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    <title>Harvard University Press Blog     </title>
    
    
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    <updated>2012-01-25T13:22:21-05:00</updated>
    <subtitle>Books, Ideas, and News from Harvard University Press</subtitle>
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        <title>From the Protestant Reformation to the Failure of Modernity</title>
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        <published>2012-01-25T13:22:21-05:00</published>
        <updated>2012-01-25T13:22:21-05:00</updated>
        <summary>Brad S. Gregory’s new book, The Unintended Reformation: How a Religious Revolution Secularized Society, is very much in the tradition of and in conversation with Charles Taylor’s A Secular Age. Both are large, sweeping books that change the way we...</summary>
        <author>
            <name>Harvard University Press</name>
        </author>
        <category scheme="http://www.sixapart.com/ns/types#category" term="European History" />
        <category scheme="http://www.sixapart.com/ns/types#category" term="Religion" />
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        <category scheme="http://www.sixapart.com/ns/types#category" term="World history" />
        
        <category scheme="http://sixapart.com/ns/types#tag" term="A Secular Age" />
        <category scheme="http://sixapart.com/ns/types#tag" term="Brad S. Gregory" />
        <category scheme="http://sixapart.com/ns/types#tag" term="Charles Taylor" />
        <category scheme="http://sixapart.com/ns/types#tag" term="Christianity" />
        <category scheme="http://sixapart.com/ns/types#tag" term="Enlightenment" />
        <category scheme="http://sixapart.com/ns/types#tag" term="Harvard University Press" />
        <category scheme="http://sixapart.com/ns/types#tag" term="Modernity" />
        <category scheme="http://sixapart.com/ns/types#tag" term="Protestant Reformation" />
        <category scheme="http://sixapart.com/ns/types#tag" term="Secularism" />
        <category scheme="http://sixapart.com/ns/types#tag" term="The Unintended Reformation" />
        
<content type="xhtml" xml:lang="en-US" xml:base="http://harvardpress.typepad.com/hup_publicity/"><div xmlns="http://www.w3.org/1999/xhtml"><p>Brad S. Gregory’s new book, <em><a href="http://www.hup.harvard.edu/catalog.php?isbn=9780674045637" target="_self" title="The Unintended Reformation">The Unintended Reformation: How a Religious Revolution Secularized Society</a></em>, is very much in the tradition of and in conversation with Charles Taylor’s <em><a href="http://www.hup.harvard.edu/catalog.php?isbn=9780674026766" target="_self" title="A Secular Age">A Secular Age</a></em>. Both are large, sweeping books that change the way we understand modernity and the world in which we live. For Gregory, that new understanding comes from looking all the way back to the Protestant Reformation, and connecting all that’s come since in ways that scholars have thus far resisted.</p>
<p>He discussed the book with us in a recent episode of the Harvard Press Podcast, which you can hear or download via the player below.</p>
<p style="text-align: center;"><iframe frameborder="no" height="166" scrolling="no" src="http://w.soundcloud.com/player/?url=http%3A%2F%2Fapi.soundcloud.com%2Ftracks%2F33181374&amp;auto_play=false&amp;show_artwork=false&amp;color=663333" width="100%" /></p>
<p>During that conversation, he explained the ways in which he understands modern Western life as stemming from developments of the 16th and 17th centuries:</p>
<blockquote>
<p>I don’t think anyone who’s self-reflective about it would deny the rather banal claim that the world that we’re living in today is the product of the past. The issue is what aspects of the past help us to understand and to explain the character of the situation in which we find ourselves. What’s unusual about my book is that it parts ways from the normal methods and the normal assumptions by which even professional historians tend to explain the present. That is, it tends to be assumed that we can account for the world in which we’re living today in the West—North America and Europe—this side, as it were, of the scientific revolution, the Enlightenment, the industrial revolution, the French and American revolutions in the late eighteenth century. And, one of the central arguments I’m making in The Unintended Reformation is that that is not the case, and that all of those developments indeed are critical to understanding where we are today, but what we really need to understand are the religious disagreements of the Reformation era, and the unintended processes that they set in motion, without which we will not understand the character of the problems that we’re facing in the early twenty-first century.</p>
</blockquote>
<p><a href="http://www.hup.harvard.edu/catalog.php?isbn=9780674045637" style="float: right;" target="_self" title="The Unintended Reformation"><img alt="Cover-the-unintended-reformation" border="0" class="asset  asset-image at-xid-6a00d8341d17e553ef0163001b601e970d" src="http://harvardpress.typepad.com/.a/6a00d8341d17e553ef0163001b601e970d-800wi" style="margin: 0px 0px 5px 5px;" title="Cover-the-unintended-reformation" /></a>It’s Gregory’s claim that the Western world today is “an extraordinarily complex, tangled product of rejections, retentions, and transformations of medieval Western Christianity.” Our failure to understand that lineage, he argues, prevents us from fully recognizing the disaggregation that our society has experienced. From <em>The Unintended Reformation</em>:</p>
<blockquote>
<p>On the eve of the Reformation, Latin Christianity comprised for good or ill the far from homogeneous yet institutionalized worldview within which the overwhelming majority of Europeans lived and made sense of their lives. Diversely, early twenty-first-century Westerners live in and think with and even feel through the historical results of its variegated rejections and appropriations in such knotted ways that it is difficult even to see, much less to analyze, them. In getting from the early sixteenth to the early twenty-first century, this study develops the claim from <a href="http://www.hup.harvard.edu/catalog.php?isbn=9780674007048" target="_self" title="Salvation at Stake">my first book</a> that “incompatible, deeply held, concretely expressed religious convictions paved a path to a secular society.”</p>
</blockquote>


<p>Elsewhere in the book, he fleshes out the implications of having lost the common ground that Latin Christianity had previously represented:</p>
<blockquote>
<p>A centrally important, paradoxical characteristic of modern liberalism is that it does not prescribe what citizens should believe, how they should live, or what they should care about, but it nonetheless depends for the social cohesion and political vitality of the regimes it informs on the voluntary acceptance of widely shared beliefs, values, and priorities that motivate people’s actions. Otherwise liberal states have to become more legalistic and coercive in order to insure stability and security. In the West, many of those basic beliefs, values, and priorities—including self-discipline, self-denial, self-sacrifice, ethical responsibility for others, duty to one’s community, commitment to one’s spouse and children—derive most influentially in the modern Western world from Christianity and were shared across confessional lines in early modern Europe. Advanced secularization, precipitated partly by the capitalism and consumerism encouraged by liberal states, has considerably eroded them in the past several decades and thus placed increasing pressures on public life through the social fragmentation and political apathy of increasing numbers of citizens who exercise their rights to live for themselves and to ignore politics. This is one way in which modernity’s failure is under way, a symptom of which is the constant stream of (thus far, ineffectual) proposals about how to reinvigorate democracy, restore public civility, get citizens to care about politics, and so forth. More abstractly but important in different ways, the ideological secularism of the public sphere and the naturalist metaphysical assumptions of academic life, combined with the state of philosophy and the explanatory successes of the natural sciences, prevent the articulation of any intellectually persuasive warrant for believing in the realities presupposed by liberal political discourse and the institutional arrangements of modernity: that there are such things as persons, and that they have such things as rights. Secularization and scientism are thus subverting modernity’s most fundamental assumptions from within, developments that are facilitated by the same institutional arrangements of liberalism that solved early modern Europe’s problem of religious coexistence.</p>
</blockquote>
<p>That’s worth unpacking, because it’s extremely significant to Gregory’s argument in <em>The Unintended Reformation</em>, a book that Anthony Grafton calls an “astonishing achievement.” In essence, Gregory’s explaining here that Western society is built on values presumed to be shared, and yet the basis for those values—Christianity—has been marginalized by law and “disproven” by science, leaving us a bit like Wiley Coyote over the cliff’s edge. Gregory’s book is a warning that, whether or not we look down, we’re already falling.</p>
<p>He extends the argument further:</p>
<blockquote>
<p>(T)he exclusion in the secularized academy of any religious claims or metaphysical assumptions besides naturalism has eliminated any possibility of justifying the belief that members of the species Homo sapiens are persons, or that rights are real. There are certainly no grounds for thinking that rights are natural, rooted in nature as many Enlightenment theorists claimed… Rights and dignity can be real only if human beings are more than biological matter. The modern secular discourse on human rights depends on retaining in some fashion—but without acknowledging—the belief that every human being is created in the image and likeness of God, a notion that could be rooted in nature so long as nature was regarded as creation, whether overtly recognized as such or not. But if nature is not creation, then there are no creatures, and human beings are just one more species that happened randomly to evolve, no more “endowed by their creator with certain unalienable rights” than is any other bit of matter-energy. Then there simply are no rights, just as there are no persons, and no theorizing can conjure them into existence. The intellectual foundations of modernity are failing because its governing metaphysical assumptions in combination with the findings of the natural sciences offer no warrant for believing its most basic moral, political, and legal claims.</p>
</blockquote>
<p>You can read more from Brad Gregory in <a href="http://rorotoko.com/interview/20120125_gregory_brad_on_the_unintended_reformation/?page=1" target="_self" title="Brad S. Gregory on his book The Unintended Reformation: How a Religious Revolution Secularized Society">an interview at </a><em><a href="http://rorotoko.com/interview/20120125_gregory_brad_on_the_unintended_reformation/?page=1" target="_self" title="Brad S. Gregory on his book The Unintended Reformation: How a Religious Revolution Secularized Society">Rorotoko</a></em>.</p><xhtml:img xmlns:xhtml="http://www.w3.org/1999/xhtml" src="http://feeds.feedburner.com/~r/typepad/budandflora/hup_publicity/~4/g6gzyr92P-Y" height="1" width="1" /></div></content>



    <feedburner:origLink>http://harvardpress.typepad.com/hup_publicity/2012/01/from-the-protestant-reformation-to-the-failure-of-modernity.html</feedburner:origLink></entry>
    <entry>
        <title>Feather-Capped and Back-Patted</title>
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        <id>tag:typepad.com,2003:post-6a00d8341d17e553ef016760ffd4d0970b</id>
        <published>2012-01-24T11:09:43-05:00</published>
        <updated>2012-01-24T11:17:34-05:00</updated>
        <summary>We’ve begun this year with a number of nice honors for books we published in the last. Seems that 2011 was a particularly nice year for HUP biographies. One of them, Robert Douglas-Fairhurst’s Becoming Dickens: The Invention of a Novelist,...</summary>
        <author>
            <name>Harvard University Press</name>
        </author>
        <category scheme="http://www.sixapart.com/ns/types#category" term="Awards" />
        <category scheme="http://www.sixapart.com/ns/types#category" term="HUP Book Awards" />
        
        <category scheme="http://sixapart.com/ns/types#tag" term="Advertising Empire" />
        <category scheme="http://sixapart.com/ns/types#tag" term="Becoming Dickens" />
        <category scheme="http://sixapart.com/ns/types#tag" term="David Blatman" />
        <category scheme="http://sixapart.com/ns/types#tag" term="David Ciarlo" />
        <category scheme="http://sixapart.com/ns/types#tag" term="Deng Xiaoping and the Transformation of China" />
        <category scheme="http://sixapart.com/ns/types#tag" term="Ezra Vogel" />
        <category scheme="http://sixapart.com/ns/types#tag" term="Harvard University Press" />
        <category scheme="http://sixapart.com/ns/types#tag" term="Robert Douglas-Fairhurst" />
        <category scheme="http://sixapart.com/ns/types#tag" term="Sean McMeekin" />
        <category scheme="http://sixapart.com/ns/types#tag" term="The Death Marches" />
        <category scheme="http://sixapart.com/ns/types#tag" term="The Russian Origins of the First World War" />
        
<content type="xhtml" xml:lang="en-US" xml:base="http://harvardpress.typepad.com/hup_publicity/"><div xmlns="http://www.w3.org/1999/xhtml"><p><a href="http://www.hup.harvard.edu/catalog.php?isbn=9780674050037" style="float: right;" target="_self" title="Becoming Dickens"><img alt="Cover-becoming-dickens" border="0" class="asset  asset-image at-xid-6a00d8341d17e553ef0168e601121e970c" src="http://harvardpress.typepad.com/.a/6a00d8341d17e553ef0168e601121e970c-800wi" style="margin: 0px 0px 5px 5px; border: 1px solid #000000;" title="Cover-becoming-dickens" /></a>We’ve begun this year with a number of nice honors for books we published in the last. Seems that 2011 was a particularly nice year for HUP biographies. One of them, Robert Douglas-Fairhurst’s <em><a href="http://www.hup.harvard.edu/catalog.php?isbn=9780674050037" target="_self" title="Becoming Dickens">Becoming Dickens: The Invention of a Novelist</a></em>, has been shortlisted for the <a href="http://www.theduffcooperprize.org/short-list" target="_self" title="The Duff Cooper Prize">2011 Duff Cooper Prize</a>, which celebrates the best in non-fiction writing. The winner will be announced at a party given at the French Embassy in London on Wednesday, February 29th. This welcome accolade joins many others for Douglas-Fairhurst’s unconventional look at Dickens, which was recognized as a favorite of 2011 by such publications as The <em>Wall Street Journal</em>, The <em>Times Literary Supplement</em>, and The <em>Telegraph</em>.</p>
<p>We’re also proud to see another biography, Ezra F. Vogel’s <em><a href="http://www.hup.harvard.edu/catalog.php?isbn=9780674055445" target="_self" title="Deng Xiaoping and the Transformation of China">Deng Xiaoping and the Transformation of China</a></em>, earning wide praise. Having already been named a highlight of 2011 by The <em>Economist</em>, <em>Washington Post</em>, and others, Vogel’s masterful look at China’s boldest strategist has also been named a Finalist for <a href="http://bookcritics.org/blog/archive/press-release-draft" target="_self" title="National Book Critics Circle Announces Finalists for Publishing Year 2011">the National Book Critics Circle award for biography</a>. In what was an exceptional year for the category, Vogel’s book keeps great company among co-Finalists such as Manning Marable’s <em>Malcolm X</em> and John Lewis Gaddis’s take on George F. Kennan.</p>
<p><em><a href="http://www.hup.harvard.edu/catalog.php?isbn=9780674062108" style="float: right;" target="_self" title="The Russian Origins of the First World War"><img alt="Cover-russian-origins-first-world-war" border="0" class="asset  asset-image at-xid-6a00d8341d17e553ef0163000aeaa3970d" src="http://harvardpress.typepad.com/.a/6a00d8341d17e553ef0163000aeaa3970d-800wi" style="margin: 0px 0px 5px 5px;" title="Cover-russian-origins-first-world-war" /></a>Deng Xiaoping and the Transformation of China</em> has also been longlisted for the <a href="http://www.utoronto.ca/munk/gelber/media_release/2012_Longlist_Press_Release.html" target="_self" title="2012 Lionel Gelber Prize Longlist">2012 Lionel Gelber Prize</a>, which celebrates the best non-fiction book on foreign affairs published in English. And joining Vogel on the Gelber longlist is Sean McMeekin’s <em><a href="http://www.hup.harvard.edu/catalog.php?isbn=9780674062108" target="_self" title="The Russian Origins of the First World War">The Russian Origins of the First World War</a></em>, which boldly upends the conventional understanding of Russia’s part in the Great War. The Gelber list will be shortened in early February, and the winner of the $15,000 Prize will be announced on March 12th.</p>
<p>We’re also honored to note that Daniel Blatman’s <em><a href="http://www.hup.harvard.edu/catalog.php?isbn=9780674050495" target="_self" title="The Death Marches">The Death Marches: The Final Phase of Nazi Genocide</a></em> was named Co-Winner of the <a href="http://www1.yadvashem.org/yv/en/pressroom/pressreleases/pr_details.asp?cid=720" target="_self" title="First International Yad Vashem Book Prize for Holocaust Research Awarded to Christopher Browning and Daniel Blatman">Yad Vashem International Book Prize for Holocaust Research</a>, for which 2011 was the inaugural year. The Book Prize Committee praised <em>The Death Marches</em> as “an important, path breaking new study on a well-known yet largely unstudied part of the Holocaust,” and described the book as “masterly, a veritable tour de force, and truly a pioneering study and an example of outstanding scholarship.”</p>
<p><a href="http://www.hup.harvard.edu/catalog.php?isbn=9780674050068" style="float: right;" target="_self" title="Advertising Empire"><img alt="Cover-advertising-empire" border="0" class="asset  asset-image at-xid-6a00d8341d17e553ef0168e6015274970c" src="http://harvardpress.typepad.com/.a/6a00d8341d17e553ef0168e6015274970c-800wi" style="margin: 0px 0px 5px 5px;" title="Cover-advertising-empire" /></a>And we’d also like to note the awarding of the <a href="http://www.historians.org/prizes/AWARDED/BeerWinner.htm" target="_self" title="George Louis Beer Prize">American Historical Association’s 2011 George Louis Beer Prize</a> to David Ciarlo, for <em><a href="http://www.hup.harvard.edu/catalog.php?isbn=9780674050068" target="_self" title="Advertising Empire">Advertising Empire: Race and Visual Culture in Imperial Germany</a></em>. The award, given in recognition of outstanding historical writing on any phase of European international history since 1895, is open to any scholar who is a U.S. citizen or permanent resident. Ciarlo recently discussed his innovative visual history of the German colonial worldview with the folks at <em>New Books in History</em>, where you can <a href="http://newbooksinhistory.com/2011/11/17/david-ciarlo-advertising-empire-race-and-visual-culture-in-imperial-germany-harvard-up-2011/" target="_self" title="David Ciarlo, New Books In History">listen to the conversation</a>.</p>
<p>On our website, you can scroll through other <a href="http://www.hup.harvard.edu/news/recent-awards.html" target="_self" title="HUP Recent Awards and Prizes">recent awards for HUP books</a>, and we’ve also collected the <a href="http://www.hup.harvard.edu/news/books-of-the-year.html" target="_self" title="HUP Books of the Year">Book of the Year citations</a> given to over two dozen HUP works released in 2011. We’re continually honored to be working with such talented scholars, and we’re very proud to see their wonderful work recognized so widely.</p><xhtml:img xmlns:xhtml="http://www.w3.org/1999/xhtml" src="http://feeds.feedburner.com/~r/typepad/budandflora/hup_publicity/~4/HUyAhuAnKHY" height="1" width="1" /></div></content>



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    <entry>
        <title>Matthew Kirschenbaum's Literary History of Word Processing</title>
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        <id>tag:typepad.com,2003:post-6a00d8341d17e553ef016760dd029c970b</id>
        <published>2012-01-20T14:22:34-05:00</published>
        <updated>2012-01-20T14:22:34-05:00</updated>
        <summary>Matthew G. Kirschenbaum, Associate Professor in the Department of English at the University of Maryland and Associate Director of the Maryland Institute for Technology in the Humanities, is working on a new book entitled Track Changes: A Literary History of...</summary>
        <author>
            <name>Harvard University Press</name>
        </author>
        <category scheme="http://www.sixapart.com/ns/types#category" term="Humanities" />
        <category scheme="http://www.sixapart.com/ns/types#category" term="Literary Criticism" />
        <category scheme="http://www.sixapart.com/ns/types#category" term="Literature" />
        <category scheme="http://www.sixapart.com/ns/types#category" term="Making Books" />
        <category scheme="http://www.sixapart.com/ns/types#category" term="Technology" />
        <category scheme="http://www.sixapart.com/ns/types#category" term="Web/Tech" />
        
        <category scheme="http://sixapart.com/ns/types#tag" term="#trackchanges" />
        <category scheme="http://sixapart.com/ns/types#tag" term="Digital Humanities" />
        <category scheme="http://sixapart.com/ns/types#tag" term="Harvard University Press" />
        <category scheme="http://sixapart.com/ns/types#tag" term="Humanities" />
        <category scheme="http://sixapart.com/ns/types#tag" term="Jerry Pournelle" />
        <category scheme="http://sixapart.com/ns/types#tag" term="Literary History of Word Processing" />
        <category scheme="http://sixapart.com/ns/types#tag" term="Matthew Kirschenbaum" />
        <category scheme="http://sixapart.com/ns/types#tag" term="Track Changes" />
        <category scheme="http://sixapart.com/ns/types#tag" term="Word Processing" />
        
<content type="xhtml" xml:lang="en-US" xml:base="http://harvardpress.typepad.com/hup_publicity/"><div xmlns="http://www.w3.org/1999/xhtml"><p><a href="http://harvardpress.typepad.com/.a/6a00d8341d17e553ef0168e5ddf788970c-pi" style="float: right;"><img alt="Apple-iie" border="0" class="asset  asset-image at-xid-6a00d8341d17e553ef0168e5ddf788970c" src="http://harvardpress.typepad.com/.a/6a00d8341d17e553ef0168e5ddf788970c-800wi" style="margin: 0px 0px 5px 5px;" title="Apple-iie" /></a>Matthew G. Kirschenbaum, Associate Professor in the Department of English at the University of Maryland and Associate Director of the <a href="http://mith.umd.edu/" target="_self" title="Maryland Institute for Technology in the Humanities">Maryland Institute for Technology in the Humanities</a>, is working on a new book entitled <em>Track Changes: A Literary History of Word Processing</em>. The book will explore how the adoption of word processing technology changed the way that writers practiced their craft, a project that reflects a growing scholarly interest in how writing tools affect literary output. Kirschenbaum recently gave a talk at the New York Public Library based on the book’s first chapter, which <a href="http://www.archive.org/details/2011-12-stephen-kings-wang" target="_self" title="Stephen King's Wang">you can listen to here</a>.</p>
<p>We’re excited to be publishing the book sometime in the next couple of years, and equally excited to watch it take shape along the way. And you can help! On his website, Kirschenbaum has put out <a href="http://mkirschenbaum.wordpress.com/2011/12/25/history-of-word-processing-your-assitance-needed/" target="_self" title="My Literary History of Word Processing: Your Assistance Needed">a call for assistance</a>:</p>
<blockquote>
<p>I want to know who the early adopters were, and how they thought about the new digital technology in relation to their writing practice. I am interested in both “highbrow” and popular authors alike, fiction and non-fiction. I am also following the story through to the present day: many writers now have platforms on social media like blogs, Facebook, and Twitter. Some of my best information so far has come from word of mouth. That’s where I need your help. I would be very interested in hearing from:</p>
<ul>
<li>authors who were early adopters of computing and word prcocessing and/or social media (also authors who made a deliberate decision not to switch to a computer);</li>
<li>editors, publishers, agents, and others in the business with relevant insights to contribute;</li>
<li>technologists who worked on early word processing programs;</li>
<li>anyone with relevant primary source materials to loan, share, or contribute; anyone who knows of interesting fictional renditions of computers and word processing (for example, King’s short story “Word Processor of the Gods”).</li>
</ul>
</blockquote>
<p><a href="http://harvardpress.typepad.com/.a/6a00d8341d17e553ef0168e5de18dd970c-pi" style="float: right;"><img alt="Kirschenbaum" border="0" class="asset  asset-image at-xid-6a00d8341d17e553ef0168e5de18dd970c" src="http://harvardpress.typepad.com/.a/6a00d8341d17e553ef0168e5de18dd970c-800wi" style="margin: 0px 0px 5px 5px;" title="Kirschenbaum" /></a>Kirschenbaum, pictured at right, has also created <a href="http://trackchangesbook.tumblr.com/" target="_self" title="Tracking the Literary History of Word Processing">a new Tumblr blog</a> with which to document and share some of the coverage of and developments with the project. And, after <a href="http://www.nytimes.com/2011/12/26/books/a-literary-history-of-word-processing.html" target="_self" title="The Muses of Insert, Delete and Execute">Jennifer Schuessler wrote of Kirschenbaum and <em>Track Changes</em> in the <em>New York Times</em> late last month</a>, there’s certainly been a spike in activity, with additional coverage in the <em><a href="http://www.guardian.co.uk/technology/2012/jan/15/microsoft-word-processing-literature-naughton" target="_self" title="Has Microsoft Word Affected the Way We Work?">Guardian</a></em> and at the <em><a href="http://www.theatlanticwire.com/technology/2012/01/contenders-first-novel-written-word-processor/47199/" target="_self" title="The Contenders for the First Novel Written with a Word Processor">Atlantic Wire</a></em>, and <a href="http://artsbeat.blogs.nytimes.com/2012/01/10/who-word-processed-first-professors-history-has-writers-staking-their-claim/" target="_self" title="Who Word-Processed First? Professor’s History Has Writers Staking Their Claims">a follow-up piece by Schuessler</a>. One notable response came from Jerry Pournelle, a science fiction writer and journalist who for years contributed to <em>Byte</em> magazine. On his own site, <a href="http://jerrypournelle.com/chaosmanor/?p=4351" target="_self" title="Early Days of Word Processing">Pournelle took issue with many of Kirschenbaum’s statements</a> as reported by the <em>Times</em>. Kirschenbaum tweeted Pournelle’s piece, noting that Pournelle was “definitely high” on his list of people to talk to, and has since reported via Tumblr that Pournelle was “much nicer on the phone” than in his written critique.</p>
<p>It’s interesting to see how Kirschenbaum’s research on the effects of one technological innovation—word processing—is being so shaped by his own embrace of another, social networking. Until recently, it wasn’t often that we got to watch research unfold so publicly, but Kirschenbaum’s style of transparent, internet-based process documentation is becoming more and more common, especially among practitioners of the digital humanities. Follow along for yourself via Kirschenbaum’s <a href="http://trackchangesbook.tumblr.com/" target="_self" title="Tracking the Literary History of Word Processing">Tumblr</a> or <a href="http://twitter.com/#!/mkirschenbaum" target="_self" title="mkirschenbaum">twitter</a>, or just keeps tabs on the <a href="http://twitter.com/#!/search?q=%23trackchanges" target="_self" title="#trackchanges">#trackchanges</a> hashtag. You could also just sit back and wait for the book, but, really, where’s the change in that?</p><xhtml:img xmlns:xhtml="http://www.w3.org/1999/xhtml" src="http://feeds.feedburner.com/~r/typepad/budandflora/hup_publicity/~4/yqaj5YdMBcs" height="1" width="1" /></div></content>



    <feedburner:origLink>http://harvardpress.typepad.com/hup_publicity/2012/01/matthew-kirschenbaum-literary-history-of-word-processing.html</feedburner:origLink></entry>
    <entry>
        <title>Someday All This Will Be Yours</title>
        <link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/typepad/budandflora/hup_publicity/~3/8Tkd8XVI2GI/hartog-someday-all-this-will-be-yours.html" />
        <link rel="replies" type="text/html" href="http://harvardpress.typepad.com/hup_publicity/2012/01/hartog-someday-all-this-will-be-yours.html" />
        <id>tag:typepad.com,2003:post-6a00d8341d17e553ef0162ffbdf597970d</id>
        <published>2012-01-17T15:15:25-05:00</published>
        <updated>2012-01-17T15:22:57-05:00</updated>
        <summary>In a piece published this weekend, Hendrik Hartog, author of Someday All This Will Be Yours, explained that the predominant view of the history of elder care in America isn’t actually very accurate. When thinking of the time before social...</summary>
        <author>
            <name>Harvard University Press</name>
        </author>
        <category scheme="http://www.sixapart.com/ns/types#category" term="American History" />
        <category scheme="http://www.sixapart.com/ns/types#category" term="Family &amp; Relationships" />
        <category scheme="http://www.sixapart.com/ns/types#category" term="Legal Studies" />
        <category scheme="http://www.sixapart.com/ns/types#category" term="Sociology" />
        
        <category scheme="http://sixapart.com/ns/types#tag" term="Elder Care" />
        <category scheme="http://sixapart.com/ns/types#tag" term="Family" />
        <category scheme="http://sixapart.com/ns/types#tag" term="Harvard University Press" />
        <category scheme="http://sixapart.com/ns/types#tag" term="Hendrik Hartog" />
        <category scheme="http://sixapart.com/ns/types#tag" term="Inheritance" />
        <category scheme="http://sixapart.com/ns/types#tag" term="Legal Studies" />
        <category scheme="http://sixapart.com/ns/types#tag" term="Old Age" />
        <category scheme="http://sixapart.com/ns/types#tag" term="Patek Philippe" />
        <category scheme="http://sixapart.com/ns/types#tag" term="Senior Care" />
        <category scheme="http://sixapart.com/ns/types#tag" term="Someday All This Will Be Yours" />
        
<content type="xhtml" xml:lang="en-US" xml:base="http://harvardpress.typepad.com/hup_publicity/"><div xmlns="http://www.w3.org/1999/xhtml"><p><a href="http://www.hup.harvard.edu/catalog.php?isbn=9780674046887" style="float: right;" target="_self" title="Someday All This Will Be Yours"><img alt="Someday-all-this-will-be-yours-cover" border="0" class="asset  asset-image at-xid-6a00d8341d17e553ef016760b26067970b" src="http://harvardpress.typepad.com/.a/6a00d8341d17e553ef016760b26067970b-800wi" style="margin: 0px 0px 5px 5px;" title="Someday-all-this-will-be-yours-cover" /></a>In <a href="http://www.nytimes.com/2012/01/15/opinion/sunday/bargaining-for-a-childs-love.html" target="_self" title="Bargaining for a Child's Love">a piece published this weekend</a>, Hendrik Hartog, author of <em><a href="http://www.hup.harvard.edu/catalog.php?isbn=9780674046887" target="_self" title="Someday All This Will Be Yours">Someday All This Will Be Yours</a></em>, explained that the predominant view of the history of elder care in America isn’t actually very accurate. When thinking of the time before social security, senior homes, and assisted living, people too often imagine families in which children cared for aging parents out of familial love and filial duty, routinely piling three generations into houses together.</p>
<p>But, as Hartog writes, “this portrait is too rosy”:</p>
<blockquote>
<p>If we confront what old-age support once looked like — what actually happened when care was almost fully privatized, when the old depended on their families, without the bureaucratic structures and the (under)paid caregivers we take for granted — a different picture emerges.</p>
<p>For the past decade I have been researching cases of family conflict over old-age care in the decades before Social Security. I have found extraordinary testimony about the intimate management of family care: how the old negotiated with the young for what they called retirement, and the exertions of caregiving at a time when support by relatives was the only sustenance available for the old.</p>
<p>In that world, older people could not rely on habit or culture or nature if they wanted their children to support them when they became frail. In an America strongly identified with economic and physical mobility, parents had to offer inducements. Usually, the bait they used was the promise of an inheritance: stay and take care of me and your mother, and someday you will get the house and the farm or the store or the bank account.</p>
<p>But of course what was at stake was never just an economic bargain between rational actors. Older people negotiated with the young to receive love, to be cared for with affection, not just self-interest.</p>
</blockquote>
<p><em>Someday All This Will Be Yours</em> presents the decade of research Hartog conducted, a project he first undertook during an extended stay near his own elderly mother. He eventually assembled a database of more than 200 cases in which a caretaker brought suit, alleging that the deceased had failed to make good on a promise of quid pro quo. In each case, the plaintiff claimed to have been promised, either implicitly or explicitly, that, in exchange for late-life care of their relative, employer, neighbor, or friend, they’d been promised some later recompense such as money or land. As Hartog explains, in order to win the case the aggrieved would have to prove both that a bargain existed and that they’d upheld their half. More often than not, they were unable to do so and were left with nothing.</p>
<p>Such cases, Hartog found, were essentially standard legal business; run-of-the-mill trials evidencing a social dynamic that we’ve somehow largely forgotten in our age of social services. Hartog’s goal for the project was to better understand this history of intimate transaction:</p>


<blockquote>
<p>By working through how and why such agreements were made, as well as the consequences for the individuals who made them, we learn much about the moral and legal lives of nineteenth- and early twentieth- century family members, labor conflicts within families, responsibility for and care of old people, the legitimate and illegitimate uses of family property and wealth, and the internal economy of family work.</p>
</blockquote>
<p>Hartog describes these cases as examples of what legal anthropologists call “cases of trouble,” which reveal the norms of what ought to have happened in a particular culture by way of documenting claimed violations. So what this trove of legal documents offered Hartog was an extraordinary look into what went on within households of the time. The trial transcripts, by nature, offered great detail:</p>
<blockquote>
<p>On one side, on the side of the child or younger person who claimed to have earned an inheritance, it was always important to describe exactly what work had been done and how, because the work itself, in combination with promises, might produce entitlement, a right to compensation. On the other side, it was usually important to minimize, diminish, or otherwise challenge the work for exactly the same reasons. In the end, the results were rich and detailed (and tested) testimony about who did what, how they did it, how it was solicited, how negotiations over family work occurred, and how the nature of the work changed over time as families aged and reconstructed themselves and as generations and individuals jockeyed for position within those families.</p>
</blockquote>
<p><a href="http://harvardpress.typepad.com/.a/6a00d8341d17e553ef0162ffbdcab8970d-pi" style="float: right;"><img alt="Patek-phillipe-desk-ad" border="0" class="asset  asset-image at-xid-6a00d8341d17e553ef0162ffbdcab8970d" src="http://harvardpress.typepad.com/.a/6a00d8341d17e553ef0162ffbdcab8970d-800wi" style="margin: 0px 0px 5px 5px;" title="Patek-phillipe-desk-ad" /></a>The book, then, uses these legal cases to give us great insight into not just the history of old age in America, but also more generally into American family life over the past hundred and fifty years. Hartog takes us up through the present, a time in which people live much longer than before, and have their care managed and financed by still-relatively-new social structures.</p>
<p>The book’s cover has been an in-house favorite this season, with its old pocket watch somewhat slyly connoting a magician’s lolling pendulum (“You’re getting verrrry sleepy… You will take care of me in my old age...”). The cover also is reminiscent of those Patek Philippe luxury watch ads, the ones depicting a wealthy father and son, captioned “You never actually own a Patek Philippe. You merely take care of it for the next generation.” Those ads usually just read as subtle anti-estate-tax propaganda, but Hartog’s new book lets us see them in a slightly different light.</p>
<p>[<em>Update: Hendrik Hartog discussed the book with Diane Rehm on January 19th. <a href="http://thedianerehmshow.org/shows/2012-01-19/hendrik-hartog-someday-all-will-be-yours" target="_self" title="Hendrik Hartog on the Diane Rehm Show">Listen here</a>.</em>]</p><xhtml:img xmlns:xhtml="http://www.w3.org/1999/xhtml" src="http://feeds.feedburner.com/~r/typepad/budandflora/hup_publicity/~4/8Tkd8XVI2GI" height="1" width="1" /></div></content>



    <feedburner:origLink>http://harvardpress.typepad.com/hup_publicity/2012/01/hartog-someday-all-this-will-be-yours.html</feedburner:origLink></entry>
    <entry>
        <title>Michael Dummett (1925-2011)</title>
        <link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/typepad/budandflora/hup_publicity/~3/v2Dur9Ti4ns/michael-dummett-1925-2011.html" />
        <link rel="replies" type="text/html" href="http://harvardpress.typepad.com/hup_publicity/2012/01/michael-dummett-1925-2011.html" />
        <id>tag:typepad.com,2003:post-6a00d8341d17e553ef0162ff763b1c970d</id>
        <published>2012-01-12T14:14:08-05:00</published>
        <updated>2012-01-17T14:21:11-05:00</updated>
        <summary>Influential British philosopher Sir Michael Dummett died at 86 in the last days of 2011. Over the years we’ve been the publisher of many of Dummett’s books, including his classic studies of the 19th-century German philosopher and mathematician Gottlob Frege....</summary>
        <author>
            <name>Harvard University Press</name>
        </author>
        <category scheme="http://www.sixapart.com/ns/types#category" term="Philosophy" />
        
        <category scheme="http://sixapart.com/ns/types#tag" term="analytic philosophy" />
        <category scheme="http://sixapart.com/ns/types#tag" term="anti-realism" />
        <category scheme="http://sixapart.com/ns/types#tag" term="Gottlob Frege" />
        <category scheme="http://sixapart.com/ns/types#tag" term="Harvard University Press" />
        <category scheme="http://sixapart.com/ns/types#tag" term="Hilary Putnam" />
        <category scheme="http://sixapart.com/ns/types#tag" term="Language" />
        <category scheme="http://sixapart.com/ns/types#tag" term="Michael Dummett" />
        <category scheme="http://sixapart.com/ns/types#tag" term="Origins of Analytical Philosophy" />
        <category scheme="http://sixapart.com/ns/types#tag" term="Philosophy" />
        <category scheme="http://sixapart.com/ns/types#tag" term="realist semantic theory" />
        
<content type="xhtml" xml:lang="en-US" xml:base="http://harvardpress.typepad.com/hup_publicity/"><div xmlns="http://www.w3.org/1999/xhtml"><p><a href="http://harvardpress.typepad.com/.a/6a00d8341d17e553ef0167606af2e3970b-pi" style="float: right;"><img alt="Michael-dummett" border="0" class="asset  asset-image at-xid-6a00d8341d17e553ef0167606af2e3970b" src="http://harvardpress.typepad.com/.a/6a00d8341d17e553ef0167606af2e3970b-800wi" style="margin: 0px 0px 5px 5px;" title="Michael-dummett" /></a>Influential British philosopher Sir Michael Dummett died at 86 in the last days of 2011. Over the years we’ve been the publisher of <a href="http://www.hup.harvard.edu/results-list.php?author=1717" target="_self" title="Michael Dummett at HUP">many of Dummett’s books</a>, including his classic studies of the 19th-century German philosopher and mathematician Gottlob Frege.<a href="http://www.iep.utm.edu/dummett/" target="_self" title="Michael Dummett"> The Internet Encyclopedia of Philosophy notes the importance of Dummett’s work on Frege</a>:</p>
<blockquote>
<p>Dummett has argued that analytical philosophy is based on Frege’s insight that the correct way to study thought is to study language. He holds that Frege advocated a realist semantic theory. According to such a theory every sentence (and thus every thought we are capable of expressing) is determinately true or false, even though we may not have any means of discovering which it is.</p>
</blockquote>
<p>Perhaps Dummett’s own most significant work was the development of “anti-realism,” a way of thinking that took issue with Frege’s realist theory. From <a href="http://www.guardian.co.uk/world/2011/dec/28/sir-michael-dummett" target="_self" title="Sir Michael Dummett Obituary">The </a><em><a href="http://www.guardian.co.uk/world/2011/dec/28/sir-michael-dummett" target="_self" title="Sir Michael Dummett Obituary">Guardian</a></em><a href="http://www.guardian.co.uk/world/2011/dec/28/sir-michael-dummett" target="_self" title="Sir Michael Dummett Obituary">’s obituary of Dummett</a>:</p>
<blockquote>
<p>Dummett believed that Frege made certain assumptions concerning truth and falsehood that could be called into question. Frege allowed for the possibility of a thought that was neither true nor false. An example would be the thought that Father Christmas smokes. Given that there is no such person as Father Christmas, then neither is there anything to make this thought true or false. But Frege was not in the least reluctant to admit that a thought could be true or false without our having any way of telling which. An example might be the thought that Plato would have enjoyed smoking. This is what caused Dummett to pause.</p>
<p>He did not see how we could understand a sentence without having some way of manifesting our understanding. And he did not see how we could manifest this without being able to tell whether the thought expressed was true or false. So the assumption that a given thought could be true or false even though we had no way of telling which – an assumption that Dummett called "realism" concerning the thought – was immediately problematical.</p>
</blockquote>
<p>In another of his influential works, <em><a href="http://www.hup.harvard.edu/catalog.php?isbn=9780674644731" target="_self" title="Origins of Analytical Philosophy">Origins of Analytical Philosophy</a></em>, Dummett sought to help bridge the divide between analytic and Continental philosophy by revisiting the moment when the traditions diverged. Simon Critchley quotes the following passage from <em>Origins</em> in a recent appreciation:</p>
<blockquote>
<p>I do not mean to pretend that one should pretend that philosophy in the two traditions is basically the same; obviously that would be ridiculous. We can re-establish communication only by going back to the point of divergence. It’s no use now shouting across the gulf. It is obvious that philosophers will never reach agreement. It is a pity, however, if they can no longer talk to one another or understand one another. It is difficult to achieve such understanding, because if you think people are on the wrong track, you may have no great desire to talk with them or to take the trouble to criticize their views. But we have reached a point at which it is as if we’re working in different subjects.</p>
</blockquote>
<p>At the <em>NYT</em> Opinionator, you can read <a href="http://opinionator.blogs.nytimes.com/2012/01/04/remembering-michael-dummett/" target="_self" title="Michael Dummett Remembered">reflections on Dummett from over two dozen fellow philosophers</a>, including Timothy Williamson, Dorothy Edgington, and Hilary Putnam, who notes of Dummett that he “cared about ideas, he cared about people, he cared about society, and he rightly connected caring about any one of the three and caring about the other two.”</p><xhtml:img xmlns:xhtml="http://www.w3.org/1999/xhtml" src="http://feeds.feedburner.com/~r/typepad/budandflora/hup_publicity/~4/v2Dur9Ti4ns" height="1" width="1" /></div></content>



    <feedburner:origLink>http://harvardpress.typepad.com/hup_publicity/2012/01/michael-dummett-1925-2011.html</feedburner:origLink></entry>
    <entry>
        <title>The Murty Classical Library of India Has Its Design</title>
        <link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/typepad/budandflora/hup_publicity/~3/OoHmhNVuO7I/murty-classical-library-of-india-design.html" />
        <link rel="replies" type="text/html" href="http://harvardpress.typepad.com/hup_publicity/2012/01/murty-classical-library-of-india-design.html" />
        <id>tag:typepad.com,2003:post-6a00d8341d17e553ef0162ff57fc14970d</id>
        <published>2012-01-10T11:39:02-05:00</published>
        <updated>2012-01-10T13:20:21-05:00</updated>
        <summary>Designer Andrea Stranger observes that “most designers have a book fetish.” She came by hers honestly: while a student at San Francisco’s Academy of Art University, she worked “less than part time” at the venerable Alexander Book Company. This past...</summary>
        <author>
            <name>Harvard University Press</name>
        </author>
        <category scheme="http://www.sixapart.com/ns/types#category" term="Book Arts" />
        <category scheme="http://www.sixapart.com/ns/types#category" term="Classics &amp; Ancient History" />
        <category scheme="http://www.sixapart.com/ns/types#category" term="Making Books" />
        
        <category scheme="http://sixapart.com/ns/types#tag" term="Andrea Stranger" />
        <category scheme="http://sixapart.com/ns/types#tag" term="Book Design" />
        <category scheme="http://sixapart.com/ns/types#tag" term="Design" />
        <category scheme="http://sixapart.com/ns/types#tag" term="MCLI" />
        <category scheme="http://sixapart.com/ns/types#tag" term="Murty Classical Library of India" />
        <category scheme="http://sixapart.com/ns/types#tag" term="Peter Mendelsund" />
        <category scheme="http://sixapart.com/ns/types#tag" term="Rohan Murty" />
        <category scheme="http://sixapart.com/ns/types#tag" term="Sheldon Pollock" />
        
<content type="xhtml" xml:lang="en-US" xml:base="http://harvardpress.typepad.com/hup_publicity/"><div xmlns="http://www.w3.org/1999/xhtml"><p>Designer <a href="http://www.a-stranger.com/" target="_self" title="A. Stranger">Andrea Stranger</a> observes that “most designers have a book fetish.”</p>
<p><a href="http://harvardpress.typepad.com/.a/6a00d8341d17e553ef0167604c52fe970b-pi" style="float: right;"><img alt="Mcli-logo" border="0" class="asset  asset-image at-xid-6a00d8341d17e553ef0167604c52fe970b" src="http://harvardpress.typepad.com/.a/6a00d8341d17e553ef0167604c52fe970b-800wi" style="margin: 0px 0px 5px 5px;" title="Mcli-logo" /></a>She came by hers honestly: while a student at San Francisco’s Academy of Art University, she worked “less than part time” at the venerable <a href="http://www.alexanderbook.com/" target="_self" title="Alexander Book Co">Alexander Book Company</a>. This past fall, her former employer there emailed to alert her to the contest we were holding to design the Murty Classical Library of India. Stranger took up the challenge, and you can see more of her elegant winning design over at <a href="http://www.murtylibrary.com/contest/" target="_self" title="Murty Classical Library of India - Design">the MCLI site</a>. </p>
<p>Stranger, who has done design work for clients as diverse as Kate Spade, financial services companies, and internet startups, has a broad interest in design—she says, “I’ll take pretty much any project you throw at me”—and relishes the creativity required to work in different arenas. Her primary objective is identifying a client’s needs.</p>
<p>In the case of the MCLI, which will present up-to-date English translations of classical works in languages ranging from Bengali and Kannada and Marathi to Persian, Sanskrit, Telugu, and Urdu, with the text in the appropriate regional script provided on the facing page, Stranger realized that the most important criteria were flexibility—MCLI required a design that could adequately represent diverse texts—and a look that honored both Western and Indian traditions.</p>
<p>She started by doing research on Indian visual culture, and shared some images from those and other inspirations with us to talk about how the design developed. </p>
<p> </p>
<p><a href="http://harvardpress.typepad.com/.a/6a00d8341d17e553ef0167604c38e1970b-pi" style="float: right;"><img alt="Stranger-inspiration-1" border="0" class="asset  asset-image at-xid-6a00d8341d17e553ef0167604c38e1970b" src="http://harvardpress.typepad.com/.a/6a00d8341d17e553ef0167604c38e1970b-800wi" style="margin: 0px 0px 5px 5px;" title="Stranger-inspiration-1" /></a></p>
<p> </p>
<p>Stranger saw the galley pictured at right while working at the Alexander Book Company. She was so struck by the text-driven cover that she read the book, and hung onto the galley, which she dug out from her parents’ basement for this photo. She says, “The simplicity of the design and materials stuck with me—and influenced the type-driven approach of the Murty design.”</p>
<p> </p>
<p> </p>
<p> </p>
<p><a href="http://harvardpress.typepad.com/.a/6a00d8341d17e553ef0162ff57a27c970d-pi" style="float: right;"><img alt="Stranger-inspiration-2" border="0" class="asset  asset-image at-xid-6a00d8341d17e553ef0162ff57a27c970d" src="http://harvardpress.typepad.com/.a/6a00d8341d17e553ef0162ff57a27c970d-800wi" style="margin: 0px 0px 5px 5px;" title="Stranger-inspiration-2" /></a></p>
<p> </p>
<p> </p>
<p> </p>
<p>Stranger says, “I looked at a lot of Indian architecture and found inspiration in the recurring shapes, color and intense use of pattern.” She passed along the image at right as an example.</p>
<p> </p>
<p> </p>
<p> </p>
<p><a href="http://harvardpress.typepad.com/.a/6a00d8341d17e553ef0167604c4b55970b-pi" style="float: right;"><img alt="Stranger-inspiration-3" border="0" class="asset  asset-image at-xid-6a00d8341d17e553ef0167604c4b55970b" src="http://harvardpress.typepad.com/.a/6a00d8341d17e553ef0167604c4b55970b-800wi" style="margin: 0px 0px 5px 5px;" title="Stranger-inspiration-3" /></a></p>
<p> </p>
<p> </p>
<p>When Stranger began researching Indian cultures for the project, she noticed that “the elephant is everywhere,” and realized that powerful cross-cultural associations with the animal, a symbol of wisdom, longevity, and strength in the West, made it “a worthy subject for logo exploration.”</p>
<p> </p>
<p> </p>
<p> </p>
<p><a href="http://harvardpress.typepad.com/.a/6a00d8341d17e553ef0168e54d1b50970c-pi" style="float: right;"><img alt="Stranger-inspiration-4" border="0" class="asset  asset-image at-xid-6a00d8341d17e553ef0168e54d1b50970c" src="http://harvardpress.typepad.com/.a/6a00d8341d17e553ef0168e54d1b50970c-800wi" style="margin: 0px 0px 5px 5px;" title="Stranger-inspiration-4" /></a></p>
<p> </p>
<p> </p>
<p> </p>
<p>“Textiles, like architecture, offered a lot of fodder for color usage and patterning.”</p>
<p> </p>
<p> </p>
<p> </p>
<p> </p>
<p><a href="http://harvardpress.typepad.com/.a/6a00d8341d17e553ef0168e54d1c91970c-pi" style="float: right;"><img alt="Stranger-inspiration-5" border="0" class="asset  asset-image at-xid-6a00d8341d17e553ef0168e54d1c91970c" src="http://harvardpress.typepad.com/.a/6a00d8341d17e553ef0168e54d1c91970c-800wi" style="margin: 0px 0px 5px 5px;" title="Stranger-inspiration-5" /></a></p>
<p> </p>
<p> </p>
<p> </p>
<p>“The Kannada language,” she told us, “served as inspiration for a concept that did not move forward, but the letterforms (like all Indian languages) reinforced the idea of an organic beauty that seemed present in every aspect of my research of Indian design.”</p>
<p> </p>
<p> </p>
<p> </p>
<p>You can see elements of each of these images in Stranger’s final design:</p>
<p style="text-align: center;"><a href="http://harvardpress.typepad.com/.a/6a00d8341d17e553ef0167604c58e6970b-pi" style="display: inline;"><img alt="Stranger-jacket" border="0" class="asset  asset-image at-xid-6a00d8341d17e553ef0167604c58e6970b image-full" src="http://harvardpress.typepad.com/.a/6a00d8341d17e553ef0167604c58e6970b-800wi" title="Stranger-jacket" /></a><br /><br /></p>
<p style="text-align: left;">At <a href="http://www.murtylibrary.com/contest/" target="_self" title="Murty Classical Library of India - Design">the MCLI website</a> you can view a slideshow of additional images of the design, and also read thoughts on Stranger’s work from MCLI General Editor Sheldon Pollock, design contest judges such as <a href="http://jacketmechanical.blogspot.com/" target="_self" title="Jacket Mechanical">Peter Mendelsund</a>, and Rohan Narayana Murty, whose endowment gift to Harvard funded the library’s creation.</p>
<p>We’re looking forward to seeing Stranger’s design in print on the first volumes of the Murty Classical Library of India in 2013, and we’re extremely grateful to her and to all of the other talented designers who submitted their work to the contest.</p><xhtml:img xmlns:xhtml="http://www.w3.org/1999/xhtml" src="http://feeds.feedburner.com/~r/typepad/budandflora/hup_publicity/~4/OoHmhNVuO7I" height="1" width="1" /></div></content>



    <feedburner:origLink>http://harvardpress.typepad.com/hup_publicity/2012/01/murty-classical-library-of-india-design.html</feedburner:origLink></entry>
    <entry>
        <title>The Year We Blogged</title>
        <link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/typepad/budandflora/hup_publicity/~3/aqstN45ys2M/the-year-we-blogged.html" />
        <link rel="replies" type="text/html" href="http://harvardpress.typepad.com/hup_publicity/2011/12/the-year-we-blogged.html" />
        <id>tag:typepad.com,2003:post-6a00d8341d17e553ef01675f280803970b</id>
        <published>2011-12-22T10:47:40-05:00</published>
        <updated>2011-12-22T10:47:40-05:00</updated>
        <summary>Time again for the university to shut off the lights and turn down the heat, forcing us all to our homes for a bit of rest and reading. As blogging will be light for a spell, we thought we’d leave...</summary>
        <author>
            <name>Harvard University Press</name>
        </author>
        <category scheme="http://www.sixapart.com/ns/types#category" term="Books" />
        
        <category scheme="http://sixapart.com/ns/types#tag" term="Harvard University Press" />
        
<content type="xhtml" xml:lang="en-US" xml:base="http://harvardpress.typepad.com/hup_publicity/"><div xmlns="http://www.w3.org/1999/xhtml"><p>Time again for the university to shut off the lights and turn down the heat, forcing us all to our homes for a bit of rest and reading. As blogging will be light for a spell, we thought we’d leave you with a look back at just some of what we’ve been up to this year; maybe you’ll see something you missed the first time through.</p>
<p>Way back in January, <a href="http://harvardpress.typepad.com/hup_publicity/2011/01/orhan-pamuk-the-naive-and-the-sentimental-novelist.html" target="_self" title="What takes place in our mind, in our soul, when we read a novel?">we shared an excerpt from our volume of Orhan Pamuk’s Norton Lectures</a>, <em><a href="http://www.hup.harvard.edu/catalog.php?isbn=9780674050761" target="_self" title="The Naive and the Sentimental Novelist">The Naïve and the Sentimental Novelist</a></em>, in which the Nobel Laureate considered what takes place in our minds when we read novels.</p>
<p>Also in January, amidst the controversy of a publisher’s plan to release a censored version of Huck Finn, we posted <a href="http://harvardpress.typepad.com/hup_publicity/2011/01/ishmael-reed-on-the-language-of-huck-finn.html" target="_self" title="Ishmael Reed on the language of Huck Finn">the full text of Ishmael Reed’s </a><em><a href="http://harvardpress.typepad.com/hup_publicity/2011/01/ishmael-reed-on-the-language-of-huck-finn.html" target="_self" title="Ishmael Reed on the language of Huck Finn">New Literary History of America</a></em><a href="http://harvardpress.typepad.com/hup_publicity/2011/01/ishmael-reed-on-the-language-of-huck-finn.html" target="_self" title="Ishmael Reed on the language of Huck Finn"> essay</a> on Twain’s classic.</p>
<p>And we closed out the month with <a href="http://harvardpress.typepad.com/hup_publicity/2011/01/david-blight-civil-war-sesquicentennial.html" target="_self" title="David Blight on the Civil War Sesquicentennial">a trio of short videos featuring David Blight</a>, who spoke with us about the enduring significance of the American Civil War, just as the nation began to mark the conflict’s sesquicentennial.</p>
<p>We heard from two long-time HUP Editors after the death of Daniel Bell, the pioneering social scientist who for years helped to oversee the Press. <a href="http://harvardpress.typepad.com/hup_publicity/2011/01/remembering-daniel-bell.html" target="_self" title="Remembering Daniel Bell">Michael Aronson wrote of his memories of Bell</a>, and <a href="http://harvardpress.typepad.com/hup_publicity/2011/02/memories-daniel-bell-lindsay-waters.html" target="_self" title="More Memories of Daniel Bell">Lindsay Waters remembered Bell’s impact on the direction of HUP</a>.</p>
<p>In February, as the world watched events unfold in Egypt, <a href="http://harvardpress.typepad.com/hup_publicity/2011/02/private-truths-public-lies-egypt-revolution.html" target="_self" title="Private Truths and Public Lies in Egypt">we looked back at a book by Timur Kuran titled </a><em><a href="http://harvardpress.typepad.com/hup_publicity/2011/02/private-truths-public-lies-egypt-revolution.html" target="_self" title="Private Truths and Public Lies in Egypt">Private Truths, Public Lies</a></em>. Kuran, currently a professor of Economics and Islamic Studies at Duke, presented in the book a model for understanding the seemingly sudden process of social and political breakthrough. It’s a book we’ve thought back on many times throughout this year of global political uprising.</p>
<p><a href="http://harvardpress.typepad.com/hup_publicity/2011/05/your-loebs.html" style="float: right;" target="_self" title="Your Loebs!"><img alt="Mcnaughton_loebs" border="0" class="asset  asset-image at-xid-6a00d8341d17e553ef01675f27c7b2970b" src="http://harvardpress.typepad.com/.a/6a00d8341d17e553ef01675f27c7b2970b-800wi" style="margin: 0px 0px 5px 5px;" title="Mcnaughton_loebs" /></a>Also in February, as we began our celebration of the Loeb Classical Library’s 100th anniversary, we asked you to <a href="http://harvardpress.typepad.com/hup_publicity/2011/02/show-us-your-loebs.html" target="_self" title="Show Us Your Loebs!">show us your Loebs</a>. And you did! <a href="http://harvardpress.typepad.com/hup_publicity/2011/05/your-loebs.html" target="_self" title="Your Loebs!">In May</a>, and then <a href="http://harvardpress.typepad.com/hup_publicity/2011/12/more-loebs.html" target="_self" title="More Loebs!">again this week</a>, we shared your pictures from all over the world.</p>
<p>We also heard from Nicholas Frankel, editor of our beautiful new annotated, uncensored edition of <em><a href="http://www.hup.harvard.edu/catalog.php?isbn=9780674057920" target="_self" title="The Picture of Dorian Gray">The Picture of Dorian Gray</a></em>, about <a href="http://harvardpress.typepad.com/hup_publicity/2011/02/textual-history-picture-of-dorian-gray-frankel.html" target="_self" title="A Textual History of The Picture of Dorian Gray">the history of Wilde’s novel</a>, and why it’s taken so long for this original version to finally see publication.</p>
<p>In March, <a href="http://harvardpress.typepad.com/hup_publicity/2011/03/do-metaphors-dream-of-literal-sleep.html" target="_self" title="Do Metaphors Dream of Literal Sleep? Interlude">we presented the Interlude</a> from one of our best-titled books of the year, Seo-Young Chu’s <em><a href="http://www.hup.harvard.edu/catalog.php?isbn=9780674055179" target="_self" title="Do Metaphors Dream of Literal Sleep?">Do Metaphors Dream of Literal Sleep?: A Science-Fictional Theory of Representation</a></em>.</p>
<p>Also in March, after the entire Harvard community was saddened by the passing of Harvard Law School Professor William J. Stuntz, HUP Editor <a href="http://harvardpress.typepad.com/hup_publicity/2011/03/william-stuntz-enduring-search-for-wisdom-and-mercy.html" target="_self" title="William J. Stuntz 1958-2011">Elizabeth Knoll wrote about Stuntz’s work</a> to finish <em><a href="http://www.hup.harvard.edu/catalog.php?isbn=9780674051751" target="_self" title="The Collapse of American Criminal Justice">The Collapse of American Criminal Justice</a></em>, a book we proudly published in September.</p>
<p>In April, we shared <a href="http://harvardpress.typepad.com/hup_publicity/2011/04/weeping-for-anna-karenina-eco-confessions-young-novelist.html" target="_self" title="Weeping for Anna Karenina">an excerpt from Umerto Eco’s </a><em><a href="http://harvardpress.typepad.com/hup_publicity/2011/04/weeping-for-anna-karenina-eco-confessions-young-novelist.html" target="_self" title="Weeping for Anna Karenina">Confessions of a Young Novelist</a></em>, in which the not-actually-so-young Eco pondered why we weep for fictional characters.</p>
<p>Later in the month, HUP Editor Sharmila Sen marked the publication of <em><a href="http://www.hup.harvard.edu/catalog.php?isbn=9780674057906" target="_self" title="The Essential Tagore">The Essential Tagore</a></em> with <a href="http://harvardpress.typepad.com/hup_publicity/2011/04/as-a-way-of-not-letting-go-essential-tagore.html" target="_self" title="On Tagore, As A Way Of Not Letting Go">a story about the collection of Tagore’s poems that she carried with her as a child when her family moved to the United States</a>.</p>
<p>May was busy! We looked at <a href="http://harvardpress.typepad.com/hup_publicity/2011/05/keynes-hayek-economists-battle-rappers.html" target="_self" title="Keynes and Hayek, Economists and Battle Rappers">the Keynes-Hayek rap battle</a>, noted the creation by Pitzer College of the nation’s first department of secular studies (<a href="http://harvardpress.typepad.com/hup_publicity/2011/05/so-you-want-to-study-secularism-pitzer.html" target="_self" title="So You Want to Study Secularism?">and recommended some books for them</a>), and marked the paperback publication of Paul Gilroy’s <em><a href="http://www.hup.harvard.edu/catalog.php?isbn=9780674060234" target="_self" title="Darker than Blue">Darker than Blue</a></em> by <a href="http://harvardpress.typepad.com/hup_publicity/2011/05/darker-than-blue-curtis-mayfield-paul-gilroy.html" target="_self" title="Darker than Blue, From Curtis Mayfield to Paul Gilroy">sharing a song that’s been on heavy rotation in these halls all this year and last</a>.</p>
<p>And we rounded out May by posting <a href="http://harvardpress.typepad.com/hup_publicity/2011/05/martha-nussbaum-creating-capabilities-human-development.html" target="_self" title="Martha Nussbaum on the Capabilities Approach to Human Development">our video of Martha Nussbaum discussing the Capabilities Approach to Human Development</a>.</p>


<p><a href="http://harvardpress.typepad.com/hup_publicity/2011/06/errol-morris-and-the-flying-frog.html" style="float: right;" target="_self" title="Errol Morris and the Flying Frog"><img alt="Flyingfrog" border="0" class="asset  asset-image at-xid-6a00d8341d17e553ef01675f27ce2c970b" src="http://harvardpress.typepad.com/.a/6a00d8341d17e553ef01675f27ce2c970b-800wi" style="margin: 0px 0px 5px 5px;" title="Flyingfrog" /></a>In June we got lost in <a href="http://harvardpress.typepad.com/hup_publicity/2011/06/errol-morris-and-the-flying-frog.html" target="_self" title="Errol Morris and the Flying Frog">Errol Morris’s amphibian levitation tweets</a>, shared <a href="http://harvardpress.typepad.com/hup_publicity/2011/06/ovid-cares-not-for-your-hairdo-slavitt.html" target="_self" title="Ovid Cares Not for Your Hairdo">Ovid’s opinions on hairstyles</a>, via <a href="http://www.hup.harvard.edu/catalog.php?isbn=9780674059047" target="_self" title="Love Poems, Letters, and Remedies of Ovid">David Slavitt’s new translation</a>, and pondered <a href="http://harvardpress.typepad.com/hup_publicity/2011/06/culturomics-close-reading-and-casaubon.html" target="_self" title="Culturomics, Close Reading, and Casaubon">culturomics and Isaac Casaubon</a>.</p>
<p>Later in the summer, we re-posted a piece from Jo Guldi, author of <em><a href="http://www.hup.harvard.edu/catalog.php?isbn=9780674057593" target="_self" title="Roads to Power">Roads to Power</a></em>, in which <a href="http://harvardpress.typepad.com/hup_publicity/2011/08/fasting-from-information-jo-guldi.html" target="_self" title="Fasting from Information">she wrote of making a conscious shift in her relationship to the sea of information in which we all swim</a>.</p>
<p>In September, <a href="http://harvardpress.typepad.com/hup_publicity/2011/09/anti-intellectual-populism-evangelical-self-understanding.html" target="_self" title="Anti-Intellectual Populism and Evangelical Self-Understanding">we ran a Q&amp;A on anti-intellectual populism and Evangelical self-understanding</a> with Randall J. Stephens and Karl W. Giberson, authors of <em><a href="http://www.hup.harvard.edu/catalog.php?isbn=9780674048188" target="_self" title="The Anointed">The Anointed: Evangelical Truth in a Secular Age</a></em>, one of the more attention-grabbing books we published this year.</p>
<p>Also in September, <a href="http://harvardpress.typepad.com/hup_publicity/2011/09/arguing-the-death-penalty-stuntz.html" target="_self" title="Arguing the Death Penalty">we revisited </a><em><a href="http://harvardpress.typepad.com/hup_publicity/2011/09/arguing-the-death-penalty-stuntz.html" target="_self" title="Arguing the Death Penalty">The Collapse of American Criminal Justice </a></em><a href="http://harvardpress.typepad.com/hup_publicity/2011/09/arguing-the-death-penalty-stuntz.html" target="_self" title="Arguing the Death Penalty">to look at Stuntz’s research on the function of the death penalty</a> as a tool to extract pleas, rather than to execute murderers.</p>
<p>We ended the month with <a href="http://harvardpress.typepad.com/hup_publicity/2011/09/robert-douglas-fairhurst-becoming-dickens.html" target="_self" title="Robert Douglas Fairhurst on Becoming Dickens">an interview with Robert Douglas-Fairhurst</a>, author of <em><a href="http://www.hup.harvard.edu/catalog.php?isbn=9780674050037" target="_self" title="Becoming Dickens">Becoming Dickens: The Invention of a Novelist</a></em>, in which we discussed Douglas-Fairhurst’s approach to biography.</p>
<p><a href="http://harvardpress.typepad.com/hup_publicity/2011/10/the-stephen-jay-gould-mosaic.html" style="float: right;" target="_self" title="The Stephen Jay Gould Mosaic"><img alt="Gould-mosaic" border="0" class="asset  asset-image at-xid-6a00d8341d17e553ef015438b29e74970c" src="http://harvardpress.typepad.com/.a/6a00d8341d17e553ef015438b29e74970c-800wi" style="margin: 0px 0px 5px 5px;" title="Gould-mosaic" /></a>In October, we couldn’t resist sharing <a href="http://harvardpress.typepad.com/hup_publicity/2011/10/the-stephen-jay-gould-mosaic.html" target="_self" title="The Stephen Jay Gould Mosaic">some pictures of our lovely new mosaic-making paperback editions of seven Stephen Jay Gould classics</a>.</p>
<p>We also shared <a href="http://harvardpress.typepad.com/hup_publicity/2011/10/the-life-of-john-and-george-keats-gigante.html" target="_self" title="The Life of John and George Keats">a podcast conversation with Denise Gigante</a>, author of <em><a href="http://www.hup.harvard.edu/catalog.php?isbn=9780674048560" target="_self" title="The Keats Brothers">The Keats Brothers: The Life of John and George</a></em>, the only university press title to make the <em>New York Times</em> Notable 100 Books list of 2011.</p>
<p>We closed out the month by <a href="http://harvardpress.typepad.com/hup_publicity/2011/10/spacks-on-rereading.html" target="_self" title="In Defense of Yesterday's Papers">hearing from Patricia Meyer Spacks, HUP staff and some bookseller friends about their rereading habits</a>, and also by <a href="http://harvardpress.typepad.com/hup_publicity/2011/10/in-celebration-of-seminary-co-op-at-50.html" target="_self" title="In Celebration of Seminary Co-op at 50">gushing over the 50th birthday of the great Seminary Co-op Bookstore</a>.</p>
<p>In November, HUP Production Editor Adriana Kirilova <a href="http://harvardpress.typepad.com/hup_publicity/2011/11/editing-the-image-of-the-black-in-western-art.html" target="_self" title="Editing the Image of the Black in Western Art">wrote about the various challenges of completing a project with a decades-long history</a>, <em><a href="http://www.imageoftheblack.com/" target="_self" title="The Image of the Black in Western Art">The Image of the Black in Western Art</a></em>.</p>
<p>Also in November, we celebrated the John Hope Franklin Prize-winning book <em><a href="http://www.hup.harvard.edu/catalog.php?isbn=9780674062115" target="_self" title="The Condemnation of Blackness">The Condemnation of Blackness</a></em> by filming <a href="http://harvardpress.typepad.com/hup_publicity/2011/11/two-takes-two-migrations-stuntz-muhammad.html" target="_self" title="Two Takes on Two Migrations">a little conversation with its author, Schomburg Center Director Khalil Gibran Muhammad</a>.</p>
<p>Then came December, which we began by sharing some really interesting <a href="http://harvardpress.typepad.com/hup_publicity/2011/12/a-new-grammar-of-political-disobedience-harcourt.html" target="_self" title="A New Grammar of Political Disobedience">thoughts on the Occupy movement from Bernard Harcourt</a>, author of <em><a href="http://www.hup.harvard.edu/catalog.php?isbn=9780674057265" target="_self" title="The Illusion of Free Markets">The Illusion of Free Markets</a></em>.</p>
<p>We then took a look at <a href="http://harvardpress.typepad.com/hup_publicity/2011/12/liu-xiaobo-deng-xiaoping-tiananmen-china.html" target="_self" title="Liu Xiaobo and the Transformation of China">the connection between our two big fall books on China</a>, Ezra Vogel’s <em><a href="http://www.hup.harvard.edu/catalog.php?isbn=9780674055445" target="_self" title="Deng Xiaoping and the Transformation of China">Deng Xiaoping and the Transformation of China</a></em>, and <em><a href="http://www.hup.harvard.edu/catalog.php?isbn=9780674061477" target="_self" title="No Enemies, No Hatred">No Enemies, No Hatred</a></em>, a collection of essays and poems from the Nobel Prize-winning imprisoned dissident Liu Xiaobo.</p>
<p>And then here we are, end of the year. Thanks for spending some of your time thinking with us about the ideas in the books that we publish. We’ll be back in January to do it all again. </p><xhtml:img xmlns:xhtml="http://www.w3.org/1999/xhtml" src="http://feeds.feedburner.com/~r/typepad/budandflora/hup_publicity/~4/aqstN45ys2M" height="1" width="1" /></div></content>



    <feedburner:origLink>http://harvardpress.typepad.com/hup_publicity/2011/12/the-year-we-blogged.html</feedburner:origLink></entry>
    <entry>
        <title>Of Color in America</title>
        <link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/typepad/budandflora/hup_publicity/~3/mmxV0xHH1g0/of-color-in-america-nico-slate.html" />
        <link rel="replies" type="text/html" href="http://harvardpress.typepad.com/hup_publicity/2011/12/of-color-in-america-nico-slate.html" />
        <id>tag:typepad.com,2003:post-6a00d8341d17e553ef01675f0a5b23970b</id>
        <published>2011-12-20T10:11:21-05:00</published>
        <updated>2011-12-20T10:11:21-05:00</updated>
        <summary>In January, we’ll publish Nico Slate’s Colored Cosmopolitanism: The Shared Struggle for Freedom in the United States and India. The book examines a hidden history of transnational cooperation towards the freedom of the “colored world.” Below, Slate considers the role...</summary>
        <author>
            <name>Harvard University Press</name>
        </author>
        <category scheme="http://www.sixapart.com/ns/types#category" term="African American Studies" />
        <category scheme="http://www.sixapart.com/ns/types#category" term="American History" />
        <category scheme="http://www.sixapart.com/ns/types#category" term="Asian Studies" />
        <category scheme="http://www.sixapart.com/ns/types#category" term="Current Affairs" />
        <category scheme="http://www.sixapart.com/ns/types#category" term="Race" />
        
        <category scheme="http://sixapart.com/ns/types#tag" term="Benjamin Jealous" />
        <category scheme="http://sixapart.com/ns/types#tag" term="Colored Cosmopolitanism" />
        <category scheme="http://sixapart.com/ns/types#tag" term="Demographic Shift" />
        <category scheme="http://sixapart.com/ns/types#tag" term="Harvard University Press " />
        <category scheme="http://sixapart.com/ns/types#tag" term="India" />
        <category scheme="http://sixapart.com/ns/types#tag" term="Nico Slate" />
        <category scheme="http://sixapart.com/ns/types#tag" term="Nikki Haley" />
        <category scheme="http://sixapart.com/ns/types#tag" term="Race" />
        <category scheme="http://sixapart.com/ns/types#tag" term="South Carolina" />
        <category scheme="http://sixapart.com/ns/types#tag" term="United States" />
        <category scheme="http://sixapart.com/ns/types#tag" term="W.E.B. Du Bois" />
        
<content type="xhtml" xml:lang="en-US" xml:base="http://harvardpress.typepad.com/hup_publicity/"><div xmlns="http://www.w3.org/1999/xhtml"><p><em>In January, we’ll publish Nico Slate’s </em><a href="http://www.hup.harvard.edu/catalog.php?isbn=9780674059672" target="_self" title="Colored Cosmopolitanism">Colored Cosmopolitanism: The Shared Struggle for Freedom in the United States and India</a><em>. The book examines a hidden history of transnational cooperation towards the freedom of the “colored world.” Below, Slate considers the role of that sort of solidarity within America’s evolving racial composition.</em></p>
<p>-----</p>
<p><a href="http://www.hup.harvard.edu/catalog.php?isbn=9780674059672" style="float: right;" target="_self" title="Colored Cosmopolitanism"><img alt="Cover-colored-cosmopolitanism" border="0" class="asset  asset-image at-xid-6a00d8341d17e553ef015438948b42970c" src="http://harvardpress.typepad.com/.a/6a00d8341d17e553ef015438948b42970c-800wi" style="margin: 0px 0px 5px 5px;" title="Cover-colored-cosmopolitanism" /></a></p>
<p>Fifty years from now, <a href="http://abcnews.go.com/Health/america-race-birth-rates-suggest-white-majority-minority/story?id=13934948#.TvCjNc014YZ" target="_self" title="New Faces of America">the United States will no longer have a “white” majority</a>. The significance of this demographic change will hinge on what it means to be non-white or, in an oft-repeated but ill-defined phrase, a “person of color.”</p>
<p>Take the case of Nikki Haley, the Indian American governor of South Carolina. In January 2011, Benjamin Jealous, the president of the National Association for the Advancement of Colored People (NAACP), challenged Haley to stop flying the Confederate flag in front of the state capitol. Jealous appealed to Haley as South Carolina’s “first governor of color,” referenced the history of linkages between the civil rights movement and the Indian freedom struggle, and challenged Haley to consider, “What would Gandhi do?” His historical references might have been different if Jealous had known that Haley, when asked to identify her race on South Carolina’s official voter registration card, had checked the box for “white.”</p>
<p>As I discuss in my forthcoming book, <em><a href="http://www.hup.harvard.edu/catalog.php?isbn=9780674059672" target="_self" title="Colored Cosmopolitanism">Colored Cosmopolitanism: The Shared Struggle for Freedom in the United States and India</a></em>, for much of American history, immigrants from India had to claim legal whiteness if they wished to become citizens. The 1790 Naturalization Act limited naturalization to “free white persons.” In the aftermath of the Civil War, naturalization was expanded to those of African descent. All other ethnic groups were relegated to a gray zone in which citizenship rights depended on proof of whiteness.</p>
<p>Between 1908 and 1922, at least sixty-nine Indians gained United States citizenship by successfully claiming to be white. In Savannah, Georgia in 1910, Abba Dolla, a native of Calcutta, arranged for a doctor to testify to his “pure Caucasian blood.” The presiding judge described Dolla as follows: “The applicant’s complexion is dark, eyes dark, features regular and rather delicate, hair very black, wavy and very fine and soft.” Uncertain about Dolla’s racial identity, the judge asked him to pull up his shirt sleeves. Fortunately for Dolla, the judge concluded, “The skin of his arm where it had been protected from the sun and weather by his clothing was found to be several shades lighter than that of his face and hands, and was sufficiently transparent for the blue color of the veins to show very clearly.” Impressed, the judge granted citizenship.</p>
<p>The ability of Indians to gain legal whiteness ended in 1923, when the Supreme Court ruled against granting citizenship to a U.S. Army veteran, Bhagat Singh Thind, a Sikh American like Nikki Haley. After 1923, many Indian Americans came to connect their persecution as a racial minority to the struggles of other non-white Americans. Jagjit (J.J.) Singh, an influential Sikh businessman and the leader of the most prominent Indian American organization in the 1930s and 1940s, established close links with Walter White, the executive director of the NAACP. While Mahatma Gandhi inspired opponents of American racism, African American struggles attracted sympathy throughout India. Many Indians came to see themselves as part of a global struggle for the rights of “colored people.”</p>
<p>When, in 1900, W.E.B. Du Bois prophesied, “The problem of the twentieth century is the problem of the color line,” he globalized the color line, referring not only to the “millions of black men in Africa, America and the Islands of the Sea” but also to “the brown and yellow myriads elsewhere.” Over the course of the twentieth century, immigration rendered Du Bois’s inclusive conception of color vital to understanding race within as well as beyond the borders of the United States. While the ethnic diversity of the United States has always exceeded the black/white dichotomy, rapid increases in the population of Latinas/os, Asian Americans, and other non-black people of color has made it especially important to understand the long history of relationships between minority groups. That history can help us understand the origin of tensions between ethnic groups. It can also remind us that inter-ethnic relations have been marked by cooperation as well as tension, cooperation inspired for many by a colored cosmopolitanism.</p>
<p>The racial ambiguity that marks the history of South Asian Americans also colors the history of other ethnic groups. For decades, immigrants from throughout the world struggled to prove their whiteness. Americans from as far afield as the Middle East, Mexico, and Japan marshaled notions of Caucasian identity or pointed to the bare fact of white skin. While immigrants no longer need to prove their whiteness in order to become citizens, the racial ambiguity of many immigrant communities complicates their relationships with each other and with an America struggling with persistent racial inequality and ongoing debates concerning the proper role of race in the public sphere. <a href="http://www.nytimes.com/2011/12/02/us/politics/with-boom-in-hispanic-voters-obama-sees-opportunity-in-arizona.html?_r=2&amp;pagewanted=all" target="_self" title="Obama to vie for Arizona as Latino numbers rise">Will Barack Obama win the Latino vote?</a> Should Korean Americans and Cambodian Americans be lumped together as “Asian Americans” for the purposes of affirmative action? Many of the most pressing issues regarding race in contemporary America relate to the vexed question of what it means to be a “person of color,” a question that hinges on how non-white Americans view each other. The history of colored cosmopolitanism offers hope for a solidarity between non-white Americans that is neither anti-white nor blind to racial inequality. It matters how Nikki Haley understands her racial identity. It matters what she thinks when she walks by that Confederate flag.</p><xhtml:img xmlns:xhtml="http://www.w3.org/1999/xhtml" src="http://feeds.feedburner.com/~r/typepad/budandflora/hup_publicity/~4/mmxV0xHH1g0" height="1" width="1" /></div></content>



    <feedburner:origLink>http://harvardpress.typepad.com/hup_publicity/2011/12/of-color-in-america-nico-slate.html</feedburner:origLink></entry>
    <entry>
        <title>More Loebs!</title>
        <link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/typepad/budandflora/hup_publicity/~3/qrUgxslpXEM/more-loebs.html" />
        <link rel="replies" type="text/html" href="http://harvardpress.typepad.com/hup_publicity/2011/12/more-loebs.html" />
        <id>tag:typepad.com,2003:post-6a00d8341d17e553ef0154388af876970c</id>
        <published>2011-12-19T15:56:37-05:00</published>
        <updated>2011-12-19T17:03:40-05:00</updated>
        <summary>Earlier this year we asked for you to help us celebrate the 100th anniversary year of the Loeb Classical Library by sending us pictures of your Loeb collections. We shared a batch of your pictures in the spring, and we’re...</summary>
        <author>
            <name>Harvard University Press</name>
        </author>
        <category scheme="http://www.sixapart.com/ns/types#category" term="Classics &amp; Ancient History" />
        <category scheme="http://www.sixapart.com/ns/types#category" term="Loeb Spottings" />
        
        <category scheme="http://sixapart.com/ns/types#tag" term="Greek" />
        <category scheme="http://sixapart.com/ns/types#tag" term="Harvard University Press" />
        <category scheme="http://sixapart.com/ns/types#tag" term="Latin" />
        <category scheme="http://sixapart.com/ns/types#tag" term="Loeb" />
        <category scheme="http://sixapart.com/ns/types#tag" term="Loeb Classical Library" />
        <category scheme="http://sixapart.com/ns/types#tag" term="Loeb Spotting" />
        <category scheme="http://sixapart.com/ns/types#tag" term="Ryan Gosling" />
        <category scheme="http://sixapart.com/ns/types#tag" term="The Classics" />
        
<content type="xhtml" xml:lang="en-US" xml:base="http://harvardpress.typepad.com/hup_publicity/"><div xmlns="http://www.w3.org/1999/xhtml"><p>Earlier this year <a href="http://harvardpress.typepad.com/hup_publicity/2011/02/show-us-your-loebs.html" target="_self" title="Show Us Your Loebs!">we asked for you to help us celebrate the 100th anniversary year</a> of the <a href="http://www.hup.harvard.edu/loeb/" target="_self" title="Loeb Classical Library">Loeb Classical Library</a> by sending us pictures of your Loeb collections. We shared <a href="http://harvardpress.typepad.com/hup_publicity/2011/05/your-loebs.html" target="_self" title="Your Loebs!">a batch of your pictures</a> in the spring, and we’re back today with another bunch. Our sincere thanks to everyone who has sent in photos.</p>
<p>First up, a man we were thrilled to hear from, Mr. Charles Montgomery Burns, of Springfield. He keeps his Loeb volumes right by the hearth in his library. Here he is, pondering the classics with a nice snifter of something warm:</p>
<p><a href="http://harvardpress.typepad.com/.a/6a00d8341d17e553ef01675f00ac95970b-pi" style="display: inline;"><img alt="Loebs_burns" border="0" class="asset  asset-image at-xid-6a00d8341d17e553ef01675f00ac95970b" src="http://harvardpress.typepad.com/.a/6a00d8341d17e553ef01675f00ac95970b-800wi" style="display: block; margin-left: auto; margin-right: auto;" title="Loebs_burns" /></a><br />From Burns to the basement, for this shot from <a href="http://www.semcoop.com/" target="_self" title="Seminary Co-op">Seminary Co-op</a> in Chicago:</p>
<p><a href="http://harvardpress.typepad.com/.a/6a00d8341d17e553ef01675f00acfb970b-pi" style="display: inline;"><img alt="Loebs_at_seminary_co-op" border="0" class="asset  asset-image at-xid-6a00d8341d17e553ef01675f00acfb970b" src="http://harvardpress.typepad.com/.a/6a00d8341d17e553ef01675f00acfb970b-800wi" style="display: block; margin-left: auto; margin-right: auto;" title="Loebs_at_seminary_co-op" /></a><br />And here, top to bottom, are the personal collections of Ralph Aulenta, Maddy Bowman, and Alan Steele, a British Army Chaplain, who says he normally takes a couple of Loebs with him when deployed to hot and dusty places.</p>
<p><a href="http://harvardpress.typepad.com/.a/6a00d8341d17e553ef0162fe0c70aa970d-pi" style="display: inline;"><img alt="Loebs_aulenta" border="0" class="asset  asset-image at-xid-6a00d8341d17e553ef0162fe0c70aa970d" src="http://harvardpress.typepad.com/.a/6a00d8341d17e553ef0162fe0c70aa970d-800wi" style="display: block; margin-left: auto; margin-right: auto;" title="Loebs_aulenta" /></a></p>
<p><a href="http://harvardpress.typepad.com/.a/6a00d8341d17e553ef0154388adb41970c-pi" style="display: inline;"><img alt="Loebs_bowman" border="0" class="asset  asset-image at-xid-6a00d8341d17e553ef0154388adb41970c" src="http://harvardpress.typepad.com/.a/6a00d8341d17e553ef0154388adb41970c-800wi" style="display: block; margin-left: auto; margin-right: auto;" title="Loebs_bowman" /></a></p>
<p><a href="http://harvardpress.typepad.com/.a/6a00d8341d17e553ef0162fe0c7148970d-pi" style="display: inline;"><img alt="Loebs_steele" border="0" class="asset  asset-image at-xid-6a00d8341d17e553ef0162fe0c7148970d image-full" src="http://harvardpress.typepad.com/.a/6a00d8341d17e553ef0162fe0c7148970d-800wi" style="display: block; margin-left: auto; margin-right: auto;" title="Loebs_steele" /></a><br />Here’s the collection at P. Tombolini and Co. in Rome. Loebs in Rome!</p>
<p><a href="http://harvardpress.typepad.com/.a/6a00d8341d17e553ef01675f00ae49970b-pi" style="display: inline;"><img alt="Loebs_at_tombolini" border="0" class="asset  asset-image at-xid-6a00d8341d17e553ef01675f00ae49970b" src="http://harvardpress.typepad.com/.a/6a00d8341d17e553ef01675f00ae49970b-800wi" style="display: block; margin-left: auto; margin-right: auto;" title="Loebs_at_tombolini" /></a>
</p>

<p>And here, in Egypt, at the Anglo-Egyptian Bookshop in Cairo, which was started in 1929 by the grandfather of the current owners Fady and Karim Greiss (who’s pictured here):</p>
<p><a href="http://harvardpress.typepad.com/.a/6a00d8341d17e553ef0162fe0c71ec970d-pi" style="display: inline;"><img alt="Anglo-Egyptian---Loeb" border="0" class="asset  asset-image at-xid-6a00d8341d17e553ef0162fe0c71ec970d image-full" src="http://harvardpress.typepad.com/.a/6a00d8341d17e553ef0162fe0c71ec970d-800wi" style="display: block; margin-left: auto; margin-right: auto;" title="Anglo-Egyptian---Loeb" /></a><br />And here, another great Loeb display at <a href="http://www.foyles.co.uk/" target="_self" title="Foyle's Bookshop">Foyle’s Bookshop</a> on Charing Cross Road in London:</p>
<p><a href="http://harvardpress.typepad.com/.a/6a00d8341d17e553ef0154388adc2e970c-pi" style="display: inline;"><img alt="Loebs_at_foyles" border="0" class="asset  asset-image at-xid-6a00d8341d17e553ef0154388adc2e970c image-full" src="http://harvardpress.typepad.com/.a/6a00d8341d17e553ef0154388adc2e970c-800wi" style="display: block; margin-left: auto; margin-right: auto;" title="Loebs_at_foyles" /></a><br />And finally, from bookstores to home décor, here’s Martha Stewart <a href="http://www.marthastewart.com/274785/red-rooms/@center/276997/decorating-color#/217816" target="_self" title="Red Rooms">putting Loeb volumes to work</a> again, set off against a 1930s Chinese Chippendale-style fish tank showcasing a red mini-orchid:</p>
<p><a href="http://harvardpress.typepad.com/.a/6a00d8341d17e553ef01675f00aeda970b-pi" style="display: inline;"><img alt="Loeb_martha_stewart" border="0" class="asset  asset-image at-xid-6a00d8341d17e553ef01675f00aeda970b" src="http://harvardpress.typepad.com/.a/6a00d8341d17e553ef01675f00aeda970b-800wi" style="display: block; margin-left: auto; margin-right: auto;" title="Loeb_martha_stewart" /></a></p>
<p>Oh, and there’s also this:</p>
<p><a href="http://harvardpress.typepad.com/.a/6a00d8341d17e553ef01675f00aff8970b-pi"><img alt="Loebs_gosling" border="0" class="asset  asset-image at-xid-6a00d8341d17e553ef01675f00aff8970b" src="http://harvardpress.typepad.com/.a/6a00d8341d17e553ef01675f00aff8970b-800wi" title="Loebs_gosling" /></a><br />Awwww. What a sweetheart.</p>
<p>Thanks again for helping us celebrate the Loeb Classical Library anniversary all this year. To another hundred!</p><xhtml:img xmlns:xhtml="http://www.w3.org/1999/xhtml" src="http://feeds.feedburner.com/~r/typepad/budandflora/hup_publicity/~4/qrUgxslpXEM" height="1" width="1" /></div></content>



    <feedburner:origLink>http://harvardpress.typepad.com/hup_publicity/2011/12/more-loebs.html</feedburner:origLink></entry>
    <entry>
        <title>Slow Violence and Our Better Angels</title>
        <link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/typepad/budandflora/hup_publicity/~3/GgWkedEcz_A/slow-violence-and-our-better-angels-pinker-nixon.html" />
        <link rel="replies" type="text/html" href="http://harvardpress.typepad.com/hup_publicity/2011/12/slow-violence-and-our-better-angels-pinker-nixon.html" />
        <id>tag:typepad.com,2003:post-6a00d8341d17e553ef0162fdd94025970d</id>
        <published>2011-12-15T11:38:07-05:00</published>
        <updated>2011-12-15T11:38:07-05:00</updated>
        <summary>In The Better Angels of Our Nature, Harvard professor Steven Pinker argues that, despite the violence saturating our media, we are actually living in a time of unprecedented peace for humanity. We have inner motives towards violence, he explains, but...</summary>
        <author>
            <name>Harvard University Press</name>
        </author>
        <category scheme="http://www.sixapart.com/ns/types#category" term="In the News" />
        <category scheme="http://www.sixapart.com/ns/types#category" term="Nature" />
        <category scheme="http://www.sixapart.com/ns/types#category" term="Psychology" />
        <category scheme="http://www.sixapart.com/ns/types#category" term="Science" />
        
        <category scheme="http://sixapart.com/ns/types#tag" term="Arundhati Roy" />
        <category scheme="http://sixapart.com/ns/types#tag" term="Climate Change" />
        <category scheme="http://sixapart.com/ns/types#tag" term="Environmentalism" />
        <category scheme="http://sixapart.com/ns/types#tag" term="Harvard University Press" />
        <category scheme="http://sixapart.com/ns/types#tag" term="Indra Sinha" />
        <category scheme="http://sixapart.com/ns/types#tag" term="Jamaica Kincaid" />
        <category scheme="http://sixapart.com/ns/types#tag" term="June Jordan" />
        <category scheme="http://sixapart.com/ns/types#tag" term="Ken Saro-Wiwa" />
        <category scheme="http://sixapart.com/ns/types#tag" term="Nadine Gordimer" />
        <category scheme="http://sixapart.com/ns/types#tag" term="Njabulo Ndebele" />
        <category scheme="http://sixapart.com/ns/types#tag" term="Peter Singer" />
        <category scheme="http://sixapart.com/ns/types#tag" term="Rob Nixon" />
        <category scheme="http://sixapart.com/ns/types#tag" term="Slow Violence" />
        <category scheme="http://sixapart.com/ns/types#tag" term="Slow Violence and the Environmentalism of the Poor" />
        <category scheme="http://sixapart.com/ns/types#tag" term="Steven Pinker" />
        <category scheme="http://sixapart.com/ns/types#tag" term="The Better Angels of Our Nature" />
        <category scheme="http://sixapart.com/ns/types#tag" term="Wangari Maathai" />
        
<content type="xhtml" xml:lang="en-US" xml:base="http://harvardpress.typepad.com/hup_publicity/"><div xmlns="http://www.w3.org/1999/xhtml"><p><a href="http://harvardpress.typepad.com/.a/6a00d8341d17e553ef01675ecd161b970b-pi" style="float: right;"><img alt="Better-angels-of-our-nature-cover" border="0" class="asset  asset-image at-xid-6a00d8341d17e553ef01675ecd161b970b" src="http://harvardpress.typepad.com/.a/6a00d8341d17e553ef01675ecd161b970b-800wi" style="margin: 0px 0px 5px 5px;" title="Better-angels-of-our-nature-cover" /></a>In <em><a href="http://us.penguingroup.com/nf/Book/BookDisplay/0,,9780670022953,00.html?The_Better_Angels_of_Our_Nature_Steven_Pinker" target="_self" title="The Better Angels of Our Nature">The Better Angels of Our Nature</a></em>, Harvard professor Steven Pinker argues that, despite the violence saturating our media, we are actually living in a time of unprecedented peace for humanity. We have inner motives towards violence, he explains, but also towards peacefulness, and society has been arranging itself in ways that allow the latter to prevail more and more often. The book has been one of this fall’s biggest, and its surprising argument has led it to be reviewed and debated widely.</p>
<p>Judging by the <a href="http://stevenpinker.com/pages/frequently-asked-questions-about-better-angels-our-nature-why-violence-has-declined" target="_self" title="FAQ about The Better Angels of Our Nature">FAQ posted to Pinker’s website</a>, a common concern among people engaging with The Better Angels of Our Nature is Pinker’s definition of violence. His explanation:</p>
<blockquote>
<p>I use the term in its standard sense, more or less the one you’d find in a dictionary (such as The American Heritage Dictionary Fifth Edition: “Behavior or treatment in which physical force is exerted for the purpose of causing damage or injury.”) In particular, I focus on violence against sentient beings: homicide, assault, rape, robbery, and kidnapping, whether committed by individuals, groups, or institutions. Violence by institutions naturally includes war, genocide, corporal and capital punishment, and deliberate famines.</p>
</blockquote>
<p>Another refrain among readers: what about more abstract forms of violence, like economic or environmental? Pinker responds:</p>
<blockquote>
<p>The fact that Bill Gates has a bigger house than I do may be deplorable, but to lump it together with rape and genocide is to confuse moralization with understanding. Ditto for underpaying workers, undermining cultural traditions, polluting the ecosystem, and other practices that moralists want to stigmatize by metaphorically extending the term violence to them. It’s not that these aren’t bad things, but you can’t write a coherent book on the topic of “bad things.”</p>
</blockquote>
<p>To which we say: fair enough. And yet some of the critique of Pinker’s book has put us in mind of Rob Nixon’s <em><a href="http://www.hup.harvard.edu/catalog.php?isbn=9780674049307" target="_self" title="Slow Violence and the Environmentalism of the Poor">Slow Violence and the Environmentalism of the Poor</a></em>, a book we published earlier this year. Nixon’s book is driven by his conviction that we need to politically, imaginatively, and theoretically “rethink” what he calls “slow violence,” a class of violence that doesn’t align with what Pinker refers to as the “standard sense.” From Nixon’s book:</p>
<blockquote>
<p>By slow violence I mean a violence that occurs gradually and out of sight, a violence of delayed destruction that is dispersed across time and space, an attritional violence that is typically not viewed as violence at all. Violence is customarily conceived as an event or action that is immediate in time, explosive and spectacular in space, and as erupting into instant sensational visibility. We need, I believe, to engage a different kind of violence, a violence that is neither spectacular nor instantaneous, but rather incremental and accretive, its calamitous repercussions playing out across a range of temporal scales. In so doing, we also need to engage the representational, narrative, and strategic challenges posed by the relative invisibility of slow violence. Climate change, the thawing cryosphere, toxic drift, biomagnification, deforestation, the radioactive aftermaths of wars, acidifying oceans, and a host of other slowly unfolding environmental catastrophes present formidable representational obstacles that can hinder our efforts to mobilize and act decisively. The long dyings—the staggered and staggeringly discounted casualties, both human and ecological that result from war’s toxic aftermaths or climate change—are underrepresented in strategic planning as well as in human memory.</p>
</blockquote>
<p><a href="http://www.hup.harvard.edu/catalog.php?isbn=9780674049307" style="float: right;" target="_self" title="Slow Violence and the Environmentalism of the Poor"><img alt="Slow-violence-cover" border="0" class="asset  asset-image at-xid-6a00d8341d17e553ef01543857562a970c" src="http://harvardpress.typepad.com/.a/6a00d8341d17e553ef01543857562a970c-800wi" style="margin: 0px 0px 5px 5px;" title="Slow-violence-cover" /></a>Pinker’s violence is one dependent on intention to do harm, and one may argue that an absence of intention distinguishes Nixon’s slow violence from Pinker’s more traditionally understood forms. But Nixon begins his book by quoting from a confidential World Bank memo written in 1991 by Larry Summers that indicates that we’d be mistaken to assume that these slower forms of violence are free from malevolence:</p>
<blockquote>
<p>I think the economic logic behind dumping a load of toxic waste in the lowest-wage country is impeccable and we should face up to that. . . . I’ve always thought that countries in Africa are vastly under polluted; their air quality is probably vastly inefficiently low compared to Los Angeles. . . . Just between you and me, shouldn’t the World Bank be encouraging more migration of the dirty industries to the Least Developed Countries?</p>
</blockquote>


<p>Nixon explains the challenge of understanding this form of intentional but slow violence:</p>
<blockquote>
<p>Had Summers advocated invading Africa with weapons of mass destruction, his proposal would have fallen under conventional definitions of violence and been perceived as a military or even an imperial invasion. Advocating invading countries with mass forms of slow-motion toxicity, however, requires rethinking our accepted assumptions of violence to include slow violence. Such a rethinking requires that we complicate conventional assumptions about violence as a highly visible act that is newsworthy because it is event focused, time bound, and body bound. We need to account for how the temporal dispersion of slow violence affects the way we perceive and respond to a variety of social afflictions—from domestic abuse to posttraumatic stress and, in particular, environmental calamities. A major challenge is representational: how to devise arresting stories, images, and symbols adequate to the pervasive but elusive violence of delayed effects.</p>
</blockquote>
<p>Nixon’s book focuses on the environmentalism of the poor, whom he notes are the principal casualties of slow violence, especially across the “global south.” As he explains, while the neoliberal era has intensified assaults on resources and on people, it has also intensified resistance. <em>Slow Violence and the Environmentalism of the Poor</em> is also a study of the writer-activists helping the world to meet the representational challenge of slow violence by making this violence visible and apprehensible. Nixon writes of Wangari Maathai, Ken Saro-Wiwa, Arundhati Roy, Indra Sinha, Jamaica Kincaid, June Jordan, Njabulo Ndebele, Nadine Gordimer, and others whose work presents what he calls “the versatile possibilities of politically engaged nonfiction.”</p>
<p>As Nixon also notes, slow violence can operate as a major threat multiplier in that it can “fuel long-term, proliferating conflicts in situations where the conditions for sustaining life become increasingly but gradually degraded.” In this respect there seems less reason to draw clear lines between Nixon’s slow violence and Pinker’s standard. And, in fact, the philosopher Peter Singer makes a similar point in his otherwise <a href="http://www.nytimes.com/2011/10/09/books/review/the-better-angels-of-our-nature-by-steven-pinker-book-review.html?_r=2&amp;pagewanted=1&amp;ref=bookreviews" target="_self" title="Is Violence History?">admiring review of </a><em><a href="http://www.nytimes.com/2011/10/09/books/review/the-better-angels-of-our-nature-by-steven-pinker-book-review.html?_r=2&amp;pagewanted=1&amp;ref=bookreviews" target="_self" title="Is Violence History?">The Better Angels of Our Nature</a></em>. After noting Pinker’s guarded optimism that these trends towards nonviolence will continue even in the face of a “clash of civilizations” with Islam, the pall of nuclear terrorism, and the threats of climate change, Singer ends with reference to a study published in Nature this August:</p>
<blockquote>
<p>Solomon Hsiang and colleagues at Columbia University used data from the past half-century to show that in tropical regions, the risk of a new civil conflict doubles during El Niño years (when temperatures are hotter than usual and there is less rainfall). If that finding is correct, then a warming world could mean the end of the relatively peaceful era in which we are now living.</p>
</blockquote>
<p>And, with that, a transition from a slow violence that challenges representation, to the all-too-familiar violence of conflict. So, despite the trouble we face in comprehending the slow violence of which Nixon writes, or the challenge of including it in a coherent narrative with homicide, genocide, and their ilk, a peaceful future would seem to require recognition of the fact that these forms of slow violence exist on a continuum with Pinker’s.</p><xhtml:img xmlns:xhtml="http://www.w3.org/1999/xhtml" src="http://feeds.feedburner.com/~r/typepad/budandflora/hup_publicity/~4/GgWkedEcz_A" height="1" width="1" /></div></content>



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