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  <channel>
    <title>Yale University: Music</title>
    <link>http://www.yale.edu</link>
    <description>Distinguished faculty and students from the Yale School of Music perform classic works and discuss the history of music and the legends who made it. Recent additions to our netcast collection include Ezra Laderman performing concerto for Clarinet and Strings and the Yale Brass Trio performing Brass Music from the Fifteenth Century.</description>
    <language>en</language>
    <pubDate>Thu, 21 Oct 2010 16:44:03 GMT</pubDate>
    <dc:creator>Yale University</dc:creator>
    <dc:date>2010-10-21T16:44:03Z</dc:date>
    <dc:language>en</dc:language>
    <itunes:owner>
      <itunes:email>michael.helfenbein@yale.edu</itunes:email>
      <itunes:name>Michael Helfenbein</itunes:name>
    </itunes:owner>
    <itunes:category text="Education">
      <itunes:category text="Higher Education" />
    </itunes:category>
    <itunes:explicit>no</itunes:explicit>
    <itunes:keywords>Yale,  Yale University,  University,  College,  Ivy League,  Lecture,  Higher Education,  New Haven,  Connecticut</itunes:keywords>
    <itunes:subtitle>Distinguished faculty and students from the Yale School of Music perform classic works and discuss the history of music and the legends who made it. Recent additions to our netcast collection include Ezra Laderman performing “concerto for Clarinet and Str</itunes:subtitle>
    <itunes:summary>Distinguished faculty and students from the Yale School of Music perform classic works and discuss the history of music and the legends who made it. Recent additions to our netcast collection include Ezra Laderman performing “concerto for Clarinet and Strings” and the Yale Brass Trio performing “Brass Music from the Fifteenth Century”.</itunes:summary>
    <image>
      <title>Music</title>
      <url>http://openprojects.yale.edu/rss/images/music_icon.jpg</url>
      <link>http://www.yale.edu</link>
    </image>
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      <title>Virgil Thomson: Excerpts From Historic Interviews</title>
      <link>http://feedproxy.google.com/~r/yale/music/~3/lTXi2ucjrpE/thomson_032409.mp3</link>
      <description>Perlis &amp; Van Cleve's Oral History of American Music archive, Thomson interview excerpts (1977-1980)&lt;img src="http://feeds.feedburner.com/~r/yale/music/~4/lTXi2ucjrpE" height="1" width="1"/&gt;</description>
      <enclosure url="http://streaming.yale.edu/cmi2/opa/podcasts/music/thomson_032409.mp3" length="29999906" type="audio/mp3" />
      <pubDate>Thu, 11 Jun 2009 14:55:50 GMT</pubDate>
      <guid isPermaLink="false">Yale University Netcast #1589</guid>
      <dc:creator>Yale University</dc:creator>
      <dc:date>2009-06-11T14:55:50Z</dc:date>
      <itunes:duration>00:20:49</itunes:duration>
      <itunes:author>Virgil Thomson</itunes:author>
      <itunes:explicit>no</itunes:explicit>
      <itunes:keywords>Virgil Thomson,  Vivian Perlis,  American Music,  Oral History,  Libby Van Cleve,  Nadia Boulanger,  Film Music,  Gertrude Stein,  Four Saints in Three Acts,  Music criticism,  Opera</itunes:keywords>
      <itunes:subtitle>Perlis &amp; Van Cleve's Oral History of American Music archive, Thomson interview excerpts (1977-1980)</itunes:subtitle>
      <itunes:summary>Virgil Thomson (1896-1989), important 20th Century composer and influential critic, was interviewed by Vivian Perlis for Yale’s Oral History of American Music archive (OHAM) between 1977 and 1980.  Additional material held at OHAM includes tape recordings of his Yale College course, “Words and Music”, a video-taped interview in his apartment at the historic Chelsea Hotel, New York City, and numerous acquired interviews. Excerpts appear in Composers’ Voices from Ives to Ellington, CD and book publication by Vivian Perlis and Libby Van Cleve, (Yale University Press, 2005.)  Included are comments on: opera, teaching composition, Nadia Boulanger, Gertrude Stein, and music criticism.&#xD;
For more Yale music netcasts, visit music.yale.edu. For information about music samples and interview transcript, see OHAM website: www.yale.edu/oham/.   This podcast was derived from the publication’s second CD, Track 9.</itunes:summary>
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    <item>
      <title>James Woods: Village Burial with Fire</title>
      <link>http://feedproxy.google.com/~r/yale/music/~3/NF4aHv_XD_Q/YPG_wood_020703.mp3</link>
      <description>Yale Percussion group performs James Wood’s “Village Burial with Fire” (February 7, 2003)&lt;img src="http://feeds.feedburner.com/~r/yale/music/~4/NF4aHv_XD_Q" height="1" width="1"/&gt;</description>
      <enclosure url="http://streaming.yale.edu/opa/podcasts/audio/schools/music/YPG_wood_020703.mp3" length="23938031" type="audio/mp3" />
      <pubDate>Wed, 23 Apr 2008 17:06:01 GMT</pubDate>
      <guid isPermaLink="false">Yale University Netcast #974</guid>
      <dc:creator>Yale University</dc:creator>
      <dc:date>2008-04-23T17:06:01Z</dc:date>
      <itunes:duration>00:16:37</itunes:duration>
      <itunes:author>Yale Percussion Group</itunes:author>
      <itunes:explicit>no</itunes:explicit>
      <itunes:keywords>Percussion,  Village Burial with Fire,  Robert van Sice,  Yale Percussion Group,  drums,  contemporary music,  James Wood</itunes:keywords>
      <itunes:subtitle>Yale Percussion group performs James Wood’s “Village Burial with Fire” (February 7, 2003)</itunes:subtitle>
      <itunes:summary>The Yale Percussion Group, under  Robert Van Sice, is dedicated to the performance and promotion of contemporary percussion chamber music.  The members are students of the Yale School of Music and have given acclaimed performances throughout the U.S.  The YPG performs James Wood’s evocative Village Burial with Fire, a work inspired by the funeral service for a Hindu prince.  The percussionists are Lawson White, Adam Sliwinski, Robert Bishop, Javier Alonso Sota. This performance took place on February 7, 2003 in Morse Recital Hall in Sprague Hall.</itunes:summary>
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    <item>
      <title>Boris Berman, pianist, on Prokofiev</title>
      <link>http://feedproxy.google.com/~r/yale/music/~3/QWxvnp-9-nM/berman_on_prokofiev_031908.mp3</link>
      <description>Boris Berman, Professor of piano at the Yale School of Music, talks with David Kaplan about the life and work of Russian composer Sergei Prokofiev. (Recorded March 19, 2008)&lt;img src="http://feeds.feedburner.com/~r/yale/music/~4/QWxvnp-9-nM" height="1" width="1"/&gt;</description>
      <enclosure url="http://streaming.yale.edu/opa/podcasts/audio/schools/music/berman_on_prokofiev_031908.mp3" length="45814973" type="audio/mp3" />
      <pubDate>Wed, 23 Apr 2008 16:57:49 GMT</pubDate>
      <guid isPermaLink="false">Yale University Netcast #973</guid>
      <dc:creator>Yale University</dc:creator>
      <dc:date>2008-04-23T16:57:49Z</dc:date>
      <itunes:duration>00:31:48</itunes:duration>
      <itunes:author>Boris Berman</itunes:author>
      <itunes:explicit>no</itunes:explicit>
      <itunes:keywords>Boris Berman,  Prokofieff,  Prokofiev,  Russian piano music,  Piano sonatas,  Piano Concerto,  David Kaplan,</itunes:keywords>
      <itunes:subtitle>Boris Berman, Professor of piano at the Yale School of Music, talks with David Kaplan about the life and work of Russian composer Sergei Prokofiev. (Recorded March 19, 2008)</itunes:subtitle>
      <itunes:summary>Boris Berman, Professor of Piano, Chair of the Piano department at the Yale School of Music, and one of the world’s leading authorities on the life and music of Sergei Prokofiev talks with Yale piano student David Kaplan about Prokofiev and upcoming performances at Yale and New York of his music.</itunes:summary>
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    <item>
      <title>Die Fledermaus: A discussion by the artistic staff of Yale opera</title>
      <link>http://feedproxy.google.com/~r/yale/music/~3/WyExL1yuXn4/fledermaus.mp3</link>
      <description>Grant Meachum talks with Artistic Director Doris Yarick-Cross, stage director Marc Verzatt and conductor Jeremy Silver, with musical examples. (February 1, 2008)&lt;img src="http://feeds.feedburner.com/~r/yale/music/~4/WyExL1yuXn4" height="1" width="1"/&gt;</description>
      <enclosure url="http://www.yale.edu/music/podcast/media/fledermaus.mp3" length="45877742" type="audio/mp3" />
      <pubDate>Thu, 17 Jan 2008 16:58:18 GMT</pubDate>
      <guid isPermaLink="false">Yale University Netcast #867</guid>
      <dc:creator>Yale University</dc:creator>
      <dc:date>2008-01-17T16:58:18Z</dc:date>
      <itunes:duration>00:31:51</itunes:duration>
      <itunes:author>Doris Yarick Cross, Marc Verzatt, Jeremy Silver</itunes:author>
      <itunes:explicit>no</itunes:explicit>
      <itunes:keywords>Die Fledermaus,  opera,  Yale Opera,  Yarick-Cross,  Verzatt,  Jeremy Silver,  Johann Strauss</itunes:keywords>
      <itunes:subtitle>Grant Meachum talks with Artistic Director Doris Yarick-Cross, stage director Marc Verzatt and conductor Jeremy Silver, with musical examples. (February 1, 2008)</itunes:subtitle>
      <itunes:summary>Yale Opera's Managing Director Grant Meachum talks about the 2008 production of Johann Strauss's Die Fledermaus with Artistic Director Doris Yarick-Cross, stage director Marc Verzatt and conductor Jeremy Silver about the opera, with musical examples provided by Samantha Talmadge as Rosalinde and Zach Borichevsky as Eisenstein, accompanied by faculty pianist Mikhail Hallak.</itunes:summary>
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    <item>
      <title>Charles Ives, from historic interviews</title>
      <link>http://feedproxy.google.com/~r/yale/music/~3/-xDrGqoz78w/Ives_OHAM.mp3</link>
      <description>Perlis &amp; Van Cleve’s Oral History American Music project, Ives interview excerpts, (1968-1974) &#xD;
&#xD;
From 1968 to 1974, Vivian Perlis interviewed friends, family and colleagues of Ives for Yale’s Oral History American Music Project.  Excerpts appear in Composers’ Voices from Ives to Ellington, CD and book publication by Vivian Perlis and Libby Van Cleve, (Yale University Press, 2005.)  Included are comments on: Ives’ character and personality, working methods, innovative techniques, work as an insurance executive, his unusually talented father, and the influence of Emerson and American Transcendentalism.&#xD;
&#xD;
For information about music samples and interview transcript, see OHAM website: www.yale.edu/oham/.   This podcast was derived from the publication’s first CD, Tracks 2- 11.&lt;img src="http://feeds.feedburner.com/~r/yale/music/~4/-xDrGqoz78w" height="1" width="1"/&gt;</description>
      <enclosure url="http://streaming.yale.edu/opa/podcasts/audio/schools/music/Ives_OHAM.mp3" length="36095774" type="audio/mp3" />
      <pubDate>Thu, 18 Oct 2007 01:38:58 GMT</pubDate>
      <guid isPermaLink="false">Yale University Netcast #738</guid>
      <dc:creator>Yale University</dc:creator>
      <dc:date>2007-10-18T01:38:58Z</dc:date>
      <itunes:duration>00:25:03</itunes:duration>
      <itunes:author>Charles Ives</itunes:author>
      <itunes:explicit>no</itunes:explicit>
      <itunes:keywords>Charles Ives,  George Ives,  Harmony Ives,  John Kirkpatrick,  Vivian Perlis,  American Music,  Oral History,  Libby Van Cleve,  Elliott Carter,  Henry Cowell</itunes:keywords>
      <itunes:subtitle>Perlis &amp; Van Cleve’s Oral History American Music project, Ives interview excerpts, (1968-1974) &#xD;
&#xD;
From 1968 to 1974, Vivian Perlis interviewed friends, family and colleagues of Ives for Yale’s Oral History American Music Project.  Excerpts appear in Composers’ Voices from Ives to Ellington, CD and book publication by Vivian Perlis and Libby Van Cleve, (Yale University Press, 2005.)  Included are comments on: Ives’ character and personality, working methods, innovative techniques, work as an insurance executive, his unusually talented father, and the influence of Emerson and American Transcendentalism.&#xD;
&#xD;
For information about music samples and interview transcript, see OHAM website: www.yale.edu/oham/.   This podcast was derived from the publication’s first CD, Tracks 2- 11.</itunes:subtitle>
      <itunes:summary>Charles Edward Ives was born in Danbury, CT in 1874 and since his death in 1954 has been recognized as one of the most imaginative, diverse and experimental composers of the 20th century.</itunes:summary>
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    <item>
      <title>Celebrating The New Organ In Marquand Chapel</title>
      <link>http://feedproxy.google.com/~r/yale/music/~3/Kh6oKrYwE2k/organ_100507.mp3</link>
      <description>The builders of the new organ in Marquand Chapel, George Taylor, John Boody, and Martin Jean discuss their inspiring creation.&lt;img src="http://feeds.feedburner.com/~r/yale/music/~4/Kh6oKrYwE2k" height="1" width="1"/&gt;</description>
      <enclosure url="http://streaming.yale.edu/opa/podcasts/audio/schools/music/organ_100507.mp3" type="audio/mp3" />
      <pubDate>Mon, 24 Sep 2007 15:07:13 GMT</pubDate>
      <guid isPermaLink="false">Yale University Netcast #696</guid>
      <dc:creator>Yale University</dc:creator>
      <dc:date>2007-09-24T15:07:13Z</dc:date>
      <itunes:author>Melissa Maier</itunes:author>
      <itunes:explicit>no</itunes:explicit>
      <itunes:keywords>organ,  marquand chapel,  sacred,  ISM,  service,  prayer</itunes:keywords>
      <itunes:subtitle>The builders of the new organ in Marquand Chapel, George Taylor, John Boody, and Martin Jean discuss their inspiring creation.</itunes:subtitle>
      <itunes:summary>The builders of the new Taylor &amp; Boody organ in Marquand Chapel, George Taylor, John Boody, and Martin Jean discuss their inspiring creation.</itunes:summary>
    <media:content url="http://streaming.yale.edu/opa/podcasts/audio/schools/music/organ_100507.mp3" type="audio/mp3" /><feedburner:origLink>http://streaming.yale.edu/opa/podcasts/audio/schools/music/organ_100507.mp3</feedburner:origLink></item>
    <item>
      <title>Martin Bresnick: "Grace," Concerto for 2 Marimbas and Orchestra (2nd Mvmt)</title>
      <link>http://feedproxy.google.com/~r/yale/music/~3/uSR3AWjrt9w/Bresnick_Grace.mp3</link>
      <description>Robert van Sice and Eduardo Leandro, marimba; Philharmonia Orchestra of Yale, Shinik Hahm, conductor (March 31, 2006)&lt;img src="http://feeds.feedburner.com/~r/yale/music/~4/uSR3AWjrt9w" height="1" width="1"/&gt;</description>
      <enclosure url="http://www.yale.edu/music/podcast/media/Bresnick_Grace.mp3" length="9426376" type="audio/mp3" />
      <pubDate>Sat, 18 Aug 2007 00:11:46 GMT</pubDate>
      <guid isPermaLink="false">Yale University Netcast #653</guid>
      <dc:creator>Yale University</dc:creator>
      <dc:date>2007-08-18T00:11:46Z</dc:date>
      <itunes:duration>00:06:32</itunes:duration>
      <itunes:author>Martin Bresnick</itunes:author>
      <itunes:explicit>no</itunes:explicit>
      <itunes:keywords>Martin Bresnick,  Eduardo Leandro,  Robert van Sice,  Shinik Hahm,  Yale Philharmonia,  percussion,  marimba</itunes:keywords>
      <itunes:subtitle>Robert van Sice and Eduardo Leandro, marimba; Philharmonia Orchestra of Yale, Shinik Hahm, conductor (March 31, 2006)</itunes:subtitle>
      <itunes:summary>Grace (2000): Concerto in Three Movements for Two Marimbas and Orchestra by Yale School of Music faculty composer Martin Bresnick. Second movement: "Of the Heaviness of Matter (Only God is a match for matter)." Performed by the Philharmonia Orchestra of Yale under the direction of Shinik Hahm. The soloists are Robert van Sice, professor of percussion at Yale, and Eduardo Leandro, a former student of professor van Sice at Yale now on the faculty of the University of Massachusetts, Amherst. The performance took place in Woolsey Hall on March 31, 2006 as part of the New Music New Haven concert series, under the artistic director of Aaron Jay Kernis. For more about the Yale School of Music, additional podcasts, photos of the artists, and a downloadable version of the printed program, please visit www.yale.edu/music.</itunes:summary>
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    <item>
      <title>Mozart: Quartet for Oboe, Violin, Viola, and Cello in F Major, K. 370</title>
      <link>http://feedproxy.google.com/~r/yale/music/~3/mkQA-ldPAJE/MozartOboe.mp3</link>
      <description>Aaron Hill, oboe; Robert Gupta, violin; Yi-Ping Yang; viola; Ezra Seltzer, cello. (March 2, 2007)&lt;img src="http://feeds.feedburner.com/~r/yale/music/~4/mkQA-ldPAJE" height="1" width="1"/&gt;</description>
      <enclosure url="http://www.yale.edu/music/podcast/media/MozartOboe.mp3" length="21931820" type="audio/mp3" />
      <pubDate>Wed, 18 Jul 2007 13:02:36 GMT</pubDate>
      <guid isPermaLink="false">Yale University Netcast #635</guid>
      <dc:creator>Yale University</dc:creator>
      <dc:date>2007-07-18T13:02:36Z</dc:date>
      <itunes:duration>00:15:13</itunes:duration>
      <itunes:author>Aaron Hill and friends</itunes:author>
      <itunes:explicit>no</itunes:explicit>
      <itunes:keywords>oboe,  Mozart,  k. 370,  wind music,  woodwind,  Aaron hill,  Yi-Ping Yang,  Ezra Seltzer,  chamber music</itunes:keywords>
      <itunes:subtitle>Aaron Hill, oboe; Robert Gupta, violin; Yi-Ping Yang; viola; Ezra Seltzer, cello. (March 2, 2007)</itunes:subtitle>
      <itunes:summary>This performance was part of Aaron Hill's Master of Music recital, and took place in Morse Recital Hall at the Yale School of Music. Mr. Hill's teacher at the Yale School of Music is Stephen Taylor. For a program of this concert in PDF format and for additional podcasts, visit www.yale.edu/music/podcast. For additional information about Music at Yale, please visit www.yale.edu/music.</itunes:summary>
    <media:content url="http://www.yale.edu/music/podcast/media/MozartOboe.mp3" fileSize="21931820" type="audio/mp3" /><feedburner:origLink>http://www.yale.edu/music/podcast/media/MozartOboe.mp3</feedburner:origLink></item>
    <item>
      <title>Brass Music from the Fifteenth Century</title>
      <link>http://feedproxy.google.com/~r/yale/music/~3/I43E6krltlw/BrassTrio.mp3</link>
      <description>Yale Brass Trio: A. Dean, trumpet; W. Purvis, horn; Scott Hartman, trombone (February 2, 2007)&lt;img src="http://feeds.feedburner.com/~r/yale/music/~4/I43E6krltlw" height="1" width="1"/&gt;</description>
      <enclosure url="http://www.yale.edu/music/podcast/media/BrassTrio.mp3" length="19863611" type="audio/mp3" />
      <pubDate>Fri, 13 Jul 2007 14:26:14 GMT</pubDate>
      <guid isPermaLink="false">Yale University Netcast #633</guid>
      <dc:creator>Yale University</dc:creator>
      <dc:date>2007-07-13T14:26:14Z</dc:date>
      <itunes:duration>00:13:47</itunes:duration>
      <itunes:author>Yale Brass Trio</itunes:author>
      <itunes:explicit>no</itunes:explicit>
      <itunes:keywords>Yale Brass Trio,  Brass,  Glogauer,  Allan Dean,  William Purvis,  Scott Hartman,  Heinrich Isaac,  trumpet,  trombone,  french horn</itunes:keywords>
      <itunes:subtitle>Yale Brass Trio: A. Dean, trumpet; W. Purvis, horn; Scott Hartman, trombone (February 2, 2007)</itunes:subtitle>
      <itunes:summary>The Yale Brass Trio features three members of the Yale School of Music Brass faculty: Allan Dean, trumpet; William Purvis, horn; and Scott Hartman, trombone. These are selections of fifteenth-century compositions from the Trio's February 2, 2007, faculty artists concert in Morse Recital Hall in Sprague Hall. Heinrich Isaac: Si Dormiero, Jay pris [pree] amour, and Der Hund. Three selections from the Glogauer Liederbuch (anonymous): Das Jagerhorn, Das Enterpris, and Das Ratten Schwantz, Part 3.  For a PDF version of the concert program, photos, and additional podcasts, please visit www.yale.edu/music/podcast.</itunes:summary>
    <media:content url="http://www.yale.edu/music/podcast/media/BrassTrio.mp3" fileSize="19863611" type="audio/mp3" /><feedburner:origLink>http://www.yale.edu/music/podcast/media/BrassTrio.mp3</feedburner:origLink></item>
    <item>
      <title>Ezra Laderman: Concerto for Clarinet and Strings</title>
      <link>http://feedproxy.google.com/~r/yale/music/~3/vC6kaAApYgw/LadermanConcerto.mp3</link>
      <description>David Shifrin, clarinet; Ransom Wilson, conductor; Philharmonia Orchesta of Yale. (February 8, 2007)&lt;img src="http://feeds.feedburner.com/~r/yale/music/~4/vC6kaAApYgw" height="1" width="1"/&gt;</description>
      <enclosure url="http://streaming.yale.edu/opa/podcasts/audio/schools/music/LadermanConcerto.mp3" length="41879870" type="audio/mp3" />
      <pubDate>Mon, 21 Jul 2008 15:25:35 GMT</pubDate>
      <guid isPermaLink="false">Yale University Netcast #629</guid>
      <dc:creator>Yale University</dc:creator>
      <dc:date>2008-07-21T15:25:35Z</dc:date>
      <itunes:duration>00:29:04</itunes:duration>
      <itunes:author>Ezra Laderman</itunes:author>
      <itunes:explicit>no</itunes:explicit>
      <itunes:keywords>Ezra Laderman,  David Shifrin,  Ransom Wilson,  Yale Philharmonia,  clarinet,  Sprague Hall,  Yale School of Music,  modern music,  wind concerto,  new music new haven</itunes:keywords>
      <itunes:subtitle>David Shifrin, clarinet; Ransom Wilson, conductor; Philharmonia Orchesta of Yale. (February 8, 2007)</itunes:subtitle>
      <itunes:summary>This performance of the Concerto for Clarinet and Strings by faculty composer Ezra Laderman features two of the School’s distinguished artist faculty: clarinetist David Shifrin and conductor Ransom Wilson. The concerto was premiered by Shifrin in 1995, and the composer made significant revisions to the string score in the last movement in 2006. This concert recording of the work from February 8, 2007 is the first performance of the revised version. The concert was part of the New Music New Haven series, under the artistic direction of Aaron Jay Kernis, and took place in Morse Recital Hall in Sprague Hall. The recording engineer was Eugene Kimball. For a PDF version of the complete program for this concert and for additional podcasts, please visit www.yale.edu/music/podcast. For more information about Music at Yale, visit www.yale.edu/music.</itunes:summary>
    <media:content url="http://streaming.yale.edu/opa/podcasts/audio/schools/music/LadermanConcerto.mp3" fileSize="41879870" type="audio/mp3" /><feedburner:origLink>http://streaming.yale.edu/opa/podcasts/audio/schools/music/LadermanConcerto.mp3</feedburner:origLink></item>
    <item>
      <title>Aaron Copland: A profile from Yale's Oral History of American Music Project</title>
      <link>http://feedproxy.google.com/~r/yale/music/~3/bBq2fWtw3bY/Copland_Perlis.mp3</link>
      <description>Aaron Copland, (1900-1990) a major figure in American composition, was interviewed by Vivian Perlis for Yale’s Oral History of American Music Project (OHAM). (June 25, 2007)&lt;img src="http://feeds.feedburner.com/~r/yale/music/~4/bBq2fWtw3bY" height="1" width="1"/&gt;</description>
      <enclosure url="http://www.yale.edu/music/podcast/media/Copland_Perlis.mp3" length="23862790" type="audio/mp3" />
      <pubDate>Fri, 29 Jun 2007 20:12:06 GMT</pubDate>
      <guid isPermaLink="false">Yale University Netcast #626</guid>
      <dc:creator>Yale University</dc:creator>
      <dc:date>2007-06-29T20:12:06Z</dc:date>
      <itunes:duration>00:16:34</itunes:duration>
      <itunes:author>Aaron Copland</itunes:author>
      <itunes:explicit>no</itunes:explicit>
      <itunes:keywords>Aaron Copland,  Vivian Perlis,  American Music,  Oral History,  Libby Van Cleve,  Boulanger,  Koussevitzsky,  Appalachian Spring,  Lincoln Portrait,  Film Music</itunes:keywords>
      <itunes:subtitle>Aaron Copland, (1900-1990) a major figure in American composition, was interviewed by Vivian Perlis for Yale’s Oral History of American Music Project (OHAM). (June 25, 2007)</itunes:subtitle>
      <itunes:summary>Aaron Copland, (1900-1990) major figure in American composition and leader in the promotion and establishment of American music, was interviewed by Vivian Perlis for Yale’s Oral History American Music Project (OHAM) between 1975 and 1978.  Excerpts appear in Composers’ Voices from Ives to Ellington, CD and book publication by Vivian Perlis and Libby Van Cleve, Yale University Press, 2005. (See: http://yalepress.yale.edu/yupbooks/book.asp?isbn=0300106734)  Included are comments on: Nadia Boulanger, jazz influence, Koussevitzsky, Stravinsky, twelve-tone methods, film music, Martha Graham, Appalachian Spring, and artistic inspiration, with short musical excerpts mostly recorded at the Yale School of Music. For information about music samples and interview transcript, see OHAM website: www.yale.edu/oham/.   This podcast was derived from the publication’s second CD, Track 11. For additional Music at Yale podcasts, visit www.yale.edu/music/ysm.</itunes:summary>
    <media:content url="http://www.yale.edu/music/podcast/media/Copland_Perlis.mp3" fileSize="23862790" type="audio/mp3" /><feedburner:origLink>http://www.yale.edu/music/podcast/media/Copland_Perlis.mp3</feedburner:origLink></item>
    <item>
      <title>Mozart: Concerto for Two Pianos in E-flat, K. 365</title>
      <link>http://feedproxy.google.com/~r/yale/music/~3/2M4m5O3j9AQ/Mozart_K365.mp3</link>
      <description>Peter Frankl, professor of piano at the Yale School of Music, celebrated his 70th birthday with a concert on the Horowitz Piano Series that featured piano concertos by Mozart for 1, 2, and 3 pianos. (October 14, 2005)&lt;img src="http://feeds.feedburner.com/~r/yale/music/~4/2M4m5O3j9AQ" height="1" width="1"/&gt;</description>
      <enclosure url="http://streaming.yale.edu/opa/podcasts/audio/schools/music/Mozart_K365.mp3" length="3750000" type="audio/mp3" />
      <pubDate>Fri, 08 Jun 2007 16:00:25 GMT</pubDate>
      <guid isPermaLink="false">Yale University Netcast #606</guid>
      <dc:creator>Yale University</dc:creator>
      <dc:date>2007-06-08T16:00:25Z</dc:date>
      <itunes:duration>00:27:18</itunes:duration>
      <itunes:author>Peter Frankl, Robert Blocker, Yale Philharmonia</itunes:author>
      <itunes:explicit>no</itunes:explicit>
      <itunes:keywords>Mozart,  Two Pianos,  concerto,  K. 365,  Frankl,  Blocker,  Sprague,  Yale Philharmonia,  Shinik Hahm,  Philharmonia Orchestra of Yale</itunes:keywords>
      <itunes:subtitle>Peter Frankl, professor of piano at the Yale School of Music, celebrated his 70th birthday with a concert on the Horowitz Piano Series that featured piano concertos by Mozart for 1, 2, and 3 pianos. (October 14, 2005)</itunes:subtitle>
      <itunes:summary>Peter Frankl, professor of piano at the Yale School of Music, celebrated his 70th birthday with a concert on the Horowitz Piano Series that featured piano concertos by Mozart for 1, 2, and 3 pianos. For the concerto for Three Pianos in F major, K 252, he was joined by colleagues Boris Berman and Claude Frank. He then performed the Concerto for 2 Pianos in E-flat, K. 365, heard here, with Robert Blocker, pianist and Dean of the Yale School of Music. The program concluded with Mr. Frankl's performance of the Piano Concerto in B-flat, K. 595. The entire program was conducted by Shinik Hahm and members of the Philharmonia Orchestra of Yale. The concert took place before in Morse Recital Hall in Sprague Hall, which was sold out for the occasion, on October 14, 2005. PDF versions of the printed programs for concerts featured in Yale School of Music podcasts are available at www.yale.edu/music/ysm.</itunes:summary>
    <media:content url="http://streaming.yale.edu/opa/podcasts/audio/schools/music/Mozart_K365.mp3" fileSize="3750000" type="audio/mp3" /><feedburner:origLink>http://streaming.yale.edu/opa/podcasts/audio/schools/music/Mozart_K365.mp3</feedburner:origLink></item>
    <item>
      <title>Mozart: Trio for Clarinet, Viola, and Piano, "Kegelstatt" K 498; Menuetto &amp; Rondo</title>
      <link>http://feedproxy.google.com/~r/yale/music/~3/7GjzfUWR4xc/Mozart_K498.mp3</link>
      <description>Romie DeGuise-Langlois, clarinet, Margot Schwartz, viola, and Wei-Jen Yuan, piano; perform as the winners of the Yale School of Music's Chamber Music Competition. (May 1, 2007)&lt;img src="http://feeds.feedburner.com/~r/yale/music/~4/7GjzfUWR4xc" height="1" width="1"/&gt;</description>
      <enclosure url="http://www.yale.edu/music/podcast/media/Mozart_K498.mp3" length="21700" type="audio/mp3" />
      <pubDate>Thu, 07 Jun 2007 16:00:15 GMT</pubDate>
      <guid isPermaLink="false">Yale University Netcast #605</guid>
      <dc:creator>Yale University</dc:creator>
      <dc:date>2007-06-07T16:00:15Z</dc:date>
      <itunes:duration>00:15:03</itunes:duration>
      <itunes:author>Romie DeGuise-Langlois, Margot Schwartz, Wei-Jen Yuan</itunes:author>
      <itunes:explicit>no</itunes:explicit>
      <itunes:keywords>Mozart,  Kegelstatt,  Piano Trio,  piano,  clarinet,  viola,  chamber music,  Sprague,  Yale School of Music</itunes:keywords>
      <itunes:subtitle>Romie DeGuise-Langlois, clarinet, Margot Schwartz, viola, and Wei-Jen Yuan, piano; perform as the winners of the Yale School of Music's Chamber Music Competition. (May 1, 2007)</itunes:subtitle>
      <itunes:summary>The Season finale of the Chamber Music Society at Yale features winners of the Yale School of Music's Chamber Music Competition. Young artists at the School, all graduate students, are invited to perform before a faculty panel of judges, and the winners perform on the School's prestigious Chamber Music Society at Yale Concert Series. This "Live from Sprague Hall" recording was made at this concert of the 2006-2007 season. Romie de Guise-Langlois, from Montreal, Quebec, earned her B.M. from McGill University before coming to Yale, where she studied with David Shifrin and received the Artist Diploma in 2007. Margot Schwartz earned the B.M. from Northwestern University and her M.M. from Yale in 2007. Primarily a violinist, she studied with Ani Kavafian. Wei-jen Yuan graduated from Harvard, and will receive the M.M. degree in 2008 from the Yale School of Music, where he studies with Peter Frankl.</itunes:summary>
    <media:content url="http://www.yale.edu/music/podcast/media/Mozart_K498.mp3" fileSize="21700" type="audio/mp3" /><feedburner:origLink>http://www.yale.edu/music/podcast/media/Mozart_K498.mp3</feedburner:origLink></item>
  <media:rating>nonadult</media:rating><media:description type="plain">Distinguished faculty and students from the Yale School of Music perform classic works and discuss the history of music and the legends who made it. Recent additions to our netcast collection include Ezra Laderman performing “concerto for Clarinet and Str</media:description></channel>
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