLink="false">http://www.themoscowtimes.com/article/376076.html</guid> 
         <category /> 
         <title>Thoughts Prompted by the Golden Mask Festival: Acclaimed Director Accused of Pornography</title> 
         <author>By John Freedman &lt;moscowtimes@themoscowtimes.com&gt;</author> 
         <link>http://feedproxy.google.com/~r/themoscowtimes/columnsTheaterPlus/~3/OkryM4RcJmI/376076.html</link> 
         <description>Yevgeny Marcelli is one of Russia's most distinctive directors, as well as a modest, soft-spoken man prone to smiling when engaged in conversation. The last thing you'd expect to be discussing with him is his troubles with the law.
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/pDsMXdiqDlUwCPqQRD4YjDtYuHI/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/pDsMXdiqDlUwCPqQRD4YjDtYuHI/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/pDsMXdiqDlUwCPqQRD4YjDtYuHI/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/pDsMXdiqDlUwCPqQRD4YjDtYuHI/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;</description> 
         <pubDate>Thu, 09 Apr 2009 00:00:00 +0400</pubDate> 
     <feedburner:origLink>http://www.themoscowtimes.com/article/376076.html</feedburner:origLink></item>
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         <guid isPermaLink="false">http://www.themoscowtimes.com/article/376000.html</guid> 
         <category /> 
         <title>Thoughts Prompted by the Golden Mask Festival: English Drama in Russia</title> 
         <author>By John Freedman &lt;moscowtimes@themoscowtimes.com&gt;</author> 
         <link>http://feedproxy.google.com/~r/themoscowtimes/columnsTheaterPlus/~3/jBojRYtY0ts/376000.html</link> 
         <description>There is no lack of irony in Russia, but it is a completely different animal than that which shapes the British sense of humor.
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/tb4Y8lLIaRiboylOI8l_-CLeo7w/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/tb4Y8lLIaRiboylOI8l_-CLeo7w/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/tb4Y8lLIaRiboylOI8l_-CLeo7w/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/tb4Y8lLIaRiboylOI8l_-CLeo7w/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;</description> 
         <pubDate>Tue, 07 Apr 2009 00:00:00 +0400</pubDate> 
     <feedburner:origLink>http://www.themoscowtimes.com/article/376000.html</feedburner:origLink></item>
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         <guid isPermaLink="false">http://www.themoscowtimes.com/article/375922.html</guid> 
         <category /> 
         <title>Thoughts Prompted by the Golden Mask Festival: Chekhov or Not Chekhov?</title> 
         <author>By John Freedman &lt;moscowtimes@themoscowtimes.com&gt;</author> 
         <link>http://feedproxy.google.com/~r/themoscowtimes/columnsTheaterPlus/~3/0sGciGxYiVw/375922.html</link> 
         <description>Apparently, Anatoly Praudin's production of Anton Chekhov's "The Lady With the Lapdog" for the Bolshoi Drama Theater of St. Petersburg has caused some people a good deal of consternation.
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/S5omfIvalu_2HYKWMrYnVmZwjgY/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/S5omfIvalu_2HYKWMrYnVmZwjgY/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/S5omfIvalu_2HYKWMrYnVmZwjgY/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/S5omfIvalu_2HYKWMrYnVmZwjgY/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;</description> 
         <pubDate>Fri, 03 Apr 2009 00:00:00 +0400</pubDate> 
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         <guid isPermaLink="false">http://www.themoscowtimes.com/article/375854.html</guid> 
         <category /> 
         <title>Thoughts Prompted by the Golden Mask Festival: On Leo Tolstoy</title> 
         <author>By John Freedman &lt;moscowtimes@themoscowtimes.com&gt;</author> 
         <link>http://feedproxy.google.com/~r/themoscowtimes/columnsTheaterPlus/~3/LtvdXt1CEkY/375854.html</link> 
         <description>I am filled with thoughts of Tolstoy thanks to the Golden Mask Festival, the Bolshoi Puppet Theater of St. Petersburg, and their production of "Kholstomer: The Chronicle of the Saving of a Soul."
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/Hf1AVV6y1GuUWJZrbiH1tliVekE/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/Hf1AVV6y1GuUWJZrbiH1tliVekE/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/Hf1AVV6y1GuUWJZrbiH1tliVekE/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/Hf1AVV6y1GuUWJZrbiH1tliVekE/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;</description> 
         <pubDate>Wed, 01 Apr 2009 00:00:00 +0400</pubDate> 
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     <item>
         <guid isPermaLink="false">http://www.themoscowtimes.com/article/375695.html</guid> 
         <category /> 
         <title>Theater on a Farm</title> 
         <author>By John Freedman &lt;moscowtimes@themoscowtimes.com&gt;</author> 
         <link>http://feedproxy.google.com/~r/themoscowtimes/columnsTheaterPlus/~3/BgEY5B09dU4/375695.html</link> 
         <description>I found myself wondering this week what I was doing on a farm in the middle of Western Massachusetts.
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/dZIVT75XN5TStsObB70OK1eztdw/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/dZIVT75XN5TStsObB70OK1eztdw/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/dZIVT75XN5TStsObB70OK1eztdw/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/dZIVT75XN5TStsObB70OK1eztdw/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;</description> 
         <pubDate>Thu, 26 Mar 2009 00:00:00 +0300</pubDate> 
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         <guid isPermaLink="false">http://www.themoscowtimes.com/article/375500.html</guid> 
         <category /> 
         <title>Front Row Center? Give Me an Aisle Seat!</title> 
         <author>By John Freedman &lt;moscowtimes@themoscowtimes.com&gt;</author> 
         <link>http://feedproxy.google.com/~r/themoscowtimes/columnsTheaterPlus/~3/9OGDVvc2ToI/375500.html</link> 
         <description>Have you ever spent as much time thinking about where, on what and between whom you are going to sit in a theater as you (expats) do when you go online to make seat selections before heading home for the holidays? You might find it worth your time.
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/CgZLUjJp2GfHrOnNN7D5bbrClug/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/CgZLUjJp2GfHrOnNN7D5bbrClug/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/CgZLUjJp2GfHrOnNN7D5bbrClug/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/CgZLUjJp2GfHrOnNN7D5bbrClug/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;</description> 
         <pubDate>Thu, 19 Mar 2009 00:00:00 +0300</pubDate> 
     <feedburner:origLink>http://www.themoscowtimes.com/article/375500.html</feedburner:origLink></item>
     <item>
         <guid isPermaLink="false">http://www.themoscowtimes.com/article/375248.html</guid> 
         <category /> 
         <title>Boogie-Woogie and Russian Theater</title> 
         <author>By John Freedman &lt;moscowtimes@themoscowtimes.com&gt;</author> 
         <link>http://feedproxy.google.com/~r/themoscowtimes/columnsTheaterPlus/~3/x4iKTyc7hLE/375248.html</link> 
         <description>I took in a cool concert at Moscow's House of Composers last week - a show featuring the boogie-woogie piano duet of Bob Baldori and Martin Schmitt. It got me thinking about all kinds of things, some even connected to what I usually do, which is write about Russian theater.
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/iyWzKJANK5d3HEvbKohEin87h3c/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/iyWzKJANK5d3HEvbKohEin87h3c/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/iyWzKJANK5d3HEvbKohEin87h3c/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/iyWzKJANK5d3HEvbKohEin87h3c/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;</description> 
         <pubDate>Thu, 12 Mar 2009 00:00:00 +0300</pubDate> 
     <feedburner:origLink>http://www.themoscowtimes.com/article/375248.html</feedburner:origLink></item>
     <item>
         <guid isPermaLink="false">http://www.themoscowtimes.com/article/375105.html</guid> 
         <category /> 
         <title>One Small Victory in the War on Cell Phones</title> 
         <author>By John Freedman &lt;moscowtimes@themoscowtimes.com&gt;</author> 
         <link>http://feedproxy.google.com/~r/themoscowtimes/columnsTheaterPlus/~3/AXFnG9dwIvk/375105.html</link> 
         <description>The battle with cell phones in Moscow theaters has taken on an interesting new twist.
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/OZClpRbDX5cpcgp35zXQ8BEh0rI/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/OZClpRbDX5cpcgp35zXQ8BEh0rI/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/OZClpRbDX5cpcgp35zXQ8BEh0rI/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/OZClpRbDX5cpcgp35zXQ8BEh0rI/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;</description> 
         <pubDate>Thu, 05 Mar 2009 00:00:00 +0300</pubDate> 
     <feedburner:origLink>http://www.themoscowtimes.com/article/375105.html</feedburner:origLink></item>
     <item>
         <guid isPermaLink="false">http://www.themoscowtimes.com/article/374882.html</guid> 
         <category /> 
         <title>Inter-Pollination in the Russian Avant-Garde</title> 
         <author>By John Freedman &lt;moscowtimes@themoscowtimes.com&gt;</author> 
         <link>http://feedproxy.google.com/~r/themoscowtimes/columnsTheaterPlus/~3/Jq64jMu_GmQ/374882.html</link> 
         <description>There is something about the Russian arts of the first three decades of the 20th century that will not let us go.
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/8pOeWfWU5-sf5Rwy6OOeu9hxnII/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/8pOeWfWU5-sf5Rwy6OOeu9hxnII/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/8pOeWfWU5-sf5Rwy6OOeu9hxnII/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/8pOeWfWU5-sf5Rwy6OOeu9hxnII/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;</description> 
         <pubDate>Fri, 27 Feb 2009 00:00:00 +0300</pubDate> 
     <feedburner:origLink>http://www.themoscowtimes.com/article/374882.html</feedburner:origLink></item>
     <item>
         <guid isPermaLink="false">http://www.themoscowtimes.com/article/374530.html</guid> 
         <category /> 
         <title>British Connection</title> 
         <author>By John Freedman &lt;moscowtimes@themoscowtimes.com&gt;</author> 
         <link>http://feedproxy.google.com/~r/themoscowtimes/columnsTheaterPlus/~3/TGVs3b_zTPk/374530.html</link> 
         <description>Russian and British theater have enjoyed a rich, if curious, symbiosis for some time. After all, Anton Chekhov is almost regarded as a native English soul on the British Isles, and what playwright could possibly be more Russian in temperament than Shakespeare?
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/sMBASg6VXfrUVkdy-wrADtyFKks/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/sMBASg6VXfrUVkdy-wrADtyFKks/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/sMBASg6VXfrUVkdy-wrADtyFKks/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/sMBASg6VXfrUVkdy-wrADtyFKks/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;</description> 
         <pubDate>Fri, 20 Feb 2009 00:00:00 +0300</pubDate> 
     <feedburner:origLink>http://www.themoscowtimes.com/article/374530.html</feedburner:origLink></item>
     <item>
         <guid isPermaLink="false">http://www.themoscowtimes.com/article/375129.html</guid> 
         <category /> 
         <title>Remembering a Beloved Patron of Moscow Theater</title> 
         <author>By John Freedman &lt;moscowtimes@themoscowtimes.com&gt;</author> 
         <link>http://feedproxy.google.com/~r/themoscowtimes/columnsTheaterPlus/~3/yCRp7XOFBkE/375129.html</link> 
         <description>It is next to impossible to imagine Moscow as we know it without Margarita Eskina.
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/wcVql3zMuBcBlSTkhINiU996W2o/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/wcVql3zMuBcBlSTkhINiU996W2o/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/wcVql3zMuBcBlSTkhINiU996W2o/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/wcVql3zMuBcBlSTkhINiU996W2o/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;</description> 
         <pubDate>Mon, 16 Feb 2009 00:00:00 +0300</pubDate> 
     <feedburner:origLink>http://www.themoscowtimes.com/article/375129.html</feedburner:origLink></item>
     <item>
         <guid isPermaLink="false">http://www.themoscowtimes.com/article/375130.html</guid> 
         <category /> 
         <title>The Sound of 'Glamur' Dying</title> 
         <author>By John Freedman &lt;moscowtimes@themoscowtimes.com&gt;</author> 
         <link>http://feedproxy.google.com/~r/themoscowtimes/columnsTheaterPlus/~3/CUMxnqQEnxk/375130.html</link> 
         <description>Have you ever wondered what the sound of "glamur" dying is like? Listen closely.
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/LTf7cnfKkiaIp1z0MsA-pI0leeA/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/LTf7cnfKkiaIp1z0MsA-pI0leeA/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/LTf7cnfKkiaIp1z0MsA-pI0leeA/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/LTf7cnfKkiaIp1z0MsA-pI0leeA/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;</description> 
         <pubDate>Fri, 13 Feb 2009 00:00:00 +0300</pubDate> 
     <feedburner:origLink>http://www.themoscowtimes.com/article/375130.html</feedburner:origLink></item>
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