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	    <title>yewknee</title>
	    <link>http://yewknee.com/</link>
	    <description>A brief respite along the Information Superhighway.</description>
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		<copyright>Copyright 2001 - 2026 - yewknee.com</copyright>
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	    <webMaster>michael@yewknee.com (Michael Eades)</webMaster>
	    <pubDate>Thu, 24 Sep 2026 11:38:25 -0500</pubDate>
	    <lastBuildDate>Thu, 24 Sep 2026 11:38:25 -0500</lastBuildDate>
		<ttl>60</ttl>
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	<title><![CDATA[Clip Art Shirts]]></title>
	<link><![CDATA[http://yewknee.com/blog/clip-art-shirts]]></link>
	<description><![CDATA[<div class="blogImg"><a href="https://abandonware.online/pages/shirt-designer"><img src="http://yewknee.com/_img/blog/blog_clipartshirts026.jpg" /></a></div> 
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Abandonware recently launched <a href="https://clipartshirts.com">Clip Art Shirts</a>, a t-shirt designer tool leaning <em>hard</em> into Windows 95 vibes. Or maybe Windows 3.1. You know the era! 
<br><br>
I have not ordered a shirt yet but I am loving browsing the deep archives of clip art, WordArt, defunct Assistants and some great dithering options.
<br><br>
A fun and nostalgic little tool. Would love to run into someone wearing one of their creations. ]]></description>
	<pubDate>Thu, 24 Sep 2026 11:38:25 -0500</pubDate>
	<guid isPermaLink="true"><![CDATA[http://yewknee.com/blog/clip-art-shirts]]></guid>
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	<title><![CDATA[Never Post: The World's Most Special Boys Building The Apocalypse]]></title>
	<link><![CDATA[http://yewknee.com/blog/never-post-the-worlds-most-special-boys-building-the-apocalypse]]></link>
	<description><![CDATA[<div class="blogImg"><a href="https://www.neverpo.st/the-worlds-most-special-boys-building-the-apocalypse/"><img src="http://yewknee.com/_img/blog/blog_neverpostbanner026.png" /></a></div> 
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The podcast <a href="https://www.neverpo.st/">Never Post</a> continues to delight and surprise me whenever I dip into the feed. The latest episode - <a href="https://www.neverpo.st/the-worlds-most-special-boys-building-the-apocalypse/">The World's Most Special Boys Building the Apocalypse</a> - is all about the fervor around the AI models breaking out of their sandbox environments and various leadership involved calling to <a href="https://darioamodei.com/post/we-must-pace-the-frontier">pump the brakes.</a> 
<div class="embed podcast padding-top-small padding-bottom-small"><iframe frameborder="0" height="200" width="100%" style="min-width: 300px; color-scheme: auto;" src="https://play.prx.org/e?ge=prx_10521_31810ea7-1a9a-4c4d-9923-f0ef019fce94&uf=https://feed.neverpo.st" scrolling="no"></iframe></div>
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This isn't just a recap of the events involved tho. Producer Hans Buetow and research <a href="https://bsky.app/profile/davekarpf.bsky.social">David Karpf</a> actually dig into the specifics of how accurate the reporting has been, how much anyone needs to be worried about sentient AI (at this moment in time) and what guardrails <em>already</em> exist to pump those proverbial brakes.
<br><br>
Karpf's insights are as educated as they are educated. It's a very good listen. 
<br><br>
<em>Personally</em>, my vote is to embrace caution. There's plenty of debate around the idea of AI being "malicious" with its actions hacking sites outside of its test environment but that's irrelevant. Even if it's just trying to accomplish a goal and there's no emotion involved (which is certainly the case), it would still be wise to tighten up how these things are being tested and move with a little more care. ]]></description>
	<pubDate>Mon, 21 Sep 2026 07:06:25 -0500</pubDate>
	<guid isPermaLink="true"><![CDATA[http://yewknee.com/blog/never-post-the-worlds-most-special-boys-building-the-apocalypse]]></guid>
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	<title><![CDATA[Failure - Fantastic Planet (SM64)]]></title>
	<link><![CDATA[http://yewknee.com/blog/failure-fantastic-planet-sm64]]></link>
	<description><![CDATA[<div class="vidXLrg"><iframe width="560" height="315" src="https://www.youtube.com/embed/CurRDAzJZTU?si=f4bPPaaVQ2KeNtcb" title="YouTube video player" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" referrerpolicy="strict-origin-when-cross-origin" allowfullscreen></iframe></div> 
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I think this will appeal to exactly three people - myself, the person that sent me this and <em>maybe</em> one other person. Niche is what the Internet does best, right?!
<br><br>
How's this for niche: someone took the beloved but overlooked space rock album <a href="https://en.wikipedia.org/wiki/Fantastic_Planet_(Failure_album)"><em>Fantastic Planet</em></a> by <a href="https://en.wikipedia.org/wiki/Failure_(band)">Failure</a> and recreated it using the <a href="https://en.wikipedia.org/wiki/Super_Mario_64">Super Mario 64</a> <a href="https://www.smwcentral.net/?p=viewthread&t=88116">soundfont</a>. I am a bit speechless and maybe a bit in love too! 
<br><br>
Thnaks <a href="https://www.instagram.com/keithgrosbeck/">Keith</a>!]]></description>
	<pubDate>Fri, 18 Sep 2026 12:21:36 -0500</pubDate>
	<guid isPermaLink="true"><![CDATA[http://yewknee.com/blog/failure-fantastic-planet-sm64]]></guid>
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	<title><![CDATA[ASCII City Live]]></title>
	<link><![CDATA[http://yewknee.com/blog/ascii-city-live]]></link>
	<description><![CDATA[<div class="blogImg"><a href="https://asciicity.live/"><img src="http://yewknee.com/_img/blog/blog_asciicitylive026.gif" width="100%" /></a></div> 
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I recently mentioned <a href="https://www.yewknee.com/blog/ascii-city">ASCII City</a>, a project from <a href="https://www.youtube.com/@GrowNowGames">Grow Now! Games</a> that renders a "walkable cyberpunk city in one HTML file." Over the last few weeks there have been many <a href="https://www.youtube.com/watch?v=SNJyKjfB8fY">updates and advancements</a> on the project, working towards a playable demo.
<br><br>
One of those advancements is <a href="https://asciicity.live/">ASCII City Live</a>, a "realtime" view into the City taken from various viewpoints around the various neighborhoods. It's fascinating to see it running in the browser but even more impressive when you remember that everyone that tunes in is seeing the same thing at the same time; like a real live cam.  Nice walkthrough about the city cam <a href="https://www.youtube.com/watch?v=KD1AbBoExiw">here</a>. 
<br><br>
I'm smitten with this thing. Can't wait to see where it goes.]]></description>
	<pubDate>Wed, 16 Sep 2026 07:50:06 -0500</pubDate>
	<guid isPermaLink="true"><![CDATA[http://yewknee.com/blog/ascii-city-live]]></guid>
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	<title><![CDATA[Vorssaint ]]></title>
	<link><![CDATA[http://yewknee.com/blog/vorssaint-]]></link>
	<description><![CDATA[<div class="blogImg"><a href="https://vorssaint.com/"><img src="http://yewknee.com/_img/blog/blog_vorssaint026.png" /></a></div> 
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Can't recall where I stumbled upon <a href="https://vorssaint.com/">Vorssaint</a> but everyone I've subsequently shared it with has been impressed and excited. Well, all of the MacOS users I have shared it with! Vorssaint is "the modular Swiss Army knife for macOS" - basically, a bunch of tools that might make your life better depending on how you like to use your machine. How do some of these sound: window previews when switching (not just icons), clicking an icon in the dock to minimize or maximize it, quit apps on close, <em>cut</em> and paste folders in Finder, strip tracking from all copied URLs? All possible with Vorssaint and each installed individually, so you're not bloating your machine with features you don't need. 
<br><br>
Truthfully, I've not installed this yet! I love a lot of what I'm seeing but just haven't taken the dive.]]></description>
	<pubDate>Tue, 15 Sep 2026 10:47:56 -0500</pubDate>
	<guid isPermaLink="true"><![CDATA[http://yewknee.com/blog/vorssaint-]]></guid>
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	<title><![CDATA[JPB: 50 Great Songs Released in August 2026]]></title>
	<link><![CDATA[http://yewknee.com/blog/jpb-50-great-songs-released-in-august-2026]]></link>
	<description><![CDATA[<div class="vidXLrg"><iframe src="https://yt.ykworld.show/embed/PLer8vuIFq6fI?" width="100%" height="500" allow="autoplay; encrypted-media" allowfullscreen="" frameborder="false"></iframe></div> 
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At the end of every month I get a nice little text message from <a href="https://www.johnpaulbullock.com/">John Paul Bullock</a> alerting me to a new playlist he's compiled for the month featuring 50 great songs released or reissued. Straightforward and always a treat. 
<br><br>
August dropped recently. It's on <a href="https://www.youtube.com/watch?v=ZJaE_90eE3c&list=PLer8vuIFq6fI">YouTube</a>, <a href="https://music.apple.com/us/playlist/50-great-songs-released-or-reissued-in-august-2026/pl.u-JPAZobJTbvpXz">Apple Music</a> and <a href="https://open.spotify.com/playlist/5JFxyvc9YCde1Li6HEwPR5">Spotify</a>. I recommend you save it and <a href="https://www.instagram.com/johnpaulbullockjohnpaulbullock/">follow him</a> in whatever capacity you can.
<br><br>
Occasionally <a href="https://ykrecords.com">yk Records</a> releases make the mix and I am highly appreciative of this but that's not <em>why</em> I love the mixes. They are genuinely diverse, eclectic and well sequenced compilations!]]></description>
	<pubDate>Tue, 15 Sep 2026 06:56:49 -0500</pubDate>
	<guid isPermaLink="true"><![CDATA[http://yewknee.com/blog/jpb-50-great-songs-released-in-august-2026]]></guid>
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	<title><![CDATA[Madison Cunningham - My Full Name (Acoustic)]]></title>
	<link><![CDATA[http://yewknee.com/blog/madison-cunningham-my-full-name-acoustic]]></link>
	<description><![CDATA[<div class="vidXLrg"><iframe width="560" height="315" src="https://www.youtube.com/embed/9XYDpflzZvc?si=xwjud2k45XRR1GJN" title="YouTube video player" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" referrerpolicy="strict-origin-when-cross-origin" allowfullscreen></iframe></div> 
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I'm not really familiar with the works of <a href="https://www.madisoncunningham.com/">Madison Cunningham</a>. I feel like I've listened to her record <a href="https://madisoncunningham.lnk.to/AceWE"><em>Ace</em></a> but didn't give it the proper attention it was due. 
<br><br>
Recently, someone shared this <a href="https://www.youtube.com/watch?v=9XYDpflzZvc">acoustic performance of "My Full Name" on <em>Office Hours with Tim Heidecker</em></a> and I popped it on in the background. But not for long! Her vocal quality and performance are mesmerizing, ethereal and quite melancholy. I've played it 25 times. Maybe you will too. 
<br><br>
Time to revisit <em>Ace</em>.]]></description>
	<pubDate>Tue, 15 Sep 2026 06:12:36 -0500</pubDate>
	<guid isPermaLink="true"><![CDATA[http://yewknee.com/blog/madison-cunningham-my-full-name-acoustic]]></guid>
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	<title><![CDATA[Ferdinand Waldo Demara]]></title>
	<link><![CDATA[http://yewknee.com/blog/ferdinand-waldo-demara]]></link>
	<description><![CDATA[<div class="blogImg"><a href="https://en.wikipedia.org/wiki/Ferdinand_Waldo_Demara"><img src="http://yewknee.com/_img/blog/blog_demara026.jpg" /></a></div> 
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I was enjoying the <a href="https://cbvb.bandcamp.com/track/ive-been-in-trouble-before">latest release</a> from <a href="https://www.instagram.com/cbvb/">Craig Benedict Valentine Badynee</a> (watch the <a href="https://www.youtube.com/watch?v=9Drx4mnCru0">video</a>, RIYL sultry Jarvis Cocker) and a few of the lyrics really caught me. Especially these:
<blockquote>
Born with a wooden nose<br>
A bit like Ferdinand Demara<br>
And you know ya<br>
Should never trust that man
</blockquote>
Who is Ferdinand Demara? Turns out, there's a helluva Wikipedia for him, starting with: "<a href="https://en.wikipedia.org/wiki/Ferdinand_Waldo_Demara">Ferdinand Waldo Demara Jr.</a> was an American impostor." 
<br><br>
That's a wild opening line! Dive into that article and soak it up. Born in 1921, "Fred" was up to his antics as early as 1937. He was a monk, he was in the military but went AWOL and took a new name, he faked being a doctor, he founded a college, and that's just barely the tip of the iceberg. Fascinating. ]]></description>
	<pubDate>Mon, 14 Sep 2026 07:49:25 -0500</pubDate>
	<guid isPermaLink="true"><![CDATA[http://yewknee.com/blog/ferdinand-waldo-demara]]></guid>
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	<title><![CDATA[Phreaker Movie]]></title>
	<link><![CDATA[http://yewknee.com/blog/phreaker-movie]]></link>
	<description><![CDATA[<div class="vidXLrg"><iframe width="560" height="315" src="https://www.youtube.com/embed/nUTeWniGzxw?si=PYbD8o7-3sY1d-YQ" title="YouTube video player" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" referrerpolicy="strict-origin-when-cross-origin" allowfullscreen></iframe></div> 
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For as long as I've been noodling on the Internet, I've been very intrigued by the act of <a href="https://en.wikipedia.org/wiki/Phreaking">Phreaking</a>, aka Phone Hacking. From learning about the Cap'n Crunch whistle, to building my own <a href="https://en.wikipedia.org/wiki/Red_box_(phreaking)">Red box</a>, to one time procuring a <a>Lineman's handset</a> in a way that I will not speak aloud.. I love the DIY manipulation of such an intricate system. I'm sure the scene has changed dramatically since my era of interest but my fascination has not waned despite my participation falling way off.
<br><Br>
All that said, the upcoming movie <a href="https://www.imdb.com/title/tt30887196/"><em>Phreaker</em></a> immediately has my attention. A movie about phone hacking?! Maybe a spiritual successor to <em>Hackers</em> but with a slightly different focus? The possibilities!  Buuuuuut, the <a href="https://www.youtube.com/watch?v=nUTeWniGzxw">trailer</a> is making me work extra hard to keep that excitement. Obviously the jury is still out until the movie is released but they really just seem to focus on the social engineering side of things. Manipulating people with more access than you into doing what you want <em>is</em> a compelling concept but on film that translates to "talks on phone with convincing voice." There better be some <a href="https://youtu.be/nFz_7HttWa0?si=8yLk5-yo9egE_hgS&t=21">additional tricks at play</a>! We shall see. ]]></description>
	<pubDate>Mon, 14 Sep 2026 07:26:49 -0500</pubDate>
	<guid isPermaLink="true"><![CDATA[http://yewknee.com/blog/phreaker-movie]]></guid>
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	<title><![CDATA[Flaming Pablum & NYC Film]]></title>
	<link><![CDATA[http://yewknee.com/blog/flaming-pablum--nyc-film]]></link>
	<description><![CDATA[<div class="blogImg"><a href="https://flamingpablum.com/2015/06/terminal-times-for-the-emerald-pub/"><img src="http://yewknee.com/_img/blog/blog_terminalbar026.jpg" width="100%" /></a></div> 
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Thanks to <a href="https://www.blankcheckpod.com/">Blank Check</a> I found myself watching <a href="https://en.wikipedia.org/wiki/After_Hours_(film)"><em>After Hours</em></a>, the 1985 Scorsese film about an office worker that has "a series of misadventures while attempting to make his way home from Manhattan's SoHo district." The description does very little to make it sound appealing and the <a href="https://en.wikipedia.org/wiki/After_Hours_(film)#/media/File:After_Hours_(film)_POSTER.jpg">poster</a> may not scream "<em>Scorsese film</em>" to you. But I am here to tell you, it's a delight. 
<br><br>
After watching any movie, I take a quick dip into the <a href="https://www.imdb.com/title/tt0088680/trivia/?ref_=tt_dyk_trv">IMDB Trivia</a> and cruise around the web looking for any other interesting bits. The <a href="https://flamingpablum.com/">Flaming Pablum blog </a> has a ton of great tidbits about the film. Here's some insight into <a href="https://flamingpablum.com/2015/06/terminal-times-for-the-emerald-pub/">the real location Terminal Bar</a> from the film (and a <a href="https://flamingpablum.com/2009/06/one-year-later-the-terminal-emerald/">followup</a>). But that's only the tip of the iceberg, the site is filled with insights and ruminations about the movie. <a href="https://flamingpablum.com/2023/01/the-sounds-of-after-hours-redux/">Remaking the Soundtrack</a>, <a href="https://flamingpablum.com/2024/07/auf-wiedersehen-club-berlin/">Goodbye Club Berlin</a>, <a href="https://flamingpablum.com/2024/05/exhuming-the-moondance/">Exhuming The Moondance Diner</a>, and <a href="https://flamingpablum.com/?s=after hours&orderby=relevance&order=DESC&post_type=post">more</a>. Of course, none of that will be all that interesting if you haven't seen the film but let that be a reminder.. see the film.]]></description>
	<pubDate>Mon, 14 Sep 2026 07:10:44 -0500</pubDate>
	<guid isPermaLink="true"><![CDATA[http://yewknee.com/blog/flaming-pablum--nyc-film]]></guid>
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	<title><![CDATA[Artless Hands]]></title>
	<link><![CDATA[http://yewknee.com/blog/artless-hands]]></link>
	<description><![CDATA[<div class="vidXLrg"><iframe width="560" height="315" src="https://www.youtube.com/embed/J7-yEpRKMR4?si=Ksyqh5ZjqYY96SzU" title="YouTube video player" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" referrerpolicy="strict-origin-when-cross-origin" allowfullscreen></iframe></div> 
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<p>Back in 2021, the <em>Nashville Scene</em> published &#8220;<a href="https://www.nashvillescene.com/arts_culture/advice-king-are-streaming-services-unfair-to-musicians/article_fcebfb14-4240-11ec-967e-3398419a037f.html">Are Streaming Services Unfair to Musicians?</a>&#8221; &#8211; a blistering piece from The Advice King, aka columnist and (incredible) satirist <a href="https://www.instagram.com/thecroftonshow">Chris Crofton</a>. As you would hope, Crofton eviscerates the streaming platforms, their pitiful treatment of artists, and their gluttonous indulgences in their own wealth. The entire piece is great, but this portion in particular should be noted:</p>

<blockquote>
<p>The big music labels didn’t want to take the time to figure out how to sell music in a post-Napster world, so they cut a deal. It&#8217;s a deal that, criminally and forever, devalued my favorite art form. They sold it all. They sold it all without asking — to Daniel Ek — and now there’s no going back.</p>

<p>Artless hands handling art. That’s the crux of the matter. The executive class’s bloody, artless hands, unloading all the world’s music off the metaphorical back of a truck, in the metaphorical middle of the night.</p>
</blockquote>

<p>For the members of <a href="https://www.instagram.com/towerdefensetn">Tower Defense</a>, inspiration struck. &#8220;Artless Hands&#8221; was born. A song about the Faustian bargain artists strike with corporate streaming &#8211; the potential for exposure in exchange for forgoing any respectable payment in royalties due.</p>
<p>Today we&#8217;re happy to announce the debut of <a href="https://www.youtube.com/watch?v=J7-yEpRKMR4">an incredible lyric video</a> from the latest release <a href="https://ykrecords.com/releases/fit-for-purpose">&#8220;Fit for Purpose&#8221; / &#8220;Artless Hands.&#8221;</a> The video depicts the laborious process of making pennies &#8211; mining, smelting, molding, and stamping zinc and copper into a monetary currency ironically worth more than 1,000 plays on Spotify.</p>

<p>The reminder is scathing, but the delivery is a bop. Watch the video on <a href="https://www.youtube.com/watch?v=J7-yEpRKMR4&amp;feature=youtu.be">YouTube</a>, support the release on <a href="https://towerdefense.bandcamp.com/album/fit-for-purpose-artless-hands">Bandcamp</a>, <a href="https://ampwall.com/a/ykrecords/album/fit-for-purpose-artless-hands">Ampwall</a>, <a href="https://www.subvert.fm/tower-defense/fit-for-purpose-artless-hands">Subvert</a>, <a href="https://mirlo.space/tower-defense/release/fit-for-purpose--artless-hands">Mirlo</a>, and, of course, <a href="https://ykrecords.com/releases/fit-for-purpose">streaming services</a>.</p>]]></description>
	<pubDate>Wed, 02 Sep 2026 08:48:05 -0500</pubDate>
	<guid isPermaLink="true"><![CDATA[http://yewknee.com/blog/artless-hands]]></guid>
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	<title><![CDATA[What Time Is It? (A Pebble 2 Demo)]]></title>
	<link><![CDATA[http://yewknee.com/blog/what-time-is-it-a-pebble-2-demo]]></link>
	<description><![CDATA[<div class="vidXLrg"><iframe width="560" height="315" src="https://www.youtube.com/embed/r3HWmCo4JLY?si=VLrg93NkiESfD16d" title="YouTube video player" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" referrerpolicy="strict-origin-when-cross-origin" allowfullscreen></iframe></a></div> 
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Awhile ago, YouTube decided that I should appreciate <a href="https://www.youtube.com/playlist?list=PLHDxrzOvt6kQs4WDrArD4wr1R7F-1L7Mp">Commodore64 Animation Demos</a>. These computers were made in the early 80s and there's still a thriving scene of enthusiasts making <a href="https://www.youtube.com/watch?v=m_70dCPeg3c">insanely impressive creations</a> with them despite their limited resources.
<br><br>
<a href="https://www.youtube.com/watch?v=r3HWmCo4JLY">What Time Is It?</a> is a music video / animation made for the Pebble Time 2 watch. It's  showing off some delightfully engaging animations for a device that you'd assume isn't capable of such a thing. Of course, the Pebble 2 has vastly more computing power than a Commodore64 but it's still a very limited system in comparison to, say, your laptop or even your phone.  
<br><br>
<em>What I'm saying is</em>... I think I'm getting into Pebble 2 demos. You should too.]]></description>
	<pubDate>Wed, 02 Sep 2026 08:34:12 -0500</pubDate>
	<guid isPermaLink="true"><![CDATA[http://yewknee.com/blog/what-time-is-it-a-pebble-2-demo]]></guid>
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	<title><![CDATA[Rebounder]]></title>
	<link><![CDATA[http://yewknee.com/blog/rebounder]]></link>
	<description><![CDATA[<div class="vidXLrg"><iframe width="560" height="315" src="https://www.youtube.com/embed/WDMkNRjsrI0?si=NlspdjxZq4gIvKwY" title="YouTube video player" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" referrerpolicy="strict-origin-when-cross-origin" allowfullscreen></iframe></div> 
<div class="clearIt"></div>
I don't <em>play</em> a lot of videogames but I certainly <em>appreciate</em> them. Announcement trailers, playthrough videos, random series on <a href="https://www.youtube.com/show/VLPLIHWeJc_MLQ8?sbp=KgtsN3hYVzBFYks0Z0AB">game design</a> are all in my wheelhouse, despite not really playing all too often.
<br><br>
Case in point, this <a href="https://www.youtube.com/watch?v=WDMkNRjsrI0">announcement trailer for <em>Rebounder</em></a> looks phenomenal. The graphic novel / halftone style is incredibly well executed. The gameplay itself looks like a helluva platformer but I'm mostly just excited to watch someone play this in the future so I can soak in all those incredible aesthetics.]]></description>
	<pubDate>Wed, 02 Sep 2026 08:29:36 -0500</pubDate>
	<guid isPermaLink="true"><![CDATA[http://yewknee.com/blog/rebounder]]></guid>
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	<title><![CDATA[Onslaught, Matthew Pusti]]></title>
	<link><![CDATA[http://yewknee.com/blog/onslaught-matthew-pusti]]></link>
	<description><![CDATA[<div class="vidXLrg"><iframe width="560" height="315" src="https://www.youtube.com/embed/ihQZq5CTBvQ?si=JnPDHx3YxilR4CCU" title="YouTube video player" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" referrerpolicy="strict-origin-when-cross-origin" allowfullscreen></iframe></div> 
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This is "<a href="https://www.youtube.com/watch?v=ihQZq5CTBvQ">Onslaught</a>" - the title track from the forthcoming soundtrack for the new A24 Adam Wingard film of the same name, <a href="https://www.youtube.com/watch?v=L24CYVpQ-LI"><em>Onslaught</em></a>. It's dark, pulsing and has a sinister mechanical vibe to it that reminds me of several NIN tracks. It also marks the first time Matthew Pusti, aka <a href="https://www.makeupandvanityset.com/">Makeup and Vanity Set</a>, is providing the soundtrack for a full-length film of this size and caliber.
<br><br>
I've been a fan of MAVS for some 19 years, probably going back as far his <a href="https://theprotomen.bandcamp.com/album/presents-the-protomen">chiptune remix of The Protomen</a> from 2007. He's released several soundtracks in those two decades for various short films, game soundtracks, podcasts and indies - <a href="https://makeupandvanityset.bandcamp.com/album/88-88"><em>88:88</em></a>, <a href="https://makeupandvanityset.bandcamp.com/album/hit-tv"><em>HIT TV</em></a>, <a href="https://makeupandvanityset.bandcamp.com/album/brigador-vol-i"><em>Brigador</em></a> (lots of <em>Brigador</em>), <a href="https://makeupandvanityset.bandcamp.com/album/jogger-original-motion-picture-soundtrack"><em>Jogger</em></a>, <a href="https://makeupandvanityset.bandcamp.com/album/trackless-original-soundtrack"><em>Trackless</em></a>, <a href="https://makeupandvanityset.bandcamp.com/album/mather-original-motion-picture-soundtrack"><em>Mather</em></a>, <a href="https://makeupandvanityset.bandcamp.com/album/foyer-original-motion-picture-soundtrack"><em>Foyer</em></a>, <a href="https://makeupandvanityset.bandcamp.com/album/overpass-original-video-game-soundtrack"><em>Overpass</em></a>, <a href="https://makeupandvanityset.bandcamp.com/album/radio-rental-season-1-original-podcast-soundtrack"><em>Radio Rental</em></a>, <a href="https://makeupandvanityset.bandcamp.com/album/to-live-and-die-in-la-original-podcast-soundtrack"><em>To Live and Die in LA</em></a>, <a href="https://matthewpusti.bandcamp.com/album/a-good-woman-is-hard-to-find-original-motion-picture-soundtrack"><em>A Good Woman is Hard to Find</em></a>, <a href="https://makeupandvanityset.bandcamp.com/album/the-new-way-program-original-motion-picture-soundtrack"><em>The New Way Program</em></a>, and <em>loads more</em>. He even <a href="https://makeupandvanityset.bandcamp.com/album/monsut">conceptualized music for Wingard's <em>Godzilla</em></a> and wrote a bunch of songs for <a href="https://makeupandvanityset.bandcamp.com/album/i-made-these-songs-for-the-final-season-of-that-huge-streaming-series-but-they-didnt-use-any-of-them"><em>Stranger Things</em></a> that, ultimately, weren't used. MAVS resume is massive and I'm so pleased to see him finally getting this opportunity.
<br><br>
Obviously with a body of work this huge, Pusti doesn't <em>need</em> a major film to validate his songwriting skills but, as a fan, I hope this brings an even larger group of folks to discover two decades of incredible songs! And if it leads to even more MAVS songs for more movies, that's a real bonus for us all. 

]]></description>
	<pubDate>Fri, 28 Aug 2026 07:45:35 -0500</pubDate>
	<guid isPermaLink="true"><![CDATA[http://yewknee.com/blog/onslaught-matthew-pusti]]></guid>
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	<title><![CDATA[The History Of Concrete, John Wilson]]></title>
	<link><![CDATA[http://yewknee.com/blog/the-history-of-concrete-john-wilson]]></link>
	<description><![CDATA[<div class="vidXLrg"><iframe width="560" height="315" src="https://www.youtube.com/embed/O05arcJjOd0?si=zyKz6iD7e3gS8Baw" title="YouTube video player" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" referrerpolicy="strict-origin-when-cross-origin" allowfullscreen></iframe></div> 
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<a href="https://en.wikipedia.org/wiki/How_To_with_John_Wilson"><em>How To with John Wilson</em></a> is a legitimate and absolute gem of a show. If you've not seen it, queue it up as soon as you can. Once you do, you'll understand why it's so exciting to see the trailer for <a href="https://www.youtube.com/watch?v=O05arcJjOd0"><em>A History of Concrete</em></a>. A movie that will surely be the most interesting movie about concrete that we'll see this decade, if not this century.
]]></description>
	<pubDate>Fri, 28 Aug 2026 07:34:47 -0500</pubDate>
	<guid isPermaLink="true"><![CDATA[http://yewknee.com/blog/the-history-of-concrete-john-wilson]]></guid>
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	<title><![CDATA[Lake Fever Sessions Archive Archive]]></title>
	<link><![CDATA[http://yewknee.com/blog/lake-fever-sessions-archive-archive]]></link>
	<description><![CDATA[<div class="blogImg"><a href="https://www.youtube.com/@LakeFeverSessions/playlists"><img src="http://yewknee.com/_img/blog/blog_lakefeversessionsarchiveyoutube026.jpg" /></a></div> 
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Back in 2009, I was part of a project in Nashville called <em>The Lake Fever Sessions</em>. Local and touring bands would come by a studio - aptly named <a href="https://lakefeverproductions.com/">Lake Fever Productions</a> - and record 3-4 songs. Unsurprisingly, I made the website.
<br><br>
It fizzled out by 2010 and the website lapsed years later. In 2024, l bought a new domain and <a href="https://www.yewknee.com/blog/lake-fever-sessions-archive">revived it</a>. <em>Most</em> of the videos were still hosted on the same, original, Vimeo account and I managed to have a backup of the code. I thought that would be the happy ending but then Vimeo was purchased by Bending Spoons. Shortly after that acquisition, all the videos stopped working on the site.
<br><br>
So, now I've revived the revival! The <a href="https://lakefeversessionsarchive.com/">Lake Fever Sessions Archive</a> site is now powered by <a href="https://www.youtube.com/@LakeFeverSessions/playlists">YouTube videos</a>. These were all sourced from the original Vimeo account and should have all the same metadata you see on the official site. I am happy to have a local copy of the archive now and hope that the YouTube audience will lead to a lot of new eyeballs seeing and hearing the great work the team did. It's been 17 years since most of these were released and my involvement was only the website - but I still feel proud to have been involved. <a href="https://www.youtube.com/@LakeFeverSessions/playlists">Click around</a>, enjoy! ]]></description>
	<pubDate>Wed, 26 Aug 2026 09:50:33 -0500</pubDate>
	<guid isPermaLink="true"><![CDATA[http://yewknee.com/blog/lake-fever-sessions-archive-archive]]></guid>
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	<title><![CDATA[Takes by Jamelle Bouie]]></title>
	<link><![CDATA[http://yewknee.com/blog/takes-by-jamelle-bouie]]></link>
	<description><![CDATA[<div class="vidXLrg"><iframe width="560" height="315" src="https://www.youtube.com/embed/K0FbfwCEiRI?si=lHP_jt2pREHXipTV" title="YouTube video player" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" referrerpolicy="strict-origin-when-cross-origin" allowfullscreen></iframe></div> 
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<a href="https://en.wikipedia.org/wiki/Jamelle_Bouie">Jamelle Bouie</a> is a NY Times columnist and previously served as chief political correspondent for Slate. He's also a <a href="https://www.youtube.com/@jamelle-bouie">good YouTuber</a>! I only recently learned this but genuinely enjoy the near daily <em>Takes</em>. 
<br><br>
During the week, the content veers politically - <a href="https://www.youtube.com/watch?v=TrkAN3vo-8w">What Democrats can learn from Mitch McConnell</a> or <a href="https://www.youtube.com/watch?v=H5Dssa-AlpI"> The Assassination of the Voting Rights Act by the Coward John Roberts (and Sam Alito) </a> for example. But the <em>weekend Takes</em> tend to veer a bit more casual - <a href="https://www.youtube.com/watch?v=d0NYnKNTDc8">Camera Corner - Leica M4-P</a> or <a href="https://www.youtube.com/watch?v=K0FbfwCEiRI">How to make a good <em>Star Wars</em> movie for once</a>. Great balance, solid insights. Do subscribe.]]></description>
	<pubDate>Tue, 25 Aug 2026 09:13:59 -0500</pubDate>
	<guid isPermaLink="true"><![CDATA[http://yewknee.com/blog/takes-by-jamelle-bouie]]></guid>
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	<title><![CDATA[It’s A Wonderful Night Of The Living Dead Trailer]]></title>
	<link><![CDATA[http://yewknee.com/blog/its-a-wonderful-night-of-the-living-dead-trailer]]></link>
	<description><![CDATA[<div class="vidXLrg"><iframe width="560" height="315" src="https://www.youtube.com/embed/tgUmaJTFJr4?si=DvA6tWBUCt9NHKs1" title="YouTube video player" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" referrerpolicy="strict-origin-when-cross-origin" allowfullscreen></iframe></div> 
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I had the absolute pleasure of seeing a screening of <a href="https://www.youtube.com/watch?v=tgUmaJTFJr4"><em>It’s a Wonderful Night of the Living Dead</em></a> during the <a href="https://defyfilmfestival.com/">Defy Film Fest</a> this weekend. It's an absolutely perfect fusion of <em>It's a Wonderful Life</em> and <em>Night of the Living Dead</em>, two films you would not think would mash together well but at the hands of the directing duo Bell Brothers; it's masterful. 
<br><br>
Of course telling you to watch a short film that you can only see at a film fest is a bit of a dead end for you, dear reader. Fortunately, I am happy to direct you to the <a href="https://www.youtube.com/@hellobellbros">Bell Brothers YouTube</a> contains a myriad of treats. I'd <a href="https://www.youtube.com/watch?v=SmJvsxpAFfQ">start here</a> and if that's not your flavor, <a href="https://www.youtube.com/watch?v=XUouV4KJgCQ">try this</a> or <a href="https://www.youtube.com/watch?v=8L5uPSzpctU">this</a>. Okay, just watch all of it.]]></description>
	<pubDate>Mon, 24 Aug 2026 06:28:25 -0500</pubDate>
	<guid isPermaLink="true"><![CDATA[http://yewknee.com/blog/its-a-wonderful-night-of-the-living-dead-trailer]]></guid>
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	<title><![CDATA[TV Torso - PASTE 2011]]></title>
	<link><![CDATA[http://yewknee.com/blog/tv-torso---paste-2011]]></link>
	<description><![CDATA[<div class="vidXLrg"><iframe width="560" height="315" src="https://www.youtube.com/embed/uU4Cm_z1Qs0?si=pBtQhNu6xRW8p99M" title="YouTube video player" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" referrerpolicy="strict-origin-when-cross-origin" allowfullscreen></iframe></div> 
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Maybe once a year I remember that the band <a href="https://tvtorso.bandcamp.com/">TV Torso</a> existed and aren't available on streaming anywhere. Their album <a href="https://tvtorso.bandcamp.com/album/status-quo-vadis"><em>Status Quo Vadis</em></a> came out in 2010 and it's <em>impeccable</em> - perfect, even. The same for 2012's <a href="https://tvtorso.bandcamp.com/album/clear-lake-strangler"><em>Clear Lake Stranger</em></a>. Matt Oliver's voice, songwriting, production decisions, all of it - just right up my alley and worthy of heavy rotation.
<br><br>
I normally don't revisit the band beyond the official albums but this year I finally started snooping around for other recordings or live performances. This <a href="https://www.youtube.com/watch?v=uU4Cm_z1Qs0">2011 <em>Paste</em> Concert</a> from SXSW is a real treat, especially for someone like myself that never caught them live.
<br><br>]]></description>
	<pubDate>Fri, 21 Aug 2026 06:57:00 -0500</pubDate>
	<guid isPermaLink="true"><![CDATA[http://yewknee.com/blog/tv-torso---paste-2011]]></guid>
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	<title><![CDATA[The Swinsian Switch]]></title>
	<link><![CDATA[http://yewknee.com/blog/the-swinsian-switch]]></link>
	<description><![CDATA[<div class="blogImg"><a href="https://swinsian.com/"><img src="http://yewknee.com/_img/blog/blog_swinsian026.jpg" /></a></div> 
<div class="clearIt"></div>
I realize how archaic this makes me but I still maintain a local library of Music. I am <em>also</em> a YouTube Music subscriber but I have a lot of <a href="https://bandcamp.com/ykrecords">purchased</a> <a href="https://ampwall.com/u/ykrecords">music</a> that often lives outside of streaming and I need a way to enjoy it. Up until recently I have been an iTunes user; somewhat begrudingly but it worked <em>well enough</em>. Until it didn't. Once it switched from being iTunes to "Music" the app just slowly fell apart. Most recently, it just wouldn't make playlists anymore. Except it <em>is</em> making playlists, it's just not updating the side drawer to show them. I ended up trying a myriad of fixes to overcome this, even going as far as formatting an old ExFat drive to the preferred APFS; hoping it was a weird external drive   permissions error. Turns out, it's a known bug and Apple just hasn't gotten around to it yet. Enshittification comes for everything.
<br><br>
In my quest to find an alternative, many people suggested <a href="https://www.navidrome.org/">Navidrome</a> or <a href="https://medium.com/plexlabs/introducing-plexamp-9493a658847a">Plexamp</a>. Both look great but both require a permanently connected drive, which is not my use case. I have an SSD drive that is only occasionally connected, so I need something less network based. I landed on <a href="https://swinsian.com/">Swinsian</a>, a robust music player that seems to take on the job of being a <em>proper</em> iTunes replacement.
<br><br>
My positive review is that it is incredibly fast, handles metadata unbelievably quickly and can present a giant library of music efficiently. It can make new playlists and actually show them. From a simple perspective of music organization and playback, it's checking all the boxes. It's also maintaining the same file structure as iTunes and can export to an XML format that is easy to import back into <em>Music</em>, so you're not locked into a proprietary format.
<br><br>
In an ideal world, it would have a <em>little</em> more visual personality. I found its plainness a little off-putting at first but the more I use it, the more I like it. It's also a <em>little</em> concerning that the blog hasn't been updated in a year but, hey, who has time to blog, amirite?*
<br><br>
Long story short, I think I've finally abandoned ship on iTunes and have found a worthwhile alternative. This may inspire me to figure out a network connected solution tho... this single SSD drive with my lifetime library on it is maybe a little precarious! 
<br><br>
<small>* Oh, also, I wish it wasn't named <em>Swinsian</em>. Maybe I'm burying the lede down here but I really hate the name. Nice app, clever name but not memorable or meaningful. </small>]]></description>
	<pubDate>Tue, 18 Aug 2026 08:24:17 -0500</pubDate>
	<guid isPermaLink="true"><![CDATA[http://yewknee.com/blog/the-swinsian-switch]]></guid>
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