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	<title>Variety</title>
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		<title>‘Minions &#038; Monsters’ Director Pierre Coffin on His Tribute to Hollywood, the Exhausting Work of Voicing the Yellow Creatures and Crafting Comedy That’s ‘More Irreverent Than Some of the Competition’</title>
		<link>https://variety.com/2026/film/global/minions-monsters-director-pierre-coffin-hollywood-voicing-1236785989/</link>
					<comments>https://variety.com/2026/film/global/minions-monsters-director-pierre-coffin-hollywood-voicing-1236785989/#respond</comments>
		
		<dc:creator><![CDATA[Elskes]]></dc:creator>
		<pubDate>Sat, 20 Jun 2026 21:20:18 +0000</pubDate>
				<category><![CDATA[Global]]></category>
		<category><![CDATA[News]]></category>
		<category><![CDATA[Chris Meledandri]]></category>
		<category><![CDATA[Pierre Coffin]]></category>
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					<description><![CDATA[Pierre Coffin thought he was done with the Minions. After nearly two decades inside the “Despicable Me” universe — the highest-grossing animated franchise of all time, with more than $5.5 billion worldwide across six films — the French animator had earned the right to feel worn out. Coffin co-directed four of those movies and voices [&#8230;]]]></description>
		
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			<media:title type="html">MINIONS &#38; MONSTERS</media:title>
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			<media:title type="html">Illumination’s Minions &#038; Monsters, directed by Pierre Coffin.</media:title>
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		<title>How to Watch Oscar Collazo vs. Joey Canoy Boxing Title Bout Live Online</title>
		<link>https://variety.com/2026/shopping/news/how-to-watch-oscar-collazo-vs-joey-canoy-boxing-live-online-1236783466/</link>
		
		<dc:creator><![CDATA[Rudie Obias]]></dc:creator>
		<pubDate>Sat, 20 Jun 2026 21:00:00 +0000</pubDate>
				<category><![CDATA[News]]></category>
		<category><![CDATA[Boxing]]></category>
		<category><![CDATA[DAZN]]></category>
		<category><![CDATA[How to Watch]]></category>
		<category><![CDATA[NOADS]]></category>
		<category><![CDATA[Sports]]></category>
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					<description><![CDATA[In a title bout for the championship, Puerto Rican Oscar Collazo takes on Filipino boxer Joey Canoy in a 12-round match. What&#8217;s on the line? Collazo&#8217;s WBA and WBO strawweight title belts. At the end of the contest, one of these fighters will have the title &#8212; or it will end with a draw. On [&#8230;]]]></description>
		
		
		
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		<title>Jennifer Aniston Posts Heartfelt Tribute to &#8216;Friends&#8217; Director James Burrows: &#8216;He Was a Father Figure to Me&#8217;</title>
		<link>https://variety.com/2026/tv/news/jennifer-aniston-tribute-friends-director-james-burrows-1236786442/</link>
					<comments>https://variety.com/2026/tv/news/jennifer-aniston-tribute-friends-director-james-burrows-1236786442/#respond</comments>
		
		<dc:creator><![CDATA[Jack Dunn]]></dc:creator>
		<pubDate>Sat, 20 Jun 2026 20:09:18 +0000</pubDate>
				<category><![CDATA[News]]></category>
		<category><![CDATA[Friends]]></category>
		<category><![CDATA[James Burrows]]></category>
		<category><![CDATA[Jennifer Aniston]]></category>
		<guid isPermaLink="false">https://variety.com/?p=1236786442</guid>

					<description><![CDATA[Jennifer Aniston posted a heartfelt tribute to her longtime “Friends” director James Burrows, who died on Friday at 85 years old. “Papa Burrows. The hardest thing about writing this is that you spent a lifetime making people feel loved, and now it feels impossible to put all of that love into a few paragraphs,” Aniston [&#8230;]]]></description>
		
					<wfw:commentRss>https://variety.com/2026/tv/news/jennifer-aniston-tribute-friends-director-james-burrows-1236786442/feed/</wfw:commentRss>
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		<title>George Lucas Has a Voice Role in &#8216;Minions &#038; Monsters&#8217;</title>
		<link>https://variety.com/2026/film/news/george-lucas-role-minions-and-monsters-illumination-1236786427/</link>
					<comments>https://variety.com/2026/film/news/george-lucas-role-minions-and-monsters-illumination-1236786427/#respond</comments>
		
		<dc:creator><![CDATA[Jack Dunn]]></dc:creator>
		<pubDate>Sat, 20 Jun 2026 18:26:43 +0000</pubDate>
				<category><![CDATA[News]]></category>
		<category><![CDATA[George Lucas]]></category>
		<category><![CDATA[Minions & Monsters]]></category>
		<guid isPermaLink="false">https://variety.com/?p=1236786427</guid>

					<description><![CDATA[Illumination founder Chris Meledandri recently told Collider that George Lucas voices a character in “Minions &#38; Monsters,” which hits theaters on July 1. “I had this privilege of meeting George about two years ago, and what led to my meeting him is how much he loves Illumination movies, and specifically ‘Despicable Me,’ and even more [&#8230;]]]></description>
		
					<wfw:commentRss>https://variety.com/2026/film/news/george-lucas-role-minions-and-monsters-illumination-1236786427/feed/</wfw:commentRss>
			<slash:comments>0</slash:comments>
		
		
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		<title>Olivia Wilde Says Pamela Anderson Helped Her Through &#8216;Don&#8217;t Worry Darling&#8217; Drama: &#8216;The Pummeling That I Took Was So Insanely Disproportionate&#8217;</title>
		<link>https://variety.com/2026/film/news/olivia-wilde-pamela-anderson-dont-worry-darling-drama-1236786418/</link>
					<comments>https://variety.com/2026/film/news/olivia-wilde-pamela-anderson-dont-worry-darling-drama-1236786418/#comments</comments>
		
		<dc:creator><![CDATA[Jack Dunn]]></dc:creator>
		<pubDate>Sat, 20 Jun 2026 17:40:31 +0000</pubDate>
				<category><![CDATA[News]]></category>
		<category><![CDATA[Don't Worry Darling]]></category>
		<category><![CDATA[Olivia Wilde]]></category>
		<category><![CDATA[Pamela Anderson]]></category>
		<guid isPermaLink="false">https://variety.com/?p=1236786418</guid>

					<description><![CDATA[Olivia Wilde recently told the “Call Her Daddy” podcast that Pamela Anderson helped her through the release of her 2022 film “Don’t Worry Darling,” which was plagued with rumors of disarray in the director’s personal and professional life. “I actually learned this from — this sounds so crazy,” Wilde said. “But after I saw the [&#8230;]]]></description>
		
					<wfw:commentRss>https://variety.com/2026/film/news/olivia-wilde-pamela-anderson-dont-worry-darling-drama-1236786418/feed/</wfw:commentRss>
			<slash:comments>1</slash:comments>
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">1236786418</post-id>
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			<media:title type="html">MixCollage-20-Jun-2026-10-29-AM-9718</media:title>
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		<title>Ben Wheatley on How Blockbuster Success of &#8216;Backrooms,&#8217; &#8216;Obsession&#8217; Proves &#8216;It&#8217;s a Great Time to Be a Young Filmmaker&#8217;</title>
		<link>https://variety.com/2026/film/global/ben-wheatley-backrooms-obsession-1236786349/</link>
					<comments>https://variety.com/2026/film/global/ben-wheatley-backrooms-obsession-1236786349/#respond</comments>
		
		<dc:creator><![CDATA[Postcardjunky]]></dc:creator>
		<pubDate>Sat, 20 Jun 2026 16:42:28 +0000</pubDate>
				<category><![CDATA[Global]]></category>
		<category><![CDATA[Markets & Festivals]]></category>
		<category><![CDATA[News]]></category>
		<category><![CDATA[Backrooms]]></category>
		<category><![CDATA[Ben Wheatley]]></category>
		<category><![CDATA[Obsession]]></category>
		<category><![CDATA[Transilvania Film Festival]]></category>
		<guid isPermaLink="false">https://variety.com/?p=1236786349</guid>

					<description><![CDATA[“Bulk” and “Meg 2” director Ben Wheatley thinks “it’s a great time to be a young filmmaker,” pointing to break-out, box-office phenomena like “Backrooms” and “Obsession” as proof that emerging directors are trailblazing new pathways to success — and finding ways to reach new audiences. Appearing at the Transilvania Intl. Film Festival, where the U.K. [&#8230;]]]></description>
		
					<wfw:commentRss>https://variety.com/2026/film/global/ben-wheatley-backrooms-obsession-1236786349/feed/</wfw:commentRss>
			<slash:comments>0</slash:comments>
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">1236786349</post-id>
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			<media:title type="html">Special Fan Screening Of &#34;MEG 2: THE TRENCH&#34;</media:title>
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		<item>
		<title>Why Horror Film &#8216;Leviticus&#8217; Is Summer&#8217;s Most Surprising Love Story</title>
		<link>https://variety.com/2026/film/columns/leviticus-conversion-therapy-horror-movie-love-story-1236783963/</link>
					<comments>https://variety.com/2026/film/columns/leviticus-conversion-therapy-horror-movie-love-story-1236783963/#respond</comments>
		
		<dc:creator><![CDATA[Danvariety]]></dc:creator>
		<pubDate>Sat, 20 Jun 2026 16:15:00 +0000</pubDate>
				<category><![CDATA[Columns]]></category>
		<category><![CDATA[Leviticus]]></category>
		<guid isPermaLink="false">https://variety.com/?p=1236783963</guid>

					<description><![CDATA[SPOILER ALERT:&#160;This story contains spoilers for &#8220;Leviticus&#8221; and &#8220;Obsession,&#8221; both currently playing in theaters. Deep into the new horror movie “Leviticus,” there’s an interlude that’s stunning for how simple it is. Naim (Joe Bird) and Ryan (Stacy Clausen), two teenage boys, have faced down struggles both prosaic and metaphysical. And now, they’re effectively alone together, [&#8230;]]]></description>
		
					<wfw:commentRss>https://variety.com/2026/film/columns/leviticus-conversion-therapy-horror-movie-love-story-1236783963/feed/</wfw:commentRss>
			<slash:comments>0</slash:comments>
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">1236783963</post-id>
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		<title>Box Office: &#8216;Toy Story 5&#8217; Soars to $71 Million on Opening Day</title>
		<link>https://variety.com/2026/film/box-office/box-office-toy-story-5-disclosure-day-obsession-1236786188/</link>
					<comments>https://variety.com/2026/film/box-office/box-office-toy-story-5-disclosure-day-obsession-1236786188/#respond</comments>
		
		<dc:creator><![CDATA[Jack Dunn]]></dc:creator>
		<pubDate>Sat, 20 Jun 2026 15:34:17 +0000</pubDate>
				<category><![CDATA[Box Office]]></category>
		<category><![CDATA[News]]></category>
		<category><![CDATA[Disclosure Day]]></category>
		<category><![CDATA[Obsession]]></category>
		<category><![CDATA[Toy Story 5]]></category>
		<guid isPermaLink="false">https://variety.com/?p=1236786188</guid>

					<description><![CDATA[Playtime is over. Or, actually, maybe it has just begun? Either way, “Toy Story 5” topped the box office charts on Friday. Disney and Pixar’s “Toy Story 5” easily claimed Friday’s box office crown with $71 million from 4,425 North American theaters. Most have the family film earning about $150 million through the weekend, but [&#8230;]]]></description>
		
					<wfw:commentRss>https://variety.com/2026/film/box-office/box-office-toy-story-5-disclosure-day-obsession-1236786188/feed/</wfw:commentRss>
			<slash:comments>0</slash:comments>
		
		
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			<media:title type="html">TOY STORY 5</media:title>
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		<title>&#8216;Atlantic Rhapsody&#8217; Takes Best Film at Shanghai&#8217;s Golden Goblet Awards</title>
		<link>https://variety.com/2026/film/festivals/shanghai-film-festival-golden-goblet-awards-winners-2026-1236786365/</link>
					<comments>https://variety.com/2026/film/festivals/shanghai-film-festival-golden-goblet-awards-winners-2026-1236786365/#respond</comments>
		
		<dc:creator><![CDATA[Naman Ramachandran]]></dc:creator>
		<pubDate>Sat, 20 Jun 2026 13:44:54 +0000</pubDate>
				<category><![CDATA[Asia]]></category>
		<category><![CDATA[Festivals]]></category>
		<category><![CDATA[Global]]></category>
		<category><![CDATA[News]]></category>
		<category><![CDATA[Atlantic Rhapsody]]></category>
		<category><![CDATA[Shanghai International Film Festival]]></category>
		<guid isPermaLink="false">https://variety.com/?p=1236786365</guid>

					<description><![CDATA[China&#8217;s &#8220;Atlantic Rhapsody,&#8221; directed by Zhong Kaifeng, claimed the best feature film at the 28th Golden Goblet Awards, capping the Shanghai International Film Festival&#8217;s awards night on June 20. The Chinese debut feature, which also won best cinematography for Hao Jiayue, led a ceremony that spread recognition across countries and competition sections. &#8220;Atlantic Rhapsody&#8221; had [&#8230;]]]></description>
		
					<wfw:commentRss>https://variety.com/2026/film/festivals/shanghai-film-festival-golden-goblet-awards-winners-2026-1236786365/feed/</wfw:commentRss>
			<slash:comments>0</slash:comments>
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">1236786365</post-id>
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		<title>Hungarian Composer Mihály Víg Reflects on Four Decades of Scoring Béla Tarr&#8217;s Films at Shanghai Masterclass</title>
		<link>https://variety.com/2026/film/festivals/mihaly-vig-bela-tarr-shanghai-masterclass-1236786330/</link>
					<comments>https://variety.com/2026/film/festivals/mihaly-vig-bela-tarr-shanghai-masterclass-1236786330/#respond</comments>
		
		<dc:creator><![CDATA[Naman Ramachandran]]></dc:creator>
		<pubDate>Sat, 20 Jun 2026 12:25:11 +0000</pubDate>
				<category><![CDATA[Asia]]></category>
		<category><![CDATA[Festivals]]></category>
		<category><![CDATA[Global]]></category>
		<category><![CDATA[News]]></category>
		<category><![CDATA[Bela Tarr]]></category>
		<category><![CDATA[Mihaly Vig]]></category>
		<category><![CDATA[Shanghai International Film Festival]]></category>
		<guid isPermaLink="false">https://variety.com/?p=1236786330</guid>

					<description><![CDATA[Mihály Víg, the Hungarian composer, actor and screenwriter who has served as Béla Tarr&#8217;s closest creative partner for more than four decades, held court at the 28th Shanghai International Film Festival, speaking at a masterclass following a screening of &#8220;The Turin Horse.&#8221; Víg&#8217;s bond with Tarr began in 1984 when the director, already an emerging [&#8230;]]]></description>
		
					<wfw:commentRss>https://variety.com/2026/film/festivals/mihaly-vig-bela-tarr-shanghai-masterclass-1236786330/feed/</wfw:commentRss>
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			<media:title type="html">Mihaly Vig</media:title>
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