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    <title>Alex Ross: The Rest Is Noise</title>
    
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    <id>tag:typepad.com,2003:weblog-33824</id>
    <updated>2013-05-24T12:28:25-04:00</updated>
    <subtitle>Books, articles, and a blog by the music critic of The New Yorker</subtitle>
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        <title>Miscellany: Volkswagen Kraft, etc.</title>
        <link rel="alternate" type="text/html" href="http://www.therestisnoise.com/2013/05/misc-1.html" />
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        <id>tag:typepad.com,2003:post-6a00d83451cb2869e201901c2b488d970b</id>
        <published>2013-05-24T12:28:25-04:00</published>
        <updated>2013-05-24T13:35:47-04:00</updated>
        <summary>Reminders about archived concerts online: you can listen to the New York Philharmonic's Kraft at Volkswagen, a Curtis Symphony Turangalîla, Riccardo Muti's Franck Symphony with the Chicago (an account I praised last fall), and, of course, all of the Spring...</summary>
        <author>
            <name>Alex Ross</name>
        </author>
        
        
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<p>Reminders about archived concerts online: you can listen to the New York Philharmonic's <strong><em><a href="http://www.medici.tv/#!/new-york-philharmonic-dresden-music-festival-tour" target="_self">Kraft</a></em></strong> at Volkswagen, a Curtis Symphony <strong><em><a href="http://curtisperforms.curtis.edu/#/video/turangal-la-symphonie-1-introduction" target="_self">Turangalîla</a></em></strong>, Riccardo Muti's <strong><a href="http://cso.org/ListenAndWatch/Details.aspx?id=23884" target="_self">Franck Symphony</a></strong> with the Chicago (an account I praised last fall), and, of course, all of the <strong><a href="http://www.wqxr.org/#!/series/spring-music-2013/" target="_self">Spring for Music </a></strong>events (don't miss David Carpenter's powerful reading of the Schnittke Viola Concerto, with the National Symphony)...<strong> <a href="http://www.millertheatre.com/PressRoom/NewsDetails.aspx?nid=191">Miller Theatre </a></strong>has announced a sterling twenty-fifth anniversary season: featured are John Zorn, Steven Schick, Kaija Saariaho, Joan Tower, Steve Reich, G. F. Haas, Rand Steiger, Anna Þorvaldsdóttir, Roger Reynolds, Unsuk Chin, Jean-Baptiste Barrière, and Liza Lim.... Taking issue with Leonard Slatkin's remarks about his spectacular Spring for Music Ives event, Kyle Gann has an <a href="http://www.artsjournal.com/postclassic/2013/05/1722.html" target="_self">excellent defense</a> of the Ives First Symphony, which I, too, prize highly. The great recording is by Morton Gould, whose own Third Symphony is another Spring for Music highlight.... Congratulations to <strong><a href="http://www.newmusicbox.org/articles/derek-bermel-named-new-artistic-director-of-american-composers-orchestra/" target="_self">Derek Bermel</a></strong>, who has been named the new artistic director of the American Composers Orchestra.... <strong><a href="http://www.joycedidonato.com" target="_self">Joyce DiDonato</a></strong>, diva de nos jours, is submitting the title of her "greatest hits" compilation to <a href="https://www.facebook.com/pages/Joyce-DiDonato/207466962440?id=207466962440&amp;sk=app_190322544333196" target="_self">popular vote</a>. I like "ReJoyce."</p></div>
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    </entry>
    <entry>
        <title>For Henri Dutilleux</title>
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        <id>tag:typepad.com,2003:post-6a00d83451cb2869e20192aa3b29ee970d</id>
        <published>2013-05-23T10:36:45-04:00</published>
        <updated>2013-05-23T10:55:17-04:00</updated>
        <summary>The solitary French master, who maintained as high a standard for his work as any composer since Berg, died yesterday at the age of ninety-seven. Paul Griffiths has written a beautiful obituary for the New York Times. One way to...</summary>
        <author>
            <name>Alex Ross</name>
        </author>
        
        
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<p>The solitary French master, who maintained as high a standard for his work as any composer since Berg, died yesterday at the age of ninety-seven. Paul Griffiths has written a beautiful <a href="http://www.nytimes.com/2013/05/23/arts/music/henri-dutilleux-modernist-composer-dies-at-97.html?pagewanted=all">obituary</a> for the <em>New York Times</em>. One way to remember Dutilleux, or to become acquainted with him, would be to pick up Esa-Pekka Salonen's superb new <a href="http://www.deutschegrammophon.com/en/cat/single?PRODUCT_NR=4791180">disc</a> on DG.</p></div>
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    </entry>
    <entry>
        <title>Wagner's birthday</title>
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        <id>tag:typepad.com,2003:post-6a00d83451cb2869e20192aa30e9c3970d</id>
        <published>2013-05-22T07:17:08-04:00</published>
        <updated>2013-05-22T21:23:30-04:00</updated>
        <summary>Richard Wagner was born in Leipzig two hundred years ago today. For the New Yorker website I have perpetrated a Wagner Birthday Roast, the second in a sporadic series of bicentennial commentaries. (The first was A Walking Tour of Wagner's...</summary>
        <author>
            <name>Alex Ross</name>
        </author>
        
        
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<p>Richard Wagner was born in Leipzig two hundred years ago today. For the <em>New Yorker</em> website I have perpetrated a <a href="http://www.newyorker.com/online/blogs/culture/2013/05/wagner-bicentennial-birthday-music-recordings.html" target="_self">Wagner Birthday Roast</a>, the second in a sporadic series of bicentennial commentaries. (The first was <a href="http://www.newyorker.com/online/blogs/culture/2013/05/a-walking-tour-of-wagners-new-york.html" target="_self">A Walking Tour of Wagner's New York</a>.) I've written at least a dozen Wagner-centered pieces over the years; the one I'm happiest with, and the one I'd offer to anyone asking why this ever-problematic composer still matters, is my <a href="http://www.therestisnoise.com/2010/09/ten-bars-of-the-ring.html" target="_self"><em>Walküre</em> essay</a> from 2011. Elsewhere on the Internet, I recommend Mark Berry's posts at <a href="http://www.boulezian.blogspot.com" target="_self">Boulezian</a>, the Wagnerian's <a href="http://www.the-wagnerian.com/2013/05/happy-birthday-rw-wagner-scrapbook.html" target="_self">Scrapbook</a>, and Sam Hawke's <a href="http://socialjusticefirst.com/2013/05/22/wagners-200th-birthday-his-politics-his-music-and-the-ring/">perceptive essay</a> on Wagner's politics at <em>Social Justice First</em>. A reminder that the <a href="http://www.studentaffairs.columbia.edu/wkcr/story/richard-wagner-bicentennial-birthday-broadcast-wednesday-may-22-thursday-may-23" target="_self">WKCR marathon</a> is in progress; also, you can listen to the entire 1953 Clemens Krauss <em>Ring </em>at <a href="http://minnesota.publicradio.org/radio/services/cms/collections/composers/wagner/" target="_self">Minnesota Public Radio</a>. Happy birthday, old magician! May your third century be more peaceful than your second.</p></div>
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    </entry>
    <entry>
        <title>For Harold Shapero</title>
        <link rel="alternate" type="text/html" href="http://www.therestisnoise.com/2013/05/for-harold-shapero.html" />
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        <id>tag:typepad.com,2003:post-6a00d83451cb2869e2017eeb4dad40970d</id>
        <published>2013-05-18T14:32:24-04:00</published>
        <updated>2013-05-24T11:13:46-04:00</updated>
        <summary>The distinguished Boston-area composer, a deft practitioner of mid-century neoclassical style, has died at the age of ninety-three. He was the last living representative of the Copland generation, that remarkable phalanx of American composers who came to the fore in...</summary>
        <author>
            <name>Alex Ross</name>
        </author>
        
        
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<p>The distinguished Boston-area composer, a deft practitioner of mid-century neoclassical style, has <a href="http://www.sequenza21.com/2013/05/harold-shapero-dead-at-93/" target="_self">died</a> at the age of ninety-three. He was the last living representative of the Copland generation, that remarkable phalanx of American composers who came to the fore in the thirties and forties. While others went in for brawny populist gestures, Shapero was always elegant and restrained, a faithful yet distinctive devotee of Stravinsky in his <em>Symphony in C</em> phase. Shapero's Symphony for Classical Orchestra, from 1947, is a masterpiece of its time and place — a "marvel," Leonard Bernstein once <a href="http://www.loc.gov/resource/lbcorr.01272#seq-2" target="_self">called</a> it, in a letter to Koussevitzky. It deserves to be heard more often, or, indeed, heard at all. Tony Tommasini <a href="http://www.nytimes.com/1999/02/21/arts/music-a-work-twice-lost-now-twice-found.html?pagewanted=all&amp;src=pm" target="_self">argued</a> for its revival in 1999, but I'm unaware of any recent performances. I once had dinner with Shapero and his wife, the artist Esther Geller Shapero. For a composer of such exquisite habits, he was surprisingly boisterous in person. My condolences to Esther, to whom Harold was married for nearly seventy years.</p>
<p><em>More</em>: Lisa Hirsch, in a lovely remembrance, <a href="http://irontongue.blogspot.com/2013/05/harold-shapero.html" target="_self">recalls</a> studying under Shapero at Brandeis. There are obituaries from <a href="http://www.bostonglobe.com/metro/2013/05/23/harold-shapero-composer-inventive-midcentury-scores-helped-define-american-neoclassical-style/loNMAkHSWPy8Ux2cOxGjRN/story.html" target="_self">Jeremy Eichler</a> and <a href="http://wap.nytimes.com/2013/05/22/arts/music/harold-shapero-93-american-neo-classical-composer-dies.html?from=arts" target="_self">Tony Tommasini</a>.</p></div>
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    </entry>
    <entry>
        <title>Wagner everywhere but New York</title>
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        <id>tag:typepad.com,2003:post-6a00d83451cb2869e2017eeb43f120970d</id>
        <published>2013-05-18T12:57:27-04:00</published>
        <updated>2013-05-19T09:27:50-04:00</updated>
        <summary>A program from 1913, courtesy of Joan Matabosch. Wagner's two-hundredth birthday arrives on Wednesday, and most of the world's major music cities will mark the occasion in some way. In Leipzig, Wagner's birthplace, there will be a celebratory concert, a...</summary>
        <author>
            <name>Alex Ross</name>
        </author>
        
        
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<p><em>A program from 1913, courtesy of Joan Matabosch</em>.</p>
<p>Wagner's two-hundredth birthday arrives on Wednesday, and most of the world's major music cities will mark the occasion in some way. In <a href="http://www.richard-wagner-leipzig.de/de/Veranstaltungen/Richard/Wagner/Festtage_der_Stadt_Leipzig_2013_1016.html" target="_self">Leipzig</a>, Wagner's birthplace, there will be a celebratory concert, a staging of <em>Götterdämmerung, </em>and an <a href="http://richard-wagner-leipzig.de/en/Events/Events/Richard_Wagner_Festival_2013__br_bAfternoon_coffee_party_to_celebrate_the_200th_anniversary_of_the_birth_of_Richard_Wagner_b_2014.html?events4995.id=11721&amp;events4995.year=2013&amp;events4995.month=5&amp;events4995.page=1" target="_self">afternoon coffee party</a>; in Venice, where he died, La Fenice has a <a href="http://www.teatrolafenice.it/site/index.php?pag=21&amp;spettacolo=22144&amp;lingua=eng" target="_self">day</a> of music and lectures. In London, as part of <a href="http://www.wagner200.co.uk" target="_self">Wagner 200</a>, the Philharmonia will give a <a href="http://www.wagner200.co.uk/event/wagner-200th-birthday-concert/" target="_self">special concert</a> at Royal Festival Hall, with Andrew Davis conducting and Susan Bullock singing. In Berlin, you can see <em>The Flying Dutchman</em>; in Milan and Vienna, <em>Götterdämmerung</em>; in Hamburg and Copenhagen, <em>Tannhäuser</em>; in Santiago, <em>Parsifal. </em> The numerous Wagnerians of Barcelona may assemble at <a href="http://www.auditori.cat/ct/programacio/fitxa.aspx?idconcert=2790&amp;cicle_id=" target="_self">L'Auditori</a>. Dresden will have a <a href="http://www.musikfestspiele.com/cms/de/main/programm/besonderes/richard_wagner_festjahr_2013/" target="_self">flurry</a> of events next week, including a Thielemann / Jonas Kaufmann affair on May 21. In Paris, you can attend <em><a href="http://www.operadeparis.fr/saison_2012_2013/operas/le-crepuscule-des-dieux-wagner/detail/" target="_self">Götterdämmerung</a></em> on the same night, and sing happy birthday to the old wizard at midnight. And Thielemann will conduct at the <a href="http://www.wagnerjahr2013.de/de/content/geburtstagskonzert" target="_self">Festspielhaus</a> in Bayreuth on the birthday itself, with a no doubt wild street party to follow. </p>
<p>Curiously, though, almost nothing is happening here in New York. Igor Stravinsky, a professed Wagner-hater, would have been delighted to know that Lincoln Center will be presenting, on the day of the bicentennial, a Bard College concert entitled <a href="http://lc.lincolncenter.org/shows/207397?show_date=2013-05-22%2019:00:00" target="_self">Stravinsky and His World</a>. Juilliard is holding an <a href="http://events.juilliard.edu/#/?i=1" target="_self">Elliott Carter memorial</a>, which makes me think that when Carter was born Wagner had been dead for only twenty-five years. The only live Wagner event I can find is a vocal recital at the German Consulate, sponsored by the <a href="http://www.wagnersocietyny.org" target="_self">Wagner Society of New York</a>; it is sold out. Also, WKCR, the Columbia radio station, is hosting a <a href="http://www.studentaffairs.columbia.edu/wkcr/story/richard-wagner-bicentennial-birthday-broadcast-wednesday-may-22-thursday-may-23" target="_self">Wagner marathon</a>, beginning at midnight on the 22nd. But the most Wagnerian thing you could do in the city next Wednesday, aside from listening to the <a href="http://www.newyorker.com/online/blogs/culture/2013/05/a-walking-tour-of-wagners-new-york.html" target="_self">confused <em>Parsifal</em> bells</a> at Riverside, would be to recall Wagner's famous slogan "<em>Kinder! macht Neues!</em>" ("Children, make something new") and go see the <a href="http://www.lepoissonrouge.com/lpr_events/gotham-chamber-opera-and-missy-mazzoli-conspire-may-22nd-2013/" target="_self">Missy Mazzoli concert </a>at (Le) Poisson Rouge. I will be spending most of the day on Amtrak — so it goes.</p>
<p><em>Update</em>: I asked on Twitter whether <em>any</em> American orchestra or opera house was performing Wagner on the day of the anniversary, and so far not much has come up. The closest is the Dallas Symphony, which played an <a href="http://artsblog.dallasnews.com/2013/05/classical-music-review-amazing-all-wagner-dso-concert-including-walkure-act-1.html/" target="_self">all-Wagner program</a> this weekend. The Boston Wagner Society is presenting a <a href="http://www.bostonwagnersociety.org/BWS/Home_files/Wagner%20Birthday%20Benefit%2011%20x%2017%20proof%20%282%29.pdf" target="_self">concert</a> at Old South Church; the Seattle Opera is holding a <a href="http://seattleopera.org/calendar/event.aspx?eventDateID=3116" target="_self">Sing Along</a>; and  the <a href="http://ncco.org/concert-tickets/2012-2013-season/program-4-auerbach-world-premiere/" target="_self">New Century Chamber Orchestra</a> will play <em>Siegfried Idyll</em> in San Francisco on May 23. This is not in the nature of a lament; anniversaries are generally overdone, and Wagner gets enough attention. Still, it's curious.</p>
<p><em>See also</em>: <a href="http://www.therestisnoise.com/2012/12/ring-2013.html" target="_self">The <em>Ring</em> in 2013</a>.</p></div>
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    </entry>
    <entry>
        <title>The Morningside Mysterium</title>
        <link rel="alternate" type="text/html" href="http://www.therestisnoise.com/2013/05/the-morningside-mysterium.html" />
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        <id>tag:typepad.com,2003:post-6a00d83451cb2869e201901c438acd970b</id>
        <published>2013-05-16T21:02:59-04:00</published>
        <updated>2013-05-17T09:25:49-04:00</updated>
        <summary>What do the brothers Wesendonck, Guardian Life Insurance, Confucius Plaza, the Roerich Museum, Grant's Tomb, West Point, John D. Rockefeller, Jr., and the Temple of the Grail have in common? Needless to say, they are all part of "A Walking...</summary>
        <author>
            <name>Alex Ross</name>
        </author>
        
        
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<p>What do the brothers Wesendonck, Guardian Life Insurance, Confucius Plaza, the Roerich Museum, Grant's Tomb, West Point, John D. Rockefeller, Jr., and the Temple of the Grail have in common? Needless to say, they are all part of "<a href="http://www.newyorker.com/online/blogs/culture/2013/05/a-walking-tour-of-wagners-new-york.html" target="_self">A Walking Tour of Wagner's New York</a>."</p></div>
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    </entry>
    <entry>
        <title>Nelsons to Boston</title>
        <link rel="alternate" type="text/html" href="http://www.therestisnoise.com/2013/05/nelsons-to-boston.html" />
        <link rel="replies" type="text/html" href="http://www.therestisnoise.com/2013/05/nelsons-to-boston.html" />
        <id>tag:typepad.com,2003:post-6a00d83451cb2869e2017eeb3d0c7f970d</id>
        <published>2013-05-16T11:04:05-04:00</published>
        <updated>2013-05-16T19:00:43-04:00</updated>
        <summary>Major news from the Boston Symphony: the impassioned young Latvian conductor Andris Nelsons has been chosen as the orchestra's fifteenth music director, succeeding James Levine. "I am deeply honored and touched that the Boston Symphony Orchestra has appointed me its...</summary>
        <author>
            <name>Alex Ross</name>
        </author>
        
        
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<div xmlns="http://www.w3.org/1999/xhtml"><p>
<a class="asset-img-link" href="http://alexrossmusic.typepad.com/.a/6a00d83451cb2869e2017eeb3d433e970d-pi" style="float: left;"><img alt="69a8aeecf249789ec38775132b7757c8" class="asset  asset-image at-xid-6a00d83451cb2869e2017eeb3d433e970d" src="http://alexrossmusic.typepad.com/.a/6a00d83451cb2869e2017eeb3d433e970d-150wi" style="width: 150px; margin: 0px 5px 5px 0px;" title="69a8aeecf249789ec38775132b7757c8" /></a>Major news from the Boston Symphony: the impassioned young Latvian conductor Andris Nelsons has been <a href="http://www.boston.com/culturedesk/2013/05/16/bso-names-andris-nelsons-music-director-suceeding-james-levine/MpFTlU0Ld9Qt3vH4CRWsPP/story.html" target="_self">chosen</a> as the orchestra's fifteenth music director, succeeding James Levine. "I am deeply honored and touched that the Boston Symphony Orchestra has appointed me its next music director, as it is one of the highest achievements a conductor could hope for in his lifetime," Nelsons says in the press release. "Each time I have worked with the BSO I have been inspired by how effectively it gets to the heart of the music, always leaving its audience with a great wealth of emotions." Last summer in the <em>New Yorker</em>, I <a href="http://www.therestisnoise.com/2012/08/tanglewood-2012.html">wrote about</a> Nelsons's memorable appearances with the BSO at Tanglewood. I also heard his splendid <em>Lohengrin</em> at Bayreuth in 2011. I believe him to be a very strong choice — indeed, about the best that the orchestra could have made. Daniele Gatti was also considered a candidate for the post, but Jeremy Eichler, in recent <em><a href="http://www.bostonglobe.com/arts/theater-art/2013/03/28/classical-review/lUeWSCyS3OWqq8DtoNpZkO/story.html" target="_self">Globe</a></em> <a href="http://www.bostonglobe.com/arts/music/2013/04/27/looking-top-contender-for-bso-music-director-post/j2MHGKfj5VKDz5eVYlvgaI/story.html" target="_self">reviews</a>, pointed out an "airless," mannered quality that I, too, have noticed in Gatti's work. Nelsons is a more natural, spontaneous musician, not to mention more widely liked, and his energy will be welcome in Boston.</p>
<p><em>More</em>: Full stories from <a href="http://www.boston.com/culturedesk/2013/05/16/bso-names-andris-nelsons-music-director-suceeding-james-levine/MpFTlU0Ld9Qt3vH4CRWsPP/story.html" target="_self">Geoff Edgers</a> and <a href="http://artsbeat.blogs.nytimes.com/2013/05/16/boston-symphony-orchestra-appoints-andris-nelsons-as-new-music-director/?ref=music" target="_self">Zack Woolfe</a>.</p></div>
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    <entry>
        <title>Let there be Steve</title>
        <link rel="alternate" type="text/html" href="http://www.therestisnoise.com/2013/05/let-there-be-steve.html" />
        <link rel="replies" type="text/html" href="http://www.therestisnoise.com/2013/05/let-there-be-steve.html" />
        <id>tag:typepad.com,2003:post-6a00d83451cb2869e2019102184cd6970c</id>
        <published>2013-05-13T14:51:00-04:00</published>
        <updated>2013-05-13T14:57:58-04:00</updated>
        <summary>I'm delighted to see among ASCAP's Concert Music Awards honorees the furiously hard-working and keen-eared Steve Smith, New York's leading new-music authority and one of the most gifted critics in the country. Many other worthy names appear on the announcement,...</summary>
        <author>
            <name>Alex Ross</name>
        </author>
        
        
<content type="xhtml" xml:lang="en-US" xml:base="http://www.therestisnoise.com/">
<div xmlns="http://www.w3.org/1999/xhtml">I'm delighted to see among ASCAP's <a href="http://www.ascap.com/press/2013/0513-14th-annual-concert-music-awards-to-honor-tania-leon-jon-deak.aspx" target="_self">Concert Music Awards </a>honorees the furiously hard-working and keen-eared <a href="http://nightafternight.blogs.com" target="_self">Steve Smith</a>, New York's leading new-music authority and one of the most gifted critics in the country. Many other worthy names appear on the announcement, but Steve deserves a solo bow.</div>
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    <entry>
        <title>Wide-eyed kid</title>
        <link rel="alternate" type="text/html" href="http://www.therestisnoise.com/2013/05/wide-eyed-kid.html" />
        <link rel="replies" type="text/html" href="http://www.therestisnoise.com/2013/05/wide-eyed-kid.html" />
        <id>tag:typepad.com,2003:post-6a00d83451cb2869e2017eeb005d0f970d</id>
        <published>2013-05-09T23:04:42-04:00</published>
        <updated>2013-05-09T23:04:42-04:00</updated>
        <summary />
        <author>
            <name>Alex Ross</name>
        </author>
        
        
<content type="xhtml" xml:lang="en-US" xml:base="http://www.therestisnoise.com/">
<div xmlns="http://www.w3.org/1999/xhtml"><a class="asset-img-link" href="http://alexrossmusic.typepad.com/.a/6a00d83451cb2869e201901c02d58e970b-pi" style="display: inline;"><img alt="IMG_4640" class="asset  asset-image at-xid-6a00d83451cb2869e201901c02d58e970b" src="http://alexrossmusic.typepad.com/.a/6a00d83451cb2869e201901c02d58e970b-400wi" style="width: 360px;" title="IMG_4640" /></a><br /></div>
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    </entry>
    <entry>
        <title>Ninth anniversary issue</title>
        <link rel="alternate" type="text/html" href="http://www.therestisnoise.com/2013/05/ninth-anniversary-issue.html" />
        <link rel="replies" type="text/html" href="http://www.therestisnoise.com/2013/05/ninth-anniversary-issue.html" />
        <id>tag:typepad.com,2003:post-6a00d83451cb2869e201901bf455ca970b</id>
        <published>2013-05-09T00:01:00-04:00</published>
        <updated>2013-05-09T00:01:00-04:00</updated>
        <summary>"I have four razors and a dictaphone." — Andrey Tarkovsky, 1979</summary>
        <author>
            <name>Alex Ross</name>
        </author>
        
        
<content type="xhtml" xml:lang="en-US" xml:base="http://www.therestisnoise.com/">
<div xmlns="http://www.w3.org/1999/xhtml"><p>
<a class="asset-img-link" href="http://alexrossmusic.typepad.com/.a/6a00d83451cb2869e201901bf45471970b-pi" style="display: inline;"><img alt="DSC01458" class="asset  asset-image at-xid-6a00d83451cb2869e201901bf45471970b" src="http://alexrossmusic.typepad.com/.a/6a00d83451cb2869e201901bf45471970b-400wi" style="width: 360px;" title="DSC01458" /></a></p>
<p>"I have four razors and a dictaphone."</p>
<p>                  — Andrey Tarkovsky, 1979</p></div>
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