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	<title>Variety</title>
	
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		<title>Variety</title>
		<link>http://variety.com</link>
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		<title>‘Fruitvale’ Actors Discuss the Impact of Producer Forest Whitaker (VIDEO)</title>
		<link>http://variety.com/2013/film/news/fruitvale-actors-discuss-the-impact-of-producer-forest-whitaker-video-1200484074/</link>
		<comments>http://variety.com/2013/film/news/fruitvale-actors-discuss-the-impact-of-producer-forest-whitaker-video-1200484074/#comments</comments>
		<pubDate>Mon, 20 May 2013 04:14:00 +0000</pubDate>
		<dc:creator>Variety Staff</dc:creator>
				<category><![CDATA[Film]]></category>
		<category><![CDATA[News]]></category>
		<category><![CDATA[Cannes Film Festival]]></category>
		<category><![CDATA[fruitvale station]]></category>

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		<description><![CDATA[Michael B. Jordan and &#8220;Fruitvale Station&#8221; director talk about the impact and mentorship of producer Forest Whitaker at the Variety Studio in Cannes.<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=variety.com&#038;blog=43439658&#038;post=1200484074&#038;subd=pmcvariety&#038;ref=&#038;feed=1" width="1" height="1" />]]></description>
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		<title>MSN to Bankroll ‘Micro-Episodic’ Online Video Series</title>
		<link>http://variety.com/2013/digital/news/msn-to-bankroll-micro-episodic-online-video-series-1200484027/</link>
		<comments>http://variety.com/2013/digital/news/msn-to-bankroll-micro-episodic-online-video-series-1200484027/#comments</comments>
		<pubDate>Mon, 20 May 2013 04:00:42 +0000</pubDate>
		<dc:creator>Todd Spangler</dc:creator>
				<category><![CDATA[Digital]]></category>
		<category><![CDATA[Markets & Festivals]]></category>
		<category><![CDATA[News]]></category>
		<category><![CDATA[Microsoft]]></category>
		<category><![CDATA[Msn]]></category>
		<category><![CDATA[New York Television Festival]]></category>

		<guid isPermaLink="false">http://variety.com/?p=1200484027</guid>
		<description><![CDATA[Taking short-form video to the extremes of brevity, MSN is holding a worldwide competition that will award the winner $75,000 to produce an original Internet series comprising 12 roughly one-minute segments. Microsoft’s online media division is teaming with New York Television Festival to host the “Short-Form Storytellers Challenge,” giving indie producers a chance to vie...  <a href="http://variety.com/2013/digital/news/msn-to-bankroll-micro-episodic-online-video-series-1200484027/" title="Read MSN to Bankroll &#8216;Micro-Episodic&#8217; Online Video Series">Read more &#187;</a><img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=variety.com&#038;blog=43439658&#038;post=1200484027&#038;subd=pmcvariety&#038;ref=&#038;feed=1" width="1" height="1" />]]></description>
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		<slash:comments>1</slash:comments>
	
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		<title>‘Matilda,’ ‘Vanya and Sonia’ Score at the Drama Desks</title>
		<link>http://variety.com/2013/legit/news/matilda-vanya-and-sonia-score-at-the-drama-desks-1200484050/</link>
		<comments>http://variety.com/2013/legit/news/matilda-vanya-and-sonia-score-at-the-drama-desks-1200484050/#comments</comments>
		<pubDate>Mon, 20 May 2013 03:35:53 +0000</pubDate>
		<dc:creator>Gordon Cox</dc:creator>
				<category><![CDATA[Legit]]></category>
		<category><![CDATA[News]]></category>
		<category><![CDATA[Drama Desk Awards]]></category>
		<category><![CDATA[Matilda]]></category>
		<category><![CDATA[Vanya and Sonia and Masha and Spike]]></category>

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		<description><![CDATA[Tony contenders including tuner “Matilda” and play “Vanya and Sonia and Masha and Spike” were among the titles to emerge as winners at the 2013 Drama Desk Awards. “Matilda” led the pack with a total of five awards, while musical revival “Pippin” (four trophies) and play revival “Who’s Afraid of Virginia Woolf?” (three) proved the...  <a href="http://variety.com/2013/legit/news/matilda-vanya-and-sonia-score-at-the-drama-desks-1200484050/" title="Read &#8216;Matilda,&#8217; &#8216;Vanya and Sonia&#8217; Score at the Drama Desks">Read more &#187;</a><img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=variety.com&#038;blog=43439658&#038;post=1200484050&#038;subd=pmcvariety&#038;ref=&#038;feed=1" width="1" height="1" />]]></description>
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		<title>Cannes Film Review: ‘Death March’</title>
		<link>http://variety.com/2013/film/reviews/cannes-film-review-death-march-1200484000/</link>
		<comments>http://variety.com/2013/film/reviews/cannes-film-review-death-march-1200484000/#comments</comments>
		<pubDate>Sun, 19 May 2013 20:58:15 +0000</pubDate>
		<dc:creator>Justin Chang</dc:creator>
				<category><![CDATA[Film]]></category>
		<category><![CDATA[International]]></category>
		<category><![CDATA[Markets & Festivals]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[Spotlight]]></category>
		<category><![CDATA[Adolfo Borinaga Alix Jr.]]></category>
		<category><![CDATA[Cannes Film Festival]]></category>
		<category><![CDATA[Death March]]></category>

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		<description><![CDATA[&#8220;I don&#8217;t think I can hold on much longer,&#8221; groans a soldier in &#8220;Death March,&#8221; and his sentiment is likely to be echoed by the small audience for Adolfo Borinaga Alix Jr.&#8217;s gruelingly abstract and attenuated war meditation. Deploying a curious mix of artificial scenery, extended slow-motion and black-and-white cinematography, the director seeks to suspend...  <a href="http://variety.com/2013/film/reviews/cannes-film-review-death-march-1200484000/" title="Read Cannes Film Review: &#8216;Death March&#8217;">Read more &#187;</a><img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=variety.com&#038;blog=43439658&#038;post=1200484000&#038;subd=pmcvariety&#038;ref=&#038;feed=1" width="1" height="1" />]]></description>
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		<title>Cannes: Hewlett Packard’s Animated Debate</title>
		<link>http://variety.com/2013/biz/news/cannes-hewlitt-packards-animated-debate-1200484008/</link>
		<comments>http://variety.com/2013/biz/news/cannes-hewlitt-packards-animated-debate-1200484008/#comments</comments>
		<pubDate>Sun, 19 May 2013 19:42:12 +0000</pubDate>
		<dc:creator>Variety Staff</dc:creator>
				<category><![CDATA[Biz]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[International]]></category>
		<category><![CDATA[Markets & Festivals]]></category>
		<category><![CDATA[News]]></category>
		<category><![CDATA[VPage]]></category>
		<category><![CDATA[Cannes Film Festival]]></category>
		<category><![CDATA[Frank Mannion]]></category>
		<category><![CDATA[Hewlett Packard]]></category>

		<guid isPermaLink="false">http://variety.com/?p=1200484008</guid>
		<description><![CDATA[At a Hewlett Packard panel on the future of animation, participants sometimes crossed swords on the finer points of technology, but all agreed that, as in live-action, the script is the key to success. The subject was technology but it quickly broadened into other toon areas. Frank Mannion, CEO of U.K.-based Swipe Films, pointed out...  <a href="http://variety.com/2013/biz/news/cannes-hewlitt-packards-animated-debate-1200484008/" title="Read Cannes: Hewlett Packard’s Animated Debate">Read more &#187;</a><img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=variety.com&#038;blog=43439658&#038;post=1200484008&#038;subd=pmcvariety&#038;ref=&#038;feed=1" width="1" height="1" />]]></description>
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		<title>B Media Global Backs Up Jim Mickle’s ‘Cold’ in First for Fund (EXCLUSIVE)</title>
		<link>http://variety.com/2013/biz/news/b-media-global-backs-up-jim-mickles-cold-in-first-for-fund-exclusive-1200483993/</link>
		<comments>http://variety.com/2013/biz/news/b-media-global-backs-up-jim-mickles-cold-in-first-for-fund-exclusive-1200483993/#comments</comments>
		<pubDate>Sun, 19 May 2013 19:35:09 +0000</pubDate>
		<dc:creator>Whitney Friedlander</dc:creator>
				<category><![CDATA[Biz]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[International]]></category>
		<category><![CDATA[Markets & Festivals]]></category>
		<category><![CDATA[News]]></category>
		<category><![CDATA[Backup Media]]></category>
		<category><![CDATA[Cannes Film Festival]]></category>
		<category><![CDATA[Cold in July]]></category>
		<category><![CDATA[Jim Mickle]]></category>

		<guid isPermaLink="false">http://variety.com/?p=1200483993</guid>
		<description><![CDATA[Paris-based Backup Media, a film consultancy and investor, has unveiled the first financing deals put through on three titles by B Media Global. Launched last year by Backup, B Media Global is a film fund aimed at bringing Gallic financial know-how and clout to non-French movies made around the globe. In one of its earliest...  <a href="http://variety.com/2013/biz/news/b-media-global-backs-up-jim-mickles-cold-in-first-for-fund-exclusive-1200483993/" title="Read B Media Global Backs Up Jim Mickle’s ‘Cold’ in First for Fund (EXCLUSIVE)">Read more &#187;</a><img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=variety.com&#038;blog=43439658&#038;post=1200483993&#038;subd=pmcvariety&#038;ref=&#038;feed=1" width="1" height="1" />]]></description>
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		<title>Ford’s Focus is on Selling Scorsese’s ‘Silence’ as He Drives IM Global</title>
		<link>http://variety.com/2013/biz/news/fords-focus-is-on-selling-scorseses-silence-as-he-drives-im-global-1200483998/</link>
		<comments>http://variety.com/2013/biz/news/fords-focus-is-on-selling-scorseses-silence-as-he-drives-im-global-1200483998/#comments</comments>
		<pubDate>Sun, 19 May 2013 19:33:57 +0000</pubDate>
		<dc:creator>Rachel Abrams</dc:creator>
				<category><![CDATA[Biz]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[International]]></category>
		<category><![CDATA[Markets & Festivals]]></category>
		<category><![CDATA[News]]></category>
		<category><![CDATA[Cannes Film Festival]]></category>
		<category><![CDATA[Im Global]]></category>
		<category><![CDATA[Martin Scorsese]]></category>
		<category><![CDATA[Silence]]></category>
		<category><![CDATA[Stuart Ford]]></category>

		<guid isPermaLink="false">http://variety.com/?p=1200483998</guid>
		<description><![CDATA[IM Global topper Stuart Ford knows how to make a splash with Martin Scorsese: Put him on a boat. The director mingled at one end of Emmett/Furla’s yacht party on Thursday to promote &#8220;Silence,&#8221; Scorsese’s long-gestating passion project that IM Global is shopping at Cannes. Arguably the market’s highest-profile title, Ford has been putting Scorsese’s...  <a href="http://variety.com/2013/biz/news/fords-focus-is-on-selling-scorseses-silence-as-he-drives-im-global-1200483998/" title="Read Ford’s Focus is on Selling Scorsese’s &#8216;Silence&#8217; as He Drives IM Global">Read more &#187;</a><img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=variety.com&#038;blog=43439658&#038;post=1200483998&#038;subd=pmcvariety&#038;ref=&#038;feed=1" width="1" height="1" />]]></description>
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		<title>International Financing ‘Salvation’ for Danish Producer</title>
		<link>http://variety.com/2013/biz/news/international-financing-salvation-for-danish-producer-1200483990/</link>
		<comments>http://variety.com/2013/biz/news/international-financing-salvation-for-danish-producer-1200483990/#comments</comments>
		<pubDate>Sun, 19 May 2013 19:21:09 +0000</pubDate>
		<dc:creator>Whitney Friedlander</dc:creator>
				<category><![CDATA[Biz]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[International]]></category>
		<category><![CDATA[Markets & Festivals]]></category>
		<category><![CDATA[News]]></category>
		<category><![CDATA[Cannes Film Festival]]></category>
		<category><![CDATA[Sisse Graum Jorgensen]]></category>
		<category><![CDATA[The Salvation]]></category>
		<category><![CDATA[Thomas Vinterberg]]></category>

		<guid isPermaLink="false">http://variety.com/?p=1200483990</guid>
		<description><![CDATA[A poster producer for Danish cinema, Sisse Graum Jorgensen, who with helmer Thomas Vinterberg received the prestigious European Union Prix Media Sunday in Cannes for their film project, &#8220;The Commune,&#8221; is broadening her canvas with &#8220;The Salvation,&#8221; an 1870-set Western inspired by the Nordic sagas. Jorgensen (&#8220;A Royal Affair,&#8221; &#8220;The Hunt&#8221;) is one of the...  <a href="http://variety.com/2013/biz/news/international-financing-salvation-for-danish-producer-1200483990/" title="Read International Financing &#8216;Salvation&#8217; for Danish Producer">Read more &#187;</a><img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=variety.com&#038;blog=43439658&#038;post=1200483990&#038;subd=pmcvariety&#038;ref=&#038;feed=1" width="1" height="1" />]]></description>
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		<title>Director Jean-Jacques Annaud Presents ‘Wolf Totem’</title>
		<link>http://variety.com/2013/biz/news/director-jean-jacques-annaud-presents-wolf-totem-1200483985/</link>
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		<pubDate>Sun, 19 May 2013 19:09:18 +0000</pubDate>
		<dc:creator>Whitney Friedlander</dc:creator>
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		<category><![CDATA[Cannes Film Festival]]></category>
		<category><![CDATA[Wolf Totem]]></category>

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		<description><![CDATA[Most French film folk have come to Cannes from Paris. Director Jean-Jacques Annaud came from Ulaghai, Inner Mongolia. You would expect no less from Annaud, a helmer who shot &#8220;The Lover&#8221; in Vietnam, Brad Pitt starrer &#8220;Seven Years in Tibet&#8221; partly in Tibet, and tiger sibling tale &#8220;Two Brothers&#8221; in Cambodia. A singular director by...  <a href="http://variety.com/2013/biz/news/director-jean-jacques-annaud-presents-wolf-totem-1200483985/" title="Read Director Jean-Jacques Annaud Presents &#8216;Wolf Totem&#8217;">Read more &#187;</a><img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=variety.com&#038;blog=43439658&#038;post=1200483985&#038;subd=pmcvariety&#038;ref=&#038;feed=1" width="1" height="1" />]]></description>
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		<title>Guillaume Canet Sees More Opportunities in English-Language Films</title>
		<link>http://variety.com/2013/biz/news/guillaume-canet-sees-more-opportunities-in-english-language-films-1200483981/</link>
		<comments>http://variety.com/2013/biz/news/guillaume-canet-sees-more-opportunities-in-english-language-films-1200483981/#comments</comments>
		<pubDate>Sun, 19 May 2013 19:01:16 +0000</pubDate>
		<dc:creator>Whitney Friedlander</dc:creator>
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		<category><![CDATA[Blood Ties]]></category>
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		<category><![CDATA[Guillaume Canet]]></category>

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		<description><![CDATA[Underscoring the breadth of artistic aspirations driving many of today’s European directors, Guillaume Canet’s “Blood Ties” is one of three English-language films helmed by a Euro director playing in Cannes’ official selection. A different animal from the likes of Louis Leterrier and Pierre Morel, 40-year-old thesp-turned-helmer Guillaume Canet didn’t jump into English-language filmmaking to work...  <a href="http://variety.com/2013/biz/news/guillaume-canet-sees-more-opportunities-in-english-language-films-1200483981/" title="Read Guillaume Canet Sees More Opportunities in English-Language Films">Read more &#187;</a><img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=variety.com&#038;blog=43439658&#038;post=1200483981&#038;subd=pmcvariety&#038;ref=&#038;feed=1" width="1" height="1" />]]></description>
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