Melina Marchetta is the author of Australian young adult titles Looking for Alibrandi, Saving Francesca, On the Jellico Road and Finnikin of the Rock. March celebrates the release of Melina’s new book, The Piper’s Son. I recently had the opportunity to catch up with Melina on the phone during her Australian tour, and Melina answered a few of our questions about The Piper’s Son and writing in general. Just a warning, there may be a few spoilery type moments throughout the interview. Enjoy!

Congratulations on the release of The Piper’s Son on Monday. It was an excellent book, and I enjoyed it immensely.

For readers that haven’t read Saving Francesca, I was impressed by the fact that you could read The Piper’s Son, without feeling lost in all the characters. Was this something important for you during the writing of the book?

MM: Defiantly. I didn’t want– in actual fact, I like the idea of people reading The Piper’s Son and then going ‘oh I’d like to go back and see what they were like when they were young’. The thing that probably was the hardest was making sure I wasn’t writing The Piper’s Son without the Francesca readers in my head and that meant sometimes what I was trying to do was maybe spend a bit more time on, say the Will/Francesca relationship. I had to really make sure that didn’t dominate, so that’s why I kind of sent Will overseas, because I had to remind myself not everyone will have an emotional investment in that relationship. So I think that if people have read it will be great to see what they were like five years later but I certainly didn’t want it [Saving Francesca] to be a pre-requisite.

Tom seems to go through some major changes and developments in this books, starting off from a bad place and moving into one that ultimately seems him thrive with new life. Was it difficult to get this development of the character down or did Tom’s progression come naturally?

MM: It came slowly, but naturally. Like I didn’t put– I suppose to have a really basic understanding of where it’s going to go, as the writer you kind of know he’s going to be okay so you just have to work out how to get him to that point and I let it come naturally. I knew that it was going to be once he was in these two locations, one being Georgie’s house and the other being the Union pub and I knew it was going to be through his correspondence with Tara Finke but I had to make sure that that was paced really nicely rather than rushing into it. What worries me sometimes, and I know I was worried about this in the re-writes, was at what point things were happenings sometimes I thought ‘oh god, Tara doesn’t really come into it properly until after page 100, I wonder if people are going to hang out that long’, things like that. But it was kind of the pace of it was really quite important that I let it come as naturally as I could.

To me, Georgie was almost as an important character in the novel as Tom was. Was Georgie always going to have an important role, or did that develop over the course of writing?

MM: I think so; I can’t remember it being any other way in my head that they were going to get a chapter kind of each. I didn’t want it to be a he said, she said, where you kind of get a different perspective of the same incident so I knew it was just going to be his story one chapter, hers the next but somewhere probably a quarter or three quarters into the novel a lot of the times they were together with all their worlds in the same chapters. She was very important to me as a character. I think that has a lot to do with the fact that when I was writing her she was my age and I felt that probably as someone over forty I had probably something to say about relationships and life in general. I love her as much as I love Tom and I love their relationship as prickly as it is. Sometimes what worries me, especially you could tell me this as a reader closer to Tom’s age, I was worried that when people were in Georgie’s chapter they would want to be in Tom’s chapter. Or else people were in Tom’s chapter they wanted to be in Georgie’s chapter. So did you feel that you had a yearning to be in Tom’s chapters when he wasn’t quite on the scene?

Occasionally, but I also really enjoyed reading inside Georgie’s mind and seeing where she was going. I thought she was quite a highlight of the book. I thought there was quite a good balance there.

MM: Because I think that sometimes people– a friend of mine was telling me that, she was actually my age which was surprising, she said I kept on jumping ahead and going to everyone of the letters between Tara and Tom. But then it made me worried. I thought ‘oh god I hope people don’t push Georgie’s story aside’ because to me, what’s taking place in Georgie’s life is very similar to what’s taking place in Tom’s life. They’re both stuffing up relationships, and they’re both grief stricken and they both don’t know how to get out of a particular rut. But they are 20-so years apart, and sometimes there’s no big difference between people, except when you’re older, there are probably bigger ramifications, than when you’re younger.

The London bombings shocked the world on a global scale. What I found interesting was how you decided to show how the aftermath of these attacks can change a family for better and worse. What influenced your decision to use the London attacks as the background to losing Uncle Jim?

MM: Because I think for me, I didn’t want this novel to be about terrorism at all. I didn’t want it to be, I can’t say I didn’t want it to be political, because I think it is a pretty political novel at times. I didn’t want it to be about terrorism but I needed something, sadly I needed something where there wouldn’t be a body, a possibility where there wouldn’t be a body and I suppose a bombing is a classic example of that. Unless someone goes missing, and if someone goes missing then the readership would have thought then ‘oh were going to find him, Joe at the end’. I kind of needed it to be certain, in the same way with Tom Finch. There was a certainty that these men were dead that they couldn’t bury them. I choose London because, I taught for ten years, most of my closest friends have taught in London so it’s such a normal thing for Australian’s to go over to London and teach. I could have based it on the Madrid bombing or September 11, but I just thought there was a bigger chance that Australian people would be affected by something happening in London. I actually remember when it happened, thankfully people didn’t die. But again my cousins, a girl that went to school with my cousin, was on the bus, her fiancé when it happened. This is someone from our suburb so there’s always this idea when something happens overseas, was there an Australian involved, most times Australian’s are somehow involved because we are such big travellers.

The relationship between Tara and Tom takes an interesting climb through the novel. What would your advice to teenagers in similar situations be?

MM: What kind of similar situations? The fact that they are estranged from each other?

I guess the distance and being apart, yet from what we gather from throughout the novel and learn that their parting wasn’t on the best of terms.

MM: I think that, to me it’s a story about forgiveness. Some people say to me that they would never forgive Tom for what he did. Other people say ‘well he was grief stricken’. But I still think that the way he acted was awful. There was a trust thing that happened there and especially coming from a character like Tara Finke, he’s not really a player and she’s not really a confidant person on so many different levels. But I think for me there was just, ultimately I know what he did was wrong but there was such a respect between them as people and I like the fact that he had to actually work instead of trying. Like I think in the past he had found it so easy to charm people but at this particular case because he didn’t have her there in front of him, he actually had to work at wooing her back. And I think he succeeds. And there are so many times when people around him don’t think he is going to succeed at that, there’s no way that she will forgive him and I like the fact that she does, and it’s not because she’s a pushover it’s because Tom has really worked at it that he has opened himself to her in the same that that she kind of opened herself to him. I suppose it’s about trust between people in the end. I would never know what kind of advice to give anyone, whether they were young or older or my age. I think relationships are so, so tricky and they’re so not black and white, there are blurry moments. The same could be said about Georgie and Sam. A lot of people have said to be there’s no way that Georgie should have ever forgiven Sam. I think well there are a lot of blurry moments in that relationship and I had to kind of give it the conclusion that I felt really worked for the story.

What authors influenced you growing up and in your writing?

MM: When I was growing up I really loved the Anne of Green Gables novels. The one thing that I, I’ve said it so many times, but I feel as if– have you read Anne of Green Gables?

No, I haven’t.

MM: There’s a moment in it where Anne Shirley, great character, where she hits, she’s in the same classroom as Gilbert Blythe and she hit’s him over the head with a slate, which is their kind of writing tool, and I always say, that moment for me, was just, I was just absolutely mesmerised. I thought it was so romantic thought she hated his guts. I would always say that in every one of my novels there is a moment where my character’s metaphorically hit their potential love interests over the head with a slate. It could be that winning an argument or getting the upper hand, an example in say The Piper’s Son could be here’s Tom thinking it will be easy, text messaging Tara saying ‘How’s it going, babe’ and her response, that for me is the hitting someone over the head with a slate. It happens in Saving Francesca when she kind of meets Will and Will’s such a bastard to her. So they’re moments I kind of adopted and I loved that particular one, so I would say she was a major influence.

Any quirky writing rituals or habits?

MM: They’re just not quirky, they’re just rituals. I always, what do I always do? I mean I do write in bed. I love laptops. The best thing about a laptop is writing in bed and I actually think I do my best writing late at night in bed. I always do like a coffee, but I have to have, if I have a coffee while I’m writing I always, always, always have to have a biscuit with it. There’s no such thing as having coffee on its own. Its comfort stuff. To me writing, I have to stop making it feel like work, and it is work at the end of the day. I quite like the cosy-ness of it. And I have to say that in summer that I love a glass of wine while I’m writing.

The Piper’s Son was released in Australia on March 1, 2010.

Thomas Mackee wants oblivion. Wants to forget parents who leave and friends he used to care about and a string of one-night stands, and favorite uncles being blown to smithereens on their way to work on the other side of the world.

But when his flatmates turn him out of the house, Tom moves in with his single, pregnant aunt, Georgie. And starts working at the Union pup with his former friends. And winds up living with his grieving father again. And remembers how he walked away from Tara Finke two years ago, after his uncle’s death.

In a year when everything’s broken, Tom realizes that his family and friends need him to help put the pieces back together as much as he needs them.

Thomas Mackee feels as if he has nothing left to live for. His family is split apart; he no longer communicates with his closes friends and almost lost everything if not for the compassion of those friends he cut off. For as much as Tom seems to hate the world, the further we go along and find that Tom is struggling with hating himself. After an event that leaves him in hospital, Tom ends up pleading with his Aunt Georgie to let him stay. A decision that eventually puts Tom on the path to who he really wants to be.

Georgie is pregnant. To the man she broke up with for seven years. Who has a son from another relationship. Georgie and Sam have a careful relationship. What it is neither can really decide or talk about. For Georgie and Sam, silence is normal. Until Tom appears and unintentionally creates a channel for communication, and Georgie and Sam might have a chance to finally work out exactly what they mean to each other.

Francesca and Justine work at the Union pub, the pub where Tom’s flatmates stole $2000 from while they were working there. Tom decides that it is up to him to repay the debt. Francesca and Justine knew Tom through high school, and were cast aside when Tom lost his uncle, yet they never stopped caring. Slowly, Francesca and Justine find that they are getting their Tom back, and will do everything they can to help Tom return to who he used to be.

But Tom doesn’t only have his own life to worry about. His father is a former alcoholic whose drinking problem forced Tom’s mum and sister to relocate to Brisbane. His father abandoned Tom to fend for himself, and never once looked back. His favourite uncle was killed in a terrorist bombing attack, the one person Tom relied on for good, true, honest advice. His sort-of ex-girlfriend that he is still in love with is in Same and has moved on, refusing to communicate in any form.

In a life where everything seems so tangled, will Tom be able to work out, what it is he truly wants before it is too late?

The Piper’s Son is the fifth novel from Australian author Melina Marchetta, and is set five years after the events of Saving Francesca. Yet, it is not necessary to have read Saving Francesca to understand the story, as believe it or not, this is the first Marchetta novel that I have read. That may come as a surprise to some who knows Marchetta’s work, but I now know why Marchetta is regarded as one of the best young adult authors in Australia.

The Piper’s Son was one of the most captivating and engaging books I have read this year. I could not get the characters out of my head, constantly wanting to pick up the book and find out what happens next. Through the perspective of Tom and occasional flashes into the mind of Georgie, I’ve discovered two characters that I care about. Tom is troubled and flawed, needing love and acceptance, even if sometimes he shrugs it off and pretends like nothing can tough him. Georgie is that aunt that you wish you have – caring enough to let you stay when you have nowhere else to go and perceptive enough to know that something is wrong, even if you don’t want to talk about it. From the beginning of the novel where nothing goes right for either Tom or Georgie, to the end where you find that maybe, just maybe they can make their lives work in a positive way; you are there with them, each step and failure along the way. Failure that reminds you that they are just a human as anyone else.

Set in a modern day Sydney with references and mentions to recent events from everything to the Lord of the Rings to the London terrorist attacks, Marchetta has created a world that is gritty and instantly believable and recognisable as a world that we belong to.

I highly recommend this to everyone, no matter the style of novel you like to read.

Publication date: March 2010

Pages: 328

Rating:: 5 out of 5 stars

Teaser quote: He went to the sent box praying that somehow the email got rejected. No such luck. Twenty seconds earlier anabelsbrother sent taramarie a message, now with the words cheers, or see ya, or whenever. But signing off with the word, love.

Nikki

Alluring romance, heart-stopping danger, and sinister intrigue combine in the penultimate volume of Melissa Marr’s New York Times bestselling Wicked Lovely series.

Sorcha is mourning Seth’s absence. She’s the unchanging queen and she isn’t supposed to mourn, but still Sorcha does. She frets for Seth’s safety and agonizes that she cannot see him when he is in the mortal world. So Sorcha sends Devlin, her brother and loyal servant, to Huntsdale to check on him, to stay with him in case he should need anything. Little does she know that upon his arrival in Huntsdale, an event takes place that will change Devlin’s path for the rest of eternity.

When Devlin sees Ani in the club, his heart stops short. He’s seen that face before, and as magnificent and beautiful as she is, he knows things about her past that could break her innocent little heart. Not that knowing that stops him in the slightest. When Ani lays her eyes on Devlin, and decides that she wants him for herself, Devlin realizes that although he’s lived a lifetime of loneliness, his future doesn’t necessarily have to be that way. The only problem is, they can’t really be intimate, if you know what I mean, or they risk the possibility of Ani sucking the life right out of Devlin. Who wants to kill the one they love?

Ani is reckless and restless. That would be the hound in her, though, and is to be expected. She’s got spunk and just the right amount of attitude, but that’s not all she’s got. Even though she doesn’t realize it yet, Ani is special. So special that Bananach – Sorcha’s crazy (and evil) sister – wants her blood all for herself. As we all well know, Melissa Marr doesn’t write happily ever after fairy tales, and things don’t play out smoothly for Ani. Hearts are broken, loves are lost, relationships are forged, bruised and battered, and truths will shatter the Earth from the inside out.

Although I found it a little slow on the uptake, I now see that those chapters were necessary to lay the foundations for what shaped up to be a spectacular, gut-wrenching read. Radiant Shadows is exceptional in every way, and I’ve come to expect nothing less from this phenomenal story-teller. Marr’s characters are deep, tortured, and believable in every possible way. Their faces are burned to the insides of my eyelids, their voices ring out loudly through my ears. It’s as if they’re really my friends, instead of a bunch of fictional people that I obsessively follow in their pursuits.

The Wicked Lovely world is definitely one of my favorite places to visit. Radiant Shadows does not disappoint.

Pages: 340

Publication Date: April 20, 2010

Rating:: 4.5 out of 5 stars

Teaser Quote:

“Go upstairs Ani.” Irial swung his feet to the floor. He didn’t glance her way. His attention was all for the Dark King now. “Tell me what you think I should have done differently, Niall. I spent the night talking and giving her a safe place to rest. I gave her the nourishment she can’t find elsewhere without compromising her already absent virtue.”

The Dark King didn’t respond.

Her father’s old starship, missing for a decade, turns up halfway across the galaxy. Its retrieval launches Molly and Cole on the adventure of a lifetime, one that will have lasting consequences for themselves and billions of others.

What starts off as a simple quest to reconnect with her past, ends up forging a new future. And the forgotten family she hoped to uncover becomes one she never foresaw: a band of alien misfits and runaways – the crew of the starship Parsona.

Ever looked up into the sky at night and imagined yourself flying around the stars off on some other-worldly adventure? Well, this is Molly’s reality. Or will be. Molly is a navy cadet. And don’t be fooled into thinking the Navy is what we understand the Navy to be. Yes they drive ships, but not the standard H.M.A.S. vessels of today’s waters. Molly and her fellow classmates are learning to pilot starships. Sure they are still in training but running a full visual simulator is darn close to the real thing, right down to the G-force experienced.

But in a standard-procedure simulator test, something seems to go wrong. For Molly and her pilot Cole fail and fail miserably. And as much as they try to convince their superiors otherwise, no-one believes them. For Molly and Cole’s simulator was tampered with. Every procedure runs fine, except the ability to arm and fire weapons. Without weapons, they have almost a no-chance at survival. Cole suspects sabotage. With both of them for examination, it will be Molly that the blame is laid at. Particular since Cole was technically ‘killed’ early into the simulator run and it is so much easier to blame the girl.

For Molly, this means expulsion. No more training, and no more hope of becoming a Naval officer. Resigned to a life at a normal high school, everything suddenly seems less for Molly. If loss of her only home, her connection to her past and her best friend that she can’t stop thinking about wasn’t enough, Molly is an outcast in her new school, merely because she is different. That is, until she gets an opportunity of a lifetime. Her father’s ship has been found. And as the legal owner, Molly is the only one who can go and collect it.

And a seemingly straightforward mission is the start of a whole new adventure that even Molly couldn’t begin to fathom…

Molly Fyde and the Parson Rescue is debut novel from Hugh Howey and the first in the Molly Fyde series. The thing that grabbed me from the first page of this novel was the believability in writing and character. The plot just flowed effortlessly, from describing the complexities of hyperspace, simulation flying and other world social structure to the simple dialogue between two best friends struggling to find what they mean to each other. There aren’t many authors who can get you completely lost in a story, but Howey was one of them. For me, I just wanted to know what would happen next, what the next twist in the story would be. As a credit to the author, I never saw the ending that was coming. It makes you easily want to read the next book in the series as soon as you can.

The characters of Molly and Cole were another highlight to the novel. Reading from Molly’s point of view as she struggled through countless personal and emotional challenges left me caring about what happened to her. The history and connection between Molly and Cole as a pair was believable, and the tension that built up added to the story, instead of taking away from it as so many teen-romances can be known to do. That being said, Molly does have her fair share of moments where I just wanted to knock some sense into her and tell her to get over the small dramatics that really seemed unnecessary.

All in all though, a highly engaging read that I would recommend for anyone who is or was a fan of space adventure.

Pages: 258

Publication Date: 2009

Rating:: 4 out of 5 stars

Teaser quote: By the time they arrived at the Palan system, he must’ve had eighteen hours of uninterrupted rest. No bathroom breaks. No food. No flirting. Molly couldn’t understand how he contained himself. Even from the last.

Carolyn Mackler is the author of highly sought after titles such as Vegan, Virgin, Valentine, Guy-a-holic, The Earth, My Butt, And Other Big Round Things, just to name a few. In the month of February celebrates the release of Carolyn’s new book, Tangled. It’s our Book of the Month for February and as part of our monthly promotion, Carolyn answered a few of our questions for your reading pleasure. Enjoy! I should probably warn you folks, there are some spoilery type moments throughout the interview.

Firstly, I just want to say congratulations on Tangled. It’s an excellent book and I really enjoyed reading it.

CM Thank you!!  I really enjoyed writing it.

With that in mind, I thought we’d get straight into some questions about the story itself…

Skye is one of those fortunate people that seem to have everything: the beginnings of fame, money, respect from those around her, yet it is obvious from the onset of her story that she suffers quite badly from depression. Was it a conscious decision of yours to write Skye in as the depressed character, or did she just come out that way?

CM:  As I got to know Skye, though the course of writing Jena’s story and then her own story, I realized she was suffering from depression.  But it’s not obvious – I had a dig a little deeper into her to figure that out.

Depression is a serious mental health issue that often goes unnoticed or is confused as teen angst. If there is one thing that you wanted readers to take from Skye’s story, what would that be?

CM: Get help.  Tell someone.  Get help.  You are not alone in depression, and never should be.

Archetypes like Jena show up in your stories often. Although both Dakota and Owen label her as hot, Jena doesn’t think of herself that way. Why do you think so many teenagers, like Jena, have serious self-esteem issues?

CM: Because the world often tells us we’re not right the way we are – billboards, movies, shows, videos – and we internalize those messages, those images of what beauty is.  And it’s so not true!  Beauty comes in all different shapes, sizes, and hair colors.

How did you find writing Owen and Dakota’s respective points-of-view? I’m always interested in authors who tap into the minds of the opposite gender…

CM: Loved it!  It was a refreshing break after writing about girls, to see how a guy thinks and sees the world.

Jena is much more confident in her pursuit of Owen than she was with Dakota. What exactly changed in her for this to happen?

CM:  Hmmmm….she got her heart broken by Dakota and became stronger because of it, learned that taking risks is a good thing.  Also, once her beloved grandmother had a stroke, Jena decided to believe her grandma’s wise words that she is, in fact, luscious!

The tone of Tangled is much darker than most of your previous novels. Did you set out with the intention to write something edgier, or did it just happen that way?

CM:  It just happened that way as the story evolved in my head.

Whose story came to you first, Jena, Dakota, Owen, or Skye’s?

CM:  I knew it was four from the beginning – though at first the second guy character, Owen, was going to be a friend of Dakota’s.  Then I decided a brother would be much more interesting.

Do you have any quirky writing rituals or habits?

CM  I wish!  With a five-year-old and an infant (both in the background right now), I just want TIME to write these days.  And coffee.

What is in your To-Be-Read pile right now?

Going Bovine, Punkzilla, American Born Chinese, and a book I’ve been asked to blurb.  Oh, and Goodnight Moon for the baby.  And Harry Potter for my kindergartener.  Time!  I want time to read/write/sleep right now.

Do you have an all time fave novel?

About a million.  Seriously.   Check out my website www.carolynmackler.com for a list of my favourite authors.

When Tessa’s own boyfriend shows up on the List, she turns her sleuthing skills on him. Is Aiden just as naughty as all the rest, or will Tessa’s sneaky ways end in catastrophe?

The Naughty List. Is your boyfriend on it?

Meet the Smitten Kittens. Sounds kind of sexy, huh? Alluring in that mysterious way. If you knew what they were doing, though, sexy wouldn’t even come into it. In fact, the Smitten Kittens are all about busting cheating boyfriends from doing the sexy with people other than their other half. The male adolescent population of Washington High is more than a little naughty, it seems.

The squad – which double as a cheer squad by day – have high tech spy equipment and have a well organized system of spying on the boys at their school. They take requests from girlfriends who suspect their boyfriends are cheating, and investigate till the allegations are either cleared, or confirmed. Unfortunately, they’ve never had the opportunity to clear anyone’s name because every single suspect has been found guilty. Every single one.

Tessa is the only girl left on the squad who actually has a boyfriend. Over time, the others all dumped theirs because they were caught cheating. Then, Tessa’s boyfriend’s name shows up on the list, and with a one hundred percent confirmed cheating rate so far, it isn’t looking good for Tessa and Aiden. But maybe he’s innocent, he seems like a nice guy, after all. Could he be the first boyfriend to ever be cleared of all charges?

Initially, I couldn’t decide exactly how I felt about this book, or for whom exactly the target audience might be. Tessa comes across as a good, wholesome character. She doesn’t curse, and always corrects those around her that do. She uses expressions like strawberry smoothie, for example, instead of actual curse words. She’s an excellent friend to her fellow squad members, a great student, and an all-round shiny, happy girl. At first I thought this was going to be a clean and wholesome novel for younger readers, but then I discovered that Tessa sleeps with her boyfriend and sneaks around in the middle of the night, lying to her parents and Aiden about what she’s doing, and spies on people till dawn. And Tessa is the only one that doesn’t curse; it seems the book is littered with swear words and over active adolescent hormonal activity. I’m not saying that’s a bad thing, either, I’m just saying that Tessa’s character confused me.

I found myself trying to decode the messages that came attached to Tessa’s character. By creating a character like Tessa, is Suzanne Young is attempting to send a message that teen sex is okay? After all, Tessa is a really nice girl that is seemingly good in every other way. Does the fact that she’s sexually active make her a bad role model for teen girls? I really couldn’t decide. I’m inclined to say no, but I felt uncomfortable making that judgement alone. What I did like about Tessa is that, especially at the beginning, she is committed to Aiden and although she is well aware of her sexual allure and uses that on Aiden a lot, she doesn’t really flounce it around in front of everyone else. She isn’t promiscuous and she obviously has a lot of self-respect, which I think is important when setting up a potential role model for teens today.

The whole book left me feeling a little uneasy, which I suppose is actually a good thing because I thought about it for hours after I finished it, trying to figure out whether I liked it, how to categorize it, what the underlying messages were. While there was obviously a formula that went into the plot, it seemed there was a lack of formula that went into creating the characters, setting, tone, etc. I found this quite refreshing and I think others will too.

I think this book would be a great jumping point for book clubs and discussion circles that wanted to talk and debate the issue of teen sex and teen relationships.

Pages: 239

Publication Date: Febraury 2010

Rating:: 3 out of 5 stars

Teaser Quote: Cassandra was less than thrilled to see the glossy eight by tens of Marcus and Red Heels. It nearly broke my heart, especially when I considered her recently departed virginity. All of it left me feeling, well, bummed.

We’re going to need your help to get this done!

Isolde is a shy and artistic sixteen-year old who moves into a house rumored to be haunted. When she discovers a shard of green glass, a new world opens for her. Through the glass she sees Lyric, who mistakenly believes he is a ghost, and other ethereally beautiful creatures.

As their mystery unfolds, Isolde learns they are not ghosts, but The Forgotten Ones, fairies cast out of their realm, labelled imperfect for their physical and mental differences. Isolde’s friendship with Lyric and The Forgotten Ones teaches her that sometimes our imperfections can also be our greatest strengths.

Isolde Rackham isn’t like other kids her age. For one, she is home schooled, automatically different to anyone in the small town of Thornville. Two, she just moved to Thornville with her slightly reclusive mother who is also her teacher. As if this wasn’t enough the house that Isolde and her mother moved into is supposedly haunted by a girl who committed suicide some 50-years before Isolde got there. So you might be able to understand Isolde hesitation to just walk around town, yet she can’t avoid going into town forever.

On her first trip in she runs into a guy called Matt. Well, not so much run into but Matt’s friends couldn’t leave her alone. So beings the relationship with Matt. At first, it’s a hesitant one, with both of them not really knowing how to act around the other, especially when they are so different to each other. But as time goes by, Isolde finds that she is trusting Matt more and more. Almost enough to tell him her secret – that was if, he wouldn’t think her completely insane for it. After all, how many 16-year-olds do you know that can see fairies?

It started when Isolde found a piece of green glass hidden in the draws of her new home. Then came the fingerprint on the painting – a fingerprint Isolde didn’t put there. And by chance, Isolde glances through the glass and in that moment, Isolde’s life as she knew it was changed forever.

For through the glass she saw a figure, human in shape yet graceful beyond anything a human could achieve. Isolde’s first thought must be that she is seeing ghosts. Yet ghosts aren’t meant to exist. As she gains courage and begins to have conversation with the mysterious figure, Isolde learns that his name is Lyric and that he isn’t the only one out there. Along with Lyric and his family, Isolde embarks on an adventure to discover the true meaning of who they are, why they are out there, seemingly the only ones of their kind. And not everyone is ready for that information to be uncovered…

Behind Green Glass is debut novel from Amanda von Hoffman and is a light and easy read with an engaging and captivating story. I found that reading from Isolde’s point of view to be quite easy and engaging, a skill that not all authors have. The story provided something different in the YA genre – fairies. Apart from Melissa Marr’s Wicked Lovely series, you don’t often see many fairy tales in the young adult section, and with Behind Green Glass, von Hoffman has made a notable contribution to this category. The characters I found intriguing and would have liked to know more about – especially Isolde and her mother’s friendly neighbor Joe Albright.

A genuinely easy to read and engaging story - I enjoyed!

Pages: 184

Publication Date: May 2010 (pre-order now)

Rating:: 4 out of 5 stars

Teaser quote: Perched in the maple outdoors she saw a figure, human in shape, animal-like in posture. A smooth expanse of bare muscled chest, light tangled hair, glowing irises. The glass slipped from her fingers…

The selections, as suggested by YOU are:

Looking for Alaska - John Green

Twenty Boy Summer - Sarah Ockler

Feed - M.T Anderson

Percy Jackson and the Olympians: The Lightening Thief - Rick Riordan

Ballads of Suburbia - Stephanie Kuehnert

Blue Bloods - Melissa De La Cruz

Girl in the Arena - Lisa Haines

I Capture the Castle - Dodie Smith

Goddess of the Night - Lynne Ewing

To vote, please head on over to the forum. Any votes left after this post will not be counted.