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<title>the art of conversation</title>
<link>http://artofconversation.typepad.com/art_of_conversation/</link>
<description>Wardle McLean's blog




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<dc:language>en-GB</dc:language>
<dc:creator />
<dc:date>2011-11-18T12:05:16+00:00</dc:date>
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<item rdf:about="http://artofconversation.typepad.com/art_of_conversation/2011/11/big-ad-campaign.html">
<title>Big Ad campaign</title>
<link>http://artofconversation.typepad.com/art_of_conversation/2011/11/big-ad-campaign.html</link>
<description>I love flying and I’ve flown quite a lot recently, everyone from Etihad to Easyjet. (More Easyjet unfortunately). Domestic and short-haul flights used to be BA every time. It felt homely, good service, reasonable food, not treated like an inconvenient...</description>
<content:encoded>&lt;p&gt;I love flying and I’ve flown quite a lot recently, everyone from Etihad to Easyjet. (More Easyjet unfortunately). Domestic and short-haul flights used to be BA every time. It felt homely, good service, reasonable food, not treated like an inconvenient idiot.&amp;nbsp;&lt;/p&gt;
&lt;p&gt;So I ought to have liked BA’s recent Big Ad campaign, said to have cost £20m, from BBH who make excellent ads. A return to form, a confident, forward-looking statement of intent?&lt;/p&gt;

&lt;iframe width="560" height="315" src="http://www.youtube.com/embed/a4JdQi60an0?rel=0" frameborder="0" allowfullscreen&gt;&lt;/iframe&gt;
&lt;p&gt;Instead I saw a sluggish, sycophantic, hollow piece of hubris. It is intended to be nostalgic but it just felt dated. It’s meant to be about customer service, it comes across as almost entirely self-obsessed. It’s meant to build up to a crescendo, to take off (quite literally, see what they did there?) with the lines, ‘Speedbird 1, cleared for take off’ but emotionally it’s about as flat as a muddy field near a runway.&lt;/p&gt;
&lt;p&gt;&amp;nbsp;The transcript is helpfully given on YouTube, but comments are disabled. I wonder why? So we can appreciate lines like: &lt;em&gt;“those next young men, travelling further, faster, higher … who skimmed the edge of space, the edge of heaven, the edge of dreams.”&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;And for some reason the client seems to think that showing lots of aircraft (from different eras) flying together will make viewers' hearts sing, rather than make them think of mid-air collisions.&lt;/p&gt;
&lt;p&gt;The main thing for me was how out of touch it felt: with the times, with the idea of service (ironically). It felt to me as if it had been written by BA’s public relations department, rather than one of the most respected and creative (ahem) agencies around.&lt;/p&gt;
&lt;p&gt;I can understand why some current and former employees love it. (Strikes notwithstanding). I can imagine that the client is very happy with it. But customers?&lt;/p&gt;
&lt;p&gt;You’d think the motto / endline was, To fly. To self-serve.&lt;/p&gt;</content:encoded>



<dc:creator>kevin mclean</dc:creator>
<dc:date>2011-11-18T12:05:16+00:00</dc:date>
</item>
<item rdf:about="http://artofconversation.typepad.com/art_of_conversation/2011/11/we-play-our-games-and-the-sky-goes-on.html">
<title>We play our games and the sky goes on</title>
<link>http://artofconversation.typepad.com/art_of_conversation/2011/11/we-play-our-games-and-the-sky-goes-on.html</link>
<description>I was on the road last week, around Birmingham and Manchester, talking to people about money and bank accounts and the like. Two things occurred to me, both quite obvious things I suppose. The first thing is that, doing research...</description>
<content:encoded>&lt;p&gt;I was on the road last week, around Birmingham and Manchester, talking to people about money and bank accounts and the like.&lt;/p&gt;
&lt;p&gt;&lt;a href="http://artofconversation.typepad.com/.a/6a00d83452194e69e2015392d2b987970b-pi" style="display: inline;"&gt;&lt;img alt="P1090088" class="asset  asset-image at-xid-6a00d83452194e69e2015392d2b987970b" src="http://artofconversation.typepad.com/.a/6a00d83452194e69e2015392d2b987970b-500wi" title="P1090088" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;
&lt;p&gt;Two things occurred to me, both quite obvious things I suppose.&lt;/p&gt;
&lt;p&gt;&lt;br /&gt; &lt;a href="http://artofconversation.typepad.com/.a/6a00d83452194e69e2015436a1c22b970c-pi" style="float: left;"&gt;&lt;img alt="393142_10150433389718933_678923932_10168614_1139748179_n" class="asset  asset-image at-xid-6a00d83452194e69e2015436a1c22b970c" src="http://artofconversation.typepad.com/.a/6a00d83452194e69e2015436a1c22b970c-320wi" style="margin: 0px 5px 5px 0px;" title="393142_10150433389718933_678923932_10168614_1139748179_n" /&gt;&lt;/a&gt;The first thing is that, doing research &amp;#39;out there&amp;#39; where people live is probably something we should all do more often.&lt;/p&gt;
&lt;p&gt;The places where we often talk to people in a research context condition what we learn.&lt;/p&gt;
&lt;p&gt;The second thing is that, when you build in a little &amp;#39;dwelling time&amp;#39;, you notice more and learn more. &lt;a href="http://artofconversation.typepad.com/.a/6a00d83452194e69e2015436a1cc7c970c-pi" style="float: right;"&gt;&lt;img alt="379977_10150433391448933_678923932_10168626_1111312839_n" class="asset  asset-image at-xid-6a00d83452194e69e2015436a1cc7c970c" src="http://artofconversation.typepad.com/.a/6a00d83452194e69e2015436a1cc7c970c-320wi" style="margin: 0px 0px 5px 5px;" title="379977_10150433391448933_678923932_10168626_1111312839_n" /&gt;&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;If you look around less familiar places you can see how people are being affected by the downturn.&lt;/p&gt;
&lt;p&gt;Income inequality has never been greater.&lt;/p&gt;
&lt;p&gt;A friend told me this staggering stat yesterday. The wealthiest &lt;em&gt;400&lt;/em&gt; individuals in America have more money than the poorest &lt;em&gt;140 million&lt;/em&gt;.&lt;/p&gt;
&lt;p&gt;It pays to take the time to look around.&lt;/p&gt;
&lt;p&gt;As I say, obvious, really.&lt;/p&gt;</content:encoded>


<dc:subject>marketing</dc:subject>
<dc:subject>photography</dc:subject>
<dc:subject>Travel</dc:subject>

<dc:creator>kevin mclean</dc:creator>
<dc:date>2011-11-04T16:10:28+00:00</dc:date>
</item>
<item rdf:about="http://artofconversation.typepad.com/art_of_conversation/2011/10/live-your-dreams.html">
<title>Men, cars and sheds: live your dreams</title>
<link>http://artofconversation.typepad.com/art_of_conversation/2011/10/live-your-dreams.html</link>
<description>It's a funny old world. As they say. Don't they also say, it's a man's world? I've been thinking about funny old men this week. First I went to see a company that makes £100k performance cars. Then I went...</description>
<content:encoded>&lt;p&gt;It&amp;#39;s a funny old world. As they say. &lt;a href="http://artofconversation.typepad.com/.a/6a00d83452194e69e2014e8c3eb824970d-pi" style="float: right;"&gt;&lt;img alt="Dream live" class="asset  asset-image at-xid-6a00d83452194e69e2014e8c3eb824970d" height="300" src="http://artofconversation.typepad.com/.a/6a00d83452194e69e2014e8c3eb824970d-500wi" style="margin: 0px 0px 5px 5px;" title="Dream live" width="446" /&gt;&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;Don&amp;#39;t they also say, it&amp;#39;s a man&amp;#39;s world?&lt;/p&gt;
&lt;p&gt;I&amp;#39;ve been thinking about funny old men this week. First I went to see a company that makes £100k performance cars. Then I went to talk to men about woodstain, sheds and things like that.&lt;/p&gt;
&lt;p&gt;Men are notoriously reluctant to &amp;#39;open up&amp;#39; and talk about their dreams, about what really matters to them in their life.&lt;/p&gt;
&lt;p&gt;&lt;a href="http://artofconversation.typepad.com/.a/6a00d83452194e69e2014e8c3ed75a970d-pi" style="float: left;"&gt;&lt;img alt="A to b 3" class="asset  asset-image at-xid-6a00d83452194e69e2014e8c3ed75a970d" height="346" src="http://artofconversation.typepad.com/.a/6a00d83452194e69e2014e8c3ed75a970d-500wi" style="margin: 0px 5px 5px 0px;" title="A to b 3" width="346" /&gt;&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;It is easy to get sidetracked by surface distractions.&lt;/p&gt;
&lt;p&gt;Like cars and sheds.&lt;/p&gt;
&lt;p&gt;But you &lt;em&gt;can &lt;/em&gt;get glimpses into the deeper stuff, if you are lucky or approach it in the right way.&lt;/p&gt;
&lt;p&gt;I hope that we get to study men and expensive cars.&lt;/p&gt;
&lt;p&gt;Our method is to revisit the excellent &amp;#39;From &lt;a href="http://www.amazon.co.uk/B-Tales-Modern-Motoring/dp/0563369841" target="_self"&gt;A to B&lt;/a&gt; tales of modern motoring&amp;#39; by Nicholas Barker/Martin Parr.&lt;/p&gt;
&lt;p&gt;You should really try and get the book, or better still watch the series.&lt;/p&gt;
&lt;p&gt;Alternatively, we shall concentrate on sheds.&lt;/p&gt;
&lt;p&gt;Glorious in their own, deeply misunderstood kind of way.&lt;/p&gt;
&lt;p&gt;&lt;a href="http://artofconversation.typepad.com/.a/6a00d83452194e69e2014e8c3ecf0c970d-pi" style="display: inline;"&gt;&lt;img alt="Shed" class="asset  asset-image at-xid-6a00d83452194e69e2014e8c3ecf0c970d" height="343" src="http://artofconversation.typepad.com/.a/6a00d83452194e69e2014e8c3ecf0c970d-500wi" title="Shed" width="458" /&gt;&lt;/a&gt;&lt;br /&gt;pic by &lt;a href="http://www.flickr.com/photos/folkbird/203675759/" target="_self"&gt;Beedle Um Bum&lt;/a&gt;&lt;a href="http://www.flickr.com/photos/folkbird/203675759/" target="_self"&gt; &lt;/a&gt;&lt;/p&gt;</content:encoded>


<dc:subject>conversations</dc:subject>
<dc:subject>marketing</dc:subject>
<dc:subject>research</dc:subject>

<dc:creator>kevin mclean</dc:creator>
<dc:date>2011-10-14T12:29:15+01:00</dc:date>
</item>
<item rdf:about="http://artofconversation.typepad.com/art_of_conversation/2011/09/on-the-buses.html">
<title>On the buses</title>
<link>http://artofconversation.typepad.com/art_of_conversation/2011/09/on-the-buses.html</link>
<description>We’ve been doing some behavioural research for Greener Journeys, exploring people’s habits and experiences around bus travel. Our research informed their report, 'A step change for Britain’s buses: Maximising the economic, social and environmental potential', launched at the House of...</description>
<content:encoded>&lt;p&gt;&lt;a href="http://artofconversation.typepad.com/.a/6a00d83452194e69e201543563e088970c-pi" style="float: left;"&gt;&lt;img alt="On the buses" class="asset  asset-image at-xid-6a00d83452194e69e201543563e088970c" height="238" src="http://artofconversation.typepad.com/.a/6a00d83452194e69e201543563e088970c-500wi" style="margin: 0px 5px 5px 0px;" title="On the buses" width="316" /&gt;&lt;/a&gt; We’ve been doing some behavioural research for &lt;a href="http://www.greenerjourneys.com/" target="_self"&gt;Greener Journeys&lt;/a&gt;, exploring people’s habits and experiences around bus travel.&lt;/p&gt;
&lt;p&gt;Our research informed &lt;a href="http://www.greenerjourneys.com/images/uploads/A_Step_Change_for_Britains_Buses.pdf " target="_self"&gt;their report&lt;/a&gt;, &lt;em&gt;&amp;#39;A step change for Britain’s buses: Maximising the economic, social and environmental potential&amp;#39;, &lt;/em&gt;launched at the House of Commons yesterday.&lt;/p&gt;
&lt;p&gt;It’s odd, buses are at the same time very familiar to us, yet rather overlooked, almost invisible to everyone except regular users. This applies to the public and also (I suspect) to politicians and business leaders.&lt;/p&gt;
&lt;p&gt;Arguably we ought to be championing buses more, as they are obviously more eco-friendly than private cars (at least when reasonably full), they are cheaper and more flexible than trains and they also represent the ultimate in local, community transport. As ‘localism’ these days is all the rage (Big Society etc) why are buses so far down the political agenda?&lt;/p&gt;
&lt;p&gt;Greener Journeys is a bus industry initiative trying to change this, to get buses noticed and taken more seriously within the legislature. And no, the Reg Varney image is not helping to modernise the image of the bus, but possibly does speak to the local community aspect. Interesting that the bus was used as a London Olympics icon. &lt;a href="http://artofconversation.typepad.com/.a/6a00d83452194e69e201539190d8de970b-pi" style="float: right;"&gt;&lt;img alt="Olympic-bus" class="asset  asset-image at-xid-6a00d83452194e69e201539190d8de970b" height="135" src="http://artofconversation.typepad.com/.a/6a00d83452194e69e201539190d8de970b-320wi" style="margin: 0px 0px 5px 5px;" title="Olympic-bus" width="208" /&gt;&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;Both of these examples are London and London is atypcial in relation to buses and so much else. We researched how the bus is used and seen amongst car-owning households outside London: what were the triggers and barriers which would encourage and hinder greater use of the bus?&lt;/p&gt;
&lt;p&gt;We spoke to people at home, took a journey with them by bus that they would normally make by car, then invited them to reflect on their experiences and behaviour. (We call this method ‘co-discovery’).&lt;/p&gt;
&lt;p&gt;We produced a report and made a film of the whole exercise, hopefully to be linked to here soon. Key highlights are:&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;transport choices are habitual and the car is a hard habit to break, with many ‘short cuts’ which keep the car top of mind&lt;/li&gt;
&lt;li&gt;people who don’t use the bus rarely consider doing this (availability bias) and have forgotten some basic ‘bus habits’&lt;/li&gt;
&lt;li&gt;all too often the cost of going by bus and the ‘pain of paying’ count against buses&lt;/li&gt;
&lt;li&gt;buses have something of an image problem&lt;/li&gt;
&lt;li&gt;but the reality is better than the perception, buses are not nearly as bad as some people expect (although not as good as they want)&lt;/li&gt;
&lt;li&gt;and there are some unexpected rewards and benefits from going by bus&lt;/li&gt;
&lt;/ul&gt;</content:encoded>


<dc:subject>Current Affairs</dc:subject>
<dc:subject>marketing</dc:subject>
<dc:subject>research</dc:subject>
<dc:subject>Travel</dc:subject>

<dc:creator>kevin mclean</dc:creator>
<dc:date>2011-09-13T14:23:57+01:00</dc:date>
</item>
<item rdf:about="http://artofconversation.typepad.com/art_of_conversation/2011/08/visual-communications.html">
<title>Visual communications</title>
<link>http://artofconversation.typepad.com/art_of_conversation/2011/08/visual-communications.html</link>
<description>I can't remember where I found this fire poster, but I like it. 'OMG I'm on fire LOL' It wouldn't have been in China, which I visited for the first time recently and where Twitter is banned. Funny how paranoia...</description>
<content:encoded>&lt;p&gt;&lt;a href="http://artofconversation.typepad.com/.a/6a00d83452194e69e201543446f96a970c-pi" style="float: left;"&gt;&lt;img alt="In case of fire" class="asset  asset-image at-xid-6a00d83452194e69e201543446f96a970c" height="353" src="http://artofconversation.typepad.com/.a/6a00d83452194e69e201543446f96a970c-500wi" style="margin: 0px 5px 5px 0px;" title="In case of fire" width="255" /&gt;&lt;/a&gt; I can&amp;#39;t remember where I found this fire poster, but I like it.&lt;/p&gt;
&lt;p&gt;&lt;em&gt;&amp;#39;OMG I&amp;#39;m on fire LOL&amp;#39;&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;It wouldn&amp;#39;t have been in China, which I visited for the first time recently and where Twitter is banned.&lt;/p&gt;
&lt;p&gt;Funny how paranoia soon sets in.&lt;/p&gt;
&lt;p&gt;Not as funny as the poster below, found on innocent&amp;#39;s &lt;a href="http://innocentdrinks.typepad.com/" target="_self"&gt;blog&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;Very postmodern. Or possibly not.&lt;/p&gt;
&lt;p&gt;Loving the &amp;#39;unbelievably&amp;#39;.&lt;/p&gt;
&lt;p&gt;&lt;a href="http://artofconversation.typepad.com/.a/6a00d83452194e69e201539073b666970b-pi" style="float: right;"&gt;&lt;img alt="Unbelievably trendy" class="asset  asset-image at-xid-6a00d83452194e69e201539073b666970b" height="375" src="http://artofconversation.typepad.com/.a/6a00d83452194e69e201539073b666970b-320wi" style="margin: 0px 0px 5px 5px;" title="Unbelievably trendy" width="246" /&gt;&lt;/a&gt;&lt;/p&gt;</content:encoded>



<dc:creator>kevin mclean</dc:creator>
<dc:date>2011-08-05T14:08:08+01:00</dc:date>
</item>
<item rdf:about="http://artofconversation.typepad.com/art_of_conversation/2011/08/36-hours-in-jakarta-how-alike-how-unalike-we-are.html">
<title>36 hours in Jakarta</title>
<link>http://artofconversation.typepad.com/art_of_conversation/2011/08/36-hours-in-jakarta-how-alike-how-unalike-we-are.html</link>
<description>On a business trip last week I asked the taxi driver to take me on a little tour on the way to the airport. Two things struck me: 1. I shall never complain about London traffic again having seen Shanghai...</description>
<content:encoded>&lt;p&gt;On a business trip last week I asked the taxi driver to take me on a little tour on the way to the airport.&amp;#0160;&lt;/p&gt;
&lt;p&gt;Two things struck me:&lt;/p&gt;
&lt;p&gt;1. I shall never complain about London traffic again having seen Shanghai then Jakarta *&lt;/p&gt;
&lt;p&gt;2. How alike and yet how unalike we all are, citizens of these great cities of the world&lt;br /&gt; &lt;br /&gt; &lt;a href="http://artofconversation.typepad.com/.a/6a00d83452194e69e2014e8a5be9e9970d-pi" style="display: inline;"&gt;&lt;img alt="DSC_0575" border="0" class="asset asset-image at-xid-6a00d83452194e69e2014e8a5be9e9970d image-full" src="http://artofconversation.typepad.com/.a/6a00d83452194e69e2014e8a5be9e9970d-800wi" title="DSC_0575" /&gt;&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&amp;#0160;&lt;/p&gt;
&lt;p&gt;* I may or may not stick to this&lt;/p&gt;</content:encoded>


<dc:subject>Current Affairs</dc:subject>
<dc:subject>Travel</dc:subject>

<dc:creator>kevin mclean</dc:creator>
<dc:date>2011-08-04T00:33:17+01:00</dc:date>
</item>
<item rdf:about="http://artofconversation.typepad.com/art_of_conversation/2011/07/reflections-on-the-insight-show.html">
<title>Reflections on the Insight Show</title>
<link>http://artofconversation.typepad.com/art_of_conversation/2011/07/reflections-on-the-insight-show.html</link>
<description>We enjoyed it, at least between set up and pack down. If you've never been, Marketing Week Live is a massive marketing services exhibition at Olympia (data marketing, in-store, online and Insight). At times, it's a bit like Dante's Inferno,...</description>
<content:encoded>&lt;p&gt;We enjoyed it, at least between set up and pack down.&lt;a href="http://artofconversation.typepad.com/.a/6a00d83452194e69e201538f926cc0970b-pi" style="float: right;"&gt;&lt;img alt="Mktg week live" class="asset  asset-image at-xid-6a00d83452194e69e201538f926cc0970b" height="201" src="http://artofconversation.typepad.com/.a/6a00d83452194e69e201538f926cc0970b-320wi" style="margin: 0px 0px 5px 5px;" title="Mktg week live" width="268" /&gt;&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;If you&amp;#39;ve never been, Marketing Week Live is a massive marketing services exhibition at Olympia (data&amp;#0160;marketing, in-store, online and Insight).&lt;/p&gt;
&lt;p&gt;At times, it&amp;#39;s a bit like Dante&amp;#39;s Inferno, with merchandise.&lt;/p&gt;
&lt;p&gt;It&amp;#39;s so overwhelming and noisy with so much going on that the whole experience is quite exhausting.&lt;/p&gt;
&lt;p&gt;But there are not many times you can have lots of conversations with clients and potential clients under one (very large) roof. Or listen to talks by the Head of Marketing for Man Utd or the MD of Google, UK and Ireland.&lt;/p&gt;
&lt;p&gt;(Sorry, I mean have &lt;em&gt;&amp;#39;an amazing opportunity to hear from leading global brands, interact,  debate, question and network with truly inspiring marketing minds&amp;#39;. &lt;/em&gt;&lt;a href="http://www.marketingweeklive.co.uk/" target="_self"&gt;Marketing&lt;/a&gt;, remember)&lt;/p&gt;
&lt;p&gt;&lt;a href="http://artofconversation.typepad.com/.a/6a00d83452194e69e201538f926eca970b-pi" style="float: left;"&gt;&lt;img alt="IS2" class="asset  asset-image at-xid-6a00d83452194e69e201538f926eca970b" height="319" src="http://artofconversation.typepad.com/.a/6a00d83452194e69e201538f926eca970b-320wi" style="margin: 0px 5px 5px 0px;" title="IS2" width="253" /&gt;&lt;/a&gt; More positives were that Judith and Lisa&amp;#39;s talk on using trance techniques generated lots of interest, as did Siamack&amp;#39;s new ethnographic app, &lt;a href="https://beta2.ethosapp.com/" target="_self"&gt;EthOS&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;Our insight cakes went down a storm (a fresh insight in every cake), every single one eaten.&lt;/p&gt;
&lt;p&gt;Fortunately, we have the recipe for insight cakes, so if you want a supply of fresh insights, get in touch.&lt;/p&gt;
&lt;p&gt;It was also great to catch up with friends and colleagues to share experiences and compare levels of exhaustion.&lt;/p&gt;
&lt;p&gt;Glad to have done it, glad it&amp;#39;s over.&lt;/p&gt;
&lt;p&gt;&amp;#0160;&lt;/p&gt;</content:encoded>


<dc:subject>advertising</dc:subject>
<dc:subject>conversations</dc:subject>
<dc:subject>marketing</dc:subject>

<dc:creator>kevin mclean</dc:creator>
<dc:date>2011-07-01T17:51:49+01:00</dc:date>
</item>
<item rdf:about="http://artofconversation.typepad.com/art_of_conversation/2011/06/insight-found-shock.html">
<title>Insight found in Olympia, shock</title>
<link>http://artofconversation.typepad.com/art_of_conversation/2011/06/insight-found-shock.html</link>
<description>Forget anything you may have heard about insights. Including by us. We can exclusively reveal that real, live insights can now be found, for two days only, in one small part of a very large hall in west London. The...</description>
<content:encoded>&lt;p&gt;Forget anything you may have heard about insights. Including by &lt;a href="http://artofconversation.typepad.com/art_of_conversation/2011/05/in-search-of-insight.html" target="_self"&gt;us&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;a href="http://artofconversation.typepad.com/.a/6a00d83452194e69e2014e89732259970d-pi" style="float: right;"&gt;&lt;img alt="Insight gloves" class="asset  asset-image at-xid-6a00d83452194e69e2014e89732259970d" height="344" src="http://artofconversation.typepad.com/.a/6a00d83452194e69e2014e89732259970d-500wi" style="margin: 0px 0px 5px 5px;" title="Insight gloves" width="318" /&gt;&lt;/a&gt;We can exclusively reveal that real, live insights &lt;em&gt;&lt;strong&gt;can&lt;/strong&gt;&lt;/em&gt; now be found, for two days only, in one small part of a&amp;#0160; very large hall in west London.&lt;/p&gt;
&lt;p&gt;&lt;a href="http://artofconversation.typepad.com/.a/6a00d83452194e69e20154335326aa970c-pi" style="float: left;"&gt;&lt;img alt="Insight show" class="asset  asset-image at-xid-6a00d83452194e69e20154335326aa970c" height="146" src="http://artofconversation.typepad.com/.a/6a00d83452194e69e20154335326aa970c-320wi" style="margin: 0px 5px 5px 0px;" title="Insight show" width="146" /&gt;&lt;/a&gt; The &lt;a href="http://www.insightshow.co.uk/" target="_self"&gt;Insight Show&lt;/a&gt; is back and we are going to be there, at &lt;strong&gt;Stand D067, &lt;/strong&gt;right next to the Quadrangle.&lt;/p&gt;
&lt;p&gt;&amp;#39;We&amp;#39; is the whole family: Wardle McLean, Propeller, EverydayLives and &lt;a href="https://beta2.ethosapp.com/" target="_self"&gt;EthOS&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;That little baby is worth checking out, btw.&lt;/p&gt;
&lt;p&gt;So come by and see how many insights you can carry away with you.&lt;/p&gt;
&lt;p&gt;And if you&amp;#39;re lucky and quick off the mark, you could even get to take Siamack for a &lt;a href="http://www.ethnosnacker.com/2011/06/chelo-kabab-in-olympia.html" target="_self"&gt;chelo kebab&lt;/a&gt;.&lt;/p&gt;</content:encoded>


<dc:subject>conversations</dc:subject>
<dc:subject>marketing</dc:subject>

<dc:creator>kevin mclean</dc:creator>
<dc:date>2011-06-28T16:59:14+01:00</dc:date>
</item>
<item rdf:about="http://artofconversation.typepad.com/art_of_conversation/2011/06/good-ideas-somewhere.html">
<title>Time for good ideas</title>
<link>http://artofconversation.typepad.com/art_of_conversation/2011/06/good-ideas-somewhere.html</link>
<description>Bizarre. I’d passed this poster a few times and assumed it to be a warning about pollution, leaks or the perils of (corroding) oil pipelines: the picture all gloomy and menacing, the headline with the problem, URL for the answer....</description>
<content:encoded>&lt;p&gt;&lt;a href="http://artofconversation.typepad.com/.a/6a00d83452194e69e20154331386a6970c-pi" style="float: left;"&gt;&lt;img alt="Pipeline" class="asset  asset-image at-xid-6a00d83452194e69e20154331386a6970c" height="345" src="http://artofconversation.typepad.com/.a/6a00d83452194e69e20154331386a6970c-500wi" style="margin: 0px 5px 5px 0px;" title="Pipeline" width="252" /&gt;&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;Bizarre. I’d passed this poster a few times and assumed it to be a warning about pollution, leaks or the perils of (corroding) oil pipelines: the picture all gloomy and menacing, the headline with the problem, URL for the answer.&lt;/p&gt;
&lt;p&gt;There was even a fake oil company name, Statoil (State Oil, as in Big Oil?). Why had Greenpeace or FoE not put their logo on it, though?&lt;/p&gt;
&lt;p&gt;The reason (obvious now) is that it is an ad for Statoil, the Norwegian energy company. The most recent &amp;#39;good idea&amp;#39; on the site seemed to be that King Harald V of Norway visited the Statoil stand on the opening day of the ONS show in Stavanger.&lt;/p&gt;
&lt;p&gt;I clicked on ‘deep dives’ (see what they did there?) to find out that &lt;em&gt;“gas is delivered directly to UK shores through an extensive pipeline system”&lt;/em&gt;. &lt;br /&gt;&lt;br /&gt;Then even further into the &lt;a href="http://goodideas.statoil.com/deep-dive-en" target="_self"&gt;site&lt;/a&gt;, &lt;em&gt;“the main limitations for future oil supply are not below the ground, but in our heads … There’s never been a better time for good ideas”&lt;/em&gt;.&lt;/p&gt;
&lt;p&gt;On the subject of not such a good idea, is this even bizarrer ad for blackcurrant Lucozade.&lt;/p&gt;
&lt;p&gt;&lt;a href="http://artofconversation.typepad.com/.a/6a00d83452194e69e2014e89340ccb970d-pi" style="float: right;"&gt;&lt;img alt="Blackcurrant lucozade" class="asset  asset-image at-xid-6a00d83452194e69e2014e89340ccb970d" height="312" src="http://artofconversation.typepad.com/.a/6a00d83452194e69e2014e89340ccb970d-320wi" style="margin: 0px 0px 5px 5px;" title="Blackcurrant lucozade" width="210" /&gt;&lt;/a&gt;(Thanks to &lt;a href="http://www.thebigapricot.blogspot.com/" target="_self"&gt;Simon&lt;/a&gt; for the spot.)&lt;/p&gt;
&lt;p&gt;I know it&amp;#39;s aimed at people younger than me and this is a rather reactionary point, but ... it&amp;#39;s hard not to think that it tastes so disgusting that you want to spit it out.&lt;/p&gt;
&lt;p&gt;&amp;#39;There&amp;#39;s a word for it ... yeeuuurrgghh!&amp;#39;&lt;/p&gt;
&lt;p&gt;Oh and that it is full of colourings.&lt;/p&gt;
&lt;p&gt;A shame, because the Lucozade &amp;#39;yes&amp;#39; campaign, especially the films of cool &lt;a href="http://www.lucozade.com/?gclid=CLL-sPquvakCFUQMfAodHDg6gQ" target="_self"&gt;people roller blading&lt;/a&gt; somewhere Californian are really good.&lt;/p&gt;
&lt;p&gt;Which all goes to prove … it’s not as easy as you might think, this communication malarkey.&lt;/p&gt;</content:encoded>


<dc:subject>advertising</dc:subject>
<dc:subject>marketing</dc:subject>

<dc:creator>kevin mclean</dc:creator>
<dc:date>2011-06-17T16:29:00+01:00</dc:date>
</item>
<item rdf:about="http://artofconversation.typepad.com/art_of_conversation/2011/05/in-search-of-insight.html">
<title>In search of insight</title>
<link>http://artofconversation.typepad.com/art_of_conversation/2011/05/in-search-of-insight.html</link>
<description>Philosophy has been compared to ‘a blind man looking for a black cat in a dark room … which is not there’. You could substitute ‘insight’ for philosophy. Insight is such a key ‘thing’ in research and marketing these days,...</description>
<content:encoded>&lt;p&gt;Philosophy has been compared to ‘a blind man looking for a black cat in a dark room … which is not there’. &lt;br /&gt;&lt;br /&gt;You could substitute ‘insight’ for philosophy. Insight is such a key ‘thing’ in research and marketing these days, that we are all looking for it and yet it is very hard to find. &lt;br /&gt;&lt;a href="http://artofconversation.typepad.com/.a/6a00d83452194e69e2014e88cb5a26970d-pi" style="float: right;"&gt;&lt;img alt="Aura debate" class="asset  asset-image at-xid-6a00d83452194e69e2014e88cb5a26970d" height="196" src="http://artofconversation.typepad.com/.a/6a00d83452194e69e2014e88cb5a26970d-320wi" style="margin: 0px 0px 5px 5px;" title="Aura debate" width="192" /&gt;&lt;/a&gt;&lt;br /&gt;The reason is that we are looking in the wrong place - for the wrong thing. To explain ...&amp;#0160; &lt;br /&gt;&lt;br /&gt;I went to an AURA debate at the RAF Club, Piccadilly recently (co-sponsor, AQR). The debate was headlined ‘who killed insight’?&amp;#0160;&lt;/p&gt;
&lt;p&gt;The RAF Club is a fantastic place, incidentally, where pint glasses have handles and men have striped ties and double vented blazers. And moustaches. For some reason, my mind drifted to David McCallum as the Invisible Man, apparently a 1970s TV series.&lt;/p&gt;
&lt;p&gt;&lt;a href="http://artofconversation.typepad.com/.a/6a00d83452194e69e2015432aaf966970c-pi" style="float: left;"&gt;&lt;img alt="Invisible man" class="asset  asset-image at-xid-6a00d83452194e69e2015432aaf966970c" height="149" src="http://artofconversation.typepad.com/.a/6a00d83452194e69e2015432aaf966970c-320wi" style="margin: 0px 5px 5px 0px;" title="Invisible man" width="112" /&gt;&lt;/a&gt; What if Insight (as a person) were a master of disguise, turning up as someone different in different places? Insight is only visible when it is ‘dressed appropriately’ according to the occasion and the company and the job in hand?&lt;br /&gt;&lt;br /&gt;The debate consisted of four short talks from Christene McCauley, Global Consumer Planning Director of Diageo, Sinead Jeffries of Opinion Leader, Kathy Ellison, Head of Customer and Market Insight at Ecclesiastical and Rosie Campbell of Campbell Keegan.&lt;/p&gt;
&lt;p&gt;My main takeaways from this most enjoyable session were that:&lt;/p&gt;
&lt;ol&gt;
&lt;li&gt;Insight moves invisibly among us, loyal to nobody; it is not dead but there are serial attempts to kidnap it, often in a white van marked ‘client property’&lt;/li&gt;
&lt;li&gt;We should get to know our clients’ businesses better and trust our instincts more, if we are to befriend Insight more often &lt;/li&gt;
&lt;li&gt;More events like this debate would help, otherwise the cultural divide between client and agency could widen and we and Insight could become further estranged&lt;/li&gt;
&lt;/ol&gt;
&lt;p&gt;But something was still bothering me. Something was not quite right. Could it be an insight …?&lt;br /&gt;&lt;br /&gt;Obviously Insight is not a person. But neither is insight a ‘thing’. It’s a process. You might say that there is no such thing as ‘an insight’. There is only ‘insightful’. &lt;br /&gt;&lt;br /&gt;This is not a new thought. The idea was discussed in the &lt;a href="http://www.acacia-avenue.com/media/1283261406Insight_paper.pdf " target="_self"&gt;2007 ESOMAR&lt;/a&gt; paper by Wendy Gordon and Nitasha Kapoor of Acacia Avenue. They quote Jeremy Bullmore who &lt;a href="http://www.wpp.com/NR/rdonlyres/61388DE1-2E4E-4783-B9BE-FA3AFB21BF3B/0/AnnualReportandAccounts2004.pdf " target="_self"&gt;says&lt;/a&gt; “it is not the ‘what’ of insight but the ‘how’ that makes it valuable.”&lt;/p&gt;
&lt;p&gt;Something which is insightful in a high potency way has an immediate clarity and call to action about it; a ‘guiding idea that excites and inspires’. Something truly insightful will get passed on, remembered and acted on, whereas a mere ‘insight’ will stay ‘stuck’ in a document as the property of the originator.&amp;#0160; &lt;br /&gt;&lt;br /&gt;So, Insight, unmasked at last. Not a person, not a thing. Not even a cat.&amp;#0160; &lt;br /&gt;&lt;br /&gt;But available to all of us, if we work hard enough.&lt;/p&gt;</content:encoded>


<dc:subject>advertising</dc:subject>
<dc:subject>marketing</dc:subject>
<dc:subject>research</dc:subject>

<dc:creator>kevin mclean</dc:creator>
<dc:date>2011-05-31T14:10:11+01:00</dc:date>
</item>
<item rdf:about="http://artofconversation.typepad.com/art_of_conversation/2011/04/nila-watch-4.html">
<title>Nila Watch 4</title>
<link>http://artofconversation.typepad.com/art_of_conversation/2011/04/nila-watch-4.html</link>
<description>Collecting is a sign of great intelligence, I think I read somewhere, once. We are collecting Nila van advertising executions. Nila, the food distribution service, radically changed their advertising strategy in response (quite possibly) to our blog. They used to...</description>
<content:encoded>&lt;p&gt;Collecting is a sign of great intelligence, I think I read somewhere, once.&lt;/p&gt;
&lt;p&gt;We are collecting Nila van advertising executions. Nila, the food distribution service, radically changed their advertising strategy in response (quite possibly) to our blog. They used to use innuendo and semi-nudity, until we exposed them. You can read the amazing story &lt;a href="http://artofconversation.typepad.com/art_of_conversation/2010/02/nila-watch-3.html " target="_self"&gt;here&lt;/a&gt; and &lt;a href="http://artofconversation.typepad.com/art_of_conversation/2008/09/blog-in-brand-strategy-change-possibility.html  " target="_self"&gt;here&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;&lt;a href="http://artofconversation.typepad.com/.a/6a00d83452194e69e2014e87403891970d-pi" style="display: inline;"&gt;&lt;img alt="Nila BBC" border="0" class="asset  asset-image at-xid-6a00d83452194e69e2014e87403891970d image-full" src="http://artofconversation.typepad.com/.a/6a00d83452194e69e2014e87403891970d-800wi" title="Nila BBC" /&gt;&lt;/a&gt; &lt;br /&gt; &lt;br /&gt;In the latest dramatic twist, we saw this van yesterday at BBC headquarters, White City. They could be on the point of securing a TV series, based on the new trend for &amp;#39;cringe comedy&amp;#39; (latest example, the excellent &lt;a href="http://www.bbc.co.uk/programmes/b00yw1t9" target="_self"&gt;2012&lt;/a&gt;).&lt;/p&gt;
&lt;p&gt;Alternatively, they could have been delivering some extra large hamburgers. The image &lt;em&gt;could &lt;/em&gt;be an oblique reference to the Gary Larson/B Kliban &lt;a href="http://www.amazon.com/Never-Anything-Bigger-Other-Drawings/dp/0911104674" target="_self"&gt;cartoon&lt;/a&gt; captioned &amp;#39;never eat anything bigger than your head&amp;#39;.&lt;/p&gt;
&lt;p&gt;But it&amp;#39;s probably even subtler than that. And it&amp;#39;s not about burgers. The woman is conspiring with us, as if to keep a secret. But who is the food for? Is it for her or is she delivering it, but to whom? Note how she holds the plate. Notice her forefinger, not just shooshing, but pointing. The lucky recipient? The angle of the plate suggests she is about the throw it away, to focus on her real mission. The tilt of the head and cheeky grin is designed to encourage a man to think that if he asked for a chip, she would give him one.&lt;/p&gt;
&lt;p&gt;This is surely Nila returning to its core theme of seduction, with food on the side, which could upset people. A risque strategy, you might say.&lt;/p&gt;
&lt;p&gt;We will have to wait for the TV series to find out what happens next.&lt;/p&gt;</content:encoded>


<dc:subject>advertising</dc:subject>
<dc:subject>conversations</dc:subject>
<dc:subject>Food and Drink</dc:subject>
<dc:subject>marketing</dc:subject>

<dc:creator>kevin mclean</dc:creator>
<dc:date>2011-04-05T11:27:14+01:00</dc:date>
</item>
<item rdf:about="http://artofconversation.typepad.com/art_of_conversation/2011/03/conversation-as-behaviour.html">
<title>Conversation as behaviour</title>
<link>http://artofconversation.typepad.com/art_of_conversation/2011/03/conversation-as-behaviour.html</link>
<description>"Conversation is a meeting of minds. It doesn’t just exchange facts but transforms them … doesn't just reshuffle the cards, it creates new cards." Theodore Zeldin I've been thinking a lot about Behavioural Economics lately. Hasn't everyone...? It occurs to...</description>
<content:encoded>&lt;p&gt;&amp;#0160; &lt;br /&gt; &lt;a href="http://artofconversation.typepad.com/.a/6a00d83452194e69e2014e86ce9621970d-pi" style="display: inline;"&gt;&lt;img alt="Bulgarian folk 3" border="0" class="asset  asset-image at-xid-6a00d83452194e69e2014e86ce9621970d image-full" src="http://artofconversation.typepad.com/.a/6a00d83452194e69e2014e86ce9621970d-800wi" title="Bulgarian folk 3" /&gt;&lt;/a&gt; &lt;br /&gt;&lt;br /&gt;&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;&lt;strong&gt;&lt;em&gt;&amp;quot;Conversation is a meeting of minds. It doesn’t just exchange facts but transforms them … doesn&amp;#39;t just reshuffle the cards, it creates new cards.&amp;quot;&amp;#0160;&lt;/em&gt;&lt;/strong&gt; Theodore Zeldin&lt;a href="http://www.facebook.com/pages/Theodore-Zeldin/16214473908?ref=mf"&gt;&lt;em&gt;&lt;/em&gt;&lt;/a&gt;&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;I&amp;#39;ve been thinking a lot about Behavioural Economics lately. Hasn&amp;#39;t everyone...?&lt;/p&gt;
&lt;p&gt;It occurs to me that conversations, or at least some conversations, are a creative act; an act (ie behaviour) which creates/conditions other behaviour.&lt;/p&gt;</content:encoded>



<dc:creator>kevin mclean</dc:creator>
<dc:date>2011-03-18T17:32:24+00:00</dc:date>
</item>
<item rdf:about="http://artofconversation.typepad.com/art_of_conversation/2011/03/messages-and-conversations.html">
<title>'Messages' and conversations</title>
<link>http://artofconversation.typepad.com/art_of_conversation/2011/03/messages-and-conversations.html</link>
<description>"Markets are conversations … there is no demand for messages, there is a tremendous demand for good conversation." From the Cluetrain Manifesto circa 1999. Old hat, some might say. But if the old hat fits, wear it.</description>
<content:encoded>&lt;p&gt;&lt;a href="http://artofconversation.typepad.com/.a/6a00d83452194e69e2014e5fa1519e970c-pi" style="display: inline;"&gt;&lt;img alt="P1040310" border="0" class="asset  asset-image at-xid-6a00d83452194e69e2014e5fa1519e970c image-full" src="http://artofconversation.typepad.com/.a/6a00d83452194e69e2014e5fa1519e970c-800wi" title="P1040310" /&gt;&lt;/a&gt;&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;&lt;strong&gt;&lt;em&gt;&amp;quot;Markets are conversations … &lt;/em&gt;&lt;/strong&gt;&lt;em&gt;&lt;strong&gt;there is no demand for messages, there is a tremendous demand for good conversation.&amp;quot; &lt;/strong&gt;&lt;br /&gt;&lt;/em&gt;&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;From the &lt;a href="http://www.cluetrain.com/" target="_self"&gt;Cluetrain Manifesto&lt;/a&gt; &lt;em&gt;circa &lt;/em&gt;1999.&lt;/p&gt;
&lt;p&gt;Old hat, some might say.&lt;/p&gt;
&lt;p&gt;But if the old hat fits, wear it.&lt;/p&gt;</content:encoded>


<dc:subject>advertising</dc:subject>
<dc:subject>conversations</dc:subject>
<dc:subject>marketing</dc:subject>
<dc:subject>photography</dc:subject>

<dc:creator>kevin mclean</dc:creator>
<dc:date>2011-03-04T12:05:27+00:00</dc:date>
</item>
<item rdf:about="http://artofconversation.typepad.com/art_of_conversation/2011/02/time-for-a-new-narrative-in-advertising-research.html">
<title>Time for a new narrative in advertising research</title>
<link>http://artofconversation.typepad.com/art_of_conversation/2011/02/time-for-a-new-narrative-in-advertising-research.html</link>
<description>Life used to be so much simpler. You work on Madison Avenue, smoke and drink all the time and treat clients and women with equal contempt. At least on Mad Men. The reality of life in adland nowadays is much...</description>
<content:encoded>&lt;p&gt;&lt;a href="http://artofconversation.typepad.com/.a/6a00d83452194e69e20147e2b86ede970b-pi" style="float: left;"&gt;&lt;img alt="Tipalet" class="asset  asset-image at-xid-6a00d83452194e69e20147e2b86ede970b" src="http://artofconversation.typepad.com/.a/6a00d83452194e69e20147e2b86ede970b-250wi" style="width: 250px; margin: 0px 5px 5px 0px;" title="Tipalet" /&gt;&lt;/a&gt; Life used to be so much simpler.&lt;/p&gt;
&lt;p&gt;You work on Madison Avenue, smoke and drink all the time and treat clients and women with equal contempt.&lt;/p&gt;
&lt;p&gt;At least on Mad Men.   &lt;a href="http://artofconversation.typepad.com/.a/6a00d83452194e69e20147e2b870c9970b-pi" style="float: right;"&gt;&lt;img alt="Mad men2" class="asset  asset-image at-xid-6a00d83452194e69e20147e2b870c9970b" src="http://artofconversation.typepad.com/.a/6a00d83452194e69e20147e2b870c9970b-250wi" style="width: 220px; margin: 0px 0px 5px 5px;" title="Mad men2" /&gt;&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;The reality of life in adland nowadays is much tougher: more media, more brands, more advertising, more cynical consumers.&lt;/p&gt;
&lt;p&gt;It is hard to create truly original, impactful advertising ideas. And just as hard to research them.&lt;/p&gt;
&lt;p&gt;All you can do is try to work closely with the team in the best interests of the brand.&lt;/p&gt;
&lt;p&gt;So it’s galling when divisive old stereotypes from bygone eras are trotted out, usually along the lines of ‘Shortsighted Research bludgeons Genius Creative Idea’. And the example almost always chosen is the &lt;em&gt;Myth of Those Great Heineken Ads&lt;/em&gt;.&lt;/p&gt;
&lt;p&gt;Persuasive people have dined out on the story so often that it has stuck. It goes like this: agency creates brilliant and original advertising idea (‘Refreshes the Parts’), research says ‘don’t do it’, but brave client sticks by agency and campaign goes on to be massively successful for the brand.&lt;/p&gt;
&lt;p&gt;This story is gleefully used as a stick to beat research with, so a while ago we decided to investigate.&lt;/p&gt;
&lt;p&gt;Here’s a     &lt;a href="http://artofconversation.typepad.com/.a/6a00d83452194e69e2014e8637dec8970d-pi" style="float: right;"&gt;&lt;img alt="Spock Hein ad" class="asset  asset-image at-xid-6a00d83452194e69e2014e8637dec8970d" height="160" src="http://artofconversation.typepad.com/.a/6a00d83452194e69e2014e8637dec8970d-300wi" style="margin: 0px 0px 5px 5px;" title="Spock Hein ad" width="297" /&gt;&lt;/a&gt; &lt;a href="http://www.wardlemclean.co.uk/pdf/heineken-hit-or-myth-real-story.pdf " target="_self"&gt;write-up&lt;/a&gt; and some &lt;a href="http://www.slideshare.net/kevinam/hit-or-myth-the-real-story-behind-heinekens-famous-refreshes-the-parts-ad-campaign " target="_self"&gt;charts&lt;/a&gt;. (Warning, contains research which threatens your creativity).&lt;/p&gt;
&lt;p&gt;In summary:&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;the first piece of (now infamous) research did call it wrong, but more research a few months later found the ads clever, amusing and impactful, but &lt;em&gt;questioned longer-term brand equity&lt;/em&gt;, rather presciently as it turned out&lt;/li&gt;
&lt;li&gt;sales of all lager brands went up massively over the following two very hot summers but Heineken &lt;em&gt;did not increase its market share&lt;/em&gt;&lt;/li&gt;
&lt;li&gt;in fact, the longer the campaign continued, the more negative brand equity was reinforced, until the brand was &lt;em&gt;withdrawn from the market&lt;/em&gt; altogether&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;So research was blamed for trying to kill a campaign (except it didn’t) which became a massive success (except it didn’t). Cold-filtered Heineken joined the ranks of failed beer brands (Hofmeister, Skol) while some of its competitors thrive (Fosters, Carling).&lt;/p&gt;
&lt;p&gt;The blame game undermines everyone. Not all creative ideas are genius, not all research is short-sighted, not all clients are timid (another brickbat often &lt;a href="http://www.campaignlive.co.uk/news/1049224/Editors-Perspective-Ad-agencies-seek-brave-new-world/ " target="_self"&gt;lobbed out&lt;/a&gt;). These days good communications require more of a team effort.&lt;/p&gt;
&lt;p&gt;So it’s refreshing when a Young Turk like Tony Quinn, JWT Planning Director, &lt;a href="http://www.campaignlive.co.uk/news/1050938/Year-Ahead-Account-Planning/ " target="_self"&gt;says&lt;/a&gt; that planning needs to&lt;em&gt;&amp;#0160; &lt;/em&gt; &lt;em&gt; &lt;a href="http://artofconversation.typepad.com/.a/6a00d83452194e69e2014e8637e513970d-pi" style="float: right;"&gt;&lt;img alt="Tony quinn" class="asset  asset-image at-xid-6a00d83452194e69e2014e8637e513970d" height="149" src="http://artofconversation.typepad.com/.a/6a00d83452194e69e2014e8637e513970d-150wi" style="margin: 0px 0px 5px 5px;" title="Tony quinn" width="128" /&gt;&lt;/a&gt; &lt;/em&gt;embrace collective skills like curiosity and problem-solving, to be more humble and open to worlds beyond its own boundaries, because sharing is ultimately more rewarding than being right.   &lt;a href="http://artofconversation.typepad.com/.a/6a00d83452194e69e20147e2b87f0b970b-pi" style="float: right;"&gt;&lt;em&gt;&lt;/em&gt;&lt;/a&gt;&lt;em&gt;&amp;#0160; &lt;/em&gt;&lt;/p&gt;
&lt;blockquote&gt;
&lt;p&gt;&lt;em&gt;‘ditch the cynicism, the undermining, the poking and the ranting, and&amp;#0160;  rechannel all that energy into a new attitude of sharing and collective inspiration’&lt;/em&gt;&lt;/p&gt;
&lt;/blockquote&gt;
&lt;p&gt;The new generation of planners take a much more collaborative and inclusive approach and draw on sources like observation, immersion, semiotics, ethnography, analytics (research, in other words) because they know that great ideas and good thinking are not incompatible.&lt;/p&gt;
&lt;p&gt;So, farewell divisive Heineken advertising myth, hello generous planning 2.0 and more effective communication.&lt;/p&gt;</content:encoded>


<dc:subject>advertising</dc:subject>
<dc:subject>Food and Drink</dc:subject>
<dc:subject>marketing</dc:subject>

<dc:creator>kevin mclean</dc:creator>
<dc:date>2011-02-21T13:58:44+00:00</dc:date>
</item>
<item rdf:about="http://artofconversation.typepad.com/art_of_conversation/2011/02/so-elegant-yet-so-cheesy.html">
<title>So elegant yet so cheesy</title>
<link>http://artofconversation.typepad.com/art_of_conversation/2011/02/so-elegant-yet-so-cheesy.html</link>
<description>Cheesy ad of the year so far has to be this 'Dolca Vita' offer from Longines: all-star cast, one celeb per continent, nothing story, plonky product placement ... but does it matter? You decide. We can't.</description>
<content:encoded>&lt;p&gt;Cheesy ad of the year so far has to be this &amp;#39;Dolca Vita&amp;#39; offer from Longines: all-star cast, one celeb per continent, nothing story, plonky product placement ... but does it matter? You decide. We can&amp;#39;t.&lt;/p&gt;
&lt;p&gt;&lt;iframe class="youtube-player" frameborder="0" height="390" src="http://www.youtube.com/embed/rctkfSVm7zs" title="YouTube video player" type="text/html" width="640"&gt;&lt;/iframe&gt;&lt;/p&gt;</content:encoded>


<dc:subject>advertising</dc:subject>
<dc:subject>marketing</dc:subject>

<dc:creator>kevin mclean</dc:creator>
<dc:date>2011-02-02T14:02:26+00:00</dc:date>
</item>
<item rdf:about="http://artofconversation.typepad.com/art_of_conversation/2011/01/new-bagel-ad.html">
<title>New bagel ad</title>
<link>http://artofconversation.typepad.com/art_of_conversation/2011/01/new-bagel-ad.html</link>
<description>We had a hand in this, so to speak. We think it's come out rather well. Very ... bagel-y. Hope you agree.</description>
<content:encoded>&lt;p&gt;We had a hand in this, so to speak.&lt;/p&gt;
&lt;p&gt;We think it&amp;#39;s come out rather well. Very ... bagel-y. Hope you agree.&lt;/p&gt;
&lt;p&gt;&lt;iframe class="youtube-player" frameborder="0" height="390" src="http://www.youtube.com/embed/wEilWAeK0sU" title="YouTube video player" type="text/html" width="640"&gt;&lt;/iframe&gt;&lt;/p&gt;</content:encoded>


<dc:subject>advertising</dc:subject>
<dc:subject>Food and Drink</dc:subject>
<dc:subject>marketing</dc:subject>

<dc:creator>kevin mclean</dc:creator>
<dc:date>2011-01-21T18:15:40+00:00</dc:date>
</item>
<item rdf:about="http://artofconversation.typepad.com/art_of_conversation/2011/01/great-british-advertising.html">
<title>Great British advertising</title>
<link>http://artofconversation.typepad.com/art_of_conversation/2011/01/great-british-advertising.html</link>
<description>Another year starts, time to consider the cream of last year's crop of UK advertising. Is it more creative, innovative and mould-breaking than ever before? Not judging by Neilsen's list of the 5 most popular ad campaigns of last year:...</description>
<content:encoded>&lt;p&gt;Another year starts, time to consider the cream of last year&amp;#39;s crop of UK advertising. Is it more creative, innovative and mould-breaking than ever before?&amp;#0160;Not judging by &lt;a href="http://blog.nielsen.com/nielsenwire/global/the-u-ks-10-most-liked-tv-ads-of-2010/" target="_self"&gt;Neilsen&amp;#39;s&lt;/a&gt; list of the 5 most popular ad campaigns of last year:&lt;/p&gt;
&lt;p&gt;1.&amp;#0160;&lt;a href="http://www.youtube.com/watch?v=OpQYiwfGGaI" title="CompareTheMarket.com"&gt;CompareTheMarket.com&lt;/a&gt;:&amp;#0160;meerkats fighting an army of mongooses in a snowy landscape&lt;/p&gt;
&lt;p&gt;2.&amp;#0160;&lt;a href="http://www.youtube.com/watch?v=XMPqCQW23TU" title="Magner&amp;#39;s Irish Cider"&gt;Magner&amp;#39;s Irish Cider&lt;/a&gt;:&amp;#0160;Clonmel home of Magners Cider; lorry over golf course; through brick wall&lt;/p&gt;
&lt;p&gt;3.&amp;#0160;&lt;a href="http://www.youtube.com/watch?v=lBbagBlbwCw" title="Maltesers"&gt;Maltesers&lt;/a&gt;:&amp;#0160;Two couples watch a movie; girlfriends position boyfriends so that they are cuddling&lt;/p&gt;
&lt;p&gt;4.&amp;#0160;&lt;a href="http://www.youtube.com/watch?v=OrC4aHns6oM" title="Santander Bank"&gt;Santander&lt;/a&gt;:&amp;#0160;Family driving in car; boy falls asleep with red legos; featuring Lewis Hamilton&lt;/p&gt;
&lt;p&gt;5.&amp;#0160;&lt;a href="http://www.youtube.com/watch?v=KyA58fzRoJQ" title="Snickers Candy"&gt;Snickers&lt;/a&gt;:&amp;#0160;Mr. T doing pushups; listen up, suckers; get tough, one-fingered push-ups&lt;/p&gt;
&lt;p&gt;THE hit of last year was of course Aleksandre the meerkat. We had the lo-ong prequels to the original ads (Aleksandre&amp;#39;s story); then the book was a massive Christmas hit and now there are out-takes from the prequel of the spin-off of the ads.&lt;/p&gt;
&lt;p&gt;
&lt;object data="http://www.youtube.com/v/2hfOt1qoALo?fs=1&amp;amp;hl=en_GB" height="385" type="application/x-shockwave-flash" width="640"&gt;
&lt;param name="data" value="http://www.youtube.com/v/2hfOt1qoALo?fs=1&amp;amp;hl=en_GB" /&gt;
&lt;param name="allowFullScreen" value="true" /&gt;
&lt;param name="allowscriptaccess" value="always" /&gt;
&lt;param name="src" value="http://www.youtube.com/v/2hfOt1qoALo?fs=1&amp;amp;hl=en_GB" /&gt;
&lt;param name="allowfullscreen" value="true" /&gt;
&lt;/object&gt;
&lt;/p&gt;
&lt;p&gt;So there is a lot of talk about creativity at all costs and innovation and breaking the mould and we&amp;#39;ve had great ads like drumming gorillas and dancing flashmobs and the like. Meanwhile this poster has just appeared up the road from us.&lt;/p&gt;
&lt;p&gt;&lt;a href="http://artofconversation.typepad.com/.a/6a00d83452194e69e20147e18af5cc970b-pi" style="display: inline;"&gt;&lt;img alt="Poster2" class="asset  asset-image at-xid-6a00d83452194e69e20147e18af5cc970b" src="http://artofconversation.typepad.com/.a/6a00d83452194e69e20147e18af5cc970b-500wi" title="Poster2" /&gt;&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;Happy new year!&lt;/p&gt;</content:encoded>


<dc:subject>advertising</dc:subject>
<dc:subject>marketing</dc:subject>
<dc:subject>Television</dc:subject>

<dc:creator>kevin mclean</dc:creator>
<dc:date>2011-01-13T17:48:46+00:00</dc:date>
</item>
<item rdf:about="http://artofconversation.typepad.com/art_of_conversation/2010/12/lessons-from-moscow.html">
<title>Impressions of Moscow</title>
<link>http://artofconversation.typepad.com/art_of_conversation/2010/12/lessons-from-moscow.html</link>
<description>My image of Moscow came from Spitting Image, James Bond and current affairs (Litvinenko, corruption allegations, FIFA). What is it really like? It was my first visit and I had only 29 hours to find out. Domodedovo airport, at 4.45am...</description>
<content:encoded>&lt;p&gt;&lt;a href="http://artofconversation.typepad.com/.a/6a00d83452194e69e20148c6f6c9da970c-pi" style="float: left;"&gt;&lt;img alt="P1060545" class="asset  asset-image at-xid-6a00d83452194e69e20148c6f6c9da970c" height="264" src="http://artofconversation.typepad.com/.a/6a00d83452194e69e20148c6f6c9da970c-120wi" style="margin: 0px 5px 5px 0px;" title="P1060545" width="141" /&gt;&lt;/a&gt; My image of Moscow came from Spitting Image, James Bond and current affairs (Litvinenko, corruption allegations, FIFA). What is it really like? It was my first visit and I had only 29 hours to find out.  &lt;a href="http://artofconversation.typepad.com/.a/6a00d83452194e69e20148c6f8b87e970c-pi" style="float: right;"&gt;&lt;img alt="Moscow metro" class="asset  asset-image at-xid-6a00d83452194e69e20148c6f8b87e970c" height="223" src="http://artofconversation.typepad.com/.a/6a00d83452194e69e20148c6f8b87e970c-320wi" style="margin: 0px 0px 5px 5px;" title="Moscow metro" width="298" /&gt;&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;Domodedovo airport, at 4.45am is minus 15 degrees C. Business as usual. It&amp;#0160; reaches minus 20 to minus 25C. They can do cold here. I take a coach to avoid airport taxi hounds and reach the Metro by 6am, joining drab half asleep commuters. It seems like it is snowing &lt;em&gt;inside &lt;/em&gt;the carriage (did I imagine it?). I miss Paveletsky station, due to unfamiliar writing and general lack of signage (and sleep).&amp;#0160;&lt;/p&gt;
&lt;p&gt;Above ground, lots of people scurrying around, hunched over. Is it just the cold, or is everyone here in a bit of a hurry? Workers sweep away the ice and frost with long reed brushes - surprisingly effective.&lt;/p&gt;
&lt;p&gt;More by luck than judgement I find my &lt;a href="http://www.aquamarinemoscow.com/" target="_self"&gt;hotel&lt;/a&gt; (highly recommended btw). The windows are triple glazed.&lt;/p&gt;
&lt;p&gt;&amp;#0160;  &lt;a href="http://artofconversation.typepad.com/.a/6a00d83452194e69e20147e0ecd6fe970b-pi" style="float: left;"&gt;&lt;img alt="P1060565" class="asset  asset-image at-xid-6a00d83452194e69e20147e0ecd6fe970b" height="186" src="http://artofconversation.typepad.com/.a/6a00d83452194e69e20147e0ecd6fe970b-320wi" style="margin: 0px 5px 5px 0px;" title="P1060565" width="267" /&gt;&lt;/a&gt;Off to groups via (overpriced) taxi. So much traffic! It takes nearly an hour on an 8-lane highway, going not that far. Cab weaves in an out, driver mutters as blue-sirened darkened-glass 4x4s sweep through. Every so often we crawl past an amazing building or vista.&lt;a href="http://artofconversation.typepad.com/.a/6a00d83452194e69e20147e0ecd506970b-pi" style="float: right;"&gt;&lt;img alt="P1060574" class="asset  asset-image at-xid-6a00d83452194e69e20147e0ecd506970b" height="323" src="http://artofconversation.typepad.com/.a/6a00d83452194e69e20147e0ecd506970b-320wi" style="margin: 0px 0px 5px 5px;" title="P1060574" width="205" /&gt;&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;Over dinner I learn that Russians like Brits and Italians more than Poles, that vodka is in fact very drinkable, that Moscow&amp;#39;s population is nearer 12.5m than 10.5m (Wikipedia), due to migrants. Angry demo against non-Slavs the day before. Foreign Office advises non-white Brits to be vigilant here. Not a place for the faint-hearted.&lt;/p&gt;
&lt;p&gt;The next morning, again stuck in traffic, only half an hour in Red Square, strange clash of Soviet era and commercialism, too cold to take many pictures. Back to Domodedovo on the express train.&lt;/p&gt;
&lt;p&gt;A fleeting visit, some of my stereotypes persisted. Moscow is vast, fast, hard-working and rather surly. They can certainly cope with snow and cold. They have embraced capitalism wholesale. The traffic&amp;#39;s appalling, the Metro&amp;#39;s very good.&lt;/p&gt;
&lt;p&gt;I&amp;#39;d love to come back and have a proper look.&lt;/p&gt;
&lt;p&gt;Preferably in the summer.&lt;/p&gt;</content:encoded>


<dc:subject>conversations</dc:subject>
<dc:subject>Current Affairs</dc:subject>
<dc:subject>Travel</dc:subject>

<dc:creator>kevin mclean</dc:creator>
<dc:date>2010-12-22T12:20:17+00:00</dc:date>
</item>
<item rdf:about="http://artofconversation.typepad.com/art_of_conversation/2010/11/brand-interest-vs-my-interest-exploring-shades-of-corporate-symbiosis.html">
<title>Brand interest vs my interest: exploring shades of corporate symbiosis</title>
<link>http://artofconversation.typepad.com/art_of_conversation/2010/11/brand-interest-vs-my-interest-exploring-shades-of-corporate-symbiosis.html</link>
<description>We’ve been working with a High St bank and with a large charity. There is an ‘interest dimension’ operating, from those companies felt to act exclusively in their own interests, to the detriment of others (eg debt collectors?) to those...</description>
<content:encoded>&lt;p&gt;We’ve been working with a High St bank and with a large charity. There is an ‘interest dimension’ operating, from those companies felt to act exclusively in their own interests, to the detriment of others (eg debt collectors?) to those who act exclusively in others’ interests (eg a church mission?).&lt;/p&gt;
&lt;p&gt;&lt;a href="http://artofconversation.typepad.com/.a/6a00d83452194e69e20133f6161bb0970b-pi" style="display: inline;"&gt;&lt;img alt="Interests" class="asset  asset-image at-xid-6a00d83452194e69e20133f6161bb0970b" src="http://artofconversation.typepad.com/.a/6a00d83452194e69e20133f6161bb0970b-450wi" style="width: 450px; display: block; margin-left: auto; margin-right: auto;" title="Interests" /&gt;&lt;/a&gt; &lt;br /&gt;Of course most organisations operate in the middle, acting in their own interests (necessary for survival, of course) and in the interests of key stakeholders, such as consumers. Our theory is that the perceived &amp;#39;interest balance&amp;#39; of organisations,  the extent to which they are seen to value and to act in our  (consumers&amp;#39;) interests, is increasingly important. Brands must get the &lt;a href="http://en.wikipedia.org/wiki/Symbiosis" target="_self"&gt;symbiotic&lt;/a&gt; balance right.&lt;a href="http://artofconversation.typepad.com/.a/6a00d83452194e69e201348934e1f9970c-pi" style="float: right;"&gt;&lt;img alt="Clownfish" class="asset  asset-image at-xid-6a00d83452194e69e201348934e1f9970c" src="http://artofconversation.typepad.com/.a/6a00d83452194e69e201348934e1f9970c-250wi" style="width: 220px; margin: 0px 0px 5px 5px;" title="Clownfish" /&gt;&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;There are perceptual degrees of difference which echo those of biology. In a &lt;em&gt;parasitic &lt;/em&gt;relationship, one member of the association benefits while the other is harmed. Then there are different kinds of &lt;em&gt;symbiotic&lt;/em&gt; relationships, which ‘lean’ one way or the other. &lt;em&gt;Amensalism &lt;/em&gt;is a relationship where one species is inhibited while the other gains. &lt;em&gt;Commensalism &lt;/em&gt;is where one benefits and the other is not significantly harmed or helped. &lt;em&gt;&lt;a href="http://en.wikipedia.org/wiki/Symbiosis" target="_self"&gt;Mutualism&lt;/a&gt; &lt;/em&gt;is the relationship where both parties derive a benefit.&lt;/p&gt;
&lt;p&gt;In nature and in the commercial world there are no examples of a species acting in the interests of another species to its own detriment, but the middle area is the key battle ground for hearts and minds. The clear message from our work is that people are happy for an organisation to benefit from their custom as long as (a) the benefit to the organisation is reasonable and visible and (b) they personally benefit at least as much.
&lt;/p&gt;

&lt;p&gt;&lt;a href="http://artofconversation.typepad.com/.a/6a00d83452194e69e201348934c859970c-pi" style="display: inline;"&gt;&lt;img alt="Barclays2" class="asset  asset-image at-xid-6a00d83452194e69e201348934c859970c" src="http://artofconversation.typepad.com/.a/6a00d83452194e69e201348934c859970c-450wi" style="width: 450px; display: block; margin-left: auto; margin-right: auto;" title="Barclays2" /&gt;&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;Take banks. A local Barclays recently refurbished their branch and handed out balloons to celebrate. Young children love balloons (parent gains), balloons are branded (bank gains). The new branch may allow for faster service (customer gains) and for more sales opportunities (bank gains). Mutualism, you’d think?&lt;/p&gt;
&lt;p&gt;But the public suspects that the interest relationship ‘leans towards’ the bank. They selectively remember those occasions where the bank may gain at their expense (eg overdraft charges) and tend to forget that banking is the UK is free.&lt;/p&gt;
&lt;p&gt;When people compare banks’ customer service to other (newer) organisations such as mobile phone service providers and retailers, the latter usually win out. And comparisons between eg Microsoft and Facebook or Google make it clear where people feel the ‘interest balance’ lies.&lt;/p&gt;
&lt;p&gt;Maybe it is no coincidence that the &lt;a href="http://www.marketing-society.org.uk/" target="_self"&gt;Marketing Society&lt;/a&gt; Brand of the Year, just &lt;a href="http://www.brandrepublic.com/bulletin/brandrepublicnewsbulletin/article/1042012/industry-leaders-vote-john-lewis-brand-year/" target="_self"&gt;announced&lt;/a&gt;, is John Lewis and the four runners-up all have a strong ‘consumer interest’ story: &lt;a href="http://artofconversation.typepad.com/art_of_conversation/2010/05/inside-the-innocent-agm.html" target="_self"&gt;innocent drinks&lt;/a&gt;, &lt;a href="http://artofconversation.typepad.com/art_of_conversation/2010/10/in-praise-of-you-are-the-big-picture-.html" target="_self"&gt;Aviva&lt;/a&gt;, British Gas and Giffgaff (the brand launched by 02 last year).&lt;/p&gt;</content:encoded>


<dc:subject>advertising</dc:subject>
<dc:subject>conversations</dc:subject>
<dc:subject>marketing</dc:subject>
<dc:subject>Science</dc:subject>

<dc:creator>kevin mclean</dc:creator>
<dc:date>2010-11-19T14:41:09+00:00</dc:date>
</item>
<item rdf:about="http://artofconversation.typepad.com/art_of_conversation/2010/10/local-graffiti-conversation.html">
<title>Local graffiti conversation</title>
<link>http://artofconversation.typepad.com/art_of_conversation/2010/10/local-graffiti-conversation.html</link>
<description>The small print reads, 'because it's better than being a miserable pr*ck'</description>
<content:encoded>&lt;p&gt;&lt;a href="http://artofconversation.typepad.com/.a/6a00d83452194e69e20133f543986b970b-pi" style="display: inline;"&gt;&lt;img alt="Bee happy" class="asset  asset-image at-xid-6a00d83452194e69e20133f543986b970b" src="http://artofconversation.typepad.com/.a/6a00d83452194e69e20133f543986b970b-500wi" title="Bee happy" /&gt;&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;The small print reads, &amp;#39;because it&amp;#39;s better than being a miserable pr*ck&amp;#39;&lt;/p&gt;</content:encoded>



<dc:creator>kevin mclean</dc:creator>
<dc:date>2010-10-22T15:12:41+01:00</dc:date>
</item>
<item rdf:about="http://artofconversation.typepad.com/art_of_conversation/2010/10/in-praise-of-you-are-the-big-picture-.html">
<title>In praise of ... You are the big picture </title>
<link>http://artofconversation.typepad.com/art_of_conversation/2010/10/in-praise-of-you-are-the-big-picture-.html</link>
<description>Just noticed a stunning new campaign from AMV.BBDO, one of our favourite ad agencies. It’s big, it’s modern, it’s bang on the money. And it’s yellow. Aviva is projecting giant portraits of its customers on to landmark buildings in six...</description>
<content:encoded>&lt;p&gt;Just noticed a stunning new campaign from AMV.BBDO, one of our favourite ad agencies. It’s big, it’s modern, it’s bang on the money. And it’s yellow.&lt;br /&gt;&lt;br /&gt; 
&lt;object data="http://www.youtube.com/v/Pgx4DxrupVU?fs=1&amp;amp;hl=en_GB" height="385" type="application/x-shockwave-flash" width="640"&gt;
&lt;param name="data" value="http://www.youtube.com/v/Pgx4DxrupVU?fs=1&amp;amp;hl=en_GB" /&gt;
&lt;param name="allowFullScreen" value="true" /&gt;
&lt;param name="allowscriptaccess" value="always" /&gt;
&lt;param name="src" value="http://www.youtube.com/v/Pgx4DxrupVU?fs=1&amp;amp;hl=en_GB" /&gt;
&lt;param name="allowfullscreen" value="true" /&gt;
&lt;/object&gt;
Aviva is projecting giant portraits of its customers on to landmark buildings in six cites around the world – seen here on South Bank in London.&lt;/p&gt;
&lt;p&gt;The activity supports a press campaign that tells stories of how customers were helped by Aviva. People can upload their own &lt;a href="www.youarethebigpicture.com " target="_self"&gt;photograph&lt;/a&gt;.  &lt;a href="http://artofconversation.typepad.com/.a/6a00d83452194e69e201348836d258970c-pi" style="float: right;"&gt;&lt;img alt="Aviva" class="asset  asset-image at-xid-6a00d83452194e69e201348836d258970c" src="http://artofconversation.typepad.com/.a/6a00d83452194e69e201348836d258970c-320wi" style="width: 320px; margin: 0px 0px 5px 5px;" title="Aviva" /&gt;&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href="http://artofconversation.typepad.com/.a/6a00d83452194e69e20133f516dc7e970b-pi" style="float: left;"&gt;&lt;img alt="Aviva" class="asset  asset-image at-xid-6a00d83452194e69e20133f516dc7e970b" src="http://artofconversation.typepad.com/.a/6a00d83452194e69e20133f516dc7e970b-250wi" style="width: 250px; margin: 0px 5px 5px 0px;" title="Aviva" /&gt;&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&amp;#0160;&lt;/p&gt;
&lt;p&gt;&amp;#0160;&lt;/p&gt;
&lt;p&gt;&amp;#0160;&lt;/p&gt;
&lt;p&gt;&amp;#0160;&lt;/p&gt;
&lt;p&gt;&amp;#0160;&lt;/p&gt;
&lt;p&gt;&amp;#0160;&lt;/p&gt;
&lt;p&gt;&amp;#0160;&lt;/p&gt;
&lt;p&gt;For the first 250,000 photos uploaded by the public, Aviva will donate £1 per image to Save the Children.&lt;/p&gt;
&lt;p&gt;A short film is then generated for each user uploading their picture, they can then download or share their personalised film.&lt;br /&gt;&lt;br /&gt; &lt;a href="http://artofconversation.typepad.com/.a/6a00d83452194e69e201348836e26b970c-pi" style="display: inline;"&gt;&lt;img alt="Aviva3" class="asset  asset-image at-xid-6a00d83452194e69e201348836e26b970c" src="http://artofconversation.typepad.com/.a/6a00d83452194e69e201348836e26b970c-400wi" style="width: 380px;" title="Aviva3" /&gt;&lt;/a&gt; &lt;br /&gt; &lt;br /&gt; IMHO it is a genius idea because it is very noticeable but very unobjectionable, and because: &lt;br /&gt;-&amp;#0160;&amp;#0160;&amp;#0160; it is co-creative, genuinely involves real people&lt;br /&gt;-&amp;#0160;&amp;#0160;&amp;#0160; it humanises a large multinational company&lt;br /&gt;-&amp;#0160;&amp;#0160;&amp;#0160; it translates well across borders – a very international idea &lt;br /&gt;-&amp;#0160;&amp;#0160;&amp;#0160; works across media, TV, online and (especially) outdoor, very much advertising in the real world&lt;br /&gt;-&amp;#0160;&amp;#0160;&amp;#0160; insurance is not the most inherently fascinating subject, but people are&lt;br /&gt;&lt;br /&gt;Well done to all those concerned!&lt;/p&gt;</content:encoded>


<dc:subject>advertising</dc:subject>
<dc:subject>marketing</dc:subject>

<dc:creator>kevin mclean</dc:creator>
<dc:date>2010-10-15T13:25:16+01:00</dc:date>
</item>
<item rdf:about="http://artofconversation.typepad.com/art_of_conversation/2010/10/seven-days.html">
<title>Seven Days vs Paralympics on Channel 4</title>
<link>http://artofconversation.typepad.com/art_of_conversation/2010/10/seven-days.html</link>
<description>I loved Big Brother when it started, so I couldn't wait to see the first episode of Channel 4's new reality show Seven Days before going on holiday. I was very impressed (technically superb, fantastic concept) but, I'm sorry to...</description>
<content:encoded>&lt;p&gt;&lt;a href="http://artofconversation.typepad.com/.a/6a00d83452194e69e20134881b4146970c-pi" style="float: left;"&gt;&lt;img alt="Seven days" class="asset  asset-image at-xid-6a00d83452194e69e20134881b4146970c" src="http://artofconversation.typepad.com/.a/6a00d83452194e69e20134881b4146970c-350wi" style="width: 350px; margin: 0px 5px 5px 0px;" title="Seven days" /&gt;&lt;/a&gt; I loved Big Brother when it started, so I couldn&amp;#39;t wait to see the first episode of Channel 4&amp;#39;s new reality show &lt;a href="http://sevendays.channel4.com/" target="_self"&gt;Seven Days&lt;/a&gt; before going on holiday.&lt;/p&gt;
&lt;p&gt;I was very impressed (technically superb, fantastic concept) but, I&amp;#39;m sorry to say, not that interested or intrigued.&lt;/p&gt;
&lt;p&gt;C4 call it &lt;em&gt;&amp;quot;a docu-soap &lt;/em&gt;&lt;em&gt;... a new kind of documentary series in which viewers can follow the lives of a variety of compelling characters as they actually happen.&amp;quot;&amp;#0160; &lt;/em&gt;&lt;/p&gt;
&lt;p&gt;Maybe I just wasn&amp;#39;t interested enough in the characters (compelling??), who seemed too interested in themselves to be interesting to anyone else (eg models Laura and Samantha, as opposed to Javan and Moktar). I had the nagging feeling that it was closer to Richard Curtis&amp;#39; vision of Notting Hill than the real Notting Hill. Couldn&amp;#39;t it have been set in Dalston or Camberwell? And how &amp;#39;real&amp;#39; is it meant to be, anyway? &lt;a href="http://artofconversation.typepad.com/.a/6a00d83452194e69e20133f4fb86ee970b-pi" style="float: right;"&gt;&lt;img alt="Seven days2" class="asset  asset-image at-xid-6a00d83452194e69e20133f4fb86ee970b" src="http://artofconversation.typepad.com/.a/6a00d83452194e69e20133f4fb86ee970b-300wi" style="width: 300px; margin: 0px 0px 5px 5px;" title="Seven days2" /&gt;&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;I read some media comments as I contemplated catching up on &lt;a href="http://www.channel4.com/programmes/4od" target="_self"&gt;4oD&lt;/a&gt;. It seems I&amp;#39;m not the only one with misgivings. Viewing figures have apparently dropped from around 1.2 million for the first programme, to 646,200 in week 3, according to the &lt;a href="http://www.independent.co.uk/news/media/tv-radio/the-painful-reality-no-one-is-watching-seven-days-2100992.html " target="_self"&gt;Independent&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;One viewer commented &lt;em&gt;&amp;quot;the only guy who gets any credit in my eyes is Moktar and I wish him well in his legal studies. Channel 4 stop wasting our money! Times are tough and we can do without this&amp;quot;.&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;C4 does have some public service broadcasting commitments but is commercially funded. Its Director of Sales described it &lt;a href="http://www.brandrepublic.com/go/news/article/1033936/channel-4-1bn-tv-ad-revenue-2011-says-boss/" target="_self"&gt;recently&lt;/a&gt; as being about &lt;em&gt;&amp;quot;irreverence, the new and fun; self deprecating and challenging the  status quo. Inspiring change and being maverick&amp;quot;. &lt;/em&gt;None of which seem to me to apply to Seven Days from a content point of view (as opposed to the concept/format), although it&amp;#39;s early days.&lt;/p&gt;
&lt;p&gt;&lt;a href="http://artofconversation.typepad.com/.a/6a00d83452194e69e20133f4fb8827970b-pi" style="float: left;"&gt;&lt;img alt="Freaksofnature" class="asset  asset-image at-xid-6a00d83452194e69e20133f4fb8827970b" src="http://artofconversation.typepad.com/.a/6a00d83452194e69e20133f4fb8827970b-300wi" style="width: 300px; margin: 0px 5px 5px 0px;" title="Freaksofnature" /&gt;&lt;/a&gt; And these values do apply to C4&amp;#39;s Paralympic coverage, which sounds much more genuinely innovative and interesting.&lt;/p&gt;
&lt;p&gt;Having researched the London 2012 Olympic and Paralympic Games and with the Commonwealth Games now on TV, I am far more intrigued in the lives and efforts of athletes than I ever was.&amp;#0160;&lt;/p&gt;
&lt;p&gt;C4 launched its Paralympic coverage recently with &amp;#39;Freaks of Nature&amp;#39; and is planning more documentaries including &amp;#39;Inside Incredible Athletes&amp;#39;, profiling seven athletes and a 10-part documentary series, &amp;#39;Hidden Heroes&amp;#39;.&lt;/p&gt;
&lt;p&gt;I feel more interested in watching someone I probably have far less in common with than a Notting Hill resident suffering from &amp;#39;fashion stress&amp;#39;. Whether this makes me traditional or &lt;a href="http://www.marketingweek.co.uk/sectors/media/in-depth/channel-4-makes-with-tradition-to-deliver-%C2%A31bn-revenue/3019152.article " target="_self"&gt;edgy&lt;/a&gt;, I&amp;#39;m not sure.&lt;/p&gt;</content:encoded>


<dc:subject>marketing</dc:subject>
<dc:subject>Television</dc:subject>
<dc:subject>Web/Tech</dc:subject>

<dc:creator>kevin mclean</dc:creator>
<dc:date>2010-10-11T14:27:58+01:00</dc:date>
</item>
<item rdf:about="http://artofconversation.typepad.com/art_of_conversation/2010/09/in-interview-based-research-we-the-researcher-or-the-shepherd-tend-to-our-lambs-or-respondents-and-try-our-best-to-get-t.html">
<title>Talking is useless. Discuss. Or rather, don't.</title>
<link>http://artofconversation.typepad.com/art_of_conversation/2010/09/in-interview-based-research-we-the-researcher-or-the-shepherd-tend-to-our-lambs-or-respondents-and-try-our-best-to-get-t.html</link>
<description>Research-Live.com recently reviewed 'Consumer.ology' by one Philip Graves. It's a balanced review, considering the line advanced by Graves (ex client-side researcher) is about as dumb and unoriginal as Rambo 12. The 'argument' is, because what people say does not correspond...</description>
<content:encoded>&lt;p&gt;&lt;a href="http://artofconversation.typepad.com/.a/6a00d83452194e69e20133f472a67e970b-pi"&gt;&lt;img alt="Silence" border="0" class="asset asset-image at-xid-6a00d83452194e69e20133f472a67e970b " src="http://artofconversation.typepad.com/.a/6a00d83452194e69e20133f472a67e970b-320pi" style="margin-left: auto; margin-right: auto; display: block;" title="Silence" /&gt;&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href="http://www.research-live.com/features/meet-the-man-who-wants-to-make-surveys-history/4003536.article"&gt;Research-Live.com&lt;/a&gt;&amp;#0160;recently reviewed&amp;#0160;&amp;#39;&lt;a href="http://www.philipgraves.net/Consumer.ology-the-book.html"&gt;Consumer.ology&amp;#39;&lt;/a&gt;&amp;#0160;by one Philip Graves. It&amp;#39;s a balanced review, considering the line advanced by Graves (ex client-side researcher) is about as dumb and unoriginal as Rambo 12. The &amp;#39;argument&amp;#39; is, because what people &lt;em&gt;say&lt;/em&gt; does not correspond to what they &lt;em&gt;do&lt;/em&gt; (hold the front page of &lt;em&gt;Research&lt;/em&gt;, Marc) there&amp;#39;s no point talking or even listening to them. Just watch what they do.&amp;#0160;&lt;/p&gt;
&lt;p&gt;This blinding insight apparently happened after the author finished bombarding some poor sods in Leeds with questions in a focus group. After he turned his tape recorder off they started having a proper conversation and talked about doing something different to what they&amp;#39;d told their interrogator. He used this as evidence that talk was deceptive, rather than that he might be a shit moderator.&amp;#0160;&lt;/p&gt;
&lt;p&gt;Unhindered by any such doubts, he went on to discover that people do psychoanalysis but still can&amp;#39;t get to the bottom of their own thoughts and that our emotions shape our decisions, therefore we cannot identify what we want and don&amp;#39;t want. (I can however identify with 100% accuracy one recently published book I will not buy.)&lt;/p&gt;
&lt;p&gt;He says it is an illusion that we can ask people what they think and learn from it. I re-read that particular gem a couple of times to check I wasn&amp;#39;t mistaken, but that &lt;em&gt;is&lt;/em&gt; what it says. There goes journalism, then.
&lt;/p&gt;

&lt;p&gt;He advocates &amp;#39;doing away with&amp;#39; attitudinal research and using only behavioural research, prototyping and live testing concepts. (That wouldn&amp;#39;t be his new line of business, by any chance?)&amp;#0160;&lt;/p&gt;
&lt;p&gt;There are only two slight problems with doing only behavioural testing. One is the cost of making prototypes and paying for live test markets. The other is that behaviour is not as predictive as he makes out. Are the results of the test market guaranteed to be replicated nationally?&amp;#0160;&lt;/p&gt;
&lt;p&gt;More fundamentally, behaviour&amp;#0160;has to be interpreted, which&amp;#0160;is not as easy or as reliable as you may think. For example, someone&amp;#39;s body language in a recent interview suggested they were completed bored by the concepts being shown.&amp;#0160;When this was suggested, they said that the room was stuffy and they were not unable to concentrate. The concepts went down rather well after the window was opened.&lt;/p&gt;
&lt;p&gt;We would agree that behaviour and observation is &amp;#39;under-reported&amp;#39; in market research and we have been doing a lot more ethnographic research over recent years.&amp;#0160;Talking and listening to people in research is not about asking questions, it&amp;#39;s about having&amp;#0160;&lt;em&gt;good conversations with the right people. &lt;/em&gt;Good conversations reveal motivations for behaviour and provide context for understanding it.&amp;#0160;&lt;/p&gt;
&lt;p&gt;&lt;em&gt;&amp;#0160;&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;One really powerful tool for combining the best of both worlds, conversation and observation, is the co-discovery interview, which we have described elsewhere. It works because it allows people to interpret and reflect on their own behaviour, which generally gets deeper into the issues that matter to the client.&lt;/p&gt;
&lt;p&gt;It&amp;#39;s not rocket science, it&amp;#39;s not even an -ology, but it works. You can take our word on that.&lt;/p&gt;</content:encoded>


<dc:subject>advertising</dc:subject>
<dc:subject>blogging</dc:subject>
<dc:subject>conversations</dc:subject>
<dc:subject>marketing</dc:subject>
<dc:subject>research</dc:subject>
<dc:subject>Science</dc:subject>

<dc:creator>kevin mclean</dc:creator>
<dc:date>2010-09-24T12:12:20+01:00</dc:date>
</item>
<item rdf:about="http://artofconversation.typepad.com/art_of_conversation/2010/09/torrid-tale-of-two-beers.html">
<title>Torrid Tale of Two Beers</title>
<link>http://artofconversation.typepad.com/art_of_conversation/2010/09/torrid-tale-of-two-beers.html</link>
<description>Our thoughts turn to beer, it must be Friday afternoon. Steve Henry this week bemoaned the lack of creativity in Budweiser’s latest poster: “a corporate-guideliney visual” which demostrates that "‘selling’ doesn't sell. You have to stand out and you have...</description>
<content:encoded>&lt;p&gt;Our thoughts turn to beer, it must be Friday afternoon.  &lt;a href="http://artofconversation.typepad.com/.a/6a00d83452194e69e2013487000d0f970c-pi" style="float: right;"&gt;&lt;img alt="Bud 66" class="asset asset-image at-xid-6a00d83452194e69e2013487000d0f970c " src="http://artofconversation.typepad.com/.a/6a00d83452194e69e2013487000d0f970c-200wi" style="width: 200px; margin: 0px 0px 5px 5px;" title="Bud 66" /&gt;&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href="http://community.brandrepublic.com/blogs/stevehenry/archive/2010/08/31/playing-to-the-gallery.aspx%20" target="_self"&gt;Steve Henry&lt;/a&gt; this week bemoaned the lack of creativity in&amp;#0160;Budweiser’s latest poster&lt;em&gt;&lt;span&gt;: &lt;/span&gt;&lt;/em&gt;&lt;em&gt;“a corporate-guideliney visual”&lt;/em&gt; which demostrates that &lt;em&gt;&amp;quot;‘selling’ doesn&amp;#39;t sell. You have to stand out and you have to entertain.”&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;Creative it&amp;#39;s not. But it does convey that it&amp;#39;s a new beer that&amp;#39;s 4% and less fizzy. Beer drinkers probably like the idea of a smoother lager (doesn&amp;#39;t &amp;#39;bag you up&amp;#39;) and maybe know that 4 is the new 5 in ABV terms.&lt;/p&gt;
&lt;p&gt;If you want creativity and entertainment, you might think Guinness was unbeatable. They have a new campaign out. It&amp;#39;s such a shame.&lt;/p&gt;
&lt;p&gt;Guinness ads used to be the best anywhere; creative, impactful and (surely) helping sales. Now they seem to have disappeared up their own black stuff. Their current ‘bring it to life’ campaign includes yet another epic, budget-busting &lt;a href="http://www.youtube.com/watch?v=5h8pklN4Myk" target="_blank"&gt;production&lt;/a&gt; described as a ‘good point lost in lavish invention’. Wonderful to watch, but oddly forgettable and disconnected to anything.&lt;/p&gt;
&lt;p&gt;Guinness ads used to tell terrific, watchable, enrolling stories, like Jonathan Glazer&amp;#39;s &lt;a href="http://www.youtube.com/watch?v=b7Yr779xwXk"&gt;Swim Black&lt;/a&gt; and of course the award-winning &lt;a href="http://www.youtube.com/watch?v=zcdDg30VBgo&amp;amp;p=FC5977A102A5730C&amp;amp;playnext=1&amp;amp;index=37"&gt;Surfer&lt;/a&gt;. But maybe these awards went to their head because then they abandoned narrative in favour of symbolism and spectacle. Which would be all very irrelevant had UK sales of Guinness not fallen by seven million pints in the last year or so.
&lt;/p&gt;
&lt;br /&gt;&lt;br /&gt; &lt;a href="http://artofconversation.typepad.com/.a/6a00d83452194e69e20133f3de6b6b970b-pi" onclick="window.open(this.href,&amp;#39;_blank&amp;#39;,&amp;#39;scrollbars=no,resizable=yes,toolbar=no,directories=no,location=no,menubar=no,status=no,left=0,top=0&amp;#39;); return false" style="float: left;"&gt;&lt;img alt="Gness poster" class="asset asset-image at-xid-6a00d83452194e69e20133f3de6b6b970b " src="http://artofconversation.typepad.com/.a/6a00d83452194e69e20133f3de6b6b970b-pi" style="margin: 9px; width: 230px;" title="Gness poster" /&gt;&lt;/a&gt; The new posters show a pint next to a large word and the (surely ironic) line &amp;#39;actions speak louder than words&amp;#39;.
&lt;p&gt;What’s this, planning by thesaurus? The planning strategy was once famously described as an egg. Now maybe they’ve been through so many brand pyramids, brand onions and (who knows) brand potatoes that they’ve analysed themselves to a standstill.&lt;/p&gt;
&lt;p&gt;If actions were really so important, why not make a pint of Guinness as good as it can be everywhere it is sold? They used to say, good things come to those who wait. As far as this campaign&amp;#39;s concerned, they should have waited.&lt;br /&gt;&lt;br /&gt;I love Guinness as a beer and Guinness as a brand. But I suspect too few people love Guinness as an icon. Or are prepared to buy into its vastly overblown sense of itself.&lt;/p&gt;
&lt;p&gt;At the risk of sounding like &lt;a href="http://iamtheclient.blogspot.com/" target="_self"&gt;Dave&lt;/a&gt;, it just doesn’t do it for me, and I really want to be sold a pint of Guinness. &lt;br /&gt;&lt;br /&gt;Speaking of which …&lt;/p&gt;</content:encoded>



<dc:creator>kevin mclean</dc:creator>
<dc:date>2010-09-03T15:57:01+01:00</dc:date>
</item>
<item rdf:about="http://artofconversation.typepad.com/art_of_conversation/2010/08/branded-whats-in-a-name.html">
<title>BRANDED! WHAT'S IN A NAME?</title>
<link>http://artofconversation.typepad.com/art_of_conversation/2010/08/branded-whats-in-a-name.html</link>
<description>We market researchers spend many hours exploring and analysing brands. We fill in Brand Pyramids, Brand Keys and Brand Onions until our eyes water. We appreciate the value of a memorable, evocative brand name. So if you look down a...</description>
<content:encoded>&lt;p&gt;&lt;a href="http://artofconversation.typepad.com/.a/6a00d83452194e69e201348649c1ca970c-pi" style="display: inline;"&gt;&lt;img alt="Cattle-Brand" border="0" class="asset asset-image at-xid-6a00d83452194e69e201348649c1ca970c " src="http://artofconversation.typepad.com/.a/6a00d83452194e69e201348649c1ca970c-500pi" title="Cattle-Brand" /&gt;&lt;/a&gt;&lt;/p&gt;&lt;p&gt;We market researchers spend many hours exploring and analysing brands. We fill in Brand Pyramids, Brand Keys and Brand Onions until our eyes water. We appreciate the value of a memorable, evocative brand name.&lt;/p&gt;&lt;p&gt;So if you look down a list of market research companies you would expect to be impressed. In fact there is a real mix. There are the big companies with Anonymous Initials like GfK, TNS etc; there are Corporate Speak names (eg Synovate) which presumably sound reassuring. Then there are the more creative options, like animals and food (Flamingo, Aardvark, Spinach, Sherbert) and the more attention-seeking (Voodoo, Firefish, Captain Crikey, Ftang Ftang Biscuit Barrel and so on).&amp;#0160;&lt;/p&gt;&lt;p&gt;Then there is the smaller company that uses founders&amp;#39; surnames AND an animal logo - genius! &lt;/p&gt;&lt;p&gt;What can you tell about a research company from its name? Is it like fashion, the more interesting the clothes the less interesting the person? Big Anonymous Initials and Corporate Speak must reflect caution, protecting the value of your reputation. Others maybe learnt from the internet gold rush, aiming to attract attention and names like Google and Yahoo! got you noticed.&lt;/p&gt;&lt;p&gt;I think new research companies could learn a lot from yacht names. One adman famously called his yacht Severence after how he paid for it. Yacht names would make good research company names: Serendipity, Integrity etc. There is a yacht-y belief that vowels in yacht names bring good luck (because vowels float but consonants sink?) So choose the right name for your research company and you&amp;#39;ll stay afloat. Worth knowing, that.&lt;br /&gt;&lt;span lang="EN-US" style="font-family: &amp;quot;CG Omega&amp;quot;;"&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;Dominic&lt;br /&gt;&lt;span lang="EN-US" style="font-family: &amp;quot;CG Omega&amp;quot;;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;

&lt;/p&gt;</content:encoded>



<dc:creator>kevin mclean</dc:creator>
<dc:date>2010-08-18T17:47:34+01:00</dc:date>
</item>
<item rdf:about="http://artofconversation.typepad.com/art_of_conversation/2010/08/alternative.html">
<title>Some Alternative London Cycling</title>
<link>http://artofconversation.typepad.com/art_of_conversation/2010/08/alternative.html</link>
<description>Still on the topic of cycling in London, news just in that bike polo is vying for recognition as an official Olympic Sport. Apparently, it was an Olympic sport up until 1908. The London Bike Polo League have numerous courts...</description>
<content:encoded>&lt;p&gt;&lt;a href="http://www.flickr.com/photos/seewah/4413468376/"&gt;&lt;img alt="Bike polo 2" border="0" class="asset asset-image at-xid-6a00d83452194e69e2013485f57475970c " src="http://artofconversation.typepad.com/.a/6a00d83452194e69e2013485f57475970c-500pi" style="margin-left: auto; margin-right: auto; display: block;" title="Bike polo 2" /&gt;&lt;/a&gt; &lt;br /&gt;Still on the topic of &lt;a href="http://artofconversation.typepad.com/art_of_conversation/2010/07/boris-bikes-and-barclays-branding.html"&gt;cycling in London&lt;/a&gt;, news just in that bike polo is vying for recognition as an official Olympic Sport. &lt;a href="http://www.guardian.co.uk/environment/ethicallivingblog/2009/aug/03/bike-polo"&gt;Apparently&lt;/a&gt;, it was an Olympic sport up until 1908.&lt;/p&gt;
&lt;p&gt;&lt;a href="http://www.guardian.co.uk/environment/ethicallivingblog/2009/aug/03/bike-polo"&gt;&lt;img alt="Bike-Blog-Bicycle-Polo-cy-001" border="0" class="asset asset-image at-xid-6a00d83452194e69e2013485f57287970c " src="http://artofconversation.typepad.com/.a/6a00d83452194e69e2013485f57287970c-320pi" style="margin-left: auto; margin-right: auto; display: block;" title="Bike-Blog-Bicycle-Polo-cy-001" /&gt;&lt;/a&gt;&amp;#0160;&lt;/p&gt;
&lt;p&gt;The &lt;a href="http://www.londonbikepololeague.com/"&gt;London Bike Polo League&lt;/a&gt; have &lt;a href="http://www.londonbikepololeague.com/courts/"&gt;numerous courts&lt;/a&gt;&amp;#0160; around the capital and invite newbies to join in - you don&amp;#39;t even need to bring your own club. According to the&lt;a href="http://news.bbc.co.uk/local/london/hi/people_and_places/2012/newsid_8845000/8845620.stm"&gt; BBC&lt;/a&gt;, the key rules are:&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;two teams of three players&lt;/li&gt;
&lt;li&gt;players must not touch the ground&lt;/li&gt;
&lt;li&gt;no throwing of mallets&lt;/li&gt;
&lt;li&gt;only player-to-player contact is allowed&lt;/li&gt;
&lt;li&gt;goals can only be scored with the end of the mallet&lt;/li&gt;
&lt;li&gt;your bike must have at least &amp;#39;one working brake&amp;#39;.
&lt;/li&gt;&lt;/ul&gt;


&lt;p&gt;For the full set, see the League&amp;#39;s &lt;a href="http://www.londonbikepololeague.com/rules/"&gt;&amp;#39;rules&amp;#39; webpage&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;And with dreams of increasing the sport&amp;#39;s popularity, Mr Horwood of the UK Champion team i&lt;a href="http://news.bbc.co.uk/local/london/hi/people_and_places/2012/newsid_8845000/8845620.stm"&gt;s looking&lt;/a&gt; for a sponsor. I wonder if &lt;a href="http://artofconversation.typepad.com/art_of_conversation/2010/07/boris-bikes-and-barclays-branding.html"&gt;Barclays&lt;/a&gt; would be up to it?&amp;#0160;&lt;/p&gt;
&lt;p&gt;Simon&amp;#0160;&lt;/p&gt;
&lt;p class="asset asset-video" style="display: block; margin: 0pt auto;"&gt;
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&lt;/p&gt;</content:encoded>


<dc:subject>blogging</dc:subject>
<dc:subject>conversations</dc:subject>
<dc:subject>Current Affairs</dc:subject>
<dc:subject>marketing</dc:subject>
<dc:subject>research</dc:subject>
<dc:subject>Sports</dc:subject>

<dc:creator>kevin mclean</dc:creator>
<dc:date>2010-08-03T15:16:27+01:00</dc:date>
</item>
<item rdf:about="http://artofconversation.typepad.com/art_of_conversation/2010/07/boris-bikes-and-barclays-branding.html">
<title>Boris, bikes and Barclays branding</title>
<link>http://artofconversation.typepad.com/art_of_conversation/2010/07/boris-bikes-and-barclays-branding.html</link>
<description>TfL’s new bicycle hire scheme for London launched today, endorsed by Mayor Boris, proclaiming: Londoners have awoken to a new dawn for the bicycle in the capital … racks have been filled with thousands of gleaming machines that will transform...</description>
<content:encoded>&lt;p&gt;
&lt;a href="http://artofconversation.typepad.com/.a/6a00d83452194e69e20133f2b83af7970b-pi" style="float: right;"&gt;&lt;img alt="Boris barclays bikes" class="asset asset-image at-xid-6a00d83452194e69e20133f2b83af7970b " src="http://artofconversation.typepad.com/.a/6a00d83452194e69e20133f2b83af7970b-pi" style="margin: 0pt 0pt 5px 5px; width: 300px;" title="Boris barclays bikes" /&gt;&lt;/a&gt; TfL’s new bicycle hire &lt;a href="http://www.bbc.co.uk/news/uk-england-london-10810869"&gt;scheme&lt;/a&gt; for London launched today, endorsed by Mayor Boris, proclaiming:&amp;#0160; &lt;/p&gt;&lt;p&gt;&lt;em&gt;Londoners have awoken to a new dawn for the bicycle in the capital … racks have been filled with&amp;#0160;thousands of gleaming machines that will transform our streets … My crusade for the capital to become the greatest cycling city in the world has taken a gigantic pedal-powered push forwards.&lt;/em&gt;&lt;/p&gt;&lt;p&gt;No pressure on the scheme, then. &lt;/p&gt;&lt;p&gt;
&lt;a href="http://artofconversation.typepad.com/.a/6a00d83452194e69e2013485dc246f970c-pi" style="float: left;"&gt;&lt;img alt="Bike rack" class="asset asset-image at-xid-6a00d83452194e69e2013485dc246f970c " src="http://artofconversation.typepad.com/.a/6a00d83452194e69e2013485dc246f970c-250wi" style="width: 200px; margin: 16px;" title="Bike rack" /&gt;&lt;/a&gt; &lt;/p&gt;&lt;p&gt;&lt;/p&gt;&lt;p&gt;&lt;/p&gt;&lt;p&gt;Our local bike rack – sorry, Barclays bike rack – had one bike on it yesterday, 12 bikes this morning and 6 today. More than 12,450 keys have been handed out to Londoners enabling them to unlock bikes left at 315 docking points across the city. The cost of using the cycles varies from £1 for an hour to £50 for 24 hours. The bikes have no locks, which is said by TfL to be to deter people keeping them for long periods. I’d have thought 50 quid was disincentive enough. &lt;/p&gt;&lt;p&gt;Barclays has apparently paid £25m to sponsor the scheme and the Barclays cycle superhighway, a network of 12 cycle lanes, which is much more than some existing cycle lanes&amp;#0160;painted&amp;#0160;Barclays blue. Sounds like a good deal for them. And &lt;em&gt;research has shown that (blue) is a good colour which stands out&lt;/em&gt;, says a TfL spokeswoman.&amp;#0160;&lt;/p&gt;&lt;p&gt;Some &lt;a href="http://www.guardian.co.uk/artanddesign/2010/jul/27/boris-johnson-london-cycle-hire-barclays"&gt;people&lt;/a&gt; are upset that Barclays is too prominent as a sponsor and has encroached too much on to the civic/public domain. Cyclists as a group are not naturally big corporation lovers and there has of course been some creative ‘re-branding’. 
&lt;a href="http://artofconversation.typepad.com/.a/6a00d83452194e69e2013485dc2b50970c-pi" style="float: right;"&gt;&lt;img alt="Barclays rebranding" class="asset asset-image at-xid-6a00d83452194e69e2013485dc2b50970c " src="http://artofconversation.typepad.com/.a/6a00d83452194e69e2013485dc2b50970c-320wi" style="margin: 13px;" title="Barclays rebranding" /&gt;&lt;/a&gt; &lt;/p&gt;&lt;p&gt;At first sight there does seem to be a &amp;#39;brand mash&amp;#39; of TfL, Oyster, Barclays, Boris (all blue), so it is hard to see who is doing what. &lt;/p&gt;&lt;p&gt;It will be interesting to follow the uptake and emerging views of the scheme. &lt;/p&gt;&lt;p&gt;I certainly hope it will be a great success and that lots more people will cycle in London as a result - even if comes to riding &lt;a href="http://www.newsbiscuit.com/2010/08/01/boris-johnson-launches-60ft-long-bendy-bike/"&gt;bikes 60 foot long&lt;/a&gt;. Not just on big, Barclays branded bikes. Bravo, Boris. Next up, Boris and the &lt;a href="http://www.newsbiscuit.com/2010/08/01/boris-johnson-launches-60ft-long-bendy-bike/"&gt;bendy bike&lt;/a&gt;?&lt;/p&gt;&lt;p&gt;&lt;/p&gt;&lt;p&gt;
&lt;a href="http://artofconversation.typepad.com/.a/6a00d83452194e69e2013485dc2f47970c-pi" style="display: inline;"&gt;&lt;img alt="Boris ltd" class="asset asset-image at-xid-6a00d83452194e69e2013485dc2f47970c " src="http://artofconversation.typepad.com/.a/6a00d83452194e69e2013485dc2f47970c-320pi" title="Boris ltd" /&gt;&lt;/a&gt; &lt;br /&gt; &lt;/p&gt;</content:encoded>



<dc:creator>kevin mclean</dc:creator>
<dc:date>2010-07-30T15:09:43+01:00</dc:date>
</item>
<item rdf:about="http://artofconversation.typepad.com/art_of_conversation/2010/07/how-to-bt-the-competition.html">
<title>How to BT the competition</title>
<link>http://artofconversation.typepad.com/art_of_conversation/2010/07/how-to-bt-the-competition.html</link>
<description>This ad has been on posters and in the press everywhere (pic courtesy of Xtreme Information), part of a £30m campaign by BT to promote BT Vision carrying SS1 and SS2 from this Sunday. Apparently. OR, is it a covert...</description>
<content:encoded>&lt;p&gt;&lt;span lang="EN-GB" style="font-family: &amp;quot;CG Omega&amp;quot;;"&gt;
&lt;a href="http://artofconversation.typepad.com/.a/6a00d83452194e69e20133f298a430970b-pi" style="display: inline;"&gt;&lt;img alt="BT brings you" class="asset asset-image at-xid-6a00d83452194e69e20133f298a430970b " src="http://artofconversation.typepad.com/.a/6a00d83452194e69e20133f298a430970b-500wi" /&gt;&lt;/a&gt; &lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size: 10pt; font-family: Arial;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;span style="font-size: 12px; font-family: Arial;"&gt;&lt;span style="font-size: 10pt;"&gt;This ad
has been on posters and in the press everywhere (pic courtesy of &lt;a href="http://www.xtremeinformation.com/"&gt;Xtreme Information&lt;/a&gt;), part of a £30m campaign by BT
to promote BT Vision carrying SS1 and SS2 from this Sunday. Apparently.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;

&lt;span style="font-size: 12px; font-family: Arial;"&gt;&lt;span style="font-size: 10pt;"&gt;&lt;o:p&gt;&amp;#0160;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;

&lt;span style="font-size: 12px; font-family: Arial;"&gt;&lt;span style="font-size: 10pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-size: 12px; font-family: Arial;"&gt;&lt;span style="font-size: 10pt;"&gt;OR, is it
a covert ‘ambush’ campaign orchestrated by BSkyB to make BT look cheap and
tacky? A much more successful ambush than Robbie Earl &amp;amp; Co’s World Cup Bavaria beer
&lt;a href="http://news.bbc.co.uk/1/hi/magazine/8743881.stm"&gt;stunt&lt;/a&gt;.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;

&lt;span style="font-size: 12px; font-family: Arial;"&gt;&lt;span style="font-size: 10pt;"&gt;&lt;o:p&gt;&amp;#0160;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt; &lt;/p&gt;&lt;p&gt;
&lt;span style="font-size: 12px; font-family: Arial;"&gt;&lt;span style="font-size: 10pt;"&gt;Could
BSkyB have chosen four footballers with the least possible charisma, ordered
their waxwork figures from Madame Tussauds, then photographed them to make them
look like Star Trek extras who had just beamed down? The way they are staring
off into space and those dodgy strips just give the game away.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;

&lt;span style="font-size: 12px; font-family: Arial;"&gt;&lt;span style="font-size: 10pt;"&gt;&lt;o:p&gt;&amp;#0160;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;

&lt;span style="font-size: 12px; font-family: Arial;"&gt;&lt;span style="font-size: 10pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-size: 12px; font-family: Arial;"&gt;&lt;span style="font-size: 10pt;"&gt;BSkyB
would have been aiming to make BT look like amateurs and make their package seem like a pale imitation of the real thing. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: 12px; font-family: Arial;"&gt;&lt;span style="font-size: 10pt;"&gt;&lt;o:p&gt;&amp;#0160;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;



&lt;p class="MsoNormal"&gt;&lt;span style="font-size: 10pt; font-family: Arial;"&gt;&lt;span style="font-size: 12px; font-family: Arial;"&gt;Even more
surprising is how they must have managed to get AMV.BBDO involved. Clearly, a dastardly
plan hatched at the highest level. Probably by a Chelsea fan. &lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;span style="font-size: 10pt; font-family: Arial;"&gt;&lt;span style="font-size: 12px; font-family: Arial;"&gt;Hopefully Wes and
Michael will get their comeuppance on August 8.&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;</content:encoded>



<dc:creator>kevin mclean</dc:creator>
<dc:date>2010-07-27T17:47:07+01:00</dc:date>
</item>
<item rdf:about="http://artofconversation.typepad.com/art_of_conversation/2010/07/beach-reading.html">
<title>Beach Reading</title>
<link>http://artofconversation.typepad.com/art_of_conversation/2010/07/beach-reading.html</link>
<description>It was David Ogilvy in Confessions of an Advertising Man who (roughly) said when on holiday read; but read something that's unrelated to work. Reading will keep the mind ticking over and give it space to de-clutter. Asking round the...</description>
<content:encoded>&lt;p&gt;
&lt;a href="http://bookjourney.files.wordpress.com/2009/10/beach-read.jpg"&gt;&lt;img alt="Beach-read" class="asset asset-image at-xid-6a00d83452194e69e2013485670e6b970c " src="http://artofconversation.typepad.com/.a/6a00d83452194e69e2013485670e6b970c-500wi" style="margin-left: auto; margin-right: auto; display: block;" title="Beach-read" /&gt;&lt;/a&gt; &lt;br /&gt;&amp;#0160;It was David Ogilvy in &lt;a href="http://www.amazon.co.uk/Confessions-Advertising-Man-David-Ogilvy/dp/1904915019"&gt;Confessions of an Advertising Man&lt;/a&gt; who (roughly) said when on holiday read; but read something that&amp;#39;s unrelated to work. Reading&amp;#0160;will keep the mind ticking over and give it space to de-clutter.&amp;#0160;&lt;/p&gt;

&lt;p&gt;&lt;/p&gt;

&lt;p&gt;Asking round the office, we&amp;#39;ve pulled together some beach reads we will be taking with us this summer to depressurise to some near and some far-flung climes.&amp;#0160;&lt;/p&gt;

&lt;p&gt;
&lt;a href="http://artofconversation.typepad.com/.a/6a00d83452194e69e20133f24182e1970b-pi" style="float: right;"&gt;&lt;img alt="Homicide book cover" class="asset asset-image at-xid-6a00d83452194e69e20133f24182e1970b " src="http://artofconversation.typepad.com/.a/6a00d83452194e69e20133f24182e1970b-75wi" style="width: 60px; margin: 0px 0px 5px 5px;" /&gt;&lt;/a&gt; &amp;#0160;If you&amp;#39;re looking for American urban grit and a fan of &lt;a href="http://en.wikipedia.org/wiki/The_Wire"&gt;&lt;span style="text-decoration: underline;"&gt;The Wire&lt;/span&gt;&lt;/a&gt; (as quite a few of us are) then David Simon&amp;#39;s &lt;a href="http://en.wikipedia.org/wiki/The_Wire"&gt;Homicide&lt;/a&gt; and &lt;a href="http://www.amazon.co.uk/Corner-Year-Life-Inner-city-Neighbourhood/dp/1847673171/ref=sr_1_1?ie=UTF8&amp;amp;s=books&amp;amp;qid=1279033537&amp;amp;sr=1-1"&gt;the Corner&lt;/a&gt; have come highly recommended. Although looking out to a sunbright sea may be more therapeutic.&lt;/p&gt;

&lt;p&gt;
&lt;a href="http://artofconversation.typepad.com/.a/6a00d83452194e69e201348566ec3c970c-pi" style="float: left;"&gt;&lt;img alt="Wolf hall" border="0" class="asset asset-image at-xid-6a00d83452194e69e201348566ec3c970c " src="http://artofconversation.typepad.com/.a/6a00d83452194e69e201348566ec3c970c-pi" style="margin: 0px 5px 5px 0px; width: 105px;" title="Wolf hall" /&gt;&lt;/a&gt;&amp;#0160;&lt;a href="http://www.amazon.co.uk/Wolf-Hall-Hilary-Mantel/dp/0007230184"&gt;Wolf Hall&lt;/a&gt;, Man Booker Prize for 2009, has received mixed reviews by those who have already read it here. &amp;#0160;Although giving us a pretty vivid picture of the early 16th Century England some have found it confusing to follow at times. Compared to Joyce&amp;#39;s &lt;a href="http://en.wikipedia.org/wiki/Ulysses_%28novel%29"&gt;&lt;/a&gt;&lt;a href="http://en.wikipedia.org/wiki/Ulysses_%28novel%29"&gt;Ulysees&lt;/a&gt; though, it&amp;#39;s a doddle. &amp;#0160;&lt;/p&gt;

&lt;p&gt;&lt;/p&gt;&lt;p&gt;
&lt;/p&gt;
&lt;p&gt;If you&amp;#39;re lucky enough to be travelling through the land of those tennis and football champions Espana and looking for a classic, then reading Hemingway&amp;#39;s &lt;a href="http://www.amazon.com/Whom-Bell-Tolls-Ernest-Hemingway/dp/0684803356"&gt;&amp;quot;For Whom the Bell Tolls&amp;quot; &amp;#0160;&lt;/a&gt;will be greatly informed by the scenery around you .&lt;/p&gt;

&lt;p&gt;&lt;/p&gt;

&lt;p&gt;&lt;a href="http://artofconversation.typepad.com/.a/6a00d83452194e69e20133f241689a970b-pi" style="float: right;"&gt;&lt;img alt="Raw shark texts" class="asset asset-image at-xid-6a00d83452194e69e20133f241689a970b " src="http://artofconversation.typepad.com/.a/6a00d83452194e69e20133f241689a970b-pi" style="margin: 0px 0px 5px 5px; width: 60px;" title="Raw shark texts" /&gt;&lt;/a&gt; If quirkiness is your bag, then &lt;a href="http://www.amazon.com/Raw-Shark-Texts-Novel/dp/1847671748/ref=sr_1_1?ie=UTF8&amp;amp;s=books&amp;amp;qid=1279033811&amp;amp;sr=1-1"&gt;&lt;/a&gt;&lt;a href="http://www.amazon.co.uk/Raw-Shark-Texts-Steven-Hall/dp/1847670245/ref=sr_1_1?ie=UTF8&amp;amp;s=books&amp;amp;qid=1279033939&amp;amp;sr=8-1"&gt;&amp;#39;The Raw Shark Texts&amp;#39;&lt;/a&gt;&amp;#0160;(thanks for recommendation&amp;#0160;&lt;a href="http://wannabeadman.blogspot.com/"&gt;Will&lt;/a&gt;),&amp;#0160;will not fail to surprise for it&amp;#39;s imaginative brilliance. A plot set around amnesia and a flick-book of a shark (named Ludovican), this is supposed to be a must read for anybody who wants a novel that &lt;a href="http://www.independent.co.uk/arts-entertainment/books/reviews/the-raw-shark-texts-by-steven-hall-437432.html"&gt;&amp;#39;isn&amp;#39;t like anything you have ever read before&amp;#39;.&lt;/a&gt;&amp;#0160;&lt;/p&gt;&lt;p&gt;&lt;a href="http://artofconversation.typepad.com/.a/6a00d83452194e69e20134856705ea970c-pi" style="float: left;"&gt;&lt;img alt="Cloudspotter&amp;#39;s guide" class="asset asset-image at-xid-6a00d83452194e69e20134856705ea970c " src="http://artofconversation.typepad.com/.a/6a00d83452194e69e20134856705ea970c-pi" style="width: 60px; margin: 0px 5px 5px 0px;" title="Cloudspotter&amp;#39;s guide" /&gt;&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&amp;#0160;For quirky and non-fiction, there is also the light-hearted and educational &lt;a href="http://www.amazon.co.uk/Cloudspotters-Guide-Gavin-Pretor-Pinney/dp/034089590X/ref=sr_1_1?ie=UTF8&amp;amp;s=books&amp;amp;qid=1279034657&amp;amp;sr=1-1"&gt;Cloudspotter&amp;#39;s Guide&lt;/a&gt; teaching the reader about all the different cloud types&amp;#0160;(surprise, surprise). It is, though, surprisingly un-dull and a rather interesting work. On return to work you&amp;#39;ll be able to point out to colleagues the Expedia cloud is a &lt;a href="http://www.weatherscapes.com/album.php?cat=clouds&amp;amp;subcat=cu_humilis"&gt;Cumulus Humilis&lt;/a&gt;&amp;#0160;and tell them you will soon be a proud member of the &lt;a href="http://cloudappreciationsociety.org/"&gt;Cloud Appreciation Society&lt;/a&gt;.&amp;#0160;There is also&lt;a href="http://www.amazon.com/Wave-Watchers-Companion-Stadium-Undulations/dp/0399534261"&gt; the Wave Watcher&amp;#39;s Companion&lt;/a&gt; by the same author if cloud spotting isn&amp;#39;t enough.&lt;/p&gt;

&lt;p&gt;&lt;/p&gt;

&lt;p&gt;&lt;/p&gt;

&lt;p&gt;&lt;/p&gt;&lt;p&gt;Safe travels. Happy Holidays. Happy reading.&lt;/p&gt;&lt;p&gt;Simon&lt;/p&gt;

&lt;p&gt;&lt;/p&gt;</content:encoded>


<dc:subject>blogging</dc:subject>
<dc:subject>Books</dc:subject>
<dc:subject>conversations</dc:subject>
<dc:subject>marketing</dc:subject>
<dc:subject>research</dc:subject>
<dc:subject>Travel</dc:subject>

<dc:creator>kevin mclean</dc:creator>
<dc:date>2010-07-13T16:53:39+01:00</dc:date>
</item>
<item rdf:about="http://artofconversation.typepad.com/art_of_conversation/2010/07/my-entry.html">
<title>innocent agm film</title>
<link>http://artofconversation.typepad.com/art_of_conversation/2010/07/my-entry.html</link>
<description>Final edit of innocent agm film. Good people. A good day. Write-up here.</description>
<content:encoded>&lt;p&gt;Final edit of innocent agm film. Good people. A good day. Write-up &lt;a href="http://artofconversation.typepad.com/art_of_conversation/2010/05/inside-the-innocent-agm.html"&gt;here&lt;/a&gt;.&lt;/p&gt;&lt;p&gt;&lt;object height="385" width="640"&gt;&lt;param name="movie" value="http://www.youtube.com/v/GYozNZptSy0&amp;amp;color1=0xb1b1b1&amp;amp;color2=0xd0d0d0&amp;amp;hl=en_US&amp;amp;feature=player_embedded&amp;amp;fs=1" /&gt;&lt;param name="allowFullScreen" value="true" /&gt;&lt;param name="allowScriptAccess" value="always" /&gt;&lt;embed allowfullscreen="true" allowscriptaccess="always" height="385" src="http://www.youtube.com/v/GYozNZptSy0&amp;amp;color1=0xb1b1b1&amp;amp;color2=0xd0d0d0&amp;amp;hl=en_US&amp;amp;feature=player_embedded&amp;amp;fs=1" type="application/x-shockwave-flash" width="640" /&gt;&lt;/object&gt;&lt;/p&gt;</content:encoded>



<dc:creator>kevin mclean</dc:creator>
<dc:date>2010-07-09T10:59:29+01:00</dc:date>
</item>
<item rdf:about="http://artofconversation.typepad.com/art_of_conversation/2010/07/the-inconvenience-of-green.html">
<title>Inconveniently Green</title>
<link>http://artofconversation.typepad.com/art_of_conversation/2010/07/the-inconvenience-of-green.html</link>
<description>Without wanting to sound too downbeat, being a 'green' consumer at the moment is inconvenient. It just doesn't pay. Our 'default' behaviour is to buy what we are used to, what is easy and affordable and what benefits us -...</description>
<content:encoded>&lt;p&gt;
&lt;a href="http://www.propublishingservices.com/images/j0341909.jpg"&gt;&lt;img alt="Green blog image" border="0" class="asset asset-image at-xid-6a00d83452194e69e201348537b94d970c " src="http://artofconversation.typepad.com/.a/6a00d83452194e69e201348537b94d970c-500pi" style="margin-left: auto; margin-right: auto; display: block;" title="Green blog image" /&gt;&lt;/a&gt;&lt;/p&gt;

&lt;p&gt;Without wanting to sound too downbeat, being a &amp;#39;green&amp;#39; consumer at the moment is inconvenient. It just doesn&amp;#39;t pay. Our &amp;#39;default&amp;#39; behaviour is to buy what we are used to, what is easy and affordable and what&amp;#0160; benefits us - in spite of our good intentions. As Jane Austen wrote, &lt;em&gt;&amp;quot;I have been selfish all my life, in practice, though not in principle&amp;quot;.&lt;/em&gt;&lt;/p&gt;

&lt;p&gt;And most companies of course are geared to deliver profit first and foremost, sustainability coming a distant second or third or lower down the list. And we are not mandated to behave differently by legislation, apart from a bit of recycling, perhaps. It is still just too convenient for us not to be &amp;#39;green&amp;#39;. What will it take for our lifestyles to change? &lt;/p&gt;

&lt;p&gt;
&lt;a href="http://artofconversation.typepad.com/.a/6a00d83452194e69e20133f21d32c6970b-pi" style="float: left;"&gt;&lt;img alt="Green living guide image" border="0" class="asset asset-image at-xid-6a00d83452194e69e20133f21d32c6970b " src="http://artofconversation.typepad.com/.a/6a00d83452194e69e20133f21d32c6970b-pi" style="margin: 8px; width: 200px;" title="Green living guide image" /&gt;&lt;/a&gt;These thoughts hit home having bought &lt;a href="http://www.magazine-group.co.uk/magazine/food-home/interiors-decorating/green-living-guide"&gt;the Green Living Guide&lt;/a&gt;. Great efforts have been made in making &amp;#39;green&amp;#39; actions more accessible and the guide itself is certainly praiseworthy if wanting to be &amp;#39;green&amp;#39; is your thing.&amp;#0160;&lt;/p&gt;

&lt;p&gt;But there is some way to go for sustainable, low-carbon living to become more widespread in the UK . Perhaps because there are so many variables and imponderables, people just don&amp;#39;t know what to do and are not motivated to take the lead.&amp;#0160;&lt;/p&gt;

&lt;p&gt;&lt;/p&gt;

&lt;p&gt;I think the key issue with communicating &amp;#39;green&amp;#39; (without &lt;a href="http://en.wikipedia.org/wiki/Greenwash"&gt;&amp;#39;greenwashing&amp;#39;&lt;/a&gt;) is there isn&amp;#39;t enough &amp;#39;in it&amp;#39; for the UK consumer, especially in the short-term. Solar panels, for example, require thousands of pounds and grant applications and just sound cumbersome and off-putting.&lt;/p&gt;&lt;p&gt;&lt;/p&gt;&lt;p&gt;
&lt;/p&gt;


&lt;p&gt;This &amp;#39;&lt;a href="http://www.guardian.co.uk/environment/2010/jul/04/smart-ed-car-pros-cons"&gt;Observer&amp;#39; article&lt;/a&gt; on the new electric Smart car highlights the problem, given the costs and logistics of running it. And in the new &lt;a href="http://news.bbc.co.uk/1/hi/world/europe/10370305.stm"&gt;Age of Austerity&lt;/a&gt;, funding is being slashed, hampering our chances of turning niche &amp;#39;green&amp;#39; alternatives into commonplace, mass market products. &amp;#0160; &amp;#0160;&amp;#0160;&lt;/p&gt;

&lt;p&gt;Sustainable living is vital (if you believe in Climate Change, that is) and must continue to be addressed &lt;span style="font-size: 13px;"&gt;- while a &lt;/span&gt;&lt;a href="http://artofconversation.typepad.com/art_of_conversation/2010/03/in-praise-of-ecotricity.html#more"&gt;&lt;span style="font-size: 13px;"&gt;&lt;span style="font-size: 14px;"&gt;&lt;span style="font-size: 12px;"&gt;select&amp;#0160; few&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span style="font-size: 13px;"&gt;&lt;span style="font-size: 14px;"&gt;&lt;span style="font-size: 12px;"&gt; ar&lt;span style="font-size: 13px;"&gt;e doing a great job already, a low carbon lifestyle should be far more convenient for consumers in ways that have a clear benefit to improving &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;em&gt;&lt;span style="font-size: 13px;"&gt;&lt;span style="font-size: 14px;"&gt;&lt;span style="font-size: 12px;"&gt;&lt;span style="font-size: 13px;"&gt;their&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/em&gt;&lt;span style="font-size: 13px;"&gt;&lt;span style="font-size: 14px;"&gt;&lt;span style="font-size: 12px;"&gt;&lt;span style="font-size: 13px;"&gt; lifestyle first at foremost.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;

&lt;p&gt;After all, we&amp;#39;re just creatures of convenience. Right?&lt;/p&gt;

&lt;p&gt;&lt;font color="#464646" size="3"&gt;&lt;span style="font-size: 13px; line-height: 16px;"&gt;Simon&lt;/span&gt;&lt;/font&gt;&lt;/p&gt;

&lt;p&gt;&lt;/p&gt;

&lt;p&gt;&lt;/p&gt;</content:encoded>


<dc:subject>blogging</dc:subject>
<dc:subject>conversations</dc:subject>
<dc:subject>Current Affairs</dc:subject>
<dc:subject>marketing</dc:subject>
<dc:subject>research</dc:subject>

<dc:creator>kevin mclean</dc:creator>
<dc:date>2010-07-07T11:32:15+01:00</dc:date>
</item>
<item rdf:about="http://artofconversation.typepad.com/art_of_conversation/2010/07/conversation.html">
<title>A Feast of Conversation</title>
<link>http://artofconversation.typepad.com/art_of_conversation/2010/07/conversation.html</link>
<description>Theodore Zeldin, our hero and the author of 'An Intimate History of Humanity' and 'Conversation: how talk can change our lives', was interviewed on the Today programme on Friday to discuss his 'Feast of Conversation', held on July 3 at...</description>
<content:encoded>&lt;p&gt;
&lt;a href="http://www.gettyimages.co.uk/Search/Search.aspx?contractUrl=2&amp;amp;language=en-GB&amp;amp;family=creative&amp;amp;assetType=image&amp;amp;p=conversation%20table"&gt;&lt;br /&gt;&lt;/a&gt;&amp;#0160;
&lt;a href="http://artofconversation.typepad.com/.a/6a00d83452194e69e20134854290d9970c-pi" style="display: inline;"&gt;&lt;img alt="Conversation" class="asset asset-image at-xid-6a00d83452194e69e20134854290d9970c " src="http://artofconversation.typepad.com/.a/6a00d83452194e69e20134854290d9970c-250wi" style="width: 350px;" title="Conversation" /&gt;&lt;/a&gt; &lt;br /&gt; &lt;/p&gt;&lt;p&gt;Theodore &lt;a href="http://en.wikipedia.org/wiki/Theodore_Zeldin"&gt;Zeldin&lt;/a&gt;, our hero and the author of&amp;#0160; &amp;#39;An Intimate History of &lt;a href="http://www.amazon.com/Intimate-History-Humanity-Theodore-Zeldin/dp/0060926910"&gt;Humanity&lt;/a&gt;&amp;#39; and &amp;#39;&lt;a href="http://www.amazon.co.uk/Conversation-Theodore-Zeldin/dp/1860466621"&gt;Conversation&lt;/a&gt;: how talk can change our lives&amp;#39;, was interviewed on the Today programme&amp;#0160;on Friday to discuss his &lt;a href="http://feastofconversation@londonmuse.com/"&gt;&amp;#39;Feast of Conversation&amp;#39;&lt;/a&gt;, held on July 3 at the Olympics site in a &lt;a href="http://www.spoonfed.co.uk/spooners/spoonfed-arts-team-8139/feast-of-conversation-3235/"&gt;venue&lt;/a&gt; made from old shipping containers.&amp;#0160; &lt;/p&gt;&lt;p&gt;Attendees chose from a menu of 25 conversation topics, and talked about what they find interesting.&lt;em&gt; &amp;quot;It is for people who want to have two hours to think about what is important to them&amp;quot;.&lt;/em&gt;&lt;/p&gt;&lt;p&gt;
&lt;a href="http://artofconversation.typepad.com/.a/6a00d83452194e69e20133f21d578f970b-pi" style="float: left;"&gt;&lt;img alt="Theodore-Zeldin" border="0" class="asset asset-image at-xid-6a00d83452194e69e20133f21d578f970b " src="http://artofconversation.typepad.com/.a/6a00d83452194e69e20133f21d578f970b-pi" style="margin: 7px; width: 180px;" title="Theodore-Zeldin" /&gt;&lt;/a&gt;Professor Zeldin claimed that &lt;em&gt;&amp;quot;we live in an age where we don&amp;#39;t know what to talk about&amp;quot;&lt;/em&gt; hence his idea to &lt;em&gt;&amp;quot;have a new kind of conversation where we are trying to discover what we think and to discover other people ... [which is] the most exciting adventure of our time ... to discover who inhabits the world&amp;quot;.&amp;#0160;&lt;/em&gt;&lt;/p&gt;&lt;p&gt;&lt;/p&gt;&lt;p&gt;&lt;/p&gt;&lt;p&gt;&lt;/p&gt;&lt;p&gt;&lt;/p&gt;&lt;p&gt;The professor bridled at the suggestion that his event was like speed dating. He felt it was the opposite of the inane babble of speed dating or something like Twitter (ahem) &lt;em&gt;&amp;quot;&lt;/em&gt;&lt;span style="font-style: italic;"&gt;...&lt;/span&gt;&lt;em&gt;It is about thinking, not jabbering&amp;quot;.&lt;/em&gt;&lt;/p&gt;&lt;p&gt;We look forward to reading the reviews. &lt;/p&gt;&lt;p&gt;Not on Twitter, though.&lt;/p&gt;&lt;p&gt;&lt;/p&gt;&lt;p&gt;&lt;/p&gt;&lt;p&gt;&lt;/p&gt;&lt;p&gt;&lt;/p&gt;</content:encoded>


<dc:subject>Books</dc:subject>
<dc:subject>conversations</dc:subject>
<dc:subject>research</dc:subject>

<dc:creator>kevin mclean</dc:creator>
<dc:date>2010-07-05T08:30:01+01:00</dc:date>
</item>
<item rdf:about="http://artofconversation.typepad.com/art_of_conversation/2010/06/roll-up-roll-up-for-the-insight-show-2010.html">
<title>Insight Show 2010</title>
<link>http://artofconversation.typepad.com/art_of_conversation/2010/06/roll-up-roll-up-for-the-insight-show-2010.html</link>
<description>We've been busy preparing for the Insight Show at the Grand Hall, Olympia, 29th and Wednesday 30th June, where we have a stand (D410, in fact). Here we are hard at work, setting up yesterday morning. We're presenting two case...</description>
<content:encoded>&lt;p&gt;&amp;#0160;
&lt;a href="http://artofconversation.typepad.com/.a/6a00d83452194e69e20133f1f1a488970b-pi" style="float: right;"&gt;&lt;img alt="Insight Show Logo" border="0" class="asset 
asset-image at-xid-6a00d83452194e69e20133f1f1a488970b " src="http://artofconversation.typepad.com/.a/6a00d83452194e69e20133f1f1a488970b-120pi" style="margin: 0pt 0pt 5px 5px;" title="Insight Show Logo" /&gt;&lt;/a&gt;&lt;br /&gt;We&amp;#39;ve been busy preparing for the &lt;a href="http://www.insightshow.co.uk/"&gt;Insight Show &lt;/a&gt;at the &lt;a href="http://www.insightshow.co.uk/en/whenandwhere.aspx"&gt;Grand Hall, Olympia&lt;/a&gt;, 29th and Wednesday 30th June, where&amp;#0160;we have a stand&amp;#0160;(D410, in fact).&amp;#0160;&lt;/p&gt;&lt;p style="text-align: left;"&gt;Here we are hard at work, setting up yesterday morning.&lt;/p&gt;&lt;p style="text-align: left;"&gt;&lt;a href="http://artofconversation.typepad.com/.a/6a00d83452194e69e20133f1f19ac1970b-pi" style="display: inline;"&gt;&lt;img alt="Insight Show stand" border="0" class="asset asset-image at-xid-6a00d83452194e69e20133f1f19ac1970b " src="http://artofconversation.typepad.com/.a/6a00d83452194e69e20133f1f19ac1970b-320pi" style="margin: 0px;" title="Insight Show stand" /&gt;&lt;/a&gt;&amp;#0160;&lt;/p&gt;&lt;p style="text-align: left;"&gt;We&amp;#39;re presenting &lt;a href="http://www.insightshow.co.uk/en/conference-programme.aspx"&gt;two case studies&lt;/a&gt;&amp;#0160;under the title of &amp;#39;Seeing is Believing, Latest Developments in Ethnographic Research&amp;#39;, on Wednesday at noon in the Henley Suite.&lt;/p&gt;&lt;p&gt;The first study was with Virgin Trains&lt;span style="text-decoration: underline;"&gt;&lt;/span&gt; who reveal the strategy behind their new ‘modal shift’ 
campaign. We demonstrate how filmed ‘co-discovery’ 
interviews deliver unique insight into the Virgin Trains passenger 
experience.&lt;/p&gt;&lt;p&gt; &lt;/p&gt;&lt;p&gt;&lt;/p&gt;&lt;p&gt;&lt;a href="http://blog.insightpd.com/wp-content/uploads/2010/02/ethno_app.jpg" style="display: inline;"&gt;&lt;img alt="Ethno_app" border="0" class="asset asset-image at-xid-6a00d83452194e69e2013485170b26970c " src="http://artofconversation.typepad.com/.a/6a00d83452194e69e2013485170b26970c-320pi" style="margin: 0pt;" title="Ethno_app" /&gt;&lt;/a&gt;&lt;/p&gt;&lt;p&gt;The second talk focuses on a new, ethnographic app&amp;#0160;&lt;a href="http://artofconversation.typepad.com/art_of_conversation/2009/06/walk-on-the-wild-side-ethnographic-research-revealed.html" style="color: blue ! important; text-decoration: underline ! important; cursor: text ! important;"&gt;Siamack&lt;/a&gt;&amp;#0160;has&amp;#0160;frequently&amp;#0160;&lt;a href="http://www.ethnosnacker.com/2010/03/app-in-action.html" style="color: blue ! important; text-decoration: underline ! important; cursor: text ! important;"&gt;blogged&lt;/a&gt;&amp;#0160;about.&amp;#0160; &lt;/p&gt;&lt;p&gt; The edl APP is a brand new mobile phone application (iPhone and 
Blackberry), an innovative capture tool and a means of editing and 
collating real life events via video, pictures, audio and text. We discuss how it works in practice and why Coca-Cola are rolling it out globally 
as an in-house tool.&lt;/p&gt;&lt;p&gt;Both talks will be put on the Insight Show website some time soon, we shall link to this as and when.&lt;/p&gt;&lt;p&gt;In the meantime, if you can, do drop by stand D410 to say &amp;#39;hello&amp;#39; and see what insights (and some surprises) we have on show.&lt;/p&gt;&lt;p&gt;&lt;/p&gt;&lt;p&gt;Simon&lt;/p&gt;&lt;p&gt;&lt;/p&gt;</content:encoded>


<dc:subject>blogging</dc:subject>
<dc:subject>conversations</dc:subject>
<dc:subject>marketing</dc:subject>
<dc:subject>research</dc:subject>

<dc:creator>kevin mclean</dc:creator>
<dc:date>2010-06-29T17:47:45+01:00</dc:date>
</item>
<item rdf:about="http://artofconversation.typepad.com/art_of_conversation/2010/06/few-words-only---quicker--the-wc-kicks-off-today-in-case-you---hadnt-noticed-the-brandad-competition-kicked-off-a.html">
<title>Exclusive! World Cup Ad Shoot Out </title>
<link>http://artofconversation.typepad.com/art_of_conversation/2010/06/few-words-only---quicker--the-wc-kicks-off-today-in-case-you---hadnt-noticed-the-brandad-competition-kicked-off-a.html</link>
<description>The World Cup kicks off today (in case you hadn’t noticed). The advertising stakes are high, with Nestle courting controversy with Mars. How did the sportswear brands do? Adidas bagged the official sponsorship, Nike is the outsider (again). So, who...</description>
<content:encoded>&lt;p class="MsoNormal"&gt;&lt;font size="3"&gt;&lt;span style="font-size: 13px; line-height: 16px;"&gt;&lt;span style="font-size: small; line-height: 14px; "&gt;&lt;/span&gt;&lt;/span&gt;&lt;/font&gt;&lt;/p&gt;&lt;font size="3"&gt;&lt;p class="MsoNormal"&gt;&lt;span style="font-size: 13px; line-height: 16px; "&gt;The World Cup kicks off today (in case you hadn’t noticed). The advertising stakes are high, with &lt;a href="http://www.marketingmagazine.co.uk/news/1007158/Mars-FA-World-Cup-clash-NestlE/"&gt;Nestle courting controversy with Mars&lt;/a&gt;.&amp;#0160;&lt;/span&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;span style="font-size: 13px; line-height: 16px; "&gt;How did the sportswear brands do? Adidas bagged the official sponsorship, Nike is the outsider (again). So, who won the advertising penalty shoot-out?&lt;/span&gt;&lt;/p&gt;&lt;/font&gt;&lt;p&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;span style="font-size: 13px; line-height: 16px; "&gt;First up is Nike:&amp;#0160;&lt;/span&gt;&lt;/p&gt;&lt;font size="3"&gt;&lt;p align="center" class="asset asset-video" style="display: block; margin: 0 auto;"&gt;&lt;object height="306" width="500"&gt;&lt;param name="movie" value="http://www.youtube.com/v/idLG6jh23yE&amp;amp;fs=1" /&gt;&lt;param name="allowFullScreen" value="true" /&gt;&lt;param name="allowscriptaccess" value="always" /&gt;&lt;embed allowfullscreen="true" allowscriptaccess="always" height="306" src="http://www.youtube.com/v/idLG6jh23yE&amp;amp;fs=1" type="application/x-shockwave-flash" width="500" /&gt;&lt;/object&gt;&lt;/p&gt;&lt;/font&gt;&lt;p&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;span style="font-size: 13px; line-height: 16px; "&gt;The creative idea of sportsmen taking (or not taking) their chances may not be original (think Guinness, &lt;em&gt;Believe&lt;/em&gt;) but that is a minor gripe. This 3-minute extravaganza took up the whole ad break and is breathless and highly re-watchable. It must have cost as much as its heroes&amp;#39; combined monthly salaries. So confident, such swagger, an amazing piece of film.&lt;/span&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;span style="font-size: 13px; line-height: 16px; "&gt;A shame that ITV managed to cut the ending the first time it aired. What a Nikemare.&amp;#0160;&lt;/span&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;font size="3"&gt;&lt;span style="font-size: 13px; line-height: 16px;"&gt;Our verdict: spectacular goal. Back of the onion bag.&amp;#0160;&lt;/span&gt;&lt;/font&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;font size="3"&gt;&lt;span style="font-size: 13px; line-height: 16px;"&gt;Then there&amp;#39;s Adidas&amp;#39; effort:&lt;/span&gt;&lt;/font&gt;&lt;/p&gt;&lt;br /&gt;&lt;p align="center" class="asset asset-video" style="display: block; margin: 0 auto;"&gt;&lt;object height="385" width="640"&gt;&lt;param name="movie" value="http://www.youtube.com/v/0OEj8rnuoBE&amp;amp;hl=en_US&amp;amp;fs=1&amp;amp;" /&gt;&lt;param name="allowFullScreen" value="true" /&gt;&lt;param name="allowscriptaccess" value="always" /&gt;&lt;embed allowfullscreen="true" allowscriptaccess="always" height="385" src="http://www.youtube.com/v/0OEj8rnuoBE&amp;amp;hl=en_US&amp;amp;fs=1&amp;amp;" type="application/x-shockwave-flash" width="640" /&gt;&lt;/object&gt;&lt;/p&gt;&lt;br /&gt;&lt;p&gt;&lt;span style="font-size: 13px; line-height: 16px; "&gt;It is contemporary, eye-grabbing, in a Sin City style. But as Rooney Carruthers writes in&amp;#0160;&lt;a href="http://www.campaignlive.co.uk/" style="color: blue !important; text-decoration: underline !important; cursor: text !important; "&gt;Campaign&lt;/a&gt;:&amp;#0160;&lt;em&gt;&amp;quot;I&amp;#39;ve watched this ten times now and I still don&amp;#39;t get it. Zinedine Zidane bombs about in a retro car. Lionel Messi and David Villa do some great foot tricks and that is it&amp;quot;&amp;#0160;&lt;/em&gt;&lt;/span&gt;&lt;/p&gt;&lt;font size="3"&gt;&lt;p class="MsoNormal"&gt;&lt;font size="3"&gt;&lt;span style="font-size: 13px; line-height: 16px; "&gt;Verdict: Fluffed it. Stuttering run-up, tried to be too clever then bobbled it straight at the keeper.&amp;#0160;&lt;/span&gt;&lt;/font&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;font size="3"&gt;&lt;span style="font-size: 13px; line-height: 16px;"&gt;So Nike is the clear winner and deserves to be - hang on a minute, a fan in an England shirt has just run on to the pitch and is about to take their own penalty...&lt;/span&gt;&lt;/font&gt;&lt;/p&gt;&lt;/font&gt;&lt;br /&gt;&lt;p align="center" class="asset asset-video" style="display: block; margin: 0 auto;"&gt;&lt;object height="306" width="500"&gt;&lt;param name="movie" value="http://www.youtube.com/v/E6_gEH9XX1s&amp;amp;fs=1" /&gt;&lt;param name="allowFullScreen" value="true" /&gt;&lt;param name="allowscriptaccess" value="always" /&gt;&lt;embed allowfullscreen="true" allowscriptaccess="always" height="306" src="http://www.youtube.com/v/E6_gEH9XX1s&amp;amp;fs=1" type="application/x-shockwave-flash" width="500" /&gt;&lt;/object&gt;&lt;/p&gt;&lt;br /&gt;&lt;p class="MsoNormal"&gt;&lt;span style="font-size: 13px; line-height: 16px; "&gt;It is not competing with Nike and Adidas in budget but we suspect it has every bit as much impact. As &lt;a href="http://jonhoward.typepad.com/livingbrands/2010/06/as-far-as-world-cup-ads-go.html" style="color: blue !important; text-decoration: underline !important; cursor: text !important; "&gt;Jon Howard&lt;/a&gt;&amp;#0160;says,&amp;#0160;there&amp;#39;s not an overpaid football star in sight.&amp;#0160;It&amp;#39;s about us, not them. It uses the national anthem but it is not portentous or grandstanding. (It&amp;#39;s possibly not as re-watchable, either.)&amp;#0160;It&amp;#39;s a penalty taken in slow motion. We watch, spellbound. The ball trickles over the line.&lt;/span&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;font size="3"&gt;&lt;span style="font-size: 13px; line-height: 16px;"&gt;Verdict: an ad for the Age of Austerity. The excessive creative brilliance and money-no-object arrogance of Nike is going the way of Britpop or Lehman Brothers. The trouble with creative excess is for every Nike hit there are seven adidas flops. Or worse still, you get something like those Olympic &lt;a href="http://www.marketingweek.co.uk/opinion/why-does-the-london-2012-olympic-mascot-look-like-a-penis?/3013852.article"&gt;mascots&lt;/a&gt;.&amp;#0160;&lt;/span&gt;&lt;/font&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;font size="3"&gt;&lt;span style="font-size: 13px; line-height: 16px;"&gt;This is toned down, scaled back, ever so Umbro.&lt;/span&gt;&lt;/font&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;font size="3"&gt;&lt;span style="font-size: 13px; line-height: 16px;"&gt;And it gets our vote (some of us at least).&amp;#0160;&lt;/span&gt;&lt;/font&gt;&lt;/p&gt;</content:encoded>



<dc:creator>kevin mclean</dc:creator>
<dc:date>2010-06-11T16:34:46+01:00</dc:date>
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<item rdf:about="http://artofconversation.typepad.com/art_of_conversation/2010/06/so-what.html">
<title>So What?</title>
<link>http://artofconversation.typepad.com/art_of_conversation/2010/06/so-what.html</link>
<description>‘So what?’ is the question that researchers are increasingly encouraged to ask of every chart in a presentation. It’s a way of forcing your mind to go beyond reportage, ie not just to report what people say but what it...</description>
<content:encoded>&lt;p&gt;&lt;a href="http://artofconversation.typepad.com/.a/6a00d83452194e69e20133f000bc58970b-pi" style="float: left;"&gt;&lt;img alt="Miles-davis-101" border="0" class="asset asset-image at-xid-6a00d83452194e69e20133f000bc58970b " src="http://artofconversation.typepad.com/.a/6a00d83452194e69e20133f000bc58970b-320pi" style="margin: 12px;" title="Miles-davis-101" /&gt;&lt;/a&gt;&lt;span style="font-size: 12px; font-family: Arial;"&gt;‘So what?’
is the question that researchers are increasingly encouraged to ask of every chart in a
presentation.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt; &lt;/p&gt;&lt;p&gt;


&lt;span style="font-size: 12px; font-family: Arial;"&gt;It’s a way
of forcing your mind to go beyond reportage&lt;st1:personname w:st="on"&gt;,&lt;/st1:personname&gt;
ie not just to report what people say but what it means for the business.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;



&lt;span style="font-size: 12px; font-family: Arial;"&gt;It’s a way
of isolating findings which may be interesting but have no application&lt;st1:personname w:st="on"&gt;, finding&lt;/st1:personname&gt; the most relevant points which
really make a difference.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt; &lt;/p&gt;&lt;p&gt;


&lt;span style="font-size: 12px; font-family: Arial;"&gt;‘So what’
thinking used to be incorporated into research
presentation charts as an &lt;em&gt;output&lt;/em&gt;. The research findings would typically be in the top part of
the chart&lt;st1:personname w:st="on"&gt;,&lt;/st1:personname&gt; then the ‘so what’ or the implications or conclusion would run along the bottom&lt;st1:personname w:st="on"&gt;,&lt;/st1:personname&gt;
as the ‘bottom line’.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;



&lt;span style="font-size: 12px; font-family: Arial;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-size: 12px; font-family: Arial;"&gt;The latest
extension of ‘So what?’ thinking is to put the conclusion in the headline. So
a busy executive looking through the presentation on a screen can just read the
headlines, the bottom line - now at the top.&lt;/span&gt;&lt;span style="font-size: 12px; font-family: Arial;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-size: 12px; font-family: Arial;"&gt;Can you spot
the flaw in this process?&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;



&lt;span style="font-size: 12px; font-family: Arial;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-size: 12px; font-family: Arial;"&gt;The problem
is that the researcher might leave out the more interesting implications. &lt;/span&gt;&lt;span style="font-size: 12px; font-family: Arial;"&gt;We may sacrifice quality &lt;/span&gt;&lt;span style="font-size: 12px; font-family: Arial;"&gt;and texture in the drive for answers and simplicity. &lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-size: 12px; font-family: Arial;"&gt;The researcher is now serving up &amp;#39;convenience food&amp;#39;&amp;#0160; instead of a gourmet meal where you can taste the individual
ingredients. &lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-size: 12px; font-family: Arial;"&gt;The risk is that the client pays lip service to ‘consulting the consumer’
instead of actually listening and taking the feedback into account.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt; &lt;/p&gt;&lt;p&gt;&lt;span style="font-size: 12px; font-family: Arial;"&gt;‘So what?’
is also the name of one of the most famous jazz tracks ever recorded on the ‘Kind of
Blue’ album by Miles Davis. It’s brilliant&lt;st1:personname w:st="on"&gt;,&lt;/st1:personname&gt;
atmospheric&lt;st1:personname w:st="on"&gt;,&lt;/st1:personname&gt; and highly emotional. It has no bottom
line. &lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-size: 12px; font-family: Arial;"&gt;I know what you’re thinking: ‘So What?’&lt;/span&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;Dominic&lt;br /&gt;&lt;span lang="EN-US" style="font-family: &amp;quot;CG Omega&amp;quot;;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;

&lt;p class="MsoNormal"&gt;&lt;span lang="EN-US" style="font-family: &amp;quot;CG Omega&amp;quot;;"&gt;&lt;o:p&gt;&amp;#0160;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;</content:encoded>



<dc:creator>kevin mclean</dc:creator>
<dc:date>2010-06-04T15:26:30+01:00</dc:date>
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<item rdf:about="http://artofconversation.typepad.com/art_of_conversation/2010/05/inside-the-innocent-agm.html">
<title>Inside the innocent AGM</title>
<link>http://artofconversation.typepad.com/art_of_conversation/2010/05/inside-the-innocent-agm.html</link>
<description>I spent last Saturday (sunny!) in a warehouse on an industrial estate off the Goldhawk Road. It was the innocent AGM and I wouldn’t have missed it for anything. This was no ordinary AGM, despite featuring one quite interesting graph....</description>
<content:encoded>&lt;br /&gt;
&lt;a href="http://artofconversation.typepad.com/.a/6a00d83452194e69e20133ef20872c970b-pi" style="display: inline;"&gt;&lt;img alt="Innocent agm" class="asset asset-image at-xid-6a00d83452194e69e20133ef20872c970b " src="http://artofconversation.typepad.com/.a/6a00d83452194e69e20133ef20872c970b-pi" style="width: 400px;" title="Innocent agm" /&gt;&lt;/a&gt; &lt;br /&gt;&lt;br /&gt;I spent last Saturday (sunny!) in a warehouse on an industrial estate off the Goldhawk Road. It was the &lt;a href="http://www.innocentdrinks.co.uk/AGM/"&gt;innocent AGM&lt;/a&gt; and I wouldn’t have missed it for anything. &lt;br /&gt;&lt;br /&gt;This was no ordinary AGM, despite featuring one quite interesting graph. But innocent is no ordinary company and their third &amp;#39;grown up meeting&amp;#39; is quite hard to describe. Imagine a cross between a jamboree, a comedy gig, a hall test and a CBeebies awayday.&lt;br /&gt;&lt;br /&gt;There were large bean bags to sit on and smoothies and veg pots to try (including new recipes, details of which we couldn’t possibly divulge for less than six figures). There were treasure hunts, talks, smoothie demos and games to play … all sorts. &lt;br /&gt;&lt;br /&gt;Dan was the compere of the event and claimed to be its originator. He was a great host and was very funny (he writes innocent’s jokes). He also looked a bit like a pirate on a day off. 
&lt;a href="http://artofconversation.typepad.com/.a/6a00d83452194e69e20134824f853d970c-pi" style="float: right;"&gt;&lt;img alt="Woollen beard" class="asset asset-image at-xid-6a00d83452194e69e20134824f853d970c " src="http://artofconversation.typepad.com/.a/6a00d83452194e69e20134824f853d970c-pi" style="margin: 0px 0px 5px 5px; width: 250px;" title="Woollen beard" /&gt;&lt;/a&gt; &lt;br /&gt;&lt;p&gt;Innocent&amp;#39;s three founders have been called hippies but they&amp;#39;re too sussed for that. Plus, did you ever meet a hippie who played tennis, or worked for Bain and Co? &lt;/p&gt;&lt;p&gt;Mind you, innocent is quite &lt;a href="http://www.imadeyouabeard.com/"&gt;beardy&lt;/a&gt;, especially the blokes - not only Dan, but Joe the good-looking one (tests prove it). Even Richard seemed a bit wispy on the day. &lt;/p&gt;&lt;p&gt;They say never trust a man with a beard but innocent admit to their mistakes. Like making a veg pot which was not suitable for vegetarians. Or sending supermarket buyers fermented fruit juice which exploded. Or getting into trouble for joking that one of their smoothies contained ‘two plump nuns’ when it didn’t.&lt;/p&gt;&lt;p&gt;Or forgetting in 2008/9 to ‘keep the main thing the main thing’, as sales dipped dramatically. Not helped by a global financial meltdown.&amp;#0160; &lt;/p&gt;&lt;p&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;a href="http://artofconversation.typepad.com/.a/6a00d83452194e69e20133ef208b48970b-pi" style="float: left;"&gt;&lt;img alt="Plane letter innocent" class="asset asset-image at-xid-6a00d83452194e69e20133ef208b48970b " src="http://artofconversation.typepad.com/.a/6a00d83452194e69e20133ef208b48970b-320wi" style="margin: 0px 5px 5px 0px;" /&gt;&lt;/a&gt; This was their favourite reminder of the need to stick to the main thing, from their rather good &lt;a href="http://www.amazon.co.uk/Book-About-Innocent-Things-Learned/dp/0718153170/ref=sr_1_1?ie=UTF8&amp;amp;s=books&amp;amp;qid=1275046703&amp;amp;sr=1-1"&gt;book&lt;/a&gt;. &lt;/p&gt;They have come back stronger since then, &amp;#39;more innocent&amp;#39;, more confident, more committed. Turnover is somewhere around £600m, they have 78% of the UK smoothie market, they are expanding into Europe. They spend £10m on advertising. Some of it featuring a rabbit talking about 5 a day.&lt;br /&gt;&lt;br /&gt;Because despite all the &lt;a href="http://artofconversation.typepad.com/art_of_conversation/2007/07/quite-interes-1.html"&gt;irreverence&lt;/a&gt;, innocent are quite serious about their purpose, which is to ‘make food good’. Their 30-year vision is ‘to become the Earth’s favourite little drinks and food company’. They are taking on serious issues like nutrition, pesticide use and sustainability. And VAT. &lt;br /&gt;&lt;br /&gt;But the real surprise came late in the day during the Q&amp;amp;A. It wasn&amp;#39;t the question about &lt;a href="http://artofconversation.typepad.com/art_of_conversation/2009/04/beginning-of-the-end-or-end-of-the-beginning.html"&gt;Coca Cola&amp;#39;s&lt;/a&gt; increased shareholding, or the earlier trial with &lt;a href="http://artofconversation.typepad.com/art_of_conversation/2007/05/an_innocent_abr.html"&gt;McDonald&amp;#39;s&lt;/a&gt;. It was the fact that they were three blokes who didn&amp;#39;t much like football. There was an audible gasp at the news. Jon claimed he supported Liverpool, but nobody bought that one. &lt;br /&gt;&lt;br /&gt;It was a very blokey finale and another intriguing contradiction. They turn a summer hobby into a multi-million pound business. They are driven by clear moral values but are highly entrepreneurial, fiercely independent and non-corporate, but work with McDonald&amp;#39;s and Coca Cola. &lt;br /&gt;&lt;br /&gt;Now their business is flying and the talk is about further expansion, new avenues, new products, new offices, onwards and upwards. They are cultural and business game changers and surely represent so many people’s ideal company. I don’t doubt that everyone at the AGM and probably hundreds of thousands of other people have totally bought into them.&lt;br /&gt;&lt;br /&gt;As the girl says, let&amp;#39;s just hope they don&amp;#39;t f*ck up the landing.</content:encoded>



<dc:creator>kevin mclean</dc:creator>
<dc:date>2010-05-28T12:24:46+01:00</dc:date>
</item>
<item rdf:about="http://artofconversation.typepad.com/art_of_conversation/2010/05/ethical-dilemma.html">
<title>WHAT'S A PICTURE WORTH?</title>
<link>http://artofconversation.typepad.com/art_of_conversation/2010/05/ethical-dilemma.html</link>
<description>In 2006 I went to South Africa to raise money for SOS Childrens Villages, the world's largest orphan charity. I'd just bought a Nikon D50 and hoped to sell some prints and donate any proceeds. I took pictures of children...</description>
<content:encoded>&lt;p&gt;&lt;span style="font-size: 12px;"&gt;In 2006 I went to South Africa to raise money for&amp;#0160;&lt;a href="http://www.soschildrensvillages.org.uk/"&gt;SOS Childrens Villages&lt;/a&gt;, the world&amp;#39;s largest orphan charity. I&amp;#39;d just bought a Nikon D50 and hoped to sell some prints and donate any proceeds.&amp;#0160;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;font size="3"&gt;&lt;span style="font-size: 12px; line-height: 14px;"&gt;I took pictures of children in an SOS orphanages and in nearby townships, including these ones:&lt;/span&gt;&lt;/font&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-size: 12px; line-height: 14px;"&gt;&lt;span style="font-size: small; line-height: 15px;"&gt;.&lt;/span&gt;&lt;/span&gt;&lt;a href="http://artofconversation.typepad.com/.a/6a00d83452194e69e201348157255e970c-pi" style="display: inline;"&gt;&lt;img alt="Nectarine boys" class="asset asset-image at-xid-6a00d83452194e69e201348157255e970c " src="http://artofconversation.typepad.com/.a/6a00d83452194e69e201348157255e970c-pi" style="width: 280px; margin: 2px;" title="Nectarine boys" /&gt;&lt;/a&gt;
&lt;a href="http://artofconversation.typepad.com/.a/6a00d83452194e69e2013481980c2b970c-pi" style="float: right;"&gt;&lt;img alt="Nectarines2" class="asset asset-image at-xid-6a00d83452194e69e2013481980c2b970c " src="http://artofconversation.typepad.com/.a/6a00d83452194e69e2013481980c2b970c-pi" style="width: 250px; margin: 4px;" title="Nectarines2" /&gt;&lt;/a&gt; &amp;#0160;&lt;/p&gt;&lt;p&gt;&lt;/p&gt;&lt;p&gt;&lt;font size="3"&gt;&lt;span style="font-size: 12px; line-height: 14px;"&gt;
&lt;a href="http://artofconversation.typepad.com/.a/6a00d83452194e69e2013481983fac970c-pi" style="float: right;"&gt;&lt;img alt="Wave" class="asset asset-image at-xid-6a00d83452194e69e2013481983fac970c " src="http://artofconversation.typepad.com/.a/6a00d83452194e69e2013481983fac970c-250wi" style="width: 230px; margin: 9px;" title="Wave" /&gt;&lt;/a&gt;&lt;span style="font-size: 13px; font-family: Arial;"&gt;I was struck by how incredibly resilient and seemingly content the children were. Extreme poverty and hardship was usually portrayed&amp;#0160;as so downbeat, resigned, hopeless. I called the exhibition &lt;/span&gt;&lt;a href="http://artofconversation.typepad.com/art_of_conversation/2007/06/langa-came-to-s.html" style="font-family: Arial;"&gt;Child&amp;#39;s Play&lt;/a&gt;&lt;span style="font-size: 14px; font-family: Arial;"&gt;. &lt;span style="font-size: 13px; font-family: Arial;"&gt;Original post&lt;/span&gt; &lt;/span&gt;&lt;a href="http://artofconversation.typepad.com/art_of_conversation/2007/06/langa_comes_to_.html" style="font-family: Arial;"&gt;here&lt;/a&gt;&lt;span style="font-size: 14px; font-family: Arial;"&gt;.&lt;/span&gt;&lt;/span&gt;&lt;/font&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-size: 14px;"&gt;&lt;span style="font-size: 12px; line-height: 14px;"&gt;Then, nothing much happened. Except that my wife gave birth to a &lt;a href="http://artofconversation.typepad.com/art_of_conversation/2008/02/we-are-people-p.html"&gt;child&lt;/a&gt; of our own (nearly two-and-a-half now).&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: 14px;"&gt;&lt;span style="font-size: 12px; line-height: 14px;"&gt;&lt;span style="font-size: 12px;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-size: 14px;"&gt;&lt;span style="font-size: 14px;"&gt;&lt;span style="font-size: 12px; line-height: 14px;"&gt;&lt;span style="font-size: 12px;"&gt;Until last week, out of the blue, I got a mail from someone representing&amp;#0160;&lt;/span&gt;&lt;span style="font-size: small; line-height: 15px;"&gt;&lt;span style="font-size: 12px;"&gt;a very large, global company who&amp;#0160;wanted to buy the rights to these images, for cash. All uses, in perpetuity.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: 13px;"&gt;&lt;span style="font-size: 12px; line-height: 14px;"&gt;&lt;span style="font-size: small; line-height: 15px;"&gt;&lt;span style="font-size: 12px;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;span style="font-size: 14px;"&gt;&lt;span style="font-size: 13px;"&gt;&lt;span style="font-size: 12px; line-height: 14px;"&gt;&lt;span style="font-size: small; line-height: 15px;"&gt;&lt;span style="font-size: 12px;"&gt;I had to ask a professional photographer friend what this meant. I had never heard of a release form before this point, never mind had used them in South Africa.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;p&gt;&lt;/p&gt;&lt;p&gt;&lt;font size="3"&gt;&lt;span style="font-size: 12px; line-height: 14px;"&gt;&lt;span style="font-size: small; line-height: 15px;"&gt;&lt;span style="font-size: 12px;"&gt;But it made me think, what is the right thing to do? Take whatever money is offered and give it to the charity? Drive a hard bargain, negotiate on the rights and the cash offered, then pay the charity? Or should I try to ensure the individuals in the photos be recompensed financially? Or again, would they be thrilled just to know that they could become slightly famous and appear in the world&amp;#39;s media?&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/font&gt;&lt;/p&gt;&lt;span style="font-size: 13px;"&gt;&lt;span style="font-size: 12px;"&gt;The people who want to buy the images know that any payment would not go to me. But not having release forms is a bit of a problem for them. The kids could sue. The chance has probably passed.&lt;/span&gt;&lt;/span&gt;&lt;p&gt;&lt;span style="font-size: 12px;"&gt;Just a little story. Notice that I spared you the thousand words.&lt;/span&gt;&lt;/p&gt;</content:encoded>



<dc:creator>kevin mclean</dc:creator>
<dc:date>2010-05-21T17:28:38+01:00</dc:date>
</item>
<item rdf:about="http://artofconversation.typepad.com/art_of_conversation/2010/05/shock-horror-focus-groups-ignored.html">
<title>SHOCK HORROR !  FOCUS GROUPS IGNORED!</title>
<link>http://artofconversation.typepad.com/art_of_conversation/2010/05/shock-horror-focus-groups-ignored.html</link>
<description>According to Tim Montgomerie's analysis of the Tory campaign: 'For a period, the 'Big Society' was put at the heart of the campaign. Amazingly, the Big Society was never tested in focus groups and it failed on the doorstep. One...</description>
<content:encoded>&lt;p&gt;
&lt;a href="http://artofconversation.typepad.com/.a/6a00d83452194e69e20133ed979371970b-pi" style="display: inline;"&gt;&lt;img alt="Go2.wordpress.com" border="0" class="asset asset-image at-xid-6a00d83452194e69e20133ed979371970b " src="http://artofconversation.typepad.com/.a/6a00d83452194e69e20133ed979371970b-800wi" style="width: 315px; height: 352px;" title="Go2.wordpress.com" /&gt;&lt;/a&gt; &lt;br /&gt; According to Tim Montgomerie&amp;#39;s analysis of the&lt;a href="http://www.spectator.co.uk/coffeehouse/"&gt; Tory campaign&lt;/a&gt;: &lt;/p&gt;&lt;p&gt;&lt;em&gt;&amp;#39;For a period&lt;st1:personname style="background-position: left bottom; background-image: url(&amp;quot;res://ietag.dll/#34/#1001&amp;quot;); background-repeat: repeat-x;" tabindex="0" w:st="on"&gt;,&lt;/st1:personname&gt; the &amp;#39;Big Society&amp;#39; was put at the heart 
of the campaign. Amazingly&lt;st1:personname style="background-position: left bottom; background-image: url(&amp;quot;res://ietag.dll/#34/#1001&amp;quot;); background-repeat: repeat-x;" tabindex="0" w:st="on"&gt;,&lt;/st1:personname&gt; the Big Society was never tested in 
focus groups and it failed on the doorstep. One leading adviser to the campaign 
complained of a &amp;#39;cavalier&amp;#39; approach to research. &amp;#39;They latched on to research 
that backed their views and ignored any research that challenged it.&amp;#39;&lt;/em&gt;&lt;/p&gt;&lt;p&gt;Hmmm, the Big Society, also described by &lt;a href="http://adliterate.com"&gt;adliterate&lt;/a&gt;&lt;em&gt; as an &amp;#39;overcomplicated planning thought&amp;#39;, &lt;/em&gt;seems to have been less than popular with the Tory faithful. They were probably asking the sort of questions people ask in groups such as &amp;#39;What does it mean?&amp;#39; From David Cameron, the heir to Blair, it sounded like a Big Promise, to go in the Big Promise section of the manifesto, and to Sound Good, but without meaning anything that costs money. However as &lt;a href="http://www.amazon.co.uk/Watching-English-Hidden-Rules-Behaviour/dp/0340818867"&gt;Kate Fox &lt;/a&gt;rightly pointed out in Watching the English, the national catchphrase is &amp;#39;Come off it&amp;#39;, so trying to put one over on the British is tricky at the best of times never mind at an election.&lt;/p&gt;&lt;p&gt;But I digress, this post is really about the use of focus groups in politics. Here is a respected right wing commentator complaining that policies were being put forward at an election without first being &amp;#39;tested&amp;#39; in focus groups and without an impartial approach to research, which respects challenging findings. Halleluiah ! We researchers have come a long way since the dark days of Tony Blair when focus groups were seen as a left wing plot akin to witchcraft. One can argue with the word &amp;#39;tested&amp;#39; but that&amp;#39;s just a quibble really, the point is that politicians of whatever party now openly acknowledge that policy can be clarified and even improved by consulting &amp;#39;real&amp;#39; people. Now, that is a step forward.&lt;/p&gt;&lt;p&gt;Dominic&lt;/p&gt;</content:encoded>



<dc:creator>kevin mclean</dc:creator>
<dc:date>2010-05-14T15:33:41+01:00</dc:date>
</item>
<item rdf:about="http://artofconversation.typepad.com/art_of_conversation/2010/05/neurosceptic.html">
<title>NEUROSCEPTIC</title>
<link>http://artofconversation.typepad.com/art_of_conversation/2010/05/neurosceptic.html</link>
<description>The day after the General Election and the overall winner was the exit polls, which predicted the outcome with uncanny accuracy. Evidence of the enduring value of asking the right people the right question. But if you’d gone to the...</description>
<content:encoded>&lt;p&gt;&lt;span style="font-size: 12px;"&gt;&lt;/span&gt;&lt;span style="font-size: 12px;"&gt;&lt;span style="font-size: 10pt;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: 10pt; font-family: Arial;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;



&lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;span style="font-size: 10pt; font-family: Arial;"&gt;
&lt;a href="http://artofconversation.typepad.com/.a/6a00d83452194e69e20133ed7014ac970b-pi" style="display: inline;"&gt;&lt;img alt="Polling station" class="asset asset-image at-xid-6a00d83452194e69e20133ed7014ac970b " src="http://artofconversation.typepad.com/.a/6a00d83452194e69e20133ed7014ac970b-320wi" /&gt;&lt;/a&gt; &lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;span style="font-size: 10pt; font-family: Arial;"&gt;The day
after the General Election and the overall winner was the exit polls, which
predicted the outcome with &lt;a href="http://www.gfknop.com/pressinfo/releases/singlearticles/005851/index.en.html"&gt;uncanny accuracy&lt;/a&gt;. Evidence of the enduring value of
asking the right people the right question. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;

&lt;p class="MsoNormal"&gt;&lt;span style="font-size: 10pt; font-family: Arial;"&gt;&lt;o:p&gt;&lt;/o:p&gt;But if
you’d gone to the annual research industry’s conference, Research2010, you’d have
thought that asking people things was an outdated and frankly useless idea.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;

&lt;p class="MsoNormal"&gt;&lt;span style="font-size: 10pt; font-family: Arial;"&gt;&lt;o:p&gt;&amp;#0160;&lt;/o:p&gt;As MRS
Conferences go, Research2010 was Really Rather Good.&lt;span&gt;&amp;#0160; &lt;/span&gt;Hats off to co-chairs Simon Lidington 
&lt;a href="http://artofconversation.typepad.com/.a/6a00d83452194e69e20133ed70162b970b-pi" style="float: right;"&gt;&lt;img alt="Research2010logo" class="asset asset-image at-xid-6a00d83452194e69e20133ed70162b970b " src="http://artofconversation.typepad.com/.a/6a00d83452194e69e20133ed70162b970b-120wi" style="margin: 11px;" title="Research2010logo" /&gt;&lt;/a&gt; and
Nick Coates, not least for mentioning Roland Barthes in their introduction
(that must have been a bet).&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;

&lt;p class="MsoNormal"&gt;&lt;span style="font-size: 10pt; font-family: Arial;"&gt;&lt;o:p&gt;&lt;/o:p&gt;Trending
strongly were co-creation, ethnography, online communities … and ‘brain stuff’.&lt;span&gt;&amp;#0160; &lt;/span&gt;The first three of these approaches build on
what people say and are essentially generative or productive approaches.&lt;span&gt;&amp;#0160; &lt;/span&gt;All good stuff.&lt;span&gt;&amp;#0160; &lt;/span&gt;You try to learn from people-as-people,
holistically.&lt;span&gt;&amp;#0160; &lt;/span&gt;There are no easy answers,
interpretation is everything.&lt;span&gt;&amp;#0160; &lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;

&lt;p class="MsoNormal"&gt;&lt;span style="font-size: 10pt; font-family: Arial;"&gt;&lt;o:p&gt;&lt;/o:p&gt;But using
fMRI scanners to show parts of people’s brains light up as they perform various
tasks, is trying to replace what people say and is entirely reductive.&lt;span&gt;&amp;#0160; &lt;/span&gt;It treats people not as people, nor even as
consumers, but just as lumps of grey matter.&lt;span&gt;&amp;#0160;
&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;

&lt;p class="MsoNormal"&gt;&lt;span style="font-size: 10pt; font-family: Arial;"&gt;&lt;o:p&gt;&lt;/o:p&gt;Presumably,
brain scan advocates would exit poll by wiring up voters’ heads, to overcome
the ‘limitations’ of verbal research techniques. Ethnographers would watch
people while they queued then went into the private booth to vote. And
co-creationists would invite voters to take part in a workshop, do some collage
work and write about their experiences on a blog.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;

&lt;p class="MsoNormal"&gt;&lt;span style="font-size: 10pt; font-family: Arial;"&gt;&lt;o:p&gt;&lt;/o:p&gt;Instead, MR
rivals &lt;a href="http://www.gfknop.com/pressinfo/releases/singlearticles/005851/index.en.html"&gt;GfK&lt;/a&gt; NOP / Ipsos MORI talked to people. (17,607 of them, working
collaboratively with each other and with the broadcasters).&lt;span&gt;&amp;#0160; &lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;
&lt;/p&gt;&lt;span style="font-size: 10pt; font-family: Arial;"&gt;Brainwave
measurement deserves special treatment, as it is so flawed an approach that it
is staggering that it gets any credence at all.&lt;span&gt; &lt;/span&gt;&lt;st1:personname w:st="on"&gt;Mark Earls&lt;/st1:personname&gt; is monitoring the
nuttier aspects of ‘neurononsense’ on his &lt;a href="http://herd.typepad.com/"&gt;blog&lt;/a&gt; for example, &lt;a href="http://www.newscientist.com/blogs/culturelab/2009/12/the-left-brain-plot-for-world-domination.php"&gt;here.&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;

&lt;p class="MsoNormal"&gt;&lt;span style="font-size: 10pt; font-family: Arial;"&gt;&lt;o:p&gt;&lt;/o:p&gt;To be
fair, ‘brain stuff’ also covers implicit association measurement and eye-tracking, as Graham Page’s paper &lt;/span&gt;&lt;span lang="EN-GB" style="font-size: 10pt; font-family: Arial;"&gt;&lt;em&gt;Brains, Babies and Bathwater&lt;/em&gt;
&lt;/span&gt;&lt;span style="font-size: 10pt; font-family: Arial;"&gt;outlined. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;



&lt;p class="MsoNormal"&gt;&lt;span style="font-size: 10pt; font-family: Arial;"&gt;
&lt;a href="http://artofconversation.typepad.com/.a/6a00d83452194e69e2013480a3a9c8970c-pi" style="float: left;"&gt;&lt;img alt="Brain" class="asset asset-image at-xid-6a00d83452194e69e2013480a3a9c8970c " src="http://artofconversation.typepad.com/.a/6a00d83452194e69e2013480a3a9c8970c-320wi" style="margin: 0px 5px 5px 0px;" /&gt;&lt;/a&gt; Maybe
brain scanning appeals as it seems to offer marketing clients certainty and
control, which are highly prized and so rarely found these days.&lt;span&gt; &lt;/span&gt;There was a clue in &lt;/span&gt;&lt;em&gt;&lt;span lang="EN-GB" style="font-size: 10pt; font-family: Arial;"&gt;Bioshopping:
Revolutionising Shopper Insight, &lt;/span&gt;&lt;/em&gt;&lt;span lang="EN-GB" style="font-size: 10pt; font-family: Arial;"&gt;by &lt;/span&gt;&lt;span style="font-size: 10pt; font-family: Arial;"&gt;Ian Addie of Nunwood and Dr David Lewis-Hodgson, of Mindlab
International, who stated that:&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;



&lt;p class="MsoNormal" style="margin-left: 18pt;"&gt;&lt;em&gt;&lt;span lang="EN-GB" style="font-size: 10pt; font-family: Arial;"&gt;“&lt;/span&gt;&lt;/em&gt;&lt;span style="font-size: 10pt; font-family: Arial;"&gt;&lt;em&gt;the measurement of brain activity through qEEG offers a
solution to the limitations of conventional, verbal based research techniques“&lt;/em&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;



&lt;p class="MsoNormal"&gt;&lt;span style="font-size: 10pt; font-family: Arial;"&gt;This
claim was based on someone doing a supermarket shop with a contraption on their
head with lots of wires sticking out of it.&lt;span&gt;&amp;#0160;
&lt;/span&gt;They conceded that:&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;



&lt;p class="MsoNormal" style="margin-left: 18pt;"&gt;&lt;em&gt;&lt;span lang="EN-GB" style="font-size: 10pt; font-family: Arial;"&gt;“As our sample was one individual, it is
impossible to arrive at any statistically robust and general conclusions about
the mental processes behind shopping behaviour”&lt;/span&gt;&lt;/em&gt;&lt;span style="font-size: 10pt; font-family: Arial;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;



&lt;p class="MsoNormal"&gt;&lt;span style="font-size: 10pt; font-family: Arial;"&gt;Wiring up
people’s heads to understand their thoughts is just a mistake. Wrong-headed
even. For one thing, our brains and our minds are two different things. For
another, real brain experts say that trying to find neurological ‘triggers’ for
certain actions is just wrong. And even if we could, we’d be measuring the
aftermath of the action. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;



&lt;p class="MsoNormal"&gt;&lt;span style="font-size: 10pt; font-family: Arial;"&gt;And brain
scanning is trying to ‘correct’ a problem which has been hugely exaggerated (by
brainwave gadget salespeople, amongst others). Just because people may not tell
the whole truth when talking to researchers (or at any other time), just because
we are ‘unreliable narrators’ of our own lives (knowing which helps you to deal
with it), does not mean that research should stop trying to talk to people. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;



&lt;p class="MsoNormal"&gt;&lt;span style="font-size: 10pt; font-family: Arial;"&gt;And now
that the Tories are in, maybe we should all be more neurosceptic now.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;</content:encoded>


<dc:subject>Current Affairs</dc:subject>
<dc:subject>marketing</dc:subject>
<dc:subject>research</dc:subject>
<dc:subject>Science</dc:subject>

<dc:creator>kevin mclean</dc:creator>
<dc:date>2010-05-07T17:28:23+01:00</dc:date>
</item>
<item rdf:about="http://artofconversation.typepad.com/art_of_conversation/2010/05/election.html">
<title>The pain of election leaflets ...</title>
<link>http://artofconversation.typepad.com/art_of_conversation/2010/05/election.html</link>
<description>I was woken at 6:15 this morning with my letterbox snapping loudly. Mistaking it for a knock on the door, I went to answer it only to find an election party leaflet asking me to vote for their party today....</description>
<content:encoded>&lt;p&gt;
&lt;a href="http://farm3.static.flickr.com/2590/3995506891_cf3a4edec2.jpg"&gt;&lt;img alt="Stuffed letter box" border="0" class="asset asset-image at-xid-6a00d83452194e69e201348085b718970c " src="http://artofconversation.typepad.com/.a/6a00d83452194e69e201348085b718970c-500pi" style="margin-left: auto; margin-right: auto; display: block; " title="Stuffed letter box" /&gt;&lt;/a&gt;&amp;#0160;&lt;/p&gt;&lt;p&gt;I was woken at 6:15 this morning with my letterbox snapping loudly. Mistaking it for a knock on the door, I went to answer it only to find an election party leaflet asking me to vote for their party today. &amp;#0160;&lt;/p&gt;&lt;p&gt;Mildly incensed to be awake so early, I added the leaflet to the ever-growing stack of political leaflets in my recycling bin and returned to bed.&lt;/p&gt;&lt;p&gt;Living in the &lt;a href="http://en.wikipedia.org/wiki/Lewisham_East_(UK_Parliament_constituency)"&gt;Lewisham East constituency&lt;/a&gt;, this election has proven a battleground &lt;a href="http://petepattisson.wordpress.com/"&gt;between Labour and the Lib Dems.&lt;/a&gt;&amp;#0160;Having predominantly been a Labour constituency since its formation in 1974, the current&amp;#0160; &lt;a href="http://www2.labour.org.uk/vote-labour"&gt;Labour&lt;/a&gt; MP, Bridget Prentice, is &lt;a href="http://ukpollingreport.co.uk/guide/seat-profiles/lewishameast"&gt;standing down&lt;/a&gt;. With no incumbent candidate, this has meant the &lt;a href="http://www.libdems.org.uk/splash_1.aspx"&gt;Lib Dems&lt;/a&gt; believe they have a real chance of getting a seat and both parties have been going hammer and tongs to get votes.&amp;#0160;&lt;/p&gt;&lt;p&gt;Unfortunately, this has resulted in relentless leafleting (even at anti-social hours). And often they are the same leaflets as the week (or even day) before and end up being binned.&amp;#0160;&lt;/p&gt;&lt;p&gt;Arguably, this does create excitement. There is a feeling of the political rumblings of &amp;#39;change&amp;#39; happening on your doorstep. And from the parties&amp;#39; perspective, they will want to be getting clear, consistent and sustained messages to potential voters over the course of a campaign.&lt;/p&gt;&lt;p&gt;But&amp;#0160;the effect of&amp;#0160;repetitious (and somewhat intrusive) leafleting may be opposite to the one desired. For the overwhelmed electorate, feeling saturated by information and pestered by parties may discourage political engagement.&amp;#0160;&lt;/p&gt;&lt;p&gt;At the next General Election, my vote would be for fewer, better timed communications, a more creative, considerate and voter-centered approach that encouraged a better conversation between party and electorate. And, hopefully, I&amp;#39;d then get a better sleep.&amp;#0160;&lt;/p&gt;&lt;p&gt;Simon&lt;/p&gt;&lt;p&gt;P.S. some votes just in ...&lt;/p&gt;&lt;br /&gt;&lt;p align="center" class="asset asset-video" style="display: block; margin: 0 auto;"&gt;&lt;object height="344" width="425"&gt;&lt;param name="movie" value="http://www.youtube.com/v/TLDcPCVU0lY&amp;amp;fs=1" /&gt;&lt;param name="allowFullScreen" value="true" /&gt;&lt;param name="allowscriptaccess" value="always" /&gt;&lt;embed allowfullscreen="true" allowscriptaccess="always" height="344" src="http://www.youtube.com/v/TLDcPCVU0lY&amp;amp;fs=1" type="application/x-shockwave-flash" width="425" /&gt;&lt;/object&gt;&lt;/p&gt;&lt;br /&gt;&lt;p&gt;&lt;span style="font-family: Tahoma, sans-serif;"&gt;&lt;span style="line-height: normal; white-space: pre; "&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</content:encoded>


<dc:subject>advertising</dc:subject>
<dc:subject>blogging</dc:subject>
<dc:subject>conversations</dc:subject>
<dc:subject>Current Affairs</dc:subject>
<dc:subject>marketing</dc:subject>
<dc:subject>research</dc:subject>
<dc:subject>Television</dc:subject>

<dc:creator>kevin mclean</dc:creator>
<dc:date>2010-05-06T16:03:33+01:00</dc:date>
</item>
<item rdf:about="http://artofconversation.typepad.com/art_of_conversation/2010/04/cwoffee-or-a-tipple.html">
<title>Fancy a Cwoffee? Or a Tipple?</title>
<link>http://artofconversation.typepad.com/art_of_conversation/2010/04/cwoffee-or-a-tipple.html</link>
<description>What's your poison? A Cwoffee or a Tipple? Well, if you're looking for either, and for it to be related to work, then there are two events running that may be of interest. 'Cwoffee' at Lantana, Charlotte Place (just off...</description>
<content:encoded>&lt;p&gt;
&lt;a href="http://www.flickr.com/photos/28696833@N05/3046940143/"&gt;&lt;img alt="Cwoffee" border="0" class="asset asset-image at-xid-6a00d83452194e69e20133ecfca9ff970b " src="http://artofconversation.typepad.com/.a/6a00d83452194e69e20133ecfca9ff970b-500pi" style="margin-left: auto; margin-right: auto; display: block; " title="Cwoffee" /&gt;&lt;/a&gt; &lt;br /&gt;&amp;#0160;&lt;/p&gt;&lt;p&gt;What&amp;#39;s your poison? A Cwoffee or a Tipple?&lt;/p&gt;&lt;p&gt;Well, if you&amp;#39;re looking for either, and for it to be related to work, then there are two events running that may be of interest.&lt;/p&gt;&lt;p&gt;&amp;#39;Cwoffee&amp;#39; at &lt;a href="http://www.tipped.co.uk/listings/224692/lantana"&gt;Lantana&lt;/a&gt;,&amp;#0160;Charlotte Place (just off Charlotte Street in AdLand) runs alternate Fridays. It is a meeting of&amp;#0160;Planners and Researchers over an early morning, piping cup of coffee. It&amp;#39;s a chance to meet informally with other like-minded people, chat about &amp;#0160;ideas on projects / initiatives; exchange blog IPs, Twitter IDs&amp;#0160;and business cards etc etc. Started by planner&amp;#0160; &lt;a href="http://wannabeadman.blogspot.com/"&gt;Will Humphrey,&lt;/a&gt; it has been running for a year or so and attendees can drop in at any time between 8am until 10am. &amp;#0160;&amp;#0160;&lt;/p&gt;&lt;p&gt;If early morning coffees don&amp;#39;t suit, then an alternative event is happening during the evening. Aimed at mid-level and junior researchers (from all qualitative agencies), the aim is to share a drink (or more), but also to have a research focus on bettering qualitative thinking by &amp;#0160;sharing / discussing examples of &amp;#39;good qualitative thinking&amp;#39; (e.g. from&amp;#0160;articles, papers or personal experience).&lt;/p&gt;&lt;p&gt;The first meeting is in &lt;a href="http://www.roxybarandscreen.com/"&gt;Roxy Bar&lt;/a&gt;, 6:30pm-8pm in London Bridge on Monday 10th May. It will be a kick-off &amp;#0160;social event, whereby we get to know each other over a tipple and chat about what we want to get in detail from the following events. And that includes a name. Perhaps &amp;#39;Tipple Tattle&amp;#39;...&lt;/p&gt;&lt;p&gt;So, drop me an email if you would like to come along to either at simonl@wardlemclean.co.uk (or just leave a comment below).&amp;#0160;&lt;/p&gt;&lt;p&gt;Would be pleased to see you.&lt;/p&gt;&lt;p&gt;Simon&lt;/p&gt;</content:encoded>


<dc:subject>advertising</dc:subject>
<dc:subject>blogging</dc:subject>
<dc:subject>conversations</dc:subject>
<dc:subject>Food and Drink</dc:subject>
<dc:subject>marketing</dc:subject>
<dc:subject>research</dc:subject>

<dc:creator>kevin mclean</dc:creator>
<dc:date>2010-04-27T12:46:49+01:00</dc:date>
</item>
<item rdf:about="http://artofconversation.typepad.com/art_of_conversation/2010/04/magners.html">
<title>In Praise of ... Magners adverts</title>
<link>http://artofconversation.typepad.com/art_of_conversation/2010/04/magners.html</link>
<description>We've been impressed by the current Magners ad campaign, 'There's Method in the Magners'. Developed by Red Brick Road, the campaign plays on the cider-making idiosyncrasies of the community of Clonmel, Tipperary, where founder 'Willie' Magner began making cider in...</description>
<content:encoded>&lt;p style="font-size: 11px;"&gt;&lt;font size="3"&gt;&lt;span style="font-size: 12px; line-height: 14px;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/font&gt;&lt;/p&gt;&lt;font size="3"&gt;&lt;p align="center" class="asset asset-video" style="display: block; margin: 0pt auto;"&gt;&lt;object height="306" width="500"&gt;&lt;param name="movie" value="http://www.youtube.com/v/cN5fLRAT-nA&amp;amp;fs=1" /&gt;&lt;param name="allowFullScreen" value="true" /&gt;&lt;param name="allowscriptaccess" value="always" /&gt;&lt;embed allowfullscreen="true" allowscriptaccess="always" height="306" src="http://www.youtube.com/v/cN5fLRAT-nA&amp;amp;fs=1" type="application/x-shockwave-flash" width="500" /&gt;&lt;/object&gt;&lt;/p&gt;

&lt;/font&gt;&lt;p style="font-size: 11px;"&gt;&lt;span style="font-size: 12px; line-height: 14px;"&gt;&lt;span style="font-size: 12px;"&gt;&lt;span style="font-size: 13px;"&gt;&lt;span style="font-size: 12px;"&gt;&lt;span style="font-size: 12px;"&gt;&lt;span style="font-size: 12px;"&gt;We&amp;#39;ve been impressed by the current Magners ad campaign, &lt;em&gt;&amp;#39;There&amp;#39;s Method in the Magners&amp;#39;&lt;/em&gt;. &lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="font-size: 11px;"&gt;&lt;font size="3"&gt;&lt;span style="font-size: 12px; line-height: 14px;"&gt;&lt;span style="font-size: 11px;"&gt;&lt;span style="font-size: 12px;"&gt;&lt;span style="font-size: 12px;"&gt;Developed by &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;a href="http://www.theredbrickroad.co.uk/"&gt;&lt;span style="font-size: 11px;"&gt;&lt;span style="font-size: 12px;"&gt;&lt;span style="font-size: 12px;"&gt;Red Brick Road&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span style="font-size: 11px;"&gt;&lt;span style="font-size: 12px;"&gt;&lt;span style="font-size: 12px;"&gt;, the campaign plays on the cider-making idiosyncrasies of the community of&amp;#0160;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: small;"&gt;&lt;span style="font-size: 11px;"&gt;&lt;span style="font-size: 12px;"&gt;&lt;span style="font-size: 12px;"&gt;Clonmel, Tipperary, where founder &amp;#39;Willie&amp;#39; Magner began making cider in 1935. The two TV ads, &amp;#39;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;a href="http://www.youtube.com/watch?v=QBO6WEgPbS8&amp;amp;feature=related"&gt;&lt;span style="font-size: 11px;"&gt;&lt;span style="font-size: 12px;"&gt;&lt;span style="font-size: 12px;"&gt;Straight&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span style="font-size: 11px;"&gt;&lt;span style="font-size: 12px;"&gt;&lt;span style="font-size: 12px;"&gt;&amp;#39; and &amp;#39;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;a href="http://www.youtube.com/watch?v=cN5fLRAT-nA&amp;amp;feature=related"&gt;&lt;span style="font-size: 11px;"&gt;&lt;span style="font-size: 12px;"&gt;&lt;span style="font-size: 12px;"&gt;Catch&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span style="font-size: 11px;"&gt;&lt;span style="font-size: 12px;"&gt;&lt;span style="font-size: 12px;"&gt;&amp;#39;, are stories that have a&amp;#0160;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;a href="http://www.thegrocer.co.uk/articles.aspx?page=articles&amp;amp;ID=208429"&gt;&lt;span style="font-size: 11px;"&gt;&lt;span style="font-size: 12px;"&gt;&lt;span style="font-size: 12px;"&gt;&amp;#39;quaint Gaelic charm&amp;#39;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span style="font-size: 11px;"&gt;&lt;span style="font-size: 12px;"&gt;&lt;span style="font-size: 12px;"&gt; and a quirky odd-ball style. Kind of &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;a href="http://www.channel4.com/programmes/father-ted"&gt;&lt;span style="font-size: 11px;"&gt;&lt;span style="font-size: 12px;"&gt;&lt;span style="font-size: 12px;"&gt;Father Ted&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span style="font-size: 11px;"&gt;&lt;span style="font-size: 12px;"&gt;&lt;span style="font-size: 12px;"&gt; meets &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;a href="http://www.imdb.com/title/tt0374900/"&gt;&lt;span style="font-size: 11px;"&gt;&lt;span style="font-size: 12px;"&gt;&lt;span style="font-size: 12px;"&gt;Napoleon Dynamite&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span style="font-size: 11px;"&gt;&lt;span style="font-size: 12px;"&gt;&lt;span style="font-size: 12px;"&gt; meets &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;a href="http://www.jackdaniels.com/Default.aspx"&gt;&lt;span style="font-size: 11px;"&gt;&lt;span style="font-size: 12px;"&gt;&lt;span style="font-size: 12px;"&gt;Jack Daniel&amp;#39;s&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span style="font-size: 11px;"&gt;&lt;span style="font-size: 12px;"&gt;&lt;span style="font-size: 12px;"&gt;.&amp;#0160; The campaign even brought one viewer to tears who left the following &lt;a href="http://www.youtube.com/watch?v=cN5fLRAT-nA"&gt;comment on YouTube&lt;/a&gt;:&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/font&gt;&lt;/p&gt;&lt;p style="font-size: 11px;"&gt;&lt;font size="3"&gt;&lt;span style="font-size: 12px; line-height: 14px;"&gt;&amp;#0160;&amp;#0160;&amp;#0160;&amp;#0160;&lt;em&gt;&amp;quot;I just watched this on TV. Don&amp;#39;t ask why but it made me cry. Such a beautiful ad ... and believe me,&amp;#0160;I don&amp;#39;t go looking for adverts on YouTube just to compliment them&amp;quot;&lt;/em&gt;&lt;/span&gt;&lt;/font&gt;&lt;/p&gt;&lt;p style="font-size: 11px;"&gt;&lt;span style="font-size: small; line-height: 14px;"&gt;&lt;span style="font-size: 11px;"&gt;&lt;span style="font-size: 12px;"&gt;&lt;span style="font-size: 12px;"&gt;This is a noticeable step from Magners &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;a href="http://www.youtube.com/watch?v=eYusT2qiry4&amp;amp;feature=related"&gt;&lt;span style="font-size: 11px;"&gt;&lt;span style="font-size: 12px;"&gt;&lt;span style="font-size: 12px;"&gt;&amp;#39;Time Dedicated to You&amp;#39;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span style="font-size: 11px;"&gt;&lt;span style="font-size: 12px;"&gt;&lt;span style="font-size: 12px;"&gt;&amp;#0160;advertising where the current campaign positions the brand as different and premium &amp;#0160;compared to its competitor ciders (e.g.&amp;#0160;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;a href="http://www.strongbowcider.com/"&gt;&lt;span style="font-size: 11px;"&gt;&lt;span style="font-size: 12px;"&gt;&lt;span style="font-size: 12px;"&gt;Strongbow&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span style="font-size: 11px;"&gt;&lt;span style="font-size: 12px;"&gt;&lt;span style="font-size: 12px;"&gt;, or&amp;#0160;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;a href="http://www.blackthorn-cider.com/age.php"&gt;&lt;span style="font-size: 11px;"&gt;&lt;span style="font-size: 12px;"&gt;&lt;span style="font-size: 12px;"&gt;Blackthorn&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span style="font-size: 11px;"&gt;&lt;span style="font-size: 12px;"&gt;&lt;span style="font-size: 12px;"&gt;&amp;#0160;). Interestingly, &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;a href="http://en.wikipedia.org/wiki/Scrumpy_Jack"&gt;&lt;span style="font-size: 11px;"&gt;&lt;span style="font-size: 12px;"&gt;&lt;span style="font-size: 12px;"&gt;Scrumpy Jack&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span style="font-size: 11px;"&gt;&lt;span style="font-size: 12px;"&gt;&lt;span style="font-size: 12px;"&gt; have &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;a href="http://www.brandrepublic.com/News/997541/Scrumpy-Jack-launches-rural-themed-campaign/?DCMP=ILC-SEARCH"&gt;&lt;span style="font-size: 11px;"&gt;&lt;span style="font-size: 12px;"&gt;&lt;span style="font-size: 12px;"&gt;launched&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span style="font-size: 11px;"&gt;&lt;span style="font-size: 12px;"&gt;&lt;span style="font-size: 12px;"&gt; a campaign about&amp;#0160;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;a href="http://www.scrumpyshire.co.uk/"&gt;&lt;span style="font-size: 11px;"&gt;&lt;span style="font-size: 12px;"&gt;&lt;span style="font-size: 12px;"&gt;Scrumpyshire&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span style="font-size: 11px;"&gt;&lt;span style="font-size: 12px;"&gt;&lt;span style="font-size: 12px;"&gt;&amp;#0160;in print and online, which also plays on setting, &amp;#39;local-ness&amp;#39; and expertise - although arguably with less charm and humour.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="font-size: 11px;"&gt;&lt;span style="font-size: small; line-height: 14px;"&gt;&lt;span style="font-size: 11px;"&gt;&lt;span style="font-size: 12px;"&gt;&lt;span style="font-size: 12px;"&gt;Magners also seem to think about &amp;#0160;their customers &lt;a href="http://www.magners.co.uk/Home"&gt;o&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: 11px;"&gt;&lt;span style="font-size: 12px;"&gt;&lt;span style="font-size: 12px;"&gt;&lt;a&gt;nline&lt;/a&gt;. We are told that Magners&amp;#39; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;em&gt;&lt;span style="font-size: 11px;"&gt;&lt;span style="font-size: 12px;"&gt;&lt;span style="font-size: 12px;"&gt;master tasters, including Billy who has been with us for 35 years, keep constant check on the whole process to &amp;#0160;ensure each sip of Magners cider is as grand as the last. &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/em&gt;&lt;span style="font-size: 11px;"&gt;&lt;span style="font-size: 12px;"&gt;&lt;span style="font-size: 12px;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="font-size: 11px;"&gt;&lt;span style="font-size: small; line-height: 14px;"&gt;&lt;span class="Apple-tab-span" style="white-space: pre;"&gt;&lt;span style="font-size: 11px;"&gt;&lt;span style="font-size: 12px;"&gt;&lt;span style="font-size: 12px;"&gt;													&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: 11px;"&gt;&lt;span style="font-size: 12px;"&gt;&lt;span style="font-size: 12px;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&amp;#0160;&amp;#0160;&amp;#0160; &lt;span style="font-size: small; line-height: 14px;"&gt;&lt;span style="font-size: 11px;"&gt;&lt;span style="font-size: 12px;"&gt;&lt;span style="font-size: 12px;"&gt;Magners&amp;#39; recent tactical print ads sticks two fingers up to the Treasury&amp;#0160;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;a href="http://artofconversation.typepad.com/.a/6a00d83452194e69e20133ecc95c97970b-pi" style="float: left;"&gt;&lt;span style="font-size: 11px;"&gt;&lt;span style="font-size: 12px;"&gt;&lt;span style="font-size: 12px;"&gt;&lt;img alt="Magners image" class="asset asset-image at-xid-6a00d83452194e69e20133ecc95c97970b " src="http://artofconversation.typepad.com/.a/6a00d83452194e69e20133ecc95c97970b-320wi" style="margin: 0px 5px 5px 0px;" /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span style="font-size: 11px;"&gt;&lt;span style="font-size: 12px;"&gt;&lt;span style="font-size: 12px;"&gt;and nobly informs its customers that Magners have taken the financial hit on the increased alcohol duty itself, instead of passing it on to the customers.&amp;#0160;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="font-size: 11px;"&gt;&lt;span style="font-size: 12px; line-height: 14px;"&gt;So a hearty thumbs up to cider-that-cares with an impressive campaign.&lt;/span&gt;&lt;/p&gt;&lt;p style="font-size: 11px;"&gt;&lt;span style="font-size: small; line-height: 14px;"&gt;&lt;span style="font-size: 11px;"&gt;&lt;span style="font-size: 12px;"&gt;&lt;span style="font-size: 12px;"&gt;Magner-ifique. As they don&amp;#39;t say in &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;font size="3"&gt;&lt;span style="font-size: 12px; line-height: 14px;"&gt;&lt;span style="font-size: small;"&gt;&lt;span style="font-size: 11px;"&gt;&lt;span style="font-size: 12px;"&gt;&lt;span style="font-size: 12px;"&gt;Clonmel.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/font&gt;&lt;/p&gt;&lt;p style="font-size: 11px;"&gt;&lt;font size="3"&gt;&lt;span style="font-size: 12px; line-height: 14px;"&gt;&lt;span color="#333333"&gt;&lt;span style="font-size: small; line-height: 18px;"&gt;&lt;span style="font-size: 12px;"&gt;Simon&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/font&gt;&lt;/p&gt;&lt;p style="font-size: 11px;"&gt;&lt;span style="font-size: small; line-height: 14px;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;

&lt;p&gt;&lt;/p&gt;</content:encoded>


<dc:subject>advertising</dc:subject>
<dc:subject>conversations</dc:subject>
<dc:subject>Food and Drink</dc:subject>
<dc:subject>marketing</dc:subject>
<dc:subject>research</dc:subject>

<dc:creator>kevin mclean</dc:creator>
<dc:date>2010-04-19T15:45:05+01:00</dc:date>
</item>
<item rdf:about="http://artofconversation.typepad.com/art_of_conversation/2010/04/the-planning-fallacy.html">
<title>The Planning Fallacy</title>
<link>http://artofconversation.typepad.com/art_of_conversation/2010/04/the-planning-fallacy.html</link>
<description>If a group of people aim to get the same plane, they will arrive at the airport at different times. Some will be early and some will be on time; others will leave it until just before the check-in desk...</description>
<content:encoded>&lt;p&gt;&lt;/p&gt;&lt;p style="text-align: center;"&gt;&lt;a href="http://www.flickr.com/photos/xanxhor/4398157073/" style="display: inline;"&gt;&lt;img alt="Planning" border="0" class="asset asset-image at-xid-6a00d83452194e69e20133ec8bc4a1970b " src="http://artofconversation.typepad.com/.a/6a00d83452194e69e20133ec8bc4a1970b-320pi" title="Planning" /&gt;&lt;/a&gt;&amp;#0160;&lt;/p&gt;&lt;p style="text-align: center;"&gt;&amp;#0160;&lt;/p&gt;&lt;p&gt;&lt;/p&gt;&lt;p&gt;If a group of people aim to get the same plane, they will arrive at the airport at different times. Some will be early and some will be on time; others will leave it until just before the check-in desk closes.&amp;#0160;&lt;/p&gt;&lt;p&gt;This doesn&amp;#39;t just happen when catching flights, of course. The completion of the &lt;a href="http://en.wikipedia.org/wiki/Wembley_Stadium"&gt;new Wembley Stadium &lt;/a&gt;was delayed by over a year, from a March 2006 opening date until May 2007 ready for the FA Cup Final.&amp;#0160;Even the Sydney Opera house was planned for a 1963 opening, but opened 10 years later.&lt;/p&gt;&lt;p&gt;Why is this? Why do things take longer than we want?&lt;/p&gt;&lt;p&gt;In Kate Fox&amp;#39;s&lt;a href="http://www.amazon.co.uk/Watching-English-Hidden-Rules-Behaviour/dp/0340818867"&gt; &amp;#39;Watching the English&amp;#39;&lt;/a&gt;, she calls this &lt;a href="http://en.wikipedia.org/wiki/Planning_fallacy"&gt;&amp;#39;the Planning Fallacy&amp;quot;&lt;/a&gt;: people underestimate the time it takes to complete a task. Fox suggests it is because we have an emotional bias that leads us to wish for a goal that in practice is unrealistic. We may want to please someone or be under pressure to meet somebody else&amp;#39;s deadline. Or we may not take in (or want to take in) all the external factors (like staff holidays or traffic jams) that may delay our plans.&lt;/p&gt;&lt;p&gt;
&lt;/p&gt;
&lt;p&gt;A Google search shows the notion is fairly well-documented. Indeed, there has been a some research on it.&amp;#0160;&lt;a href="http://lesswrong.com/lw/jg/planning_fallacy/"&gt;Lesswrong blog&lt;/a&gt;&amp;#0160;outlines a few examples, sourced largely from researcher &lt;a href="http://info.wlu.ca/%7Ewwwpsych/rbuehler/Research/publications.htm"&gt;Roger Buehler&lt;/a&gt;. Some of Buehler&amp;#39;s experiments focus on students, who largely underestimate the time it takes to complete an essay. A group of Japanese students, for example, predicted they would finish their essay ten days before the deadline; in fact they completed their work only one day before it.&amp;#0160;&lt;/p&gt;&lt;p&gt;This could be a case of students being relatively inexperienced on project work. Indeed &lt;a href="http://lesswrong.com/lw/jg/planning_fallacy/"&gt;Lesswrong blog&lt;/a&gt;&amp;#0160;suggests that experience can help counteract this fallacy as can an attitude of&amp;#0160;&lt;a href="http://www.wisegeek.com/what-is-the-planning-fallacy.htm"&gt;&amp;#39;realistic pessimism&amp;#39;&lt;/a&gt;, a cognitive psychology term where pessimistic people are better predictors of completing a task. &lt;/p&gt;&lt;p&gt;Even &lt;a href="http://www.phrases.org.uk/meanings/62050.html"&gt;Robert Burns&lt;/a&gt; knew about the Planning Fallacy when he wrote: &amp;quot;The best laid schemes o&amp;#39; mice an&amp;#39; men, gang aft a-gley and lea&amp;#39;e us nought but grief an&amp;#39; pain for promised joy.&amp;quot; &lt;/p&gt;&lt;p&gt;Couldnae hae put it better wirselves.&lt;/p&gt;&lt;p&gt;Simon&lt;/p&gt;&lt;p&gt;&lt;/p&gt;&lt;p&gt;&lt;/p&gt;&lt;p&gt;&lt;/p&gt;</content:encoded>


<dc:subject>advertising</dc:subject>
<dc:subject>Books</dc:subject>
<dc:subject>conversations</dc:subject>
<dc:subject>marketing</dc:subject>
<dc:subject>research</dc:subject>
<dc:subject>Science</dc:subject>

<dc:creator>kevin mclean</dc:creator>
<dc:date>2010-04-08T16:46:42+01:00</dc:date>
</item>
<item rdf:about="http://artofconversation.typepad.com/art_of_conversation/2010/03/new-product-development---a-victory-over-the-bland.html">
<title>IN THE KINGDOM OF THE BLAND ...</title>
<link>http://artofconversation.typepad.com/art_of_conversation/2010/03/new-product-development---a-victory-over-the-bland.html</link>
<description>The launch of Kellogg's new cereal Krave has set me thinking. It looks delicious to me - mmm chocolate and hazelnut. But I was wondering whether people want to eat something so scrummy when they are blurry-eyed in the morning....</description>
<content:encoded>&lt;a href="http://artofconversation.typepad.com/.a/6a00d83452194e69e201310ffaa075970c-pi" style="display: inline; font-family: yui-tmp;"&gt;&lt;img alt="Strawberry-zebra-pink-delicious" border="0" class="asset asset-image at-xid-6a00d83452194e69e201310ffaa075970c " height="397" src="http://artofconversation.typepad.com/.a/6a00d83452194e69e201310ffaa075970c-800wi" style="width: 172px; height: 232px;" title="Strawberry-zebra-pink-delicious" width="284" /&gt;&lt;/a&gt;&lt;span style="font-size: 12px;"&gt;&amp;#0160;&lt;/span&gt;&lt;br /&gt; 
&lt;p&gt;&lt;span style="font-size: 14px;"&gt;&lt;span style="font-size: 12px;"&gt;&lt;span style="font-size: 15px;"&gt;&lt;span style="font-size: 12px;"&gt;The launch of Kellogg&amp;#39;s new cereal Krave has set me thinking. It looks delicious to me - mmm chocolate and hazelnut. But I was wondering whether people want to eat something so scrummy when they are blurry-eyed in the morning. Perhaps it&amp;#39;s a cereal to be eaten during the day as a snack? Or back from the pub?&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&amp;#0160;&amp;#0160;&lt;span style="font-size: 15px;"&gt;&lt;o:p&gt;&lt;span style="font-size: 12px;"&gt;&lt;/span&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: 14px;"&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-size: 14px;"&gt;&lt;span style="font-size: 12px;"&gt;&lt;/span&gt;&lt;span style="font-size: 15px;"&gt;&lt;span style="font-size: 12px;"&gt;I was looking at some figures for breakfast cereals and the massive players are the bland ones - the ones that don&amp;#39;t engage the &amp;#39;this-is-yummy&amp;#39; bits of the brain but let the eater come to in their own time. Corn Flakes, the Kellogg&amp;#39;s variety, has about 11% share and Weet&lt;st1:personname w:st="on"&gt;abi&lt;/st1:personname&gt;x has about 9%. Porridge is doing pretty well, too.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;
&lt;span style="font-size: 15px;"&gt;&lt;o:p&gt;&lt;span style="font-size: 12px;"&gt;&amp;#0160;&lt;/span&gt;&lt;/o:p&gt;&lt;/span&gt;
&lt;/span&gt;&lt;/p&gt;&lt;span style="font-size: 14px;"&gt;&lt;span style="font-size: 15px;"&gt;&lt;span style="font-size: 12px;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: 15px;"&gt;&lt;span style="font-size: 12px;"&gt;It seems that it is easy to add on, to make something more delicious, more complicated, and much more difficult to pare down and to reduce. And yet it is the plainer, simpler products that have stood the test of time. Perhaps because of versatility? Or maybe because there&amp;#39;s only so much eating time in the day to devote to massively delicious tastes? &lt;span&gt;&amp;#0160;&lt;/span&gt;Plain crisps sell more than flavoured; plain biscuits more than the chocolate sandwiched with …&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;
&lt;span style="font-size: 15px;"&gt;&lt;o:p&gt;&lt;span style="font-size: 12px;"&gt;&amp;#0160;&lt;/span&gt;&lt;/o:p&gt;&lt;/span&gt;
&lt;span style="font-size: 15px;"&gt;&lt;span style="font-size: 12px;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;p&gt;&lt;span style="font-size: 12px;"&gt;&lt;span style="font-size: 14px;"&gt;&lt;span style="font-size: 12px;"&gt;Market research militates against the bland, too. Tasting in groups favours the stronger, sweeter, saltier product variations, because respondents have such a short time to try and the product that makes the most impact tends to be the one that is preferred. Tasting drinks is a case in point. We are able to quaff great quantities of blander drinks, with the stronger and more indulgent flavours reserved for the rarer occasion. So cup of tea anyone? Or would you prefer a hot chocolate with marshmallows and swirls of cream?&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: 14px;"&gt;
&lt;/span&gt;&lt;span style="font-size: 15px;"&gt;&lt;o:p&gt;&lt;span style="font-size: 12px;"&gt;&amp;#0160;&lt;/span&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;
&lt;span style="font-size: 12px;"&gt;&lt;font size="3"&gt;&lt;span style="font-size: 15px;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/font&gt;&lt;/span&gt;&lt;/p&gt;&lt;span style="font-size: 12px;"&gt;&lt;span style="font-size: 12px;"&gt;&lt;span style="font-size: 13px;"&gt;&lt;span style="font-size: 15px;"&gt;Judith&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;</content:encoded>



<dc:creator>kevin mclean</dc:creator>
<dc:date>2010-03-30T13:09:56+01:00</dc:date>
</item>
<item rdf:about="http://artofconversation.typepad.com/art_of_conversation/2010/03/research-2010.html">
<title>Research 2010</title>
<link>http://artofconversation.typepad.com/art_of_conversation/2010/03/research-2010.html</link>
<description>It was an inspired opening. The first keynote speaker at this year’s annual Market Research Society Conference (Research 2010) was Armando Iannucci. He was interviewed by Marc Brenner, who was at pains to avoid ‘doing an Alan Partridge’. (He saved...</description>
<content:encoded>&lt;a href="http://artofconversation.typepad.com/.a/6a00d83452194e69e20120a970be39970b-pi" style="float: left;"&gt;&lt;img alt="Armando_2" border="0" class="asset asset-image at-xid-6a00d83452194e69e20120a970be39970b " src="http://artofconversation.typepad.com/.a/6a00d83452194e69e20120a970be39970b-320pi" style="margin: 14px;" title="Armando_2" /&gt;&lt;/a&gt; &lt;br /&gt;&lt;p&gt;It was an inspired opening. The first keynote speaker at this year’s annual Market Research Society Conference (Research 2010) was Armando Iannucci. &lt;/p&gt;&lt;p&gt;He was interviewed by Marc Brenner, who was at pains to avoid ‘doing an Alan Partridge’. (He saved this for the Big Thinkers session later.) &lt;/p&gt;&lt;p&gt;Armando has done lots of radio and TV series (eg On the Hour, The Day Today,
The Thick Of It) and recently made an Oscar-nominated film, ‘In the
Loop’. &lt;/p&gt;&lt;p&gt;He is also very funny. And thoughtful. &lt;/p&gt;&lt;p&gt;He told us about his (incomplete) PhD on Milton’s Paradise Lost, whose opening line matches the rhythm of the Flintstones theme tune. He took it as a sign that comedy may be his calling.&lt;/p&gt;&lt;p&gt;Although he also applied to join the civil service. And considered becoming a priest. I suspect he is a bit of a radical and dislikes being typecast. &lt;/p&gt;&lt;p&gt;So he probably would not much like the Daily Telegraph’s labelling him “the hard man of political satire”. &lt;/p&gt;&lt;a href="http://artofconversation.typepad.com/.a/6a00d83452194e69e201310fd7ba3a970c-pi" style="float: right;"&gt;&lt;img alt="Michaelmoore" class="asset asset-image at-xid-6a00d83452194e69e201310fd7ba3a970c " src="http://artofconversation.typepad.com/.a/6a00d83452194e69e201310fd7ba3a970c-320pi" style="margin: 0px 0px 5px 5px;" title="Michaelmoore" /&gt;&lt;/a&gt; Thinking about it, he is a bit like Michael Moore. Michael Moore in disguise. A very good disguise, admittedly. But the similarities are there for all who don’t see too well. &lt;br /&gt;&lt;p&gt;They both make films. They both nearly became priests. They are both smart and funny and maverick. They both probably hate fatuous comparisons like these. &lt;/p&gt; More to the point, Iannucci believes that playing films and clips to an audience is the best research you can do. The audience may be cruel and critical and fickle, but “if it doesn’t get any laughs, it hasn’t worked”. &lt;br /&gt;&lt;p&gt;His opening keynote address certainly worked and got the Conference off to a flying start.&lt;/p&gt;&lt;p&gt;&lt;/p&gt;</content:encoded>



<dc:creator>kevin mclean</dc:creator>
<dc:date>2010-03-24T17:50:30+00:00</dc:date>
</item>
<item rdf:about="http://artofconversation.typepad.com/art_of_conversation/2010/03/new-research-techniques.html">
<title>NEW RESEARCH TECHNIQUES</title>
<link>http://artofconversation.typepad.com/art_of_conversation/2010/03/new-research-techniques.html</link>
<description>As Simon Sylvester pointed out in his article Day of the Clones, everybody is pursuing ‘best practice’, and ‘benchmarking’ but this is another way of saying, doing the same as everyone else! The result is that brand differentiation is becoming...</description>
<content:encoded>&amp;#0160;&lt;br /&gt; &lt;p&gt;&lt;a href="http://artofconversation.typepad.com/.a/6a00d83452194e69e201310fbb11c7970c-pi" style="display: inline;"&gt;&lt;img alt="Old timer" border="0" class="asset asset-image at-xid-6a00d83452194e69e201310fbb11c7970c " src="http://artofconversation.typepad.com/.a/6a00d83452194e69e201310fbb11c7970c-800wi" style="width: 359px; height: 394px;" title="Old timer" /&gt;&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;o:smarttagtype name="PersonName" namespaceuri="urn:schemas-microsoft-com:office:smarttags"&gt;&lt;/o:smarttagtype&gt;

&lt;/p&gt;

&lt;p class="MsoNormal" style="font-family: Arial;"&gt;As Simon
Sylvester pointed out in his article &lt;a href="http://www.pubs.yr.com/clones.pfd"&gt;Day of the Clones&lt;/a&gt;&lt;st1:personname w:st="on"&gt;,&lt;/st1:personname&gt; &lt;span&gt;&lt;/span&gt;&lt;span lang="EN-US"&gt;everybody is pursuing ‘best
practice’&lt;st1:personname w:st="on"&gt;,&lt;/st1:personname&gt; and ‘benchmarking’ but
this is another way of saying, doing the same as everyone else!&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class="MsoNormal" style="font-family: Arial;"&gt;&lt;span lang="EN-US"&gt;The result is that brand
differentiation is becoming &lt;span style="text-decoration: underline;"&gt;the&lt;/span&gt; main issue for brands&lt;st1:personname w:st="on"&gt;,&lt;/st1:personname&gt; as in sector after sector&lt;st1:personname w:st="on"&gt;,&lt;/st1:personname&gt;
brands are offering the same products&lt;st1:personname w:st="on"&gt;,&lt;/st1:personname&gt;
to the same people&lt;st1:personname w:st="on"&gt;,&lt;/st1:personname&gt; in the same
style.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;



&lt;p class="MsoNormal" style="font-family: Arial;"&gt;Part of the
problem is that everyone is doing the same research&lt;st1:personname w:st="on"&gt;,&lt;/st1:personname&gt;
in the same way&lt;st1:personname w:st="on"&gt;,&lt;/st1:personname&gt; using the same
research companies.&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;



&lt;p class="MsoNormal" style="font-family: Arial;"&gt;We held a
seminar last week on new techniques in qual research. We called it panning for gold&lt;st1:personname w:st="on"&gt;,&lt;/st1:personname&gt;
(hence the old timer above) and we focused on trance interviews (hypnosis) and ethnography.&lt;o:p&gt;&lt;/o:p&gt;&lt;/p&gt;



&lt;p class="MsoNormal" style="font-family: Arial;"&gt;The point is
that to come up with new ideas and new ways of differentiating a brand it
helps to open up your mind to some new research techniques. After all, as they say, if you always do what you&amp;#39;ve always done ...&lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;span lang="EN-US" style="font-family: &amp;quot;CG Omega&amp;quot;;"&gt;&lt;span style="font-family: Arial;"&gt;Dominic&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;</content:encoded>



<dc:creator>kevin mclean</dc:creator>
<dc:date>2010-03-19T10:57:48+00:00</dc:date>
</item>
<item rdf:about="http://artofconversation.typepad.com/art_of_conversation/2010/03/in-praise-of-ecotricity.html">
<title>In Praise Of ... Ecotricity</title>
<link>http://artofconversation.typepad.com/art_of_conversation/2010/03/in-praise-of-ecotricity.html</link>
<description>It's been a while since our previous 'in praise of...' article. Shame on us. Step forward, Ecotricity - 'the world's first green electricity company'. Having just signed up to Ecotricity, this risks being tainted by a certain smugness, feeling a...</description>
<content:encoded>&lt;p&gt; &lt;a href="http://artofconversation.typepad.com/.a/6a00d83452194e69e20120a9414d6a970b-pi" style="display: inline;"&gt;&lt;img alt="Ecotricity" border="0" class="asset asset-image at-xid-6a00d83452194e69e20120a9414d6a970b " src="http://artofconversation.typepad.com/.a/6a00d83452194e69e20120a9414d6a970b-800wi" title="Ecotricity" /&gt;&lt;/a&gt; &lt;br /&gt;&amp;#0160;&lt;/p&gt;&lt;p&gt;It&amp;#39;s been a while since our &lt;a href="http://artofconversation.typepad.com/art_of_conversation/2009/07/in-praise-of-everyday-people.html"&gt;previous&lt;/a&gt; &amp;#39;in praise of...&amp;#39; article. Shame on us. Step forward, &lt;a href="http://www.ecotricity.co.uk/"&gt;Ecotricity&lt;/a&gt;&amp;#0160;- &amp;#39;the world&amp;#39;s first green electricity company&amp;#39;.&amp;#0160;&lt;/p&gt;&lt;p&gt;Having just signed up to Ecotricity, this risks being tainted by a certain smugness, feeling a bit pleased about &amp;#39;doing my bit&amp;#39; to reduce my carbon footprint. However, the intention is to praise a company worth its weight in ... um, carbon. If you haven&amp;#39;t been put off by the &lt;a href="http://en.wikipedia.org/wiki/Climatic_Research_Unit_hacking_incident"&gt;Climategate&lt;/a&gt; email scandal and if you want to reduce your carbon footprint, check them out.&lt;/p&gt;&lt;p&gt;Firstly, it is easy to switch. You can either apply through the site OR (as I did) go to the &lt;a href="http://www.greenelectricity.org/tariffs.php"&gt;Green Electricity Marketplace&lt;/a&gt; website. You can compare different tariffs, green-star ratings and &lt;a href="http://www.buildingforafuture.co.uk/winter06/ROC%27S.php"&gt;ROCs&lt;/a&gt;. The switch is done between current provider and Ecotricity and all I&amp;#39;ve had to do is ask for my final bill and provide an up-to-date meter reading.&lt;/p&gt;&lt;p&gt;
&lt;/p&gt;Cost is not bad either. In fact, it is quite competitive. Ecotricity aim to match their prices with the main electricity suppliers, so it won&amp;#39;t cost more to be &amp;#39;green&amp;#39; - maybe surprising given the idea that &amp;#39;going green&amp;#39; can be expensive. No more excuses for using &amp;#39;&lt;a href="http://www.ecotricity.co.uk/about/why-green-electricity-prices-follow-brown/"&gt;brown&lt;/a&gt;&amp;#39; electricity then.&lt;p&gt;In contrast to the &lt;a href="http://www.businessgreen.com/business-green/news/2258548/big-six-accused-slow-renewables"&gt;highly questionnable&amp;#0160;efforts&lt;/a&gt; of other energy suppliers, Ecotricity place importance on &amp;#39;doing green&amp;#39; rather than &amp;#39;seeming green&amp;#39; (or &amp;#39;&lt;a href="http://www.ecotricity.co.uk/news/new-green-energy-guidelines-from-ofgem-are-feel-good-but-not-do-good-says-ecotricity"&gt;greenwash&lt;/a&gt;&amp;#39;) by investing into the development of further &amp;#39;green&amp;#39; sources of electricity. Something &lt;a href="http://greenormal.blogspot.com/"&gt;John Grant&lt;/a&gt; would support. They&amp;#39;ve even &lt;a href="http://en.wikipedia.org/wiki/Ecotricity"&gt;won&lt;/a&gt;&amp;#0160;praise in the 2007 for their environmental contribution as a sustainable electricity provider.&lt;/p&gt;&lt;p&gt;Ecotricity are turning the tide against the reasons not to live in a &amp;#39;greener&amp;#39; more sustainable way, offering little excuse for consumers&amp;#0160;&lt;em&gt;not&lt;/em&gt;&amp;#0160;to be &amp;#39;greener&amp;#39;.&lt;/p&gt;&lt;p&gt;Simon&lt;/p&gt;</content:encoded>


<dc:subject>advertising</dc:subject>
<dc:subject>blogging</dc:subject>
<dc:subject>conversations</dc:subject>
<dc:subject>Current Affairs</dc:subject>
<dc:subject>marketing</dc:subject>
<dc:subject>research</dc:subject>
<dc:subject>Web/Tech</dc:subject>
<dc:subject>Weblogs</dc:subject>

<dc:creator>kevin mclean</dc:creator>
<dc:date>2010-03-16T12:30:42+00:00</dc:date>
</item>
<item rdf:about="http://artofconversation.typepad.com/art_of_conversation/2010/03/you-cant-put-me-in-a-box.html">
<title>You Can't Put Me In A Box</title>
<link>http://artofconversation.typepad.com/art_of_conversation/2010/03/you-cant-put-me-in-a-box.html</link>
<description>(Picture by Treehugger) We did a project for think tank ippr last year, on post-identity politics in contemporary Britain (Discuss), as reported here. The report based on our research, amongst other sources, has recently been released. In "You Can’t Put...</description>
<content:encoded>&lt;p&gt;&lt;a href="http://artofconversation.typepad.com/.a/6a00d83452194e69e20120a9271213970b-pi"&gt;&lt;img alt="Box2" class="asset asset-image at-xid-6a00d83452194e69e20120a9271213970b " src="http://artofconversation.typepad.com/.a/6a00d83452194e69e20120a9271213970b-500pi" style="margin-left: auto; margin-right: auto; display: block;" title="Box2" /&gt;&lt;/a&gt; &lt;br /&gt; &lt;span style="font-size: 12px;"&gt;(Picture by &lt;/span&gt;&lt;a href="http://www.flickr.com/photos/kaiiit/3488566883/" style="font-family: Arial;"&gt;Treehugger&lt;/a&gt;&lt;span style="font-size: 12px; font-family: Arial;"&gt;)&lt;/span&gt;&lt;/p&gt;&lt;p style="text-align: left;"&gt;We did a project for think tank &lt;a href="http://www.ippr.org/"&gt;ippr&lt;/a&gt; last year, on post-identity politics in contemporary Britain (Discuss), as reported &lt;a href="http://artofconversation.typepad.com/art_of_conversation/2009/03/red-nose-day.html"&gt;here&lt;/a&gt;. The report based on our research, amongst other sources, has recently been &lt;a href="http://www.ippr.org/publicationsandreports/publication.asp?id=725"&gt;released&lt;/a&gt;.&lt;/p&gt;&lt;p&gt;In &amp;quot;You Can’t Put Me In A Box”, the report’s authors Simon Fanshawe and Dhananjayan Sriskandarajah&amp;#0160;&lt;a href="http://artofconversation.typepad.com/.a/6a00d83452194e69e20120a92bb7d4970b-pi" style="float: right;"&gt;&lt;img alt="Cover" class="asset asset-image at-xid-6a00d83452194e69e20120a92bb7d4970b " src="http://artofconversation.typepad.com/.a/6a00d83452194e69e20120a92bb7d4970b-pi" style="margin: 9px; width: 250px;" title="Cover" /&gt;&lt;/a&gt;argue that Britain is not only more diverse than ever before but that diversity itself is growing more diverse. Today, identities are more complex and fluid than they used to be, reflecting shifting interests and allegiances. &lt;/p&gt; The report explores how discrimination and disadvantage do not map easily on to orthodox ‘strand-based’ identity definitions and while it aims to provoke rather than answer questions, it concludes with some implications for policymakers and data collectors, amongst others.&lt;br /&gt;&lt;br /&gt;One day, all research projects will be this interesting.</content:encoded>



<dc:creator>kevin mclean</dc:creator>
<dc:date>2010-03-11T16:28:23+00:00</dc:date>
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<item rdf:about="http://artofconversation.typepad.com/art_of_conversation/2010/03/rover-and-out.html">
<title>We remember Rover </title>
<link>http://artofconversation.typepad.com/art_of_conversation/2010/03/rover-and-out.html</link>
<description>"What kills a skunk is the publicity it gives itself" - Abraham Lincoln. We came across this front cover from Research Magazine. It is from the period just before Rover was taken over by the Phoenix Consortium in 2000, five...</description>
<content:encoded>&lt;p&gt; &lt;img alt="Reserach Magazine Front Cover" border="0" class="asset asset-image at-xid-6a00d83452194e69e201310f6717ca970c " src="http://artofconversation.typepad.com/.a/6a00d83452194e69e201310f6717ca970c-500pi" style="margin-left: auto; margin-right: auto; display: block;" title="Reserach Magazine Front Cover" /&gt; &lt;/p&gt;&lt;p style="text-align: left;"&gt;&amp;quot;What kills a skunk is the publicity it gives itself&amp;quot; -&amp;#0160;&lt;a href="http://www.brainyquote.com/words/pu/publicity208161.html"&gt;Abraham Lincoln&lt;/a&gt;.&amp;#0160;&lt;/p&gt;&lt;p style="text-align: left;"&gt;We came across this front cover from &lt;a href="http://www.research-live.com/"&gt;Research Magazine&lt;/a&gt;. It is from the period just before Rover was taken over by the &lt;a href="http://en.wikipedia.org/wiki/Phoenix_Consortium"&gt;Phoenix Consortium&lt;/a&gt; in 2000, five years before Rover&amp;#39;s demise.&lt;/p&gt;&lt;p&gt;&lt;/p&gt;&lt;p&gt;It is ironic that although Rover is not around, &amp;#39;focus groups&amp;#39; are. There were many reasons for Rover&amp;#39;s decline, poor product development and strategy, &lt;a href="http://www.guardian.co.uk/business/2005/apr/09/davidgow"&gt;greedy board members&lt;/a&gt; and lack of state intervention (to name but a few). But it is a brave or a failing brand that &lt;em&gt;boasts about&lt;/em&gt; not listening to the public.&lt;/p&gt;&lt;p&gt;
&lt;/p&gt;
&lt;p&gt;The ad is meant to suggest, &amp;quot;&lt;em&gt;ordinary &lt;/em&gt;people don&amp;#39;t like the Rover 75; but you can make a &lt;em&gt;discerning &lt;/em&gt;choice by buying this &lt;em&gt;extraordinary &lt;/em&gt;car&amp;quot;. Putting the Rover 75 / discerning / extraordinary together must have made sense to some planner somewhere. &lt;/p&gt;&lt;p&gt;&lt;/p&gt;&lt;p&gt;The subtext is a two-finger salute to the research world by client and ad agency. It says we can judge for ourselves what the market needs. Research Magazine look to have backed the wrong horse too, judging by the copy line and lead article inside (&amp;#39;what future for focus groups?&amp;#39; quite a good one, actually).&lt;/p&gt;&lt;p&gt;And what does &amp;quot;rejected by focus groups&amp;quot; mean anyway? What elements of the Rover 75 were &amp;#39;rejected&amp;#39;? If the research were so clear cut, it takes something to ignore it &lt;em&gt;and &lt;/em&gt;tell the public you are ignoring them.&lt;/p&gt;&lt;p&gt;Maybe the idea was to echo what Henry Ford &lt;a href="http://www.wiredprairie.us/journal/2006/03/great_quote_from_henry_ford.html"&gt;said&lt;/a&gt;: &lt;em&gt;&amp;quot;if I had asked my customers what they wanted, they&amp;#39;d have said a faster horse.&amp;quot;&lt;/em&gt; The trouble is, the headline rather reinforces the unintended message that Rover as a marque is unpopular and &amp;#39;rejected&amp;#39;. Didn&amp;#39;t they also say, you&amp;#39;re never alone with a Strand?&lt;/p&gt;&lt;p&gt;So while Rover has disappeared (or as the&amp;#0160;&lt;a href="http://en.wikipedia.org/wiki/Rover_Company"&gt;entry on Wikipedia&lt;/a&gt;&amp;#0160;puts it, &amp;quot;&lt;span style="font-family: sans-serif,sans-serif; font-size: 13px; line-height: 19px;"&gt;the marque is considered dormant&amp;quot;&lt;span style="font-family: Arial,sans-serif; font-size: small; line-height: 14px;"&gt;), research and &amp;#39;focus groups&amp;#39; continue to grow and develop. &lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;br /&gt;&lt;p&gt;&lt;/p&gt;&lt;p&gt;&lt;/p&gt;</content:encoded>


<dc:subject>advertising</dc:subject>
<dc:subject>blogging</dc:subject>
<dc:subject>conversations</dc:subject>
<dc:subject>Current Affairs</dc:subject>
<dc:subject>marketing</dc:subject>
<dc:subject>research</dc:subject>
<dc:subject>Web/Tech</dc:subject>
<dc:subject>Weblogs</dc:subject>

<dc:creator>kevin mclean</dc:creator>
<dc:date>2010-03-05T15:33:08+00:00</dc:date>
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<item rdf:about="http://artofconversation.typepad.com/art_of_conversation/2010/02/playing-into-the-hands-of-the-tories.html">
<title>MyDavidCameron.com</title>
<link>http://artofconversation.typepad.com/art_of_conversation/2010/02/playing-into-the-hands-of-the-tories.html</link>
<description>We recently stumbled upon MyDavidCameron.com It is a site using crowdsourcing to create their own online spoof advertisements, that then get posted onto the site (as long as they're decent). The website spoofs the Tory's campaign endline 'Year for Change'...</description>
<content:encoded>&lt;p&gt; &lt;a href="http://www.mydavidcameron.com/" style="display: inline;"&gt;&lt;img alt="David Cameron Mock" border="0" class="asset asset-image at-xid-6a00d83452194e69e20120a8d88281970b image-full " src="http://artofconversation.typepad.com/.a/6a00d83452194e69e20120a8d88281970b-800wi" title="David Cameron Mock" /&gt;&lt;/a&gt; &lt;br /&gt;&amp;#0160;&lt;/p&gt;&lt;p&gt;We recently stumbled upon &lt;a href="http://" title="http://www.mydavidcameron.com/"&gt;MyDavidCameron.com&lt;/a&gt;&lt;/p&gt;&lt;p&gt;It is a site using crowdsourcing to create their own online spoof advertisements, that then get posted onto the site (as long as they&amp;#39;re decent).&amp;#0160;&lt;/p&gt;&lt;p&gt;The website spoofs the Tory&amp;#39;s campaign endline &amp;#39;Year for Change&amp;#39; and plays on criticism that Cameron&amp;#39;s image was &lt;a href="http://" title="http://www.dailymail.co.uk/news/article-1240734/As-pre-election-campaign-steps-gear-meet-Dave-airbrushed-poster-boy.html"&gt;airbrushed&lt;/a&gt; for their campaign poster.&lt;span style="font-style: italic;"&gt; &lt;/span&gt;It uses the &lt;a href="http://" title="http://hopisen.wordpress.com/2010/01/05/camerons-achilles-heel/"&gt;politics-of-and&lt;/a&gt;, which is a form of political airbrushing: you can&amp;#39;t cut the deficit &lt;em&gt;and&lt;/em&gt; not cut the NHS; you can&amp;#39;t cut taxes &lt;em&gt;and&lt;/em&gt; have better services (apparently).&lt;/p&gt;&lt;p&gt;
&lt;/p&gt;
&lt;p&gt;&lt;a href="http://conservativehome.blogs.com/thetorydiary/2010/01/tories-will-cut-the-deficit-not-the-nhs.html" style="display: inline;"&gt;&lt;img alt="Cameron Deficit" border="0" class="asset asset-image at-xid-6a00d83452194e69e20120a8d8854d970b image-full " src="http://artofconversation.typepad.com/.a/6a00d83452194e69e20120a8d8854d970b-800wi" title="Cameron Deficit" /&gt;&lt;/a&gt; &lt;br /&gt;&amp;#0160;&lt;/p&gt;&lt;p&gt;The Tory&amp;#39;s response is to create the website &lt;a href="http://mylabourposter.typepad.com/blog/" title="http://mylabourposter.typepad.com/blog/"&gt;MyLabourPoster&lt;/a&gt;:&lt;/p&gt;&lt;p&gt; &lt;a href="http://mylabourposter.typepad.com/.a/6a0120a8abc3e4970b0120a8bb0252970b-pi" style="display: inline;"&gt;&lt;img alt="Gordon Brown image" border="0" class="asset asset-image at-xid-6a00d83452194e69e20120a8d888b3970b image-full " src="http://artofconversation.typepad.com/.a/6a00d83452194e69e20120a8d888b3970b-800wi" title="Gordon Brown image" /&gt;&lt;/a&gt; &lt;br /&gt;&amp;#0160;&lt;/p&gt;&lt;p style="font-size: 12px;"&gt;There has been &lt;a href="http://www.mydavidcameron.com/about/not-oasis" title="http://www.mydavidcameron.com/about/not-oasis"&gt;concern&lt;/a&gt; that negative spin from MyDavidCameron.com may end up creating sympathy for the Conservatives, especially in the wake of the current &lt;a href="http://news.sky.com/skynews/Home/Politics/Gordon-Brown-Tells-GMTV-He-Is-No-Bully-As-National-Bullying-Helpline-Suspends-Hotline/Article/201002415558321?f=rss"&gt;Brown bullying&lt;/a&gt; debacle. Could the campaign simply give more attention to the &amp;#39;legitimate&amp;#39; Ashcroft-funded Tory campaign? &lt;/p&gt;&lt;p style="font-size: 12px;"&gt;Clifford Singer of MyDavidCameron. com &lt;a href="http://www.mydavidcameron.com/about/not-oasis" title="http://www.mydavidcameron.com/about/not-oasis"&gt;recognises&lt;/a&gt; this and has some ideas in the pipeline. Although Clifford won&amp;#39;t let us know what they are just yet, we hope that they include a modernised&amp;#0160; crowdsourcing element, like the notable&lt;a href="http://mauritsburgers.blogspot.com/2010/01/swedish-hero.html" title="http://mauritsburgers.blogspot.com/2010/01/swedish-hero.html"&gt;&amp;#0160;Swedish Broadcasting viral&lt;/a&gt;.&lt;/p&gt;&lt;p style="font-size: 12px;"&gt;Simon&lt;/p&gt;&lt;p style="font-size: 12px;"&gt;&lt;/p&gt;</content:encoded>


<dc:subject>advertising</dc:subject>
<dc:subject>blogging</dc:subject>
<dc:subject>conversations</dc:subject>
<dc:subject>Current Affairs</dc:subject>
<dc:subject>marketing</dc:subject>
<dc:subject>research</dc:subject>
<dc:subject>Web/Tech</dc:subject>

<dc:creator>kevin mclean</dc:creator>
<dc:date>2010-02-26T18:21:25+00:00</dc:date>
</item>


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