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	<title>Trew Audio: AudioFlow</title>
	
	<link>http://www.trewaudio.com/audioflow</link>
	<description />
	<pubDate>Sat, 27 Feb 2010 00:37:33 +0000</pubDate>
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		<title>Hands on the Tascam HS-P82</title>
		<link>http://feedproxy.google.com/~r/trewaudioflow/~3/6dJHBqNUr1o/</link>
		<comments>http://www.trewaudio.com/audioflow/2010/02/26/hands-on-the-tascam-hs-p82/#comments</comments>
		<pubDate>Sat, 27 Feb 2010 00:37:33 +0000</pubDate>
		<dc:creator>skylor</dc:creator>
		
		<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://www.trewaudio.com/audioflow/?p=1950</guid>
		<description>Nearly a month ago, we introduced Tascam’s new line of recorders. Now that we’ve received our first HS-P82, it is clear Tascam had a specific user in mind&amp;#8211;those with smaller budgets, but high quality tastes. The touchscreen interface, dedicated knobs/switches, and natural controls layout lead users through a quick learning curve regardless of their level [...]&lt;img src="http://feeds.feedburner.com/~r/trewaudioflow/~4/6dJHBqNUr1o" height="1" width="1"/&gt;</description>
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		<item>
		<title>Communications options for the CL-9</title>
		<link>http://feedproxy.google.com/~r/trewaudioflow/~3/rTJIaLw3r1E/</link>
		<comments>http://www.trewaudio.com/audioflow/2010/02/26/cl-9-communications/#comments</comments>
		<pubDate>Sat, 27 Feb 2010 00:33:28 +0000</pubDate>
		<dc:creator>skylor</dc:creator>
		
		<category><![CDATA[General Techie Stuff]]></category>

		<category><![CDATA[Mixers]]></category>

		<category><![CDATA[Production Stuff]]></category>

		<category><![CDATA[Remote Audio]]></category>

		<category><![CDATA[Sound Devices]]></category>

		<category><![CDATA[Uncategorized]]></category>

		<category><![CDATA[Boom Cable System]]></category>

		<category><![CDATA[Boom Op Talkback]]></category>

		<category><![CDATA[CL-9]]></category>

		<category><![CDATA[Sound Devices CL-9]]></category>

		<guid isPermaLink="false">http://www.trewaudio.com/audioflow/?p=1911</guid>
		<description>Since the Sound Devices CL-9 hit the blogosphere, views and how-to&amp;#8217;s have filled the web.  Instead of rehashing what the CL-9 is designed to do, I&amp;#8217;ve decided to take a practical approach to using the communications section of the new control surface.
If the boom operators wish to listen to the same mix as the sound [...]&lt;img src="http://feeds.feedburner.com/~r/trewaudioflow/~4/rTJIaLw3r1E" height="1" width="1"/&gt;</description>
		<wfw:commentRss>http://www.trewaudio.com/audioflow/2010/02/26/cl-9-communications/feed/</wfw:commentRss>
		<feedburner:origLink>http://www.trewaudio.com/audioflow/2010/02/26/cl-9-communications/</feedburner:origLink></item>
		<item>
		<title>Welcome Back, Tascam</title>
		<link>http://feedproxy.google.com/~r/trewaudioflow/~3/88AP4sYzvcY/</link>
		<comments>http://www.trewaudio.com/audioflow/2010/01/29/welcome-back-tascam/#comments</comments>
		<pubDate>Fri, 29 Jan 2010 18:22:06 +0000</pubDate>
		<dc:creator>skylor</dc:creator>
		
		<category><![CDATA[Recorders]]></category>

		<category><![CDATA[Reviews]]></category>

		<category><![CDATA[Tascam]]></category>

		<category><![CDATA[Uncategorized]]></category>

		<category><![CDATA[Tascam DSR-680]]></category>

		<category><![CDATA[Tascam Hs-8]]></category>

		<category><![CDATA[Tascam HS-P82]]></category>

		<guid isPermaLink="false">http://www.trewaudio.com/audioflow/?p=1839</guid>
		<description>For music industry based audio companies, the film/television audio production world is a blip on their financial radar.  For years specialty manufacturers, such as Zaxcom and Sound Devices have served us, and served us well. Cross-over companies, such as Fostex, Marantz, and Tascam seem to ebb and flow with product changes. Fostex has had [...]&lt;img src="http://feeds.feedburner.com/~r/trewaudioflow/~4/88AP4sYzvcY" height="1" width="1"/&gt;</description>
		<wfw:commentRss>http://www.trewaudio.com/audioflow/2010/01/29/welcome-back-tascam/feed/</wfw:commentRss>
		<feedburner:origLink>http://www.trewaudio.com/audioflow/2010/01/29/welcome-back-tascam/</feedburner:origLink></item>
		<item>
		<title>2009 Highlights (yes, there were some)</title>
		<link>http://feedproxy.google.com/~r/trewaudioflow/~3/FwYr9ekWWBc/</link>
		<comments>http://www.trewaudio.com/audioflow/2010/01/08/2009-highlights/#comments</comments>
		<pubDate>Fri, 08 Jan 2010 23:33:07 +0000</pubDate>
		<dc:creator>jane</dc:creator>
		
		<category><![CDATA[K-Tek]]></category>

		<category><![CDATA[Lectrosonics]]></category>

		<category><![CDATA[Mixers]]></category>

		<category><![CDATA[NAB 2009]]></category>

		<category><![CDATA[PSC]]></category>

		<category><![CDATA[Rycote]]></category>

		<category><![CDATA[Sound Devices]]></category>

		<category><![CDATA[Wireless]]></category>

		<category><![CDATA[Zaxcom]]></category>

		<guid isPermaLink="false">http://www.trewaudio.com/audioflow/?p=1723</guid>
		<description>As we looked back over 2009 we found several things to be happy about. NAB2009 brought out a few new products of interest and the Sound Devices 552 debuted to a waiting crowd. We worked to bring some clarity to the complex and ever changing world of digital workflows with our Sound for Picture session [...]&lt;img src="http://feeds.feedburner.com/~r/trewaudioflow/~4/FwYr9ekWWBc" height="1" width="1"/&gt;</description>
		<wfw:commentRss>http://www.trewaudio.com/audioflow/2010/01/08/2009-highlights/feed/</wfw:commentRss>
		<feedburner:origLink>http://www.trewaudio.com/audioflow/2010/01/08/2009-highlights/</feedburner:origLink></item>
		<item>
		<title>Local tv station chooses Trew to deliver multiple Lectrosonics wireless systems</title>
		<link>http://feedproxy.google.com/~r/trewaudioflow/~3/qL07bxOS2ok/</link>
		<comments>http://www.trewaudio.com/audioflow/2009/11/09/tv-station-wireless-systems/#comments</comments>
		<pubDate>Mon, 09 Nov 2009 21:38:46 +0000</pubDate>
		<dc:creator>jane</dc:creator>
		
		<category><![CDATA[Lectrosonics]]></category>

		<category><![CDATA[Production Stuff]]></category>

		<category><![CDATA[Wireless]]></category>

		<category><![CDATA[ENG]]></category>

		<category><![CDATA[Lectro dual channel wireless system]]></category>

		<category><![CDATA[Lectrosonics SRA-5P]]></category>

		<category><![CDATA[SRA-5P]]></category>

		<guid isPermaLink="false">http://www.trewaudio.com/audioflow/?p=1589</guid>
		<description>WTVF Cameraman Nathan Sharkey and his newly outfitted camera

Over the years WTVF&amp;#8211;NewsChannel  5 in Nashville, Tennessee, has kept a close watch on emerging and evolving technologies and is often among the first to adopt systems that will truly aid their mission of news gathering and delivery. NewsChannel 5 was the first station in Tennessee [...]&lt;img src="http://feeds.feedburner.com/~r/trewaudioflow/~4/qL07bxOS2ok" height="1" width="1"/&gt;</description>
		<wfw:commentRss>http://www.trewaudio.com/audioflow/2009/11/09/tv-station-wireless-systems/feed/</wfw:commentRss>
		<feedburner:origLink>http://www.trewaudio.com/audioflow/2009/11/09/tv-station-wireless-systems/</feedburner:origLink></item>
		<item>
		<title>New Rycote for the Sennheiser 8040/8050</title>
		<link>http://feedproxy.google.com/~r/trewaudioflow/~3/HR-l7E7izhk/</link>
		<comments>http://www.trewaudio.com/audioflow/2009/11/06/rycote-does-it-again/#comments</comments>
		<pubDate>Fri, 06 Nov 2009 20:48:00 +0000</pubDate>
		<dc:creator>glen</dc:creator>
		
		<category><![CDATA[Reviews]]></category>

		<category><![CDATA[Rycote]]></category>

		<category><![CDATA[Sennheiser]]></category>

		<category><![CDATA[Rycote Mono Extended Ballgag system]]></category>

		<category><![CDATA[Sennheiser MKH 8000 series]]></category>

		<guid isPermaLink="false">http://www.trewaudio.com/audioflow/?p=1459</guid>
		<description>A new suspension and windscreen for the Sennheiser MKH-8000 microphones


Pricing:

Suspension
Windscreen
Windjammer
Microphone and Acc


Rycote is a respected and innovative manufacturer of high quality microphone windscreens and suspension systems. So when they saw the Sennheiser MKH-8000 compact microphone series and its potential for film and video use, they developed a system that not only isolates the microphone from [...]&lt;img src="http://feeds.feedburner.com/~r/trewaudioflow/~4/HR-l7E7izhk" height="1" width="1"/&gt;</description>
		<wfw:commentRss>http://www.trewaudio.com/audioflow/2009/11/06/rycote-does-it-again/feed/</wfw:commentRss>
		<feedburner:origLink>http://www.trewaudio.com/audioflow/2009/11/06/rycote-does-it-again/</feedburner:origLink></item>
		<item>
		<title>A trip to the Rycote Factory</title>
		<link>http://feedproxy.google.com/~r/trewaudioflow/~3/k6Dn-DoDXY0/</link>
		<comments>http://www.trewaudio.com/audioflow/2009/11/06/rycote-factory/#comments</comments>
		<pubDate>Fri, 06 Nov 2009 19:31:02 +0000</pubDate>
		<dc:creator>glen</dc:creator>
		
		<category><![CDATA[Production Life]]></category>

		<category><![CDATA[Rycote]]></category>

		<category><![CDATA[Uncategorized]]></category>

		<category><![CDATA[Rycote factory]]></category>

		<category><![CDATA[windscreen manufacturing]]></category>

		<category><![CDATA[Windscreens]]></category>

		<guid isPermaLink="false">http://www.trewaudio.com/audioflow/?p=1467</guid>
		<description>The classic blimp-shaped microphone windscreen: It&amp;#8217;s the most iconic image of film and video sound. Even people who are not in the business relate to this because they see it everywhere; on television news, behind-the-scenes movie productions, and when passing by a film production. That familiar shape bobbing around high overhead on a pole is [...]&lt;img src="http://feeds.feedburner.com/~r/trewaudioflow/~4/k6Dn-DoDXY0" height="1" width="1"/&gt;</description>
		<wfw:commentRss>http://www.trewaudio.com/audioflow/2009/11/06/rycote-factory/feed/</wfw:commentRss>
		<feedburner:origLink>http://www.trewaudio.com/audioflow/2009/11/06/rycote-factory/</feedburner:origLink></item>
		<item>
		<title>Windscreens and Mounts: The Basics</title>
		<link>http://feedproxy.google.com/~r/trewaudioflow/~3/zx9yASOv1K8/</link>
		<comments>http://www.trewaudio.com/audioflow/2009/10/08/windscreens-and-mounts-the-basics/#comments</comments>
		<pubDate>Thu, 08 Oct 2009 19:53:47 +0000</pubDate>
		<dc:creator>rick</dc:creator>
		
		<category><![CDATA[General Techie Stuff]]></category>

		<category><![CDATA[Production Life]]></category>

		<category><![CDATA[Production Stuff]]></category>

		<category><![CDATA[Boom operator]]></category>

		<category><![CDATA[EV 307]]></category>

		<category><![CDATA[Film Production history]]></category>

		<category><![CDATA[Location Sound techniques]]></category>

		<category><![CDATA[Microphone Suspensions]]></category>

		<category><![CDATA[Mounts]]></category>

		<category><![CDATA[Movie Production]]></category>

		<category><![CDATA[Perambulator]]></category>

		<category><![CDATA[Rycote]]></category>

		<category><![CDATA[Stage Poles]]></category>

		<category><![CDATA[Windscreens]]></category>

		<guid isPermaLink="false">http://www.trewaudio.com/audioflow/?p=1393</guid>
		<description>The human hand can be a reasonably good suspension device. In most film and video production situations hand-held mics are not effective, one arm is too short. We need to mount the mic on a rigid pole. The rigidity of the boom pole is where the problems begin. Boom poles transmit vibrations rather well, some better than others. Many clever people have spent decades trying to build a device, a shock mount, to put on the end of the boom that will do what our hands can do so easily. &lt;a href="http://www.trewaudio.com/audioflow/2009/10/08/windscreens-and-mounts-the-basics/"&gt;Read full entry &amp;#187;&lt;/a&gt;&lt;img src="http://feeds.feedburner.com/~r/trewaudioflow/~4/zx9yASOv1K8" height="1" width="1"/&gt;</description>
		<wfw:commentRss>http://www.trewaudio.com/audioflow/2009/10/08/windscreens-and-mounts-the-basics/feed/</wfw:commentRss>
		<feedburner:origLink>http://www.trewaudio.com/audioflow/2009/10/08/windscreens-and-mounts-the-basics/</feedburner:origLink></item>
		<item>
		<title>PSC Refines the Solice Mixer</title>
		<link>http://feedproxy.google.com/~r/trewaudioflow/~3/kS0ZUZ_Oy2k/</link>
		<comments>http://www.trewaudio.com/audioflow/2009/09/28/psc-refines-the-solice-mixer/#comments</comments>
		<pubDate>Mon, 28 Sep 2009 21:25:56 +0000</pubDate>
		<dc:creator>glen</dc:creator>
		
		<category><![CDATA[Mixers]]></category>

		<category><![CDATA[PSC]]></category>

		<guid isPermaLink="false">http://www.trewaudio.com/audioflow/?p=1366</guid>
		<description>Since the original review of the PSC Solice mixer of April 2009, PSC has responded with several improvements as described below. It is a credit to PSC that they responded so quickly, and an added bonus that they are offering all of these refinements to existing Solice owners at no charge. Below is a description [...]&lt;img src="http://feeds.feedburner.com/~r/trewaudioflow/~4/kS0ZUZ_Oy2k" height="1" width="1"/&gt;</description>
		<wfw:commentRss>http://www.trewaudio.com/audioflow/2009/09/28/psc-refines-the-solice-mixer/feed/</wfw:commentRss>
		<feedburner:origLink>http://www.trewaudio.com/audioflow/2009/09/28/psc-refines-the-solice-mixer/</feedburner:origLink></item>
		<item>
		<title>Sonosax SX-ES64 Review</title>
		<link>http://feedproxy.google.com/~r/trewaudioflow/~3/XjZwFzUGLXk/</link>
		<comments>http://www.trewaudio.com/audioflow/2009/09/25/sonosax-sx-es64-review/#comments</comments>
		<pubDate>Fri, 25 Sep 2009 19:40:14 +0000</pubDate>
		<dc:creator>glen</dc:creator>
		
		<category><![CDATA[Mixers]]></category>

		<category><![CDATA[Sonosax]]></category>

		<category><![CDATA[Sonosax SX-ES64]]></category>

		<guid isPermaLink="false">http://www.trewaudio.com/audioflow/?p=1239</guid>
		<description>Another jewel from Switzerland: The new Sonosax SX-ES64 portable compact audio mixer. It just arrived at Trew Audio this past Friday, September 18, and I must say it is a beautiful piece. We've grown to expect audio equipment as art from Sonosax, but still, the first gaze at the SX-ES64 is stunning. &lt;a href="http://www.trewaudio.com/audioflow/2009/09/25/sonosax-sx-es64-review" /&gt;Read full entry &amp;#187;&lt;/a&gt;&lt;img src="http://feeds.feedburner.com/~r/trewaudioflow/~4/XjZwFzUGLXk" height="1" width="1"/&gt;</description>
		<wfw:commentRss>http://www.trewaudio.com/audioflow/2009/09/25/sonosax-sx-es64-review/feed/</wfw:commentRss>
		<feedburner:origLink>http://www.trewaudio.com/audioflow/2009/09/25/sonosax-sx-es64-review/</feedburner:origLink></item>
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