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<subtitle type="text">where music comes first</subtitle>

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<updated>2012-05-23T11:16:50Z</updated>
<author>
		<name>Xavier Bertels</name>
		<email>xavier@wantedmusic.be</email>
		<uri>http://wantedmusic.be/</uri>
</author>

<atom10:link xmlns:atom10="http://www.w3.org/2005/Atom" rel="self" type="application/atom+xml" href="http://feeds.feedburner.com/wantedmusic" /><feedburner:info uri="wantedmusic" /><atom10:link xmlns:atom10="http://www.w3.org/2005/Atom" rel="hub" href="http://pubsubhubbub.appspot.com/" /><link rel="license" type="text/html" href="http://creativecommons.org/licenses/by-sa/3.0/" /><logo>http://creativecommons.org/images/public/somerights20.gif</logo><feedburner:feedFlare href="http://www.addtoany.com/?linkname=Wanted%20Music&amp;linkurl=http%3A%2F%2Ffeeds.feedburner.com%2Fwantedmusic&amp;type=feed" src="http://www.addtoany.com/addfr-b.gif">Add to Any Feed Reader</feedburner:feedFlare><entry>
		<author>
			<name>Thomas Sempels</name>
		</author>
		<published>2012-05-23T08:43:43Z</published>
		<updated>2012-05-23T08:50:02Z</updated>
		<title type="html">Steve Aoki Remix out next week!</title>
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&lt;p&gt;&lt;img class="left-float" src="http://wantedmusic.be/images/86t.jpg" alt="cobtract" width="150" height="150" /&gt; &lt;/p&gt;

&lt;p&gt;Next week Sem Thomasson's new remix of &lt;strong&gt;Steve Aoki&lt;/strong&gt;'s latest single with Angger Dimas will be released worldwide through &lt;strong&gt;Ultra Records&lt;/strong&gt;! The single is named Steve Jobs and is a computer synth sounding big room track that will be heard on every festival this summer! &lt;/p&gt;

&lt;p&gt;Release date is set on &lt;strong&gt;May 28&lt;/strong&gt;, note it down and take a day off because you will be dancing all day! &lt;/p&gt;
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<entry>
		<author>
			<name>Thomas Sempels</name>
		</author>
		<published>2012-04-23T14:24:02Z</published>
		<updated>2012-05-01T00:54:52Z</updated>
		<title type="html">Sem Thomasson on a roll! </title>
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&lt;p&gt;Our artist &lt;strong&gt;Sem Thomasson&lt;/strong&gt; released a new remix on One Eighty Records. Now That You're Gone is originally written and produced by Australian wonderboy Nick Galea but it's Sem's mix that is buzzing around the globe. At the DMC Buzz Chart of WMC 2012 in Miami the track landed on a #21 spot and it's now out exclusive on Beatport! &lt;/p&gt;
&lt;p&gt; Not only his remix on One Eighty is gathering international support, his latest production with Inaya Day &amp; Siege out on Caballero Recordings got played by Tiësto this week! &lt;/p&gt;&lt;iframe width="560" height="315" src="http://www.youtube.com/embed/-eNKY_NNMfs" frameborder="0" allowfullscreen&gt;&lt;/iframe&gt;
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<entry>
		<author>
			<name>Thomas Sempels</name>
		</author>
		<published>2012-04-19T13:49:46Z</published>
		<updated>2012-04-20T10:38:44Z</updated>
		<title type="html">How to get heard by a record label? </title>
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&lt;p&gt;&lt;img class="left-float" src="http://wantedmusic.be/images/83t.jpg" alt="cobtract" width="150" height="150" /&gt;
&lt;strong&gt;Ten tips from Wanted Music to make sure your music gets heard by a record label &lt;/strong&gt;&lt;/p&gt;

&lt;p&gt;&lt;strong&gt;1) Make good music&lt;/strong&gt; Simple as that. Quality is nowadays more important than quantity. Limit your demo to an absolute maximum of three tracks. It is better to have a label listen to a few great tracks, than to a dozen of good tracks. &lt;/p&gt;

&lt;p&gt;&lt;strong&gt;2) Look signable &lt;/strong&gt; Make sure you give the impression you're open for everything and easy to reach. Don't mention you signed up with millions of other companies because record labels don't care at all and the last thing they want is to fight about you with a competitive company. &lt;/p&gt;

&lt;p&gt;&lt;strong&gt;3) First impression &lt;/strong&gt; You never get a second chance to make a first impression. Make sure you select your best track(s) to send out to a label. Try to make your demo-package look as attractive, informative and to-the-point as possible. Use professional pictures and add interesting movies to your package. Make sure you don't write any language mistakes in your letter or email.&lt;/p&gt;

&lt;p&gt;&lt;strong&gt; 4) Sending your demo &lt;/strong&gt; There are several ways to send your demo. We're living in a digital era. If you send your demo by email, do not attach your music files to a regular e-mail. If you are going to send your demo electronically, send a Soundcloud link instead. Time is money and things have to go quick for A&amp;R managers. Streaming your demo goes faster than downloading it. We disencourage you to send your files via any service that removes files anything sooner than 30 days after the initial upload. The best way to get the attention of a record label is to go back to the roots by sending a physical demo by mail or give it personally to the A&amp;R Maneger. Be creative and be different than all of the other millions of people sending demos every day.&lt;/p&gt;

&lt;p&gt;&lt;strong&gt; 5) The message &lt;/strong&gt; The subject of your email or letter has to be short and straight to the point. Try to be as creative and original as possible. Your message has to be powerfull. Come to the point and don't mention your life story. Include some references (feedback and support from big labels), a picture or video and ask for feedback. &lt;/p&gt;

&lt;p&gt;&lt;strong&gt; 6) Publishing &lt;/strong&gt; Try to find a good publisher to help you finding the right label for your tracks. Wanted Music Publishing can help you with that. &lt;/p&gt;

&lt;p&gt;&lt;strong&gt; 7) Reminder &lt;/strong&gt; Sending a reminder or giving a phone call to ask if the label received your demo is not a bad thing. Wait a few weeks after your first message. Be friendly but don't push yourself to hard. If they are not interested, leave it that way. Next time more luck. &lt;/p&gt;

&lt;p&gt;&lt;strong&gt; 8) Social Media &lt;/strong&gt; Try to be active on social media. Respond, share and interact with labels and their artists. Spread your name. Make sure your name looks familiar with the A&amp;R manager when he first listens to your demo. &lt;/p&gt;

&lt;p&gt;&lt;strong&gt; 9) Be patient &lt;/strong&gt; You need to be patient in the music industry. It takes a long time for the A&amp;R Managers to go through all the demo's they receive every day. Don't be afraid your production won't sound obsolete after a few weeks. Give the label some time and give your demo some time to get into the right hands! &lt;/p&gt; 

&lt;p&gt;&lt;strong&gt; 10) Good luck! &lt;/strong&gt; &lt;/p&gt;




&lt;/p&gt;
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<entry>
		<author>
			<name>Thomas Sempels</name>
		</author>
		<published>2012-04-18T22:49:45Z</published>
		<updated>2012-04-18T23:44:11Z</updated>
		<title type="html">Wanted Music is back! [1]</title>
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&lt;/p&gt;&lt;p&gt;&lt;img class="left-float" src="http://wantedmusic.be/images/82t.gif" alt="We're Back" width="150" height="150" /&gt;
After two and a half year &lt;strong&gt;Wanted Music&lt;/strong&gt; is back! &lt;/p&gt;&lt;p&gt;


We are now focusing on &lt;strong&gt;Artist Management&lt;/strong&gt; and &lt;strong&gt;Music Publishing.&lt;/strong&gt;
If you think you have it all to make it as a new singer, songwriter or deejay/ house music producer, go to the demo section and fire over your tunes! &lt;/p&gt;&lt;p&gt;
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<entry>
		<author>
			<name>Xavier Bertels</name>
		</author>
		<published>2007-05-17T11:22:49Z</published>
		<updated>2007-05-17T21:57:12Z</updated>
		<title type="html">TUTORIAL: How to beatmatch vinyl, basic mixing [1]</title>
		<link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/wantedmusic/~3/SZdA2OBLKZU/tutorial-how-to-beatmatch-vinyl-basic-mixing" />
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&lt;p&gt;For all you up-and-coming deejay talents out there, this is what is going to be the very basics of your deejay career: beatmatching!&lt;/p&gt;&lt;p&gt;&lt;a href="http://en.wikipedia.org/wiki/Beatmatching"&gt;Beatmatching&lt;/a&gt; is what can be called the very basics of modern deejaying. Simply put, it is a deejay term for &amp;quot;synching two different records&amp;quot;. Deejaying is a lot more than &lt;em&gt;just&lt;/em&gt; beatmatching, but let&amp;#39;s learn how to walk, before we run the New York City Marathon! &lt;/p&gt;&lt;p&gt;This video, kindly provied by &lt;a href="http://djforums.com"&gt;djforums.com&lt;/a&gt;, shows you how to perfectly beatmatch two vinyl records. Combined with a basic mixing example, it should get you going in no time. Remember to be very patient though: only practice makes perfect! Some deejays take up a few months just to get the hang of beatmatching, so don&amp;#39;t you dare to give up after one or twee weeks of practicing!&lt;/p&gt;&lt;script type="text/javascript"&gt;writeFlash({width:'425',height:'350',wmode:'transparent',src:'http://www.youtube.com/v/91H5ziQ38sU'});&lt;/script&gt;
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