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<title>University of California Press: Cinema and Performance Arts</title>

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<description>Cinema and Performance Arts Titles from the University of California Press</description>
<language>en-US</language>
<copyright>2008</copyright>
<pubDate>Fri, 25 Jul 2008 09:32:20 GMT</pubDate>

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<title>University of California Press: Cinema and Performance Arts</title>
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<title><![CDATA[Brecht at the Opera]]></title>
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<description>&lt;table align="left" border="0" cellpadding="0" cellspacing="0"&gt;
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        &lt;td&gt;&lt;A TARGET="_blank" href="http://m7.tm00.com/r/zJDvRLf0cS.php" id="trk5149" &gt;&lt;IMG align='left'  ALT="10686.jpg" Height="242" Width="160" SRC="http://m7.tm00.com/ucpress/eNews/images/10686.jpg" border="0" id="trkimg5149"&gt;&lt;/A&gt;&lt;/td&gt;
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&lt;span style="font-size: 10pt;"&gt;&lt;span style="font-family: Verdana;"&gt;
&lt;!-- article title here --&gt;&lt;span style="font-size: 10pt;"&gt;&lt;span style="font-family: Verdana;"&gt;&lt;span style="font-size: 10pt;"&gt;&lt;span style="font-size: 10pt;"&gt;&lt;span style="font-family: Verdana;"&gt;&lt;strong&gt;Brecht at the Opera&lt;/strong&gt;&lt;br /&gt;
&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: 10pt;"&gt;&lt;span style="font-family: Verdana;"&gt;&lt;span style="font-size: 10pt;"&gt;&lt;span style="font-family: Verdana;"&gt;&lt;span style="font-size: 10pt;"&gt;&lt;span style="font-size: 10pt;"&gt;&lt;span style="font-family: Verdana;"&gt;&lt;strong&gt;Joy H. Calico&lt;br /&gt;
&lt;br /&gt;
&lt;/strong&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size: 10pt;"&gt;&lt;span style="font-family: Verdana;"&gt;&lt;span style="font-size: 10pt;"&gt;&lt;span style="font-family: Verdana;"&gt;&lt;span style="font-size: 10pt;"&gt;&lt;span style="font-size: 10pt;"&gt;&lt;span style="font-family: Verdana;"&gt;"&lt;em&gt;Brecht at the Opera&lt;/em&gt; is a remarkably compelling and exciting book. It not only explains why Brecht's relationship to opera is so vexed, it complicates the formulaic terms by which we have come to understand that vexation--extending, deepening, and refining our sense of the place of music in Brecht's projects as well as Brecht's place in the history of opera. It is amazingly thorough, very well written, and exceedingly provocative."--David J. Levin, author of &lt;em&gt;Unsettling Opera&lt;/em&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;A TARGET="_blank" href="http://m7.tm00.com/r/nNv1Xf0zSJ.php" id="trk5150" &gt;Read More...&lt;/A&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;A TARGET="_blank" href="http://m7.tm00.com/r/lw1sQ0znJN.php" id="trk5151" &gt;California Studies in 20th-Century Music, 9&lt;/A&gt;&lt;br /&gt;
&lt;br /&gt;
304 pages, 6 x 9", 2 tables, 18 music examples&lt;br /&gt;
Music/Theater Studies &lt;br /&gt;
cloth&amp;nbsp;&amp;nbsp; 978-0-520-25482-4&amp;nbsp; $45.00&lt;br /&gt;
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<category><![CDATA[Cinema and Performance Arts]]></category>
<guid isPermaLink="false">tm_458</guid>
<pubDate>Mon, 16 Jun 2008 00:00:00 GMT</pubDate>
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