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Olympus announce housing for E-M5

Tucked away in a press release put out by Olympus Australia are details of a housing for the newly released E-M5 EVIL camera. The PT-E08 is a departure from previous Olympus housing designs as it features a lens port that is bayonet-mounted and replaceable. The standard underwater lens port will accept the M.ZUIKO DIGITAL 14-42mm f3.5-5.6 II, M.ZUIKO DIGITAL 14-42mm f3.5-5.6 IIR and M.ZUIKO DIGITAL ED 9-18mm f4.0-5.6 lenses. Ports will also be available for two lenses; the ZUIKO DIGITAL ED 8mm f3.5 Fisheye and ZUIKO DIGITAL ED 50mm f2.0 Macro.

Prices and availability are still to be confirmed.

Olympus announces plans for 60mm macro lens

In the press release about the new E-M5 EVIL camera, Olympus mention that they are working on producing the M.ZUIKO DIGITAL ED 60mm F2.8 Macro for their EVIL cameras. It is further highlighted in a press release on the Olympus Global site. This will be the first truly useable macro lens for underwater use with EVIL systems. It will offer 1:1 life size magnification (equivalent to 2:1 in 35mm) at the closest focusing distance of 0.19m/0.62ft and will feature a dust and splash-proof design.

It is expected to launch by the end of the 2012. Specifications and price are not yet determined.

Olympus launches the E-M5 EVIL camera

Olympus has announced the release of the OM-D E-M5 EVIL camera. Drawing on a retro style similar to the company's OM series film cameras, the new camera features a built-in electronic viewfinder. This has a refresh rate of 120 frames per second and is HD. In addition, the E-M5 has a 16.1 megapixel sensor with a TruePic VI image processing engine, a 5-axis image stabilization system, ISO settings from 100 to 25,600 and what is claimed as the world's fastest AF system.

The E-M5 will be available from April and prices start at $999.99 for a body only.

Final call for entries: DEEP 2012

DEEP Indonesia 2012 is now making its final call for entries. There are seven themed categories with over $40,000 in prizes, including underwater photo equipment and premium dive travel packages to some of the top photo destinations in Indonesia and Papua New Guinea. The contest includes specific categories for images that focus on conservation and the marine environment, for entries taken by compact digital cameras, and for Indonesian entrants.

Full details are on the UnderwaterCompetition.com website and the deadline for entries is 10 February. Last minute entries for the Our World Underwater contest this year made the servers crash, so please don't leave it too late for DEEP 2012.

Canon releases three lenses

Canon has announced the release of three new lenses. The first, the EF 24-70mm f/2.8L II USM is unlikely to be of interest for underwater use, however the other two lenses may have underwater applications. They are the EF 24mm f/2.8 IS USM and EF 28mm f/2.8 IS USM prime rectilinear wide-angle lenses. Both are equipped with image stabilization technology and ultrasonic motor-powered auto focus. The 24mm has a minimum focus distance of 0.2m and the 28mm of 0.23m, so both will probably require the use of a diopter.

The 24-70mm will be available in April at $2,299.00, and both wide-angle lenses will be available in June at $849.99 for the 24mm and $799.99 for the 28mm.

Call for entries: British Wildlife Photography Awards

The British Wildlife Photography Awards is calling for entries for its 2012 competition. It has twelve categories, including animal behavior, animal portrait, coast and marine, and wildlife in HD video with prizes that include a cash prize of £5,000.

Full details are on the contest's website, and the deadline for entries is 12 May.

Nikon D800 timelapse from Alex Mustard

Wetpixel Associate Editor Alex Mustard has already had the opportunity to shoot (on land) with the new Nikon D800 SLR. One of the features of the new camera is in-camera processing of time-lapse projects. The HD video published on Vimeo by Alex is straight out of the camera. The camera ne was using was a pre-production model; production cameras' output may vary from it somewhat and please bear in mind that Vimeo applies compression to any video uploaded to it.

The images and footage were shot during Alex's underwater photography workshop in the Cayman Islands in January 2012.

Nikon announces the D800 and D800E

Nikon today announced its second new full-frame dSLR of the year, the Nikon D800, and it’s companion, the D800E, which will sit below the D4 at the high end of Nikon’s DSLR line, offering more than twice the pixel density of the top-of-the-line D4. The D800’s FX-format full-frame sensor captures 7360-by-4912-resolution images (36.15 megapixels). The Nikon D800 looks as though it will be a popular dSLR for videographers, thanks to manual exposure controls in video mode; 1080p recording at 30, 25, and 24 fps (as well as 720p video at 60 fps); and the ability to feed uncompressed video to a monitor or recording device via HDMI as it’s being captured.

The Nikon D800 should start appearing in stores in March at $2995 for the body only. The Nikon D800E will arrive in April. The D800E has the same sensor as the D800, but will eliminate the D800’s integrated low-pass filter; Nikon says the filter-less D800E will provide a further boost to detail and image resolution at the expense of a visible moire effect in some images. The Nikon D800E will be priced at $3300 for the body only.

Expedition White Shark app on iTunes

Marine Conservation Science Institute (MCSI) has released an iPhone, iPod Touch and iPad app that tracks adult white sharks in real-time. The team at MCSI has been tagging sharks which can the be tracked via the app although positions for the tagged sharks can only be calculated when a shark is at the surface with its dorsal fin out of the water for several minutes. The app also includes video of sharks being tagged, detailed histories of tagged sharks, a game and information about shark attacks and the prevention of them.

The app is available for $3.99 on iTunes.

Adobe posts sneak previews of Creative Suite 6

Adobe has posted two videos showing sneak previews of features incorporated into the new Creative Suite 6 onto the Photoshop YouTube channel. Adobe Senior Product Manager, Bryan O'Neil Hughes, shows the power of the new camera RAW engine (which is the same as that incorporated into the Lightroom 4 beta), the ability to change the user interface in Photoshop and the new interactivity within the brush tools. Photoshop Product Manager, Zorana Gee previews the effects of being able to run processes on the GPU. This allows for background saving to occur, and for a cleaner response to user inputs. She uses the liquify feature to demonstrate this.

Release dates and prices for Creative Suite 6 are still to be announced.