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    <id>tag:typepad.com,2003:weblog-495931</id>
    <updated>2009-11-11T23:46:18-08:00</updated>
    <subtitle>"Shelfari.com - Read. Share. Explore."</subtitle>
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        <title>David Allen Sibley: How to Draw an Osprey</title>
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        <published>2009-11-11T23:46:18-08:00</published>
        <updated>2009-11-11T23:46:18-08:00</updated>
        <summary>By Tom I come from a long and broad line of birders. Somehow the bug didn't take with me--at the beach every summer just about the whole extended family would head out for walks with their binoculars and camera tripods...</summary>
        <author>
            <name>Omnivoracious</name>
        </author>
        
        
<content type="xhtml" xml:lang="en-US" xml:base="http://blog.shelfari.com/my_weblog/"><div xmlns="http://www.w3.org/1999/xhtml"><p>By <author><name>Tom</name></author>   </p><div><p><a href="http://www.amazon.com/Sibley-Guide-Birds-David-Allen/dp/0679451226"><img align="right" border="0" src="http://ecx.images-amazon.com/images/I/51PA3RDG3PL._SL175_PC_.jpg" /></a>I come from a long and broad line of birders. Somehow the bug didn't take with me--at the beach every summer just about the whole extended family would head out for walks with their binoculars and camera tripods while my dad and I went to hit tennis balls--but I must still carry the gene, because it has taken hold of both of my sons, who know more about the California condor than I can comprehend, and who love to spend a summer afternoon drawing birds (particularly raptors) out of David Allen Sibley's modern classic, <em><a href="http://www.amazon.com/Sibley-Guide-Birds-David-Allen/dp/0679451226">The Sibley Guide to Birds</a></em>. There are a few figures that loom as gods among the younger members of our house--Dustin Pedroia, Obi-Wan Kenobi, Rick Riordan, whoever invented Legos--but David Allen Sibley is definitely among them.</p><p><a href="http://www.amazon.com/Sibley-Guide-Trees-David-Allen/dp/037541519X"><img align="left" border="0" src="http://ecx.images-amazon.com/images/I/51jFQLglh4L._SL175_PC_.jpg" /></a>So when the folks at Knopf mentioned that Sibley himself was going to be coming to Seattle in support of his new book, <em><a href="http://www.amazon.com/Sibley-Guide-Trees-David-Allen/dp/037541519X">The Sibley Guide to Trees</a></em>, and wondered if we wanted to do anything with him, the wheels started turning in my head. Was I was thinking of the promotional possibilities for Amazon and Sibley or just of being, at least for a day, the coolest dad in the world? I'll leave that for you to judge, but I said, "Why doesn't he come teach my kids to draw birds, and I'll post the video on Omni?" Amazingly, everybody thought that was a great idea, and a little while ago, Sibley arrived on the 15th floor of our downtown Seattle building (not a great bird habitat, although he did spy some gulls circling outside our windows), and so did Peter and Henry, playing hooky from school along with their good friend Ben, who brought his own well-thumbed and marked-up copy of <em>Sibley</em> along.</p><p>And here are the results. Want to know how to turn a couple of ovals into that sharp-eyed and -clawed hunter, the osprey? Watch here:</p><p /><object height="340" width="560"><param name="movie" value="http://www.youtube.com/v/KQX3BJY2WfM&amp;hl=en_US&amp;fs=1&amp;" /><param name="allowFullScreen" value="true" /><param name="allowscriptaccess" value="always" /><embed allowfullscreen="true" allowscriptaccess="always" height="340" src="http://www.youtube.com/v/KQX3BJY2WfM&amp;hl=en_US&amp;fs=1&amp;" type="application/x-shockwave-flash" width="560" /></object><p>And with Sibley's new book in mind, we also thought it would be fun to draw the osprey's habitat, so he showed us how to do just that, beginning with trunk, branches, and leaves, and ending--again using two ovals to start--with an osprey coming spectacularly in for a landing on its nest. What kind of tree is it? The Sibley Guide to Trees is, of course, about identification, so I was surprised that when I asked that question, Sibley shrugged and said, "Oh, it's oak-like." Oak-<em>like</em>? But he pointed out that, unlike with birds, trees grow in such idiosyncratic ways that the key to identifying them is not to assess their shape from a distance, but to get up close and examine their leaves, their bark, and their fruit. And so in the <em>Guide to Trees</em>, those are exactly the sorts of up-close illustrations you'll find. But here, we stayed wide for the action shot:</p><p /><object height="340" width="560"><param name="movie" value="http://www.youtube.com/v/TG3z_0pANc8&amp;hl=en_US&amp;fs=1&amp;" /><param name="allowFullScreen" value="true" /><param name="allowscriptaccess" value="always" /><embed allowfullscreen="true" allowscriptaccess="always" height="340" src="http://www.youtube.com/v/TG3z_0pANc8&amp;hl=en_US&amp;fs=1&amp;" type="application/x-shockwave-flash" width="560" /></object><p>I've posted both of those videos to our Amazon pages for the books, but I have one other Omni-only exclusive outtake. In the middle of drawing the osprey, he put up another sheet of paper to make a quick sketch to demonstrate some of the underlying anatomy that any bird artist should know. See if you can guess what bird he's drawing here:</p><p /><p /><object height="340" width="560"><param name="movie" value="http://www.youtube.com/v/3qxwR32oQX4&amp;hl=en_US&amp;fs=1&amp;" /><param name="allowFullScreen" value="true" /><param name="allowscriptaccess" value="always" /><embed allowfullscreen="true" allowscriptaccess="always" height="340" src="http://www.youtube.com/v/3qxwR32oQX4&amp;hl=en_US&amp;fs=1&amp;" type="application/x-shockwave-flash" width="560" /></object><p>Well, thanks very much to David Allen Sibley for a memorable day, and for his kind and patient teaching. Here are the final results, the instructor alongside his proud students. Nice work!</p><p><a href="http://nozama.typepad.com/.a/6a00e54ed05fc2883301287587be43970c-pi" style="display: inline;"><img alt="IMG_1512" class="asset asset-image at-xid-6a00e54ed05fc2883301287587be43970c " src="http://nozama.typepad.com/.a/6a00e54ed05fc2883301287587be43970c-600wi" style="width: 600px;" /></a><br /></p><p><em>--Tom</em></p></div><xhtml:img xmlns:xhtml="http://www.w3.org/1999/xhtml" src="http://feeds.feedburner.com/~r/typepad/shelfari/my_weblog/~4/-9dfjX_p3gc" height="1" width="1" /></div></content>


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    <entry>
        <title>YA Wednesday: Fictional Teens... Transgress!</title>
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        <id>tag:typepad.com,2003:post-6a00d8341e478253ef0128758779f0970c</id>
        <published>2009-11-11T20:55:22-08:00</published>
        <updated>2009-11-11T20:55:22-08:00</updated>
        <summary>By Heidi Last Friday, Cory Doctorow published an essay in Locus in response to questions he's received from concerned parents about sex and drinking in his YA novel, Little Brother. Doctorow (also the parent of a young daughter) presents a...</summary>
        <author>
            <name>Omnivoracious</name>
        </author>
        
        
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&lt;div xmlns="http://www.w3.org/1999/xhtml"&gt;&lt;p&gt;By &lt;author&gt;&lt;name&gt;Heidi&lt;/name&gt;&lt;/author&gt;   &lt;/p&gt;
&lt;div xmlns="http://www.w3.org/1999/xhtml"&gt;&lt;a href="http://www.amazon.com/Little-Brother-Cory-Doctorow/dp/0765319853"&gt;&lt;img class="asset  asset-image at-xid-6a00e54ed05fc2883301287586da0f970c" alt="Littlebrother" title="Littlebrother" src="http://nozama.typepad.com/.a/6a00e54ed05fc2883301287586da0f970c-800wi" border="0" align="right"/&gt;&lt;/a&gt; &lt;br /&gt;Last Friday, Cory Doctorow published an &lt;a href="http://www.locusmag.com/Perspectives/2009/11/cory-doctorow-teen-sex.html"&gt;essay in &lt;em&gt;Locus&lt;/em&gt;&lt;/a&gt; in response to questions he's received from concerned parents about sex and drinking in his YA novel, &lt;a href="http://www.amazon.com/Little-Brother-Cory-Doctorow/dp/0765319853"&gt;&lt;em&gt;Little Brother&lt;/em&gt;&lt;/a&gt;. Doctorow (also the parent of a young daughter) presents a balanced, thoughtful perspective in what he calls his "Teen transgression in YA literature FAQ." &lt;br/&gt;&lt;br/&gt;&lt;blockquote&gt;&lt;br/&gt;	&lt;em&gt;Teenagers take risks, even stupid risks, at times. But the chance on any given night that sneaking a beer will destroy your life is damned slim. Art isn't exactly like life, and science fiction asks the reader to accept the impossible, but unless your book is about a universe in which disapproving parents have cooked the physics so that every act of disobedience leads swiftly to destruction, it won't be very credible. The pathos that parents would like to see here become bathos: mawkish and trivial, heavy-handed, and preachy.&lt;/em&gt;&lt;br/&gt;&lt;/blockquote&gt;&lt;br/&gt;&lt;br/&gt;&lt;p&gt;&lt;br/&gt;&lt;strong&gt;Quick links...&lt;/strong&gt;&lt;br&gt;&lt;br/&gt;&lt;br/&gt;In The &lt;em&gt;New York Times Book Review&lt;/em&gt; &lt;a href="http://www.nytimes.com/2009/11/08/books/review/Marler-t.html?_r=1&amp;amp;nl=books&amp;amp;emc=booksupdateemb2"&gt;"Field Guide to Fairies"&lt;/a&gt;, Regina Marler looks at the allure of YA novels trafficking in the tortured loves of mortals and fairies:&lt;br/&gt;&lt;br/&gt;&lt;blockquote&gt;&lt;br/&gt;	&lt;em&gt;It's not just the dark lovers that allure and threaten. Passion itself feels alien at this age, the point at which choices--the dangerous lover who enchants versus the dependable boy next door--can have lasting consequences.&lt;/em&gt;&lt;br/&gt;&lt;/blockquote&gt;&lt;br/&gt;&lt;br/&gt;Featuring: &lt;a href="http://www.amazon.com/Eyes-Like-Stars-Theatre-Illuminata/dp/0312380968"&gt;&lt;em&gt;Eyes Like Stars&lt;/em&gt;&lt;/a&gt;, &lt;a href="http://www.amazon.com/Wings-Aprilynne-Pike-Hardback/dp/0061668036"&gt;&lt;em&gt;Wings&lt;/em&gt;&lt;/a&gt;, &lt;a href="http://www.amazon.com/Ash-Malinda-Lo/dp/0316040096"&gt;&lt;em&gt;Ash&lt;/em&gt;&lt;/a&gt;, &lt;a href="http://www.amazon.com/Fairy-Tale-Cyn-Balog/dp/0385737068"&gt;&lt;em&gt;Fairy Tale&lt;/em&gt;&lt;/a&gt;, and &lt;a href="http://www.amazon.com/Fragile-Eternity-Melissa-Marr/dp/006121471X"&gt;&lt;em&gt;Fragile Eternity&lt;/em&gt;&lt;/a&gt;.&lt;p&gt;&lt;br/&gt;&lt;br/&gt;&lt;a href="http://www.yareview.net/"&gt;&lt;img class="asset  asset-image at-xid-6a00e54ed05fc28833012875876e11970c" alt="Yarn" src="http://nozama.typepad.com/.a/6a00e54ed05fc28833012875876e11970c-120wi" style="margin: 0px 5px 5px 0px;" align="left" border="0"/&gt;&lt;/a&gt; &lt;a href="http://www.yareview.net/"&gt;&lt;i&gt;YARN&lt;/i&gt;&lt;/a&gt; (Young Adult Review Network), &lt;br/&gt;a new litmag for readers ages 14 and up, launches their site, announcing their impending kick-off in winter 2010. The magazine (which accepts &lt;a href="http://www.yareview.net/submissions.html"&gt;submissions&lt;/a&gt; from young adults as well as "fogies over 18") will feature fiction, poetry, essays, and reviews, as well as a "What We're Reading Now" series, with editors asking readers what YA books they're into. (via &lt;a href="http://yabookscentral.blogspot.com/2009/11/yarn-new-ya-lit-mag-seeks-submissions.html"&gt;YA &amp;amp; Kids Books Central&lt;/a&gt;)&lt;p&gt;&lt;br/&gt;&lt;br/&gt;At &lt;a href="http://www.bookslut.com/bookslut_in_training/2009_11_015362.php"&gt;Bookslut&lt;/a&gt;, Colleen Mondor rounds up books "on war around the world, both declared and not, that older teens in particular will find both compelling and engaging."&lt;p&gt;&lt;br/&gt;&lt;br/&gt;Out this week: &lt;a href="http://www.amazon.com/Deadly-Little-Lies-Touch-Novel/dp/1423111451"&gt;&lt;em&gt;Deadly Little Lies&lt;/em&gt;&lt;/a&gt;, book two in Laurie Faria Stolarz's Touch series.&lt;p&gt; &lt;br/&gt;&lt;br/&gt;Happy reading!--&lt;em&gt;Heidi&lt;/em&gt;&lt;br/&gt;&lt;br/&gt;&lt;/div&gt;
&lt;/div&gt;
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    <entry>
        <title>Omni Daily Crush: "When the Sons of Heaven Meet the Daughters of the Earth"</title>
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        <id>tag:typepad.com,2003:post-6a00d8341e478253ef0120a67c3a53970b</id>
        <published>2009-11-11T13:28:21-08:00</published>
        <updated>2009-11-11T13:28:21-08:00</updated>
        <summary>By Tom Well, I had big plans to Crush today on a favorite novel from last year, Edward Docx's Pravda, but that's going to have to wait, since I just ran across a call over at The Millions that I...</summary>
        <author>
            <name>Omnivoracious</name>
        </author>
        
        
<content type="xhtml" xml:lang="en-US" xml:base="http://blog.shelfari.com/my_weblog/"><div xmlns="http://www.w3.org/1999/xhtml"><p>By <author><name>Tom</name></author>   </p><div><p><a href="http://www.amazon.com/When-Sons-Heaven-Daughters-Earth/dp/1860464416"><img align="right" border="0" src="http://ecx.images-amazon.com/images/I/518CFGV426L._SL225_PC_.jpg" /></a>Well, I had big plans to Crush today on a favorite novel from last year, Edward Docx's <em><a href="http://www.amazon.com/Pravda-Novel-Edward-Docx/dp/0618534407">Pravda</a></em>, but that's going to have to wait, since I just ran across a call over at The Millions that I can't ignore. In honor of <a href="http://www.amazon.com/gp/feature.html/?docId=1000436601">NYRB Classics' 10th anniversary</a>, they are <a href="http://www.themillions.com/2009/11/millions-quiz-out-of-print-gems.html">soliciting nominations</a> for the next out-of-print book that NYRB should rescue with their imprimatur. Any regular Omni reader will know that the letters N-Y-R-B are Pavlov's bell to me, so what can I say: today's plans have changed.</p><p>There are some evocative suggestions already in the comments section there (most of which I hadn't even heard of, which is thrilling), and at the NYRB's <a href="http://www.facebook.com/event.php?eid=213374258568&amp;index=1#/NYRB.Classics">Facebook page</a> more are coming in (including a pitch from once (and future?) Omni contributor Mike Smith for Dalton Trumbo's <em><a href="http://www.amazon.com/Night-Aurochs-Dalton-Trumbo/dp/0670514128">Night of the Aurochs</a></em>). One FB commenter suggests Brian Moore's <em><a href="http://www.amazon.com/Answer-Limbo-Moore/dp/0771064446">An Answer from Limbo</a></em>, and knowing from our <a href="http://www.omnivoracious.com/2009/10/omni-decade-crush-nyrb-classics.html">recent Q&amp;A</a> that NYRB boss Edwin Frank is already planning to bring back Moore's <em><a href="http://www.amazon.com/Lonely-Passion-Judith-Hearne/dp/159017349X">Lonely Passion of Judith Hearne</a></em> I've already abused my new access to suggest to him a Moore favorite of my own, <em><a href="http://www.amazon.com/Lies-Silence-Brian-Moore/dp/0380715473">Lies of Silence</a></em>.</p><p>But the first lost classic that always comes to my mind is another book, a pretty recent one that has quickly fallen off the radar as far as I can tell: <em><a href="http://www.amazon.com/When-Sons-Heaven-Daughters-Earth/dp/1860464416">When the Sons of Heaven Meet the Daughters of the Earth</a></em> by <a href="http://www.amazon.com/Fernanda-Eberstadt/e/B000APQD6K">Fernanda Eberstadt</a>, which first came out in 1997. I can no longer recall what sent me to that book in the first place (maybe it was just a wander through the shelves at Powell's...), but it was a revelation. Funny and impossibly (okay, sometimes showily) brainy, it manages to be both a wicked satire of the New York art world and a complex and sympathetic story of one artist's development: Isaac Hooker, a willful, self-taught giant of a man, whose youth Eberstadt traced in her earlier novel, <em><a href="http://www.amazon.com/Isaac-His-Devils-Fernanda-Eberstadt/dp/0446394130">Isaac and His Devils</a></em>. I went back to that earlier novel after starting with <em>When the Sons</em>, and it's excellent, as is her only novel since, <em><a href="http://www.amazon.com/Furies-Fernanda-Eberstadt/dp/0375412565">The Furies</a></em>, which is driven by similar passions and style, but <em>When the Sons</em> is still my favorite of hers. (She has a new novel coming out in the spring, <em><a href="http://www.amazon.com/Rat-Fernanda-Eberstadt/dp/0307271838">Rat</a></em>, which is among the first books I'm going to open now that I can start reading 2010; on first glance it seems to mark a shift in style for her, but we'll see....)</p><p>Her style is not for everyone (certainly not for whomever gave <em>When the Sons</em> its string of snippy 1-star reviews in 1999, which I suspect were all from the same person)--it's dense (though not impossibly so) and unabashedly smart, and she writes from within the NYC high society in which she was <a href="http://www.observer.com/2007/fernanda-eberstadt-s-park-ave-childhood-warhol-jfk-camels#">eccentrically raised</a> (she's the granddaughter of Ogden Nash, and worked at Andy Warhol's Factory <a href="http://www.salon.com/may97/interview970505.html">when she was 16</a>). But she belongs on a shelf with writers like Claire Messud, Shirley Hazzard, and, well, Edward Docx--<em>Pravda</em> is actually the book that's reminded me the most of Eberstadt since I've read her. They all write books of ideas and characters, with language that's both lush and biting and with an old-fashioned taste for the movements of time and between classes that have always driven the novel.</p><p><em>--Tom</em></p><p>Recommended for fans of Messud's <em><a href="http://www.amazon.com/Emperors-Children-Vintage-Claire-Messud/dp/030727666X">The Emperor's Children</a></em> and Hazzard's <em><a href="http://www.amazon.com/Transit-Venus-Shirley-Hazzard/dp/0140107479">Transit of Venus</a></em>.</p></div><xhtml:img xmlns:xhtml="http://www.w3.org/1999/xhtml" src="http://feeds.feedburner.com/~r/typepad/shelfari/my_weblog/~4/gmBKshF5Iuo" height="1" width="1" /></div></content>


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    <entry>
        <title>Reporting from the Road: 28 Events in 35 Days, The Blur, and Tio's Tacos</title>
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        <id>tag:typepad.com,2003:post-6a00d8341e478253ef0128757bc404970c</id>
        <published>2009-11-11T12:05:00-08:00</published>
        <updated>2009-11-11T12:05:00-08:00</updated>
        <summary>By Jeff VanderMeer (Pardon my DIY phone photos, but here's me and Tom Nissley at Amazon HQ, and a sample of the wonders that await you at Tio's Tacos.) What day is it? That's one question that keeps popping into...</summary>
        <author>
            <name>Omnivoracious</name>
        </author>
        
        
<content type="xhtml" xml:lang="en-US" xml:base="http://blog.shelfari.com/my_weblog/"><div xmlns="http://www.w3.org/1999/xhtml"><p>By <author><name>Jeff VanderMeer</name></author>   </p><div><p><em><a href="http://nozama.typepad.com/.a/6a00e54ed05fc288330128757bb1b5970c-pi" style="DISPLAY: inline" /><a href="http://nozama.typepad.com/.a/6a00e54ed05fc288330128757bb205970c-pi" style="DISPLAY: inline" /><a href="http://nozama.typepad.com/.a/6a00e54ed05fc288330128757bb242970c-pi" style="DISPLAY: inline"><img alt="Photo_110909_002" class="asset asset-image at-xid-6a00e54ed05fc288330128757bb242970c " src="http://nozama.typepad.com/.a/6a00e54ed05fc288330128757bb242970c-250wi" style="WIDTH: 240px" /></a><a href="http://nozama.typepad.com/.a/6a00e54ed05fc288330120a679ca40970b-pi" style="DISPLAY: inline"><img alt="Photo_111009_008" class="asset asset-image at-xid-6a00e54ed05fc288330120a679ca40970b " src="http://nozama.typepad.com/.a/6a00e54ed05fc288330120a679ca40970b-250wi" style="WIDTH: 240px" /></a> <br /><span style="FONT-SIZE: 12px"><span style="FONT-SIZE: 11px"><span style="FONT-SIZE: 10px"><span style="FONT-SIZE: 11px"> (Pardon my DIY phone photos, but here's me and Tom Nissley at Amazon HQ, and a sample of the wonders that await you at Tio's Tacos.)<br /></span></span></span></span>  <br /></em><em>What day is it?</em> That's one question that keeps popping into my head as I make my way through this massive book tour in support of my novel <em><a href="http://www.amazon.com/exec/obidos/asin/0980226015/">Finch</a></em> and writing strategy guide <em><a href="http://www.amazon.com/Booklife-Strategies-Survival-Century-Writer/dp/1892391902/">Booklife</a></em>. Other questions range from the mundane, like "When will I ever get to do laundry again?", to the slightly more esoteric, including "Should I get that tattoo today or just lie here and catch up on sleep?" (I decided on the latter as the more sensible answer.) </p><p>I'm now about six or seven events into the tour, and it's already been a rather wonderful, frenetic, at times odd experience. Starting out in Seattle after being a guest of honor at the World Fantasy con in San Jose, the first event at University Bookstore co-featured <a href="http://www.amazon.com/Cherie-Priest/e/B001IOFIHM/ref=sr_tc_2_0">Cherie Priest</a> and <a href="http://www.amazon.com/Cat-Rambo/e/B002LFMXGG/ref=sr_tc_2_0">Cat Rambo</a>. A boisterous crowd of about seventy got the tour off to a great start, after which my intrepid editor Victoria Blake hijacked me to go down to Salem for a gig talking to students at Willamette University, followed by a well-attended reading. Then it was off to the Press Club in Portland and Powell's. Meeting Jeff Johnson, author of <em><a href="http://www.amazon.com/Tattoo-Machine-Tall-Tales-Stories/dp/0385530528/">Tattoo Machine</a></em> was a definite highlight, as was hanging out with novelist <a href="http://www.amazon.com/Jay-Lake/e/B001IQW7TC/ref=sr_tc_2_0">Jay Lake</a> at the Japanese Garden. Finally, it was back to Seattle for a Hugo House workshop and lecture, as well as a nice lunch with Omnivoracious' own Tom Nissley and Alex Carr. (If you're wondering, there's no dirt to dish--both are genuine, fun, laid-back people who care about books. Perhaps they spend their off-hours using bunnies as target practice and planning world domination, but I rather doubt it.) A lot to absorb, a bit of a blur.</p><p>The Blur is definitely something I'm experiencing now. Not remember who I've told what stories to, and in the middle of that trying to find time to just sit and not do anything. In the midst of The Blur, small details stand out: losing my voice and asking the pharmacist for a remedy, and being told "saliva replacement gum." Um, yeah. Can you give me a brand that doesn't sound so disgusting. Or moments where time slows down, like sitting in <a href="http://www.tiostacos.com">Tio's Tacos</a> and talking with my friend Dave Wesley, Cal State San Bernardino professor <a href="http://www.amazon.com/Glen-Hirshberg/e/B001KHHWO4/ref=sr_tc_2_0">Glen Hirshberg</a> (an amazing writer), and some of his students after doing a <em>Finch</em> reading (one of whom expounded in rather convincing fashion on the myriad uses for dryer sheets). Tio's Tacos has an amazing "outsider art" garden of figures and animals and weird structures. </p><p>The other thing I'm experiencing that may sound weird is: "Oh, there actually are readers out there." As a writer, you always get that paranoid feeling in the pit of your stomach about events. What if nobody shows up? So far, though, so good, with an average crowd of about 50. Hey, I'm not a NYT bestseller. I'm one of them critically acclaimed midlisters. I'll take it, and frankly it's been great to meet such a mix of people so far. There are readers who'd never heard of me before<em> Booklife</em> or <em>Finch</em>, and readers who came up to have me sign every book I've ever written. </p><p>Anyway, I expect it to get weirder and for The Blur to become Godzilla-like in proportions, but it's okay. I'm finding myself oddly invigorated and stimulated by changes of scenery, by good and fun conversation, and reaffirming that people in this country still care about books, and still care about readings.</p><p>Check in next week when I report back with further adventures. Yes, you too can chart Jeff's ongoing disintegration and failing sense of time.</p><p><strong>What Jeff's Reading on the Road:</strong> On the plane to Seattle I cranked through Will Self's <em><a href="http://www.amazon.com/Liver-Fictional-Organ-Surface-Anatomy/dp/1596916648/">Liver: A Fictional Organ with a Surface Anatomy of Four Lobes</a></em>, composed of several long stories with connections that range from marginal to essential. The first one, set in a degenerate drinking club with a number of sleezy people of bad moral fiber, has a great baroque and tactile feel to it. Then you get to the end and, pardon the expression, have a genuine "WTF" moment when he adds a twist that had me torn between admiring his insane bravado and wanting to throw the book across the room. Are you having us on, Will Self? Are you having a larf? Regardless of how that story strikes you, though, I recommend <em>Liver</em> for its daring.</p></div><xhtml:img xmlns:xhtml="http://www.w3.org/1999/xhtml" src="http://feeds.feedburner.com/~r/typepad/shelfari/my_weblog/~4/swoYQAqeVkE" height="1" width="1" /></div></content>


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    <entry>
        <title>Omni Daily News</title>
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        <published>2009-11-11T10:15:42-08:00</published>
        <updated>2009-11-11T10:15:42-08:00</updated>
        <summary>By Tom The Giller goes to...: An upset winner for Canada's biggest book prize last night: veteran TV journalist Linden MacIntyre overtook more favored novels by Anne Michaels and Annabel Lyon, among others, with his Giller Prize win for The...</summary>
        <author>
            <name>Omnivoracious</name>
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<content type="xhtml" xml:lang="en-US" xml:base="http://blog.shelfari.com/my_weblog/"><div xmlns="http://www.w3.org/1999/xhtml"><p>By <author><name>Tom</name></author>   </p><div><p><strong>The Giller goes to...:</strong> An upset winner for Canada's <a href="http://www.theglobeandmail.com/books/linden-macintyre-takes-giller-prize/article1358649/">biggest book prize</a> last night: veteran TV journalist Linden MacIntyre overtook more favored novels by <a href="http://www.amazon.ca/Winter-Vault-Anne-Michaels/dp/077105890X">Anne Michaels</a> and <a href="http://www.amazon.ca/Golden-Mean-Annabel-Lyon/dp/0307356205">Annabel Lyon</a>, among others, with his Giller Prize win for <em><a href="http://www.amazon.ca/Bishops-Man-Linden-MacIntyre/dp/0307357066">The Bishop's Man</a></em>, a story of corruption in the Catholic Church in Nova Scotia. It only came in fourth out of five in the <a href="http://www.scotiabankgillerprize.ca/guessthegillercontest.html">Guess the Giller</a> contest, and the <em>Globe &amp; Mail</em>'s <a href="http://www.theglobeandmail.com/news/arts/the-giller-prize-who-will-win-who-should-win/article1353928/">pre-award prediction panel</a> settled on Michaels (although they liked <em>The Bishop's Man</em>). No US publication rights yet, though that should change soon.</p><p><strong>"At's a lot a preparation": </strong>James Jones's daughter Kaylie (author of <em><a href="http://www.amazon.com/Lies-My-Mother-Never-Told/dp/0061778702">Lies My Mother Never Told Me</a></em>) reveals the <a href="http://www.thedailybeast.com/blogs-and-stories/2009-11-10/was-a-wwii-classic-too-gay/?cid=topic:mainpromo1">cuts to homosexual storylines</a> that Jones made to <em><a href="http://www.amazon.com/Here-Eternity-James-Jones/dp/0385333641">From Here to Eternity</a></em> in response to publisher pressure.</p><p><strong>The Bassmetrics revolution:</strong><a href="http://www.themillions.com/2009/11/best-american-short-stories-by-the-numbers.html">The Millions</a> points to the spreadsheet compiled by the obsessive <em>Best American Short Stories</em> blogger at <em><a href="http://yearsofbass.blogspot.com/">Years of BASS</a></em>, which tracks the most frequent author appearances in the yearly anthology since 1978: Alice Munro leads by a mile, followed by Updike, Oates, and Mavis Gallant (those Canadians again--should it be renamed <em>Best North American Short Stories</em>?). But just measuring author appearances? As a former baseball stats geek, I know we can dig much further into the data: the journals the stories came from, trends in literary symbols and alcohol and drug intake, frequency of adultery, brand names, and talking animals... C'mon, amateur scholars, there's hectares of open territory here.</p><p><strong>Moving &amp; shaking: </strong>On Veteran's Day, Robert M. Poole's <a href="http://www.amazon.com/Hallowed-Ground-Arlington-National-Cemetery/dp/0802715486"><em>On Hallowed Ground: The Story of Arlington National Cemetery</em></a> appears in our top 10 <a href="http://www.amazon.com/exec/obidos/tg/new-for-you/movers-and-shakers/-/books">Movers &amp; Shakers</a>.</p></div><xhtml:img xmlns:xhtml="http://www.w3.org/1999/xhtml" src="http://feeds.feedburner.com/~r/typepad/shelfari/my_weblog/~4/buhlg8bLsr0" height="1" width="1" /></div></content>


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    <entry>
        <title>Southern Living: Talking with Matt Lee and Ted Lee</title>
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        <published>2009-11-11T00:01:00-08:00</published>
        <updated>2009-11-11T00:01:00-08:00</updated>
        <summary>By Brad Thomas Parsons With their debut cookbook, The Lee Bros. Southern Cookbook, South Carolina siblings Matt Lee and Ted Lee swept the 2007 cookbook award season, winning two James Beard Awards, including Cookbook of the Year, and two IACP...</summary>
        <author>
            <name>Omnivoracious</name>
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<content type="xhtml" xml:lang="en-US" xml:base="http://blog.shelfari.com/my_weblog/"><div xmlns="http://www.w3.org/1999/xhtml"><p>By <author><name>Brad Thomas Parsons</name></author>   </p><div><p><a href="http://www.amazon.com/Lee-Bros-Simple-Fresh-Southern/dp/0307453596"><img align="right" border="0" src="http://ecx.images-amazon.com/images/I/51JydwhKBvL._SL350_PC_.jpg" /></a>With their debut cookbook, <em><a href="http://www.amazon.com/Lee-Bros-Southern-Cookbook-Southerners/dp/039305781X">The Lee Bros. Southern Cookbook</a></em>, South Carolina siblings <a href="http://www.amazon.com/Matt-Lee/e/B001IGLSVU">Matt Lee</a> and <a href="http://www.amazon.com/Ted-Lee/e/B002LZIBF8">Ted Lee</a> swept the 2007 cookbook award season, winning two James Beard Awards, including Cookbook of the Year, and two IACP awards. With <em><a href="http://www.amazon.com/Lee-Bros-Simple-Fresh-Southern/dp/0307453596">The Lee Bros. Simple Fresh Southern: Knockout Dishes with Down-Home Flavor</a></em>, Matt and Ted continue celebrating Southern cuisine in a collection filled with easy, approachable dishes for home cooks. Matt and Ted are also the founders of <a href="http://www.boiledpeanuts.com/">The Lee Bros. Boiled Peanuts Catalogue</a>, where Southern ex-pats can get their grits fix, and are contributing editors for <em><a href="http://www.amazon.com/Travel-Leisure/dp/B00005NIP7">Travel + Leisure</a></em> and the wine columnists for <em><a href="http://www.amazon.com/Martha-Stewart-Living/dp/B00005NIOA">Martha Stewart Living</a></em>.</p><p>Full disclosure: I've been following Matt and Ted's byline for years and since their cookbook came out in 2006 I've been lucky to call them both great friends. We've cooked together and shared many meals together since then. I recently caught up with the guys, calling in from their Harlem office where they were gearing up for their book tour. Read on, or listen in to our podcast, as we talk about Southern food (naturally), quick pickles, how to win friends with a jar of sorghum molasses, entertaining tips (it helps to have live fire and/or a mystery guest), Lowcountry living, and what it means to cook "simple fresh Southern."</p><p>And check out Matt and Ted's recipe for <a href="http://www.amazon.com/gp/feature.html/?ie=UTF8&amp;docId=1000429901">Clams with Sweet Potato, Smoked Sausage, and Watercress</a>.</p><p><em>--BTP</em></p><div style="text-align: center;"><span id="dailyHidable1" style="visibility: visible;"><iframe frameborder="0" height="280" id="movieFrameID" marginheight="0" marginwidth="0" name="movieFrame" scrolling="no" src="http://www.amazon.com/gp/AmznFlashPlayer/player.html?mediaObjectId=m1SROJ2QJVRB4W&amp;permalinkRefTag=ent_fb_perma_text" width="442" /></span></div><p><strong><br /></strong></p><p><strong>Amazon.com</strong>: First of all, what do you think is the biggest misconception about Southern food?</p><p><strong>Matt Lee</strong>: Heavy, fried, overcooked, hostile to vegetables...</p><p><strong>Ted Lee</strong>: Well, that's the first four! I think the fifth is that it's very difficult to make. In part because so many Southern meals are ones that sort of happen outdoors with a ton of people. People have come to think that every meal in the South is like a whole-hog barbecue--you dig the pit the day before, that sort of thing. Don't get us wrong--we love that. That is one of the great things about Southern food. What we wanted to focus on in the new book was kind of like the way we cook in the South from day to day. The way Matt and I cook in Charleston from day to day. We like to think it's a very vegetable-focused kind of cooking, wouldn't you say, Matt?</p><p><strong>Matt Lee</strong>: Absolutely. The thing that people inherently know about the South and yet they seem to forget is that everything grows there. The climate is so favorable for growing vegetables, fruits, and things, so it's not a stretch to recognize that we do a lot of things with those fruits and vegetables and they become a part of our lives in a very meaningful way. Anyone who collects Southern cookbooks knows that and see that there are some great, classic dishes that involve vegetables. Everyday cooking in the South involves vegetables on a regular basis. The sexiness of our fried chicken and barbecue and long roasts get a lot of play but there are some exciting things going on in other parts of the grocery store, too.</p><p><strong>Amazon.com</strong>: Can you break down the bullet-points for "simple fresh Southern." What does that mean to you and how do you want that translated to the home cook?</p><p><strong>Ted Lee</strong>: I think the first word, "simple"--our notion of simplicity isn't bound by a five-ingredient book or recipes that are going to take less than 30 minutes. Those might be easy recipes but every recipe in the book was evaluated according to how easily it fit into the rhythms of the life of a busy person. So even though our whole roast chicken, which we cook in a skillet on a bed of vegetables, may take an hour it's very stress-free cooking time and at the end of it you have this amazing chicken and you have your side dish. That would be part of the whole notion of simplicity.</p><p><strong>Matt Lee</strong>: And it takes place in a single skillet so there is a minimum of clean-up afterward. All those different factors of purchasing, cooking, and clean-up are very present in our minds at the time we were developing the recipes for our book.</p><p><strong>Ted Lee</strong>: So the notion of simplicity is a very holistic notion of simplicity. And then secondly, "fresh." Fresh, in it's most literal sense--we don't use a whole lot of processed or canned ingredients or packaged goods. Fresh ingredients--we love them, we get a lot of them in Charleston, whether it's produce, shrimp, oysters, fish, that kind of thing--great pork, too. We also felt like fresh had a double-meaning in a sense, because in our last book we had some recipes in there that people did not recognize from the Southern canon. There was a lot of authentic recipes in there but some of them, like our butterbean pÃ¢tÃ©, for example, which was a simple spread--like a sandwich spread, or a dip made with butterbeans and mint.</p><p><strong>Matt Lee</strong>: And parsley and lemon. </p><p><strong>Ted Lee</strong>: And olive oil. That was sort of a riff on Southern ingredients that we love, sort of distillation of the Southern garden into a dip. In this book, with the fresh thing, we really wanted to focus on things like that, that may not be classics in the Southern canon, but are our riffing on getting excited about okra in a new way.</p><p><strong>Matt Lee</strong>: And being inspired by the ingredients in the South. And to the point of the butterbean pÃ¢tÃ©, sort of the flavor of summer. We were channeling a lot of the different moments in a Southern calendar year that really inspire us. The fall for us is always oysters and oyster roasts. It's simple to do them and easy to cover but we thought we had neglected the wonderful soups you can make with oysters. So we developed this soup that's simple and emphasizes the fresher flavors. You put the oysters themselves in a bottom of a bowl raw, and then you laddle a hot soup over it that cooks it just enough. It's a cream-based soup and couldn't be simpler. We're going to reuse that word in this interview, aren't we? For us, a warm, comforting oyster soup channels the feeling of late October, early November in the South.</p><p><strong>Ted Lee</strong>: As Matt said, what's original in that oyster soup seems to be the method of its preparation. The freshness and originality might express itself in a different way as a new use for a classic Southern ingredient. One example of that in our book is the buttermilk fresh cheese, which is sort of a ricotta-like cheese. We curdle milk with buttermilk and then strain it through a cloth. It just makes this really wonderful farmers' cheese that you can do a ton of things with. You can roll it up with country ham and blanched collards and make a sort of passed appetizer kind of thing. You can just put it on a plate with some crackers. You can dust it with all kinds of nuts--pistachios, pecans. And sometimes the freshness in the title also refers to our taking a classic Southern dish and then having fun with it. A classic example of that would be the mint julep panna cotta. A panna cotta is not exactly a Southern preparation. What's funny is that things in this day and age are so fluid that a panna cotta to us seems like the sort of gelatin salads, aspics, that sort of thing. It seems very Southern in texture certainly. We brought all the flavor and fun of a mint julep into a panna cotta and I think that's going to be one of the breakout desserts from the book.</p><p><strong>Matt Lee</strong>: Ted, I think Giada pronounces it panna <em>co</em>tta.</p><p><strong>Ted Lee</strong>: We're Southern, we say <em>pan</em>na cotta.</p><p /><p><strong>Amazon.com</strong>: You touched upon your collection of Southern cookbooks. What are the steps in taking a dish from a dusty old community cookbook and making it a Lee Bros. dish?</p><p><strong>Matt Lee</strong>: Thank you for asking. This is something we just take a lot of pleasure in and enjoy telling people about. Whether it's an old dusty Southern cookbook or a brand-new Italian cookbook, mining someone else's book for culinary ideas is something that's a ton of fun. We tell the story in the foreword to our book of one such example where we found a recipe for a casserole that was deviled eggs layered in a pan covered with a shrimp gravy, and there were bread crumbs and, like, three other elements, and once you baked all that you served it over crisp Chinese noodles out of a can--a product I don't think is even available. It was a classic, uber-rich, semi-homemade, post-war casserole thing that would probably be close to disgusting if you made it, but contained in that dish was this brilliant idea of combining shrimp and deviled egg. For us, being excited by that idea, after seeing through the fog of the other ingredients. We played around with a different variance of it--what could we do with it? Basically, a shrimp salad with chopped-up deviled eggs in there bound together with the mayonnaise. We went through all sorts of things but what we ended up with was basically a take on lobster roll sort of thing--with a lot of chunky shrimp, the good, sort of curry-spiced deviled egg flavor in there as well along with scallion, lemon zest, and a few other ingredients. It's a wonderful entree. In some situations we've served it like the main event or it can be a sandwich you pack when you go to the beach or to the park. Just not taking recipes so literally because a lot of the classic recipes are out of date in terms of the ingredients they use, sometimes they're imprecise. You've cooked a lot, Brad, from cookbooks to know that, especially some of the older cookbooks that were more conversational and anecdotal. But within those stories were a lot of great ideas and it's fun to read through and find them.</p><p><strong>Amazon.com</strong>: Southern food is probably one of America's finest regional cuisines--I don't think you'll argue with that--</p><p><strong>Ted Lee</strong>: No, we won't.</p><p><strong>Amazon.com</strong>: But under that banner there are regions within regions within regions. Is the debate of who makes the best "blank" part of its charm or is it really the geography that's influencing all those different regions or the attitude of the people in those regions?</p><p><strong>Ted Lee</strong>: I think it's a little bit of both. I think there are, as you travel from place to place in the South, very different ingredients and different preparations. That's part of the excitement of traveling around the South and I think people are sort of getting hip to the notion that the Southeast is like Italy in that respect. You can really spot ingredients, for example, like mayhaws, that grow all over south Georgia. And you'll see people selling mayhaw jelly--they're sort of the currant-like berry, they're the berries of a hawthorne bush--and then you'll go down to Jacksonville and you'll see no mayhaws but you'll see datil  peppers. These amazing peppers that came over with Majorcan settlers. So there still are those things that really define a place. And traveling through it you usually see it on the roadside and certainly on the menus of all kinds of different restaurants.</p><p><strong>Matt Lee</strong>: And naturally people thrill to the competition, like, who makes the best biscuit? I think you find that everywhere, but it's just that in the South there are these amazing sub-regions so the competition can get that much more heated. And I think people in the South view food and cooking as sport in a way that it's not in other regions of the country.</p><p><strong>Amazon.com</strong>: Do you each have a second-favorite American region for cuisine?</p><p><strong>Matt Lee</strong>: Good question.</p><p><strong>Ted Lee</strong>: I actually love the Midwest. I spent two years there in graduate school in Iowa City and I was sort of taken by how close to the land people live. I mean, farming is such a big thing there. People know a lot about it, they know a lot about how animals are raised--it seems to be a very ecologically conscious place. I just loved it. It's partly where I got turned on to pork so much.</p><p><strong>Matt Lee</strong>: I think Texas, and especially the parts of Texas closest to Mexico that are culturally synonymous, practically, with Northern Mexico are endlessly fascinating. You could probably write three cookbooks or more just about different regions of Texas. I'm sorry to say I haven't traveled to much more than the big cities in the state of Texas, but I know it's such a huge place and just filled with amazing ingredients and these centuries-old traditions.</p><p><strong>Ted Lee</strong>: But we're also big on Hawaii.Hawaii has its own food culture that seems completely unto itself. We especially love it because it seems to share a love of pork and...</p><p><strong>Matt Lee</strong>: ...greens. And fish. I think we've written before that we consider it a Southern state. And the Elvis association doesn't hurt.</p><p><strong>Amazon.com</strong>: You've definitely amped-up my would-be Southern-ness cooking through your books. I knew from grits and fried chicken and country ham but reading your first book, things like sorghum and scuppernong were new to me. What are some Southern ingredients you'd like to see more readily available across America or evangelized?</p><p><strong>Matt Lee</strong>: Well, sorghum is certainly one of them. As much as we've written about it it still hasn't hit any sort of traction with chefs, partially because of the supply problem. There just aren't enough people making it and producing it. Its manufacture requires vast quantities of energy and patience. It's similar to maple syrup boiling, it takes a long time to boil down the juice to make a nice, delicious, complex syrup. But its time will come--I'm pretty confident. We keep "discovering" new, slightly esoteric Southern ingredients that we never encountered before. Ted was reading a manuscript for a book recently that was talking about certain classic dishes of the South and it mentioned several preparations made with rice flour. Of course, rice is something Southerners have loved for a long time. It was grown in the South, part of the tradition there. It's been slightly rediscovered in that, this particular variety of rice--Carolina Gold--has become a new hot thing. Kind of like stone-ground grits had its moment in a lot of restaurants around the country. Carolina Gold rice is another one of those great grains. But why not turn it into a flour and create puffy beignets out of it, interesting batters for your fried fish or fried chicken? There's a lot of potential.</p><p><strong>Ted Lee</strong>: Quick breads, I'm thinking.</p><p><strong>Matt Lee</strong>: Yeah. Pastry chefs could have a ton of fun with rice flour. I mean, they already do, but let's apply it to this particular variety of rice that's certifiably associated with the South.</p><p><strong>Amazon.com</strong>: This summer the popularity of canning and preserving hit a fever pitch. You're both big advocates of pickling, especially quick pickles. Where does that love come from, and what are some tips to make those more than just a go-with and to finish that jar off?</p><p><strong>Matt Lee</strong>: Especially in the Lowcountry there's been a tradition of great pickling. In our little mail-order catalogue that got us into this whole business we offered no fewer than two different ways to do green pickles--sliced and whole. There's pickled peaches--such a bounty of fruits and vegetables that at a certain point you have to do something to preserve them, or at least you did before refrigeration. Pickled figs, pickled peaches, pickled grapes, pickled onions, pickled Jerusalem artichokes. There's very little that hasn't been pickled in the South, including meats. Like pig's feet--and eggs. It's definitely a pickle-centric place. The tangy and tart element on the plate is a very important part of the proper Southern meal. The relishes, obviously. Onion, green tomato, Jerusalem artichoke are sort of the classic ones that are essential when you have salty meats like country hams around. And our grandmother did a lot of proper pickling for preserving's sake. The reality of life today is that we can do that on a very occasional basis but there's no reason why we can't quick pickle on a more regular basis. And by quick pickling, of course, we mean treating the vegetables as fresh food. Not ever really intending to keep them longer than a couple weeks. We douse them with a hot brine but we're not fastidious about sterilizing the jars and lids and things like that. And the payoff is that the flavors are fresher, the whole process is quicker, textures are a little more crunchy and vibrant. And there's an imperative to use them and enjoy them that there isn't when you fill a cardboard box with a case of Mason jars and walk it down the dusty stairs to the basement.</p><p><strong>Ted Lee</strong>: There's this association with gift-giving, which is always fun. It's so much fun to give a gift of pickles. And when you do it on a regular basis, as you are when you're quick pickling, you just always roll with a jar of pickles to give to whoever you come into contact with. It's really fun. I did a double-batch of radish pickles, which we have in <em>Simple Fresh Southern</em>, and my wife E.V. was just eating them for lunch as almost a side dish. She had a little bowl of cottage cheese and she just took these radish and onion pickles straight out of the jar and just sort of plopped them on a plate right next to the bowl of cottage cheese and was just sort of alternating bites. I think pickles have sort of become a side dish for me. More than an accent, but really like their own thing. Like something you'd put on a plate along with a scoop of creamed corn.</p><p><strong>Matt Lee</strong>: Well, it's basically a salad without the olive oil.</p><p><strong>Ted Lee</strong>: Yeah.</p><p><strong>Amazon.com</strong>: Throughout your travels, whether it's a home cook known for a certain dish or a restaurant, you're known for, what you call, talking your way into the kitchen. What are some tips on doing that?</p><p><strong>Matt Lee</strong>: Carrying some sort of rare ingredient that chefs are fascinated by would be one way for sure. Pickled peaches are a great door-opener. A jar of sorghum molasses.</p><p><strong>Ted Lee</strong>: I'm going to start carrying jars of mayhaw jelly. I think that's a real esoteric thing most people have never heard of.</p><p><strong>Matt Lee</strong>: But I'm saying you've got to find the things they have heard of. You know, you need a wedge. Some rare salt. Even just a particularly fine sausage. Brad, you know, up there in the Pacific Northwest, you guys have all these amazing home-cured sausages--Mario Batali's dad makes them. You know, wherever you go as long as it's local, honest food people who care about flavor are going to be interested in it.</p><p><strong>Amazon.com</strong>: With the first book, you went on an extensive, extended tour of America. What sort of reader feedback, about the book, or things you heard in general about Southern food surprised you the most?</p><p><strong>Ted Lee</strong>: I think what was surprising was how many people we encountered outside the South had traveled to the South and really knew about it and loved it. I remember in Minneapolis, of all places, we had this huge crowd turn out at this bookstore in a suburb. It was crazy. Oh my gosh, how do you know about us? How did this come on your radar? I think more and more people are traveling to the South and getting excited about the foods of the South. We ended up going back to Minneapolis <em>again</em> later in the spring because we just had a following there. That was thrilling. To really realize that people were getting excited about Southern food even outside the South. Another thing that was awesome was we found, especially when we were doing cooking classes--one of the most fun things to do is roll into a town and do a three-and-half hour cooking class. It's just really fun to be able to spend that much time with people who maybe read your book or they heard about it and they're really engaging with you and your process. Usually we cook, like, six dishes in a three-hour class. To hear how they cook is partly why <em>Simple Fresh Southern</em> came about because a lot of people would say, I got your book for Christmas, so glad to meet you, I came to your class. And we'd say, what do you cook? And they'd say, I love the ambrosia, I love the butterbean pÃ¢tÃ©, and they'd go on. And we realized they were cooking all the dishes that take 15-20 minutes to make. So we were like, what about the gumbo? How about that amazing gumbo? That four-and-a-half hour Sunday gumbo? And they'd be, like, no, not so much. It was a reality check for us. There are some readers who really go to a book to have that cooking challenge, to tackle that four-and-a-half hour cooking project, but there are also people like us who just want to put a great Southern meal on the table on a weeknight. I think that's where the impetus for the second book came about. Wouldn't you agree, Matt?</p><p><strong>Matt Lee</strong>: Absolutely. It's a great time to cook Southern now because so many of the ingredients are available at every grocery store in the nation. There really is no obstacle to doing it tonight. Us being food geeks we don't think twice about taking on a challenge on a Wednesday evening but most people, and us 99% of the time, just have to eat and eat well. Just have a little fun in the kitchen and then get on with life. It was a great and fun book to develop because it felt very natural. There wasn't any mountain we needed to climb. It was about doing what came easily to us and using the ingredients that were available.</p><p><strong>Amazon.com</strong>: To that point, one of the things I loved about cooking my way through your two books is the sense of story and the narrative headnotes weaving in cultural and family history. That really helps a cookbook win me over. Is that your approach, in general, to share the origin story or history of a dish instead of just saying, here's a great dish for this occasion?</p><p><strong>Matt Lee</strong>: Absolutely. For us, we feel like we need to justify why we included a recipe in the book. It always flummoxes me when you flip through a new cookbook and it's just a list of ingredients followed by a set of instructions followed by another list of ingredients. You have to justify why the banana pudding recipe was put in the cookbook. There's got to be <em>something</em>. For us, especially since there's two of us, there's always a little bit of a story behind how we did it and why we did it and the challenge for us, really, is trimming it down so we don't go on too long. We've taxed the patience of our editors on a few occasions by the three-page headnote to the half-a-page recipe. But we kept it in check this time around.</p><p><strong>Ted Lee</strong>: I also feel like food is so much part of life in the Lowcountry. You can't really talk about food without talking about how it happens and with that comes a lot of stories. That's true of a lot of places in the South, and probably cross-country--it's not unique to the South. For us it's really important to bring in what is this dish about, how did we come to it, why are we excited about it, how does it integrate itself into our lives, what kind of occasion would we make it for? Especially in the new book, there are dishes like the garlic chile crabs that are a tribute to a restaurant in Charleston that made a similar dish and went out of business. It had been around forever but it went out of business, I feel like, before it really got to be known--this place, Freddie's Crab. It was just a great place and it's no longer there so you have this impulse to give a tribute and to develop a recipe that refers to that place and that time. Because it really was just a place and time when it existed and now we don't have it. But we do have this recipe! And we do have the story.</p><p><strong>Amazon.com</strong>: Whether it's a sit-down dinner or a plates-on-the-lap affair, what are some entertaining tips for a <em>Simple Fresh Southern</em> dinner party?</p><p><strong>Matt Lee</strong>: Drinks as a first impression. You can buy yourself time and make your guests happy instantly if you've got either a pitcher of a great beverage. It can be nonalcoholic, like our ginger lemonade, or it can be watermelon margaritas, but to have them all laid out and set the moment someone comes through the door you've instantly bought yourself an extra half-hour or 45 minutes if something else in your dinner is running late.</p><p><strong>Ted Lee</strong>: A lot of the drinks in our book are things that can be used as a mixer and as a nonalcoholic beverage. Sort of serve double-duty, which is awesome. We also have a lot of great appetizers for crowds.We have smoked shrimp with three different dipping sauces. And that's similar to the drinks, something you can put down and have everyone sort of dig into it.</p><p><strong>Matt Lee</strong>: Get a little messy.</p><p><strong>Ted Lee</strong>: Get a little messy. Break the ice. And really have fun with it. And if you're the kind of cooks like we are you're always doing things at the last minute and that buys us a half-hour, 45 minutes to get the rest of the meal done.</p><p><strong>Matt Lee</strong>: It's fun to have a wild element of some sort. When you go to a classic Southern party or even a newfangled Southern party there always seems to be an element, no matter how elegant it is, that's a little bit wild or loose. It might be an open flame. For example, a real candelabra on the front porch with open flames. It might be a mystery guest. It might be a punchbowl that seems to imply unsanitary conditions. There's got to be something that's a little daring. Something like challenging yourself to make the buttermilk fresh cheese while your guests are there--the science-fair quality of watch me while I cook.</p><p><strong>Amazon.com</strong>: I've got to say, the mystery guest is something I haven't tried. I like that.</p><p><strong>Matt Lee</strong>: You never tried the mystery guest? Our parents always had at Thanksgiving and at Christmas a mystery guest of some sort. Which is a tradition our mom's mom started. You know, shaking it up a bit. Because life is too short to play it safe.</p><p><strong>Ted Lee</strong>: Some sort of appetizer that's elbows-deep. I mentioned the smoked shrimp but there's also those garlic-chile crabs.</p><p><strong>Matt Lee</strong>: Oh, yeah.</p><p><strong>Ted Lee</strong>: That's something you need a terrycloth towel. Get a stack of clean terrycloth towels, a huge platter of crabs, and just dig in. Something that you can't really be fussy and proper about. Something you have to love like that--to get elbows-deep in it. But other entertaining tips... You know, in this book so many of the recipes are meant to be served family-style. That's one thing about our lives that's changed in the past couple of years. Since the first book has been published we both got married, we have bigger families, we tend to cook for a lot of people when we get together. Family-style service is so much fun--just bringing big platters of food to the table and having everyone pick from them. The chaos of it is so fun. It's a Southern way to be, really.</p><p><strong>Amazon.com</strong>: You guys split your time between Charleston and New York, I was curious what you thought about the current, or maybe it's over by now, fried chicken frenzy that's sweeping the city.</p><p><strong>Matt Lee</strong>: Oh, yeah, that's about 20 days old now.</p><p><strong>Ted Lee</strong>: We love it. We love it. It's so funny because people are like, that's no news, we've always known there was great fried chicken in New York. The more there are people doing great fried chicken in New York the more exciting it is. Whether it's a trend of the last month or it's always been here, it is a fact that more and more restaurants here are doing really good fried chicken.</p><p><strong>Matt Lee</strong>: And really good Southern food in general.</p><p><strong>Ted Lee</strong>: Yeah, that is true, too. We like to contextualize it by saying wait, the fried chicken thing is only part of it. How about the number of restaurants here in New York that have country ham on the menu--and really good ones! They know their sources, they're getting the best ham, they're getting the best grits, they're getting Carolina Gold rice. And these aren't necessarily super high-end or culty restaurants. I know a restaurant out in Bed-Sty, Peaches, that's on nobody's must-eat radar. It's a neighborhood restaurant that serves great Southern food and they happen to serve Carolina Gold rice. That's a cool development and that's only within the last five years. If you told me ten years ago that there was going to be a restaurant in Bed-Sty serving Carolina Gold rice I would've said you're crazy.</p><p><strong>Matt Lee</strong>: It may be similar to that moment, not a fad moment, but rather a transition from being an esoteric vernacular to being more a part of the palette, the painter's palette, of an aspirational chef in New York, or anywhere in the world nowadays. Like that moment in the early '80s when people began to realize that Italian food in the U.S. wasn't just red sauce and garlic bread. That moment when chef's like Mario Batali and some of his predecessors began to lobby for real extra-virgin olive oil. When the only thing in the grocery store was the can of generic olive oil and then it was like, woo!, the ingredients of Italy were made available to us. The nuances of the different regionalities within Italy became apparent. It was an exciting time and then suddenly these ingredients are part of the restaurant world and part of chefs' creative palettes.</p><p><strong>Ted Lee</strong>: Brad, that was interesting, I heard <a href="http://www.omnivoracious.com/2009/10/momofuku-david-chang-peter-meehan-interview.html">your podcast with David Chang and Peter Meehan</a>, and it was awesome to hear them talking about how excited they were by Southern ingredients like grits and country ham. We think that's so cool.</p><p><strong>Amazon.com</strong>: I love his approach to imagining what if a Korean grew up in Charleston and what if someone from the South grew up in Korea.</p><p><strong>Ted Lee</strong>: Exactly! Because it's not so far-fetched. A place like Charleston is such a melting pot and it always has been. The story of Charleston is a melting pot. It's not far-fetched to imagine a Korean person growing up in Charleston and coming into contact with country ham and having fun with it. I loved that David Chang embraced the word fusion--it's hard to avoid it.</p><p><strong>Amazon.com</strong>: I was going to ask you, wrapping up, in terms of dining trends you're seeing either in the South or in New York that you like and anything you're seeing out there where you've said, OK, that's the last food truck I want to see, or something like that.</p><p><strong>Ted Lee</strong>: We don't do a ton of dining out just because so much of our working lives are based on home cooking. Matt, what would you say?</p><p><strong>Matt Lee</strong>: Well, one thing that I don't like, if I could start with something negative, is taking pictures of your food while you're at the table. That to me seems so pointelss and self-referential. No one wants to see that lame, flash photograph of your dog's dinner.</p><p><strong>Ted Lee</strong>: But that's not a trend that comes out of the kitchen.</p><p><strong>Matt Lee</strong>: I know, I know, I know.</p><p><strong>Ted Lee</strong>: Your nitpicking, really. I think, in the South certainly, it seems to be more and more about sourcing great ingredients and really delving deeper--into older cookbooks, older recipes. We're seeing a lot of people, like Sean Brock in Charleston, is really getting obsessed with, like, pre-Civil War recipes and pre-Civil War grains and that sort of thing. And heritage variety of pigs. None of that is new but I think it's getting more and more serious at every level. Whether you're talking about a fine-dining place like McCrady's or whether you're talking about a casual place like The Glass Onion out on Savannah Highway, which is sort of this new diner in Charleston. It's not so new--it's about a year old. But it's three young chefs--food people--who got together and they're doing local sourcing and they're Twittering their daily specials--which I love. I mean, even if I don't happen to be in Charleston I love knowing that they're serving veal on grits and that sort of thing.</p><p><strong>Matt Lee</strong>: One development that I love is the options for dining in Charleston are getting more diverse, in a sense that it's not all fine-dining anymore. There was a long period where there was really nothing between a roadside fish shack and a white tablecloth ten-course dinner. There wasn't anything in the $10 - $15 pricepoint in Charleston. And then you began to see a few more places come along and Hominy Grill made its reputation in that category of casual food, but excellent food, at an affordable price. We're seeing a lot more casual options in that regard. It's just another way to do food. Sunday night dinners. A self-service cafeteria revival might be another.</p><p><strong>Ted Lee</strong>: We're getting decent pizza in Charleston nowadays as maybe a part of a little trendlet. And we're also getting great taco trucks in North Charleston. The thing we haven't seen yet is the Vietnamese sandwich thing. That has completely not hit Charleston. And we can't wait until it does!</p><p><strong>Matt Lee</strong>: Eagerly anticipating! Because of the pickle, the slaw, the sour element.</p><p><strong>Amazon.com</strong>: Maybe you need to introduce a country ham Vietnamese sandwich.</p><p><strong>Matt Lee</strong>: Yeah.</p><p><strong>Ted Lee</strong>: Exactly.</p><p /><p /><p /></div><xhtml:img xmlns:xhtml="http://www.w3.org/1999/xhtml" src="http://feeds.feedburner.com/~r/typepad/shelfari/my_weblog/~4/OSbdgWNDKqI" height="1" width="1" /></div></content>


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    <entry>
        <title>Omni Daily Crush: The City Out My Window: 63 Views on New York</title>
        <link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/typepad/shelfari/my_weblog/~3/SaKoGoy3ufw/omni-daily-crush-the-city-out-my-window-63-views-on-new-york.html" />
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        <id>tag:typepad.com,2003:post-6a00d8341e478253ef0120a66ef45f970b</id>
        <published>2009-11-10T09:23:13-08:00</published>
        <updated>2009-11-10T09:23:13-08:00</updated>
        <summary>By Brad Thomas Parsons In his new book, The City Out My Window, architect and illustrator Matteo Pericoli zooms in from the city-wide scope of his monumental Manhattan Unfurled to offer the private windowscapes of an eclectic lineup of notable...</summary>
        <author>
            <name>Omnivoracious</name>
        </author>
        
        
<content type="xhtml" xml:lang="en-US" xml:base="http://blog.shelfari.com/my_weblog/"><div xmlns="http://www.w3.org/1999/xhtml"><p>By <author><name>Brad Thomas Parsons</name></author>   </p><div><p><a href="http://www.amazon.com/City-Out-My-Window-Views/dp/1416569901"><img align="right" border="0" src="http://ecx.images-amazon.com/images/I/51z3ICIciCL._SL225_PC_.jpg" /></a></p><p>In his new book, <em><a href="http://www.amazon.com/City-Out-My-Window-Views/dp/1416569901">The City Out My Window</a></em>, architect and illustrator <a href="http://www.amazon.com/Matteo-Pericoli/e/B001IXTT28">Matteo Pericoli</a> zooms in from the city-wide scope of his monumental  <em><a href="http://www.amazon.com/gp/product/product-description/0375504915">Manhattan Unfurled</a></em> to offer the private windowscapes of an eclectic lineup of notable New Yorkers. Award-winning architect Paul Goldberger introduces this austere and entrancing collection: "What is less in our control than a city view? We can choose not to live somewhere, but that is about as far as most of us can go in determining what we look at from our windows. ... But once you accept it, it becomes a part of you, and what you see in it tells everything." And as you flip through the pages you'll get a voyeur's view of the at-home (or often, at work-) persepective of  Roger Angell, Ed Koch, Graydon Carter, Tom Wolfe, David Byrne, E.L. Doctorow, Junot Diaz, Mikhail Baryshnikov, Oliver Sacks, Tony Kushner, and many more.</p><p>Adam Yauch on his Hudson River view: "I don't know how much longer we'll have this view. In New<br />York City it's only a matter of time before someone builds in front of<br />you..."</p><p /><p>Mario Batali on gazing upon historical Washington Square Park: "[it] is the entire history of mid-twentith-century pop culture... the world as we know it is born here, lives here, will evolve here. It is beauty, it is paradise, it is frenetic and calm."</p><p>Gay Talese's on his blurry perch: "While glancing through the fourth-floor studio window of my<br />brownstone in mid-Manhattan I have at best a murky view of my<br />neighborhood due to my longtime avoidance of window washers."</p><p>And Stephen Colbert on his office view: "Because my studio is directly across from a windowless telecommunications skyscraper whose peak bristles with microwave transmitters, when I think of my view mostly I think about cancer, so I try not to think about it at all."</p><p /><p /><p>Recommended for fans of <em><a href="http://www.amazon.com/New-York-Line-Broadway-Battery/dp/0789318369/">New York: Line by Line</a></em> and <em><a href="http://www.amazon.com/Manhattan-Unfurled-Matteo-Pericoli/dp/0375504915/">Manhattan Unfurled</a></em>.</p><p><em>--BTP</em></p></div><xhtml:img xmlns:xhtml="http://www.w3.org/1999/xhtml" src="http://feeds.feedburner.com/~r/typepad/shelfari/my_weblog/~4/SaKoGoy3ufw" height="1" width="1" /></div></content>


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    <entry>
        <title>Comic Strip Superstar--We Have a Winner!</title>
        <link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/typepad/shelfari/my_weblog/~3/cu2ZSjMUicA/comic-strip-superstar--we-have-a-winner.html" />
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        <id>tag:typepad.com,2003:post-6a00d8341e478253ef012875703852970c</id>
        <published>2009-11-10T09:19:35-08:00</published>
        <updated>2009-11-10T09:19:35-08:00</updated>
        <summary>By Alex Carr Amazon customers have spoken, and yesterday we announced the grand-prize winner of our Comic Strip Superstar contest. Back in August, Andrews McMeel Publishing declared their search for the next big thing in comic strips, and we opened...</summary>
        <author>
            <name>Omnivoracious</name>
        </author>
        
        
<content type="xhtml" xml:lang="en-US" xml:base="http://blog.shelfari.com/my_weblog/"><div xmlns="http://www.w3.org/1999/xhtml"><p>By <author><name>Alex Carr</name></author>   </p><div><p>Amazon customers have spoken, and yesterday we announced the grand-prize winner of our <a href="http://www.amazon.com/comicstripsuperstar">Comic Strip Superstar</a> contest.</p><a href="http://www.amazon.com/b/ref=amb_link_85000071_1?ie=UTF8&amp;node=2128878011&amp;pf_rd_m=ATVPDKIKX0DER&amp;pf_rd_s=center-3&amp;pf_rd_r=1FZMAE16ZH8Y9Y7ATSR1&amp;pf_rd_t=101&amp;pf_rd_p=486507271&amp;pf_rd_i=283155"><img align="right" alt="Comic-ss_120._V219594025_" border="0" class="at-xid-6a00e54ed05fc288330120a57f79e6970c " src="http://nozama.typepad.com/.a/6a00e54ed05fc288330120a57f79e6970c-800wi" style="margin: 0px 0px 5px 5px;" title="Comic-ss_120._V219594025_" /></a><p><br />Back in August, Andrews McMeel Publishing declared their search for the next big thing in comic strips, and we opened the floodgates to all hopeful artists looking for a break into the industry. We were thrilled at the response, and a panel of comic strip celebrities and industry experts had the tough task of narrowing the entries down to 10 finalists. Then on October 29th, Amazon customers had a chance to choose a winner.</p><p><br />Congratulations to <em><a href="http://www.amazon.com/gp/feature.html/ref=amb_link_85856611_15?ie=UTF8&amp;docId=1000442601&amp;pf_rd_m=ATVPDKIKX0DER&amp;pf_rd_s=center-3&amp;pf_rd_r=0AER8CACAE6YPV5ZTTT4&amp;pf_rd_t=101&amp;pf_rd_p=496992971&amp;pf_rd_i=2128878011">Girl</a></em> by Dana Thompson! Dana's prizes include a publishing contract with Andrews McMeel Publishing, a development contract with Universal Uclick and syndication on <a href="http://www.gocomics.com/">Gocomics.com</a>.</p><p><br />As its title suggests, <em>Girl </em>is understated and centers around a young girl "who's awkward at school, awkward at home, and comfortable in the forest, where her friends all live. She has a name, but her forest-dwelling friends all just call her 'Girl.'" <br />Dana Thompson has previously been involved in several independent comics ventures, but this marks the first time her name has been featured on a marquee of this magnitude. Below are a few samples that helped her win:</p><p><a href="http://www.amazon.com/gp/feature.html/ref=amb_link_85856611_15?ie=UTF8&amp;docId=1000442601&amp;pf_rd_m=ATVPDKIKX0DER&amp;pf_rd_s=center-3&amp;pf_rd_r=0AER8CACAE6YPV5ZTTT4&amp;pf_rd_t=101&amp;pf_rd_p=496992971&amp;pf_rd_i=2128878011" style="display: inline;"><img alt="Girl_2-750._V227995025_" border="0" class="asset asset-image at-xid-6a00e54ed05fc288330128756dc0d2970c image-full " src="http://nozama.typepad.com/.a/6a00e54ed05fc288330128756dc0d2970c-800wi" title="Girl_2-750._V227995025_" /></a><a href="http://www.amazon.com/gp/feature.html/ref=amb_link_85856611_15?ie=UTF8&amp;docId=1000442601&amp;pf_rd_m=ATVPDKIKX0DER&amp;pf_rd_s=center-3&amp;pf_rd_r=0AER8CACAE6YPV5ZTTT4&amp;pf_rd_t=101&amp;pf_rd_p=496992971&amp;pf_rd_i=2128878011"><img alt="Girl_2" border="0" class="asset asset-image at-xid-6a00e54ed05fc288330128756dc20b970c image-full " src="http://nozama.typepad.com/.a/6a00e54ed05fc288330128756dc20b970c-800wi" title="Girl_2" /></a><a href="http://www.amazon.com/gp/feature.html/ref=amb_link_85856611_15?ie=UTF8&amp;docId=1000442601&amp;pf_rd_m=ATVPDKIKX0DER&amp;pf_rd_s=center-3&amp;pf_rd_r=0AER8CACAE6YPV5ZTTT4&amp;pf_rd_t=101&amp;pf_rd_p=496992971&amp;pf_rd_i=2128878011"><img alt="Girl_sunday2-750._V227994725_" border="0" class="asset asset-image at-xid-6a00e54ed05fc288330120a66c7345970b image-full " src="http://nozama.typepad.com/.a/6a00e54ed05fc288330120a66c7345970b-800wi" title="Girl_sunday2-750._V227994725_" /></a><br /><br /><br /></p><p>Dana hails from Kent, Washington, and plans to celebrate with "with her fiancee, her cat, and the cartoon beings who inhabit her fever dreams." Looking forward to what those fever dreams produce next!</p><p><br />Thanks to all who submitted entries, our esteemed panel of judges, Andrews McMeel, and, of course, all the Amazon customers who voted.</p><p /><p><em>--Alex</em></p></div><xhtml:img xmlns:xhtml="http://www.w3.org/1999/xhtml" src="http://feeds.feedburner.com/~r/typepad/shelfari/my_weblog/~4/cu2ZSjMUicA" height="1" width="1" /></div></content>


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    <entry>
        <title>Omni Daily News</title>
        <link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/typepad/shelfari/my_weblog/~3/zohDRyUtraQ/omni-daily-news-3.html" />
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        <id>tag:typepad.com,2003:post-6a00d8341e478253ef0128756fe257970c</id>
        <published>2009-11-10T07:36:47-08:00</published>
        <updated>2009-11-10T07:36:47-08:00</updated>
        <summary>By Brad Thomas Parsons The "Oink" Heard 'Round the World: food52's Tournament of Cookbooks came to a close last night as Francis Mallmann and Peter Kaminksy's Seven Fires toppled Christopher Hirsheimer and Melissa Hamilton's bracket buster, Canal House Cooking, to...</summary>
        <author>
            <name>Omnivoracious</name>
        </author>
        
        
<content type="xhtml" xml:lang="en-US" xml:base="http://blog.shelfari.com/my_weblog/"><div xmlns="http://www.w3.org/1999/xhtml"><p>By <author><name>Brad Thomas Parsons</name></author>   </p><div><p><strong>The "Oink" Heard 'Round the World</strong>: food52's <a href="http://www.food52.com/the_piglet">Tournament of Cookbooks</a> came to a close last night as Francis Mallmann and Peter Kaminksy's <em><a href="http://www.amazon.com/gp/product/1579653545">Seven Fires</a></em> toppled Christopher Hirsheimer and Melissa Hamilton's bracket buster, <em><a href="http://www.amazon.com/gp/product/0692003177">Canal House Cooking</a></em>, to take home the coveted Piglet trophy.</p><p><strong>No Kindle Required</strong>: Now you can read Kindle books on your computer with <a href="http://www.amazon.com/gp/feature.html/?ie=UTF8&amp;docId=1000426311">Kindle for PC</a>.</p><p><strong>Food List Fever</strong>: <em>Publishers Weekly</em> reveals their list of the <a href="http://www.publishersweekly.com/article/CA6705893.html">Best Food Books of 2009</a>.</p><p><strong>Show Biz Dish</strong>: The <em>LA Times</em>' <a href="http://latimesblogs.latimes.com/jacketcopy/2009/11/paul-shaffer-andy-kaufman-david-letterman-1.html">Jacket Copy</a> has some video of Paul Shaffer holding court at the Beverly Hills Four Seasons talking about his memoir, <em><a href="http://www.amazon.com/Well-Here-Rest-Our-Lives/dp/0385524838">We'll Be Here for the Rest of Our Lives</a></em>.</p><p><strong>Moving and Shaking</strong>: A recent Today Show appearance keeps Food Network's Ellie Krieger's <em><a href="http://www.amazon.com/So-Easy-Luscious-Healthy-Recipes/dp/0470423544">So Easy: Luscious, Healthy Recipes for Every Meal of the Week</a></em> in our <a href="http://www.amazon.com/gp/movers-and-shakers/books">Movers &amp; Shakers</a>.</p><p><em>--BTP</em></p></div><xhtml:img xmlns:xhtml="http://www.w3.org/1999/xhtml" src="http://feeds.feedburner.com/~r/typepad/shelfari/my_weblog/~4/zohDRyUtraQ" height="1" width="1" /></div></content>


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    <entry>
        <title>Old Media Monday: Reviewing the Reviewers</title>
        <link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/typepad/shelfari/my_weblog/~3/AInpdEO9psM/old-media-monday-reviewing-the-reviewers-1.html" />
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        <id>tag:typepad.com,2003:post-6a00d8341e478253ef0120a66d4b5e970b</id>
        <published>2009-11-10T01:25:48-08:00</published>
        <updated>2009-11-10T01:25:48-08:00</updated>
        <summary>By Tom New York Times: Sunday Book Review cover: James Parker on Under the Dome by Stephen King: "King has always produced at pulp speed. 'Nov. 22, 2007 - March 14, 2009' proclaims the final page of "Under the Dome":...</summary>
        <author>
            <name>Omnivoracious</name>
        </author>
        
        
<content type="xhtml" xml:lang="en-US" xml:base="http://blog.shelfari.com/my_weblog/"><div xmlns="http://www.w3.org/1999/xhtml"><p>By <author><name>Tom</name></author>   </p><div><p><em><a href="http://nozama.typepad.com/.a/6a00e54ed05fc288330120a66d41e3970b-pi" style="display: inline;"><img alt="OMM_11-09-09" class="asset asset-image at-xid-6a00e54ed05fc288330120a66d41e3970b " src="http://nozama.typepad.com/.a/6a00e54ed05fc288330120a66d41e3970b-700wi" style="width: 653px;" /></a><br /> New York Times:</em></p><ul><li>Sunday Book Review cover: James Parker on <em><a href="http://www.amazon.com/Under-Dome-Novel-Stephen-King/dp/1439148503">Under the Dome</a></em> by Stephen King: "King has always produced at pulp speed. 'Nov. 22, 2007 - March 14,<br />2009' proclaims the final page of "Under the Dome": that's 1,100 pages<br />in 480 days. We shouldn't be too squeamish about the odd half-baked<br />simile or lapse into B-movie dialogue, is my point. <a href="http://www.nytimes.com/2009/11/08/books/review/JParker-t.html?_r=1&amp;ref=books">Writing flat-out<br />keeps him close to his story</a>, close to his source. It seems to<br />magnetize his imagination: by the final third of this novel King is<br />effortlessly drawing in T.S. Eliot and the Book of Revelation, the patient etherized upon a table and the Star Wormwood."</li><li>Kakutani jumps the gun on <em><a href="http://www.amazon.com/Original-Laura-Vladimir-Nabokov/dp/0307271897">The Original of Laura</a></em> by Vladimir Nabokov: "In many respects, the release of a rudimentary version of his last<br />novel does a disservice to a writer who deeply cherished precision and<br />was practiced in the art of revision. Just as 'The Enchanter,' a<br />precursor to 'Lolita' that was written in 1939 and published after his<br />death, reads like a crude, often flat-footed version of its famous<br />descendant, so these fragments of 'Laura' "” so cryptic and sketchy "”<br />represent an incomplete, fetal rendering of whatever it was that<br />Nabokov held within his imagination. Yet, at the same time,<br />these bits and pieces of 'Laura' will <a href="http://www.nytimes.com/2009/11/10/books/10book.html?ref=books">beckon and beguile Nabokov fans</a>,<br />who will find many of the author's perennial themes and obsessions<br />percolating through the story of Philip, an 'enormously fat creature'<br />with 'ridiculously small feet,' and his wildly promiscuous wife,<br />Flora."</li><li>Maslin on <em><a href="http://www.amazon.com/Open-Autobiography-Andre-Agassi/dp/0307268195">Open</a></em> by Andre Agassi: "Given the anticlimactic nature of these revelations, what exactly keeps 'Open' going? <a href="http://www.nytimes.com/2009/11/09/books/09book.html?ref=books">Somebody on the memoir team</a> has great gifts for<br />heart-tugging drama.... Mr. Agassi does not easily forgive, and his book is larded with extremely backhanded compliments for those who have crossed him.... 'Open' devotes a lot of space to thumbnail descriptions of matches and<br />opponents, a litany that would drone on without dynamic, writerly<br />flourishes."</li><li>Liesl Schillinger on <em><a href="http://www.amazon.com/Lacuna-Novel-Barbara-Kingsolver/dp/0060852577">The Lacuna</a></em> by Barbara Kingsolver: "'The Lacuna' can be enjoyed sheerly for the music of its passages on<br />nature, archaeology, food and friendship; or for its portraits of real<br />and invented people; or for its harmonious choir of voices. But the<br />fuller value of Kingsolver's novel lies in its <a href="http://www.nytimes.com/2009/11/08/books/review/Schillinger-t.html?ref=books">call to conscience and<br />connection</a>. She has mined Shepherd's richly imagined history to create<br />a <span class="italic">tableau vivant</span> of epochs and people that time has transformed almost past recognition. Yet it's a <span class="italic">tableau vivant</span> whose story line resonates in the present day, albeit with different players."</li><li>Garner on <em><a href="http://www.amazon.com/Last-Empress-Madame-Chiang-Kai-shek/dp/1439148937">The Last Empress</a></em> by Hannah Pakula: "Mme. Chiang led a long, vastly complicated life, one that is richly<br />detailed in 'The Last Empress,' Hannah Pakula's <a href="http://www.nytimes.com/2009/11/04/books/04garner.html?adxnnl=1&amp;ref=books&amp;adxnnlx=1257836541-8GALCXmxJ8kK92iFkV2Sng">long, vastly<br />complicated new biography</a>. Ms. Pakula's book is a yeoman work of<br />historical research, with fact grinding against fact. It is also a<br />monotonous piece of storytelling, one that has little pliancy or<br />narrative push. Its 681 pages of text are at times as grueling as a<br />forced march across the Mongolian steppe."</li><li>Kate Christensen on <em><a href="http://www.amazon.com/Mennonite-Little-Black-Dress-Memoir/dp/080508925X">Mennonite in a Little Black Dress</a></em> by Rhoda Janzen: "Readers may suspect that an academic poet's memoir about failed<br />marriage, debilitating pain and a strict religious upbringing would be<br />dry, self-Â­pitying and overly earnest. But 'Mennonite in a Little Black<br />Dress' is <a href="http://www.nytimes.com/2009/11/08/books/review/Christensen-t.html?ref=books">snort-up-your-coffee funny, breezy yet profound, and poetic<br />without trying</a>. In fact, the whole book reads as if Janzen had dictated<br />it to her best non-Menno friend, in her bathrobe, over cups of tea."</li></ul><p><em>Washington Post:</em></p><ul><li>Charles on Kingsolver's <em>The Lacuna</em>: "Barbara Kingsolver's new novel, 'The Lacuna,' is <a href="http://www.washingtonpost.com/wp-dyn/content/article/2009/11/03/AR2009110303709.html">the most mature and<br />ambitious one she's written</a> during her celebrated 20-year career, but<br />it's also her most demanding.... The sweetness that leavened 'The Bean Trees' and 'Animal Dreams' has been burned away, and the lurid melodrama that<br />enlivened 'The Poisonwood Bible' has been replaced by the cool realism<br />of a narrator who feels permanently alienated from the world."</li><li>Michael Mewshaw on Agassi's <em>Open</em>: "Presented to the public as clean family fun, an upscale<br />entertainment for the country-club set, top-level tennis is actually<br />played by the <a href="http://www.washingtonpost.com/wp-dyn/content/article/2009/11/06/AR2009110601492.html">physical and emotional mutants of a misery machine</a> that<br />leaves them too ill-educated or psychically damaged to understand what<br />has happened to their lives. Like most victims of abuse, they'd rather<br />not talk about it.<br /><br />So it's both astonishing and a pleasure to report that Andre Agassi,<br />who was castigated for an ad campaign saying 'Image is everything,' has<br />produced an honest, substantive, insightful autobiography."</li></ul><p><em>Los Angeles Times:</em></p><ul><li>Jedediah Berry on King's <em>Under the Dome</em>: "Born-again Big Jim never utters a curse word ... but he has the darkest of secrets to protect, as well as an<br />insatiable hunger for power and control that needs only a nudge -- or<br />in this case, the isolation afforded by an inexplicable force field --<br />to be kicked into high gear. When that happens, and when a resistance rises up in opposition to his<br />power grab, <a href="http://www.latimes.com/entertainment/news/arts/la-et-book9-2009nov09,0,4379573.story">the result is a vivid and harrowing tale</a>, expertly<br />constructed, intensely moral and often thrilling, related with the<br />masterful ease we have come to expect from its author."</li><li>Samantha Dunn on <em><a href="http://www.amazon.com/Lit-Memoir-Mary-Karr/dp/0060596988">Lit</a></em> by Mary Karr: "Karr could tell you what's on her grocery list, and its humor would<br />make you bust a gut, its unexpected insights would make you think and<br /><a href="http://www.latimes.com/entertainment/news/la-ca-mary-karr8-2009nov08,0,6172029.story">her pitch-perfect command of our American vernacular might even take<br />your breath away</a>. The closest relative to the memoir form is poetry,<br />because the subject of the story doesn't matter as much as the<br />self-awareness and craft of the writer telling it. In this, the<br />Guggenheim Fellow in poetry holds the position of grande dame<br />memoirista."<br /></li></ul><p><em>The Globe and Mail:</em></p><ul><li>J.C. Sutcliffe on <em><a href="http://www.amazon.ca/Ice-Lovers-Jean-Mcneil/dp/1552788024">The Ice Lovers</a></em> by Jean McNeil: "Like the ice of its subject, the writing in the novel hides great<br />complexities with surface simplicity and clarity. McNeil has a sure<br />hand and a deft touch with prose, and an ability to blend, for each<br />character, profound inner experience with the awkwardnesses of social<br />interactions. A <a href="http://www.theglobeandmail.com/books/review-the-ice-lovers-by-jean-mcneil/article1356583/">disconcerting mix of hysteria and calm adaptation</a> is another of<br />McNeil's great achievements, bringing to life a near future devastated<br />by disease and natural disaster, yet despite the fear and the panic,<br />the characters "“ whether in London, the Falklands or the Antarctic<br />"“ just keep on going about their daily business, since it turns out that<br />there is no other option."</li><li>Keith Garebian on <em><a href="http://www.amazon.ca/All-Me-Anne-Murray/dp/0307398447">All of Me</a></em> by Anne Murray: "It is warm, straightforward and candid, and Posner has wisely dimmed<br />his own stylistic light in order to let her voice come through. <br /><br />And it does, sometimes with <a href="http://www.theglobeandmail.com/books/review-all-of-me-by-anne-murray/article1353900/">low-key, self-deprecating humour and<br />surprising honesty</a>, and always with a lack of pretentiousness. Rather<br />like her singing, which communicates both lyric and melody<br />effortlessly, and with an alto range that spans two and a half octaves."</li></ul><p><em>The Guardian:</em></p><ul><li>Geoff Dyer on Agassi's <em>Open</em>: "The problem with JR, Andre's book coach, is that he makes Writing Easy. His hand is too obviously dab. It's not that <em>Open</em><br />reads as if it's been written with a view to a lucrative serial deal<br />(normal enough); it reads as if it's already a serialisation of itself<br />with potential headlines (Agassi took crystal meth!) and pull quotes<br />("I always hated tennis") thrown in. Perhaps this is why, strangely, it<br />rings least true at moments of maximum declared honesty.... Here is the not entirely unexpected irony of <em>Open</em>. For all the<br />lurid revelations, despite the overarching story of personal growth and<br />the struggle for self-awareness, <a href="http://www.guardian.co.uk/books/2009/nov/08/open-autobiography-andre-agassi">the most enthralling parts of the book<br />are all about"¦ tennis</a>."</li><li>Christopher Tayler on <em><a href="http://www.amazon.com/Bloods-Rover-James-Ellroy/dp/0679403930">Blood's a Rover</a></em> by James Ellroy: "In its serious aspects, then, <em>Blood's a Rover</em> can be mildly silly in comparison with the tightly controlled <em>American Tabloid</em>.<br />But the serious aspects are only intermittently what's serious about<br />Ellroy's achievement in these books. Slyly knowing about the fantasies<br />he trades in, funny when you least expect it, and a master of private<br />languages, he isn't in any way a conventional historical novelist. At<br />his best "“ when the strong internal logic of his books takes over the<br />history he's exploiting "“ he gives you the sense of being <a href="http://www.guardian.co.uk/books/2009/nov/07/blood-rover-james-ellroy-review">plugged<br />directly into an entire culture's unsavoury dream life</a>, its boasts and<br />self-reproaches and arguments with itself."</li></ul><p><em>The New Yorker:</em></p><ul><li>Elizabeth Kolbert on <em><a href="http://www.amazon.com/SuperFreakonomics-Cooling-Patriotic-Prostitutes-Insurance/dp/0060889578">SuperFreakonomics</a></em> by Steven Levitt and Stephen Dubner: "But what's most troubling about 'SuperFreakonomics' isn't the authors'<br />many blunders; it's the whole spirit of the enterprise. Though climate<br />change is a grave problem, Levitt and Dubner treat it <a href="http://www.newyorker.com/arts/critics/books/2009/11/16/091116crbo_books_kolbert">mainly as an<br />opportunity to show how clever they are</a>. Leaving aside the question of<br />whether geoengineering, as it is known in scientific circles, is even<br />possible"”have you ever tried sending an eighteen-mile-long hose into<br />the stratosphere?"”their analysis is terrifyingly cavalier."</li></ul><p><em>The Atlantic:</em></p><ul><li>Sandra Tsing Loh on <em><a href="http://www.amazon.com/Bad-Mother-Chronicle-Calamities-Occasional/dp/0385527934">Bad Mother</a></em> by Ayelet Waldman: "I am bad not in that fluttery, anxious, 21st-century way educated<br />middle-class mothers consider themselves 'failures' because they snap<br />when they are tired, because they occasionally feed their kids<br />McNuggets, because as they journal they soulfully question whether<br />they're mindfully attaining a proper daily work/life balance. No, I am<br />bad because after a domestic partnership of 20 years, when my kids were<br />still elementary-school-age, I fell in love, had an affair, admitted<br />it, and <a href="http://www.theatlantic.com/doc/200912/tsingloh-bad-mother">quite deservedly got tossed out of the house on my ass</a>.<br />Currently between homes (my earthly belongings reside in a<br />10-by-10-foot windowless U-Haul storage unit whilst I alternately<br />house-sit, pool-sit, and cat-sit), I furtively park at the curb of my<br />former home for an extra few minutes after dropping my kids off and,<br />with my laptop, <em>I steal wireless</em>. Approaching 50, I am living a life that is less sunlit Waldman/Chabon than tattered Charles Bukowski." </li><li>Hitch on <em><a href="http://www.amazon.com/Koestler-Literary-Political-Odyssey-Twentieth-Century/dp/0394576306">Koestler: The Literary and Political Odyssey of a Twentieth-Century Skeptic</a></em> by Michael Scammell: "I cannot recall a book title that was less well-shaped to its subject. Far from being a 'skeptic,' Arthur Koestler was a man not merely convinced but actively<br />enthused by <a href="http://www.theatlantic.com/doc/200912/hitchens-koestler">practically any intellectual or political or mental scheme<br />that came his way</a>. When he was in the throes of an allegiance, he<br />positively abhorred doubt, which he sometimes called 'bellyaching.' If<br />he was ever dubious about anything, one could say in his defense, it<br />was at least about himself."</li></ul><em>--Tom</em></div><xhtml:img xmlns:xhtml="http://www.w3.org/1999/xhtml" src="http://feeds.feedburner.com/~r/typepad/shelfari/my_weblog/~4/AInpdEO9psM" height="1" width="1" /></div></content>


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