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<channel>
	<title>Theorboros</title>
	<link>http://theorboros.gr</link>
	<description>[lang_gr]Ερμηνεία σε ιστορικά νυκτά έγχορδα - Μουσικολογική έρευνα[/lang_gr][lang_en]Historical plucked instruments performance - Musicological research[/lang_en]</description>
	<pubDate>Fri, 25 Jul 2008 09:51:38 +0000</pubDate>
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	<language>en</language>
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		<title>Musical humanism</title>
		<link>http://theorboros.gr/2008/07/25/musical-humanism/</link>
		<comments>http://theorboros.gr/2008/07/25/musical-humanism/#comments</comments>
		<pubDate>Fri, 25 Jul 2008 09:19:58 +0000</pubDate>
		<dc:creator>theodoros</dc:creator>
		
		<category><![CDATA[Research]]></category>
<category>research</category>
		<guid isPermaLink="false">http://theorboros.gr/2008/07/25/musical-humanism/</guid>
		<description><![CDATA[&#8216;Musical Humanism and Lute Songs in Italian Renaissance&#8217;, Annals for Aesthetics, 44 (2007–8) (to be published)
The tendency for a return to the virtues and norms of the ancient Greek and Roman world had direct impact on the Italian Renaissance musical thought. As the complex, multi-layered texture of Renaissance music impended the comprehensible delivery of the [...]]]></description>
		<wfw:commentRss>http://theorboros.gr/2008/07/25/musical-humanism/feed/</wfw:commentRss>
		</item>
		<item>
		<title>The mandolin in Don Giovanni</title>
		<link>http://theorboros.gr/2008/02/20/the-mandolin-in-don-giovanni/</link>
		<comments>http://theorboros.gr/2008/02/20/the-mandolin-in-don-giovanni/#comments</comments>
		<pubDate>Wed, 20 Feb 2008 09:22:21 +0000</pubDate>
		<dc:creator>theodoros</dc:creator>
		
		<category><![CDATA[Research]]></category>
<category>research</category>
		<guid isPermaLink="false">http://theorboros.gr/2007/07/17/the-mandolin-in-don-giovanni/</guid>
		<description><![CDATA[‘The mandolin in Don Giovanni’, Mousikos Loghos, 8 (2008) (to be published)
As is well known, Mozart used the mandolin as an obligato instrument in the serenade ‘Deh, vieni alla finestra’ of his opera, Don Giovanni. Based on this fact but also the existence of two songs with mandolin accompaniment by Mozart, these works are presented [...]]]></description>
		<wfw:commentRss>http://theorboros.gr/2008/02/20/the-mandolin-in-don-giovanni/feed/</wfw:commentRss>
		</item>
		<item>
		<title>Arpeggiated Chords</title>
		<link>http://theorboros.gr/2007/09/20/arpeggiated-chords/</link>
		<comments>http://theorboros.gr/2007/09/20/arpeggiated-chords/#comments</comments>
		<pubDate>Thu, 20 Sep 2007 09:25:56 +0000</pubDate>
		<dc:creator>theodoros</dc:creator>
		
		<category><![CDATA[Research]]></category>
<category>research</category>
		<guid isPermaLink="false">http://theorboros.gr/2007/07/16/arpeggiated-chords/</guid>
		<description><![CDATA[&#8216;Arpeggiated Chords in Early Seventeenth-Century Italy&#8217;, The Lute, 42 (2002), 54–72
Among the stylistic changes that took place around 1600 in Italy was the conscious use of arpeggiated chords for the sake of enriching the musical texture.
]]></description>
		<wfw:commentRss>http://theorboros.gr/2007/09/20/arpeggiated-chords/feed/</wfw:commentRss>
		</item>
		<item>
		<title>PhD dissertation</title>
		<link>http://theorboros.gr/2007/09/20/phd/</link>
		<comments>http://theorboros.gr/2007/09/20/phd/#comments</comments>
		<pubDate>Thu, 20 Sep 2007 09:24:11 +0000</pubDate>
		<dc:creator>theodoros</dc:creator>
		
		<category><![CDATA[Research]]></category>
<category>research</category>
		<guid isPermaLink="false">http://theodorek.qwertyuiopia.com/2007/07/08/phd/</guid>
		<description><![CDATA[&#8216;Continuo Practice for the Theorbo as Indicated in Seventeenth-Century Italian Printed and Manuscript Sources&#8217; 
University of York (2005)
Agostino Agazzari, in his treatise Del sonare sopra’l basso (1607), divided musical instruments into two classes according to their role in the continuo body: instruments of ‘foundation’, which provide chordal support; and instruments of ‘ornamentation’, which play and ornament [...]]]></description>
		<wfw:commentRss>http://theorboros.gr/2007/09/20/phd/feed/</wfw:commentRss>
		</item>
		<item>
		<title>Piccinini: Instructions</title>
		<link>http://theorboros.gr/2007/09/20/piccinini/</link>
		<comments>http://theorboros.gr/2007/09/20/piccinini/#comments</comments>
		<pubDate>Thu, 20 Sep 2007 09:23:41 +0000</pubDate>
		<dc:creator>theodoros</dc:creator>
		
		<category><![CDATA[Research]]></category>
<category>research</category>
		<guid isPermaLink="false">http://theorboros.gr/2007/07/11/a-piccinini-%ce%bf%ce%b4%ce%b7%ce%b3%ce%af%ce%b5%cf%82/</guid>
		<description><![CDATA[&#8216;A. Piccinini: Instructions to the Lute Students&#8217;, Mousikos Loghos, 4 (2002), 126–49
Redaction and annotation of D. Matzoris’ translation of Alessandro Piccinini’s introduction in Intavolatura di liuto e di chitarrone (Bologna, 1623), which is a remarkable source for performers and scholars of early Baroque.
]]></description>
		<wfw:commentRss>http://theorboros.gr/2007/09/20/piccinini/feed/</wfw:commentRss>
		</item>
		<item>
		<title>Music Performance Practice in Greek Universities</title>
		<link>http://theorboros.gr/2007/09/20/performance-practice-in-greek-universities/</link>
		<comments>http://theorboros.gr/2007/09/20/performance-practice-in-greek-universities/#comments</comments>
		<pubDate>Thu, 20 Sep 2007 09:21:12 +0000</pubDate>
		<dc:creator>theodoros</dc:creator>
		
		<category><![CDATA[Research]]></category>
<category>research</category>
		<guid isPermaLink="false">http://theorboros.gr/2007/07/20/performance-practice-in-greek-universities/</guid>
		<description><![CDATA[‘Music Performance Practice in Greek Universities: Current Reality and Future’
Paper presented in the conference: ‘Music education in Greece: from the past to the future’, Ionian University, Music Department and Hellenic Music Research Lab. Athens, 09/06/2007 (to be published in the conference procedures volume)
The creation of university music departments at the end of the 20th century [...]]]></description>
		<wfw:commentRss>http://theorboros.gr/2007/09/20/performance-practice-in-greek-universities/feed/</wfw:commentRss>
		</item>
		<item>
		<title>MA dissertation</title>
		<link>http://theorboros.gr/2007/09/20/ma-dissertation/</link>
		<comments>http://theorboros.gr/2007/09/20/ma-dissertation/#comments</comments>
		<pubDate>Thu, 20 Sep 2007 09:20:27 +0000</pubDate>
		<dc:creator>theodoros</dc:creator>
		
		<category><![CDATA[Research]]></category>
<category>research</category>
		<guid isPermaLink="false">http://theorboros.gr/2007/07/20/%ce%bc%ce%b5%ce%bb%ce%ad%cf%84%ce%b7-%ce%bc%ce%b5%cf%84%ce%b1%cf%80%cf%84%cf%85%cf%87%ce%b9%ce%b1%ce%ba%ce%bf%cf%8d-%cf%84%ce%af%cf%84%ce%bb%ce%bf%cf%85-%ce%b5%ce%b9%ce%b4%ce%af%ce%ba%ce%b5%cf%85/</guid>
		<description><![CDATA[&#8216;ΤΟ ΟΜΟΙΟΝ ΘΕΩΡΕΙΝ: Commonness and Similarity between Renaissance and Baroque Solo Song&#8217;
University of York (1999)
The aim of the study was the examination of the historical and musical development and transition from the Renaissance to Baroque Italian solo song (with emphasis in the lute songs) as well as the rise to prominence of their common elements.
]]></description>
		<wfw:commentRss>http://theorboros.gr/2007/09/20/ma-dissertation/feed/</wfw:commentRss>
		</item>
		<item>
		<title>2007</title>
		<link>http://theorboros.gr/2007/08/24/2007/</link>
		<comments>http://theorboros.gr/2007/08/24/2007/#comments</comments>
		<pubDate>Fri, 24 Aug 2007 09:25:36 +0000</pubDate>
		<dc:creator>theodoros</dc:creator>
		
		<category><![CDATA[Performances]]></category>
<category>performances</category>
		<guid isPermaLink="false">http://theorboros.gr/2007/07/24/2007/</guid>
		<description><![CDATA[Indicative performances in 2007
Theocharakis Foundation, Athens
Antonio Caldara Vaticini di Pace (1713)
Latinitas nostra/dir. Markellos Chrissikopoulos
Macedonian Artistic Company, Thessaloniki State Symphony Orchestra, Thessaloniki
Calenda Maia: Medieval and Renaissance Secular Music (works by G. De Machaut, G. Dufay, C. De Sermisy, A. Agricola et al)
Ex Silentio
National Centre of Early Music, York
F. Schubert Winterreise
Thomas Guthrie – baritone, Peter Seymour – fortepiano
The University [...]]]></description>
		<wfw:commentRss>http://theorboros.gr/2007/08/24/2007/feed/</wfw:commentRss>
		</item>
		<item>
		<title>2006</title>
		<link>http://theorboros.gr/2007/08/24/2006/</link>
		<comments>http://theorboros.gr/2007/08/24/2006/#comments</comments>
		<pubDate>Fri, 24 Aug 2007 09:24:47 +0000</pubDate>
		<dc:creator>theodoros</dc:creator>
		
		<category><![CDATA[Performances]]></category>
<category>performances</category>
		<guid isPermaLink="false">http://theorboros.gr/2007/07/24/2006/</guid>
		<description><![CDATA[Indicative performances in 2006
Thessaloniki State Synphony Orchestra, Aristotelian University, Thessaloniki
Christmas Concert (works by Α. Vivaldi, A. Corelli)
Thessaloniki State Synphony Orchestra/dir. Simos Papanas
Days of Music, Rhodes
Western and Byzantine music from the Venetian Era of Crete (works by Ieronymos, F.C. Cavallino, A. Grandi et al)
Latinitas nostra/dir. Markellos Chrisikopoulos
15th Festival of Nafplio, Nafplio
Music Based on Orpheus&#8217; Myth (works by A. [...]]]></description>
		<wfw:commentRss>http://theorboros.gr/2007/08/24/2006/feed/</wfw:commentRss>
		</item>
		<item>
		<title>2005</title>
		<link>http://theorboros.gr/2007/08/24/2005/</link>
		<comments>http://theorboros.gr/2007/08/24/2005/#comments</comments>
		<pubDate>Fri, 24 Aug 2007 09:24:37 +0000</pubDate>
		<dc:creator>theodoros</dc:creator>
		
		<category><![CDATA[Performances]]></category>
<category>performances</category>
		<guid isPermaLink="false">http://theorboros.gr/2007/07/24/2005/</guid>
		<description><![CDATA[Indicative performances in 2005
Athens State Orchesrta, The Arts Center at ACS - Halandri, Athens
Α. Vivaldi, Juditha triumphans
Athens State Orchestra/dir. George Petrou
York Early Music Festival, York
Queen of Heaven: The Blessed Virgin’s Champion (works by G. Carissimi, J. Dering et al)
Jason Darnell, Joshua Elicott – tenors, David Miller – theorbo, Peter Seymour – organ
York Early Music Festival, [...]]]></description>
		<wfw:commentRss>http://theorboros.gr/2007/08/24/2005/feed/</wfw:commentRss>
		</item>
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