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<channel>
	<title>You Got Red On You</title>
	
	<link>http://www.worch.com</link>
	<description>Matthias Worch's Homepage</description>
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		<title>“Talking to the Player – How Cultural Currents Shape and Level Design”</title>
		<link>http://feedproxy.google.com/~r/worch/~3/bPCoOyaCNr0/</link>
		<comments>http://www.worch.com/2013/04/24/talking-to-the-player-how-cultural-currents-shape-and-level-design/#comments</comments>
		<pubDate>Thu, 25 Apr 2013 05:16:23 +0000</pubDate>
		<dc:creator>Matthias</dc:creator>
				<category><![CDATA[GDC]]></category>
		<category><![CDATA[GDC Downloads]]></category>

		<guid isPermaLink="false">http://www.worch.com/?p=2907</guid>
		<description><![CDATA[I have posted a full recording of my 2013 GDC game design lecture. It&#8217;s called &#8220;Talking to the Player &#8211; How Cultural Currents Shape and Level Design&#8221; and examines in detail how video games are the perfect expression of our current cultural values. It also gives some hands-on advice on everyday problems faced by level [...]]]></description>
				<content:encoded><![CDATA[<p>I have posted a full recording of my 2013 GDC game design lecture. It&#8217;s called &#8220;Talking to the Player &#8211; How Cultural Currents Shape and Level Design&#8221; and examines in detail how video games are the perfect expression of our current cultural values. It also gives some hands-on advice on everyday problems faced by level and narrative designers.</p>
<p><iframe src="http://www.youtube.com/embed/iC-2R_RiTac" height="315" width="560" allowfullscreen="" frameborder="0"></iframe></p>
<p>You can watch it <a href="http://youtu.be/iC-2R_RiTac">on YouTube</a> or <a href="https://dl.dropboxusercontent.com/u/5019449/TalkingToThePlayer_Slides.pdf">download the fully annotated slides</a> (45mb).</p>
<img src="http://feeds.feedburner.com/~r/worch/~4/bPCoOyaCNr0" height="1" width="1"/>]]></content:encoded>
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		<item>
		<title>Ultima VI – The German Intro</title>
		<link>http://feedproxy.google.com/~r/worch/~3/2ly64JfEe_A/</link>
		<comments>http://www.worch.com/2012/05/27/ultima-vi-the-german-intro/#comments</comments>
		<pubDate>Sun, 27 May 2012 22:22:52 +0000</pubDate>
		<dc:creator>Matthias</dc:creator>
				<category><![CDATA[Computers]]></category>
		<category><![CDATA[Games]]></category>

		<guid isPermaLink="false">http://www.worch.com/?p=2875</guid>
		<description><![CDATA[There never was a German version of Ultima VI, and in my humble opinion it never really needed one. But sometime in the mid-90s, I felt compelled to create one anyway &#8211; probably because I liked computers (and Ultima!) a lot and had too much time on my hands I The result isn&#8217;t Earth-shattering prose, [...]]]></description>
				<content:encoded><![CDATA[<p>There never was a German version of Ultima VI, and in my humble opinion it never really needed one. But sometime in the mid-90s, I felt compelled to create one anyway &#8211; probably because I liked computers (and Ultima!) a lot and had too much time on my hands <img src='http://www.worch.com/wp-includes/images/smilies/icon_smile.gif' alt="icon smile Ultima VI   The German Intro" class='wp-smiley' title="Ultima VI   The German Intro" />  I The result isn&#8217;t Earth-shattering prose, but I remember the effort fondly: German is famously longer than English (supposedly by approximately 30%), yet I couldn&#8217;t exceed the predefined character limit. And I was still in high school, and this translation actually applied some of the knowledge I had gained in class.</p>
<p>I had thought the translation long lost, rotting on a trashed hard drive somewhere in a German landfill &#8211; but as I was digging through my classic games folder today, I noticed two Ultima VI executables in the same directory and got curious. After some more digging, one .EXE turns out to be the one I hacked all those years ago.</p>
<p>This might interest me more than anybody else. But after the cut, for historic purposes, here&#8217;s the Ultima VI introduction &#8211; in German <img src='http://www.worch.com/wp-includes/images/smilies/icon_smile.gif' alt="icon smile Ultima VI   The German Intro" class='wp-smiley' title="Ultima VI   The German Intro" /> </p>
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<a href='http://www.worch.com/2012/05/27/ultima-vi-the-german-intro/ultima6_germanintro8/' title='ultima6_germanIntro8'><img width="150" height="150" src="http://www.worch.com/wp-content/uploads/2012/05/ultima6_germanIntro8-150x150.png" class="attachment-thumbnail" alt="ultima6 germanIntro8 150x150 Ultima VI   The German Intro"  title="Ultima VI   The German Intro" /></a>
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<img src="http://feeds.feedburner.com/~r/worch/~4/2ly64JfEe_A" height="1" width="1"/>]]></content:encoded>
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		<item>
		<title>GDC 2012: Player Stories and Designer Stories</title>
		<link>http://feedproxy.google.com/~r/worch/~3/d7U4GcHR85s/</link>
		<comments>http://www.worch.com/2012/03/11/player-stories-and-designer-stories-download/#comments</comments>
		<pubDate>Mon, 12 Mar 2012 01:50:04 +0000</pubDate>
		<dc:creator>Matthias</dc:creator>
				<category><![CDATA[GDC Downloads]]></category>

		<guid isPermaLink="false">http://www.worch.com/?p=2867</guid>
		<description><![CDATA[Description: Whose story does a game tell? That of the player, the game character, or the designer? This lecture provides a comprehensive review of how games create narrative by structuring designer and player stories through level design. Download the annotated .PDF slides (10mb).]]></description>
				<content:encoded><![CDATA[<p><strong></strong><a href="http://www.worch.com/wp-content/uploads/2011/03/player_stories_designer_stories.jpg"><img class="size-medium wp-image-2868 aligncenter" title="player_stories_designer_stories" src="http://www.worch.com/wp-content/uploads/2011/03/player_stories_designer_stories-544x307.jpg" alt="player stories designer stories 544x307 GDC 2012: Player Stories and Designer Stories" width="544" height="307" /></a><br />
<strong>Description: </strong> Whose story does a game tell? That of the player, the game character, or the designer? This lecture provides a comprehensive review of how games create narrative by structuring designer and player stories through level design.<br />
<strong></strong></p>
<p style="text-align: right;">Download <a href="http://www.worch.com/files/gdc/Player_Stories_Designer_Stories.pdf">the annotated .PDF slides</a> (10mb).<strong><br />
</strong></p>
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		<item>
		<title>GDC 2012 F2P Panel</title>
		<link>http://feedproxy.google.com/~r/worch/~3/dQH5Ti1tmJg/</link>
		<comments>http://www.worch.com/2012/02/28/gdc-2012-f2p-panel/#comments</comments>
		<pubDate>Wed, 29 Feb 2012 03:20:47 +0000</pubDate>
		<dc:creator>Matthias</dc:creator>
				<category><![CDATA[GDC]]></category>

		<guid isPermaLink="false">http://www.worch.com/?p=2863</guid>
		<description><![CDATA[Designing for Free: How Free-to-Play Games Blur the Line Between Design and Business Speaker/s: Soren Johnson (Game Developer Magazine), Ben Cousins (ngmoco Sweden), Matthias Worch (LucasArts), Tom Chick (Quarter to Three) and David Edery (Spry Fox) Day / Time / Location: Friday 4:00- 5:00 Room 2003, West Hall, 2nd Fl Track / Duration / Format / Audience Level: Game Design [...]]]></description>
				<content:encoded><![CDATA[<p><a href="http://schedule.gdconf.com/session/6767/Designing_for_Free%3A_How_Free-to-Play_Games_Blur_the_Line_Between_Design_and_Business">Designing for Free: How Free-to-Play Games Blur the Line Between Design and Business</a></p>
<p><strong>Speaker/s: </strong> <a href="http://schedule.gdconf.com/speaker/Soren-Johnson">Soren Johnson (Game Developer Magazine)</a>, <a href="http://schedule.gdconf.com/speaker/Ben-Cousins">Ben Cousins (ngmoco Sweden)</a>, <a href="http://schedule.gdconf.com/speaker/Matthias-Worch">Matthias Worch (LucasArts)</a>, <a href="http://schedule.gdconf.com/speaker/Tom-Chick">Tom Chick (Quarter to Three)</a> and <a href="http://schedule.gdconf.com/speaker/David-Edery">David Edery (Spry Fox)</a><br />
<strong>Day / Time / Location: </strong> Friday 4:00- 5:00 Room 2003, West Hall, 2nd Fl<br />
<strong>Track / Duration / Format / Audience Level: </strong> Game Design , Business and Marketing and Management / 60-Minute / Panel / All<br />
<strong>GDC Vault Recording: </strong>Video Recorded<br />
<strong>Description: </strong></p>
<p>The free-to-play movement is here to stay and will touch every corner of the games industry. However, the format blurs the line between game design and game business, so that business decisions will become increasingly indistinguishable from design decisions. Free-to-play content must be fun enough to attract and retain players but not so much fun that no one feels the need to spend some money. Managing this tension makes free-to-play design extremely difficult, especially for traditional game designers who are used to simply making the best game possible. Our panelists will discuss this transition and best practices for building free-to-play games with soul.<br />
<strong>Takeaway: </strong> Attendees will gain a deeper understanding of the trade-offs inherent with free-to-play design and how to navigate them while maintaining a game&#8217;s core.<br />
<strong>Intended Audience: </strong> This panel is targeted at anyone interested in the design and business of free-to-play games.<br />
<strong>Eligible Passes:</strong>  <a href="http://www.gdconf.com/attend/passes.html#34133" target="blank">All Access Pass</a>, <a href="http://www.gdconf.com/attend/passes.html#34134" target="blank">Main Conference Pass</a></p>
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		<item>
		<title>GDC 2012 Level Design Tutorial</title>
		<link>http://feedproxy.google.com/~r/worch/~3/dxXLX1NULjY/</link>
		<comments>http://www.worch.com/2012/02/28/gdc-2012-level-design-tutorial/#comments</comments>
		<pubDate>Wed, 29 Feb 2012 03:19:22 +0000</pubDate>
		<dc:creator>Matthias</dc:creator>
				<category><![CDATA[GDC]]></category>

		<guid isPermaLink="false">http://www.worch.com/?p=2860</guid>
		<description><![CDATA[Level Design in a Day: Best Practices from the Best in the Business Speaker/s: Coray Seifert (Slingo, Inc.), Ed Byrne (Imba), Neil Alphonso (Splash Damage), Jim Brown (Epic Games), Joel Burgess (Bethesda Game Studios), Seth Marinello (Visceral Games Redwood Shores) and Matthias Worch (LucasArts) Day / Time / Location: Tuesday 10:00- 6:00 Room 2016, West Hall, 2nd Fl Track / Duration / [...]]]></description>
				<content:encoded><![CDATA[<p><a href="http://schedule.gdconf.com/session/6463/Level_Design_in_a_Day%3A_Best_Practices_from_the_Best_in_the_Business">Level Design in a Day: Best Practices from the Best in the Business</a></p>
<p><strong>Speaker/s: </strong> <a href="http://schedule.gdconf.com/speaker/Coray-Seifert">Coray Seifert (Slingo, Inc.)</a>, <a href="http://schedule.gdconf.com/speaker/Ed-Byrne">Ed Byrne (Imba)</a>, <a href="http://schedule.gdconf.com/speaker/Neil-Alphonso">Neil Alphonso (Splash Damage)</a>, <a href="http://schedule.gdconf.com/speaker/Jim-Brown">Jim Brown (Epic Games)</a>, <a href="http://schedule.gdconf.com/speaker/Joel-Burgess">Joel Burgess (Bethesda Game Studios)</a>, <a href="http://schedule.gdconf.com/speaker/Seth-Marinello">Seth Marinello (Visceral Games Redwood Shores)</a> and <a href="http://schedule.gdconf.com/speaker/Matthias-Worch">Matthias Worch (LucasArts)</a><br />
<strong>Day / Time / Location: </strong> Tuesday 10:00- 6:00 Room 2016, West Hall, 2nd Fl<br />
<strong>Track / Duration / Format / Audience Level: </strong> Game Design , Production / Full-Day / Tutorial / All<br />
<strong>GDC Vault Recording: </strong>No Vault Recording<br />
<strong>Description: </strong></p>
<p>In this intense day-long tutorial, attendees gain deep insights into the art of Level Design from an all-star cast of industry veterans. This year, everyone&#8217;s favorite Level Design tutors return with new topics, new formats, and new genres, plus acclaimed Dead Space level designer Seth Marinello! From the iterative process behind a production of Gears of War level, to the process of creating the most stirring moments of Dead Space, this tutorial reviews best practices and lessons learned from almost a century of collective level design experience on a vast array of contemporary and classic games. Topics of focus include documentation, pacing, environmental storytelling, balancing, player agency, narrative agency and others. This fun, high energy talk features portfolio deathmatches, talk show-style panel discussions, extended Q&amp;A and a post-tutorial trip to the bar to wrap up the day with speakers and colleagues.</p>
<p><strong>Agenda</strong></p>
<p>10:00–10:15am- <strong>Level Design in a Day Introduction </strong></p>
<p><strong>Speaker:</strong> Coray Seifert</p>
<p>10:15–11:08am- <strong>Building a Universe Through Details</strong></p>
<p><strong>Speaker: </strong>Seth Marinello (Visceral Games Redwood Shores)<br />
Seth Marinello details his experience helping bring the terrifying world of Dead Space alive through careful pacing and environmental storytelling. Pulling from numerous sources such as film, literature, and traditional games, Seth outlines how to create immersive spaces and craft memorable gameplay moments.</p>
<p>11:08am–12:00pm- <strong>Player Stories, Designer Stories and Narrative Agency</strong></p>
<p><strong>Speaker:</strong> Matthias Worch (LucasArts)<br />
Whose story does a game tell? That of the player, the game character, or the designer? This lecture provides a comprehensive review of how games create narrative by structuring designer and player stories through level design. It also offers suggestions on how we create game stories don&#8217;t simply provide context for the player&#8217;s actions but integrate the gameplay and narrative layers of the game.</p>
<p>12:00–1:45pm- <strong>LUNCH SPECIAL! </strong>Portfolio Review for LD Newbies and Vets</p>
<p><strong>Portfolio Review for LD Newbies and Vets</strong><br />
Design has always been one of the most competitive disciplines in game development when it comes to landing a position, and this of course rings true for level design. This talk will provide an arsenal of tips and tricks for everything from getting noticed initially to waiting for a response after an interview. Before this talk, we&#8217;ll send out a request for level design resumes/portfolios and put them head-to-head in brutal Portfolio Deathmatches. Two enter, one gets the job offer.</p>
<p>1:45–2:30pm- <strong>LIVE with Matthias Worch &amp; The Level Devils</strong></p>
<p>Speaker: Matthias Worch (LucasArts)<br />
With bellies full of food and eyes full of sleep threatening focus levels, it&#8217;s time for an upbeat, entertaining romp through the lighter side of level design with our effervescent host Matthias Worch and his enigmatic group of ne&#8217;er do wells, the Level Devils. Audience members are invited to join the panel on-stage in a cable talk show format as we discuss audience topics from the first half of the tutorial, burning questions about the art and craft of level design, and the meaning of life in general.</p>
<p>2:30–3:30pm- <strong>Occam&#8217;s Level Designing Razor</strong></p>
<p><strong>Speaker: </strong>Joel Burgess (Bethesda Game Studios)<br />
A study in &#8220;the least complicated solution is usually the best&#8221; with examples from game balance, layout and scripting. While inexperienced designers often implement tons of convoluted safeties and edge case handling edge cases, before the situation ever actually calls for it, the best solution is often the one that is simplest in nature.</p>
<p>3:30–4:00pm, 4:30–5:00pm- <strong>Level Design Documentation</strong></p>
<p><strong>Speakers: </strong>Ed Byrne (Imba) and<strong> </strong>Neil Alphonso (Splash Damage)<br />
Generally looked upon as an unfavourable relic of old-school game development, documentation and sketching is a fundamental part of any design process. Using examples from his work on contemporary and classic games, Ed explains the reasons for understanding and using planning materials, how to go about creating them, and why sometimes the old ways are the best ways.</p>
<p>5:00–6:00pm- <strong>The Legacy of Fail</strong></p>
<p><strong>Speaker:</strong> Jim Brown (Epic Games)<br />
Jim Brown describes his experience in learning from mistakes and the importance of iteration. Jim will take a shipped level from a recent Epic product and show it at each stage of development, tracking how and why it changed over time.<br />
<strong>Takeaway: </strong> Level Design newcomers gain a solid foundation in the art and science of level design. Experienced level designers learn tips, tricks, and best practices from the best in the business. Non-Level Designers gain an intimate understanding of the level design process, becoming better equipped to collaborate with level design teams.<br />
<strong>Intended Audience: </strong> Designers, writers, and scripters involved in the level or scenario creation process. Programmers, artists, team leads and testers interfacing with level design teams. Anyone interested in learning more about the art of crafting great moment-to-moment gameplay.<br />
<strong>Eligible Passes:</strong>  <a href="http://www.gdconf.com/attend/passes.html#34133" target="blank">All Access Pass</a>, <a href="http://www.gdconf.com/attend/passes.html#34135" target="blank">Summits &amp; Tutorials Pass</a></p>
<img src="http://feeds.feedburner.com/~r/worch/~4/dxXLX1NULjY" height="1" width="1"/>]]></content:encoded>
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		<title>Twitter</title>
		<link>http://feedproxy.google.com/~r/worch/~3/ryal_XQqnmw/</link>
		<comments>http://www.worch.com/2011/07/02/twitter-2/#comments</comments>
		<pubDate>Sat, 02 Jul 2011 07:09:57 +0000</pubDate>
		<dc:creator>Matthias</dc:creator>
				<category><![CDATA[Life]]></category>

		<guid isPermaLink="false">http://www.worch.com/?p=2855</guid>
		<description><![CDATA[As you almost certainly noticed I haven&#8217;t posted a lot of opinions on my blog lately. The likely culprit is Twitter, where you&#8217;ll find my current state of mind updated daily in 140 characters of less. It only seems right to add a feed in the sidebar to the left &#8211; feel free to follow [...]]]></description>
				<content:encoded><![CDATA[<p>As you almost certainly noticed I haven&#8217;t posted a lot of opinions on my blog lately. The likely culprit is Twitter, where you&#8217;ll find my current state of mind updated daily in 140 characters of less. It only seems right to add a feed in the sidebar to the left &#8211; feel free to<a href="http://www.twitter.com/mworch" target="_blank"> follow</a> me for frequent updates!</p>
<img src="http://feeds.feedburner.com/~r/worch/~4/ryal_XQqnmw" height="1" width="1"/>]]></content:encoded>
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		<title>IGDA SF Pecha Kucha Download</title>
		<link>http://feedproxy.google.com/~r/worch/~3/2Gu4udUABpc/</link>
		<comments>http://www.worch.com/2011/04/09/igda-san-francisco-pecha-kucha-rant/#comments</comments>
		<pubDate>Sat, 09 Apr 2011 16:54:55 +0000</pubDate>
		<dc:creator>Matthias</dc:creator>
				<category><![CDATA[GDC Downloads]]></category>
		<category><![CDATA[IGDA]]></category>

		<guid isPermaLink="false">http://www.worch.com/?p=2847</guid>
		<description><![CDATA[I presented a short, 7 minute session at the IGDA SF&#8217;s &#8220;Pecha Kucha Night&#8221;, talking about level design, how it fits into game design, and when we&#8217;re doing it wrong. It&#8217;s 22 slides, which you can download right here. (2MB)]]></description>
				<content:encoded><![CDATA[<p>I presented a short, 7 minute session at the IGDA SF&#8217;s &#8220;Pecha Kucha Night&#8221;, talking about level design, how it fits into game design, and when we&#8217;re doing it wrong. It&#8217;s 22 slides, which you <a href="http://www.worch.com/files/gdc/igda_sf_mworch_web.pdf">can download right here</a>. (2MB)</p>
<img src="http://feeds.feedburner.com/~r/worch/~4/2Gu4udUABpc" height="1" width="1"/>]]></content:encoded>
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		<slash:comments>2</slash:comments>
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		<title>IGDA SF Meeting</title>
		<link>http://feedproxy.google.com/~r/worch/~3/mBWj0PFR7os/</link>
		<comments>http://www.worch.com/2011/04/04/igda-sf-meeting/#comments</comments>
		<pubDate>Tue, 05 Apr 2011 03:35:01 +0000</pubDate>
		<dc:creator>Matthias</dc:creator>
				<category><![CDATA[Events]]></category>
		<category><![CDATA[Game Development]]></category>

		<guid isPermaLink="false">http://www.worch.com/?p=2843</guid>
		<description><![CDATA[I will be doing a quick game design rant at the IGDA San Francisco&#8217;s &#8216;Pecha Kucha Night&#8216; this Wednesday. Stop by if you&#8217;re in the area!]]></description>
				<content:encoded><![CDATA[<p>I will be doing a quick game design rant at the IGDA San Francisco&#8217;s &#8216;<a href="http://www.facebook.com/event.php?eid=202353206449825" target="_blank">Pecha Kucha Night</a>&#8216; this Wednesday. Stop by if you&#8217;re in the area!</p>
<img src="http://feeds.feedburner.com/~r/worch/~4/mBWj0PFR7os" height="1" width="1"/>]]></content:encoded>
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		<title>Dead Space 2 Release</title>
		<link>http://feedproxy.google.com/~r/worch/~3/qFMAvAQX9sQ/</link>
		<comments>http://www.worch.com/2011/03/13/dead-space-2-release/#comments</comments>
		<pubDate>Sun, 13 Mar 2011 10:56:14 +0000</pubDate>
		<dc:creator>Matthias</dc:creator>
				<category><![CDATA[Dead Space 2]]></category>

		<guid isPermaLink="false">http://www.worch.com/?p=2834</guid>
		<description><![CDATA[Dead Space 2 was released just over a month ago! If I haven&#8217;t posted about the game yet it&#8217;s not because of a lack of love &#8211; I&#8217;m absolutely stoked with how the game turned out. I just got sucked into my new job at LucasArts and GDC talk preparations. I might post a more [...]]]></description>
				<content:encoded><![CDATA[<p>Dead Space 2 was released just over a month ago! If I haven&#8217;t posted about the game yet it&#8217;s not because of a lack of love &#8211; I&#8217;m absolutely stoked with how the game turned out. I just got sucked into my new job at LucasArts and <a href="http://www.worch.com/2011/03/05/identity-bubble-download/">GDC talk</a> preparations. I might post a more complete postmortem later, but for now I&#8217;ll leave you with the information that I was the senior level designer on the project and worked on chapters 2, 3 and 6. In other words, everything from the hospital to the church, and the mall/school spaces after the church. I hope you enjoyed the game!</p>
<img src="http://feeds.feedburner.com/~r/worch/~4/qFMAvAQX9sQ" height="1" width="1"/>]]></content:encoded>
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		<title>GDC 2011: The Identity Bubble – A Design Approach to Character and Story Creation</title>
		<link>http://feedproxy.google.com/~r/worch/~3/g2DYeq6Kn7Q/</link>
		<comments>http://www.worch.com/2011/03/05/identity-bubble-download/#comments</comments>
		<pubDate>Sat, 05 Mar 2011 20:37:51 +0000</pubDate>
		<dc:creator>Matthias</dc:creator>
				<category><![CDATA[GDC Downloads]]></category>

		<guid isPermaLink="false">http://www.worch.com/?p=2827</guid>
		<description><![CDATA[Description: Who is the actor in a game? Is it the person holding the controller in the real world, or the player-character who moves through the game-world? The answer is Both, and the game designer must work carefully to keep the interests of these two consciousnesses aligned. This session presents a design approach for reconciling [...]]]></description>
				<content:encoded><![CDATA[<p><a href="http://www.worch.com/wp-content/uploads/2011/02/gdc2011_ib_matthias_worch.jpg"><img class="size-medium wp-image-2822 aligncenter" title="gdc2011_ib_matthias_worch" src="http://www.worch.com/wp-content/uploads/2011/02/gdc2011_ib_matthias_worch-544x306.jpg" alt="gdc2011 ib matthias worch 544x306 GDC 2011: The Identity Bubble   A Design Approach to Character and Story Creation" width="544" height="306" /></a><strong></strong><br />
<strong>Description: </strong> Who is the actor in a game? Is it the  person holding the controller in  the real world, or the  player-character who moves through the  game-world? The answer is Both,  and the game designer must work  carefully to keep the interests of  these two consciousnesses aligned.  This session presents a design  approach for reconciling  developer-defined and player-derived character  identities. Games often  feature strong pre-authored characters and  story arcs, while trying to  give the player the feeling of uninhibited  agency. The practical  techniques presented here show how to design  stories that dont simply  provide a context for the players actions, but  instead create impulses  and motivations within the player that are in  alignment with those of  the avatar. Player and avatar float along in  unison inside an identity  bubble, working towards a common goal.<br />
<strong></strong></p>
<p><strong>Takeaway: </strong> Attendees understand how games establish a  high level of character  identification, and they acquire techniques  that can be used to achieve  similar results. Writers (and developers  working with external writers)  gain insight into the design and  identity concepts that should guide the  development of character, story  and mission objectives in games.<strong><br />
</strong></p>
<p><strong>Intended Audience: </strong> Game designers, writers and developers working with external writers.<strong></strong></p>
<p style="text-align: right;">Download <a href="http://www.worch.com/files/gdc/The_Identity_Bubble_Web.pdf">the annotated .PDF slides</a> (3mb).<strong><br />
</strong></p>
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