<?xml version="1.0" encoding="UTF-8" standalone="no"?><rss xmlns:atom="http://www.w3.org/2005/Atom" xmlns:blogger="http://schemas.google.com/blogger/2008" xmlns:gd="http://schemas.google.com/g/2005" xmlns:georss="http://www.georss.org/georss" xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:openSearch="http://a9.com/-/spec/opensearchrss/1.0/" xmlns:thr="http://purl.org/syndication/thread/1.0" version="2.0"><channel><atom:id>tag:blogger.com,1999:blog-6177737169617929692</atom:id><lastBuildDate>Wed, 06 Nov 2024 02:52:34 +0000</lastBuildDate><category>podcast</category><title>Three Bellybuttons Podcast</title><description>This podcast is produced and managed by two Melbourne based artists, Siying Zhou (host), www.siyingzhou.com and Marcel Feillafé, feillafe.com. In each episode, two guests are invited in and join the host to discuss current art exhibitions/events in Australia. The cover image is created by Emanuel Rodriguez-Chaves, an artist/painter. www.emanuelrodriguez.org</description><link>https://threebellybuttonspodcast.blogspot.com/</link><managingEditor>noreply@blogger.com (three bellybuttons podcast)</managingEditor><generator>Blogger</generator><openSearch:totalResults>39</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>25</openSearch:itemsPerPage><language>en-us</language><itunes:explicit>no</itunes:explicit><itunes:image href="https://archive.org/download/threebellybuttonspodcast_gmail_Logo/coverimage_emanuel_1440.jpg"/><itunes:keywords>Australian,art,contemporary,art,art,events,visual,art,exhibitions,art,reviews</itunes:keywords><itunes:summary>This podcast is produced and managed by two Melbourne artists, Siying Zhou (host), www.siyingzhou.com and Marcel Feillafé (sound composer/editor), feillafe.com. In each episode, two guests are invited in and join the host to discuss current art exhibitions/events in Australia. The cover image is created by Emanuel Rodriguez-Chaves, painter/PhD candidate. www.emanuelrodriguez.net</itunes:summary><itunes:subtitle>https://archive.org/download/threebellybuttonspodcast_gmail_Logo/coverimage_emanuel_1440.jpg</itunes:subtitle><itunes:category text="Arts"><itunes:category text="Visual Arts"/></itunes:category><itunes:owner><itunes:email>threebellybuttonspodcast@gmail.com</itunes:email></itunes:owner><item><guid isPermaLink="false">tag:blogger.com,1999:blog-6177737169617929692.post-6620902959518719885</guid><pubDate>Sat, 11 Jul 2020 04:00:00 +0000</pubDate><atom:updated>2020-07-10T21:00:38.492-07:00</atom:updated><title>COVID19 SPECIAL EPISODE: Dr. Kate Just, Dr. Tal Fitzpatrick, Zara Sullivan and Nathan Beard on their COVID art projects</title><description>&lt;span style="font-family: inherit;"&gt;This is the 5th COVID special episode. In this episode, I have&amp;nbsp;four high-achieving artists: Dr. Kate Just, Dr. Tal Fitzpatrick, Zara Sullivan and Nathan Beard talking about their art projects that they have been&amp;nbsp;carrying out during COVID19&amp;nbsp;and speaking about their creative process and mind-space in making these projects during the COVID down time.&amp;nbsp;Dr.&amp;nbsp;Kate and Dr, Tal are producing a collaborative project titled: #covid19quilt on the instagram platform @covid19quilt. Zara is delivering her project&amp;nbsp;“Angle Exchange” and hosting a live performance channel on&amp;nbsp;IGTV. &amp;nbsp;Nathan is managing his&amp;nbsp;island of&amp;nbsp;Slovetzia in Animal Crossing game where he has built an art gallery and migrated his 1st life exhibition tilted White Gilt 2.0 and originally shown at FirstDraft into this Slovetzia gallery.&amp;nbsp;&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-family: inherit;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-family: inherit;"&gt;To me, like many other artists and people who struggled in&amp;nbsp;the 1st lockdown period&amp;nbsp;to keep up a creative life and now is adjusting mentally again in the 2nd lockdown, h&lt;span style="font-family: inherit;"&gt;earing about these artists' wonderful artworks and persistence in art-making, is absolutely inspiring and stimulating. I hope this episode could bring the same positive and creative energy to the listeners and help you all happily go through the new low of the 2nd lockdown time.&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;a href="https://www.blogger.com/u/1/null" name="OLE_LINK1"&gt;&lt;span style="font-family: inherit;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/a&gt;&lt;a href="https://www.blogger.com/u/1/null" name="OLE_LINK1"&gt;&lt;span style="font-family: inherit;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/a&gt;&lt;br /&gt;
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&lt;span lang="EN-AU"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style="font-family: inherit;"&gt;Episode notes:&lt;/span&gt;&lt;br /&gt;
Dr. Kate Just&lt;br /&gt;
http://www.katejust.com&lt;br /&gt;
&lt;br /&gt;
Dr. Tal Fitzpatrick&lt;br /&gt;
https://talfitzpatrick.com&lt;br /&gt;
&lt;span style="font-family: inherit;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-family: inherit;"&gt;Zara Sullivan&lt;/span&gt;&lt;br /&gt;
https://www.zarasullivan.com&lt;br /&gt;
&lt;br /&gt;
Nathan Beard&lt;br /&gt;
https://www.nathanbeard.org&lt;br /&gt;
&lt;br /&gt;
Projects:&lt;br /&gt;
1, Kate and Tal's COVID19quilt&lt;br /&gt;
Instagram @covid19quilt&lt;br /&gt;
&lt;br /&gt;
2, Zara's Angle Exchange&lt;br /&gt;
Instagram @Zarasully.artist&lt;br /&gt;
&lt;br /&gt;
https://busprojects.org.au/program/angel-exchange?fbclid=IwAR2SoJ_6zWaTDb-AQILeqpzVmBfJHYftTOYCk7kZZm49QbYim5MmkP0MxTI&lt;br /&gt;
&lt;br /&gt;
&lt;span style="font-family: inherit;"&gt;3, An interview and&amp;nbsp;&lt;/span&gt;announcement&lt;span style="font-family: inherit;"&gt;&amp;nbsp;about Nathan's&amp;nbsp;&lt;/span&gt;White Gilt 2.5&amp;nbsp;&lt;span style="font-family: inherit;"&gt;on FirstDraft website&amp;nbsp;&lt;/span&gt;&lt;br /&gt;
https://firstdraft.org.au/news/nathanbeardnewhorizons&lt;br /&gt;
&lt;span style="font-family: inherit;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-family: inherit;"&gt;White Gilt 2.0&lt;/span&gt;&lt;br /&gt;
https://firstdraft.org.au/2020-program-pt-1/whitegilt2point0-s3c82&lt;br /&gt;
&lt;span style="font-family: inherit;"&gt;&lt;br /&gt;&lt;/span&gt;</description><enclosure length="0" type="audio/mpeg" url="https://archive.org/download/draft_ep5/draft_ep5.mp3"/><link>https://threebellybuttonspodcast.blogspot.com/2020/07/covid19-special-episode-dr-kate-just-dr_10.html</link><thr:total>0</thr:total><author>threebellybuttonspodcast@gmail.com (three bellybuttons podcast)</author><itunes:explicit>no</itunes:explicit><itunes:subtitle>This is the 5th COVID special episode. In this episode, I have&amp;nbsp;four high-achieving artists: Dr. Kate Just, Dr. Tal Fitzpatrick, Zara Sullivan and Nathan Beard talking about their art projects that they have been&amp;nbsp;carrying out during COVID19&amp;nbsp;and speaking about their creative process and mind-space in making these projects during the COVID down time.&amp;nbsp;Dr.&amp;nbsp;Kate and Dr, Tal are producing a collaborative project titled: #covid19quilt on the instagram platform @covid19quilt. Zara is delivering her project&amp;nbsp;“Angle Exchange” and hosting a live performance channel on&amp;nbsp;IGTV. &amp;nbsp;Nathan is managing his&amp;nbsp;island of&amp;nbsp;Slovetzia in Animal Crossing game where he has built an art gallery and migrated his 1st life exhibition tilted White Gilt 2.0 and originally shown at FirstDraft into this Slovetzia gallery.&amp;nbsp; To me, like many other artists and people who struggled in&amp;nbsp;the 1st lockdown period&amp;nbsp;to keep up a creative life and now is adjusting mentally again in the 2nd lockdown, hearing about these artists' wonderful artworks and persistence in art-making, is absolutely inspiring and stimulating. I hope this episode could bring the same positive and creative energy to the listeners and help you all happily go through the new low of the 2nd lockdown time. Episode notes: Dr. Kate Just http://www.katejust.com Dr. Tal Fitzpatrick https://talfitzpatrick.com Zara Sullivan https://www.zarasullivan.com Nathan Beard https://www.nathanbeard.org Projects: 1, Kate and Tal's COVID19quilt Instagram @covid19quilt 2, Zara's Angle Exchange Instagram @Zarasully.artist https://busprojects.org.au/program/angel-exchange?fbclid=IwAR2SoJ_6zWaTDb-AQILeqpzVmBfJHYftTOYCk7kZZm49QbYim5MmkP0MxTI 3, An interview and&amp;nbsp;announcement&amp;nbsp;about Nathan's&amp;nbsp;White Gilt 2.5&amp;nbsp;on FirstDraft website&amp;nbsp; https://firstdraft.org.au/news/nathanbeardnewhorizons White Gilt 2.0 https://firstdraft.org.au/2020-program-pt-1/whitegilt2point0-s3c82</itunes:subtitle><itunes:author>threebellybuttonspodcast@gmail.com (three bellybuttons podcast)</itunes:author><itunes:summary>This is the 5th COVID special episode. In this episode, I have&amp;nbsp;four high-achieving artists: Dr. Kate Just, Dr. Tal Fitzpatrick, Zara Sullivan and Nathan Beard talking about their art projects that they have been&amp;nbsp;carrying out during COVID19&amp;nbsp;and speaking about their creative process and mind-space in making these projects during the COVID down time.&amp;nbsp;Dr.&amp;nbsp;Kate and Dr, Tal are producing a collaborative project titled: #covid19quilt on the instagram platform @covid19quilt. Zara is delivering her project&amp;nbsp;“Angle Exchange” and hosting a live performance channel on&amp;nbsp;IGTV. &amp;nbsp;Nathan is managing his&amp;nbsp;island of&amp;nbsp;Slovetzia in Animal Crossing game where he has built an art gallery and migrated his 1st life exhibition tilted White Gilt 2.0 and originally shown at FirstDraft into this Slovetzia gallery.&amp;nbsp; To me, like many other artists and people who struggled in&amp;nbsp;the 1st lockdown period&amp;nbsp;to keep up a creative life and now is adjusting mentally again in the 2nd lockdown, hearing about these artists' wonderful artworks and persistence in art-making, is absolutely inspiring and stimulating. I hope this episode could bring the same positive and creative energy to the listeners and help you all happily go through the new low of the 2nd lockdown time. Episode notes: Dr. Kate Just http://www.katejust.com Dr. Tal Fitzpatrick https://talfitzpatrick.com Zara Sullivan https://www.zarasullivan.com Nathan Beard https://www.nathanbeard.org Projects: 1, Kate and Tal's COVID19quilt Instagram @covid19quilt 2, Zara's Angle Exchange Instagram @Zarasully.artist https://busprojects.org.au/program/angel-exchange?fbclid=IwAR2SoJ_6zWaTDb-AQILeqpzVmBfJHYftTOYCk7kZZm49QbYim5MmkP0MxTI 3, An interview and&amp;nbsp;announcement&amp;nbsp;about Nathan's&amp;nbsp;White Gilt 2.5&amp;nbsp;on FirstDraft website&amp;nbsp; https://firstdraft.org.au/news/nathanbeardnewhorizons White Gilt 2.0 https://firstdraft.org.au/2020-program-pt-1/whitegilt2point0-s3c82</itunes:summary><itunes:keywords>Australian,art,contemporary,art,art,events,visual,art,exhibitions,art,reviews</itunes:keywords></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-6177737169617929692.post-2173758553864212223</guid><pubDate>Sat, 11 Jul 2020 02:46:00 +0000</pubDate><atom:updated>2020-07-10T21:10:58.637-07:00</atom:updated><title>EXTRA: COVID19 SPECIAL EPISODE - three COVID art projects</title><description>&lt;div style="font-stretch: normal; line-height: normal;"&gt;
&lt;span style="font-family: inherit;"&gt;A conversation with&amp;nbsp;&amp;nbsp;Dr. Kate Just, Dr. Tal Fitzpatrick, Zara Sullivan and Nathan Beard&lt;/span&gt;&lt;/div&gt;
&lt;div style="font-stretch: normal; line-height: normal;"&gt;
&lt;span style="font-family: inherit;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="font-stretch: normal; line-height: normal;"&gt;
&lt;span style="font-family: inherit;"&gt;When I made this conversation for this episode in the mid June, I thought this would be my last one for this special series, because by then gathering with 20pp was allowed and the social restrictions originally put in Melbourne were lifted one by one. But the recent implement of the 2nd COVID lockdown has asked me to think other way.&amp;nbsp;&lt;/span&gt;&lt;/div&gt;
&lt;div style="font-stretch: normal; line-height: normal;"&gt;
&lt;span style="font-family: inherit;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="font-stretch: normal; line-height: normal;"&gt;
&lt;span style="font-family: inherit;"&gt;In the new low brought by the 2nd lockdown, it is more&amp;nbsp;inspiring&amp;nbsp;to listen to this episode and visit the ongoing existing art&amp;nbsp;projects that Kate, Tal, Zara and Nathan have been working on.&amp;nbsp;&lt;/span&gt;&lt;/div&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjiXTTk_fOdGr87EKnWJLu0ewrNukBU6yVYwpSHJmDgxVIZvnGGtYvXe5X4KCJ69AA9rNiJnnyWBQ_-Yyrvo_B1u0zc1ysrKrBs38WKSeNPrg0lnJR_FEZUxf2QDOKpyh0T8nFD9-oH4rrh/s1600/screenshot.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" data-original-height="720" data-original-width="1280" height="180" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjiXTTk_fOdGr87EKnWJLu0ewrNukBU6yVYwpSHJmDgxVIZvnGGtYvXe5X4KCJ69AA9rNiJnnyWBQ_-Yyrvo_B1u0zc1ysrKrBs38WKSeNPrg0lnJR_FEZUxf2QDOKpyh0T8nFD9-oH4rrh/s320/screenshot.jpg" width="320" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;Notes: Nathan's image is transplanted from his portrait on FirstDraft site. &amp;nbsp;Due to the poor internet connectivity in the conversation, Nathan had to turn off his video. &lt;br /&gt;
&lt;br /&gt;
&lt;span style="font-size: small;"&gt;LISTEN to this episode:&amp;nbsp;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;
&lt;div style="text-align: center;"&gt;
&lt;audio controls="controls" src="https://archive.org/download/draft_ep5/draft_ep5.mp3"&gt;
&lt;/audio&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;span style="font-family: inherit;"&gt;&lt;br /&gt;&lt;/span&gt;
&lt;span style="font-family: inherit;"&gt;&lt;br /&gt;&lt;/span&gt;
&lt;span style="font-family: inherit;"&gt;Relevant links:&lt;/span&gt;&lt;/div&gt;
&lt;div&gt;
&lt;div style="font-stretch: normal; line-height: normal;"&gt;
&lt;span style="font-family: inherit;"&gt;Dr. Kate Just&lt;/span&gt;&lt;/div&gt;
&lt;div style="font-stretch: normal; line-height: normal;"&gt;
&lt;span style="font-family: inherit;"&gt;&lt;a href="http://www.katejust.com/"&gt;http://www.katejust.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="font-stretch: normal; line-height: normal; min-height: 14px;"&gt;
&lt;span style="font-family: inherit;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="font-stretch: normal; line-height: normal;"&gt;
&lt;span style="font-family: inherit;"&gt;Dr. Tal Fitzpatrick&lt;/span&gt;&lt;/div&gt;
&lt;div style="font-stretch: normal; line-height: normal;"&gt;
&lt;span style="font-family: inherit;"&gt;&lt;a href="https://talfitzpatrick.com/"&gt;https://talfitzpatrick.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="font-stretch: normal; line-height: normal;"&gt;
&lt;span style="font-family: inherit;"&gt;&lt;br /&gt;
Zara Sullivan&lt;/span&gt;&lt;/div&gt;
&lt;div style="font-stretch: normal; line-height: normal;"&gt;
&lt;span style="font-family: inherit;"&gt;&lt;a href="https://www.zarasullivan.com/"&gt;https://www.zarasullivan.com&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="font-stretch: normal; line-height: normal; min-height: 14px;"&gt;
&lt;span style="font-family: inherit;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="font-stretch: normal; line-height: normal;"&gt;
&lt;span style="font-family: inherit;"&gt;Nathan Beard&lt;/span&gt;&lt;/div&gt;
&lt;div style="font-stretch: normal; line-height: normal;"&gt;
&lt;span style="font-family: inherit;"&gt;&lt;a href="https://www.nathanbeard.org/"&gt;https://www.nathanbeard.org&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="font-stretch: normal; line-height: normal; min-height: 14px;"&gt;
&lt;span style="font-family: inherit;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="font-stretch: normal; line-height: normal;"&gt;
&lt;span style="font-family: inherit;"&gt;Projects:&lt;/span&gt;&lt;/div&gt;
&lt;div style="font-stretch: normal; line-height: normal;"&gt;
&lt;span style="font-family: inherit;"&gt;1, Kate and Tal's COVID19quilt&lt;/span&gt;&lt;/div&gt;
&lt;div style="font-stretch: normal; line-height: normal;"&gt;
&lt;span style="font-family: inherit;"&gt;Instagram @covid19quilt&lt;/span&gt;&lt;/div&gt;
&lt;div style="font-stretch: normal; line-height: normal; min-height: 14px;"&gt;
&lt;span style="font-family: inherit;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="font-stretch: normal; line-height: normal;"&gt;
&lt;span style="font-family: inherit;"&gt;2, Zara's Angle Exchange&lt;/span&gt;&lt;/div&gt;
&lt;div style="font-stretch: normal; line-height: normal;"&gt;
&lt;span style="font-family: inherit;"&gt;Instagram @Zarasully.artist&lt;/span&gt;&lt;/div&gt;
&lt;div style="font-stretch: normal; line-height: normal; min-height: 14px;"&gt;
&lt;span style="font-family: inherit;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="font-stretch: normal; line-height: normal;"&gt;
&lt;span style="font-family: inherit;"&gt;&lt;a href="https://busprojects.org.au/program/angel-exchange?fbclid=IwAR2SoJ_6zWaTDb-AQILeqpzVmBfJHYftTOYCk7kZZm49QbYim5MmkP0MxTI"&gt;https://busprojects.org.au/program/angel-exchange?fbclid=IwAR2SoJ_6zWaTDb-AQILeqpzVmBfJHYftTOYCk7kZZm49QbYim5MmkP0MxTI&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="font-stretch: normal; line-height: normal; min-height: 14px;"&gt;
&lt;span style="font-family: inherit;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="font-stretch: normal; line-height: normal;"&gt;
&lt;span style="font-family: inherit;"&gt;3, An interview and announcement about Nathan's White Gilt 2.5 on FirstDraft website&amp;nbsp;&lt;/span&gt;&lt;/div&gt;
&lt;div style="font-stretch: normal; line-height: normal;"&gt;
&lt;span style="font-family: inherit;"&gt;&lt;a href="https://firstdraft.org.au/news/nathanbeardnewhorizons"&gt;https://firstdraft.org.au/news/nathanbeardnewhorizons&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="font-stretch: normal; line-height: normal;"&gt;
&lt;span style="font-family: inherit;"&gt;&lt;br /&gt;
White Gilt 2.0&lt;/span&gt;&lt;/div&gt;
&lt;div style="font-stretch: normal; line-height: normal;"&gt;
&lt;span style="font-family: inherit;"&gt;&lt;a href="https://firstdraft.org.au/2020-program-pt-1/whitegilt2point0-s3c82"&gt;https://firstdraft.org.au/2020-program-pt-1/whitegilt2point0-s3c82&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;/div&gt;
&lt;/div&gt;
</description><link>https://threebellybuttonspodcast.blogspot.com/2020/07/extra-covid19-special-episode-three.html</link><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" height="72" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjiXTTk_fOdGr87EKnWJLu0ewrNukBU6yVYwpSHJmDgxVIZvnGGtYvXe5X4KCJ69AA9rNiJnnyWBQ_-Yyrvo_B1u0zc1ysrKrBs38WKSeNPrg0lnJR_FEZUxf2QDOKpyh0T8nFD9-oH4rrh/s72-c/screenshot.jpg" width="72"/><thr:total>0</thr:total><author>threebellybuttonspodcast@gmail.com (three bellybuttons podcast)</author></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-6177737169617929692.post-8963326517475528389</guid><pubDate>Wed, 17 Jun 2020 02:21:00 +0000</pubDate><atom:updated>2020-06-17T02:38:32.297-07:00</atom:updated><title>EXTRA: COVID19 SPECIAL EPISODE - arts in response to COVID19 racism</title><description>&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEinXS0IVoBAb7u73GPwbvNUUTcYmPjejBYKolqa_PBLTvRoq2z9AcM_of4I2hSqd9Pvi2CdY0hGdiTX7nr0PM1Q8lwZtKi1TC4GT2-k1l1w9xQuxPGf01AR4y4T4U2xH-fPB2a0uzN1_niE/s1600/Screen+Shot+2020-05-17+at+12.11.47+pm.png" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" data-original-height="898" data-original-width="1600" height="179" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEinXS0IVoBAb7u73GPwbvNUUTcYmPjejBYKolqa_PBLTvRoq2z9AcM_of4I2hSqd9Pvi2CdY0hGdiTX7nr0PM1Q8lwZtKi1TC4GT2-k1l1w9xQuxPGf01AR4y4T4U2xH-fPB2a0uzN1_niE/s320/Screen+Shot+2020-05-17+at+12.11.47+pm.png" width="320" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;the screenshot of our zoom meeting for making this episode&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;
&lt;div&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;audio controls="controls" src="https://archive.org/download/ep4_draft/ep4_draft.mp3"&gt;
&lt;/audio&gt;
&lt;br /&gt;
&lt;div&gt;
&lt;div style="font-stretch: normal; line-height: normal;"&gt;
&lt;span style="font-family: inherit;"&gt;&lt;br /&gt;&lt;/span&gt;
&lt;span style="font-family: inherit;"&gt;&lt;br /&gt;&lt;/span&gt;
&lt;span style="font-family: inherit;"&gt;In this 4th COVID19 special episode, I invited two artist and educator, Dr. Tammy wong Hulbert, and Dr. Priya Srinivasan and a phycologist, Anu Radha to make a conversation together about how the arts and artists could respond to the COVID19 racism against the Asian population in the western societies.&amp;nbsp;&lt;/span&gt;&lt;/div&gt;
&lt;div style="font-stretch: normal; line-height: normal;"&gt;
&lt;span style="font-family: inherit;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="font-stretch: normal; line-height: normal;"&gt;
&lt;span style="font-family: inherit;"&gt;&lt;span data-offset-key="b5fvm-0-0" style="color: #050505; white-space: pre-wrap;"&gt;As this conversation was made before the &lt;/span&gt;&lt;span class="diy96o5h" end="58" start="41" style="color: #050505; white-space: pre-wrap;"&gt;#blacklivesmatter&lt;/span&gt;&lt;span data-offset-key="b5fvm-2-0" style="color: #050505; white-space: pre-wrap;"&gt; global movement took off, the subjects &lt;span style="font-family: inherit;"&gt;of racism in this conversation were focused on the Asian communities in the western societies. &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family: inherit;"&gt;However, I think that the discussions on the topic about the arts&amp;amp;racism in this conversation has a broad application. The value of the speakers' words doesn't lessen due to limit of the timing.&amp;nbsp;&lt;/span&gt;&lt;/div&gt;
&lt;div style="font-stretch: normal; line-height: normal; min-height: 14px;"&gt;
&lt;span style="font-family: inherit;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="font-stretch: normal; line-height: normal;"&gt;
&lt;span style="font-family: inherit;"&gt;In this episode, Tammy told us about a collaborative social engagement project called &lt;i&gt;Unmasked selfies in Solidarity &lt;/i&gt;that she has been involved in, &amp;nbsp;&lt;/span&gt;&lt;/div&gt;
&lt;div style="font-stretch: normal; line-height: normal;"&gt;
&lt;i&gt;&lt;br /&gt;&lt;/i&gt;
&lt;i&gt;Unmasked Selfies in Solidarity&lt;/i&gt;&lt;/div&gt;
&lt;div style="font-stretch: normal; line-height: normal;"&gt;
The team of collaborators of this project includes:&amp;nbsp;&lt;span style="color: #050505; white-space: pre-wrap;"&gt;Isabella Capezio, Marnie Badham, Klare Lansen, Sherry Liu, Wilson Yeung, &lt;/span&gt;&lt;span style="color: #050505; white-space: pre-wrap;"&gt;Jan Sze Wing Ting, Rosina Yuan and Tammy Wong Hulbert and the RMIT School of Ar&lt;/span&gt;&lt;span style="color: #050505; white-space: pre-wrap;"&gt;t &lt;span style="font-family: inherit;"&gt;community&lt;/span&gt;. &lt;/span&gt;&lt;/div&gt;
&lt;div style="font-stretch: normal; line-height: normal;"&gt;
Facebook page:&amp;nbsp;&lt;a href="https://www.facebook.com/groups/1050235468694361"&gt;https://www.facebook.com/groups/1050235468694361&lt;/a&gt;&lt;/div&gt;
&lt;div style="font-stretch: normal; line-height: normal;"&gt;
&lt;span style="font-family: inherit;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="font-stretch: normal; line-height: normal;"&gt;
&lt;span style="font-family: inherit;"&gt;and how her visual art practice had been enriched through her roles as a curator and academic.&amp;nbsp;&lt;/span&gt;&lt;/div&gt;
&lt;div style="font-stretch: normal; line-height: normal;"&gt;
&lt;span style="font-family: inherit;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="font-stretch: normal; line-height: normal;"&gt;
&lt;span style="font-family: inherit;"&gt;Priya, with her rich knowledge on Australian performance art and the subject on cultural and gender equality in the postcolonial and capitalist societies, shared her view on what was the role of arts and artists that COVID19 had indicated to us, and her critical thoughts on how COVID19 broke the Western traditional notion that "artists are solo genius".&amp;nbsp;&lt;/span&gt;&lt;/div&gt;
&lt;div style="font-stretch: normal; line-height: normal;"&gt;
&lt;span style="font-family: inherit;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div&gt;
The info about Pathways project that Priya talked about can be find on Sangam Facebook page&lt;/div&gt;
&lt;div&gt;
&lt;a href="https://www.facebook.com/artsouthasia"&gt;https://www.facebook.com/artsouthasia&lt;/a&gt;&lt;/div&gt;
&lt;div style="font-stretch: normal; line-height: normal;"&gt;
&lt;span style="font-family: inherit;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="font-stretch: normal; line-height: normal;"&gt;
&lt;span style="font-family: inherit;"&gt;Anu as a professional psychologist who is currently working for&amp;nbsp;&lt;/span&gt;Northern Health&amp;nbsp;&lt;a href="https://www.nh.org.au/"&gt;https://www.nh.org.au&lt;/a&gt;,&amp;nbsp;&lt;span style="font-family: inherit;"&gt;gave not only an explanation on the stress and anxiety that were brought by racism and the time of COVID19, but also shared many brilliant valuable and wise exercises for thoughts for the artists and everyone to practice.&lt;/span&gt;&lt;span style="font-family: inherit;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;div&gt;
&lt;br /&gt;
&lt;br /&gt;
Please follow #ThreeBellybuttons on:&lt;br /&gt;
Twitter: @ThreeBellybutt1&lt;br /&gt;
Facebook: Threebellybuttonspodcast&lt;br /&gt;
Instagram: @threebellybuttonspodcast&lt;/div&gt;
</description><link>https://threebellybuttonspodcast.blogspot.com/2020/06/extra-covid19-special-episode-arts-in.html</link><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" height="72" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEinXS0IVoBAb7u73GPwbvNUUTcYmPjejBYKolqa_PBLTvRoq2z9AcM_of4I2hSqd9Pvi2CdY0hGdiTX7nr0PM1Q8lwZtKi1TC4GT2-k1l1w9xQuxPGf01AR4y4T4U2xH-fPB2a0uzN1_niE/s72-c/Screen+Shot+2020-05-17+at+12.11.47+pm.png" width="72"/><thr:total>0</thr:total><author>threebellybuttonspodcast@gmail.com (three bellybuttons podcast)</author></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-6177737169617929692.post-5060931981183042861</guid><pubDate>Wed, 17 Jun 2020 01:34:00 +0000</pubDate><atom:updated>2020-06-17T02:28:02.020-07:00</atom:updated><title>COVID19 SPECIAL EPISODE: Anu Radha, Dr. Priya Srinivasan and Dr. Tammy Wong Hulbert on arts in response to the COVID19 racism </title><description>&lt;div style="font-stretch: normal; line-height: normal;"&gt;
&lt;span style="font-family: inherit;"&gt;&lt;span style="font-family: inherit;"&gt;In this 4th COVID19 special episode, I have invited two artist and educator, Dr. Tammy wong Hulbert, and Dr. Priya Srinivasan and a phycologist, Anu Radha to make a conversation together about how the arts and artists could respond to the COVID19 racism against the Asian population in the western societies.&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="font-stretch: normal; line-height: normal;"&gt;
&lt;span style="font-family: inherit;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="font-stretch: normal; line-height: normal;"&gt;
&lt;span style="font-family: inherit;"&gt;In this episode, Tammy told us about a collaborative social engagement project called &lt;i&gt;Unmasked selfies in Solidarity &lt;/i&gt;that she had taken part in. &lt;span style="color: #050505; white-space: pre-wrap;"&gt;&lt;span style="font-family: inherit;"&gt;This project &lt;/span&gt;&lt;/span&gt;had widely-reached on Facebook platform. Tammy also talked about&amp;nbsp;&lt;/span&gt;&lt;span style="font-family: inherit;"&gt;how her visual art practice had been enriched through her roles as a curator and academic. Priya, with her rich knowledge on Australian performance art and the subject on cultural and gender equality in the postcolonial and capitalist societies, shared her view on what was the role of arts and artists that COVID19 had indicated to us, and her critical thoughts on how COVID19 broke the Western traditional notion that "artists are solo genius". Moreover, Anu from her professional psychologist perspective, did not only give an explanation on the stress and anxiety that were brought by racism and the time of COVID19, but also shared many brilliant valuable and wise exercises for thoughts for the artists and everyone to practice. T&lt;/span&gt;here are so much more in this conversation to take on.&amp;nbsp;&lt;/div&gt;
&lt;div style="font-stretch: normal; line-height: normal;"&gt;
&lt;span style="font-family: inherit;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="font-stretch: normal; line-height: normal;"&gt;
&lt;span style="font-family: inherit;"&gt;&lt;span data-offset-key="b5fvm-0-0" style="color: #050505; white-space: pre-wrap;"&gt;As this conversation was made before the &lt;/span&gt;&lt;span class="diy96o5h" end="58" start="41" style="color: #050505; white-space: pre-wrap;"&gt;#blacklivesmatter&lt;/span&gt;&lt;span data-offset-key="b5fvm-2-0" style="color: #050505; white-space: pre-wrap;"&gt; global movement took off, the subjects of racism in this conversation were focused on the Asian communities in the western societies. However, I think that the discussions on the topic about the arts&amp;amp;racism in this conversation has a broad application. The value of the speakers' words doesn't lessen due to limit of the timing. &lt;/span&gt;&lt;/span&gt;&lt;span style="font-family: inherit;"&gt;Please sit back and enjoy this empowering episode!&lt;/span&gt;&lt;span style="font-family: inherit;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/div&gt;
&lt;div style="font-stretch: normal; line-height: normal;"&gt;
&lt;span style="font-family: inherit;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="font-stretch: normal; line-height: normal;"&gt;
&lt;span style="font-family: inherit;"&gt;Episode Note:&lt;/span&gt;&lt;/div&gt;
&lt;div style="font-stretch: normal; line-height: normal;"&gt;
Dr. Tammy Wong Hulbert&lt;/div&gt;
&lt;div style="font-stretch: normal; line-height: normal;"&gt;
&lt;a href="https://www.tammywonghulbert.com/"&gt;https://www.tammywonghulbert.com&lt;/a&gt;&lt;/div&gt;
&lt;div style="font-stretch: normal; line-height: normal;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style="font-stretch: normal; line-height: normal;"&gt;
&lt;i&gt;Unmasked Selfies in Solidarity&lt;/i&gt;&lt;/div&gt;
&lt;div style="font-stretch: normal; line-height: normal;"&gt;
The team of collaborators of this project includes:&amp;nbsp;&lt;span style="color: #050505; white-space: pre-wrap;"&gt;Isabella Capezio, Marnie Badham, Klare Lansen, Sherry Liu, Wilson Yeung, &lt;/span&gt;&lt;span style="color: #050505; white-space: pre-wrap;"&gt;Jan Sze Wing Ting, Rosina Yuan and Tammy Wong Hulbert and the RMIT School of Ar&lt;/span&gt;&lt;span style="color: #050505; white-space: pre-wrap;"&gt;t &lt;span style="font-family: inherit;"&gt;community&lt;/span&gt;. &lt;/span&gt;&lt;/div&gt;
&lt;div style="font-stretch: normal; line-height: normal;"&gt;
Facebook page: &lt;a href="https://www.facebook.com/groups/1050235468694361"&gt;https://www.facebook.com/groups/1050235468694361&lt;/a&gt;&lt;/div&gt;
&lt;div&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div&gt;
Dr. Priya Srinivasan&lt;/div&gt;
&lt;div&gt;
&lt;a href="https://www.liminalmag.com/interviews/priya-srinivasan"&gt;https://www.liminalmag.com/interviews/priya-srinivasan&lt;/a&gt;&lt;/div&gt;
&lt;div&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div&gt;
The info about Pathways project that Priya talked about can be find on Sangam Facebook page&lt;/div&gt;
&lt;div&gt;
&lt;a href="https://www.facebook.com/artsouthasia"&gt;https://www.facebook.com/artsouthasia&lt;/a&gt;&lt;/div&gt;
&lt;div&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div&gt;
Anu Radha, a psychologist&amp;nbsp;&lt;/div&gt;
&lt;div&gt;
currently working in Northern Health&amp;nbsp;&lt;a href="https://www.nh.org.au/"&gt;https://www.nh.org.au&lt;/a&gt;&lt;/div&gt;
</description><enclosure length="0" type="audio/mpeg" url="https://archive.org/download/ep4_draft/ep4_draft.mp3"/><link>https://threebellybuttonspodcast.blogspot.com/2020/06/covid19-special-episode-anu-radha-dr.html</link><thr:total>0</thr:total><author>threebellybuttonspodcast@gmail.com (three bellybuttons podcast)</author><itunes:explicit>no</itunes:explicit><itunes:subtitle>In this 4th COVID19 special episode, I have invited two artist and educator, Dr. Tammy wong Hulbert, and Dr. Priya Srinivasan and a phycologist, Anu Radha to make a conversation together about how the arts and artists could respond to the COVID19 racism against the Asian population in the western societies.&amp;nbsp; In this episode, Tammy told us about a collaborative social engagement project called Unmasked selfies in Solidarity that she had taken part in. This project had widely-reached on Facebook platform. Tammy also talked about&amp;nbsp;how her visual art practice had been enriched through her roles as a curator and academic. Priya, with her rich knowledge on Australian performance art and the subject on cultural and gender equality in the postcolonial and capitalist societies, shared her view on what was the role of arts and artists that COVID19 had indicated to us, and her critical thoughts on how COVID19 broke the Western traditional notion that "artists are solo genius". Moreover, Anu from her professional psychologist perspective, did not only give an explanation on the stress and anxiety that were brought by racism and the time of COVID19, but also shared many brilliant valuable and wise exercises for thoughts for the artists and everyone to practice. There are so much more in this conversation to take on.&amp;nbsp; As this conversation was made before the #blacklivesmatter global movement took off, the subjects of racism in this conversation were focused on the Asian communities in the western societies. However, I think that the discussions on the topic about the arts&amp;amp;racism in this conversation has a broad application. The value of the speakers' words doesn't lessen due to limit of the timing. Please sit back and enjoy this empowering episode!&amp;nbsp; Episode Note: Dr. Tammy Wong Hulbert https://www.tammywonghulbert.com Unmasked Selfies in Solidarity The team of collaborators of this project includes:&amp;nbsp;Isabella Capezio, Marnie Badham, Klare Lansen, Sherry Liu, Wilson Yeung, Jan Sze Wing Ting, Rosina Yuan and Tammy Wong Hulbert and the RMIT School of Art community. Facebook page: https://www.facebook.com/groups/1050235468694361 Dr. Priya Srinivasan https://www.liminalmag.com/interviews/priya-srinivasan The info about Pathways project that Priya talked about can be find on Sangam Facebook page https://www.facebook.com/artsouthasia Anu Radha, a psychologist&amp;nbsp; currently working in Northern Health&amp;nbsp;https://www.nh.org.au</itunes:subtitle><itunes:author>threebellybuttonspodcast@gmail.com (three bellybuttons podcast)</itunes:author><itunes:summary>In this 4th COVID19 special episode, I have invited two artist and educator, Dr. Tammy wong Hulbert, and Dr. Priya Srinivasan and a phycologist, Anu Radha to make a conversation together about how the arts and artists could respond to the COVID19 racism against the Asian population in the western societies.&amp;nbsp; In this episode, Tammy told us about a collaborative social engagement project called Unmasked selfies in Solidarity that she had taken part in. This project had widely-reached on Facebook platform. Tammy also talked about&amp;nbsp;how her visual art practice had been enriched through her roles as a curator and academic. Priya, with her rich knowledge on Australian performance art and the subject on cultural and gender equality in the postcolonial and capitalist societies, shared her view on what was the role of arts and artists that COVID19 had indicated to us, and her critical thoughts on how COVID19 broke the Western traditional notion that "artists are solo genius". Moreover, Anu from her professional psychologist perspective, did not only give an explanation on the stress and anxiety that were brought by racism and the time of COVID19, but also shared many brilliant valuable and wise exercises for thoughts for the artists and everyone to practice. There are so much more in this conversation to take on.&amp;nbsp; As this conversation was made before the #blacklivesmatter global movement took off, the subjects of racism in this conversation were focused on the Asian communities in the western societies. However, I think that the discussions on the topic about the arts&amp;amp;racism in this conversation has a broad application. The value of the speakers' words doesn't lessen due to limit of the timing. Please sit back and enjoy this empowering episode!&amp;nbsp; Episode Note: Dr. Tammy Wong Hulbert https://www.tammywonghulbert.com Unmasked Selfies in Solidarity The team of collaborators of this project includes:&amp;nbsp;Isabella Capezio, Marnie Badham, Klare Lansen, Sherry Liu, Wilson Yeung, Jan Sze Wing Ting, Rosina Yuan and Tammy Wong Hulbert and the RMIT School of Art community. Facebook page: https://www.facebook.com/groups/1050235468694361 Dr. Priya Srinivasan https://www.liminalmag.com/interviews/priya-srinivasan The info about Pathways project that Priya talked about can be find on Sangam Facebook page https://www.facebook.com/artsouthasia Anu Radha, a psychologist&amp;nbsp; currently working in Northern Health&amp;nbsp;https://www.nh.org.au</itunes:summary><itunes:keywords>Australian,art,contemporary,art,art,events,visual,art,exhibitions,art,reviews</itunes:keywords></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-6177737169617929692.post-7904459538134463171</guid><pubDate>Thu, 11 Jun 2020 01:45:00 +0000</pubDate><atom:updated>2020-06-10T18:45:14.182-07:00</atom:updated><title>EXTRA - COVID19 SPECIAL EPISODE: 'Across the Haze' artist and curator talk</title><description>&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjpRtuUINccbjMA4vXMxTg0BN8KynjnspSuTuqCYz_PapNFF9biSSPQSOUqk5BFZchHyEvIMpdVd5xm4wY9mvinHn2H2LaPt-hnsfvTKXQT-deCcfrBAxy1ABIs6FkGIfCH45hGwuQPVYRf/s1600/zoom_screenshot.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" data-original-height="720" data-original-width="1280" height="180" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjpRtuUINccbjMA4vXMxTg0BN8KynjnspSuTuqCYz_PapNFF9biSSPQSOUqk5BFZchHyEvIMpdVd5xm4wY9mvinHn2H2LaPt-hnsfvTKXQT-deCcfrBAxy1ABIs6FkGIfCH45hGwuQPVYRf/s320/zoom_screenshot.jpg" width="320" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;The screenshot of the artist and curator talks on Zoom&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;
&lt;div class="MsoNormal" style="font-family: Calibri, sans-serif; margin: 0cm 0cm 0.0001pt;"&gt;
&lt;span lang="EN-AU"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="font-family: Calibri, sans-serif; margin: 0cm 0cm 0.0001pt;"&gt;
&lt;span lang="EN-AU"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="font-family: Calibri, sans-serif; margin: 0cm 0cm 0.0001pt;"&gt;
&lt;span lang="EN-AU"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="margin: 0cm 0cm 0.0001pt;"&gt;
&lt;span style="font-family: inherit;"&gt;&lt;span lang="EN-AU"&gt;It is absolutely my pleasure to speak with the artists:&amp;nbsp;&lt;/span&gt;&lt;span style="font-family: inherit;"&gt;&lt;a href="http://cynthiaarrieuking.blogspot.com/"&gt;Cynthia Arrieu-King (USA)&lt;/a&gt;,&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;div style="font-family: -webkit-standard;"&gt;
&lt;/div&gt;
&lt;div style="font-family: -webkit-standard;"&gt;
&lt;span style="font-family: inherit;"&gt;&lt;span style="background-color: white;"&gt;&lt;a href="http://shraddhaborawake.com/"&gt;Shraddha Borawake (India)&lt;/a&gt;,&amp;nbsp;&lt;/span&gt;&lt;span style="background-color: white;"&gt;&lt;a href="https://dongyanchen.com/"&gt;Dongyan Chen (Singapore / China)&lt;/a&gt;,&amp;nbsp;&lt;/span&gt;&lt;span style="background-color: white;"&gt;&lt;a href="https://www.curatorspace.com/artists/Rochynedm"&gt;Rochyne Delaney McNulty (England)&lt;/a&gt;,&amp;nbsp;&lt;/span&gt;&lt;span style="background-color: white;"&gt;&lt;a href="https://www.sophiemorrow.com/"&gt;Sophie Morrow (Australia)&lt;/a&gt;,&amp;nbsp;&lt;/span&gt;&lt;span style="background-color: white;"&gt;&lt;a href="https://ivettakang.com/About"&gt;Ivetta Sunyoung Kang (Canada / South Korea)&lt;/a&gt;,&amp;nbsp;&lt;/span&gt;&lt;span style="background-color: white;"&gt;&lt;a href="https://vaitsman.wordpress.com/"&gt;Marcia Vaitsman (Brazil)&lt;/a&gt;,&amp;nbsp;&lt;/span&gt;&lt;span lang="EN-AU" style="font-family: &amp;quot;calibri&amp;quot; , sans-serif;"&gt;and &lt;a href="https://corinnaberndt.net/"&gt;Corinna Berndt&amp;nbsp;&lt;/a&gt;&lt;/span&gt;&lt;span style="background-color: white;"&gt;(Australia / Germany)&amp;nbsp;&lt;/span&gt;&lt;span style="font-family: &amp;quot;calibri&amp;quot; , sans-serif;"&gt;(curator)&lt;/span&gt;&lt;span style="font-family: &amp;quot;calibri&amp;quot; , sans-serif;"&gt; in &lt;/span&gt;&lt;i style="font-family: calibri, sans-serif;"&gt;Across The Haze&lt;/i&gt;&lt;span style="font-family: &amp;quot;calibri&amp;quot; , sans-serif;"&gt;. From this talk, I didn't gain&amp;nbsp;&lt;/span&gt;&lt;span style="font-family: &amp;quot;calibri&amp;quot; , sans-serif;"&gt;not only&lt;/span&gt;&lt;span style="font-family: &amp;quot;calibri&amp;quot; , sans-serif;"&gt;&amp;nbsp;&lt;/span&gt;&lt;span style="font-family: &amp;quot;calibri&amp;quot; , sans-serif;"&gt;a good understanding on this exhibition, but also each artist's art practice.&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style="font-family: inherit;"&gt;&lt;span lang="EN-AU"&gt;This conversation was recorded in late April. By then, talking about this exhibition couldn’t be more relevant to the COVID 19 time. Regardless, this exhibition was one of million art exhibitions in the world that had been affected by the COVID 19 outbreak, it was probably the first exhibition in Melbourne and Australia that addressed the changes and issues brought by COVID 19. By underlining the connectivity in the midst of uncertainty, it invited the audience to ponder the shifting relationships between people, between people and material, and between people and technology, affected by the global calamities. Through the 8 artist’s personal responses,&amp;nbsp;&lt;i&gt;Across the Haze&amp;nbsp;&lt;/i&gt;drew out various concept avenues for audience to rest their thoughts in, such as:&amp;nbsp;&lt;/span&gt;&amp;nbsp;the technological nostalgia, technological utopia and dystopia, a technological foundation in maintaining human relationships; the humanisation of the material world; the psychological impacts of skin-to-skin contact, and the link between human connectivity and human mobility. Under the&lt;span style="background-color: white;"&gt;&lt;span style="color: #050505;"&gt;&lt;span style="font-size: 15px; white-space: pre-wrap;"&gt; demand for a new perspective on the existing world by COVID19, this exhibition provided an artistic frontline for audience to encounter a new way of living. &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style="font-family: inherit;"&gt;Listen to &lt;i&gt;Across the Haze&lt;/i&gt; artist and curator talk Part I:&lt;/span&gt;&lt;br /&gt;
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&lt;audio controls="controls" src="https://archive.org/download/20200610_20200610_1158/sp_eps02_01_1.mp3"&gt;&lt;/audio&gt;
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&lt;span style="font-family: inherit;"&gt;Listen to&amp;nbsp;&lt;i&gt;Across the Haze&lt;/i&gt;&amp;nbsp;artist and curator talk Part II:&lt;/span&gt;&lt;br /&gt;
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&lt;audio controls="controls" src="https://archive.org/download/sp-eps-02-02-1/Sp_eps02_02_1.mp3"&gt;&lt;/audio&gt;
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&lt;span style="font-family: inherit;"&gt;The digital catalogue of&amp;nbsp;&lt;i&gt;Across the Haze &lt;/i&gt;exhibition can be viewed and downloaded on &lt;a href="http://www.trocaderoartspace.com.au/uncategorized/troc-talks-online/?fbclid=IwAR1nMYWLrWpS1v4WkTCm_eMfMvKDjbpWEzXCi_OpyzUk9i81nfkYwH1eDF8"&gt;the website of Trocadero Art Space.&amp;nbsp;&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjsvIuYChlAK1CPDh4fYJDHWBZy-av-1PnerFAuX_mSFwor_k19XmozQQ0Ge5PxnIul_IT5Nls89rhq8FcelpFc_2944kKIT0xRsvnr5x47FDAfMRzTWLhb-XX5zmmXDRxACdMxjGDqtMrm/s1600/Corinna+Berndt.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" data-original-height="980" data-original-width="576" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjsvIuYChlAK1CPDh4fYJDHWBZy-av-1PnerFAuX_mSFwor_k19XmozQQ0Ge5PxnIul_IT5Nls89rhq8FcelpFc_2944kKIT0xRsvnr5x47FDAfMRzTWLhb-XX5zmmXDRxACdMxjGDqtMrm/s320/Corinna+Berndt.jpg" width="188" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;; font-size: 12px; font-stretch: normal; line-height: normal;"&gt;
Corinna Berndt, A New Kind of Utopia, 2019single-channel HD Video, displayed on mobile phone, duration: 2'56".Image courtesy the artist.&amp;nbsp;&lt;/div&gt;
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&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjZOiz3TvtAXpZLmq_w8eW8LIfRpnHPfYiCteCcrBkcdCcxj9gReSPSGUROMAnW7lhYlh0er68ig5pHBykn19fCaDBn90kUbpkC2htKHQI2iTWCxeLZknqw7obFWNZsFzMvjlx9PXpYeovm/s1600/Dongyan+Chen.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" data-original-height="622" data-original-width="833" height="238" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjZOiz3TvtAXpZLmq_w8eW8LIfRpnHPfYiCteCcrBkcdCcxj9gReSPSGUROMAnW7lhYlh0er68ig5pHBykn19fCaDBn90kUbpkC2htKHQI2iTWCxeLZknqw7obFWNZsFzMvjlx9PXpYeovm/s320/Dongyan+Chen.jpg" width="320" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;; font-size: 12px; font-stretch: normal; line-height: normal;"&gt;
Dongyan Chen, &lt;i&gt;Sewbrella Machine&lt;/i&gt;, 2020 , single channel HD video. Video still, Image courtesy the artist.&lt;/div&gt;
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&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj0fBZOxjtjgQQVFE8nQSno9JRCq6Rhncr6j-wFmOLjlnkOVHrm4LdwZRFciZ0qtg0tTo5ApDLD8RRu8xYZjjjb5T02pZ7UlZczsPfeTLXyzwZrxpt3nUqdO4lDENeqe6t-rv5Px73r3qTO/s1600/Ivetta+Sunyoung+Kang.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" data-original-height="658" data-original-width="1024" height="205" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj0fBZOxjtjgQQVFE8nQSno9JRCq6Rhncr6j-wFmOLjlnkOVHrm4LdwZRFciZ0qtg0tTo5ApDLD8RRu8xYZjjjb5T02pZ7UlZczsPfeTLXyzwZrxpt3nUqdO4lDENeqe6t-rv5Px73r3qTO/s320/Ivetta+Sunyoung+Kang.jpg" width="320" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;; font-size: 12px; font-stretch: normal; line-height: normal;"&gt;
Ivetta Sunyoung Kang, &lt;i&gt;Proposition 1: Hands&lt;/i&gt;, 2020, digital collage. Image courtesy the artist.&lt;/div&gt;
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&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjdgUtS6Bs16lMpST6hyphenhyphenOHyzTnomVDe5yyfJq77QBPN_iXTAxwAKLDY9an6BWzKOGZHBVuqSj9UU7JIatoOnjCUTV5o-O8hbD_WNqzWrWudbvQpUYxVtrl8AMFjMUbQy2wgH98CPf1Q6LS_/s1600/Marcia+Vaitsman.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" data-original-height="709" data-original-width="1260" height="180" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjdgUtS6Bs16lMpST6hyphenhyphenOHyzTnomVDe5yyfJq77QBPN_iXTAxwAKLDY9an6BWzKOGZHBVuqSj9UU7JIatoOnjCUTV5o-O8hbD_WNqzWrWudbvQpUYxVtrl8AMFjMUbQy2wgH98CPf1Q6LS_/s320/Marcia+Vaitsman.jpg" width="320" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;; font-size: 12px; font-stretch: normal; line-height: normal;"&gt;
Marcia Vaitsman,&lt;i&gt;100 Seconds to Midnight&lt;/i&gt;, 2020, single-channel HD Video. Video still, Image courtesy the artist.&lt;/div&gt;
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&lt;/tbody&gt;&lt;/table&gt;
&lt;br /&gt;
&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEinopZm5IIE9QP4aUH6OWAGow5rw_NE9HqcQWTudfhmv-x4IMFCqRBIpsyZ0BwKDRlK92m1EZQMjnLX88d0zJU7lO2H1lvX1XHTM3iv9jcCcehgoxjx5f37yEcVb54sOlzg0LbfH64e_ts2/s1600/ShraddhaBorawake.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" data-original-height="796" data-original-width="1253" height="203" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEinopZm5IIE9QP4aUH6OWAGow5rw_NE9HqcQWTudfhmv-x4IMFCqRBIpsyZ0BwKDRlK92m1EZQMjnLX88d0zJU7lO2H1lvX1XHTM3iv9jcCcehgoxjx5f37yEcVb54sOlzg0LbfH64e_ts2/s320/ShraddhaBorawake.jpg" width="320" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;; font-size: 12px; font-stretch: normal; line-height: normal;"&gt;
Shraddha Borawake, &lt;i&gt;This Beautiful Venus Trap Earth Body with Eline Bochem&lt;/i&gt;, 2019, sin-gle-channel HD Video.Video still, image courtesy the artist.&amp;nbsp;&lt;/div&gt;
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&lt;span style="font-family: inherit;"&gt;Please follow #ThreeBellybuttons on:&lt;br /&gt;Twitter: @ThreeBellybutt1&lt;br /&gt;Facebook: Threebellybuttonspodcast&lt;br /&gt;Instagram: @threebellybuttonspodcast&lt;/span&gt;&lt;/div&gt;
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</description><link>https://threebellybuttonspodcast.blogspot.com/2020/06/extra-covid19-special-episode-across.html</link><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" height="72" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjpRtuUINccbjMA4vXMxTg0BN8KynjnspSuTuqCYz_PapNFF9biSSPQSOUqk5BFZchHyEvIMpdVd5xm4wY9mvinHn2H2LaPt-hnsfvTKXQT-deCcfrBAxy1ABIs6FkGIfCH45hGwuQPVYRf/s72-c/zoom_screenshot.jpg" width="72"/><thr:total>0</thr:total><author>threebellybuttonspodcast@gmail.com (three bellybuttons podcast)</author></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-6177737169617929692.post-7813452380260714627</guid><pubDate>Thu, 11 Jun 2020 01:43:00 +0000</pubDate><atom:updated>2020-06-10T18:43:58.270-07:00</atom:updated><title>COVID 19 SPECIAL EPISODE: In conversation with the artists and curator of 'Across the Haze' exhibition - Part II</title><description>&lt;span style="font-family: inherit;"&gt;&lt;span lang="EN-AU"&gt;This is the 2&lt;sup&gt;nd&lt;/sup&gt;&amp;nbsp;part of the artist and curator talk for the exhibition &lt;i&gt;Across the Haze&lt;/i&gt;. It starts with Shraddah. She is going to talk about her work&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family: inherit;"&gt;&lt;i&gt;This Beautiful Venus Trap Earth Body with Eline Bochem&amp;nbsp;&lt;/i&gt;&lt;/span&gt;&lt;span lang="EN-AU" style="font-family: inherit;"&gt;in this exhibition.&amp;nbsp;&lt;/span&gt;&lt;span style="font-family: inherit;"&gt;Then, the sound recordings of Ivetta and Cynthia talking about their works&amp;nbsp;&lt;/span&gt;&lt;span style="font-family: inherit;"&gt;&lt;span style="color: #211d1e;"&gt;&lt;i&gt;Proposition 1: Hands, &lt;/i&gt;and&lt;i&gt;&amp;nbsp;&lt;/i&gt;&lt;/span&gt;&lt;i&gt;Commune&amp;nbsp;&lt;/i&gt;&lt;/span&gt;&lt;span style="font-family: inherit;"&gt;will be played, because they couldn’t attend to this talk. In the end, all the artists in the conversation share the fun activities they have been doing in the home isolation.&amp;nbsp;&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-family: inherit;"&gt;&lt;br /&gt;&lt;span style="font-family: inherit;"&gt;&lt;span lang="EN-AU"&gt;&lt;b&gt;Episode notes:&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-family: inherit;"&gt;Trocadero Art Space&lt;/span&gt;&lt;br /&gt;
&lt;a href="http://www.trocaderoartspace.com.au/" style="font-family: inherit;"&gt;http://www.trocaderoartspace.com.au&lt;/a&gt;&lt;br /&gt;
&lt;span style="font-family: inherit;"&gt;Cross the Haze&lt;/span&gt;&lt;br /&gt;
&lt;a href="http://www.trocaderoartspace.com.au/corinna-berndt/current-march-18-april-4-project-space-curated-by-corinna-berndt-across-the-haze/" style="font-family: inherit;"&gt;http://www.trocaderoartspace.com.au/corinna-berndt/current-march-18-april-4-project-space-curated-by-corinna-berndt-across-the-haze/&lt;/a&gt;&lt;br /&gt;
&lt;span style="font-family: inherit;"&gt;Cynthia Arrieu-King (USA)&lt;/span&gt;&lt;br /&gt;
&lt;a href="http://cynthiaarrieuking.blogspot.com/" style="font-family: inherit;"&gt;http://cynthiaarrieuking.blogspot.com&lt;/a&gt;&lt;br /&gt;
&lt;span style="background-color: white; font-family: inherit;"&gt;Corinna Berndt (Australia / Germany)&lt;/span&gt;&lt;br /&gt;
&lt;a href="https://corinnaberndt.net/" style="font-family: inherit;"&gt;https://corinnaberndt.net&lt;/a&gt;&lt;br /&gt;
&lt;span style="background-color: white; font-family: inherit;"&gt;Shraddha Borawake (India)&lt;/span&gt;&lt;br /&gt;
&lt;a href="http://shraddhaborawake.com/" style="font-family: inherit;"&gt;http://shraddhaborawake.com&lt;/a&gt;&lt;br /&gt;
&lt;span style="background-color: white; font-family: inherit;"&gt;Dongyan Chen (Singapore / China)&lt;/span&gt;&lt;br /&gt;
&lt;a href="https://dongyanchen.com/" style="font-family: inherit;"&gt;https://dongyanchen.com&lt;/a&gt;&lt;br /&gt;
&lt;span style="background-color: white; font-family: inherit;"&gt;Rochyne Delaney McNulty (England)&lt;/span&gt;&lt;br /&gt;
&lt;a href="https://www.curatorspace.com/artists/Rochynedm" style="font-family: inherit;"&gt;https://www.curatorspace.com/artists/Rochynedm&lt;/a&gt;&lt;br /&gt;
&lt;span style="background-color: white; font-family: inherit;"&gt;Sophie Morrow (Australia)&lt;/span&gt;&lt;br /&gt;
&lt;a href="https://www.sophiemorrow.com/" style="font-family: inherit;"&gt;https://www.sophiemorrow.com&lt;/a&gt;&lt;br /&gt;
&lt;span style="background-color: white; font-family: inherit;"&gt;Ivetta Sunyoung Kang (Canada / South Korea)&lt;/span&gt;&lt;br /&gt;
&lt;a href="https://ivettakang.com/About" style="font-family: inherit;"&gt;https://ivettakang.com/About&lt;/a&gt;&lt;br /&gt;
&lt;span style="background-color: white; font-family: inherit;"&gt;Marcia Vaitsman (Brazil)&lt;/span&gt;&lt;br /&gt;
&lt;a href="https://vaitsman.wordpress.com/" style="font-family: inherit;"&gt;https://vaitsman.wordpress.com&lt;/a&gt;&lt;br /&gt;
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&lt;span lang="EN-AU"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
</description><enclosure length="0" type="audio/mpeg" url="https://archive.org/download/sp-eps-02-02-1/Sp_eps02_02_1.mp3"/><link>https://threebellybuttonspodcast.blogspot.com/2020/06/covid-19-special-episode-in_10.html</link><thr:total>0</thr:total><author>threebellybuttonspodcast@gmail.com (three bellybuttons podcast)</author><itunes:explicit>no</itunes:explicit><itunes:subtitle>This is the 2nd&amp;nbsp;part of the artist and curator talk for the exhibition Across the Haze. It starts with Shraddah. She is going to talk about her work&amp;nbsp;This Beautiful Venus Trap Earth Body with Eline Bochem&amp;nbsp;in this exhibition.&amp;nbsp;Then, the sound recordings of Ivetta and Cynthia talking about their works&amp;nbsp;Proposition 1: Hands, and&amp;nbsp;Commune&amp;nbsp;will be played, because they couldn’t attend to this talk. In the end, all the artists in the conversation share the fun activities they have been doing in the home isolation.&amp;nbsp; Episode notes: Trocadero Art Space http://www.trocaderoartspace.com.au Cross the Haze http://www.trocaderoartspace.com.au/corinna-berndt/current-march-18-april-4-project-space-curated-by-corinna-berndt-across-the-haze/ Cynthia Arrieu-King (USA) http://cynthiaarrieuking.blogspot.com Corinna Berndt (Australia / Germany) https://corinnaberndt.net Shraddha Borawake (India) http://shraddhaborawake.com Dongyan Chen (Singapore / China) https://dongyanchen.com Rochyne Delaney McNulty (England) https://www.curatorspace.com/artists/Rochynedm Sophie Morrow (Australia) https://www.sophiemorrow.com Ivetta Sunyoung Kang (Canada / South Korea) https://ivettakang.com/About Marcia Vaitsman (Brazil) https://vaitsman.wordpress.com</itunes:subtitle><itunes:author>threebellybuttonspodcast@gmail.com (three bellybuttons podcast)</itunes:author><itunes:summary>This is the 2nd&amp;nbsp;part of the artist and curator talk for the exhibition Across the Haze. It starts with Shraddah. She is going to talk about her work&amp;nbsp;This Beautiful Venus Trap Earth Body with Eline Bochem&amp;nbsp;in this exhibition.&amp;nbsp;Then, the sound recordings of Ivetta and Cynthia talking about their works&amp;nbsp;Proposition 1: Hands, and&amp;nbsp;Commune&amp;nbsp;will be played, because they couldn’t attend to this talk. In the end, all the artists in the conversation share the fun activities they have been doing in the home isolation.&amp;nbsp; Episode notes: Trocadero Art Space http://www.trocaderoartspace.com.au Cross the Haze http://www.trocaderoartspace.com.au/corinna-berndt/current-march-18-april-4-project-space-curated-by-corinna-berndt-across-the-haze/ Cynthia Arrieu-King (USA) http://cynthiaarrieuking.blogspot.com Corinna Berndt (Australia / Germany) https://corinnaberndt.net Shraddha Borawake (India) http://shraddhaborawake.com Dongyan Chen (Singapore / China) https://dongyanchen.com Rochyne Delaney McNulty (England) https://www.curatorspace.com/artists/Rochynedm Sophie Morrow (Australia) https://www.sophiemorrow.com Ivetta Sunyoung Kang (Canada / South Korea) https://ivettakang.com/About Marcia Vaitsman (Brazil) https://vaitsman.wordpress.com</itunes:summary><itunes:keywords>Australian,art,contemporary,art,art,events,visual,art,exhibitions,art,reviews</itunes:keywords></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-6177737169617929692.post-5291909054902322814</guid><pubDate>Thu, 11 Jun 2020 01:40:00 +0000</pubDate><atom:updated>2020-06-10T18:40:34.461-07:00</atom:updated><title>COVID 19 SPECIAL EPISODE: In conversation with the artists and curator of 'Across the Haze' exhibition - Part I</title><description>&lt;span style="font-family: inherit;"&gt;&lt;span style="font-family: inherit;"&gt;&lt;span lang="EN-AU"&gt;This is the 2&lt;sup&gt;nd&lt;/sup&gt;&amp;nbsp;special episode for COVID 19 lockdown period. This episode is made in collaboration with Trocadero Art Space, an artist run initiative space in Melbourne, to host the artist and curator talk for the exhibition titled&amp;nbsp;&lt;i&gt;Across The Haze&lt;/i&gt;. This exhibition was shown at Trocadero Art space for a short period from March 18 to April 4, before COVID19 lockdown. It,&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;span lang="EN-AU" style="font-family: inherit;"&gt;a group exhibition, presented new works produced by 8 artists who are working across the world in response to the curatorial question about&amp;nbsp;&lt;/span&gt;&lt;span style="font-size: 12pt;"&gt;the connectivity in the midst of uncertainty&lt;/span&gt;&lt;span lang="EN-AU" style="font-family: inherit;"&gt;. This exhibition was curated by one of the exhibiting artist, Corinna Berndt, a Melbourne based artist and PhD candidate of the Victorian College of the Arts.&amp;nbsp;&lt;/span&gt;&lt;span lang="EN-AU" style="font-family: inherit;"&gt;&amp;nbsp;&lt;/span&gt;&lt;span lang="EN-AU" style="font-family: inherit;"&gt;The 6 exhibiting artists join in this talk. They are Shraddha Borawake, Dongyan Chen, Rochyne Delaney McNulty, Sophie Morrow, Marcia Vaitsman and Corinna Berndt.&lt;/span&gt;&lt;span lang="EN-AU" style="font-family: inherit;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
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&lt;span lang="EN-AU" style="font-family: inherit;"&gt;Due to the large number of speakers, t&lt;/span&gt;his episode has been divided into two parts.&amp;nbsp;&lt;span style="font-family: inherit;"&gt;You are listening to the first part. In this part, Corinna will introduce this exhibition by talking about the curatorial concept and the making of this exhibition. Marcia, Dongyan, Rochyne and Sophie, and Corina will speak about their works.&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span lang="EN-AU"&gt;&lt;span style="font-family: inherit;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;
&lt;span style="font-family: inherit;"&gt;&lt;span lang="EN-AU"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span lang="EN-AU"&gt;&lt;b&gt;Episode notes:&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-family: inherit;"&gt;Trocadero Art Space&lt;br /&gt;&lt;a href="http://www.trocaderoartspace.com.au/"&gt;http://www.trocaderoartspace.com.au&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-family: inherit;"&gt;&lt;a href="http://www.trocaderoartspace.com.au/"&gt;&lt;br /&gt;&lt;/a&gt;Cross the Haze&lt;/span&gt;&lt;br /&gt;
&lt;a href="http://www.trocaderoartspace.com.au/uncategorized/troc-talks-online/?fbclid=IwAR1nMYWLrWpS1v4WkTCm_eMfMvKDjbpWEzXCi_OpyzUk9i81nfkYwH1eDF8"&gt;http://www.trocaderoartspace.com.au/uncategorized/troc-talks-online/?fbclid=IwAR1nMYWLrWpS1v4WkTCm_eMfMvKDjbpWEzXCi_OpyzUk9i81nfkYwH1eDF8&lt;/a&gt;&lt;br /&gt;
&lt;span style="font-family: inherit;"&gt;&lt;a href="http://www.trocaderoartspace.com.au/corinna-berndt/current-march-18-april-4-project-space-curated-by-corinna-berndt-across-the-haze/"&gt;&lt;br /&gt;&lt;/a&gt;Cynthia Arrieu-King (USA)&lt;br /&gt;&lt;a href="http://cynthiaarrieuking.blogspot.com/"&gt;http://cynthiaarrieuking.blogspot.com&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-family: inherit;"&gt;&lt;a href="http://cynthiaarrieuking.blogspot.com/"&gt;&lt;br /&gt;&lt;/a&gt;&lt;span style="background-color: white;"&gt;Corinna Berndt (Australia / Germany)&lt;/span&gt;&lt;a href="https://corinnaberndt.net/"&gt;https://corinnaberndt.net&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-family: inherit;"&gt;&lt;a href="https://corinnaberndt.net/"&gt;&lt;br /&gt;&lt;/a&gt;&lt;span style="background-color: white;"&gt;Shraddha Borawake (India)&lt;/span&gt;&lt;a href="http://shraddhaborawake.com/"&gt;http://shraddhaborawake.com&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-family: inherit;"&gt;&lt;a href="http://shraddhaborawake.com/"&gt;&lt;br /&gt;&lt;/a&gt;&lt;span style="background-color: white;"&gt;Dongyan Chen (Singapore / China)&lt;/span&gt;&lt;a href="https://dongyanchen.com/"&gt;https://dongyanchen.com&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-family: inherit;"&gt;&lt;a href="https://dongyanchen.com/"&gt;&lt;br /&gt;&lt;/a&gt;&lt;span style="background-color: white;"&gt;Rochyne Delaney McNulty (England)&lt;/span&gt;&lt;a href="https://www.curatorspace.com/artists/Rochynedm"&gt;https://www.curatorspace.com/artists/Rochynedm&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-family: inherit;"&gt;&lt;a href="https://www.curatorspace.com/artists/Rochynedm"&gt;&lt;br /&gt;&lt;/a&gt;&lt;span style="background-color: white;"&gt;Sophie Morrow (Australia)&lt;/span&gt;&lt;a href="https://www.sophiemorrow.com/"&gt;https://www.sophiemorrow.com&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-family: inherit;"&gt;&lt;a href="https://www.sophiemorrow.com/"&gt;&lt;br /&gt;&lt;/a&gt;&lt;span style="background-color: white;"&gt;Ivetta Sunyoung Kang (Canada / South Korea)&lt;/span&gt;&lt;a href="https://ivettakang.com/About"&gt;https://ivettakang.com/About&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-family: inherit;"&gt;&lt;a href="https://ivettakang.com/About"&gt;&lt;br /&gt;&lt;/a&gt;&lt;span style="background-color: white;"&gt;Marcia Vaitsman (Brazil)&lt;/span&gt;&lt;a href="https://vaitsman.wordpress.com/"&gt;https://vaitsman.wordpress.com&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;
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</description><enclosure length="0" type="audio/mpeg" url="https://archive.org/download/20200610_20200610_1158/sp_eps02_01_1.mp3"/><link>https://threebellybuttonspodcast.blogspot.com/2020/06/covid-19-special-episode-in.html</link><thr:total>0</thr:total><author>threebellybuttonspodcast@gmail.com (three bellybuttons podcast)</author><itunes:explicit>no</itunes:explicit><itunes:subtitle>This is the 2nd&amp;nbsp;special episode for COVID 19 lockdown period. This episode is made in collaboration with Trocadero Art Space, an artist run initiative space in Melbourne, to host the artist and curator talk for the exhibition titled&amp;nbsp;Across The Haze. This exhibition was shown at Trocadero Art space for a short period from March 18 to April 4, before COVID19 lockdown. It,&amp;nbsp;a group exhibition, presented new works produced by 8 artists who are working across the world in response to the curatorial question about&amp;nbsp;the connectivity in the midst of uncertainty. This exhibition was curated by one of the exhibiting artist, Corinna Berndt, a Melbourne based artist and PhD candidate of the Victorian College of the Arts.&amp;nbsp;&amp;nbsp;The 6 exhibiting artists join in this talk. They are Shraddha Borawake, Dongyan Chen, Rochyne Delaney McNulty, Sophie Morrow, Marcia Vaitsman and Corinna Berndt.&amp;nbsp; Due to the large number of speakers, this episode has been divided into two parts.&amp;nbsp;You are listening to the first part. In this part, Corinna will introduce this exhibition by talking about the curatorial concept and the making of this exhibition. Marcia, Dongyan, Rochyne and Sophie, and Corina will speak about their works.&amp;nbsp; Episode notes: Trocadero Art Space http://www.trocaderoartspace.com.au Cross the Haze http://www.trocaderoartspace.com.au/uncategorized/troc-talks-online/?fbclid=IwAR1nMYWLrWpS1v4WkTCm_eMfMvKDjbpWEzXCi_OpyzUk9i81nfkYwH1eDF8 Cynthia Arrieu-King (USA) http://cynthiaarrieuking.blogspot.com Corinna Berndt (Australia / Germany)https://corinnaberndt.net Shraddha Borawake (India)http://shraddhaborawake.com Dongyan Chen (Singapore / China)https://dongyanchen.com Rochyne Delaney McNulty (England)https://www.curatorspace.com/artists/Rochynedm Sophie Morrow (Australia)https://www.sophiemorrow.com Ivetta Sunyoung Kang (Canada / South Korea)https://ivettakang.com/About Marcia Vaitsman (Brazil)https://vaitsman.wordpress.com</itunes:subtitle><itunes:author>threebellybuttonspodcast@gmail.com (three bellybuttons podcast)</itunes:author><itunes:summary>This is the 2nd&amp;nbsp;special episode for COVID 19 lockdown period. This episode is made in collaboration with Trocadero Art Space, an artist run initiative space in Melbourne, to host the artist and curator talk for the exhibition titled&amp;nbsp;Across The Haze. This exhibition was shown at Trocadero Art space for a short period from March 18 to April 4, before COVID19 lockdown. It,&amp;nbsp;a group exhibition, presented new works produced by 8 artists who are working across the world in response to the curatorial question about&amp;nbsp;the connectivity in the midst of uncertainty. This exhibition was curated by one of the exhibiting artist, Corinna Berndt, a Melbourne based artist and PhD candidate of the Victorian College of the Arts.&amp;nbsp;&amp;nbsp;The 6 exhibiting artists join in this talk. They are Shraddha Borawake, Dongyan Chen, Rochyne Delaney McNulty, Sophie Morrow, Marcia Vaitsman and Corinna Berndt.&amp;nbsp; Due to the large number of speakers, this episode has been divided into two parts.&amp;nbsp;You are listening to the first part. In this part, Corinna will introduce this exhibition by talking about the curatorial concept and the making of this exhibition. Marcia, Dongyan, Rochyne and Sophie, and Corina will speak about their works.&amp;nbsp; Episode notes: Trocadero Art Space http://www.trocaderoartspace.com.au Cross the Haze http://www.trocaderoartspace.com.au/uncategorized/troc-talks-online/?fbclid=IwAR1nMYWLrWpS1v4WkTCm_eMfMvKDjbpWEzXCi_OpyzUk9i81nfkYwH1eDF8 Cynthia Arrieu-King (USA) http://cynthiaarrieuking.blogspot.com Corinna Berndt (Australia / Germany)https://corinnaberndt.net Shraddha Borawake (India)http://shraddhaborawake.com Dongyan Chen (Singapore / China)https://dongyanchen.com Rochyne Delaney McNulty (England)https://www.curatorspace.com/artists/Rochynedm Sophie Morrow (Australia)https://www.sophiemorrow.com Ivetta Sunyoung Kang (Canada / South Korea)https://ivettakang.com/About Marcia Vaitsman (Brazil)https://vaitsman.wordpress.com</itunes:summary><itunes:keywords>Australian,art,contemporary,art,art,events,visual,art,exhibitions,art,reviews</itunes:keywords></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-6177737169617929692.post-4630684071683454511</guid><pubDate>Thu, 28 May 2020 05:20:00 +0000</pubDate><atom:updated>2020-05-27T22:20:01.943-07:00</atom:updated><title>30, EXTRA - COVID19 SPECIAL EPISODE: ANN MCGINLEY, NICO REDDAWAY AND SARAH RUDLEDGE </title><description>&lt;div class="MsoNormal" style="font-family: Calibri, sans-serif; margin: 0cm 0cm 0.0001pt;"&gt;
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&lt;a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjkiqYVIhx4ahQNl7UU5N7-V-cTSgQUaL8jszNw7oyp_R_FBeQ8qhtrdFhvW9PX1JkB0b2ydZp_2IGF55z9-JU14jTUb2aLaUQ7saX_3C0i2GCpXkV9lry7QOb3pTfgPoHG_ojdxO6Zc2VQ/s1600/Screen+Shot.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" data-original-height="1108" data-original-width="1600" height="221" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjkiqYVIhx4ahQNl7UU5N7-V-cTSgQUaL8jszNw7oyp_R_FBeQ8qhtrdFhvW9PX1JkB0b2ydZp_2IGF55z9-JU14jTUb2aLaUQ7saX_3C0i2GCpXkV9lry7QOb3pTfgPoHG_ojdxO6Zc2VQ/s320/Screen+Shot.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;
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&lt;span lang="EN-AU"&gt;This is the 3&lt;sup&gt;rd&lt;/sup&gt;&amp;nbsp;special&amp;nbsp;episode for COVID19 time. In this episode,&amp;nbsp;&lt;/span&gt;three visual artists: Sarah Rudlege, Ann Mcginley and Nico Reddaway and I made a delightful conversation about their pre-COVID19 oversea residencies. Sarah, as the last participating artist in the artist residency program of &lt;a href="http://matsushima.site/"&gt;Matsushima Bunko Museum&lt;/a&gt;, went to Matsushima island in Japan; Ann took &lt;a href="https://www.casanailha.org/"&gt;Casa Na Iiha artist residency&lt;/a&gt; in Iihabela in Brazil; and Nico engaged in the art program for asylum seeker refugees in Finland and worked for the art workshops at Heikinharju Reception Centre in Oulu, when she visited Oulu as an exchange student with University of Oulu.&lt;/div&gt;
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Listening to them talking about their times outside Australia in this COVID19 isolation, was like to hear fictional stories. But it took my mind on a pleasant trip across the brick walls of my flat and national borders. Before the conversation, I imagined a lonely working environment that they would have confronted in their times overseas, and expected to get some tips from them to overcome the challenge in this solitary working environment. I hoped these tips would be applicable for artists who struggle in COVID 19 social isolation life. However, their answers were surprised me and opened up a new way for me to think about the idea of working in solitude.&amp;nbsp;&lt;/div&gt;
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I hope you will enjoy to listening to this episodes.&lt;/div&gt;
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&lt;a href="http://www.sarahrudledge.com/"&gt;Sarah Rudledge&lt;/a&gt;&amp;nbsp;(click to follow Sarah's art practice and works)&lt;br /&gt;
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&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgI5GFm4n5U9pWO4530WL5bPNgXCs87qWh8hWFO4-q4J96MVkrgyzrDb9H9EsQYOwVtTV2PhOA9R3YJQkBB2EAOMQt3ma0onNakuDuqNCEmNlSkhryZq2ZY3W81h1uNMriMC1Ye59z_Oofh/s1600/SRudledge_VideoStill.png" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" data-original-height="720" data-original-width="1280" height="180" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgI5GFm4n5U9pWO4530WL5bPNgXCs87qWh8hWFO4-q4J96MVkrgyzrDb9H9EsQYOwVtTV2PhOA9R3YJQkBB2EAOMQt3ma0onNakuDuqNCEmNlSkhryZq2ZY3W81h1uNMriMC1Ye59z_Oofh/s320/SRudledge_VideoStill.png" width="320" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;div class="p1" style="font-family: &amp;quot;Helvetica Neue&amp;quot;; font-size: 12px; font-stretch: normal; font-variant-east-asian: normal; font-variant-numeric: normal; line-height: normal; text-align: start;"&gt;
The video still of &lt;i&gt;A Dramatic [Un]fulfillment&lt;/i&gt;, 2019–ongoing. This work is initiated during Sarah's residency with Matsushima Bunko museum.&lt;/div&gt;
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&lt;a href="http://www.annmcginley.net/"&gt;Ann McGinley&lt;/a&gt;&lt;br /&gt;
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&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh_ucf1_HQz135RjeE1qUVPzKySv0ta84UamM21-JKks6dDp7UBTlu_2-qICFNV21PcaqZRht7FgR0BvT4lkZcmyy6lTTFXjIyh4qT4hdHtxBir3Aw2ZX4oigQPIMmRFz-SUtBy-wX4nOVh/s1600/94749792_253230922496440_2880771759567536128_n.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" data-original-height="1600" data-original-width="1283" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh_ucf1_HQz135RjeE1qUVPzKySv0ta84UamM21-JKks6dDp7UBTlu_2-qICFNV21PcaqZRht7FgR0BvT4lkZcmyy6lTTFXjIyh4qT4hdHtxBir3Aw2ZX4oigQPIMmRFz-SUtBy-wX4nOVh/s320/94749792_253230922496440_2880771759567536128_n.jpg" width="256" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;div class="p1" style="font-family: &amp;quot;Helvetica Neue&amp;quot;; font-size: 12px; font-stretch: normal; font-variant-east-asian: normal; font-variant-numeric: normal; line-height: normal; text-align: start;"&gt;
The mix media drawings in Ann's weed project.&amp;nbsp;&lt;span style="font-family: &amp;quot;calibri&amp;quot; , sans-serif; font-size: 12.8px; text-align: center;"&gt;The image&lt;/span&gt;&lt;span style="font-family: &amp;quot;calibri&amp;quot; , sans-serif; font-size: 12.8px; text-align: center;"&gt;&amp;nbsp;&lt;/span&gt;courtesy of the artist&lt;/div&gt;
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&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgCXou6sWudVlR3QmmlVKN5pOGLM2Dm2hJDqsCaWeVALMAlZWnAIMkQPNPtugBVk4l68QCKMPezSthBRbSmCNxA6mepCwli67eHJ-XsLNJFdSvA5agFhScaytzH67Kxgs5a5B_ItzJ6R0dA/s1600/94720964_530144444313407_6892110397571072000_n.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" data-original-height="1600" data-original-width="1167" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgCXou6sWudVlR3QmmlVKN5pOGLM2Dm2hJDqsCaWeVALMAlZWnAIMkQPNPtugBVk4l68QCKMPezSthBRbSmCNxA6mepCwli67eHJ-XsLNJFdSvA5agFhScaytzH67Kxgs5a5B_ItzJ6R0dA/s320/94720964_530144444313407_6892110397571072000_n.jpg" width="232" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;span style="font-family: &amp;quot;helvetica neue&amp;quot;; font-size: 12px;"&gt;The mix media drawings in Ann's weed project. The image courtesy of the artist&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;
You can also follow Ann's art on instagram: @mcginley985&lt;br /&gt;
&lt;br /&gt;
&lt;a href="https://nicoreddaway.com/about/"&gt;Nico Reddaway&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjBTy77IeEBy1Xl8GzSNTWkZ8QxJxSL_pyZZc5_5UJpguO5cV4vMQ04m8s1XMnyUxExZYAs9wJ5YXe_IF28DEmS_SlBMm3_26ELUruPrzhx1m8Q64YetdguD_CedeesI7-x5WrPXinv2gQR/s1600/94224518_230120884906700_8735311078826704896_n.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" data-original-height="1200" data-original-width="1600" height="240" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjBTy77IeEBy1Xl8GzSNTWkZ8QxJxSL_pyZZc5_5UJpguO5cV4vMQ04m8s1XMnyUxExZYAs9wJ5YXe_IF28DEmS_SlBMm3_26ELUruPrzhx1m8Q64YetdguD_CedeesI7-x5WrPXinv2gQR/s320/94224518_230120884906700_8735311078826704896_n.jpg" width="320" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;div class="p1" style="font-family: &amp;quot;Helvetica Neue&amp;quot;; font-size: 12px; font-stretch: normal; font-variant-east-asian: normal; font-variant-numeric: normal; line-height: normal; text-align: start;"&gt;
The artworks made in the workshop that Nico worked for in the asylum seeker refugees program called Art Club, held in Heikinharju Reception Centre in Oulu Finland. Images are supplied by Nico.&lt;/div&gt;
&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;
&lt;br /&gt;
&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg5F86rDNv6XS6vHxcJYpw5WM5cadbzmJOHYfHFU8b0qTUGDc70-DJrVzxnrwlXmQcMU5hKQOpEJjDjOYgonhEeLwIiiglARh_EhJyRzXcGxxUTZeGS51ULZzaEp6f-2skxkDYNhgk2LRgL/s1600/94253072_863766710757604_2577718931586285568_n.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" data-original-height="1200" data-original-width="1600" height="240" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg5F86rDNv6XS6vHxcJYpw5WM5cadbzmJOHYfHFU8b0qTUGDc70-DJrVzxnrwlXmQcMU5hKQOpEJjDjOYgonhEeLwIiiglARh_EhJyRzXcGxxUTZeGS51ULZzaEp6f-2skxkDYNhgk2LRgL/s320/94253072_863766710757604_2577718931586285568_n.jpg" width="320" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;span style="font-family: &amp;quot;helvetica neue&amp;quot;; font-size: 12px;"&gt;The artworks made in the workshop that Nico worked for in the asylum seeker refugees program called Art Club, held in Heikinharju Reception Centre in Oulu Finland. Images are supplied by Nico.&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;
&lt;br /&gt;
&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi076daq2Bdg1fy0AmMf72R8rcnfrXb-GYhEO0zMKYkjbDdcKivZ-rTwmR7XbQ4d6UGymkGzQ5pNUI3DzmLm3aLUK1GO1rKC-jFCEYzxUwlQWACfUSxneDe4icHIlj7RYIUtpCI__YOAbLY/s1600/94396983_1513537708820745_6163435171073753088_n.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" data-original-height="1200" data-original-width="1600" height="240" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi076daq2Bdg1fy0AmMf72R8rcnfrXb-GYhEO0zMKYkjbDdcKivZ-rTwmR7XbQ4d6UGymkGzQ5pNUI3DzmLm3aLUK1GO1rKC-jFCEYzxUwlQWACfUSxneDe4icHIlj7RYIUtpCI__YOAbLY/s320/94396983_1513537708820745_6163435171073753088_n.jpg" width="320" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;&lt;span style="font-family: &amp;quot;helvetica neue&amp;quot;; font-size: 12px;"&gt;The artworks made in the workshop that Nico worked for in the asylum seeker refugees program called Art Club, held in Heikinharju Reception Centre in Oulu Finland. Images are supplied by Nico.&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;
&lt;br /&gt;
Follow Nico's art projects on instagram: @incognic0&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Please follow #ThreeBellybuttons on:&lt;br /&gt;
Twitter:&amp;nbsp;&lt;span style="background-color: white; color: #1c1e21; font-size: 14px;"&gt;@ThreeBellybutt1&lt;/span&gt;&lt;/div&gt;
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Facebook: Threebellybuttonspodcast&lt;/div&gt;
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Instagram: @threebellybuttonspodcast&lt;/div&gt;
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</description><link>https://threebellybuttonspodcast.blogspot.com/2020/05/30-extra-covid19-special-episode-ann.html</link><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" height="72" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjkiqYVIhx4ahQNl7UU5N7-V-cTSgQUaL8jszNw7oyp_R_FBeQ8qhtrdFhvW9PX1JkB0b2ydZp_2IGF55z9-JU14jTUb2aLaUQ7saX_3C0i2GCpXkV9lry7QOb3pTfgPoHG_ojdxO6Zc2VQ/s72-c/Screen+Shot.jpg" width="72"/><thr:total>0</thr:total><author>threebellybuttonspodcast@gmail.com (three bellybuttons podcast)</author></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-6177737169617929692.post-5500397578075037274</guid><pubDate>Thu, 28 May 2020 02:19:00 +0000</pubDate><atom:updated>2020-05-27T19:19:10.436-07:00</atom:updated><title>29, COVID19 Special Episode: Ann McGinley, Nico Reddaway and Sarah Rudledge on working creatively in a solitary environment during oversea artist residencies</title><description>&lt;div class="MsoNormal" style="font-family: Calibri, sans-serif; margin: 0cm 0cm 0.0001pt;"&gt;
&lt;span lang="EN-AU"&gt;This is the 3&lt;sup&gt;rd&lt;/sup&gt;&amp;nbsp;special&amp;nbsp;episode for COVID19 time. In this episode,&amp;nbsp;&lt;/span&gt;three visual artists: Sarah Rudlege, Ann Mcginley and Nico Reddaway and I made a delightful conversation about their pre-COVID19 oversea residencies. Sarah, as the last participating artist in the artist residency program of Matsushima Bunko Museum, went to Matsushima island in Japan; Ann took Casa Na Iiha artist residency in Iihabela in Brazil; and Nico engaged in the art program for asylum seeker refugees in Finland and worked for the art workshops at Heikinharju Reception Centre in Oulu, when she visited Oulu as an exchange student with University of Oulu.&lt;/div&gt;
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Listening to them talking about their times outside Australia in this COVID19 isolation, was like to hear fictional stories. But it took my mind on a pleasant trip across the brick walls of my flat and national borders. Before the conversation, I imagined a lonely working environment that they would have confronted in their times overseas, and expected to get some tips from them to overcome the challenge in this solitary working environment. I hoped these tips would be applicable for artists who struggle in COVID 19 social isolation life. However, their answers were surprised me and opened up a new way for me to think about the idea of working in solitude.&amp;nbsp;&lt;/div&gt;
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I hope you will enjoy to listening to this episodes.&lt;/div&gt;
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Follow #ThreeBellybuttons on&lt;/div&gt;
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Twitter:&amp;nbsp;&lt;span style="background-color: white; caret-color: rgb(28, 30, 33); color: #1c1e21; font-family: system-ui, -apple-system, BlinkMacSystemFont, &amp;quot;.SFNSText-Regular&amp;quot;, sans-serif; font-size: 14px;"&gt;@ThreeBellybutt1&lt;/span&gt;&lt;/div&gt;
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Facebook: Threebellybuttonspodcast&lt;/div&gt;
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&amp;gt;&amp;gt;&amp;gt; Episode notes:&amp;nbsp;&lt;/div&gt;
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/// The artists:&lt;/div&gt;
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Ann McGinley&lt;/div&gt;
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http://www.annmcginley.net&lt;/div&gt;
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Follow her art on instagram: @mcginley985&lt;/div&gt;
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&lt;br /&gt;&lt;/div&gt;
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Nico Reddaway&lt;/div&gt;
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https://nicoreddaway.com/about/&lt;/div&gt;
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Follow her art projects on instagram: @incognic0&lt;/div&gt;
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&lt;br /&gt;&lt;/div&gt;
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Sarah Rudledge&lt;/div&gt;
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http://www.sarahrudledge.com&lt;/div&gt;
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&lt;br /&gt;&lt;/div&gt;
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/// Casa Na Iiha artist residency, Bazil&lt;/div&gt;
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https://www.casanailha.org&lt;/div&gt;
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/// University of Oulu&lt;/div&gt;
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https://www.oulu.fi/university/&lt;/div&gt;
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/// Matsushima Bunko Museum&amp;nbsp;&lt;/div&gt;
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http://matsushima.site&lt;/div&gt;
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&lt;a data-saferedirecturl="https://www.google.com/url?q=https://www.youtube.com/watch?v%3DyvNk6iR4iTg&amp;amp;source=gmail&amp;amp;ust=1590718235088000&amp;amp;usg=AFQjCNEyw5G9Ah2MqfnQNGluvhRIY1_wow" href="https://www.youtube.com/watch?v=yvNk6iR4iTg" style="color: #1155cc; font-family: Arial, Helvetica, sans-serif;" target="_blank"&gt;https://www.youtube.com/watch?&lt;wbr&gt;&lt;/wbr&gt;v=yvNk6iR4iTg&lt;/a&gt;&lt;/div&gt;
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</description><enclosure length="0" type="audio/mpeg" url="https://archive.org/download/draft_sp_eps03/draft_sp_eps03.mp3"/><link>https://threebellybuttonspodcast.blogspot.com/2020/05/29-covid19-special-episode-ann-mcginley.html</link><thr:total>0</thr:total><author>threebellybuttonspodcast@gmail.com (three bellybuttons podcast)</author><itunes:explicit>no</itunes:explicit><itunes:subtitle>This is the 3rd&amp;nbsp;special&amp;nbsp;episode for COVID19 time. In this episode,&amp;nbsp;three visual artists: Sarah Rudlege, Ann Mcginley and Nico Reddaway and I made a delightful conversation about their pre-COVID19 oversea residencies. Sarah, as the last participating artist in the artist residency program of Matsushima Bunko Museum, went to Matsushima island in Japan; Ann took Casa Na Iiha artist residency in Iihabela in Brazil; and Nico engaged in the art program for asylum seeker refugees in Finland and worked for the art workshops at Heikinharju Reception Centre in Oulu, when she visited Oulu as an exchange student with University of Oulu. Listening to them talking about their times outside Australia in this COVID19 isolation, was like to hear fictional stories. But it took my mind on a pleasant trip across the brick walls of my flat and national borders. Before the conversation, I imagined a lonely working environment that they would have confronted in their times overseas, and expected to get some tips from them to overcome the challenge in this solitary working environment. I hoped these tips would be applicable for artists who struggle in COVID 19 social isolation life. However, their answers were surprised me and opened up a new way for me to think about the idea of working in solitude.&amp;nbsp; I hope you will enjoy to listening to this episodes. Follow #ThreeBellybuttons on Twitter:&amp;nbsp;@ThreeBellybutt1 Facebook: Threebellybuttonspodcast Instagram: @threebellybuttonspodcast &amp;gt;&amp;gt;&amp;gt; Episode notes:&amp;nbsp; /// The artists: Ann McGinley http://www.annmcginley.net Follow her art on instagram: @mcginley985 Nico Reddaway https://nicoreddaway.com/about/ Follow her art projects on instagram: @incognic0 Sarah Rudledge http://www.sarahrudledge.com /// Casa Na Iiha artist residency, Bazil https://www.casanailha.org /// University of Oulu https://www.oulu.fi/university/ /// Matsushima Bunko Museum&amp;nbsp; http://matsushima.site https://www.youtube.com/watch?v=yvNk6iR4iTg</itunes:subtitle><itunes:author>threebellybuttonspodcast@gmail.com (three bellybuttons podcast)</itunes:author><itunes:summary>This is the 3rd&amp;nbsp;special&amp;nbsp;episode for COVID19 time. In this episode,&amp;nbsp;three visual artists: Sarah Rudlege, Ann Mcginley and Nico Reddaway and I made a delightful conversation about their pre-COVID19 oversea residencies. Sarah, as the last participating artist in the artist residency program of Matsushima Bunko Museum, went to Matsushima island in Japan; Ann took Casa Na Iiha artist residency in Iihabela in Brazil; and Nico engaged in the art program for asylum seeker refugees in Finland and worked for the art workshops at Heikinharju Reception Centre in Oulu, when she visited Oulu as an exchange student with University of Oulu. Listening to them talking about their times outside Australia in this COVID19 isolation, was like to hear fictional stories. But it took my mind on a pleasant trip across the brick walls of my flat and national borders. Before the conversation, I imagined a lonely working environment that they would have confronted in their times overseas, and expected to get some tips from them to overcome the challenge in this solitary working environment. I hoped these tips would be applicable for artists who struggle in COVID 19 social isolation life. However, their answers were surprised me and opened up a new way for me to think about the idea of working in solitude.&amp;nbsp; I hope you will enjoy to listening to this episodes. Follow #ThreeBellybuttons on Twitter:&amp;nbsp;@ThreeBellybutt1 Facebook: Threebellybuttonspodcast Instagram: @threebellybuttonspodcast &amp;gt;&amp;gt;&amp;gt; Episode notes:&amp;nbsp; /// The artists: Ann McGinley http://www.annmcginley.net Follow her art on instagram: @mcginley985 Nico Reddaway https://nicoreddaway.com/about/ Follow her art projects on instagram: @incognic0 Sarah Rudledge http://www.sarahrudledge.com /// Casa Na Iiha artist residency, Bazil https://www.casanailha.org /// University of Oulu https://www.oulu.fi/university/ /// Matsushima Bunko Museum&amp;nbsp; http://matsushima.site https://www.youtube.com/watch?v=yvNk6iR4iTg</itunes:summary><itunes:keywords>Australian,art,contemporary,art,art,events,visual,art,exhibitions,art,reviews</itunes:keywords></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-6177737169617929692.post-2860881117704411538</guid><pubDate>Mon, 20 Apr 2020 11:58:00 +0000</pubDate><atom:updated>2020-04-20T04:58:02.486-07:00</atom:updated><title>28, EXTRA - COVID19 Special Episode: Leanne Waterhouse, Jaime Powell and Julie Gough on Nirin the 22nd Biennale of Sydney</title><description>This post includes the photos that Julie and Leanne took in their trip of visiting 22nd Nirin Biennale of Sydney. They generously agreed to share these photos via Three Bellybuttons. The photos are sorted by the artist names and artworks.&lt;br /&gt;
&lt;br /&gt;
Joël Andrianomearisoa&lt;br /&gt;
/the black curtains in AGNSW. photos by Julie Gough&lt;br /&gt;
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Powerful Objects&lt;br /&gt;
AGNSW. photos by Julie Gough&lt;br /&gt;
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MCA. photos by Leanne Waterhouse&lt;br /&gt;
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Kunmanara Mumu Mike Williams&lt;br /&gt;
/works in AGNSW. photos by Julie Gough&lt;br /&gt;
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&lt;a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgG4uMtxeKv_RYT1Y1-pLLr3fEe_dQ362_Xube80RqwG3oae_mLdx5lpLFoU25BRKuhMG1AJ3bvrt6jErPfGGSD0H3aLIwdR_BNMkd_IsBQCDkmUePTMShyphenhyphen_zKgZe8HD69fys5D1UF1OvxP/s1600/IMG_8354.JPG" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"&gt;&lt;img border="0" data-original-height="1600" data-original-width="1200" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgG4uMtxeKv_RYT1Y1-pLLr3fEe_dQ362_Xube80RqwG3oae_mLdx5lpLFoU25BRKuhMG1AJ3bvrt6jErPfGGSD0H3aLIwdR_BNMkd_IsBQCDkmUePTMShyphenhyphen_zKgZe8HD69fys5D1UF1OvxP/s320/IMG_8354.JPG" width="240" /&gt;&lt;/a&gt;&lt;a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhG4Vag0xHwi-lcte9RauPlH3MxjgYVrgYhDZ1EE-vn4j-VB1u0AjdvGIFYzzst7yQAawCZs9bGtBG83MIFHatLIGlMAaRDmFWe3Bc_w8Hs2v-PVHA2inzAYhWBtpqGJHwl5dyJBrEzMZw1/s1600/IMG_8353.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" data-original-height="1200" data-original-width="1600" height="240" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhG4Vag0xHwi-lcte9RauPlH3MxjgYVrgYhDZ1EE-vn4j-VB1u0AjdvGIFYzzst7yQAawCZs9bGtBG83MIFHatLIGlMAaRDmFWe3Bc_w8Hs2v-PVHA2inzAYhWBtpqGJHwl5dyJBrEzMZw1/s320/IMG_8353.JPG" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;
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Karla Dickens&lt;br /&gt;
&lt;i&gt;A Dickensian Circus&lt;/i&gt;&amp;nbsp;AGNAW. photos by Julie Gough&lt;br /&gt;
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Arthur Jafa&lt;br /&gt;
&lt;i&gt;The white&amp;nbsp;Album &lt;/i&gt;AGNSW. photos and video by Julie Gough&lt;br /&gt;
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&lt;a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiLiNC2GYNdD5nxb_d9GKSoSf0X1IEDLYwVG2DpFQ4UdKOIlylr8DmdURNW21ZXYtbK1HyKLS19GdQdEoemdTWWqfaGN4v3b6SpRIAfTMqgyV-RxmOUkzsni9zVyNnqMd9WKf-4adjfDGM3/s1600/IMG_8334.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" data-original-height="1600" data-original-width="1200" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiLiNC2GYNdD5nxb_d9GKSoSf0X1IEDLYwVG2DpFQ4UdKOIlylr8DmdURNW21ZXYtbK1HyKLS19GdQdEoemdTWWqfaGN4v3b6SpRIAfTMqgyV-RxmOUkzsni9zVyNnqMd9WKf-4adjfDGM3/s200/IMG_8334.JPG" width="150" /&gt;&lt;/a&gt;&lt;a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhUPlrm1EEsy9RjiVo7Bt2akm14pAJ0Rjga_WqZTvcr_xSjN-LTCQc5hh-fQKvzrVdimsgS7iEz3AiXhz6pLfFzselI8b-SLKKoLnZKDJ1PTvCDuv2sMQN8lYl37L3twhc8Zjg2ss6iyCfw/s1600/IMG_8333.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" data-original-height="1200" data-original-width="1600" height="150" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhUPlrm1EEsy9RjiVo7Bt2akm14pAJ0Rjga_WqZTvcr_xSjN-LTCQc5hh-fQKvzrVdimsgS7iEz3AiXhz6pLfFzselI8b-SLKKoLnZKDJ1PTvCDuv2sMQN8lYl37L3twhc8Zjg2ss6iyCfw/s200/IMG_8333.JPG" width="200" /&gt;&lt;/a&gt;&lt;a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjZPjti3M2UqAuhYQtnIbMuAugTm1nf0PIgvwvastfMKs1BiuF4g0mndpPPx48PQIjugi98KoII8PWtFfiNXrXEOdJsPsnHEK9dcN0OHeSBbcrLOvNXkdtiY6-jXRZb2gvPmSkYWKDBi9k7/s1600/IMG_8335.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" data-original-height="1200" data-original-width="1600" height="150" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjZPjti3M2UqAuhYQtnIbMuAugTm1nf0PIgvwvastfMKs1BiuF4g0mndpPPx48PQIjugi98KoII8PWtFfiNXrXEOdJsPsnHEK9dcN0OHeSBbcrLOvNXkdtiY6-jXRZb2gvPmSkYWKDBi9k7/s200/IMG_8335.JPG" width="200" /&gt;&lt;/a&gt;&lt;/div&gt;
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Aziz Hazara&lt;br /&gt;
&lt;i&gt;Bow Echo &lt;/i&gt;MCA. photos by Julie Gough&lt;br /&gt;
video by Leanne Waterhouse&lt;br /&gt;
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&amp;nbsp;Latai Taumoepeau&lt;br /&gt;
&lt;i&gt;The Last Resort &lt;/i&gt;Cockatoo Island&lt;i&gt;. &lt;/i&gt;photos and video by Leanne Waterhouse&lt;br /&gt;
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Tony Albert&lt;br /&gt;
&lt;i&gt;Healing Land &lt;/i&gt;Cockatoo Island. photos by Leanne Waterhouse&lt;br /&gt;
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&lt;br /&gt;
Warwick Thornton&lt;br /&gt;
&lt;i&gt;Meth Kelly,&amp;nbsp;&lt;/i&gt;Cockatoo Island. Video by Leanne Waterhouse&lt;br /&gt;
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&lt;br /&gt;
Mohamed Bourouissa&lt;br /&gt;
&lt;div&gt;
&lt;i&gt;Brutal Family Roots.&amp;nbsp;&lt;/i&gt;Cockatoo Island. photos and images by Leanne Waterhouse.&lt;/div&gt;
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&lt;h4&gt;
The photos below are the works and artists that we didn't get chance to discuss in the episodes.&lt;/h4&gt;
Ibrahim Mahama&lt;br /&gt;
Cockatoo island. Photos by Julie Gough&lt;br /&gt;
&lt;br /&gt;
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&lt;span style="border: 0px; box-sizing: border-box; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;"&gt;&lt;span style="font-family: inherit;"&gt;Noŋgirrŋa Marawili&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="separator" style="clear: both; text-align: left;"&gt;
MCA. Photos by Julie Gough&lt;/div&gt;
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&lt;br /&gt;</description><link>https://threebellybuttonspodcast.blogspot.com/2020/04/28-extra-covid19-special-episode-leanne.html</link><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" height="72" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjyEQw70U1Ae2Afsj5E-PQsPUPmzXg7JU5hjxlECWWZ9urgSqmAtnPxzx9_DU_EL-bW3ixmrPLV9_tcz1jDTb62L1PdBD7uEQ15Pk9zyKcZY0QDTQP5Es0Qg13SyzkIEeYEI2dDkcEVVif6/s72-c/IMG_8305.JPG" width="72"/><thr:total>0</thr:total><author>threebellybuttonspodcast@gmail.com (three bellybuttons podcast)</author></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-6177737169617929692.post-7849591607649309847</guid><pubDate>Mon, 20 Apr 2020 11:33:00 +0000</pubDate><atom:updated>2020-04-20T04:33:32.280-07:00</atom:updated><title>27, COVID19 Special Episode: Leanne Waterhouse, Jaime Powell and Julie Gough on Nirin the 22nd Biennale of Sydney</title><description>&lt;div style="font-stretch: normal; line-height: normal;"&gt;
&lt;span style="font-family: inherit;"&gt;In the time of COVID19 breakout, Three bellybuttons is making special episodes to accompany you with an art community on air, and to entertain you with art-related topics.&amp;nbsp;In this episode, Leanne Waterhouse, Jaime Powell, Julie Gough and I made a&amp;nbsp;&lt;/span&gt;conversaion&lt;span style="font-family: inherit;"&gt;&amp;nbsp;about their ‘real’ physical experiences in visiting the 22&lt;/span&gt;&lt;sup style="font-family: inherit;"&gt;nd&lt;/sup&gt;&lt;span style="font-family: inherit;"&gt;&amp;nbsp;Biennale of Sydney titled Nirin.&amp;nbsp;&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-family: inherit;"&gt;&lt;br /&gt;&lt;/span&gt;
&lt;span style="font-family: inherit;"&gt;Julie and Leanne have generously shared the photos and videos they took in the biennale. Please go to Three Bellybuttons blog to view them.&amp;nbsp;&lt;/span&gt;&lt;a href="https://threebellybuttonspodcast.blogspot.com/" style="font-family: inherit;"&gt;https://threebellybuttonspodcast.blogspot.com&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style="font-size: 12px; font-stretch: normal; line-height: normal;"&gt;
&lt;span style="font-family: -webkit-standard; font-size: small;"&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;; font-size: 12px; font-stretch: normal; line-height: normal;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style="font-stretch: normal; line-height: normal;"&gt;
&lt;b&gt;&lt;span style="font-family: inherit;"&gt;The links:&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div style="font-stretch: normal; line-height: normal; min-height: 14px;"&gt;
&lt;span style="font-family: inherit;"&gt;Speakers:&lt;/span&gt;&lt;/div&gt;
&lt;div style="font-stretch: normal; line-height: normal;"&gt;
&lt;span style="font-family: inherit;"&gt;Leanne Waterhouse&lt;/span&gt;&lt;/div&gt;
&lt;div style="color: #dca10d; font-stretch: normal; line-height: normal;"&gt;
&lt;a href="https://www.leannewaterhouse.com/"&gt;&lt;span style="font-family: inherit;"&gt;https://www.leannewaterhouse.com&lt;/span&gt;&lt;/a&gt;&lt;/div&gt;
&lt;div style="font-stretch: normal; line-height: normal; min-height: 14px;"&gt;
&lt;span style="font-family: inherit;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="font-stretch: normal; line-height: normal;"&gt;
&lt;span style="font-family: inherit;"&gt;Jaime Powell&lt;/span&gt;&lt;/div&gt;
&lt;div style="color: #dca10d; font-stretch: normal; line-height: normal;"&gt;
&lt;a href="http://www.jaimepowell.com.au/"&gt;&lt;span style="font-family: inherit;"&gt;http://www.jaimepowell.com.au&lt;/span&gt;&lt;/a&gt;&lt;/div&gt;
&lt;div style="font-stretch: normal; line-height: normal; min-height: 14px;"&gt;
&lt;span style="font-family: inherit;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="font-stretch: normal; line-height: normal;"&gt;
&lt;span style="font-family: inherit;"&gt;Julie Gough&lt;/span&gt;&lt;/div&gt;
&lt;div style="color: #dca10d; font-stretch: normal; line-height: normal;"&gt;
&lt;a href="https://juliegough.net/brief-biography/"&gt;&lt;span style="font-family: inherit;"&gt;https://juliegough.net/brief-biography/&lt;/span&gt;&lt;/a&gt;&lt;/div&gt;
&lt;div style="font-stretch: normal; line-height: normal; min-height: 14px;"&gt;
&lt;span style="font-family: inherit;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="font-stretch: normal; line-height: normal;"&gt;
&lt;span style="font-family: inherit;"&gt;The links to the contents mentioned in the conversation:&lt;/span&gt;&lt;/div&gt;
&lt;div style="font-stretch: normal; line-height: normal;"&gt;
&lt;span style="font-family: inherit;"&gt;Nirin - the 22nd Biennale of Sydney&lt;/span&gt;&lt;/div&gt;
&lt;div style="color: #dca10d; font-stretch: normal; line-height: normal;"&gt;
&lt;a href="https://www.biennaleofsydney.art/"&gt;&lt;span style="font-family: inherit;"&gt;https://www.biennaleofsydney.art&lt;/span&gt;&lt;/a&gt;&lt;/div&gt;
&lt;div style="font-stretch: normal; line-height: normal; min-height: 14px;"&gt;
&lt;span style="font-family: inherit;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="font-stretch: normal; line-height: normal;"&gt;
&lt;span style="font-family: inherit;"&gt;The First Nations symposium that Julie participated during Nirin, the biennale of Sydney is:&lt;/span&gt;&lt;/div&gt;
&lt;div style="font-stretch: normal; line-height: normal;"&gt;
&lt;span style="font-family: inherit;"&gt;Aabaakwad Symposium. It was convened by Wanda Nainbush and Brook Andrew&lt;/span&gt;&lt;/div&gt;
&lt;div style="color: #dca10d; font-stretch: normal; line-height: normal;"&gt;
&lt;a href="http://events.biennaleofsydney.art/aabaakwad"&gt;&lt;span style="font-family: inherit;"&gt;http://events.biennaleofsydney.art/aabaakwad&lt;/span&gt;&lt;/a&gt;&lt;/div&gt;
&lt;div style="font-stretch: normal; line-height: normal; min-height: 14px;"&gt;
&lt;span style="font-family: inherit;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="font-stretch: normal; line-height: normal;"&gt;
&lt;span style="font-family: inherit;"&gt;Biennale of Sydney Spotify channel&lt;/span&gt;&lt;/div&gt;
&lt;div style="color: #dca10d; font-stretch: normal; line-height: normal;"&gt;
&lt;a href="https://open.spotify.com/user/ehst2171vge3al8pzunkxyo5q"&gt;&lt;span style="font-family: inherit;"&gt;https://open.spotify.com/user/ehst2171vge3al8pzunkxyo5q&lt;/span&gt;&lt;/a&gt;&lt;/div&gt;
&lt;div style="font-stretch: normal; line-height: normal; min-height: 14px;"&gt;
&lt;span style="font-family: inherit;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="font-stretch: normal; line-height: normal;"&gt;
&lt;span style="font-family: inherit;"&gt;The learning resources:&amp;nbsp;&lt;/span&gt;&lt;/div&gt;
&lt;div style="color: #dca10d; font-stretch: normal; line-height: normal;"&gt;
&lt;a href="https://www.biennaleofsydney.art/learn/learning-resources/"&gt;&lt;span style="font-family: inherit;"&gt;https://www.biennaleofsydney.art/learn/learning-resources/&lt;/span&gt;&lt;/a&gt;&lt;/div&gt;
&lt;div style="font-stretch: normal; line-height: normal; min-height: 14px;"&gt;
&lt;span style="font-family: inherit;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="font-stretch: normal; line-height: normal;"&gt;
&lt;span style="font-family: inherit;"&gt;The exhibitions at AGNSW&lt;/span&gt;&lt;/div&gt;
&lt;div style="color: #dca10d; font-stretch: normal; line-height: normal;"&gt;
&lt;a href="https://www.biennaleofsydney.art/venues/art-gallery-new-south-wales/"&gt;&lt;span style="font-family: inherit;"&gt;https://www.biennaleofsydney.art/venues/art-gallery-new-south-wales/&lt;/span&gt;&lt;/a&gt;&lt;/div&gt;
&lt;div style="font-stretch: normal; line-height: normal; min-height: 14px;"&gt;
&lt;span style="font-family: inherit;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="font-stretch: normal; line-height: normal;"&gt;
&lt;span style="font-family: inherit;"&gt;The exhibitions at MCA&lt;/span&gt;&lt;/div&gt;
&lt;div style="color: #dca10d; font-stretch: normal; line-height: normal;"&gt;
&lt;a href="https://www.biennaleofsydney.art/venues/museum-contemporary-art-australia/"&gt;&lt;span style="font-family: inherit;"&gt;https://www.biennaleofsydney.art/venues/museum-contemporary-art-australia/&lt;/span&gt;&lt;/a&gt;&lt;/div&gt;
&lt;div style="font-stretch: normal; line-height: normal; min-height: 14px;"&gt;
&lt;span style="font-family: inherit;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="color: #dca10d; font-stretch: normal; line-height: normal;"&gt;
&lt;span style="color: black;"&gt;&lt;span style="font-family: inherit;"&gt;Brook Andrew&lt;br /&gt;
&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;span style="color: black;"&gt;&lt;span style="font-family: inherit;"&gt;&lt;a href="http://www.brookandrew.com/"&gt;http://www.brookandrew.com&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;div style="font-stretch: normal; line-height: normal;"&gt;
&lt;span style="font-family: inherit;"&gt;Tony Albert&lt;/span&gt;&lt;/div&gt;
&lt;div style="color: #dca10d; font-stretch: normal; line-height: normal;"&gt;
&lt;a href="https://tonyalbert.com.au/"&gt;&lt;span style="font-family: inherit;"&gt;https://tonyalbert.com.au&lt;/span&gt;&lt;/a&gt;&lt;/div&gt;
&lt;div style="font-stretch: normal; line-height: normal; min-height: 14px;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style="font-stretch: normal; line-height: normal;"&gt;
&lt;span style="font-family: inherit;"&gt;Kunmanara Mumu Mike Williams&lt;/span&gt;&lt;/div&gt;
&lt;div style="color: #dca10d; font-stretch: normal; line-height: normal;"&gt;
&lt;a href="https://www.biennaleofsydney.art/artists/kunmanara-mumu-mike-williams/"&gt;&lt;span style="font-family: inherit;"&gt;https://www.biennaleofsydney.art/artists/kunmanara-mumu-mike-williams/&lt;/span&gt;&lt;/a&gt;&lt;/div&gt;
&lt;div style="font-stretch: normal; line-height: normal; min-height: 14px;"&gt;
&lt;span style="font-family: inherit;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="font-stretch: normal; line-height: normal;"&gt;
&lt;span style="font-family: inherit;"&gt;Karla Dickens&lt;/span&gt;&lt;/div&gt;
&lt;div style="color: #dca10d; font-stretch: normal; line-height: normal;"&gt;
&lt;a href="https://www.biennaleofsydney.art/artists/karla-dickens/"&gt;&lt;span style="font-family: inherit;"&gt;https://www.biennaleofsydney.art/artists/karla-dickens/&lt;/span&gt;&lt;/a&gt;&lt;/div&gt;
&lt;div style="font-stretch: normal; line-height: normal; min-height: 14px;"&gt;
&lt;span style="font-family: inherit;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="font-stretch: normal; line-height: normal;"&gt;
&lt;span style="font-family: inherit;"&gt;Warwick Thornton&lt;/span&gt;&lt;/div&gt;
&lt;div style="color: #dca10d; font-stretch: normal; line-height: normal;"&gt;
&lt;a href="https://www.biennaleofsydney.art/artists/warwick-thornton/"&gt;&lt;span style="font-family: inherit;"&gt;https://www.biennaleofsydney.art/artists/warwick-thornton/&lt;/span&gt;&lt;/a&gt;&lt;/div&gt;
&lt;div style="font-stretch: normal; line-height: normal; min-height: 14px;"&gt;
&lt;span style="font-family: inherit;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="font-stretch: normal; line-height: normal;"&gt;
&lt;span style="font-family: inherit;"&gt;Tony Albert’s work in Cockatoo Island&lt;/span&gt;&lt;/div&gt;
&lt;div style="color: #dca10d; font-stretch: normal; line-height: normal;"&gt;
&lt;a href="https://www.biennaleofsydney.art/learn/learning-resources/learning-nirin-home-tony-albert/"&gt;&lt;span style="font-family: inherit;"&gt;https://www.biennaleofsydney.art/learn/learning-resources/learning-nirin-home-tony-albert/&lt;/span&gt;&lt;/a&gt;&lt;/div&gt;
&lt;div style="font-stretch: normal; line-height: normal; min-height: 14px;"&gt;
&lt;span style="font-family: inherit;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="font-stretch: normal; line-height: normal;"&gt;
&lt;span style="font-family: inherit;"&gt;Mohamed Bourouissa&lt;/span&gt;&lt;/div&gt;
&lt;div style="color: #dca10d; font-stretch: normal; line-height: normal;"&gt;
&lt;a href="https://www.biennaleofsydney.art/artists/mohamed-bourouissa/"&gt;&lt;span style="font-family: inherit;"&gt;https://www.biennaleofsydney.art/artists/mohamed-bourouissa/&lt;/span&gt;&lt;/a&gt;&lt;/div&gt;
&lt;div style="font-stretch: normal; line-height: normal; min-height: 14px;"&gt;
&lt;span style="font-family: inherit;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="font-stretch: normal; line-height: normal;"&gt;
&lt;span style="font-family: inherit;"&gt;Aziz Hazara’s work Bow Echo&lt;/span&gt;&lt;/div&gt;
&lt;div style="color: #dca10d; font-stretch: normal; line-height: normal;"&gt;
&lt;a href="https://www.biennaleofsydney.art/artists/aziz-hazara/"&gt;&lt;span style="font-family: inherit;"&gt;https://www.biennaleofsydney.art/artists/aziz-hazara/&lt;/span&gt;&lt;/a&gt;&lt;/div&gt;
&lt;div style="font-stretch: normal; line-height: normal; min-height: 14px;"&gt;
&lt;span style="font-family: inherit;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="font-stretch: normal; line-height: normal;"&gt;
&lt;span style="font-family: inherit;"&gt;Latai Taumoepeau&lt;/span&gt;&lt;/div&gt;
&lt;div style="color: #dca10d; font-stretch: normal; line-height: normal;"&gt;
&lt;a href="https://www.biennaleofsydney.art/artists/latai-taumoepeau/"&gt;&lt;span style="font-family: inherit;"&gt;https://www.biennaleofsydney.art/artists/latai-taumoepeau/&lt;/span&gt;&lt;/a&gt;&lt;/div&gt;
&lt;div style="font-stretch: normal; line-height: normal; min-height: 14px;"&gt;
&lt;span style="font-family: inherit;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="font-stretch: normal; line-height: normal;"&gt;
&lt;span style="font-family: inherit;"&gt;Extra:&amp;nbsp;&lt;/span&gt;&lt;/div&gt;
&lt;div style="font-stretch: normal; line-height: normal;"&gt;
&lt;span style="font-family: inherit;"&gt;Jaime’s print is featured in the recent series of Sex Zine along with other 8 artists/illustrators,. This zine is edited by Anngee Neo and can be purchased from Slowburn Books.&amp;nbsp;&lt;/span&gt;&lt;/div&gt;
&lt;div style="font-stretch: normal; line-height: normal;"&gt;
&lt;span style="font-family: inherit;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
</description><enclosure length="0" type="audio/mpeg" url="https://archive.org/download/sp-eps-01-2020/Sp_eps01_2020.mp3"/><link>https://threebellybuttonspodcast.blogspot.com/2020/04/27-covid19-special-episode-leanne.html</link><thr:total>0</thr:total><author>threebellybuttonspodcast@gmail.com (three bellybuttons podcast)</author><itunes:explicit>no</itunes:explicit><itunes:subtitle>In the time of COVID19 breakout, Three bellybuttons is making special episodes to accompany you with an art community on air, and to entertain you with art-related topics.&amp;nbsp;In this episode, Leanne Waterhouse, Jaime Powell, Julie Gough and I made a&amp;nbsp;conversaion&amp;nbsp;about their ‘real’ physical experiences in visiting the 22nd&amp;nbsp;Biennale of Sydney titled Nirin.&amp;nbsp; Julie and Leanne have generously shared the photos and videos they took in the biennale. Please go to Three Bellybuttons blog to view them.&amp;nbsp;https://threebellybuttonspodcast.blogspot.com The links: Speakers: Leanne Waterhouse https://www.leannewaterhouse.com Jaime Powell http://www.jaimepowell.com.au Julie Gough https://juliegough.net/brief-biography/ The links to the contents mentioned in the conversation: Nirin - the 22nd Biennale of Sydney https://www.biennaleofsydney.art The First Nations symposium that Julie participated during Nirin, the biennale of Sydney is: Aabaakwad Symposium. It was convened by Wanda Nainbush and Brook Andrew http://events.biennaleofsydney.art/aabaakwad Biennale of Sydney Spotify channel https://open.spotify.com/user/ehst2171vge3al8pzunkxyo5q The learning resources:&amp;nbsp; https://www.biennaleofsydney.art/learn/learning-resources/ The exhibitions at AGNSW https://www.biennaleofsydney.art/venues/art-gallery-new-south-wales/ The exhibitions at MCA https://www.biennaleofsydney.art/venues/museum-contemporary-art-australia/ Brook Andrew http://www.brookandrew.com Tony Albert https://tonyalbert.com.au Kunmanara Mumu Mike Williams https://www.biennaleofsydney.art/artists/kunmanara-mumu-mike-williams/ Karla Dickens https://www.biennaleofsydney.art/artists/karla-dickens/ Warwick Thornton https://www.biennaleofsydney.art/artists/warwick-thornton/ Tony Albert’s work in Cockatoo Island https://www.biennaleofsydney.art/learn/learning-resources/learning-nirin-home-tony-albert/ Mohamed Bourouissa https://www.biennaleofsydney.art/artists/mohamed-bourouissa/ Aziz Hazara’s work Bow Echo https://www.biennaleofsydney.art/artists/aziz-hazara/ Latai Taumoepeau https://www.biennaleofsydney.art/artists/latai-taumoepeau/ Extra:&amp;nbsp; Jaime’s print is featured in the recent series of Sex Zine along with other 8 artists/illustrators,. This zine is edited by Anngee Neo and can be purchased from Slowburn Books.&amp;nbsp;</itunes:subtitle><itunes:author>threebellybuttonspodcast@gmail.com (three bellybuttons podcast)</itunes:author><itunes:summary>In the time of COVID19 breakout, Three bellybuttons is making special episodes to accompany you with an art community on air, and to entertain you with art-related topics.&amp;nbsp;In this episode, Leanne Waterhouse, Jaime Powell, Julie Gough and I made a&amp;nbsp;conversaion&amp;nbsp;about their ‘real’ physical experiences in visiting the 22nd&amp;nbsp;Biennale of Sydney titled Nirin.&amp;nbsp; Julie and Leanne have generously shared the photos and videos they took in the biennale. Please go to Three Bellybuttons blog to view them.&amp;nbsp;https://threebellybuttonspodcast.blogspot.com The links: Speakers: Leanne Waterhouse https://www.leannewaterhouse.com Jaime Powell http://www.jaimepowell.com.au Julie Gough https://juliegough.net/brief-biography/ The links to the contents mentioned in the conversation: Nirin - the 22nd Biennale of Sydney https://www.biennaleofsydney.art The First Nations symposium that Julie participated during Nirin, the biennale of Sydney is: Aabaakwad Symposium. It was convened by Wanda Nainbush and Brook Andrew http://events.biennaleofsydney.art/aabaakwad Biennale of Sydney Spotify channel https://open.spotify.com/user/ehst2171vge3al8pzunkxyo5q The learning resources:&amp;nbsp; https://www.biennaleofsydney.art/learn/learning-resources/ The exhibitions at AGNSW https://www.biennaleofsydney.art/venues/art-gallery-new-south-wales/ The exhibitions at MCA https://www.biennaleofsydney.art/venues/museum-contemporary-art-australia/ Brook Andrew http://www.brookandrew.com Tony Albert https://tonyalbert.com.au Kunmanara Mumu Mike Williams https://www.biennaleofsydney.art/artists/kunmanara-mumu-mike-williams/ Karla Dickens https://www.biennaleofsydney.art/artists/karla-dickens/ Warwick Thornton https://www.biennaleofsydney.art/artists/warwick-thornton/ Tony Albert’s work in Cockatoo Island https://www.biennaleofsydney.art/learn/learning-resources/learning-nirin-home-tony-albert/ Mohamed Bourouissa https://www.biennaleofsydney.art/artists/mohamed-bourouissa/ Aziz Hazara’s work Bow Echo https://www.biennaleofsydney.art/artists/aziz-hazara/ Latai Taumoepeau https://www.biennaleofsydney.art/artists/latai-taumoepeau/ Extra:&amp;nbsp; Jaime’s print is featured in the recent series of Sex Zine along with other 8 artists/illustrators,. This zine is edited by Anngee Neo and can be purchased from Slowburn Books.&amp;nbsp;</itunes:summary><itunes:keywords>Australian,art,contemporary,art,art,events,visual,art,exhibitions,art,reviews</itunes:keywords></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-6177737169617929692.post-6463386399577916870</guid><pubDate>Wed, 25 Mar 2020 04:28:00 +0000</pubDate><atom:updated>2020-03-25T16:17:41.423-07:00</atom:updated><title>26, The very 1st epi of 2020: Emanuel Rodriguez and Zamara on performance art and spectacular installation works</title><description>&lt;div class="MsoNormal" style="font-family: Cambria, serif; margin: 0cm 0cm 0.0001pt;"&gt;
&lt;span lang="EN-AU"&gt;Hello listeners,&amp;nbsp;&lt;/span&gt;&lt;/div&gt;
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&lt;span lang="EN-AU"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span lang="EN-AU"&gt;We have indeed gone into 2020. But I reckon it has been a very bumpy transfer of the year for many people. Particularly in this current strange and fearful coronavirus pandemic time, I wish everyone stay safe at home and keep positive. I hope this podcast could bring you some stress relief and a contact to the art at home.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span lang="EN-AU"&gt;This first episode of 2020, is a conversation made in December 2019 between Zamara Zamara, Emanuel Rodriguez and I.&amp;nbsp;&amp;nbsp;It was just before Emanuel returned to his home country Costa Rico. In the conversation, Emanuel shared his experience of visiting MONA at the first time, in particularly his personal experience of visiting Alfredo Jaar’s spectacular installation titled &lt;i&gt;The Divine Comedy&lt;/i&gt;&amp;nbsp;shown at MONA at that time.&amp;nbsp;&amp;nbsp;Joined with Emanuel, Zamara talked about their experiences of seeing some performance artworks in Documenta 14 and the 57&lt;sup&gt;th&lt;/sup&gt;&amp;nbsp;Venice Biennale in 2017. Please enjoy listening this episode. More episodes will come up shortly.&amp;nbsp;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
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**Apology for the mistake in this episode: The title of Alfredo Jaar's work shown in MONA is &lt;i&gt;The Divine Comedy.&amp;nbsp;&lt;/i&gt;&lt;br /&gt;
&lt;i&gt;&lt;br /&gt;&lt;/i&gt;
&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/div&gt;
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Episode Notes:&lt;/div&gt;
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Speakers:&lt;/div&gt;
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Emanuel Rodriguez Chaves&lt;/div&gt;
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&lt;a href="http://www.emanuelrodriguez.net/"&gt;http://www.emanuelrodriguez.net&lt;/a&gt;&lt;/div&gt;
&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;; font-size: 12px; font-stretch: normal; line-height: normal; min-height: 14px;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;; font-size: 12px; font-stretch: normal; line-height: normal;"&gt;
Zamara Zamara&lt;/div&gt;
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&lt;a href="http://zamarazamara.com/"&gt;http://zamarazamara.com&lt;/a&gt;&lt;/div&gt;
&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;; font-size: 12px; font-stretch: normal; line-height: normal; min-height: 14px;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;; font-size: 12px; font-stretch: normal; line-height: normal;"&gt;
The artists and exhibitions talked about in this episode:&amp;nbsp;&lt;/div&gt;
&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;; font-size: 12px; font-stretch: normal; line-height: normal;"&gt;
Alfredo Jaar&lt;/div&gt;
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&lt;a href="https://alfredojaar.net/projects/"&gt;https://alfredojaar.net/projects/&lt;/a&gt;&lt;/div&gt;
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&lt;br /&gt;&lt;/div&gt;
&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;; font-size: 12px; font-stretch: normal; line-height: normal;"&gt;
“The Divine Comedy” 2019&lt;/div&gt;
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https://www.facebook.com/watch/?v=470846330447160&lt;/div&gt;
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&lt;br /&gt;&lt;/div&gt;
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Peter Greenaway&lt;/div&gt;
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https://www.imdb.com/name/nm0000425/&lt;/div&gt;
&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;; font-size: 12px; font-stretch: normal; line-height: normal; min-height: 14px;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;; font-size: 12px; font-stretch: normal; line-height: normal;"&gt;
James Turrell&lt;/div&gt;
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&lt;a href="http://jamesturrell.com/"&gt;http://jamesturrell.com&lt;/a&gt;&lt;/div&gt;
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&lt;br /&gt;&lt;/div&gt;
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Jamie McCartney&lt;/div&gt;
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The Great Wall of Vagina (2008)&lt;/div&gt;
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&lt;a href="https://jamiemccartney.com/"&gt;https://jamiemccartney.com&lt;/a&gt;&lt;/div&gt;
&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;; font-size: 12px; font-stretch: normal; line-height: normal; min-height: 14px;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;; font-size: 12px; font-stretch: normal; line-height: normal;"&gt;
Tino Sehgal&lt;/div&gt;
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Living Memory 2016&lt;/div&gt;
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https://www.artnews.com/art-news/reviews/living-memory-tino-sehgal-takes-over-pariss-palais-de-tokyo-with-300-performers-and-a-few-friends-7186/&lt;/div&gt;
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&lt;br /&gt;&lt;/div&gt;
&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;; font-size: 12px; font-stretch: normal; line-height: normal;"&gt;
Aphids&lt;/div&gt;
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&lt;a href="http://www.aphids.net/"&gt;www.aphids.net&lt;/a&gt;&lt;/div&gt;
&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;; font-size: 12px; font-stretch: normal; line-height: normal; min-height: 14px;"&gt;
&lt;br /&gt;&lt;/div&gt;
</description><enclosure length="0" type="audio/mpeg" url="https://archive.org/download/finaleps012020/Final_eps01_2020.mp3"/><link>https://threebellybuttonspodcast.blogspot.com/2020/03/26-very-1st-epi-of-2020-emanuel.html</link><thr:total>0</thr:total><author>threebellybuttonspodcast@gmail.com (three bellybuttons podcast)</author><itunes:explicit>no</itunes:explicit><itunes:subtitle>Hello listeners,&amp;nbsp; We have indeed gone into 2020. But I reckon it has been a very bumpy transfer of the year for many people. Particularly in this current strange and fearful coronavirus pandemic time, I wish everyone stay safe at home and keep positive. I hope this podcast could bring you some stress relief and a contact to the art at home. This first episode of 2020, is a conversation made in December 2019 between Zamara Zamara, Emanuel Rodriguez and I.&amp;nbsp;&amp;nbsp;It was just before Emanuel returned to his home country Costa Rico. In the conversation, Emanuel shared his experience of visiting MONA at the first time, in particularly his personal experience of visiting Alfredo Jaar’s spectacular installation titled The Divine Comedy&amp;nbsp;shown at MONA at that time.&amp;nbsp;&amp;nbsp;Joined with Emanuel, Zamara talked about their experiences of seeing some performance artworks in Documenta 14 and the 57th&amp;nbsp;Venice Biennale in 2017. Please enjoy listening this episode. More episodes will come up shortly.&amp;nbsp; **Apology for the mistake in this episode: The title of Alfredo Jaar's work shown in MONA is The Divine Comedy.&amp;nbsp; Episode Notes: Speakers: Emanuel Rodriguez Chaves http://www.emanuelrodriguez.net Zamara Zamara http://zamarazamara.com The artists and exhibitions talked about in this episode:&amp;nbsp; Alfredo Jaar https://alfredojaar.net/projects/ “The Divine Comedy” 2019 https://www.facebook.com/watch/?v=470846330447160 Peter Greenaway https://www.imdb.com/name/nm0000425/ James Turrell http://jamesturrell.com Jamie McCartney The Great Wall of Vagina (2008) https://jamiemccartney.com Tino Sehgal Living Memory 2016 https://www.artnews.com/art-news/reviews/living-memory-tino-sehgal-takes-over-pariss-palais-de-tokyo-with-300-performers-and-a-few-friends-7186/ Aphids www.aphids.net</itunes:subtitle><itunes:author>threebellybuttonspodcast@gmail.com (three bellybuttons podcast)</itunes:author><itunes:summary>Hello listeners,&amp;nbsp; We have indeed gone into 2020. But I reckon it has been a very bumpy transfer of the year for many people. Particularly in this current strange and fearful coronavirus pandemic time, I wish everyone stay safe at home and keep positive. I hope this podcast could bring you some stress relief and a contact to the art at home. This first episode of 2020, is a conversation made in December 2019 between Zamara Zamara, Emanuel Rodriguez and I.&amp;nbsp;&amp;nbsp;It was just before Emanuel returned to his home country Costa Rico. In the conversation, Emanuel shared his experience of visiting MONA at the first time, in particularly his personal experience of visiting Alfredo Jaar’s spectacular installation titled The Divine Comedy&amp;nbsp;shown at MONA at that time.&amp;nbsp;&amp;nbsp;Joined with Emanuel, Zamara talked about their experiences of seeing some performance artworks in Documenta 14 and the 57th&amp;nbsp;Venice Biennale in 2017. Please enjoy listening this episode. More episodes will come up shortly.&amp;nbsp; **Apology for the mistake in this episode: The title of Alfredo Jaar's work shown in MONA is The Divine Comedy.&amp;nbsp; Episode Notes: Speakers: Emanuel Rodriguez Chaves http://www.emanuelrodriguez.net Zamara Zamara http://zamarazamara.com The artists and exhibitions talked about in this episode:&amp;nbsp; Alfredo Jaar https://alfredojaar.net/projects/ “The Divine Comedy” 2019 https://www.facebook.com/watch/?v=470846330447160 Peter Greenaway https://www.imdb.com/name/nm0000425/ James Turrell http://jamesturrell.com Jamie McCartney The Great Wall of Vagina (2008) https://jamiemccartney.com Tino Sehgal Living Memory 2016 https://www.artnews.com/art-news/reviews/living-memory-tino-sehgal-takes-over-pariss-palais-de-tokyo-with-300-performers-and-a-few-friends-7186/ Aphids www.aphids.net</itunes:summary><itunes:keywords>Australian,art,contemporary,art,art,events,visual,art,exhibitions,art,reviews</itunes:keywords></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-6177737169617929692.post-5488120421268019197</guid><pubDate>Sun, 29 Dec 2019 12:16:00 +0000</pubDate><atom:updated>2019-12-29T04:16:09.269-08:00</atom:updated><title>25, SPECIAL Part Two: Sophia Cai, Diego Ramirez, Nikki Lam and James Nguyen on failures and rejections in the Art</title><description>&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;; font-size: 12px; font-stretch: normal; line-height: normal;"&gt;
This is the 2nd part of the special episode about rejections and failures in the art; and also the last episode of 2019.&amp;nbsp;&lt;/div&gt;
&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;; font-size: 12px; font-stretch: normal; line-height: normal; min-height: 14px;"&gt;
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&lt;br /&gt;
&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;; font-size: 12px; font-stretch: normal; line-height: normal;"&gt;
As the last episode of 2019, I, &amp;nbsp;the host of Three Bellybuttons, would like to thank all the speakers who shared their valuable time and talked in the podcast this year! Thank you for your generosity and knowledge on the art! Also, I would like to thank the listens and Three Belly Buttons instagram followers!&amp;nbsp;&lt;/div&gt;
&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;; font-size: 12px; font-stretch: normal; line-height: normal;"&gt;
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&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;; font-size: 12px; font-stretch: normal; line-height: normal;"&gt;
By making this podcast, I have gained a great supportive and caring community in the art and many pleasant and fun moments throughout the year. I hope the listeners feel the same from this podcast. For this reason, I will continue to make this podcast next year and talk about future art events and topics.&amp;nbsp;&lt;/div&gt;
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&lt;br /&gt;&lt;/div&gt;
&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;; font-size: 12px; font-stretch: normal; line-height: normal;"&gt;
So, bye for now! Have a great New Year celebration! See you in 2020!&lt;/div&gt;
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&lt;br /&gt;&lt;/div&gt;
&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;; font-size: 12px; font-stretch: normal; line-height: normal;"&gt;
Siying&lt;/div&gt;
</description><enclosure length="0" type="audio/mpeg" url="https://archive.org/download/special02_201912/Special_02.mp3"/><link>https://threebellybuttonspodcast.blogspot.com/2019/12/25-special-part-two-sophia-cai-diego.html</link><thr:total>0</thr:total><author>threebellybuttonspodcast@gmail.com (three bellybuttons podcast)</author><itunes:explicit>no</itunes:explicit><itunes:subtitle>This is the 2nd part of the special episode about rejections and failures in the art; and also the last episode of 2019.&amp;nbsp; As the last episode of 2019, I, &amp;nbsp;the host of Three Bellybuttons, would like to thank all the speakers who shared their valuable time and talked in the podcast this year! Thank you for your generosity and knowledge on the art! Also, I would like to thank the listens and Three Belly Buttons instagram followers!&amp;nbsp; By making this podcast, I have gained a great supportive and caring community in the art and many pleasant and fun moments throughout the year. I hope the listeners feel the same from this podcast. For this reason, I will continue to make this podcast next year and talk about future art events and topics.&amp;nbsp; So, bye for now! Have a great New Year celebration! See you in 2020! Siying</itunes:subtitle><itunes:author>threebellybuttonspodcast@gmail.com (three bellybuttons podcast)</itunes:author><itunes:summary>This is the 2nd part of the special episode about rejections and failures in the art; and also the last episode of 2019.&amp;nbsp; As the last episode of 2019, I, &amp;nbsp;the host of Three Bellybuttons, would like to thank all the speakers who shared their valuable time and talked in the podcast this year! Thank you for your generosity and knowledge on the art! Also, I would like to thank the listens and Three Belly Buttons instagram followers!&amp;nbsp; By making this podcast, I have gained a great supportive and caring community in the art and many pleasant and fun moments throughout the year. I hope the listeners feel the same from this podcast. For this reason, I will continue to make this podcast next year and talk about future art events and topics.&amp;nbsp; So, bye for now! Have a great New Year celebration! See you in 2020! Siying</itunes:summary><itunes:keywords>Australian,art,contemporary,art,art,events,visual,art,exhibitions,art,reviews</itunes:keywords></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-6177737169617929692.post-8381290916252185718</guid><pubDate>Sun, 29 Dec 2019 11:41:00 +0000</pubDate><atom:updated>2019-12-29T03:41:55.646-08:00</atom:updated><title>24, SPECIAL Part One: Sophia Cai, Diego Ramirez, Nikki Lam and James Nguyen on failures and rejections in the Art</title><description>In response to the end of 2019, I reviewed the rejections that I had received this year as an artist. Besides self doubts and down feelings, I believed that there must be more that I could unpack from these unsuccessful results. Although it is known that receiving rejection is a common experience for most of contemporary practicing artists, within the art community, we barely mention and share about our sense of failure in our art career. &lt;br /&gt;
&lt;br /&gt;
Why? Maybe rejections are too embarrassing to talk about. Or perhaps we try very hard to forget about them. By the end of 2019, I refuse to internalise these rejections solely again.&lt;br /&gt;
&lt;br /&gt;
For the questions: Why was I rejected? What should I think about the rejection? How could I emotionally cope with the rejection?, I invited four curators, writers and visual artists: Sophia Cai, Diego Ramirez, Nikki Lam and James Nguyen to share their experiences in receiving rejections in the art. I hope our conversation would be helpful for many other artist listeners.&lt;br /&gt;
&lt;br /&gt;
** Our conversation went for nearly 2 hour long. In an organic order, the four speakers came in and left the conversation at various points due to their availabilities on that day. Therefore, it was divided into two episodes. Also, I kept some background noises in the sound tracks, such as the sound of door bells, of chewing, of a kettle boiling, etc.. I apologise if they might be too much of annoyance for the listeners. It was because 1, it was difficult to separate them from our voices; 2, I did want to convey the domestic and relaxed atmosphere where our conversation was conduced.&lt;br /&gt;
&lt;br /&gt;
Anyway, enjoy this special podcast conversation! THANK for listening!&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
Speakers:&lt;br /&gt;
1, Sophia Cai&lt;br /&gt;
Curator, Writer&lt;br /&gt;
https://www.sophiacai.info&lt;br /&gt;
&lt;br /&gt;
2, Diego Ramirez&lt;br /&gt;
Visual Artist, Writer, Gallery Manager of Seventh Gallery&lt;br /&gt;
http://www.diego-ramirez.net&lt;br /&gt;
&lt;br /&gt;
3, Nikki Lam&lt;br /&gt;
Visual Artist, Writer, Curator&lt;br /&gt;
http://nikkilam.info&lt;br /&gt;
&lt;br /&gt;
4, James Nguyen&lt;br /&gt;
Visual Artist&lt;br /&gt;
http://jamesnguyen.com.au&lt;br /&gt;
&lt;br /&gt;</description><enclosure length="0" type="audio/mpeg" url="https://archive.org/download/special01_201912/Special_01.mp3"/><link>https://threebellybuttonspodcast.blogspot.com/2019/12/24-special-part-one-sophia-cai-diego.html</link><thr:total>0</thr:total><author>threebellybuttonspodcast@gmail.com (three bellybuttons podcast)</author><itunes:explicit>no</itunes:explicit><itunes:subtitle>In response to the end of 2019, I reviewed the rejections that I had received this year as an artist. Besides self doubts and down feelings, I believed that there must be more that I could unpack from these unsuccessful results. Although it is known that receiving rejection is a common experience for most of contemporary practicing artists, within the art community, we barely mention and share about our sense of failure in our art career. Why? Maybe rejections are too embarrassing to talk about. Or perhaps we try very hard to forget about them. By the end of 2019, I refuse to internalise these rejections solely again. For the questions: Why was I rejected? What should I think about the rejection? How could I emotionally cope with the rejection?, I invited four curators, writers and visual artists: Sophia Cai, Diego Ramirez, Nikki Lam and James Nguyen to share their experiences in receiving rejections in the art. I hope our conversation would be helpful for many other artist listeners. ** Our conversation went for nearly 2 hour long. In an organic order, the four speakers came in and left the conversation at various points due to their availabilities on that day. Therefore, it was divided into two episodes. Also, I kept some background noises in the sound tracks, such as the sound of door bells, of chewing, of a kettle boiling, etc.. I apologise if they might be too much of annoyance for the listeners. It was because 1, it was difficult to separate them from our voices; 2, I did want to convey the domestic and relaxed atmosphere where our conversation was conduced. Anyway, enjoy this special podcast conversation! THANK for listening! Speakers: 1, Sophia Cai Curator, Writer https://www.sophiacai.info 2, Diego Ramirez Visual Artist, Writer, Gallery Manager of Seventh Gallery http://www.diego-ramirez.net 3, Nikki Lam Visual Artist, Writer, Curator http://nikkilam.info 4, James Nguyen Visual Artist http://jamesnguyen.com.au</itunes:subtitle><itunes:author>threebellybuttonspodcast@gmail.com (three bellybuttons podcast)</itunes:author><itunes:summary>In response to the end of 2019, I reviewed the rejections that I had received this year as an artist. Besides self doubts and down feelings, I believed that there must be more that I could unpack from these unsuccessful results. Although it is known that receiving rejection is a common experience for most of contemporary practicing artists, within the art community, we barely mention and share about our sense of failure in our art career. Why? Maybe rejections are too embarrassing to talk about. Or perhaps we try very hard to forget about them. By the end of 2019, I refuse to internalise these rejections solely again. For the questions: Why was I rejected? What should I think about the rejection? How could I emotionally cope with the rejection?, I invited four curators, writers and visual artists: Sophia Cai, Diego Ramirez, Nikki Lam and James Nguyen to share their experiences in receiving rejections in the art. I hope our conversation would be helpful for many other artist listeners. ** Our conversation went for nearly 2 hour long. In an organic order, the four speakers came in and left the conversation at various points due to their availabilities on that day. Therefore, it was divided into two episodes. Also, I kept some background noises in the sound tracks, such as the sound of door bells, of chewing, of a kettle boiling, etc.. I apologise if they might be too much of annoyance for the listeners. It was because 1, it was difficult to separate them from our voices; 2, I did want to convey the domestic and relaxed atmosphere where our conversation was conduced. Anyway, enjoy this special podcast conversation! THANK for listening! Speakers: 1, Sophia Cai Curator, Writer https://www.sophiacai.info 2, Diego Ramirez Visual Artist, Writer, Gallery Manager of Seventh Gallery http://www.diego-ramirez.net 3, Nikki Lam Visual Artist, Writer, Curator http://nikkilam.info 4, James Nguyen Visual Artist http://jamesnguyen.com.au</itunes:summary><itunes:keywords>Australian,art,contemporary,art,art,events,visual,art,exhibitions,art,reviews</itunes:keywords></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-6177737169617929692.post-2513674674743779758</guid><pubDate>Thu, 31 Oct 2019 19:34:00 +0000</pubDate><atom:updated>2019-10-31T12:34:20.792-07:00</atom:updated><title>23, Chantelle Mitchell and Emilie Walsh on the current exhibitions at Gertrude Contemporary Art, Margaret Lawrence Gallery and Incinerator Gallery</title><description>&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;; font-size: 12px; font-stretch: normal; line-height: normal;"&gt;
Chantelle Mitchell, a writer/curator and Emilie Walsh,&amp;nbsp;&amp;nbsp;a visual artist, both Melbourne-based, talked about the current exhibitions: Hope Dies Last: Art at the end of optimism at Gertrude Contemporary and Margaret Lawrence Gallery, and Incinerator Art Award. Both Emilie and Chantelle’s excellent descriptions and insightful read of the works in these exhibitions have certainly opened a great conversation between us. I hope this episode would inspire you to check these shows out if you haven’t seen them.&amp;nbsp;&lt;/div&gt;
&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;; font-size: 12px; font-stretch: normal; line-height: normal; min-height: 14px;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;; font-size: 12px; font-stretch: normal; line-height: normal; min-height: 14px;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;; font-size: 12px; font-stretch: normal; line-height: normal;"&gt;
Speakers:&amp;nbsp;&lt;/div&gt;
&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;; font-size: 12px; font-stretch: normal; line-height: normal;"&gt;
Chantelle Mitchell, a write/curator/art manager&lt;/div&gt;
&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;; font-size: 12px; font-stretch: normal; line-height: normal; min-height: 14px;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;; font-size: 12px; font-stretch: normal; line-height: normal;"&gt;
Emilie Walsh, a visual artist&lt;/div&gt;
&lt;div style="color: #dca10d; font-family: &amp;quot;Helvetica Neue&amp;quot;; font-size: 12px; font-stretch: normal; line-height: normal;"&gt;
&lt;a href="https://www.emilouwalsh.com/about"&gt;https://www.emilouwalsh.com/about&lt;/a&gt;&lt;/div&gt;
&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;; font-size: 12px; font-stretch: normal; line-height: normal; min-height: 14px;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;; font-size: 12px; font-stretch: normal; line-height: normal;"&gt;
The exhibitions:&amp;nbsp;&lt;/div&gt;
&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;; font-size: 12px; font-stretch: normal; line-height: normal;"&gt;
Hope Dies Last: Art at the end of optimism&lt;/div&gt;
&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;; font-size: 12px; font-stretch: normal; line-height: normal;"&gt;
Gertrude Contemporary&amp;nbsp;&lt;/div&gt;
&lt;div style="color: #dca10d; font-family: &amp;quot;Helvetica Neue&amp;quot;; font-size: 12px; font-stretch: normal; line-height: normal;"&gt;
&lt;a href="http://gertrude.org.au/exhibitions/gallery-11/"&gt;http://gertrude.org.au/exhibitions/gallery-11/&lt;/a&gt;&lt;/div&gt;
&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;; font-size: 12px; font-stretch: normal; line-height: normal;"&gt;
Open till 9 Nov&lt;/div&gt;
&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;; font-size: 12px; font-stretch: normal; line-height: normal; min-height: 14px;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;; font-size: 12px; font-stretch: normal; line-height: normal;"&gt;
Margaret Lawrence Gallery&lt;/div&gt;
&lt;div style="color: #dca10d; font-family: &amp;quot;Helvetica Neue&amp;quot;; font-size: 12px; font-stretch: normal; line-height: normal;"&gt;
&lt;a href="https://finearts-music.unimelb.edu.au/about-us/margaret-lawrence-gallery"&gt;https://finearts-music.unimelb.edu.au/about-us/margaret-lawrence-gallery&lt;/a&gt;&lt;/div&gt;
&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;; font-size: 12px; font-stretch: normal; line-height: normal;"&gt;
&amp;nbsp;Opent till 16 Nov.&lt;/div&gt;
&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;; font-size: 12px; font-stretch: normal; line-height: normal; min-height: 14px;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;; font-size: 12px; font-stretch: normal; line-height: normal;"&gt;
Myuran Kukumaran&lt;/div&gt;
&lt;div style="color: #dca10d; font-family: &amp;quot;Helvetica Neue&amp;quot;; font-size: 12px; font-stretch: normal; line-height: normal;"&gt;
&lt;a href="https://en.wikipedia.org/wiki/Myuran_Sukumaran"&gt;https://en.wikipedia.org/wiki/Myuran_Sukumaran&lt;/a&gt;&lt;/div&gt;
&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;; font-size: 12px; font-stretch: normal; line-height: normal; min-height: 14px;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;; font-size: 12px; font-stretch: normal; line-height: normal;"&gt;
Sanja Pahoki&lt;/div&gt;
&lt;div style="color: #dca10d; font-family: &amp;quot;Helvetica Neue&amp;quot;; font-size: 12px; font-stretch: normal; line-height: normal;"&gt;
&lt;a href="https://www.sanjapahoki.com/"&gt;https://www.sanjapahoki.com&lt;/a&gt;&lt;/div&gt;
&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;; font-size: 12px; font-stretch: normal; line-height: normal; min-height: 14px;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;; font-size: 12px; font-stretch: normal; line-height: normal;"&gt;
Araya Rasdjarmrearnsook&lt;/div&gt;
&lt;div style="color: #dca10d; font-family: &amp;quot;Helvetica Neue&amp;quot;; font-size: 12px; font-stretch: normal; line-height: normal;"&gt;
&lt;a href="https://en.wikipedia.org/wiki/Araya_Rasdjarmrearnsook"&gt;https://en.wikipedia.org/wiki/Araya_Rasdjarmrearnsook&lt;/a&gt;&lt;/div&gt;
&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;; font-size: 12px; font-stretch: normal; line-height: normal; min-height: 14px;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;; font-size: 12px; font-stretch: normal; line-height: normal;"&gt;
Alex Seton&lt;/div&gt;
&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;; font-size: 12px; font-stretch: normal; line-height: normal; min-height: 14px;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;; font-size: 12px; font-stretch: normal; line-height: normal;"&gt;
Architecture as…&lt;/div&gt;
&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;; font-size: 12px; font-stretch: normal; line-height: normal;"&gt;
George Paton gallery&lt;/div&gt;
&lt;div style="color: #dca10d; font-family: &amp;quot;Helvetica Neue&amp;quot;; font-size: 12px; font-stretch: normal; line-height: normal;"&gt;
&lt;a href="https://umsu.unimelb.edu.au/studentlife/gallery/"&gt;https://umsu.unimelb.edu.au/studentlife/gallery/exhibitionprogram/&lt;/a&gt;&lt;/div&gt;
&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;; font-size: 12px; font-stretch: normal; line-height: normal; min-height: 14px;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;; font-size: 12px; font-stretch: normal; line-height: normal;"&gt;
Incinerator Art Award&amp;nbsp;&lt;/div&gt;
&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;; font-size: 12px; font-stretch: normal; line-height: normal;"&gt;
Incinerator Gallery&lt;/div&gt;
&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;; font-size: 12px; font-stretch: normal; line-height: normal;"&gt;
Open till 1 Dec&lt;/div&gt;
&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;; font-size: 12px; font-stretch: normal; line-height: normal; min-height: 14px;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;; font-size: 12px; font-stretch: normal; line-height: normal;"&gt;
Ashley Perry&lt;/div&gt;
&lt;div style="color: #dca10d; font-family: &amp;quot;Helvetica Neue&amp;quot;; font-size: 12px; font-stretch: normal; line-height: normal;"&gt;
&lt;a href="https://incineratorgallery.com.au/exhibition/incinerator-art-award/"&gt;https://incineratorgallery.com.au/exhibition/incinerator-art-award/&lt;/a&gt;&lt;/div&gt;
&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;; font-size: 12px; font-stretch: normal; line-height: normal; min-height: 14px;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;; font-size: 12px; font-stretch: normal; line-height: normal;"&gt;
Department of homo affairs (Sydney)&lt;/div&gt;
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Tense Past&lt;/div&gt;
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Julie Gough&lt;/div&gt;
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&lt;a href="https://www.tmag.tas.gov.au/whats_on/exhibitions/current_upcoming/info/julie_gough_tense_past"&gt;https://www.tmag.tas.gov.au/whats_on/exhibitions/current_upcoming/info/julie_gough_tense_past&lt;/a&gt;&lt;/div&gt;
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Till 3 Nov&lt;/div&gt;
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Emilie’s upcoming exhibition&lt;/div&gt;
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Glowry&lt;/div&gt;
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21 Jan - 1 Feb 2020&lt;/div&gt;
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&lt;a href="https://www.fortyfivedownstairs.com/wp2016/events/"&gt;https://www.fortyfivedownstairs.com/wp2016/events/&lt;/a&gt;&lt;/div&gt;
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Chantelle will present a couple of papers at Research Humanity Centre of ANU in Dec on topics around poetry and curatorship.&amp;nbsp;&lt;/div&gt;
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</description><enclosure length="0" type="audio/mpeg" url="https://archive.org/download/20191020threebellybuttonsf/20191020_ThreeBellyButtons_F.mp3"/><link>https://threebellybuttonspodcast.blogspot.com/2019/10/23-chantelle-mitchell-and-emilie-walsh.html</link><thr:total>0</thr:total><author>threebellybuttonspodcast@gmail.com (three bellybuttons podcast)</author><itunes:explicit>no</itunes:explicit><itunes:subtitle>Chantelle Mitchell, a writer/curator and Emilie Walsh,&amp;nbsp;&amp;nbsp;a visual artist, both Melbourne-based, talked about the current exhibitions: Hope Dies Last: Art at the end of optimism at Gertrude Contemporary and Margaret Lawrence Gallery, and Incinerator Art Award. Both Emilie and Chantelle’s excellent descriptions and insightful read of the works in these exhibitions have certainly opened a great conversation between us. I hope this episode would inspire you to check these shows out if you haven’t seen them.&amp;nbsp; Speakers:&amp;nbsp; Chantelle Mitchell, a write/curator/art manager Emilie Walsh, a visual artist https://www.emilouwalsh.com/about The exhibitions:&amp;nbsp; Hope Dies Last: Art at the end of optimism Gertrude Contemporary&amp;nbsp; http://gertrude.org.au/exhibitions/gallery-11/ Open till 9 Nov Margaret Lawrence Gallery https://finearts-music.unimelb.edu.au/about-us/margaret-lawrence-gallery &amp;nbsp;Opent till 16 Nov. Myuran Kukumaran https://en.wikipedia.org/wiki/Myuran_Sukumaran Sanja Pahoki https://www.sanjapahoki.com Araya Rasdjarmrearnsook https://en.wikipedia.org/wiki/Araya_Rasdjarmrearnsook Alex Seton Architecture as… George Paton gallery https://umsu.unimelb.edu.au/studentlife/gallery/exhibitionprogram/ Incinerator Art Award&amp;nbsp; Incinerator Gallery Open till 1 Dec Ashley Perry https://incineratorgallery.com.au/exhibition/incinerator-art-award/ Department of homo affairs (Sydney) Tense Past Julie Gough https://www.tmag.tas.gov.au/whats_on/exhibitions/current_upcoming/info/julie_gough_tense_past Till 3 Nov Emilie’s upcoming exhibition Glowry 21 Jan - 1 Feb 2020 https://www.fortyfivedownstairs.com/wp2016/events/ Chantelle will present a couple of papers at Research Humanity Centre of ANU in Dec on topics around poetry and curatorship.&amp;nbsp;</itunes:subtitle><itunes:author>threebellybuttonspodcast@gmail.com (three bellybuttons podcast)</itunes:author><itunes:summary>Chantelle Mitchell, a writer/curator and Emilie Walsh,&amp;nbsp;&amp;nbsp;a visual artist, both Melbourne-based, talked about the current exhibitions: Hope Dies Last: Art at the end of optimism at Gertrude Contemporary and Margaret Lawrence Gallery, and Incinerator Art Award. Both Emilie and Chantelle’s excellent descriptions and insightful read of the works in these exhibitions have certainly opened a great conversation between us. I hope this episode would inspire you to check these shows out if you haven’t seen them.&amp;nbsp; Speakers:&amp;nbsp; Chantelle Mitchell, a write/curator/art manager Emilie Walsh, a visual artist https://www.emilouwalsh.com/about The exhibitions:&amp;nbsp; Hope Dies Last: Art at the end of optimism Gertrude Contemporary&amp;nbsp; http://gertrude.org.au/exhibitions/gallery-11/ Open till 9 Nov Margaret Lawrence Gallery https://finearts-music.unimelb.edu.au/about-us/margaret-lawrence-gallery &amp;nbsp;Opent till 16 Nov. Myuran Kukumaran https://en.wikipedia.org/wiki/Myuran_Sukumaran Sanja Pahoki https://www.sanjapahoki.com Araya Rasdjarmrearnsook https://en.wikipedia.org/wiki/Araya_Rasdjarmrearnsook Alex Seton Architecture as… George Paton gallery https://umsu.unimelb.edu.au/studentlife/gallery/exhibitionprogram/ Incinerator Art Award&amp;nbsp; Incinerator Gallery Open till 1 Dec Ashley Perry https://incineratorgallery.com.au/exhibition/incinerator-art-award/ Department of homo affairs (Sydney) Tense Past Julie Gough https://www.tmag.tas.gov.au/whats_on/exhibitions/current_upcoming/info/julie_gough_tense_past Till 3 Nov Emilie’s upcoming exhibition Glowry 21 Jan - 1 Feb 2020 https://www.fortyfivedownstairs.com/wp2016/events/ Chantelle will present a couple of papers at Research Humanity Centre of ANU in Dec on topics around poetry and curatorship.&amp;nbsp;</itunes:summary><itunes:keywords>Australian,art,contemporary,art,art,events,visual,art,exhibitions,art,reviews</itunes:keywords></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-6177737169617929692.post-2643243614136979374</guid><pubDate>Sun, 29 Sep 2019 23:47:00 +0000</pubDate><atom:updated>2019-10-28T06:51:44.799-07:00</atom:updated><title>22, James Nguyen and Andrew Atchison on Bauhaus Now! </title><description>&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;; font-size: 12px; font-stretch: normal; line-height: normal;"&gt;
In this episode, I joined two Melbourne-based artists: James and Andrew to elaborate our thoughts on the experience of visiting the exhibition: Bauhaus Now! at Buxton Contemporary. It is shown till Oct 20. Together, we discussed about the idea of PLAY in the process of making and creating; the institutional environment for the art making; ‘NEW’ art in future. We also asked if there might be some dramatic leaping movement like Bauhaus movement in the near future. Enjoy!&lt;/div&gt;
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LINKS &amp;amp; BITS&lt;/div&gt;
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The guests:&lt;/div&gt;
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James Nguyen&lt;/div&gt;
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&lt;a href="http://jamesnguyen.com.au/"&gt;jamesnguyen.com.au&lt;/a&gt;&lt;/div&gt;
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Andrew Atchison&amp;nbsp;&lt;/div&gt;
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&lt;a href="http://andrewatchison.com/"&gt;andrewatchison.com&lt;/a&gt;&lt;/div&gt;
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Bauhaus Now!&lt;/div&gt;
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Buxton Contemporary&lt;/div&gt;
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&lt;a href="https://buxtoncontemporary.com/exhibitions/bauhaus-now/"&gt;https://buxtoncontemporary.com/exhibitions/bauhaus-now/&lt;/a&gt;&lt;/div&gt;
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The public talk: In Conversation: Mikala Dwyer, Justene Williams and Olaf Nicolai&lt;/div&gt;
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&lt;a href="https://buxtoncontemporary.com/exhibitions/in-conversation-mikala-dwyer-justene-williams-and-olaf-nicolai-tuesday-3-september-6pm/"&gt;https://buxtoncontemporary.com/exhibitions/in-conversation-mikala-dwyer-justene-williams-and-olaf-nicolai-tuesday-3-september-6pm/&lt;/a&gt;&lt;/div&gt;
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Amie Anderson and Kate Davis&lt;/div&gt;
&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;; font-size: 12px; font-stretch: normal; line-height: normal;"&gt;
What we passed there, will linger in the distance here&lt;/div&gt;
&lt;div style="color: #dca10d; font-family: &amp;quot;Helvetica Neue&amp;quot;; font-size: 12px; font-stretch: normal; line-height: normal;"&gt;
&lt;a href="http://www.amieanderson.net/whatwepassedtherewilllingerinthedistancehere?fbclid=IwAR2PWMPs0T9HKr9T_zEVAgLqSWevEvHI_AdbmOH0jWNIcUOVskEKn3uGcDQ"&gt;http://www.amieanderson.net/whatwepassedtherewilllingerinthedistancehere?fbclid=IwAR2PWMPs0T9HKr9T_zEVAgLqSWevEvHI_AdbmOH0jWNIcUOVskEKn3uGcDQ&lt;/a&gt;&lt;/div&gt;
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&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;; font-size: 12px; font-stretch: normal; line-height: normal;"&gt;
Kathy Temin&lt;/div&gt;
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&lt;a href="http://annaschwartzgallery.com/artists/kathy-temin/"&gt;http://annaschwartzgallery.com/artists/kathy-temin/&lt;/a&gt;&lt;/div&gt;
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&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;; font-size: 12px; font-stretch: normal; line-height: normal;"&gt;
Andrew Atchison’s coming up exhibition:&amp;nbsp;&lt;/div&gt;
&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;; font-size: 12px; font-stretch: normal; line-height: normal;"&gt;
Figure in the Round, at The Atrium, Incinerator Gallery&lt;/div&gt;
&lt;div style="color: #dca10d; font-family: &amp;quot;Helvetica Neue&amp;quot;; font-size: 12px; font-stretch: normal; line-height: normal;"&gt;
&lt;a href="https://andrewatchison.com/current-upcoming"&gt;https://andrewatchison.com/current-upcoming&lt;/a&gt;&lt;/div&gt;
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&lt;span lang="EN-US"&gt;&lt;span style="font-family: &amp;quot;helvetica neue&amp;quot; , &amp;quot;arial&amp;quot; , &amp;quot;helvetica&amp;quot; , sans-serif; font-size: x-small;"&gt;Acknowledgement: The sound track used in this podcast is created by Marcel Feillafe. The graphic is designed by Emanuel Rodriguez. Sound editor is Tessa Stevens and Siying Zhou.&amp;nbsp;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span lang="EN-US"&gt;&lt;span style="font-family: &amp;quot;helvetica neue&amp;quot; , &amp;quot;arial&amp;quot; , &amp;quot;helvetica&amp;quot; , sans-serif; font-size: x-small;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span lang="EN-US"&gt;&lt;span style="font-family: &amp;quot;helvetica neue&amp;quot; , &amp;quot;arial&amp;quot; , &amp;quot;helvetica&amp;quot; , sans-serif; font-size: x-small;"&gt;Thanks for listening! Be with you next time.&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family: -webkit-standard; font-size: small;"&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;; font-size: 12px; font-stretch: normal; line-height: normal; min-height: 14px;"&gt;
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&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjlEWCSJ5Q6VKgSHM2Xo4bW8FyS5FX7cJXMNl2R_QD2fx_RKNrfB-Kc_rfoQy09xTD3vx7KDEbkvT9ts0Sq4m67DyWF9USOoty7W0uoFHvufykRiehfKbCLa8xQHKA2Qkk5SVETBlM6b8QI/s1600/30Sep19.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" data-original-height="1200" data-original-width="1600" height="240" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjlEWCSJ5Q6VKgSHM2Xo4bW8FyS5FX7cJXMNl2R_QD2fx_RKNrfB-Kc_rfoQy09xTD3vx7KDEbkvT9ts0Sq4m67DyWF9USOoty7W0uoFHvufykRiehfKbCLa8xQHKA2Qkk5SVETBlM6b8QI/s320/30Sep19.jpg" width="320" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;The dinner over the podcast conversation&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;
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</description><enclosure length="0" type="audio/mpeg" url="https://archive.org/download/zedit20190915threebellybuttons/ZEdit_20190915_ThreeBellyButtons.mp3"/><link>https://threebellybuttonspodcast.blogspot.com/2019/09/22-james-nguyen-and-andrew-atchison-on.html</link><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" height="72" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjlEWCSJ5Q6VKgSHM2Xo4bW8FyS5FX7cJXMNl2R_QD2fx_RKNrfB-Kc_rfoQy09xTD3vx7KDEbkvT9ts0Sq4m67DyWF9USOoty7W0uoFHvufykRiehfKbCLa8xQHKA2Qkk5SVETBlM6b8QI/s72-c/30Sep19.jpg" width="72"/><thr:total>0</thr:total><author>threebellybuttonspodcast@gmail.com (three bellybuttons podcast)</author><itunes:explicit>no</itunes:explicit><itunes:subtitle>In this episode, I joined two Melbourne-based artists: James and Andrew to elaborate our thoughts on the experience of visiting the exhibition: Bauhaus Now! at Buxton Contemporary. It is shown till Oct 20. Together, we discussed about the idea of PLAY in the process of making and creating; the institutional environment for the art making; ‘NEW’ art in future. We also asked if there might be some dramatic leaping movement like Bauhaus movement in the near future. Enjoy! LINKS &amp;amp; BITS The guests: James Nguyen jamesnguyen.com.au Andrew Atchison&amp;nbsp; andrewatchison.com Bauhaus Now! Buxton Contemporary https://buxtoncontemporary.com/exhibitions/bauhaus-now/ The public talk: In Conversation: Mikala Dwyer, Justene Williams and Olaf Nicolai https://buxtoncontemporary.com/exhibitions/in-conversation-mikala-dwyer-justene-williams-and-olaf-nicolai-tuesday-3-september-6pm/ Amie Anderson and Kate Davis What we passed there, will linger in the distance here http://www.amieanderson.net/whatwepassedtherewilllingerinthedistancehere?fbclid=IwAR2PWMPs0T9HKr9T_zEVAgLqSWevEvHI_AdbmOH0jWNIcUOVskEKn3uGcDQ Kathy Temin http://annaschwartzgallery.com/artists/kathy-temin/ Andrew Atchison’s coming up exhibition:&amp;nbsp; Figure in the Round, at The Atrium, Incinerator Gallery https://andrewatchison.com/current-upcoming Acknowledgement: The sound track used in this podcast is created by Marcel Feillafe. The graphic is designed by Emanuel Rodriguez. Sound editor is Tessa Stevens and Siying Zhou.&amp;nbsp; Thanks for listening! Be with you next time. The dinner over the podcast conversation</itunes:subtitle><itunes:author>threebellybuttonspodcast@gmail.com (three bellybuttons podcast)</itunes:author><itunes:summary>In this episode, I joined two Melbourne-based artists: James and Andrew to elaborate our thoughts on the experience of visiting the exhibition: Bauhaus Now! at Buxton Contemporary. It is shown till Oct 20. Together, we discussed about the idea of PLAY in the process of making and creating; the institutional environment for the art making; ‘NEW’ art in future. We also asked if there might be some dramatic leaping movement like Bauhaus movement in the near future. Enjoy! LINKS &amp;amp; BITS The guests: James Nguyen jamesnguyen.com.au Andrew Atchison&amp;nbsp; andrewatchison.com Bauhaus Now! Buxton Contemporary https://buxtoncontemporary.com/exhibitions/bauhaus-now/ The public talk: In Conversation: Mikala Dwyer, Justene Williams and Olaf Nicolai https://buxtoncontemporary.com/exhibitions/in-conversation-mikala-dwyer-justene-williams-and-olaf-nicolai-tuesday-3-september-6pm/ Amie Anderson and Kate Davis What we passed there, will linger in the distance here http://www.amieanderson.net/whatwepassedtherewilllingerinthedistancehere?fbclid=IwAR2PWMPs0T9HKr9T_zEVAgLqSWevEvHI_AdbmOH0jWNIcUOVskEKn3uGcDQ Kathy Temin http://annaschwartzgallery.com/artists/kathy-temin/ Andrew Atchison’s coming up exhibition:&amp;nbsp; Figure in the Round, at The Atrium, Incinerator Gallery https://andrewatchison.com/current-upcoming Acknowledgement: The sound track used in this podcast is created by Marcel Feillafe. The graphic is designed by Emanuel Rodriguez. Sound editor is Tessa Stevens and Siying Zhou.&amp;nbsp; Thanks for listening! Be with you next time. The dinner over the podcast conversation</itunes:summary><itunes:keywords>Australian,art,contemporary,art,art,events,visual,art,exhibitions,art,reviews</itunes:keywords></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-6177737169617929692.post-7417756413080701698</guid><pubDate>Sat, 27 Jul 2019 13:50:00 +0000</pubDate><atom:updated>2019-07-27T06:50:56.974-07:00</atom:updated><title>21, The 58th Venice Biennale. </title><description>&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;; font-size: 12px; font-stretch: normal; line-height: normal;"&gt;
This is a special episode that I recorded with three artist friends: Kate Davis, Ash Perry and Ramo Zeroual in Venice in June this year. Unplanned, we found each other in Venice for 2019 Venice Biennale at the same time. This gave me a great opportunity to make an episode about 2019 Venice Biennale and to share some our thoughts on&amp;nbsp;this major global art event. Please forgive the noises on the background, (church bell hitting the right time, ladies on street chatting, dog barking..:)) But I hope what we discussed is interesting enough to overcome these flaws. &amp;nbsp;&lt;/div&gt;
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&lt;u&gt;The speakers:&lt;/u&gt;&lt;/div&gt;
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Kate Davis&lt;/div&gt;
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&lt;a href="https://www.datekavis.com/about"&gt;https://www.datekavis.com/about&lt;/a&gt;&lt;/div&gt;
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Ash Perry&lt;/div&gt;
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&lt;a href="https://www.abc.net.au/radionational/programs/the-art-show/first-commissions-emerging-artists-reimagine-michelangelos-david/11339758"&gt;https://www.abc.net.au/radionational/programs/the-art-show/first-commissions-emerging-artists-reimagine-michelangelos-david/11339758&lt;/a&gt;&lt;/div&gt;
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Ramo Zeroual&lt;/div&gt;
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&lt;a href="https://www.youtube.com/channel/UC-RyLTZtXrPmwApgCDD0PUQ"&gt;https://www.youtube.com/channel/UC-RyLTZtXrPmwApgCDD0PUQ&lt;/a&gt;&lt;/div&gt;
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The 58th Venice Biennale&lt;/div&gt;
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&lt;a href="https://www.labiennale.org/en/art/2019/information"&gt;https://www.labiennale.org/en/art/2019/information&lt;/a&gt;&lt;/div&gt;
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&lt;u&gt;The artists mentioned in the episode:&lt;/u&gt;&lt;/div&gt;
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Zhanna Kadyrova&lt;/div&gt;
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&lt;a href="https://www.kadyrova.com/project-en"&gt;https://www.kadyrova.com/project-en&lt;/a&gt;&lt;/div&gt;
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Lawrence Abu Hamdan&lt;/div&gt;
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Walled Unwalled (2018) - the work shown at Giardini&lt;/div&gt;
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&lt;a href="http://lawrenceabuhamdan.com/#/walled-unwalled/"&gt;http://lawrenceabuhamdan.com/#/walled-unwalled/&lt;/a&gt;&lt;/div&gt;
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This Whole time there were no land mines (2017) - the work shown at Arsenale&lt;/div&gt;
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&lt;a href="http://lawrenceabuhamdan.com/#/langugae-gulf-in-the-shouting-valley/"&gt;http://lawrenceabuhamdan.com/#/langugae-gulf-in-the-shouting-valley/&lt;/a&gt;&lt;/div&gt;
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Kahlil Joseph&lt;/div&gt;
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BLKNWS&lt;/div&gt;
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&lt;a href="https://news.artnet.com/exhibitions/blknws-kahlil-joseph-vience-biennale-2019-1543222"&gt;https://news.artnet.com/exhibitions/blknws-kahlil-joseph-vience-biennale-2019-1543222&lt;/a&gt;&lt;/div&gt;
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&lt;a href="https://www.facebook.com/watch/?v=602987583540716"&gt;https://www.facebook.com/watch/?v=602987583540716&lt;/a&gt;&lt;/div&gt;
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Lithuania Pavilion&lt;/div&gt;
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Sun and Sea, Curator: Lucia Pietroiusti&lt;/div&gt;
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&lt;a href="https://www.labiennale.org/en/art/2019/national-participations/lithuania"&gt;https://www.labiennale.org/en/art/2019/national-participations/lithuania&lt;/a&gt;&lt;/div&gt;
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&lt;a href="https://www.e-flux.com/announcements/262366/rugil-barzdiukait-vaiva-grainyt-lina-lapelytsun-sea-marina/"&gt;https://www.e-flux.com/announcements/262366/rugil-barzdiukait-vaiva-grainyt-lina-lapelytsun-sea-marina/&lt;/a&gt;&lt;/div&gt;
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&lt;a href="https://www.sunandsea.lt/en"&gt;https://www.sunandsea.lt/en&lt;/a&gt;&lt;/div&gt;
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Zimbabwe Pavilion&lt;/div&gt;
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&lt;b&gt;Soko Risina Musoro (The Tale Without a Head), &lt;/b&gt;Curator: Raphael Chikukwa&lt;/div&gt;
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&lt;a href="https://www.labiennale.org/en/art/2019/national-participations/zimbabwe-republic"&gt;https://www.labiennale.org/en/art/2019/national-participations/zimbabwe-republic&lt;/a&gt;&lt;/div&gt;
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&lt;a href="https://www.contemporaryand.com/magazines/zimbabwe-pavilion-announced-participating-artists-and-title/"&gt;https://www.contemporaryand.com/magazines/zimbabwe-pavilion-announced-participating-artists-and-title/&lt;/a&gt;&lt;/div&gt;
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&lt;b&gt;Kudzanai-Violet Hwami&lt;/b&gt;&lt;/div&gt;
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&lt;a href="https://kudzanaiviolethwami.com/"&gt;https://kudzanaiviolethwami.com&lt;/a&gt;&lt;/div&gt;
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North Macedonia Pavilion&lt;/div&gt;
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Subversion to Red&lt;/div&gt;
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&lt;a href="https://www.labiennale.org/en/art/2019/national-participations/north-macedonia-republic"&gt;https://www.labiennale.org/en/art/2019/national-participations/north-macedonia-republic&lt;/a&gt;&lt;/div&gt;
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&lt;a href="https://nadaprlja.com/subversion-to-red/"&gt;https://nadaprlja.com/subversion-to-red/&lt;/a&gt;&lt;/div&gt;
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Artist: Nada Prlja&lt;/div&gt;
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&lt;a href="https://nadaprlja.com/"&gt;https://nadaprlja.com&lt;/a&gt;&lt;/div&gt;
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France Pavilion&lt;/div&gt;
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Deep See Blue Surrounding You &lt;b&gt;/ Vois Ce Bleu Profond Te Fondre&amp;nbsp;&lt;/b&gt;&lt;/div&gt;
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http://www.biennialfoundation.org/2019/04/french-pavilion-at-the-venice-biennale-2019-laure-prouvost/&lt;/div&gt;
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Artist: Laure Prouvost&lt;/div&gt;
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&lt;a href="https://www.laureprouvost.com/"&gt;https://www.laureprouvost.com&lt;/a&gt;&lt;/div&gt;
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&lt;u&gt;Other exhibitions at the Venice Biennale:&lt;/u&gt;&lt;/div&gt;
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By Ash&lt;/div&gt;
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Punta della dogana&lt;/div&gt;
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https://www.palazzograssi.it/en/about/sites/punta-della-dogana/&lt;/div&gt;
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Time, Forward! at VAC&lt;/div&gt;
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&lt;a href="http://www.v-a-c.ru/exhibition/"&gt;http://www.v-a-c.ru/exhibition/&lt;/a&gt;&lt;/div&gt;
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Ghana Pavilion&lt;/div&gt;
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&lt;a href="https://www.labiennale.org/en/art/2019/national-participations/ghana"&gt;https://www.labiennale.org/en/art/2019/national-participations/ghana&lt;/a&gt;&lt;/div&gt;
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By Kate&lt;/div&gt;
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Future Generation Art Prize&lt;/div&gt;
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&lt;a href="https://futuregenerationartprize.org/"&gt;https://futuregenerationartprize.org&lt;/a&gt;&lt;/div&gt;
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Jannis Kounellis&lt;/div&gt;
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Prada Foundation&lt;/div&gt;
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http://www.fondazioneprada.org/project/jannis-kounellis/&lt;/div&gt;
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&lt;br /&gt;&lt;/div&gt;
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By Ramo&lt;/div&gt;
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Jone Jonas&lt;/div&gt;
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http://myartguides.com/exhibitions/joan-jonas-moving-off-the-land-ii/&lt;/div&gt;
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Museum&amp;nbsp;&lt;/div&gt;
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&lt;br /&gt;&lt;/div&gt;
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By Me (Siying)&lt;/div&gt;
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Parasol unit: https://parasol-unit.org&lt;/div&gt;
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Bosnia Pavilion&lt;/div&gt;
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&lt;a href="https://www.labiennale.org/en/art/2019/national-participations/bosnia-and-herzegovina"&gt;https://www.labiennale.org/en/art/2019/national-participations/bosnia-and-herzegovina&lt;/a&gt;&lt;/div&gt;
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&lt;br /&gt;&lt;/div&gt;
&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;; font-size: 12px; font-stretch: normal; line-height: normal;"&gt;
The exhibition Ramo will be in:&lt;/div&gt;
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&lt;a href="https://www.festival-automne.com/en/program"&gt;https://www.festival-automne.com/en/program&lt;/a&gt;&lt;/div&gt;
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&lt;br /&gt;&lt;/div&gt;
&lt;div style="color: #dca10d; font-family: &amp;quot;Helvetica Neue&amp;quot;; font-size: 12px; font-stretch: normal; line-height: normal;"&gt;
&lt;span style="color: black;"&gt;Ash’s Florence exhibition can be found at &lt;br /&gt;
&lt;a href="https://www.limelightmagazine.com.au/news/emerging-australian-artists-reimagine-michelangelos-david/"&gt;https://www.limelightmagazine.com.au/news/emerging-australian-artists-reimagine-michelangelos-david/&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;br /&gt;&lt;/div&gt;
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Ararat Gallery TAMA&lt;/div&gt;
&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;; font-size: 12px; font-stretch: normal; line-height: normal;"&gt;
Fantasies - Hannah Gartside&lt;/div&gt;
&lt;br /&gt;
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&lt;a href="http://www.araratgallerytama.com.au/event/hannah-gartside-fantasies/"&gt;http://www.araratgallerytama.com.au/event/hannah-gartside-fantasies/&lt;/a&gt;&lt;/div&gt;
</description><enclosure length="0" type="audio/mpeg" url="https://archive.org/download/venicebiennale01edit/VeniceBiennale_01_edit.mp3"/><link>https://threebellybuttonspodcast.blogspot.com/2019/07/21-58th-venice-biennale.html</link><thr:total>0</thr:total><author>threebellybuttonspodcast@gmail.com (three bellybuttons podcast)</author><itunes:explicit>no</itunes:explicit><itunes:subtitle>This is a special episode that I recorded with three artist friends: Kate Davis, Ash Perry and Ramo Zeroual in Venice in June this year. Unplanned, we found each other in Venice for 2019 Venice Biennale at the same time. This gave me a great opportunity to make an episode about 2019 Venice Biennale and to share some our thoughts on&amp;nbsp;this major global art event. Please forgive the noises on the background, (church bell hitting the right time, ladies on street chatting, dog barking..:)) But I hope what we discussed is interesting enough to overcome these flaws. &amp;nbsp; The speakers: Kate Davis https://www.datekavis.com/about Ash Perry https://www.abc.net.au/radionational/programs/the-art-show/first-commissions-emerging-artists-reimagine-michelangelos-david/11339758 Ramo Zeroual https://www.youtube.com/channel/UC-RyLTZtXrPmwApgCDD0PUQ The 58th Venice Biennale https://www.labiennale.org/en/art/2019/information The artists mentioned in the episode: Zhanna Kadyrova https://www.kadyrova.com/project-en Lawrence Abu Hamdan Walled Unwalled (2018) - the work shown at Giardini http://lawrenceabuhamdan.com/#/walled-unwalled/ This Whole time there were no land mines (2017) - the work shown at Arsenale http://lawrenceabuhamdan.com/#/langugae-gulf-in-the-shouting-valley/ Kahlil Joseph BLKNWS https://news.artnet.com/exhibitions/blknws-kahlil-joseph-vience-biennale-2019-1543222 https://www.facebook.com/watch/?v=602987583540716 Lithuania Pavilion Sun and Sea, Curator: Lucia Pietroiusti https://www.labiennale.org/en/art/2019/national-participations/lithuania https://www.e-flux.com/announcements/262366/rugil-barzdiukait-vaiva-grainyt-lina-lapelytsun-sea-marina/ https://www.sunandsea.lt/en Zimbabwe Pavilion Soko Risina Musoro (The Tale Without a Head), Curator: Raphael Chikukwa https://www.labiennale.org/en/art/2019/national-participations/zimbabwe-republic https://www.contemporaryand.com/magazines/zimbabwe-pavilion-announced-participating-artists-and-title/ Kudzanai-Violet Hwami https://kudzanaiviolethwami.com North Macedonia Pavilion Subversion to Red https://www.labiennale.org/en/art/2019/national-participations/north-macedonia-republic https://nadaprlja.com/subversion-to-red/ Artist: Nada Prlja https://nadaprlja.com France Pavilion Deep See Blue Surrounding You / Vois Ce Bleu Profond Te Fondre&amp;nbsp; http://www.biennialfoundation.org/2019/04/french-pavilion-at-the-venice-biennale-2019-laure-prouvost/ Artist: Laure Prouvost https://www.laureprouvost.com Other exhibitions at the Venice Biennale: By Ash Punta della dogana https://www.palazzograssi.it/en/about/sites/punta-della-dogana/ Time, Forward! at VAC http://www.v-a-c.ru/exhibition/ Ghana Pavilion https://www.labiennale.org/en/art/2019/national-participations/ghana By Kate Future Generation Art Prize https://futuregenerationartprize.org Jannis Kounellis Prada Foundation http://www.fondazioneprada.org/project/jannis-kounellis/ By Ramo Jone Jonas http://myartguides.com/exhibitions/joan-jonas-moving-off-the-land-ii/ Museum&amp;nbsp; By Me (Siying) Parasol unit: https://parasol-unit.org Bosnia Pavilion https://www.labiennale.org/en/art/2019/national-participations/bosnia-and-herzegovina The exhibition Ramo will be in: https://www.festival-automne.com/en/program Ash’s Florence exhibition can be found at https://www.limelightmagazine.com.au/news/emerging-australian-artists-reimagine-michelangelos-david/ Ararat Gallery TAMA Fantasies - Hannah Gartside http://www.araratgallerytama.com.au/event/hannah-gartside-fantasies/</itunes:subtitle><itunes:author>threebellybuttonspodcast@gmail.com (three bellybuttons podcast)</itunes:author><itunes:summary>This is a special episode that I recorded with three artist friends: Kate Davis, Ash Perry and Ramo Zeroual in Venice in June this year. Unplanned, we found each other in Venice for 2019 Venice Biennale at the same time. This gave me a great opportunity to make an episode about 2019 Venice Biennale and to share some our thoughts on&amp;nbsp;this major global art event. Please forgive the noises on the background, (church bell hitting the right time, ladies on street chatting, dog barking..:)) But I hope what we discussed is interesting enough to overcome these flaws. &amp;nbsp; The speakers: Kate Davis https://www.datekavis.com/about Ash Perry https://www.abc.net.au/radionational/programs/the-art-show/first-commissions-emerging-artists-reimagine-michelangelos-david/11339758 Ramo Zeroual https://www.youtube.com/channel/UC-RyLTZtXrPmwApgCDD0PUQ The 58th Venice Biennale https://www.labiennale.org/en/art/2019/information The artists mentioned in the episode: Zhanna Kadyrova https://www.kadyrova.com/project-en Lawrence Abu Hamdan Walled Unwalled (2018) - the work shown at Giardini http://lawrenceabuhamdan.com/#/walled-unwalled/ This Whole time there were no land mines (2017) - the work shown at Arsenale http://lawrenceabuhamdan.com/#/langugae-gulf-in-the-shouting-valley/ Kahlil Joseph BLKNWS https://news.artnet.com/exhibitions/blknws-kahlil-joseph-vience-biennale-2019-1543222 https://www.facebook.com/watch/?v=602987583540716 Lithuania Pavilion Sun and Sea, Curator: Lucia Pietroiusti https://www.labiennale.org/en/art/2019/national-participations/lithuania https://www.e-flux.com/announcements/262366/rugil-barzdiukait-vaiva-grainyt-lina-lapelytsun-sea-marina/ https://www.sunandsea.lt/en Zimbabwe Pavilion Soko Risina Musoro (The Tale Without a Head), Curator: Raphael Chikukwa https://www.labiennale.org/en/art/2019/national-participations/zimbabwe-republic https://www.contemporaryand.com/magazines/zimbabwe-pavilion-announced-participating-artists-and-title/ Kudzanai-Violet Hwami https://kudzanaiviolethwami.com North Macedonia Pavilion Subversion to Red https://www.labiennale.org/en/art/2019/national-participations/north-macedonia-republic https://nadaprlja.com/subversion-to-red/ Artist: Nada Prlja https://nadaprlja.com France Pavilion Deep See Blue Surrounding You / Vois Ce Bleu Profond Te Fondre&amp;nbsp; http://www.biennialfoundation.org/2019/04/french-pavilion-at-the-venice-biennale-2019-laure-prouvost/ Artist: Laure Prouvost https://www.laureprouvost.com Other exhibitions at the Venice Biennale: By Ash Punta della dogana https://www.palazzograssi.it/en/about/sites/punta-della-dogana/ Time, Forward! at VAC http://www.v-a-c.ru/exhibition/ Ghana Pavilion https://www.labiennale.org/en/art/2019/national-participations/ghana By Kate Future Generation Art Prize https://futuregenerationartprize.org Jannis Kounellis Prada Foundation http://www.fondazioneprada.org/project/jannis-kounellis/ By Ramo Jone Jonas http://myartguides.com/exhibitions/joan-jonas-moving-off-the-land-ii/ Museum&amp;nbsp; By Me (Siying) Parasol unit: https://parasol-unit.org Bosnia Pavilion https://www.labiennale.org/en/art/2019/national-participations/bosnia-and-herzegovina The exhibition Ramo will be in: https://www.festival-automne.com/en/program Ash’s Florence exhibition can be found at https://www.limelightmagazine.com.au/news/emerging-australian-artists-reimagine-michelangelos-david/ Ararat Gallery TAMA Fantasies - Hannah Gartside http://www.araratgallerytama.com.au/event/hannah-gartside-fantasies/</itunes:summary><itunes:keywords>Australian,art,contemporary,art,art,events,visual,art,exhibitions,art,reviews</itunes:keywords></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-6177737169617929692.post-1715251713934421153</guid><pubDate>Thu, 13 Jun 2019 12:39:00 +0000</pubDate><atom:updated>2019-06-13T05:39:39.820-07:00</atom:updated><title>20. Peter Aldrich and Natalie Trofimiuk: Contemporary Tapestry Works, the Influence of Exhibition Spaces and the Existence of Light</title><description>A Melbourne-based artist couple: Peter Aldrich (painter and drawer) and Natalie Trofimiuk (print and drawer), are alert to the contemporary art exhibitions in town and nation wide. The number of the art exhibitions that they have seen in last month are so impressive and enviable for many artists, including me. In this episode, they shared their rich knowledge about some recent exhibitions in Melbourne, such as, Ry David Bradley's 500 years at Tristian Koenig; Prima Materia at Bundoora Homestead Art Centre; Jeremy Eaton and Ebony Truscott's exhibitions at Bus Projects, and more. Also, please remember to check out Natalie's upcoming exhibition in Trocadero Art Space in November. Please enjoy!&lt;br /&gt;
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Episode notes:&lt;br /&gt;
&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;; font-size: 12px; font-stretch: normal; line-height: normal;"&gt;
Ry David Bradley&lt;/div&gt;
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500 Years : http://tristiankoenig.com/500-years.html&lt;/div&gt;
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&lt;a href="http://tristiankoenig.com/current.html"&gt;http://tristiankoenig.com/current.html&lt;/a&gt;&lt;/div&gt;
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Gerhard Richter&lt;/div&gt;
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The life of images&lt;/div&gt;
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&lt;a href="https://www.qagoma.qld.gov.au/whats-on/exhibitions/gerhard-richter"&gt;https://www.qagoma.qld.gov.au/whats-on/exhibitions/gerhard-richter&lt;/a&gt;&lt;/div&gt;
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Polly Borland&lt;/div&gt;
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Polyverse&lt;/div&gt;
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&lt;a href="https://www.ngv.vic.gov.au/media_release/polly-borland-polyverse/"&gt;https://www.ngv.vic.gov.au/media_release/polly-borland-polyverse/&lt;/a&gt;&lt;/div&gt;
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&lt;br /&gt;&lt;/div&gt;
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Prima Materia&lt;/div&gt;
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May 11- July 7, 2019&lt;/div&gt;
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&lt;a href="http://www.bundoorahomestead.com/exhibition/prima-materia-2/"&gt;http://www.bundoorahomestead.com/exhibition/prima-materia-2/&lt;/a&gt;&lt;/div&gt;
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Zilverster&lt;/div&gt;
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&lt;a href="http://www.zilverster.com/"&gt;http://www.zilverster.com&lt;/a&gt;&lt;/div&gt;
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Michael GF Prior&lt;/div&gt;
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&lt;a href="https://michaelprior.org/"&gt;https://michaelprior.org&lt;/a&gt;&lt;/div&gt;
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&lt;br /&gt;&lt;/div&gt;
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Bernhard Sachs&lt;/div&gt;
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Block Project Gallery&lt;/div&gt;
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&lt;a href="https://blockprojectsgallery.com/bernhard-sachs-bio"&gt;https://blockprojectsgallery.com/bernhard-sachs-bio&lt;/a&gt;&lt;/div&gt;
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&lt;br /&gt;&lt;/div&gt;
&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;; font-size: 12px; font-stretch: normal; line-height: normal;"&gt;
Jeremy Eaton&lt;/div&gt;
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Some thoughts on cinema, dancing men&lt;/div&gt;
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&lt;a href="https://busprojects.org.au/program/some-thoughts-on-cinema-dancing-men"&gt;https://busprojects.org.au/program/some-thoughts-on-cinema-dancing-men&lt;/a&gt;&lt;/div&gt;
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&lt;br /&gt;&lt;/div&gt;
&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;; font-size: 12px; font-stretch: normal; line-height: normal;"&gt;
Ebony Truscott&lt;/div&gt;
&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;; font-size: 12px; font-stretch: normal; line-height: normal;"&gt;
A Brick in Mid-Air&amp;nbsp;&lt;/div&gt;
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&lt;a href="https://busprojects.org.au/program/a-brick-in-mid-air"&gt;https://busprojects.org.au/program/a-brick-in-mid-air&lt;/a&gt;&lt;/div&gt;
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&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;; font-size: 12px; font-stretch: normal; line-height: normal;"&gt;
Dale Frank&lt;/div&gt;
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&lt;a href="https://neonparc.com.au/artists/dale-frank"&gt;https://neonparc.com.au/artists/dale-frank&lt;/a&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;br /&gt;</description><enclosure length="0" type="audio/mpeg" url="https://archive.org/download/061319/06_13_19.mp3"/><link>https://threebellybuttonspodcast.blogspot.com/2019/06/20-peter-aldrich-and-natalie-trofimiuk.html</link><thr:total>0</thr:total><author>threebellybuttonspodcast@gmail.com (three bellybuttons podcast)</author><itunes:explicit>no</itunes:explicit><itunes:subtitle>A Melbourne-based artist couple: Peter Aldrich (painter and drawer) and Natalie Trofimiuk (print and drawer), are alert to the contemporary art exhibitions in town and nation wide. The number of the art exhibitions that they have seen in last month are so impressive and enviable for many artists, including me. In this episode, they shared their rich knowledge about some recent exhibitions in Melbourne, such as, Ry David Bradley's 500 years at Tristian Koenig; Prima Materia at Bundoora Homestead Art Centre; Jeremy Eaton and Ebony Truscott's exhibitions at Bus Projects, and more. Also, please remember to check out Natalie's upcoming exhibition in Trocadero Art Space in November. Please enjoy! Episode notes: Ry David Bradley 500 Years : http://tristiankoenig.com/500-years.html http://tristiankoenig.com/current.html Gerhard Richter The life of images https://www.qagoma.qld.gov.au/whats-on/exhibitions/gerhard-richter Polly Borland Polyverse https://www.ngv.vic.gov.au/media_release/polly-borland-polyverse/ Prima Materia May 11- July 7, 2019 http://www.bundoorahomestead.com/exhibition/prima-materia-2/ Zilverster http://www.zilverster.com Michael GF Prior https://michaelprior.org Bernhard Sachs Block Project Gallery https://blockprojectsgallery.com/bernhard-sachs-bio Jeremy Eaton Some thoughts on cinema, dancing men https://busprojects.org.au/program/some-thoughts-on-cinema-dancing-men Ebony Truscott A Brick in Mid-Air&amp;nbsp; https://busprojects.org.au/program/a-brick-in-mid-air Dale Frank https://neonparc.com.au/artists/dale-frank</itunes:subtitle><itunes:author>threebellybuttonspodcast@gmail.com (three bellybuttons podcast)</itunes:author><itunes:summary>A Melbourne-based artist couple: Peter Aldrich (painter and drawer) and Natalie Trofimiuk (print and drawer), are alert to the contemporary art exhibitions in town and nation wide. The number of the art exhibitions that they have seen in last month are so impressive and enviable for many artists, including me. In this episode, they shared their rich knowledge about some recent exhibitions in Melbourne, such as, Ry David Bradley's 500 years at Tristian Koenig; Prima Materia at Bundoora Homestead Art Centre; Jeremy Eaton and Ebony Truscott's exhibitions at Bus Projects, and more. Also, please remember to check out Natalie's upcoming exhibition in Trocadero Art Space in November. Please enjoy! Episode notes: Ry David Bradley 500 Years : http://tristiankoenig.com/500-years.html http://tristiankoenig.com/current.html Gerhard Richter The life of images https://www.qagoma.qld.gov.au/whats-on/exhibitions/gerhard-richter Polly Borland Polyverse https://www.ngv.vic.gov.au/media_release/polly-borland-polyverse/ Prima Materia May 11- July 7, 2019 http://www.bundoorahomestead.com/exhibition/prima-materia-2/ Zilverster http://www.zilverster.com Michael GF Prior https://michaelprior.org Bernhard Sachs Block Project Gallery https://blockprojectsgallery.com/bernhard-sachs-bio Jeremy Eaton Some thoughts on cinema, dancing men https://busprojects.org.au/program/some-thoughts-on-cinema-dancing-men Ebony Truscott A Brick in Mid-Air&amp;nbsp; https://busprojects.org.au/program/a-brick-in-mid-air Dale Frank https://neonparc.com.au/artists/dale-frank</itunes:summary><itunes:keywords>Australian,art,contemporary,art,art,events,visual,art,exhibitions,art,reviews</itunes:keywords></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-6177737169617929692.post-7665774127229244093</guid><pubDate>Thu, 25 Apr 2019 13:34:00 +0000</pubDate><atom:updated>2019-04-25T16:19:52.384-07:00</atom:updated><title>19, the practice and art merchandise, with Sanja Pahoki and Vivian Cooper Smith</title><description>&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;; font-size: 12px; font-stretch: normal; line-height: normal;"&gt;
In this episode, two Melbourne-based photographers, Sanja Pahoki and Vivian Cooper Smith shared their thoughts over three past visual art exhibitions in Melbourne. In the conversation, they did not only bring the visual of the works they saw in the exhibitions, but also opened the discussion in regarding to the practice of visual art, photography practice and art merchandise. For me, it was an utterly fun and thoughtful experience of chatting with them. I hope it is an enjoyable and inspiring episode to you, the listeners too.&amp;nbsp;&lt;/div&gt;
&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;; font-size: 12px; font-stretch: normal; line-height: normal; min-height: 14px;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;; font-size: 12px; font-stretch: normal; line-height: normal;"&gt;
Two speakers:&lt;/div&gt;
&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;; font-size: 12px; font-stretch: normal; line-height: normal;"&gt;
Sanja Pahoki&lt;/div&gt;
&lt;div style="color: #dca10d; font-family: &amp;quot;Helvetica Neue&amp;quot;; font-size: 12px; font-stretch: normal; line-height: normal;"&gt;
&lt;a href="https://www.sanjapahoki.com/"&gt;https://www.sanjapahoki.com/&lt;/a&gt;&lt;/div&gt;
&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;; font-size: 12px; font-stretch: normal; line-height: normal; min-height: 14px;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;; font-size: 12px; font-stretch: normal; line-height: normal;"&gt;
Vivian Cooper Smith&lt;/div&gt;
&lt;div style="color: #dca10d; font-family: &amp;quot;Helvetica Neue&amp;quot;; font-size: 12px; font-stretch: normal; line-height: normal;"&gt;
&lt;a href="https://viviancoopersmith.com/"&gt;https://viviancoopersmith.com&lt;/a&gt;&lt;/div&gt;
&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;; font-size: 12px; font-stretch: normal; line-height: normal; min-height: 14px;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;; font-size: 12px; font-stretch: normal; line-height: normal;"&gt;
The exhibitions seen by Vivian&lt;/div&gt;
&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;; font-size: 12px; font-stretch: normal; line-height: normal;"&gt;
"After L'Été"&lt;/div&gt;
&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;; font-size: 12px; font-stretch: normal; line-height: normal;"&gt;
Eleanor Louise Butt&lt;/div&gt;
&lt;div style="color: #dca10d; font-family: &amp;quot;Helvetica Neue&amp;quot;; font-size: 12px; font-stretch: normal; line-height: normal;"&gt;
&lt;a href="https://busprojects.org.au/program/after-l-ete"&gt;https://busprojects.org.au/program/after-l-ete&lt;/a&gt;&lt;/div&gt;
&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;; font-size: 12px; font-stretch: normal; line-height: normal; min-height: 14px;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;; font-size: 12px; font-stretch: normal; line-height: normal;"&gt;
Nicholas Thompson Gallery&lt;/div&gt;
&lt;div style="color: #dca10d; font-family: &amp;quot;Helvetica Neue&amp;quot;; font-size: 12px; font-stretch: normal; line-height: normal;"&gt;
&lt;a href="https://www.nicholasthompsongallery.com.au/publications/"&gt;https://www.nicholasthompsongallery.com.au/publications/&lt;/a&gt;&lt;/div&gt;
&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;; font-size: 12px; font-stretch: normal; line-height: normal;"&gt;
Alun Elach -Jones&lt;/div&gt;
&lt;div style="color: #dca10d; font-family: &amp;quot;Helvetica Neue&amp;quot;; font-size: 12px; font-stretch: normal; line-height: normal;"&gt;
&lt;a href="https://en.wikipedia.org/wiki/Alun_Leach-Jones"&gt;https://en.wikipedia.org/wiki/Alun_Leach-Jones&lt;/a&gt;&lt;/div&gt;
&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;; font-size: 12px; font-stretch: normal; line-height: normal; min-height: 14px;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;; font-size: 12px; font-stretch: normal; line-height: normal;"&gt;
The exhibitions seen by Sanja:&lt;/div&gt;
&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;; font-size: 12px; font-stretch: normal; line-height: normal;"&gt;
Concept Store&lt;/div&gt;
&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;; font-size: 12px; font-stretch: normal; line-height: normal;"&gt;
Photography 3rd year student exhibition&lt;/div&gt;
&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;; font-size: 12px; font-stretch: normal; line-height: normal;"&gt;
Artspace in VCA&lt;/div&gt;
&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;; font-size: 12px; font-stretch: normal; line-height: normal; min-height: 14px;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;; font-size: 12px; font-stretch: normal; line-height: normal;"&gt;
Daren Sylvester&lt;/div&gt;
&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;; font-size: 12px; font-stretch: normal; line-height: normal;"&gt;
https://www.ngv.vic.gov.au/exhibition/darren-sylvester/&lt;/div&gt;
&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;; font-size: 12px; font-stretch: normal; line-height: normal; min-height: 14px;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;; font-size: 12px; font-stretch: normal; line-height: normal;"&gt;
Red Bubble&lt;/div&gt;
&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;; font-size: 12px; font-stretch: normal; line-height: normal;"&gt;
https://www.redbubble.com&lt;/div&gt;
&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;; font-size: 12px; font-stretch: normal; line-height: normal; min-height: 14px;"&gt;
&lt;br /&gt;
Vivian's upcoming exhibition titled &lt;i&gt;The Stranger &lt;/i&gt;opens&lt;br /&gt;
30/4 - 25/5; opening 2-4pm Sat 4/5&lt;/div&gt;
&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;; font-size: 12px; font-stretch: normal; line-height: normal;"&gt;
Blockprojects gallery&lt;/div&gt;
&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;; font-size: 12px; font-stretch: normal; line-height: normal;"&gt;
https://blockprojectsgallery.com/exhibitions&lt;/div&gt;
&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;; font-size: 12px; font-stretch: normal; line-height: normal; min-height: 14px;"&gt;
&lt;br /&gt;&lt;/div&gt;
The TV show recommended by Sanja:&lt;br /&gt;
&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;; font-size: 12px; font-stretch: normal; line-height: normal;"&gt;
Pen15 on Stan.TV&lt;/div&gt;
&lt;div&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div&gt;
The lunch with Sanja and Vivian: vegetarian dumplings and two simple stir-fries.&amp;nbsp;&lt;/div&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj6jXr6UNO3TFnBjns6LbV5D3unLs7jqnvbc6uF2J0B929mB58llnj_2-luFVzwzf-lkSYzf27o7s-dGP6WvqcaUEpF5J9VP2i4UI0Q9Q-o2GwIp7-HhBLAWHfJAo4uahXBrYNnVdFeI-Bj/s1600/IMG_4950.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" data-original-height="1200" data-original-width="1600" height="240" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj6jXr6UNO3TFnBjns6LbV5D3unLs7jqnvbc6uF2J0B929mB58llnj_2-luFVzwzf-lkSYzf27o7s-dGP6WvqcaUEpF5J9VP2i4UI0Q9Q-o2GwIp7-HhBLAWHfJAo4uahXBrYNnVdFeI-Bj/s320/IMG_4950.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;div&gt;
&lt;br /&gt;&lt;/div&gt;
</description><enclosure length="0" type="audio/mpeg" url="https://archive.org/download/042219Final/04_22_19_final.mp3"/><link>https://threebellybuttonspodcast.blogspot.com/2019/04/19-practice-and-art-merchandise-with.html</link><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" height="72" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj6jXr6UNO3TFnBjns6LbV5D3unLs7jqnvbc6uF2J0B929mB58llnj_2-luFVzwzf-lkSYzf27o7s-dGP6WvqcaUEpF5J9VP2i4UI0Q9Q-o2GwIp7-HhBLAWHfJAo4uahXBrYNnVdFeI-Bj/s72-c/IMG_4950.jpg" width="72"/><thr:total>3</thr:total><author>threebellybuttonspodcast@gmail.com (three bellybuttons podcast)</author><itunes:explicit>no</itunes:explicit><itunes:subtitle>In this episode, two Melbourne-based photographers, Sanja Pahoki and Vivian Cooper Smith shared their thoughts over three past visual art exhibitions in Melbourne. In the conversation, they did not only bring the visual of the works they saw in the exhibitions, but also opened the discussion in regarding to the practice of visual art, photography practice and art merchandise. For me, it was an utterly fun and thoughtful experience of chatting with them. I hope it is an enjoyable and inspiring episode to you, the listeners too.&amp;nbsp; Two speakers: Sanja Pahoki https://www.sanjapahoki.com/ Vivian Cooper Smith https://viviancoopersmith.com The exhibitions seen by Vivian "After L'Été" Eleanor Louise Butt https://busprojects.org.au/program/after-l-ete Nicholas Thompson Gallery https://www.nicholasthompsongallery.com.au/publications/ Alun Elach -Jones https://en.wikipedia.org/wiki/Alun_Leach-Jones The exhibitions seen by Sanja: Concept Store Photography 3rd year student exhibition Artspace in VCA Daren Sylvester https://www.ngv.vic.gov.au/exhibition/darren-sylvester/ Red Bubble https://www.redbubble.com Vivian's upcoming exhibition titled The Stranger opens 30/4 - 25/5; opening 2-4pm Sat 4/5 Blockprojects gallery https://blockprojectsgallery.com/exhibitions The TV show recommended by Sanja: Pen15 on Stan.TV The lunch with Sanja and Vivian: vegetarian dumplings and two simple stir-fries.&amp;nbsp;</itunes:subtitle><itunes:author>threebellybuttonspodcast@gmail.com (three bellybuttons podcast)</itunes:author><itunes:summary>In this episode, two Melbourne-based photographers, Sanja Pahoki and Vivian Cooper Smith shared their thoughts over three past visual art exhibitions in Melbourne. In the conversation, they did not only bring the visual of the works they saw in the exhibitions, but also opened the discussion in regarding to the practice of visual art, photography practice and art merchandise. For me, it was an utterly fun and thoughtful experience of chatting with them. I hope it is an enjoyable and inspiring episode to you, the listeners too.&amp;nbsp; Two speakers: Sanja Pahoki https://www.sanjapahoki.com/ Vivian Cooper Smith https://viviancoopersmith.com The exhibitions seen by Vivian "After L'Été" Eleanor Louise Butt https://busprojects.org.au/program/after-l-ete Nicholas Thompson Gallery https://www.nicholasthompsongallery.com.au/publications/ Alun Elach -Jones https://en.wikipedia.org/wiki/Alun_Leach-Jones The exhibitions seen by Sanja: Concept Store Photography 3rd year student exhibition Artspace in VCA Daren Sylvester https://www.ngv.vic.gov.au/exhibition/darren-sylvester/ Red Bubble https://www.redbubble.com Vivian's upcoming exhibition titled The Stranger opens 30/4 - 25/5; opening 2-4pm Sat 4/5 Blockprojects gallery https://blockprojectsgallery.com/exhibitions The TV show recommended by Sanja: Pen15 on Stan.TV The lunch with Sanja and Vivian: vegetarian dumplings and two simple stir-fries.&amp;nbsp;</itunes:summary><itunes:keywords>Australian,art,contemporary,art,art,events,visual,art,exhibitions,art,reviews</itunes:keywords></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-6177737169617929692.post-6764802921879658741</guid><pubDate>Sat, 02 Mar 2019 21:05:00 +0000</pubDate><atom:updated>2019-03-04T02:26:37.068-08:00</atom:updated><title>18, An art trip in LA and MCA Art Bar event by Ka-yin Kwok and Walter Bakowski</title><description>&lt;span style="background-color: white;"&gt;&lt;span style="color: #333333; font-family: &amp;quot;helvetica neue&amp;quot; , &amp;quot;helvetica&amp;quot; , &amp;quot;arial&amp;quot; , sans-serif;"&gt;&lt;span style="font-size: 14px;"&gt;This is the very first episode of 2019. In this episode, two Melbourne based artists: Ka-yin Kwok and Walter Bakowski shared their memorable art experiences obtained during the time towards the end of last year 2018. &amp;nbsp;Ka-Yin talked about her art trip to LA, USA that she did in November 2018. In particular, Ka-yin discovered amazing works in the exhibition "Adrian Piper: Concepts and&amp;nbsp;Intuitions&amp;nbsp; 1965-2016" at Hammer Museum, UCLA.&amp;nbsp;Whereas, Walter, told us about their experience of participating in MCA Art Bar event during Primavera&amp;nbsp;exhibition. Walter raised concerns about this particular politically charged&amp;nbsp;entertaining event. Please enjoy to listen.&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style="background-color: white;"&gt;&lt;span style="color: #333333; font-family: &amp;quot;helvetica neue&amp;quot; , &amp;quot;helvetica&amp;quot; , &amp;quot;arial&amp;quot; , sans-serif;"&gt;&lt;span style="font-size: 14px;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;
&lt;br /&gt;
&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;; font-size: 12px; font-stretch: normal; line-height: normal;"&gt;
Speakers:&lt;/div&gt;
&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;; font-size: 12px; font-stretch: normal; line-height: normal;"&gt;
Walter Bakowski&lt;/div&gt;
&lt;div style="color: #dca10d; font-family: &amp;quot;Helvetica Neue&amp;quot;; font-size: 12px; font-stretch: normal; line-height: normal;"&gt;
&lt;a href="https://www.walterbakowski.com/"&gt;https://www.walterbakowski.com&lt;/a&gt;&lt;/div&gt;
&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;; font-size: 12px; font-stretch: normal; line-height: normal;"&gt;
Ka-yin Kwok&lt;/div&gt;
&lt;div style="color: #dca10d; font-family: &amp;quot;Helvetica Neue&amp;quot;; font-size: 12px; font-stretch: normal; line-height: normal;"&gt;
&lt;a href="http://kayinkwok.com/"&gt;http://kayinkwok.com&lt;/a&gt;&lt;/div&gt;
&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;; font-size: 12px; font-stretch: normal; line-height: normal; min-height: 14px;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;; font-size: 12px; font-stretch: normal; line-height: normal;"&gt;
The links from Ka-Yin’s talk:&lt;/div&gt;
&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;; font-size: 12px; font-stretch: normal; line-height: normal; min-height: 14px;"&gt;
Los Angeles plays itself, by Thom Andersen&lt;/div&gt;
&lt;div style="color: #dca10d; font-family: &amp;quot;Helvetica Neue&amp;quot;; font-size: 12px; font-stretch: normal; line-height: normal;"&gt;
&lt;a href="https://www.youtube.com/watch?v=Ifii8LvR-ss"&gt;https://www.youtube.com/watch?v=Ifii8LvR-ss&lt;/a&gt;&lt;/div&gt;
&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;; font-size: 12px; font-stretch: normal; line-height: normal;"&gt;
&lt;a href="https://www.imdb.com/title/tt0379357/"&gt;https://www.imdb.com/title/tt0379357/&lt;/a&gt;&lt;/div&gt;
&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;; font-size: 12px; font-stretch: normal; line-height: normal; min-height: 14px;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;; font-size: 12px; font-stretch: normal; line-height: normal;"&gt;
LACMA&lt;/div&gt;
&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;; font-size: 12px; font-stretch: normal; line-height: normal;"&gt;
&lt;a href="https://www.lacma.org/"&gt;https://www.lacma.org&lt;/a&gt;&lt;/div&gt;
&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;; font-size: 12px; font-stretch: normal; line-height: normal; min-height: 14px;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;; font-size: 12px; font-stretch: normal; line-height: normal;"&gt;
Getty Museum&amp;nbsp;&lt;/div&gt;
&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;; font-size: 12px; font-stretch: normal; line-height: normal;"&gt;
&lt;a href="http://www.getty.edu/"&gt;http://www.getty.edu&lt;/a&gt;&lt;/div&gt;
&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;; font-size: 12px; font-stretch: normal; line-height: normal; min-height: 14px;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;; font-size: 12px; font-stretch: normal; line-height: normal;"&gt;
The Broad&amp;nbsp;&lt;/div&gt;
&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;; font-size: 12px; font-stretch: normal; line-height: normal;"&gt;
&lt;a href="https://www.thebroad.org/"&gt;https://www.thebroad.org&lt;/a&gt;&lt;/div&gt;
&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;; font-size: 12px; font-stretch: normal; line-height: normal; min-height: 14px;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;; font-size: 12px; font-stretch: normal; line-height: normal;"&gt;
Hauser &amp;amp; Wirth&lt;/div&gt;
&lt;div style="color: #dca10d; font-family: &amp;quot;Helvetica Neue&amp;quot;; font-size: 12px; font-stretch: normal; line-height: normal;"&gt;
&lt;a href="https://www.hauserwirth.com/"&gt;https://www.hauserwirth.com&lt;/a&gt;&lt;/div&gt;
&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;; font-size: 12px; font-stretch: normal; line-height: normal; min-height: 14px;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;; font-size: 12px; font-stretch: normal; line-height: normal;"&gt;
Echo park&lt;/div&gt;
&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;; font-size: 12px; font-stretch: normal; line-height: normal;"&gt;
Chris Kraus Essay&amp;nbsp;&lt;/div&gt;
&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;; font-size: 12px; font-stretch: normal; line-height: normal;"&gt;
&lt;a href="http://semiotexte.com/?page_id=139"&gt;http://semiotexte.com/?page_id=139&lt;/a&gt;&lt;/div&gt;
&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;; font-size: 12px; font-stretch: normal; line-height: normal; min-height: 14px;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;; font-size: 12px; font-stretch: normal; line-height: normal;"&gt;
Hammer Museum, UCLA&lt;/div&gt;
&lt;div style="color: #dca10d; font-family: &amp;quot;Helvetica Neue&amp;quot;; font-size: 12px; font-stretch: normal; line-height: normal;"&gt;
&lt;a href="https://hammer.ucla.edu/exhibitions/2018/adrian-piper-concepts-and-intuitions-1965-2016/"&gt;https://hammer.ucla.edu/exhibitions/2018/adrian-piper-concepts-and-intuitions-1965-2016/&lt;/a&gt;&lt;/div&gt;
&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;; font-size: 12px; font-stretch: normal; line-height: normal;"&gt;
Adrian Piper: Concepts and Intuitions, 1965-2016&lt;/div&gt;
&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;; font-size: 12px; font-stretch: normal; line-height: normal; min-height: 14px;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;; font-size: 12px; font-stretch: normal; line-height: normal;"&gt;
Cornered, 1988&lt;/div&gt;
&lt;div style="color: #dca10d; font-family: &amp;quot;Helvetica Neue&amp;quot;; font-size: 12px; font-stretch: normal; line-height: normal;"&gt;
&lt;a href="https://mcachicago.org/Collection/Items/1988/Adrian-Piper-Cornered-1988"&gt;https://mcachicago.org/Collection/Items/1988/Adrian-Piper-Cornered-1988&lt;/a&gt;&lt;/div&gt;
&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;; font-size: 12px; font-stretch: normal; line-height: normal; min-height: 14px;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;; font-size: 12px; font-stretch: normal; line-height: normal;"&gt;
Calling cards&lt;/div&gt;
&lt;div style="color: #dca10d; font-family: &amp;quot;Helvetica Neue&amp;quot;; font-size: 12px; font-stretch: normal; line-height: normal;"&gt;
&lt;a href="https://adrianpiper.weebly.com/my-calling-card-1986-1990.html"&gt;https://adrianpiper.weebly.com/my-calling-card-1986-1990.html&lt;/a&gt;&lt;/div&gt;
&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;; font-size: 12px; font-stretch: normal; line-height: normal; min-height: 14px;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;; font-size: 12px; font-stretch: normal; line-height: normal;"&gt;
Funk Lessons 1986-1994&lt;/div&gt;
&lt;div style="color: #dca10d; font-family: &amp;quot;Helvetica Neue&amp;quot;; font-size: 12px; font-stretch: normal; line-height: normal;"&gt;
&lt;a href="http://www.adrianpiper.com/vs/video_fl.shtml"&gt;http://www.adrianpiper.com/vs/video_fl.shtml&lt;/a&gt;&lt;/div&gt;
&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;; font-size: 12px; font-stretch: normal; line-height: normal; min-height: 14px;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;; font-size: 12px; font-stretch: normal; line-height: normal;"&gt;
The Links from Walter’s talk&lt;/div&gt;
&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;; font-size: 12px; font-stretch: normal; line-height: normal;"&gt;
Primavera 2018 MCA&lt;/div&gt;
&lt;div style="color: #dca10d; font-family: &amp;quot;Helvetica Neue&amp;quot;; font-size: 12px; font-stretch: normal; line-height: normal;"&gt;
&lt;a href="https://www.mca.com.au/artists-works/exhibitions/primavera-2018/"&gt;https://www.mca.com.au/artists-works/exhibitions/primavera-2018/&lt;/a&gt;&lt;/div&gt;
&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;; font-size: 12px; font-stretch: normal; line-height: normal; min-height: 14px;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;; font-size: 12px; font-stretch: normal; line-height: normal;"&gt;
Hoda Afshar&lt;/div&gt;
&lt;div style="color: #dca10d; font-family: &amp;quot;Helvetica Neue&amp;quot;; font-size: 12px; font-stretch: normal; line-height: normal;"&gt;
&lt;a href="https://www.hodaafshar.com/"&gt;https://www.hodaafshar.com&lt;/a&gt;&lt;/div&gt;
&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;; font-size: 12px; font-stretch: normal; line-height: normal;"&gt;
&lt;br /&gt;
&lt;br /&gt;&lt;/div&gt;
</description><enclosure length="0" type="audio/mpeg" url="https://archive.org/download/threebellybuttonspodcast_gmail_0119/01_19.mp3"/><link>https://threebellybuttonspodcast.blogspot.com/2019/03/an-art-trip-in-la-and-mca-art-bar-event.html</link><thr:total>0</thr:total><author>threebellybuttonspodcast@gmail.com (three bellybuttons podcast)</author><itunes:explicit>no</itunes:explicit><itunes:subtitle>This is the very first episode of 2019. In this episode, two Melbourne based artists: Ka-yin Kwok and Walter Bakowski shared their memorable art experiences obtained during the time towards the end of last year 2018. &amp;nbsp;Ka-Yin talked about her art trip to LA, USA that she did in November 2018. In particular, Ka-yin discovered amazing works in the exhibition "Adrian Piper: Concepts and&amp;nbsp;Intuitions&amp;nbsp; 1965-2016" at Hammer Museum, UCLA.&amp;nbsp;Whereas, Walter, told us about their experience of participating in MCA Art Bar event during Primavera&amp;nbsp;exhibition. Walter raised concerns about this particular politically charged&amp;nbsp;entertaining event. Please enjoy to listen.&amp;nbsp; Speakers: Walter Bakowski https://www.walterbakowski.com Ka-yin Kwok http://kayinkwok.com The links from Ka-Yin’s talk: Los Angeles plays itself, by Thom Andersen https://www.youtube.com/watch?v=Ifii8LvR-ss https://www.imdb.com/title/tt0379357/ LACMA https://www.lacma.org Getty Museum&amp;nbsp; http://www.getty.edu The Broad&amp;nbsp; https://www.thebroad.org Hauser &amp;amp; Wirth https://www.hauserwirth.com Echo park Chris Kraus Essay&amp;nbsp; http://semiotexte.com/?page_id=139 Hammer Museum, UCLA https://hammer.ucla.edu/exhibitions/2018/adrian-piper-concepts-and-intuitions-1965-2016/ Adrian Piper: Concepts and Intuitions, 1965-2016 Cornered, 1988 https://mcachicago.org/Collection/Items/1988/Adrian-Piper-Cornered-1988 Calling cards https://adrianpiper.weebly.com/my-calling-card-1986-1990.html Funk Lessons 1986-1994 http://www.adrianpiper.com/vs/video_fl.shtml The Links from Walter’s talk Primavera 2018 MCA https://www.mca.com.au/artists-works/exhibitions/primavera-2018/ Hoda Afshar https://www.hodaafshar.com</itunes:subtitle><itunes:author>threebellybuttonspodcast@gmail.com (three bellybuttons podcast)</itunes:author><itunes:summary>This is the very first episode of 2019. In this episode, two Melbourne based artists: Ka-yin Kwok and Walter Bakowski shared their memorable art experiences obtained during the time towards the end of last year 2018. &amp;nbsp;Ka-Yin talked about her art trip to LA, USA that she did in November 2018. In particular, Ka-yin discovered amazing works in the exhibition "Adrian Piper: Concepts and&amp;nbsp;Intuitions&amp;nbsp; 1965-2016" at Hammer Museum, UCLA.&amp;nbsp;Whereas, Walter, told us about their experience of participating in MCA Art Bar event during Primavera&amp;nbsp;exhibition. Walter raised concerns about this particular politically charged&amp;nbsp;entertaining event. Please enjoy to listen.&amp;nbsp; Speakers: Walter Bakowski https://www.walterbakowski.com Ka-yin Kwok http://kayinkwok.com The links from Ka-Yin’s talk: Los Angeles plays itself, by Thom Andersen https://www.youtube.com/watch?v=Ifii8LvR-ss https://www.imdb.com/title/tt0379357/ LACMA https://www.lacma.org Getty Museum&amp;nbsp; http://www.getty.edu The Broad&amp;nbsp; https://www.thebroad.org Hauser &amp;amp; Wirth https://www.hauserwirth.com Echo park Chris Kraus Essay&amp;nbsp; http://semiotexte.com/?page_id=139 Hammer Museum, UCLA https://hammer.ucla.edu/exhibitions/2018/adrian-piper-concepts-and-intuitions-1965-2016/ Adrian Piper: Concepts and Intuitions, 1965-2016 Cornered, 1988 https://mcachicago.org/Collection/Items/1988/Adrian-Piper-Cornered-1988 Calling cards https://adrianpiper.weebly.com/my-calling-card-1986-1990.html Funk Lessons 1986-1994 http://www.adrianpiper.com/vs/video_fl.shtml The Links from Walter’s talk Primavera 2018 MCA https://www.mca.com.au/artists-works/exhibitions/primavera-2018/ Hoda Afshar https://www.hodaafshar.com</itunes:summary><itunes:keywords>Australian,art,contemporary,art,art,events,visual,art,exhibitions,art,reviews</itunes:keywords></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-6177737169617929692.post-3515386981541827066</guid><pubDate>Sat, 29 Dec 2018 20:02:00 +0000</pubDate><atom:updated>2018-12-29T12:02:23.676-08:00</atom:updated><title>17, Janelle Koh &amp; Hugh Davies - 'Catastrophe &amp; the Power of Art' at Mori Art Museum &amp; ATP9</title><description>Two speakers, Janelle Koh, a law student who enjoys writing about arts, and Hugh Davies, a senior researcher in games and an artist, joined me and shared their individual experiences of visiting Mori Art Museum in Japan. Janelle vividly described her favourite works in the current exhibition titled 'Catastrophe and the Power of Art'. Whereas, Hugh shared some history of Mori and another exhibition he saw last year there. Hugh also told us about his swift visit to APT9, which is currently showing at Queensland Art Gallery/Gallery of Modern Art till 28/4/2019. &lt;br /&gt;
&lt;br /&gt;
Two speakers:&lt;br /&gt;
Janelle Koh&lt;br /&gt;
Hugh Davies -&amp;nbsp;https://www.rmit.edu.au/contact/staff-contacts/academic-staff/d/davies-dr-hugh&lt;br /&gt;
&lt;br /&gt;
The exhibition, the artworks and artists mentioned by Janelle:&lt;br /&gt;
&lt;br /&gt;
Mori Art Museum&lt;br /&gt;
&lt;a href="https://www.mori.art.museum/en/about/index.html" style="font-family: &amp;quot;Helvetica Neue&amp;quot;; font-size: 12px;"&gt;https://www.mori.art.museum/en/about/index.html&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
'Catastrophe and The Power of art'&lt;br /&gt;
currently showing to 20/1/2019&lt;br /&gt;
https://www.mori.art.museum/en/exhibitions/index.html&lt;br /&gt;
&lt;br /&gt;
Miroslaw Balka - artist&lt;br /&gt;
'Soap Corridor'&lt;br /&gt;
&lt;a href="http://miroslaw-balka.com/en/" style="font-family: &amp;quot;Helvetica Neue&amp;quot;; font-size: 12px;"&gt;http://miroslaw-balka.com/en/&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
Huang Hai Hsin - artist&lt;br /&gt;
'Swan Lake'&lt;br /&gt;
&lt;a href="http://www.haihsinhuang.com/new-gallery-1/" style="font-family: &amp;quot;Helvetica Neue&amp;quot;; font-size: 12px;"&gt;http://www.haihsinhuang.com/new-gallery-1/&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
Takeda Shimpei - artist&lt;br /&gt;
the 'Trace' series&lt;br /&gt;
http://www.shimpeitakeda.com&lt;br /&gt;
&lt;br /&gt;
Hirakawa Kota - artist&lt;br /&gt;
'Black color timer'&lt;br /&gt;
&lt;a href="http://www.hiwak.net/projects/" style="font-family: &amp;quot;Helvetica Neue&amp;quot;; font-size: 12px;"&gt;http://www.hiwak.net/projects/&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
Katerina Šedá&lt;br /&gt;
'It doesn't matter'&lt;br /&gt;
&lt;a href="http://www.katerinaseda.cz/en/" style="font-family: &amp;quot;Helvetica Neue&amp;quot;; font-size: 12px;"&gt;http://www.katerinaseda.cz/en/&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
The exhibition talked by Hugh:&lt;br /&gt;
APT9&lt;br /&gt;
&lt;a href="https://www.qagoma.qld.gov.au/whats-on/exhibitions/the-9th-asia-pacific-triennial-of-contemporary-art-apt9" style="font-family: &amp;quot;Helvetica Neue&amp;quot;; font-size: 12px;"&gt;https://www.qagoma.qld.gov.au/whats-on/exhibitions/the-9th-asia-pacific-triennial-of-contemporary-art-apt9&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
Sunshower: Contemporary Art from Southeast Asia 1980s to Now - &amp;nbsp;5/7/2017 - 23/10/2017&lt;br /&gt;
Mori Art Museum&lt;br /&gt;
&lt;div style="color: #dca10d; font-family: &amp;quot;Helvetica Neue&amp;quot;; font-size: 12px; font-stretch: normal; line-height: normal;"&gt;
&lt;a href="https://www.mori.art.museum/en/exhibitions/sunshower2017/"&gt;https://www.mori.art.museum/en/exhibitions/sunshower2017/&lt;/a&gt;&lt;/div&gt;
&lt;div style="color: #dca10d; font-family: &amp;quot;Helvetica Neue&amp;quot;; font-size: 12px; font-stretch: normal; line-height: normal;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style="color: #dca10d; font-family: &amp;quot;Helvetica Neue&amp;quot;; font-size: 12px; font-stretch: normal; line-height: normal;"&gt;
&lt;/div&gt;
&lt;div style="color: #dca10d; font-family: &amp;quot;Helvetica Neue&amp;quot;; font-size: 12px; font-stretch: normal; line-height: normal;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style="color: #dca10d; font-family: &amp;quot;Helvetica Neue&amp;quot;; font-size: 12px; font-stretch: normal; line-height: normal;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;div style="color: #dca10d; font-family: &amp;quot;Helvetica Neue&amp;quot;; font-size: 12px; font-stretch: normal; line-height: normal;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;br /&gt;</description><enclosure length="0" type="audio/mpeg" url="https://archive.org/download/DR00000016/DR0000_0016.mp3"/><link>https://threebellybuttonspodcast.blogspot.com/2018/12/17-janelle-koh-hugh-davies-catastrophe.html</link><thr:total>0</thr:total><author>threebellybuttonspodcast@gmail.com (three bellybuttons podcast)</author><itunes:explicit>no</itunes:explicit><itunes:subtitle>Two speakers, Janelle Koh, a law student who enjoys writing about arts, and Hugh Davies, a senior researcher in games and an artist, joined me and shared their individual experiences of visiting Mori Art Museum in Japan. Janelle vividly described her favourite works in the current exhibition titled 'Catastrophe and the Power of Art'. Whereas, Hugh shared some history of Mori and another exhibition he saw last year there. Hugh also told us about his swift visit to APT9, which is currently showing at Queensland Art Gallery/Gallery of Modern Art till 28/4/2019. Two speakers: Janelle Koh Hugh Davies -&amp;nbsp;https://www.rmit.edu.au/contact/staff-contacts/academic-staff/d/davies-dr-hugh The exhibition, the artworks and artists mentioned by Janelle: Mori Art Museum https://www.mori.art.museum/en/about/index.html 'Catastrophe and The Power of art' currently showing to 20/1/2019 https://www.mori.art.museum/en/exhibitions/index.html Miroslaw Balka - artist 'Soap Corridor' http://miroslaw-balka.com/en/ Huang Hai Hsin - artist 'Swan Lake' http://www.haihsinhuang.com/new-gallery-1/ Takeda Shimpei - artist the 'Trace' series http://www.shimpeitakeda.com Hirakawa Kota - artist 'Black color timer' http://www.hiwak.net/projects/ Katerina Šedá 'It doesn't matter' http://www.katerinaseda.cz/en/ The exhibition talked by Hugh: APT9 https://www.qagoma.qld.gov.au/whats-on/exhibitions/the-9th-asia-pacific-triennial-of-contemporary-art-apt9 Sunshower: Contemporary Art from Southeast Asia 1980s to Now - &amp;nbsp;5/7/2017 - 23/10/2017 Mori Art Museum https://www.mori.art.museum/en/exhibitions/sunshower2017/</itunes:subtitle><itunes:author>threebellybuttonspodcast@gmail.com (three bellybuttons podcast)</itunes:author><itunes:summary>Two speakers, Janelle Koh, a law student who enjoys writing about arts, and Hugh Davies, a senior researcher in games and an artist, joined me and shared their individual experiences of visiting Mori Art Museum in Japan. Janelle vividly described her favourite works in the current exhibition titled 'Catastrophe and the Power of Art'. Whereas, Hugh shared some history of Mori and another exhibition he saw last year there. Hugh also told us about his swift visit to APT9, which is currently showing at Queensland Art Gallery/Gallery of Modern Art till 28/4/2019. Two speakers: Janelle Koh Hugh Davies -&amp;nbsp;https://www.rmit.edu.au/contact/staff-contacts/academic-staff/d/davies-dr-hugh The exhibition, the artworks and artists mentioned by Janelle: Mori Art Museum https://www.mori.art.museum/en/about/index.html 'Catastrophe and The Power of art' currently showing to 20/1/2019 https://www.mori.art.museum/en/exhibitions/index.html Miroslaw Balka - artist 'Soap Corridor' http://miroslaw-balka.com/en/ Huang Hai Hsin - artist 'Swan Lake' http://www.haihsinhuang.com/new-gallery-1/ Takeda Shimpei - artist the 'Trace' series http://www.shimpeitakeda.com Hirakawa Kota - artist 'Black color timer' http://www.hiwak.net/projects/ Katerina Šedá 'It doesn't matter' http://www.katerinaseda.cz/en/ The exhibition talked by Hugh: APT9 https://www.qagoma.qld.gov.au/whats-on/exhibitions/the-9th-asia-pacific-triennial-of-contemporary-art-apt9 Sunshower: Contemporary Art from Southeast Asia 1980s to Now - &amp;nbsp;5/7/2017 - 23/10/2017 Mori Art Museum https://www.mori.art.museum/en/exhibitions/sunshower2017/</itunes:summary><itunes:keywords>Australian,art,contemporary,art,art,events,visual,art,exhibitions,art,reviews</itunes:keywords></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-6177737169617929692.post-5381677669668315256</guid><pubDate>Sat, 29 Dec 2018 13:50:00 +0000</pubDate><atom:updated>2018-12-29T05:50:41.388-08:00</atom:updated><title>Special: New Year Greeting From Siying</title><description>Happy 2019! A sincere new year greeting to every listener from Siying, host of Three Bellybuttons. x</description><enclosure length="0" type="audio/mpeg" url="https://archive.org/download/2019NewYearGreeting/2019%20New%20Year%20greeting.mp3"/><link>https://threebellybuttonspodcast.blogspot.com/2018/12/special-new-year-greeting-from-siying.html</link><thr:total>0</thr:total><author>threebellybuttonspodcast@gmail.com (three bellybuttons podcast)</author><itunes:explicit>no</itunes:explicit><itunes:subtitle>Happy 2019! A sincere new year greeting to every listener from Siying, host of Three Bellybuttons. x</itunes:subtitle><itunes:author>threebellybuttonspodcast@gmail.com (three bellybuttons podcast)</itunes:author><itunes:summary>Happy 2019! A sincere new year greeting to every listener from Siying, host of Three Bellybuttons. x</itunes:summary><itunes:keywords>Australian,art,contemporary,art,art,events,visual,art,exhibitions,art,reviews</itunes:keywords></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-6177737169617929692.post-3875410668584822210</guid><pubDate>Sun, 02 Dec 2018 12:31:00 +0000</pubDate><atom:updated>2018-12-02T13:08:37.136-08:00</atom:updated><title>16, Ann McGinley and Sarah Pirrie on the ProsCons of doing international artist-in-residence programs and seeing art exhibitions with a vision impaired person</title><description>&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;; font-size: 12px; font-stretch: normal; line-height: normal;"&gt;
In this episode, I had two good friends: Ann McGinley (Melbourne) and Sarah Pirrie (Darwin) to chat about their recent engagements with the art. Ann share with us her experiences of doing two international artist-in-residence programs: at Studio Kura (Japan) and Hotel St Valière (France). Comparing with the two programs in two countries, she spoke about the material and psychological challenges and benefits of doing these residencies as a painters. Following Ann, Sarah told us about her unique experience of visiting two art exhibitions in Hobart: Tidal.18 at Devonport Gallery and Zero at Mona, with her Mum, who had impaired vision. Sarah found herself at the first time to look at the artworks and navigate art gallery spaces through her Mum's eyes.&amp;nbsp;&lt;/div&gt;
&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;; font-size: 12px; font-stretch: normal; line-height: normal;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;; font-size: 12px; font-stretch: normal; line-height: normal;"&gt;
The related links:&lt;/div&gt;
&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;; font-size: 12px; font-stretch: normal; line-height: normal;"&gt;
Two artists:&lt;/div&gt;
&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;; font-size: 12px; font-stretch: normal; line-height: normal;"&gt;
Ann McGinley&lt;/div&gt;
&lt;div style="color: #dca10d; font-family: &amp;quot;Helvetica Neue&amp;quot;; font-size: 12px; font-stretch: normal; line-height: normal;"&gt;
&lt;a href="http://www.annmcginley.net/"&gt;http://www.annmcginley.net&lt;/a&gt;&lt;/div&gt;
&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;; font-size: 12px; font-stretch: normal; line-height: normal;"&gt;
Sarah Pirrie&lt;/div&gt;
&lt;div style="color: #dca10d; font-family: &amp;quot;Helvetica Neue&amp;quot;; font-size: 12px; font-stretch: normal; line-height: normal;"&gt;
&lt;a href="http://www.sarahpirrie.com/"&gt;http://www.sarahpirrie.com&lt;/a&gt;&lt;/div&gt;
&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;; font-size: 12px; font-stretch: normal; line-height: normal; min-height: 14px;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;; font-size: 12px; font-stretch: normal; line-height: normal;"&gt;
The artist-in-residence programs Ann participated:&lt;/div&gt;
&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;; font-size: 12px; font-stretch: normal; line-height: normal;"&gt;
Hotel St Valière in Langeudoc - South France&lt;/div&gt;
&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;; font-size: 12px; font-stretch: normal; line-height: normal;"&gt;
&lt;a href="http://hotelsaintevaliere.com/contact/"&gt;http://hotelsaintevaliere.com/contact/&lt;/a&gt;&lt;/div&gt;
&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;; font-size: 12px; font-stretch: normal; line-height: normal;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;; font-size: 12px; font-stretch: normal; line-height: normal;"&gt;
Manager of Hotel St Valière:&amp;nbsp;&lt;/div&gt;
&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;; font-size: 12px; font-stretch: normal; line-height: normal;"&gt;
Eloise Caleo&lt;/div&gt;
&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;; font-size: 12px; font-stretch: normal; line-height: normal; min-height: 14px;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;; font-size: 12px; font-stretch: normal; line-height: normal;"&gt;
Studio Kura, Japan&lt;/div&gt;
&lt;div style="color: #dca10d; font-family: &amp;quot;Helvetica Neue&amp;quot;; font-size: 12px; font-stretch: normal; line-height: normal;"&gt;
&lt;a href="https://studiokura.info/en/"&gt;https://studiokura.info/en/&lt;/a&gt;&lt;/div&gt;
&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;; font-size: 12px; font-stretch: normal; line-height: normal; min-height: 14px;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;; font-size: 12px; font-stretch: normal; line-height: normal;"&gt;
Sarah’s residency program&lt;/div&gt;
&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;; font-size: 12px; font-stretch: normal; line-height: normal;"&gt;
Bundanon Trust artist in residency program&lt;/div&gt;
&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;; font-size: 12px; font-stretch: normal; line-height: normal;"&gt;
&lt;a href="https://bundanon.com.au/"&gt;https://bundanon.com.au&lt;/a&gt;&lt;/div&gt;
&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;; font-size: 12px; font-stretch: normal; line-height: normal; min-height: 14px;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;; font-size: 12px; font-stretch: normal; line-height: normal;"&gt;
The exhibitions and artworks seen by Sarah and her Mum&lt;/div&gt;
&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;; font-size: 12px; font-stretch: normal; line-height: normal;"&gt;
Devonport gallery&lt;/div&gt;
&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;; font-size: 12px; font-stretch: normal; line-height: normal;"&gt;
Tidal.18&lt;/div&gt;
&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;; font-size: 12px; font-stretch: normal; line-height: normal;"&gt;
&lt;a href="https://www.devonportgallery.com/index02.php?id=27&amp;amp;pl=9"&gt;https://www.devonportgallery.com/index02.php?id=27&amp;amp;pl=9&lt;/a&gt;&lt;/div&gt;
&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;; font-size: 12px; font-stretch: normal; line-height: normal; min-height: 14px;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;; font-size: 12px; font-stretch: normal; line-height: normal;"&gt;
Julia Davis - Winner of Tidal.18&lt;/div&gt;
&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;; font-size: 12px; font-stretch: normal; line-height: normal;"&gt;
For her video work ‘Undercurrent’&lt;/div&gt;
&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;; font-size: 12px; font-stretch: normal; line-height: normal;"&gt;
&lt;a href="http://www.juliadavis.com.au/Undercurrent"&gt;http://www.juliadavis.com.au/Undercurrent&lt;/a&gt;&lt;/div&gt;
&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;; font-size: 12px; font-stretch: normal; line-height: normal; min-height: 14px;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;; font-size: 12px; font-stretch: normal; line-height: normal;"&gt;
MACq01 hotel&lt;/div&gt;
&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;; font-size: 12px; font-stretch: normal; line-height: normal;"&gt;
&lt;a href="https://www.macq01.com.au/"&gt;https://www.macq01.com.au&lt;/a&gt;&lt;/div&gt;
&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;; font-size: 12px; font-stretch: normal; line-height: normal; min-height: 14px;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;; font-size: 12px; font-stretch: normal; line-height: normal;"&gt;
Mona&amp;nbsp;&lt;/div&gt;
&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;; font-size: 12px; font-stretch: normal; line-height: normal;"&gt;
&lt;a href="https://mona.net.au/"&gt;https://mona.net.au&lt;/a&gt;&lt;/div&gt;
&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;; font-size: 12px; font-stretch: normal; line-height: normal; min-height: 14px;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;; font-size: 12px; font-stretch: normal; line-height: normal;"&gt;
Zero - Mona&amp;nbsp;&lt;/div&gt;
&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;; font-size: 12px; font-stretch: normal; line-height: normal;"&gt;
&lt;a href="https://mona.net.au/museum/exhibitions"&gt;https://mona.net.au/museum/exhibitions&lt;/a&gt;&lt;/div&gt;
&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;; font-size: 12px; font-stretch: normal; line-height: normal; min-height: 14px;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;; font-size: 12px; font-stretch: normal; line-height: normal;"&gt;
James Turrell&lt;/div&gt;
&lt;div style="color: #dca10d; font-family: &amp;quot;Helvetica Neue&amp;quot;; font-size: 12px; font-stretch: normal; line-height: normal;"&gt;
&lt;a href="http://jamesturrell.com/"&gt;http://jamesturrell.com&lt;/a&gt;&lt;/div&gt;
&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;; font-size: 12px; font-stretch: normal; line-height: normal; min-height: 14px;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;; font-size: 12px; font-stretch: normal; line-height: normal;"&gt;
Polumbo Randy&lt;/div&gt;
&lt;div style="color: #dca10d; font-family: &amp;quot;Helvetica Neue&amp;quot;; font-size: 12px; font-stretch: normal; line-height: normal;"&gt;
&lt;a href="http://polumbo.com/BIO-CV"&gt;http://polumbo.com/BIO-CV&lt;/a&gt;&lt;/div&gt;
&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;; font-size: 12px; font-stretch: normal; line-height: normal;"&gt;
Grotto For MONA&lt;/div&gt;
&lt;div style="color: #dca10d; font-family: &amp;quot;Helvetica Neue&amp;quot;; font-size: 12px; font-stretch: normal; line-height: normal;"&gt;
&lt;a href="http://polumbo.com/Grotto-for-MONA"&gt;http://polumbo.com/Grotto-for-MONA&lt;/a&gt;&lt;/div&gt;
&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;; font-size: 12px; font-stretch: normal; line-height: normal; min-height: 14px;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;; font-size: 12px; font-stretch: normal; line-height: normal;"&gt;
Greg Taylor and Friends&lt;/div&gt;
&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;; font-size: 12px; font-stretch: normal; line-height: normal;"&gt;
Cunts… and other conversations 2008 - II&lt;/div&gt;
&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;; font-size: 12px; font-stretch: normal; line-height: normal; min-height: 14px;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;; font-size: 12px; font-stretch: normal; line-height: normal;"&gt;
David Young&amp;nbsp;- sound composer&lt;/div&gt;
&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;; font-size: 12px; font-stretch: normal; line-height: normal;"&gt;
https://aphids.net/about/&lt;/div&gt;
&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;; font-size: 12px; font-stretch: normal; line-height: normal;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg8_w3NdwTBn0ij4QV0DA_a16uPiLx62LbOCsm79YEhM3w6HzuMYVSWfdf0IFzPJr7C3ytZQCKBX_frVErG6B5O27C6Ku9bFG0X1ng2xd9U74yrk0XPgsB8Re8yLwlmqab-TXosENYQ1Uzg/s1600/IMG_0709.HEIC" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" data-original-height="1200" data-original-width="1600" height="240" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg8_w3NdwTBn0ij4QV0DA_a16uPiLx62LbOCsm79YEhM3w6HzuMYVSWfdf0IFzPJr7C3ytZQCKBX_frVErG6B5O27C6Ku9bFG0X1ng2xd9U74yrk0XPgsB8Re8yLwlmqab-TXosENYQ1Uzg/s320/IMG_0709.HEIC" width="320" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;The dinner: Fish, rice and Chinese broccoli&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;
&lt;div style="font-family: &amp;quot;Helvetica Neue&amp;quot;; font-size: 12px; font-stretch: normal; line-height: normal;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div&gt;
&lt;br /&gt;&lt;/div&gt;
</description><enclosure length="0" type="audio/mpeg" url="https://archive.org/download/s2e6_26_11_18/s2e6_26_11_18.mp3"/><link>https://threebellybuttonspodcast.blogspot.com/2018/12/16-ann-mcginley-and-sarah-pirrie-on.html</link><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" height="72" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg8_w3NdwTBn0ij4QV0DA_a16uPiLx62LbOCsm79YEhM3w6HzuMYVSWfdf0IFzPJr7C3ytZQCKBX_frVErG6B5O27C6Ku9bFG0X1ng2xd9U74yrk0XPgsB8Re8yLwlmqab-TXosENYQ1Uzg/s72-c/IMG_0709.HEIC" width="72"/><thr:total>0</thr:total><author>threebellybuttonspodcast@gmail.com (three bellybuttons podcast)</author><itunes:explicit>no</itunes:explicit><itunes:subtitle>In this episode, I had two good friends: Ann McGinley (Melbourne) and Sarah Pirrie (Darwin) to chat about their recent engagements with the art. Ann share with us her experiences of doing two international artist-in-residence programs: at Studio Kura (Japan) and Hotel St Valière (France). Comparing with the two programs in two countries, she spoke about the material and psychological challenges and benefits of doing these residencies as a painters. Following Ann, Sarah told us about her unique experience of visiting two art exhibitions in Hobart: Tidal.18 at Devonport Gallery and Zero at Mona, with her Mum, who had impaired vision. Sarah found herself at the first time to look at the artworks and navigate art gallery spaces through her Mum's eyes.&amp;nbsp; The related links: Two artists: Ann McGinley http://www.annmcginley.net Sarah Pirrie http://www.sarahpirrie.com The artist-in-residence programs Ann participated: Hotel St Valière in Langeudoc - South France http://hotelsaintevaliere.com/contact/ Manager of Hotel St Valière:&amp;nbsp; Eloise Caleo Studio Kura, Japan https://studiokura.info/en/ Sarah’s residency program Bundanon Trust artist in residency program https://bundanon.com.au The exhibitions and artworks seen by Sarah and her Mum Devonport gallery Tidal.18 https://www.devonportgallery.com/index02.php?id=27&amp;amp;pl=9 Julia Davis - Winner of Tidal.18 For her video work ‘Undercurrent’ http://www.juliadavis.com.au/Undercurrent MACq01 hotel https://www.macq01.com.au Mona&amp;nbsp; https://mona.net.au Zero - Mona&amp;nbsp; https://mona.net.au/museum/exhibitions James Turrell http://jamesturrell.com Polumbo Randy http://polumbo.com/BIO-CV Grotto For MONA http://polumbo.com/Grotto-for-MONA Greg Taylor and Friends Cunts… and other conversations 2008 - II David Young&amp;nbsp;- sound composer https://aphids.net/about/ The dinner: Fish, rice and Chinese broccoli</itunes:subtitle><itunes:author>threebellybuttonspodcast@gmail.com (three bellybuttons podcast)</itunes:author><itunes:summary>In this episode, I had two good friends: Ann McGinley (Melbourne) and Sarah Pirrie (Darwin) to chat about their recent engagements with the art. Ann share with us her experiences of doing two international artist-in-residence programs: at Studio Kura (Japan) and Hotel St Valière (France). Comparing with the two programs in two countries, she spoke about the material and psychological challenges and benefits of doing these residencies as a painters. Following Ann, Sarah told us about her unique experience of visiting two art exhibitions in Hobart: Tidal.18 at Devonport Gallery and Zero at Mona, with her Mum, who had impaired vision. Sarah found herself at the first time to look at the artworks and navigate art gallery spaces through her Mum's eyes.&amp;nbsp; The related links: Two artists: Ann McGinley http://www.annmcginley.net Sarah Pirrie http://www.sarahpirrie.com The artist-in-residence programs Ann participated: Hotel St Valière in Langeudoc - South France http://hotelsaintevaliere.com/contact/ Manager of Hotel St Valière:&amp;nbsp; Eloise Caleo Studio Kura, Japan https://studiokura.info/en/ Sarah’s residency program Bundanon Trust artist in residency program https://bundanon.com.au The exhibitions and artworks seen by Sarah and her Mum Devonport gallery Tidal.18 https://www.devonportgallery.com/index02.php?id=27&amp;amp;pl=9 Julia Davis - Winner of Tidal.18 For her video work ‘Undercurrent’ http://www.juliadavis.com.au/Undercurrent MACq01 hotel https://www.macq01.com.au Mona&amp;nbsp; https://mona.net.au Zero - Mona&amp;nbsp; https://mona.net.au/museum/exhibitions James Turrell http://jamesturrell.com Polumbo Randy http://polumbo.com/BIO-CV Grotto For MONA http://polumbo.com/Grotto-for-MONA Greg Taylor and Friends Cunts… and other conversations 2008 - II David Young&amp;nbsp;- sound composer https://aphids.net/about/ The dinner: Fish, rice and Chinese broccoli</itunes:summary><itunes:keywords>Australian,art,contemporary,art,art,events,visual,art,exhibitions,art,reviews</itunes:keywords></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-6177737169617929692.post-4384966142822870611</guid><pubDate>Sun, 11 Nov 2018 16:10:00 +0000</pubDate><atom:updated>2018-11-11T08:10:12.023-08:00</atom:updated><title>15, Chloé Hazelwood and Sarah Rudledge on two exhibitions featuring people with disabilities and 'State of the Union'</title><description>&lt;span style="font-family: inherit;"&gt;Episode note:&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-family: inherit;"&gt;In this episode, Chloé Hazelwood, an art writer/independent curator, shared her knowledge about two unique exhibitions that she recently visited at Art Project Australia and the City Library of Melbourne. One was 'All Our Relations' (to 24/11); the other:'Weave Movement Theatre 21 years' (to 15/11). Both exhibitions featured the artworks made by the artists with&amp;nbsp;disabilities. They took Chloé to a deep&amp;nbsp;emotional&amp;nbsp;and joyful state. From Chloé's vivid and detailed descriptions about the objects and images in the shows, Sarah and I imagined the exhibitions, and were touched by the naïvety and the direct self expression in these works. Following Chloé, Sarah talked about a past exhibition 'State of the union'. It was shown at Ian Potter Museums of Art, the University of Melbourne. In the exhibition, Sarah was attracted by Jeremy Deller's video work titled 'The battle of Orgreave (an injury to one is an injury to all)'. Through discussing all sorts of moments in the video, we, together, intended to unpack this complex and affective artwork. Again, I hope our&amp;nbsp;discussions&amp;nbsp;in this episode will&amp;nbsp;interest&amp;nbsp;you and bring you some new&amp;nbsp;perspectives&amp;nbsp;in the art.&amp;nbsp;&lt;/span&gt;&lt;br /&gt;
&lt;span style="font-family: inherit;"&gt;&lt;br /&gt;&lt;/span&gt;
&amp;gt;The related links:&lt;br /&gt;
&lt;span style="font-family: inherit;"&gt;&lt;br /&gt;&lt;/span&gt;
&lt;span style="font-family: inherit;"&gt;Two speakers:&lt;/span&gt;&lt;br /&gt;
&lt;div style="font-stretch: normal; line-height: normal;"&gt;
&lt;span style="font-family: inherit;"&gt;Sarah Rudledge&lt;/span&gt;&lt;/div&gt;
&lt;div style="font-stretch: normal; line-height: normal;"&gt;
http://sarahrudledge.com&lt;/div&gt;
&lt;div style="font-stretch: normal; line-height: normal;"&gt;
&lt;span style="font-family: inherit;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="font-stretch: normal; line-height: normal;"&gt;
&lt;span style="font-family: inherit;"&gt;Chloé Hazelwood&lt;/span&gt;&lt;/div&gt;
&lt;div style="font-stretch: normal; line-height: normal;"&gt;
http://chloehazelwood.com&lt;/div&gt;
&lt;div style="font-stretch: normal; line-height: normal; min-height: 14px;"&gt;
&lt;span style="font-family: inherit;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="font-stretch: normal; line-height: normal; min-height: 14px;"&gt;
&lt;span style="font-family: inherit;"&gt;The artists and exhibitions mentioned by Chloé&lt;/span&gt;&lt;/div&gt;
&lt;div style="font-stretch: normal; line-height: normal;"&gt;
&lt;span style="font-family: inherit;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="font-stretch: normal; line-height: normal;"&gt;
&lt;span style="font-family: inherit;"&gt;Arts project Australia&lt;/span&gt;&lt;/div&gt;
&lt;div style="font-stretch: normal; line-height: normal;"&gt;
&lt;span style="font-family: inherit;"&gt;https://www.artsproject.org.au&lt;/span&gt;&lt;/div&gt;
&lt;div style="font-stretch: normal; line-height: normal;"&gt;
&lt;span style="font-family: inherit;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="font-stretch: normal; line-height: normal;"&gt;
&lt;span style="font-family: inherit;"&gt;All our relations&lt;/span&gt;&lt;/div&gt;
&lt;div style="font-stretch: normal; line-height: normal;"&gt;
&lt;span style="font-family: inherit;"&gt;27/10 - 24/11/2018&lt;/span&gt;&lt;/div&gt;
&lt;div style="font-stretch: normal; line-height: normal; min-height: 14px;"&gt;
&lt;span style="font-family: inherit;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="font-stretch: normal; line-height: normal;"&gt;
&lt;span style="font-family: inherit;"&gt;Shepparton Art museum&lt;/span&gt;&lt;/div&gt;
&lt;div style="color: #dca10d; font-stretch: normal; line-height: normal;"&gt;
&lt;a href="http://sheppartonartmuseum.com.au/"&gt;&lt;span style="font-family: inherit;"&gt;http://sheppartonartmuseum.com.au&lt;/span&gt;&lt;/a&gt;&lt;/div&gt;
&lt;div style="font-stretch: normal; line-height: normal; min-height: 14px;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style="font-stretch: normal; line-height: normal;"&gt;
&lt;span style="font-family: inherit;"&gt;Ramesh Mario Nithiyer (artist)&lt;/span&gt;&lt;/div&gt;
&lt;div style="color: #dca10d; font-stretch: normal; line-height: normal;"&gt;
&lt;a href="https://www.ramesh-nithiyendran.com/"&gt;&lt;span style="font-family: inherit;"&gt;https://www.ramesh-nithiyendran.com&lt;/span&gt;&lt;/a&gt;&lt;/div&gt;
&lt;div style="font-stretch: normal; line-height: normal; min-height: 14px;"&gt;
&lt;span style="font-family: inherit;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="font-stretch: normal; line-height: normal;"&gt;
&lt;span style="font-family: inherit;"&gt;Chris O’Brien (artist)&lt;/span&gt;&lt;/div&gt;
&lt;div style="color: #dca10d; font-stretch: normal; line-height: normal;"&gt;
&lt;a href="https://www.artsproject.org.au/artist/christopher-obrien/"&gt;&lt;span style="font-family: inherit;"&gt;https://www.artsproject.org.au/artist/christopher-obrien/&lt;/span&gt;&lt;/a&gt;&lt;/div&gt;
&lt;div style="font-stretch: normal; line-height: normal; min-height: 14px;"&gt;
&lt;span style="font-family: inherit;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="font-stretch: normal; line-height: normal;"&gt;
&lt;span style="font-family: inherit;"&gt;Weave Movement Theatre 21 years&lt;/span&gt;&lt;/div&gt;
&lt;div style="font-stretch: normal; line-height: normal;"&gt;
&lt;span style="font-family: inherit;"&gt;24/10 - 15/11/2018&lt;/span&gt;&lt;/div&gt;
&lt;div style="color: #dca10d; font-stretch: normal; line-height: normal;"&gt;
&lt;a href="https://www.melbourne.vic.gov.au/community/libraries/whats-on/exhibitions/pages/weave-movement-retrospective.aspx"&gt;&lt;span style="font-family: inherit;"&gt;https://www.melbourne.vic.gov.au/community/libraries/whats-on/exhibitions/pages/weave-movement-retrospective.aspx&lt;/span&gt;&lt;/a&gt;&lt;/div&gt;
&lt;div style="font-stretch: normal; line-height: normal; min-height: 14px;"&gt;
&lt;span style="font-family: inherit;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="font-stretch: normal; line-height: normal;"&gt;
&lt;span style="font-family: inherit;"&gt;The city of Melbourne libraries&lt;/span&gt;&lt;/div&gt;
&lt;div style="font-stretch: normal; line-height: normal;"&gt;
&lt;a href="https://www.melbourne.vic.gov.au/community/libraries/whats-on/exhibitions/pages/weave-movement-retrospective.aspx"&gt;&lt;span style="font-family: inherit;"&gt;https://www.melbourne.vic.gov.au/community/libraries/&lt;/span&gt;&lt;/a&gt;&lt;/div&gt;
&lt;div style="font-stretch: normal; line-height: normal; min-height: 14px;"&gt;
&lt;span style="font-family: inherit;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="font-stretch: normal; line-height: normal; min-height: 14px;"&gt;
&lt;span style="font-family: inherit;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="font-stretch: normal; line-height: normal;"&gt;
By Sarah:&lt;/div&gt;
&lt;div style="font-stretch: normal; line-height: normal;"&gt;
&lt;span style="font-family: inherit;"&gt;Ian Potter Museum of art, the university of Melbourne&lt;/span&gt;&lt;/div&gt;
&lt;div style="color: #dca10d; font-stretch: normal; line-height: normal;"&gt;
&lt;a href="http://www.art-museum.unimelb.edu.au/"&gt;&lt;span style="font-family: inherit;"&gt;http://www.art-museum.unimelb.edu.au&lt;/span&gt;&lt;/a&gt;&lt;/div&gt;
&lt;div style="font-stretch: normal; line-height: normal; min-height: 14px;"&gt;
&lt;span style="font-family: inherit;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="font-stretch: normal; line-height: normal;"&gt;
&lt;span style="font-family: inherit;"&gt;State of the union&lt;/span&gt;&lt;/div&gt;
&lt;div style="font-stretch: normal; line-height: normal;"&gt;
&lt;span style="font-family: inherit;"&gt;24/7-28/10/2018&lt;/span&gt;&lt;/div&gt;
&lt;div style="font-stretch: normal; line-height: normal;"&gt;
&lt;span style="font-family: inherit;"&gt;http://www.art-museum.unimelb.edu.au/exhibitions/past-exhibitions/fromyear/2007/toyear/2018/exhib-date/2018-07-24/exhib/state-of-the-union&lt;/span&gt;&lt;/div&gt;
&lt;div style="font-stretch: normal; line-height: normal; min-height: 14px;"&gt;
&lt;span style="font-family: inherit;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="font-stretch: normal; line-height: normal;"&gt;
&lt;span style="font-family: inherit;"&gt;Jeremy Deller (artist)&lt;/span&gt;&lt;/div&gt;
&lt;div style="font-stretch: normal; line-height: normal;"&gt;
&lt;span style="font-family: inherit;"&gt;The battle of Orgreave (an injury to one is an injury to all) 2001&lt;/span&gt;&lt;/div&gt;
&lt;div style="font-stretch: normal; line-height: normal;"&gt;
&lt;span style="font-family: inherit;"&gt;http://www.jeremydeller.org&lt;/span&gt;&lt;/div&gt;
&lt;div style="font-stretch: normal; line-height: normal; min-height: 14px;"&gt;
&lt;span style="font-family: inherit;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="font-stretch: normal; line-height: normal;"&gt;
&lt;span style="font-family: inherit;"&gt;Alicia Frankovich (artist)&lt;/span&gt;&lt;/div&gt;
&lt;div style="font-stretch: normal; line-height: normal;"&gt;
&lt;span style="font-family: inherit;"&gt;http://www.aliciafrankovich.com/biography&lt;/span&gt;&lt;/div&gt;
</description><enclosure length="0" type="audio/mpeg" url="https://archive.org/download/s2e5_10_11_18/s2e5_10_11_18.mp3"/><link>https://threebellybuttonspodcast.blogspot.com/2018/11/15-chloe-hazelwood-and-sarah-rudledge.html</link><thr:total>0</thr:total><author>threebellybuttonspodcast@gmail.com (three bellybuttons podcast)</author><itunes:explicit>no</itunes:explicit><itunes:subtitle>Episode note: In this episode, Chloé Hazelwood, an art writer/independent curator, shared her knowledge about two unique exhibitions that she recently visited at Art Project Australia and the City Library of Melbourne. One was 'All Our Relations' (to 24/11); the other:'Weave Movement Theatre 21 years' (to 15/11). Both exhibitions featured the artworks made by the artists with&amp;nbsp;disabilities. They took Chloé to a deep&amp;nbsp;emotional&amp;nbsp;and joyful state. From Chloé's vivid and detailed descriptions about the objects and images in the shows, Sarah and I imagined the exhibitions, and were touched by the naïvety and the direct self expression in these works. Following Chloé, Sarah talked about a past exhibition 'State of the union'. It was shown at Ian Potter Museums of Art, the University of Melbourne. In the exhibition, Sarah was attracted by Jeremy Deller's video work titled 'The battle of Orgreave (an injury to one is an injury to all)'. Through discussing all sorts of moments in the video, we, together, intended to unpack this complex and affective artwork. Again, I hope our&amp;nbsp;discussions&amp;nbsp;in this episode will&amp;nbsp;interest&amp;nbsp;you and bring you some new&amp;nbsp;perspectives&amp;nbsp;in the art.&amp;nbsp; &amp;gt;The related links: Two speakers: Sarah Rudledge http://sarahrudledge.com Chloé Hazelwood http://chloehazelwood.com The artists and exhibitions mentioned by Chloé Arts project Australia https://www.artsproject.org.au All our relations 27/10 - 24/11/2018 Shepparton Art museum http://sheppartonartmuseum.com.au Ramesh Mario Nithiyer (artist) https://www.ramesh-nithiyendran.com Chris O’Brien (artist) https://www.artsproject.org.au/artist/christopher-obrien/ Weave Movement Theatre 21 years 24/10 - 15/11/2018 https://www.melbourne.vic.gov.au/community/libraries/whats-on/exhibitions/pages/weave-movement-retrospective.aspx The city of Melbourne libraries https://www.melbourne.vic.gov.au/community/libraries/ By Sarah: Ian Potter Museum of art, the university of Melbourne http://www.art-museum.unimelb.edu.au State of the union 24/7-28/10/2018 http://www.art-museum.unimelb.edu.au/exhibitions/past-exhibitions/fromyear/2007/toyear/2018/exhib-date/2018-07-24/exhib/state-of-the-union Jeremy Deller (artist) The battle of Orgreave (an injury to one is an injury to all) 2001 http://www.jeremydeller.org Alicia Frankovich (artist) http://www.aliciafrankovich.com/biography</itunes:subtitle><itunes:author>threebellybuttonspodcast@gmail.com (three bellybuttons podcast)</itunes:author><itunes:summary>Episode note: In this episode, Chloé Hazelwood, an art writer/independent curator, shared her knowledge about two unique exhibitions that she recently visited at Art Project Australia and the City Library of Melbourne. One was 'All Our Relations' (to 24/11); the other:'Weave Movement Theatre 21 years' (to 15/11). Both exhibitions featured the artworks made by the artists with&amp;nbsp;disabilities. They took Chloé to a deep&amp;nbsp;emotional&amp;nbsp;and joyful state. From Chloé's vivid and detailed descriptions about the objects and images in the shows, Sarah and I imagined the exhibitions, and were touched by the naïvety and the direct self expression in these works. Following Chloé, Sarah talked about a past exhibition 'State of the union'. It was shown at Ian Potter Museums of Art, the University of Melbourne. In the exhibition, Sarah was attracted by Jeremy Deller's video work titled 'The battle of Orgreave (an injury to one is an injury to all)'. Through discussing all sorts of moments in the video, we, together, intended to unpack this complex and affective artwork. Again, I hope our&amp;nbsp;discussions&amp;nbsp;in this episode will&amp;nbsp;interest&amp;nbsp;you and bring you some new&amp;nbsp;perspectives&amp;nbsp;in the art.&amp;nbsp; &amp;gt;The related links: Two speakers: Sarah Rudledge http://sarahrudledge.com Chloé Hazelwood http://chloehazelwood.com The artists and exhibitions mentioned by Chloé Arts project Australia https://www.artsproject.org.au All our relations 27/10 - 24/11/2018 Shepparton Art museum http://sheppartonartmuseum.com.au Ramesh Mario Nithiyer (artist) https://www.ramesh-nithiyendran.com Chris O’Brien (artist) https://www.artsproject.org.au/artist/christopher-obrien/ Weave Movement Theatre 21 years 24/10 - 15/11/2018 https://www.melbourne.vic.gov.au/community/libraries/whats-on/exhibitions/pages/weave-movement-retrospective.aspx The city of Melbourne libraries https://www.melbourne.vic.gov.au/community/libraries/ By Sarah: Ian Potter Museum of art, the university of Melbourne http://www.art-museum.unimelb.edu.au State of the union 24/7-28/10/2018 http://www.art-museum.unimelb.edu.au/exhibitions/past-exhibitions/fromyear/2007/toyear/2018/exhib-date/2018-07-24/exhib/state-of-the-union Jeremy Deller (artist) The battle of Orgreave (an injury to one is an injury to all) 2001 http://www.jeremydeller.org Alicia Frankovich (artist) http://www.aliciafrankovich.com/biography</itunes:summary><itunes:keywords>Australian,art,contemporary,art,art,events,visual,art,exhibitions,art,reviews</itunes:keywords></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-6177737169617929692.post-3585098423642337070</guid><pubDate>Sat, 20 Oct 2018 08:40:00 +0000</pubDate><atom:updated>2018-10-20T01:40:52.764-07:00</atom:updated><title>14, Polly Borland's 'Polyverse', Consuelo Cavaniglia's 'between and among objects' with Simon Cooper, &amp; a private house-show: 'Freya's Revenage' with Manisha Anjali</title><description>&lt;span style="font-family: inherit;"&gt;Episode Note:&lt;/span&gt;&lt;br /&gt;
&lt;div style="color: #454545; font-stretch: normal; line-height: normal;"&gt;
&lt;span style="font-family: inherit;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="font-stretch: normal; line-height: normal;"&gt;
&lt;span style="color: #454545; font-family: inherit;"&gt;This episode is different from the previous ones. Instead of presenting one big conversion between two guest speakers and I, this episode includes two separate small conversations between two speakers and I. It is purely due to the conflict of our personal schedules. But as I attempt to keep things open in this&amp;nbsp;&lt;/span&gt;&lt;span style="color: #454545;"&gt;&lt;span style="caret-color: rgb(69, 69, 69);"&gt;podcast, I have given this arrangement a go.&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;span style="color: #454545; font-family: inherit;"&gt;&amp;nbsp;So, in the first half, you will hear the talk between Simon Cooper, an artist and PhD candidate, and I. We reflected on our trip of seeing Polly Borland's &lt;i&gt;Polyverse&lt;/i&gt; exhibition at NGV Ian Potter gallery and Consuelo Cavaniglia's &lt;i&gt;Between and among objects&lt;/i&gt; at Margaret Lawrence gallery. Simon spoke about how his life was felt enriched by Polly's photographs. In the 2nd half, Manisha Anjali, a Melbourne-based writer and poet, shared her special experience of attending a private house event of reading performance. The event is titled 'Freya's revenge' and taken place at a residential house in Brunswick suburb. We explored the meaning of such alternative art venues to the major art institutions.&amp;nbsp;&lt;/span&gt;&lt;/div&gt;
&lt;div style="color: #454545; font-stretch: normal; line-height: normal;"&gt;
&lt;span style="font-family: inherit;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="color: #454545; font-stretch: normal; line-height: normal;"&gt;
&lt;span style="font-family: inherit;"&gt;Relevant links and references:&lt;/span&gt;&lt;/div&gt;
&lt;div style="color: #454545; font-stretch: normal; line-height: normal;"&gt;
&lt;span style="font-family: inherit;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="color: #454545; font-stretch: normal; line-height: normal;"&gt;
&lt;span style="font-family: inherit;"&gt;Simon Cooper&lt;/span&gt;&lt;/div&gt;
&lt;div style="color: #454545; font-stretch: normal; line-height: normal;"&gt;
&lt;a data-lynx-mode="hover" data-lynx-uri="https://l.facebook.com/l.php?u=https%3A%2F%2Fsimon.pb.photography%2F&amp;amp;h=AT3EF2YwUP26H8NAxnSDWDkeyQvU4YeyqnMKQQUVdUlGJhw9dGmJNrYkqrmQizBZbHr_20E3FcGSxA2o3i_6Vxr5lBEC5DNIp-JHC2Mmn7UZV_60rtbRdz16EGQ0traukfTqrb7X" href="https://simon.pb.photography/" rel="nofollow noopener" style="color: #365899; cursor: pointer; text-decoration: none; white-space: pre-wrap;" target="_blank"&gt;&lt;span style="font-family: inherit;"&gt;Https://simon.pb.photography&lt;/span&gt;&lt;/a&gt;&lt;/div&gt;
&lt;div style="color: #454545; font-stretch: normal; line-height: normal; min-height: 14px;"&gt;
&lt;span style="font-family: inherit;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="color: #454545; font-stretch: normal; line-height: normal;"&gt;
&lt;span style="font-family: inherit;"&gt;NGV - Polly Borland&lt;/span&gt;&lt;/div&gt;
&lt;div style="color: #454545; font-stretch: normal; line-height: normal;"&gt;
&lt;span style="font-family: inherit;"&gt;Polyverse 28 SEP 18 – 3 FEB 19&lt;/span&gt;&lt;/div&gt;
&lt;div style="color: #e4af0a; font-stretch: normal; line-height: normal;"&gt;
&lt;span style="font-family: inherit;"&gt;&lt;a href="https://www.ngv.vic.gov.au/exhibition/polly-borland/"&gt;https://www.ngv.vic.gov.au/exhibition/polly-borland/&lt;/a&gt;&lt;span style="color: #454545;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="color: #454545; font-stretch: normal; line-height: normal; min-height: 14px;"&gt;
&lt;span style="font-family: inherit;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="color: #454545; font-stretch: normal; line-height: normal;"&gt;
&lt;span style="font-family: inherit;"&gt;Consuelo Cavaniglia&lt;/span&gt;&lt;/div&gt;
&lt;div style="color: #454545; font-stretch: normal; line-height: normal;"&gt;
&lt;span style="font-family: inherit;"&gt;Between and among objects 5 October - 3 November 2018&lt;/span&gt;&lt;/div&gt;
&lt;div style="color: #454545; font-stretch: normal; line-height: normal;"&gt;
&lt;span style="font-family: inherit;"&gt;Margaret Lawrence gallery&lt;/span&gt;&lt;/div&gt;
&lt;div style="color: #e4af0a; font-stretch: normal; line-height: normal;"&gt;
&lt;a href="https://finearts-music.unimelb.edu.au/margaret-lawrence-gallery/current/consuelo-cavaniglia-between-and-among-objects"&gt;&lt;span style="font-family: inherit;"&gt;https://finearts-music.unimelb.edu.au/margaret-lawrence-gallery/current/consuelo-cavaniglia-between-and-among-objects&lt;/span&gt;&lt;/a&gt;&lt;/div&gt;
&lt;div style="color: #454545; font-stretch: normal; line-height: normal; min-height: 14px;"&gt;
&lt;span style="font-family: inherit;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="color: #454545; font-stretch: normal; line-height: normal; min-height: 14px;"&gt;
&lt;span style="font-family: inherit;"&gt;--------&lt;/span&gt;&lt;/div&gt;
&lt;div style="color: #454545; font-stretch: normal; line-height: normal;"&gt;
&lt;span style="font-family: inherit;"&gt;Manisha anjali&lt;/span&gt;&lt;/div&gt;
&lt;div style="color: #454545; font-stretch: normal; line-height: normal;"&gt;
&lt;span style="font-family: inherit;"&gt;https://www.manishaanjali.com&lt;/span&gt;&lt;/div&gt;
&lt;div style="color: #454545; font-stretch: normal; line-height: normal; min-height: 14px;"&gt;
&lt;span style="font-family: inherit;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="color: #454545; font-stretch: normal; line-height: normal;"&gt;
&lt;span style="font-family: inherit;"&gt;Freya’s Revenge - a private house-show.&lt;/span&gt;&lt;/div&gt;
&lt;div style="color: #454545; font-stretch: normal; line-height: normal;"&gt;
&lt;span style="font-family: inherit;"&gt;Heather Joan Day&lt;/span&gt;&lt;/div&gt;
&lt;div style="color: #454545; font-stretch: normal; line-height: normal;"&gt;
&lt;span style="font-family: inherit;"&gt;Eloise Grills https://eloisegrills.com&lt;/span&gt;&lt;/div&gt;
&lt;div style="color: #454545; font-stretch: normal; line-height: normal;"&gt;
&lt;span style="font-family: inherit;"&gt;Cara Verklempt&lt;/span&gt;&lt;/div&gt;
&lt;div style="color: #454545; font-stretch: normal; line-height: normal;"&gt;
&lt;span style="font-family: inherit;"&gt;Andy Butler&lt;/span&gt;&lt;/div&gt;
&lt;div style="color: #454545; font-stretch: normal; line-height: normal;"&gt;
&lt;span style="font-family: inherit;"&gt;Zarah Butcher-McGunnigle, http://cordite.org.au/tags/zarah-butcher-mcgunnigle/&lt;/span&gt;&lt;/div&gt;
&lt;div style="color: #454545; font-stretch: normal; line-height: normal;"&gt;
&lt;span style="font-family: inherit;"&gt;Marc Pearson, http://marcpearson.tumblr.com&lt;/span&gt;&lt;/div&gt;
&lt;div style="color: #e4af0a; font-stretch: normal; line-height: normal;"&gt;
&lt;span style="color: #454545;"&gt;&lt;span style="font-family: inherit;"&gt;Freya Daly-Sadgrove, &lt;a href="https://freyadalysad.com/"&gt;&lt;span style="color: #e4af0a;"&gt;https://freyadalysad.com&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="color: #454545; font-stretch: normal; line-height: normal; min-height: 14px;"&gt;
&lt;span style="font-family: inherit;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="color: #454545; font-stretch: normal; line-height: normal;"&gt;
&lt;span style="font-family: inherit;"&gt;Manisha’s upcoming event in Vietnam&lt;/span&gt;&lt;/div&gt;
&lt;div style="color: #454545; font-stretch: normal; line-height: normal;"&gt;
&lt;span style="font-family: inherit;"&gt;https://www.facebook.com/events/307020186552434/&lt;/span&gt;&lt;/div&gt;
&lt;div style="color: #454545; font-family: &amp;quot;Helvetica Neue&amp;quot;; font-size: 12px; font-stretch: normal; line-height: normal; min-height: 14px;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style="color: #454545; font-family: &amp;quot;Helvetica Neue&amp;quot;; font-size: 12px; font-stretch: normal; line-height: normal; min-height: 14px;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style="color: #454545; font-family: &amp;quot;Helvetica Neue&amp;quot;; font-size: 12px; font-stretch: normal; line-height: normal; min-height: 14px;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style="color: #454545; font-family: &amp;quot;Helvetica Neue&amp;quot;; font-size: 12px; font-stretch: normal; line-height: normal; min-height: 14px;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style="color: #454545; font-family: &amp;quot;Helvetica Neue&amp;quot;; font-size: 12px; font-stretch: normal; line-height: normal; min-height: 14px;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;div style="color: #454545; font-family: &amp;quot;Helvetica Neue&amp;quot;; font-size: 12px; font-stretch: normal; line-height: normal; min-height: 14px;"&gt;
&lt;br /&gt;&lt;/div&gt;
</description><enclosure length="0" type="audio/mpeg" url="https://archive.org/download/s2e4_18_10_18/s2e4_18_10_18.mp3"/><link>https://threebellybuttonspodcast.blogspot.com/2018/10/14-polly-borlands-polyverse-consuelo.html</link><thr:total>0</thr:total><author>threebellybuttonspodcast@gmail.com (three bellybuttons podcast)</author><itunes:explicit>no</itunes:explicit><itunes:subtitle>Episode Note: This episode is different from the previous ones. Instead of presenting one big conversion between two guest speakers and I, this episode includes two separate small conversations between two speakers and I. It is purely due to the conflict of our personal schedules. But as I attempt to keep things open in this&amp;nbsp;podcast, I have given this arrangement a go.&amp;nbsp;&amp;nbsp;So, in the first half, you will hear the talk between Simon Cooper, an artist and PhD candidate, and I. We reflected on our trip of seeing Polly Borland's Polyverse exhibition at NGV Ian Potter gallery and Consuelo Cavaniglia's Between and among objects at Margaret Lawrence gallery. Simon spoke about how his life was felt enriched by Polly's photographs. In the 2nd half, Manisha Anjali, a Melbourne-based writer and poet, shared her special experience of attending a private house event of reading performance. The event is titled 'Freya's revenge' and taken place at a residential house in Brunswick suburb. We explored the meaning of such alternative art venues to the major art institutions.&amp;nbsp; Relevant links and references: Simon Cooper Https://simon.pb.photography NGV - Polly Borland Polyverse 28 SEP 18 – 3 FEB 19 https://www.ngv.vic.gov.au/exhibition/polly-borland/&amp;nbsp; Consuelo Cavaniglia Between and among objects 5 October - 3 November 2018 Margaret Lawrence gallery https://finearts-music.unimelb.edu.au/margaret-lawrence-gallery/current/consuelo-cavaniglia-between-and-among-objects -------- Manisha anjali https://www.manishaanjali.com Freya’s Revenge - a private house-show. Heather Joan Day Eloise Grills https://eloisegrills.com Cara Verklempt Andy Butler Zarah Butcher-McGunnigle, http://cordite.org.au/tags/zarah-butcher-mcgunnigle/ Marc Pearson, http://marcpearson.tumblr.com Freya Daly-Sadgrove, https://freyadalysad.com Manisha’s upcoming event in Vietnam https://www.facebook.com/events/307020186552434/</itunes:subtitle><itunes:author>threebellybuttonspodcast@gmail.com (three bellybuttons podcast)</itunes:author><itunes:summary>Episode Note: This episode is different from the previous ones. Instead of presenting one big conversion between two guest speakers and I, this episode includes two separate small conversations between two speakers and I. It is purely due to the conflict of our personal schedules. But as I attempt to keep things open in this&amp;nbsp;podcast, I have given this arrangement a go.&amp;nbsp;&amp;nbsp;So, in the first half, you will hear the talk between Simon Cooper, an artist and PhD candidate, and I. We reflected on our trip of seeing Polly Borland's Polyverse exhibition at NGV Ian Potter gallery and Consuelo Cavaniglia's Between and among objects at Margaret Lawrence gallery. Simon spoke about how his life was felt enriched by Polly's photographs. In the 2nd half, Manisha Anjali, a Melbourne-based writer and poet, shared her special experience of attending a private house event of reading performance. The event is titled 'Freya's revenge' and taken place at a residential house in Brunswick suburb. We explored the meaning of such alternative art venues to the major art institutions.&amp;nbsp; Relevant links and references: Simon Cooper Https://simon.pb.photography NGV - Polly Borland Polyverse 28 SEP 18 – 3 FEB 19 https://www.ngv.vic.gov.au/exhibition/polly-borland/&amp;nbsp; Consuelo Cavaniglia Between and among objects 5 October - 3 November 2018 Margaret Lawrence gallery https://finearts-music.unimelb.edu.au/margaret-lawrence-gallery/current/consuelo-cavaniglia-between-and-among-objects -------- Manisha anjali https://www.manishaanjali.com Freya’s Revenge - a private house-show. Heather Joan Day Eloise Grills https://eloisegrills.com Cara Verklempt Andy Butler Zarah Butcher-McGunnigle, http://cordite.org.au/tags/zarah-butcher-mcgunnigle/ Marc Pearson, http://marcpearson.tumblr.com Freya Daly-Sadgrove, https://freyadalysad.com Manisha’s upcoming event in Vietnam https://www.facebook.com/events/307020186552434/</itunes:summary><itunes:keywords>Australian,art,contemporary,art,art,events,visual,art,exhibitions,art,reviews</itunes:keywords></item></channel></rss>