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<channel>
	<title>Tomorrow Museum</title>
	
	<link>http://tomorrowmuseum.com</link>
	<description>What's New in Art, Technology, and Media</description>
	<lastBuildDate>Wed, 04 Nov 2009 13:33:27 +0000</lastBuildDate>
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	<language>en</language>
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		<title>Duplicate Array</title>
		<link>http://feedproxy.google.com/~r/TomorrowMuseum/~3/-5s9H8pkay4/</link>
		<comments>http://tomorrowmuseum.com/2009/11/04/duplicate-array/#comments</comments>
		<pubDate>Wed, 04 Nov 2009 13:33:22 +0000</pubDate>
		<dc:creator>Joanne McNeil</dc:creator>
				<category><![CDATA[Asides]]></category>
		<category><![CDATA[Art]]></category>
		<category><![CDATA[Design]]></category>
		<category><![CDATA[Duplicate Array]]></category>
		<category><![CDATA[furniture]]></category>
		<category><![CDATA[lausanne]]></category>

		<guid isPermaLink="false">http://tomorrowmuseum.com/?p=1325</guid>
		<description><![CDATA[Image of the day: an antique chaise with a landscape dripping over it from FAT&#8217;s exhibit, &#8220;Duplicate Array&#8221; at Galerie Lucy Mackintosh in Lausanne. &#8220;Lie back and dream of England.&#8221;
]]></description>
			<content:encoded><![CDATA[<p>Image of the day: an <a href="http://www.wallpaper.com/gallery/art/fat-duplicate-array-objects-buildings-plans/17051450/23312#nav">antique chaise with a landscape dripping over it</a> from <a href="http://www.wallpaper.com/art/fat-exhibition-lausanne/4048">FAT&#8217;s exhibit, &#8220;Duplicate Array&#8221;</a> at <a href="http://www.lucymackintosh.ch/index_image.php">Galerie Lucy Mackintosh in Lausanne</a>. <a href="http://www.fashionarchitecturetaste.com/2005/11/libertys.html">&#8220;Lie back and dream of England.&#8221;</a></p>
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		<title>Twitter Lists</title>
		<link>http://feedproxy.google.com/~r/TomorrowMuseum/~3/M-V61eOzVWk/</link>
		<comments>http://tomorrowmuseum.com/2009/11/01/twitter-lists/#comments</comments>
		<pubDate>Sun, 01 Nov 2009 16:55:31 +0000</pubDate>
		<dc:creator>Joanne McNeil</dc:creator>
				<category><![CDATA[Asides]]></category>
		<category><![CDATA[curatorial economy]]></category>
		<category><![CDATA[delicious]]></category>
		<category><![CDATA[folksonomy]]></category>
		<category><![CDATA[good ideas]]></category>
		<category><![CDATA[Technology]]></category>
		<category><![CDATA[twitter]]></category>
		<category><![CDATA[twitter lists]]></category>

		<guid isPermaLink="false">http://tomorrowmuseum.com/?p=1316</guid>
		<description><![CDATA[Here&#8217;s a great post on what the listing feature means for Twitter &#8212; the coming &#8220;curatorial economy.&#8221; (via.) For me, it means the most time on the site I&#8217;ve spent since the election. I&#8217;ve set up a few lists, and two in particular I check multiple times a day &#8212; &#8220;good ideas&#8221; and &#8220;book futurism.&#8221; [...]]]></description>
			<content:encoded><![CDATA[<p>Here&#8217;s a <a href="http://davetroy.com/?p=644">great post</a> on what the listing feature means for Twitter &#8212; the coming &#8220;curatorial economy.&#8221; (<a href="http://twitter.com/rachelsklar">via</a>.) For me, it means the most time on the site I&#8217;ve spent since the election. I&#8217;ve set up a few lists, and two in particular I check multiple times a day &#8212; <a href="http://twitter.com/#/list/jomc/good-ideas">&#8220;good ideas&#8221;</a> and <a href="http://twitter.com/#/list/jomc/bookfuturism">&#8220;book futurism.&#8221;</a> The first is for geeky science/design/art/architecture/ballardians, many of them post just too much for me to follow on my main feed. Please let mw know of other such brainy people, (I&#8217;m not so interested in those who link to TED videos all day long, as I am in the people who are putting the ideas in some context.) My <a href="http://twitter.com/#/list/jomc/bookfuturism">other favorite list</a> is for people interested in tech and books. Some other lists I made: &#8220;<a href="http://twitter.com/#/list/jomc/notable">notable</a>,&#8221; mostly friends in media, some who wouldn&#8217;t fall in the other categories; &#8220;<a href="http://twitter.com/#/list/jomc/favs">favs</a>,&#8221; my favorite celebrities on twitter; and <a href="http://twitter.com/#/list/jomc/thefuture">&#8220;the future&#8221;</a> for science fiction thinkers.</p>
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		<title>109 Lighting Books</title>
		<link>http://feedproxy.google.com/~r/TomorrowMuseum/~3/_K86sApH0BE/</link>
		<comments>http://tomorrowmuseum.com/2009/10/31/109-lighting-books/#comments</comments>
		<pubDate>Sat, 31 Oct 2009 21:15:09 +0000</pubDate>
		<dc:creator>Joanne McNeil</dc:creator>
				<category><![CDATA[Asides]]></category>
		<category><![CDATA[Art]]></category>
		<category><![CDATA[book futurism]]></category>
		<category><![CDATA[Books]]></category>
		<category><![CDATA[sculpture]]></category>

		<guid isPermaLink="false">http://tomorrowmuseum.com/?p=1314</guid>
		<description><![CDATA[“109 Lighting Books” by Airan King. I agree it&#8217;s a &#8220;didactic sculpture,&#8221; but in an interesting way. 
]]></description>
			<content:encoded><![CDATA[<p><a href="http://www.nearfuturelaboratory.com/2009/10/07/textual-landscapes/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=textual-landscapes">“109 Lighting Books” by Airan King</a>. I agree it&#8217;s a &#8220;didactic sculpture,&#8221; but in an interesting way. </p>
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		<item>
		<title>What’s the Role of the Past in Fashioning the Future?</title>
		<link>http://feedproxy.google.com/~r/TomorrowMuseum/~3/B8CIjQ6C4Lg/</link>
		<comments>http://tomorrowmuseum.com/2009/10/31/what%e2%80%99s-the-role-of-the-past-in-fashioning-the-future/#comments</comments>
		<pubDate>Sat, 31 Oct 2009 18:40:08 +0000</pubDate>
		<dc:creator>Joanne McNeil</dc:creator>
				<category><![CDATA[Asides]]></category>
		<category><![CDATA[Design]]></category>
		<category><![CDATA[frieze art fair]]></category>
		<category><![CDATA[london]]></category>
		<category><![CDATA[Matthew Brannon]]></category>
		<category><![CDATA[nostalgia]]></category>
		<category><![CDATA[Owen Hatherley]]></category>

		<guid isPermaLink="false">http://tomorrowmuseum.com/?p=1312</guid>
		<description><![CDATA[Nostalgia: What’s the Role of the Past in Fashioning the Future? One of the better talks at Frieze with Owen Hatherley, Matthew Brannon, and Dan Fox.
]]></description>
			<content:encoded><![CDATA[<p><a href="http://www.friezefoundation.org/talks/detail/nostalgia_whats_the_role_of_the_past_in_fashioning_the_future/">Nostalgia: What’s the Role of the Past in Fashioning the Future?</a> One of the better talks at Frieze with Owen Hatherley, Matthew Brannon, and Dan Fox.</p>
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		<item>
		<title>What to Write Next</title>
		<link>http://feedproxy.google.com/~r/TomorrowMuseum/~3/NLzMcaA1N3U/</link>
		<comments>http://tomorrowmuseum.com/2009/10/31/what-to-write-next/#comments</comments>
		<pubDate>Sat, 31 Oct 2009 12:45:09 +0000</pubDate>
		<dc:creator>Joanne McNeil</dc:creator>
				<category><![CDATA[Asides]]></category>
		<category><![CDATA[colson whitehead]]></category>
		<category><![CDATA[genre]]></category>
		<category><![CDATA[realism]]></category>
		<category><![CDATA[writing]]></category>

		<guid isPermaLink="false">http://tomorrowmuseum.com/?p=1310</guid>
		<description><![CDATA[&#8220;What is more visually appealing, (a) a Pall Mall butt floating in a coffee mug, or (b) those new Pop Art place mats in the Crate &#038; Barrel catalog? If you answered (a), do we have a genre for you.&#8221; &#8211; My favorite tweeter, Colson Whitehead,  on what to write next. 
]]></description>
			<content:encoded><![CDATA[<p>&#8220;What is more visually appealing, (a) a Pall Mall butt floating in a coffee mug, or (b) those new Pop Art place mats in the Crate &#038; Barrel catalog? If you answered (a), do we have a genre for you.&#8221; &#8211; My favorite <a href="http://twitter.com/colsonwhitehead">tweeter</a>, Colson Whitehead,  on <a href="http://www.nytimes.com/2009/11/01/books/review/Whitehead-t.html">what to write next</a>. </p>
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		<title>“The Follower”: Bret Easton Ellis’s tv show about a stalker</title>
		<link>http://feedproxy.google.com/~r/TomorrowMuseum/~3/U-WbbkxYVlM/</link>
		<comments>http://tomorrowmuseum.com/2009/10/30/the-follower-bret-easton-elliss-tv-show-about-a-stalker/#comments</comments>
		<pubDate>Sat, 31 Oct 2009 02:23:17 +0000</pubDate>
		<dc:creator>Joanne McNeil</dc:creator>
				<category><![CDATA[Asides]]></category>
		<category><![CDATA[Bret Easton Ellis]]></category>
		<category><![CDATA[Gus Van Sant]]></category>
		<category><![CDATA[theresa duncan]]></category>

		<guid isPermaLink="false">http://tomorrowmuseum.com/?p=1304</guid>
		<description><![CDATA[In addition to scripting a film about Theresa Duncan for Gus Van Sant,  Bret Easton Ellis is working on &#8220;&#8216;The Follower,&#8217; an adaptation of Jason Starr&#8217;s 2008 crime novel. The series will be a satirical look at the romantic lives of a group of New Yorkers in their twenties, as seen from the point [...]]]></description>
			<content:encoded><![CDATA[<p>In addition to scripting a film about Theresa Duncan for Gus Van Sant,  Bret Easton Ellis is working on <a href="http://insidetv.aol.com/2009/10/30/bret-easton-ellis-to-adapt-the-follower-for-hbo/">&#8220;&#8216;The Follower,&#8217; an adaptation of Jason Starr&#8217;s 2008 crime novel. The series will be a satirical look at the romantic lives of a group of New Yorkers in their twenties, as seen from the point of view of a stalker.&#8221;</a> Wonder if there will be mild social media storylines, Facebooking etc. Gossip Girl as directed by <a href="http://en.wikipedia.org/wiki/Peeping_Tom_(film)">Michael Powell</a> is exactly the kind of series I&#8217;d fund if I were responsible for such things.</p>
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		<title>Jessa Crispin on blogging vs. criticism</title>
		<link>http://feedproxy.google.com/~r/TomorrowMuseum/~3/V8VsR3-jen8/</link>
		<comments>http://tomorrowmuseum.com/2009/10/30/jessa-crispin-on-blogging-vs-criticism/#comments</comments>
		<pubDate>Sat, 31 Oct 2009 02:15:25 +0000</pubDate>
		<dc:creator>Joanne McNeil</dc:creator>
				<category><![CDATA[Asides]]></category>
		<category><![CDATA[Books]]></category>
		<category><![CDATA[criticism]]></category>
		<category><![CDATA[jessa crispin]]></category>
		<category><![CDATA[nytbr]]></category>

		<guid isPermaLink="false">http://tomorrowmuseum.com/?p=1302</guid>
		<description><![CDATA[No one voice is as valuable to books right now as Jessa Crispin&#8217;s: &#8220;The New York Times is a gatekeeper, absolutely. And for someone who has so much control over the conversation, you&#8217;d think Sam Tanenhaus would be less defensive, and less likely to look like he might leap over the table and rip out [...]]]></description>
			<content:encoded><![CDATA[<p>No one voice is as valuable to books right now as <a href="http://www.bookslut.com/blog/archives/2009_10.php#015335">Jessa Crispin</a>&#8217;s: &#8220;The New York Times is a gatekeeper, absolutely. And for someone who has so much control over the conversation, you&#8217;d think Sam Tanenhaus would be less defensive, and less likely to look like he might leap over the table and rip out the throat of the man who called the Review &#8220;middlebrow,&#8221; but whatever. If you look at the statistics of what they&#8217;re letting inside the gates, though, you see mostly books published by Random House, a very small handful of translated fiction, a disproportionate number of white men&#8230;[So] many of the contemporary authors I love are often the ones being kept out of the conversation. They&#8217;re rarely, if ever, reviewed in the New York Times, they don&#8217;t get splashy features written about them and their night out with their friends. It&#8217;s hard for me to get worked up about the decline of reviews when I didn&#8217;t care much for them to begin with.&#8221;</p>
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		<title>Dan Hill reviews A Week at the Airport, by Alain de Botton</title>
		<link>http://feedproxy.google.com/~r/TomorrowMuseum/~3/Fr0wxIMzjeY/</link>
		<comments>http://tomorrowmuseum.com/2009/10/30/dan-hill-reviews-a-week-at-the-airport-by-alain-de-botton/#comments</comments>
		<pubDate>Fri, 30 Oct 2009 09:54:09 +0000</pubDate>
		<dc:creator>Joanne McNeil</dc:creator>
				<category><![CDATA[Asides]]></category>
		<category><![CDATA[airports]]></category>
		<category><![CDATA[Alain de Botton]]></category>
		<category><![CDATA[ballardian]]></category>
		<category><![CDATA[Books]]></category>
		<category><![CDATA[heathrow]]></category>
		<category><![CDATA[london]]></category>
		<category><![CDATA[shopping malls]]></category>

		<guid isPermaLink="false">http://tomorrowmuseum.com/?p=1298</guid>
		<description><![CDATA[Dan Hill reviews Alain de Botton&#8217;s book about his residency at Heathrow Airport: &#8220;A central theme is the (accurate, I think) impression that few industries are as “vulnerable to disaster” as commercial aviation, but that this leads essentially to a kind of pervasive frustration running through much of the experience. Here, the business simply cannot [...]]]></description>
			<content:encoded><![CDATA[<p><a href="http://www.cityofsound.com/blog/2009/10/a-week-at-the-airport-by-alain-de-botton.html">Dan Hill reviews</a> Alain de Botton&#8217;s book about his residency at Heathrow Airport: &#8220;A central theme is the (accurate, I think) impression that few industries are as “vulnerable to disaster” as commercial aviation, but that this leads essentially to a kind of pervasive frustration running through much of the experience. Here, the business simply cannot win. It is perpetually teetering on the the edge of delivering failure. All that changes is the scale of ‘disaster’. The fact that you’ve been delivered safely to and from 25000 feet is conveniently ignored by passengers in favour of being miffed by the size of the taxi queue, or by being infuriated by a mildly officious attendant at the check-in desk, or sitting for hours on the runway due to pre-departure engine failure at Bangkok, or by one’s luggage flying to Belgrade while you fly to Buenos Aires. Focusing on these smaller ‘disasters’ is perhaps a way of dealing with the extreme nature of the experience of flying, and the everyday aversion of real disaster by these incredible systems of technology and people. The whole act is too surreal to think too deeply about &#8211; so people don’t, generally rejecting thoughts about how precariously they’re travelling by distracting themselves with the more mundane and everyday breakdowns in a system that’s far too complex to run smoothly.&#8221; <a href="http://twitter.com/ballardian">(via</a>.)</p>
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		<item>
		<title>Storytelling after Twitter</title>
		<link>http://feedproxy.google.com/~r/TomorrowMuseum/~3/qwA13cTWWN4/</link>
		<comments>http://tomorrowmuseum.com/2009/10/29/storytelling-after-twitter/#comments</comments>
		<pubDate>Thu, 29 Oct 2009 12:49:30 +0000</pubDate>
		<dc:creator>Joanne McNeil</dc:creator>
				<category><![CDATA[Asides]]></category>
		<category><![CDATA[fiction]]></category>
		<category><![CDATA[literature]]></category>
		<category><![CDATA[mobile phones]]></category>
		<category><![CDATA[twitter]]></category>

		<guid isPermaLink="false">http://tomorrowmuseum.com/?p=1294</guid>
		<description><![CDATA[Joel Achenbach in the Washington Post on Age of Twitter lit; &#8220;There is much confusion about what, precisely, should vanish in this broad media makeover. Is it print? Or just long stories? Or just bad, boring, dishwater-dull stories? Complicating the situation is that the online world is both increasingly dominant and, for many media organizations, [...]]]></description>
			<content:encoded><![CDATA[<p><a href="http://www.washingtonpost.com/wp-dyn/content/article/2009/10/28/AR2009102804896.html">Joel Achenbach in the Washington Post</a> on Age of Twitter lit; &#8220;There is much confusion about what, precisely, should vanish in this broad media makeover. Is it print? Or just long stories? Or just bad, boring, dishwater-dull stories? Complicating the situation is that the online world is both increasingly dominant and, for many media organizations, stubbornly unprofitable.&#8221; He goes on to say, &#8220;The sages say that we&#8217;ve reached a situation where &#8220;content creation&#8221; no longer pays. Only &#8220;aggregation&#8221; is profitable. It&#8217;s a freak variant of Darwinism &#8212; the survival of the parasitic. But obviously there will be little of value to aggregate if only rich people and dilettantes can afford to type up their thoughts.&#8221; &#8211;which I don&#8217;t at all agree with, but generally this is one of the better looks at tech-influence literature. (<a href="http://twitter.com/vpostrel">via</a>.)</p>
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		<title>A bookshelf full of different e-readers</title>
		<link>http://feedproxy.google.com/~r/TomorrowMuseum/~3/1ngSGH5HSwU/</link>
		<comments>http://tomorrowmuseum.com/2009/10/29/a-bookshelf-full-of-different-e-readers/#comments</comments>
		<pubDate>Thu, 29 Oct 2009 04:59:22 +0000</pubDate>
		<dc:creator>Joanne McNeil</dc:creator>
				<category><![CDATA[Asides]]></category>
		<category><![CDATA[cellphone novel]]></category>
		<category><![CDATA[kindle]]></category>
		<category><![CDATA[literature]]></category>

		<guid isPermaLink="false">http://tomorrowmuseum.com/?p=1292</guid>
		<description><![CDATA[You really should be reading Matthew Battle&#8217;s blog. Here&#8217;s a post on the WikiReader. Check out the comments. I&#8217;ve held off on the Kindle and will hold off on the Nook, because if I buy it now, I&#8217;ll want to upgrade by next at least by the end of the year. Compare this to the [...]]]></description>
			<content:encoded><![CDATA[<p>You really should be reading <a href="http://mbattles.posterous.com/where-are-the-new-genres">Matthew Battle&#8217;s blog</a>. Here&#8217;s a post on the WikiReader. Check out the comments. I&#8217;ve held off on the Kindle and will hold off on the Nook, because if I buy it now, I&#8217;ll want to upgrade by next at least by the end of the year. Compare this to the iPhone, which was set to go right out the gates. I got the iPhone in autumn 2007 and only upgraded a few months ago due to water damage. That&#8217;s almost two years with the original device. But the primary e-reader, Kindle or whatever it may be, will look and feel very, very different in two years. It had a bumpy start with too many problems and frustrated users. Right now, I&#8217;d almost much prefer something like the WikiReader, since it won&#8217;t be antiquated by 2011. Meanwhile, here is <a href="http://snarkmarket.com/2009/3892">Tim Carmody on the possibility of a dedicated blog reader.</a> I have a french press, a moka pot, and a drip coffee maker and I use all three of them regularly. I hope in the future there are affordable e-readers I can use depending on the reading and reading experience I&#8217;m looking for. Previously:  <a href="http://tomorrowmuseum.com/2008/10/15/reading-only-devices-why-iphone-kindle-and-tablet-pcs-might-mean-smarter-blog-comments/">Reading Only Devices: Why iPhone, Kindle, and Tablet PCs Might Mean Smarter Blog Comments</a></p>
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