Grammy-nominated singer, songwriter, and musician Halle Bailey is officially celebrating the one-year anniversary of her breakout debut solo album, love?…or something like it, with the release of a brand-new deluxe edition.

The expanded project revisits the triple threat’s intimate exploration of love, heartbreak, and self-discovery while providing fans with a fresh batch of music to mark the milestone. The deluxe edition introduces five previously unreleased tracks to the tracklist: “leave me blue,” “don’t leave,” “potion,” “way out,” and the titular track, “love or something like it,” which features a guest appearance from fellow R&B standout Lucky Daye.

“I’m so excited to finally share these five new songs with you. Five different perspectives on love, life, and the beautiful complexity of being human,” Bailey shared regarding the expanded release. “Love is constantly evolving, and so are we. These songs are little pieces of my heart, reflections of the things I’ve felt, questioned, learned, and embraced along the way. I hope you listen with open ears, open hearts, and allow each song to meet you wherever you are in life.”

The deluxe release continues to solidify Bailey’s trajectory as one of R&B’s most exciting young voices. She initially captured global attention alongside her sister as one-half of the acclaimed duo Chloe x Halle. Signed to Beyoncé’s Parkwood Entertainment, the group earned multiple Grammy nominations across two critically lauded albums, The Kids Are Alright and Ungodly Hour.

In 2023, Bailey formally launched her solo recording career with the powerful debut single “Angel,” a cinematic track celebrating Black womanhood and self-worth. By effortlessly blending R&B, neo-soul, and emotionally resonant storytelling, she continues to define a radiant, deeply human sound of her own.

The deluxe edition of love?…or something like it is available to stream and download now across all major digital platforms.

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Multi-platinum singer, songwriter, and producer Tinashe has officially announced her upcoming North American trek, THE SHOW MUST GO ON tour. The expansive run is set to kick off in Dallas on April 14, bringing her dynamic live show to major markets across the continent, including Atlanta, Philadelphia, Vancouver, Seattle, and Los Angeles.

The massive tour announcement arrives just as Tinashe kicks off her highly exclusive “3 Nights with a Popstar” headline shows across Chicago, Brooklyn, and Los Angeles. Tickets for the three-city run sold out almost immediately, marking the fastest-selling presale of her career.

The live momentum operates in direct support of her latest 16-track studio album, Popstar. The project has rapidly morphed into a cultural phenomenon, debuting at No. 6 on the Billboard 200 with 35,500 copies sold in its first week and earning a stellar 9.0 rating from Pitchfork.

Anchored by standout tracks like “Melatonin” and “Nobody Wanna Dance Anymore,” the album has drawn heavy public praise from industry peers including SZA, Charli XCX, PinkPantheress, and Clairo. The release also triggered a massive wave of fan support, with her dedicated audience generating a global viral moment using the hashtag #UpliftTinashe.

Beyond her own headline dates, Tinashe is maintaining a heavy presence on the live circuit. She recently made a viral surprise appearance alongside Charli XCX at the Austin City Limits music festival, and is slated to perform at Chappell Roan’s Super Graphic Spectacular benefit show in Los Angeles later this week.

Additionally, Tinashe is confirmed to join Harry Styles as a special guest on his Together, Together Tour, supporting his Phoenix, Arizona dates on April 2 and 3 at State Farm Stadium.

Tickets for THE SHOW MUST GO ON tour are available for purchase now via TinasheNow.com.

THE SHOW MUST GO ON 2027 Tour Dates:

April 14 — Dallas, TX — The Bomb Factory

April 15 — Austin, TX — Stubb’s Waller Creek Amphitheater

April 16 — Houston, TX — Bayou Music Hall

April 18 — Kansas City, MO — The Midland Theatre

April 20 — Nashville, TN — Marathon Music Works

April 22 — Atlanta, GA — The Eastern

April 24 — Charlotte, NC — The Fillmore

April 26 — Washington, DC — The Anthem

April 27 — Philadelphia, PA — Franklin Music Hall

April 28 — Boston, MA — Roadrunner

May 1 — Pittsburgh, PA — Stage AE

May 5 — Denver, CO — Mission Ballroom

May 6 — Salt Lake City, UT — The Union

May 8 — Portland, OR — TBA*

May 10 — Vancouver, BC — Malkin Bowl

May 11 — Seattle, WA — Paramount Theatre

May 13 — Oakland, CA — Fox Theater

May 15 — Los Angeles, CA — Shrine Expo Hall

The post Tinashe Announces ‘THE SHOW MUST GO ON’ North American Tour Following ‘Popstar’ Release appeared first on New R&B Music, Songs & Interviews | YouKnowIGotSoul.com.

EGOT-winning singer-songwriter John Legend has officially released his latest studio album, Muse, via Republic Records. The project marks a major collaborative milestone, as it was co-written and produced entirely by 14-time Grammy-winning musician and Louis Vuitton Men’s Creative Director Pharrell Williams.

Despite a friendship spanning more than twenty years, Muse represents Legend and Williams’ first full-length album collaboration. The concept took root after Legend provided vocals for Clipse’s comeback album, Let God Sort ‘Em Out. Inspired by Legend’s performance on the Grammy-nominated track “The Birds Don’t Sing,” Williams sought to build an entire record specifically around the singer’s voice.

Recorded largely at Williams’ studio within the Louis Vuitton headquarters in Paris, the album seamlessly bridges classic and contemporary genres. The production weaves together gospel, traditional standards, doo-wop, classic soul, Afrobeats, and hip-hop, anchoring lush strings and horns with heavy 808s.

“Pharrell’s idea from the beginning was that we would create something with all of these classic, cinematic elements, almost like a Black James Bond feel to it, but with a modern backbeat at its foundation,” Legend shared. “It sounds like something new for us, but this album came to life so naturally.”

Coinciding with the album’s release, Legend debuted the official music video for “Bodies On The Floor,” featuring Clipse, available to watch first on Spotify for 48 hours. Directed by Grammy-nominated filmmaker Paul Hunter and produced by PRETTYBIRD, the black-and-white visual captures the cyclical, magnetic toxicity of two lovers. Legend co-wrote the lyrics with Samm Henshaw, drawing thematic inspiration from the language of gang warfare in the crime drama MobLand to illustrate a relationship built on harm and retaliation.

The 10-track project navigates the full spectrum of romance and conflict. The titular opening track traces a tumultuous relationship against the romantic backdrop of Paris, while “Her” takes a gentler, nostalgic approach inspired by the music of Legend’s father. Tracks like the cinematic “Get Back” and the empathetic “Are You OK?” are joined by the previously released singles “Daylight” and “Fireflies,” which also received visual treatments from Hunter.

To complement the release, Legend launched “The Muse Gallery,” an interactive, museum-style digital experience on his website where fans can explore themed rooms containing music, merchandise, and video content.

Beyond his recording career, Legend is currently preparing for the premiere of Imitation of Life, marking his first original score for the stage. Co-produced by The Shed and National Black Theatre, the musical begins previews in New York on November 21 ahead of a December 3 opening.

Starring Tony Award winner Adrienne Warren with direction by Whitney White and a book by Lynn Nottage, the production is based on Fannie Hurst’s 1933 novel. Legend and Mike Jackson are producing the project through Get Lifted Film Co., bringing the story of two mothers—one Black and one white—raising daughters in 1920s and ’30s Atlantic City and New York to the theater.

Muse is available to stream and download now across all major digital platforms.

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Grammy Award-winning singer, songwriter, and producer Lucky Daye is officially taking his latest studio album on the road. The contemporary R&B trailblazer has announced his biggest North American headline tour to date, bringing his acclaimed new project, ALOUD!, to 24 cities across the continent in the spring of 2027.

Kicking off on March 2 in Orlando, Florida, the expansive trek promises to translate the bold, sensual, and visually expressive universe of ALOUD! into an electrifying live experience. Known for his extraordinary vocal range and dynamic showmanship, Daye aims to deliver a show where creative freedom takes center stage.

The tour operates in direct support of the newly released 15-track album, available now via Warner Records. Exploring the tension between the words “allowed” and “aloud,” the project boasts a formidable roster of guest features—including Pusha T, Leon Thomas, Muni Long, The Paradox, and Akeem Ali—and expansive production helmed by longtime collaborator D’Mile.

General admission tickets go on sale Friday, October 23, at 10:00 a.m. local time and can be purchased directly via LuckyDaye.com. Special guests and supporting acts for the tour will be announced at a later date.

For fans seeking an elevated concert experience, extremely limited VIP packages are available for purchase. The top-tier Backstage Vinyl Experience includes a small-group meet and greet, an extended photo op and vinyl signing, early venue entry, and an exclusive merchandise bundle. Additional options include the Soul Session Meet & Greet package and an early-entry Merchandise Package.

2027 ALOUD! Tour Dates

March 2 — Orlando, FL — House of Blues

March 3 — St. Petersburg, FL — Jannus Live

March 5 — New Orleans, LA — The Fillmore

March 6 — Atlanta, GA — Coca-Cola Roxy

March 7 — Birmingham, AL — Avondale Brewing Company

March 10 — Charlotte, NC — The Fillmore

March 12 — Washington, DC — The Theater at MGM National Harbor

March 13 — Philadelphia, PA — The Fillmore

March 14 — Raleigh, NC — The Ritz

March 16 — Norfolk, VA — The NorVa

March 18 — Brooklyn, NY — Brooklyn Paramount

March 19 — Boston, MA — Citizens House of Blues

March 21 — Toronto, ON — Queen Elizabeth Theatre

March 23 — Cleveland, OH — House of Blues

March 24 — Cincinnati, OH — Bogart’s

March 26 — Detroit, MI — The Fillmore

March 27 — Chicago, IL — The Salt Shed

March 30 — St. Louis, MO — The Pageant

April 1 — Dallas, TX — South Side Ballroom

April 2 — Houston, TX — Bayou Music Center

April 3 — Austin, TX — ACL Live at the Moody Theater

April 6 — Phoenix, AZ — The Van Buren

April 7 — Los Angeles, CA — The Wiltern

April 8 — San Francisco, CA — The Warfield

The post Lucky Daye Announces 2027 North American ‘ALOUD!’ Tour appeared first on New R&B Music, Songs & Interviews | YouKnowIGotSoul.com.

Grammy-nominated R&B traditionalist October London continues to champion his latest studio album, Love Me For Me, with the release of the sultry official music video for “Body Talk.” The new visual is out now via Death Row Records/gamma.

The cinematic visual opens with London being swarmed by adoring fans before his love interest pulls him away for some much-needed solitude. Weaving intimate, steamy moments with dynamic full-band performance scenes, the video perfectly captures the deep chemistry and sensuality of the track while highlighting the singer’s commanding stage presence.

Paired with rich live instrumentation and his effortlessly smooth vocal delivery, the record brings a sharp contemporary edge to the timeless spirit of classic soul.

“Body Talk” serves as a cornerstone of Love Me For Me. The 10-track project, produced in its entirety by Snoop Dogg and Soopafly, draws heavily from the foundational roots of R&B. By pairing organic arrangements and emotive storytelling with modern sensibilities, the album highlights London’s distinct versatility. “Body Talk” joins other acclaimed standouts on the project, including “Your Girl” and the chart-topping “Silent Treatment.”

The video release arrives during a dominant run for the rising star. London recently secured his fourth No. 1 hit on Billboard’s Adult R&B Airplay chart with “Silent Treatment,” adding to a rapidly growing list of chart-toppers that includes “Touch on Me,” “Back to Your Place,” and “Mulholland Drive.”

His cultural footprint expanded even further this year when his single “Make Me Wanna” was selected for Barack Obama’s highly anticipated 2026 Summer Playlist. Additionally, London earned a nomination for Best Male R&B/Pop Artist at the 2026 BET Awards and delivered a moving on-stage tribute to the legendary Roberta Flack at the 2026 Grammy Awards.

Through his ongoing tenure with Death Row Records, London continues to successfully bridge vintage soul influences with contemporary R&B, introducing the genre’s rich musical heritage to an entirely new generation of listeners.

The official music video for “Body Talk” is available to watch now on YouTube.

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Veteran R&B crooner Case is capitalizing on a major cultural moment. Fresh off the stage of his highly anticipated Verzuz matchup against fellow R&B heavyweight Carl Thomas, the platinum-selling singer has officially released his brand-new EP, Love Jones.

The surprise project allows Case to immediately continue his momentum, delivering the signature smooth vocals and heartfelt lyricism that have anchored his career for decades. To craft the Love Jones EP, the “Happily Ever After” hitmaker reconnected with frequent collaborator and acclaimed producer Travis Cherry, ensuring the project retains the classic R&B sensibilities that fans celebrated during the recent battle.

Serving as a timely victory lap, the new release is the perfect follow-up for fans who just watched the singer run through his legendary catalog on the Verzuz stage.

Love Jones is available to stream and download now.

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We recently caught up with Durand Bernarr for an exclusive interview to discuss his latest music, the creative process behind his latest album and what’s next in his musical journey. The singer opened up about creating “My Life” with Johnta Austin and Bryan-Michael Cox, working with legendary collaborators like Raphael Saadiq, and Troy Taylor, and stepping outside his comfort zone to explore new sounds. He also discussed the creative process behind “Wild Ride” with James Fauntleroy, his plans to explore rock music, and the influence of 2000s R&B on his artistry. Plus, we put him to the test with a blind ranking of some classic 2000s female R&B hits!

YouKnowIGotSoul: We’re so excited to be here with Durand Bernarr! How’s the tour going?

Durand Bernarr: This has been the easiest tour I’ve ever been on in the 21 years that I’ve been on the road.

YouKnowIGotSoul: Amazing! It’s our first time meeting, but obviously, we’ve followed you on social media for years now, and I have to ask you this question. This is our icebreaker here: Do you know the song “House Party” by Latrelle? And why is it the best song of all time?

Durand Bernarr: Oh my God, yes! I know “House Party” by Latrelle, and it is, oh gosh. I actually have that on vinyl. Not the album, but the single. It’s one of those, if you know, you know. That was back in the blog days with Toya’s blog. Back when they were putting out whole albums that didn’t get officially released but somehow made their way onto the internet. Latrelle’s “Good Girl, Dirty Girl, Wrong Girl” was the whole album, but yes, “House Party.”

YouKnowIGotSoul: Absolutely! Shout out to Latrelle. I just want to talk about the new album “Bernarr”. It’s really interesting because I’ve read that you didn’t actually mean for that to be the album. It was one of those things where it won the Grammy, and you wanted to make some more songs for the deluxe version. Take me through that process of making this project because it was very, I would say, more concentrated in R&B than I think I’d ever heard from your previous projects. Just take me through that process. Was that the intention when you started making these songs?

Durand Bernarr: Not necessarily. I kind of wanted to just piggyback off what we were doing already and kind of just expand on the story of “Bloom”. So, still talking about friendships, talking about certain relationships platonically. But I guess I needed that one record, which was “My Life,” and that was the farthest I’ve ever been in an R&B bag. So, I’m glad that we were able to crank that out.

YouKnowIGotSoul: Yes, I think it’s really cool because I wouldn’t necessarily identify you as strictly an R&B artist, but I can tell from your influences. The fact that you even know the Latrelle record lets me know that you’re well versed in R&B. Just take me through that as a student of the genre. What was it like going to the studio with those heavy hitters like you did on this album? What was that process like?

Durand Bernarr: It was very easy. Anytime folks come together and everyone respects what it is that everyone does and has an excitement to create, I think that’s what makes for a really great moment in synergy. For the record, I wasn’t necessarily going for R&B records. I more so wanted to go in a direction of, like, where haven’t I gone? What sounds haven’t I used? What ways have I not utilized my voice or anything like that? So, it’s really more about taking some chances, taking a page out of Miss Frizzle’s book: “Take chances, get messy, go on an adventure!”

YouKnowIGotSoul: You’re an artist who has done a lot of your music on your own. You’ve been on this independent route. Once you started getting into the studio with these legends, like Bryan-Michael Cox Cox or Raphael Saadiq, was it hard not to get lost in the moment and just focus on the music?

Durand Bernarr: No, because there was already a conversation going on. There was already laughing and smoking going on, so it was never hard to get into the groove of it. When you stay ready, you ain’t got to get ready. When it’s already in you, it’s nothing that you have to put on. Maybe turn on, but it’s already in you. So, when it’s in everybody, then we can move freely.

YouKnowIGotSoul: I gotta tell you, when you put “My Life” on the album, I heard that song and, obviously, as a 2000s R&B fan, just from the first three seconds of it, I knew it was gonna be one of those ones. But listening to you, I had to see if you could connect the dots on it, and obviously, you did. Just talk about that record because that’s a song that you kind of consider a ballad, but it’s one of those ballads that you can play in arenas and have people sing along to. Just talk about creating a song like that.

Durand Bernarr: I have to thank Johnta Austin for penning that one. I’ve been very open to different directions and just fiddling in areas that I haven’t really stepped into. I’m all about making sure that at least I love the record, but I also want the composers and creators of the record to love it as well. So, taking very distinct and detailed instructions on how the song needed to be delivered or how certain notes landed—it was, how did I put it? It was almost a little like boot camp, right? Because, again, I’m used to recording by myself. So, when I have someone else who has a vision for something, I want to try to give them as much of that vision that they have in their mind as possible, and I want to bring it to life.

YouKnowIGotSoul: Right. I had a chance to text Troy Taylor right before this interview. I asked him what that studio session was like because you’ve obviously experienced Troy Taylor’s boot camp. His vocal coaching game is on point, and he’s really tough on vocalists. What was that experience like for you? I texted Troy and asked what it was like working with Durand, and he said that he loved the fact that he didn’t have to use any autotune.

Durand Bernarr: Yeah, I’m a theater kid, and I’m a live performer who records in the studio. So, I’m always considering how this is going convert, I guess, live. It was very easy working with Troy. Like I said, when you already have chemistry with someone outside of the workspace, it kind of helps to have a good foundation for how you’re goning to work together. I even showed Troy some things, and I was shocked that he had not experienced working with artists in the studio that way. I always love when we can bring different things and different ways of approaching things into the space. Folks are like, “Oh, I like that. I think I’ll take that along with me.” So, I thought that was pretty dope, and we have way more that we need to work on, too.

YouKnowIGotSoul: I’ve got to talk about the song “Wild Ride” that you did with James Fauntleroy. I gotta tell you, the first time I heard that song, I was like, “What the heck is this?” I didn’t understand what was going on. But I feel like that was one of the records where I had to go back and relisten because I was like, there has to be something to this because I don’t understand it. Every time I listen to it, I find new gems and different things. I love the bridge. It’s crazy! Just talk about that because that must have been a fun record to create.

Durand Bernarr: When I got in the studio with James to record, that was actually the first song that he played. I just love the darkness of it. Because of the chords and how they’re constructed, it gave me a place to land vocally that I would have to make or create in other songs, whereas with this one, it’s there for me. Specifically, the notes that I’m singing in the hook when I say “slow.” I love that.

YouKnowIGotSoul: No, I think that’s the beauty of it. I know you’ve mentioned previously that a rock album is on the horizon. Just talk about that. What can we expect from a rock album from Durand Bernarr?

Durand Bernarr: Well, I’ve kind of splashed a little bit of that into the music with “GPS,” “Generous,” “Unspoken,” “River,” and “Am I Okay?” Just getting people prepared because I’ve always wanted to do it. I love rock music, and we created it. I’m just kind of getting back to another root system of music because a lot of this stuff inspires me and influences me. I want to take everybody on that journey as well. I’m just as curious about what it’s going sound like as everybody else.

The post Durand Bernarr Talks Latest Album, Exploring Ways To Be Creative, 2000’s R&B (Exclusive Interview) appeared first on New R&B Music, Songs & Interviews | YouKnowIGotSoul.com.

Musical duo Louis York has officially returned just in time for the fall season with their latest single, “Favorite Sweater,” released on October 14, 2026. Written by Chuck Harmony and Claude Kelly, the track delivers a joyous and comforting vibe designed for the colder months.

The new release follows the duo’s earlier singles, “I Found A Home” and “The Ballad Of A Broken Man”. “Favorite Sweater” serves as the latest preview of their highly anticipated upcoming album, The Heart of the Matter, which is scheduled to be released on November 6th.

The post Louis York Drops Cozy New Single “Favorite Sweater” Ahead of Upcoming Album “The Heart of the Matter” appeared first on New R&B Music, Songs & Interviews | YouKnowIGotSoul.com.

Rising R&B vocalist Jawan has officially released “Fresher Than Us,” his second single since joining the Epic Records roster earlier this year. The new ballad is available now across all major digital streaming platforms.

Following the success of his SWV-inspired lead single, “Always On My Mind” featuring SIS, Jawan continues to display his deft ability to flip classic melodies for contemporary audiences. “Fresher Than Us” draws direct sonic inspiration from Outkast’s iconic 2001 hit “So Fresh, So Clean.” Jawan seamlessly transitions the legendary hip-hop rhythm into a smooth, romantic R&B space, utilizing the track to celebrate the undeniable chemistry of a new relationship.

“They should’ve never let us link up, we are getting fresher,” he sings on the record. “And ain’t nobody fresher than us.”

Beyond the nostalgic production, “Fresher Than Us” reinforces Jawan’s commitment to prioritizing traditional R&B pillars—specifically strong songwriting, melody, and unapologetic emotional depth. As a vocal admirer of the 1990s R&B era, he is actively utilizing his debut Epic Records campaign to champion vulnerability among male artists, a trait he notes has been deemphasized in recent musical eras.

“You know, it’s already scary for us to be vulnerable, because it’s easy to be labeled as emotional or soft,” Jawan explained. “I think the toughest thing for men to do is to have that outlet.”

The release of “Fresher Than Us” capitalizes on a steady build in industry momentum for the singer. At the close of 2025, Jawan secured a high-profile feature on “I WISH,” the closing track of 21 Savage’s album WHAT HAPPENED TO THE STREETS?. He subsequently parlayed that fanfare into viral success earlier this year when his cover of SWV’s “You’re Always On My Mind” laid the groundwork for his formal debut era.

By prioritizing emotional candor and elite vocal arrangements, Jawan is rapidly constructing a distinct world for modern R&B listeners to step into.

“Fresher Than Us” is available to stream and download now.

The post Jawan Channels Outkast on Seductive New Single “Fresher Than Us” appeared first on New R&B Music, Songs & Interviews | YouKnowIGotSoul.com.

Rising vocal trio H3RIZON has officially returned to the forefront of the contemporary R&B and pop landscape with the release of their flirty new single, “Arm Candy.” Available now via Epic Records and RZ3 Recordings, the track effortlessly blends the group’s signature glossy harmonies with smooth, infectious melodies to capture the unmistakable excitement of a new romance.

Showcasing the palpable chemistry and playful energy that has come to define the trio, “Arm Candy” actively turns a classic romantic trope on its head.

“‘Arm Candy’ is us having fun with the phrase because why can’t our men be the arm candy?” H3RIZON explained regarding the track’s creation. “The song is flirty, cheeky, and very ‘that’s my man!’ When we were recording it in the studio, we decided to flip the narrative and make the phrase our own, playing with that idea of showing off your man and being completely obsessed with someone who makes you feel special.”

The new release arrives on the heels of a highly successful stretch for the vocal group. Recently, H3RIZON dropped the “Future Self (Remix),” featuring Grammy Award-winning hitmaker Muni Long. Executive-produced by five-time Grammy-winner Tricky Stewart, the remix injected fresh energy into the group’s summer anthem and rapidly expanded their growing catalog.

The trio—comprised of Bernie, Gabby, and Tiara—previously achieved major commercial traction with “Certified Lover Girl.” A swooning blend of ’90s-inspired R&B and Y2K pop aesthetics, the track stands as their biggest streaming release to date, amassing over 4 million streams across platforms. The group simultaneously expanded their global audience by competing all the way to the final round on Netflix’s hit competition series, Star Search.

With every new release, H3RIZON continues to solidify a groundbreaking industry legacy. Upon signing their partnership with legendary producer Tricky Stewart’s RZ3 Recordings and Epic Records, they made history as both the first Australian and the first Asian-Pacific girl group to join the prestigious label’s roster.

With “Arm Candy,” the trio continues to push their sonic evolution forward while ensuring the distinct personality, rich vocal arrangements, and undeniable chemistry that have become their trademark remain front and center.

“Arm Candy” is available to stream and download now across all major digital platforms.

The post Rising Girl Group H3RIZON Flips the Romantic Script With Playful New Single “Arm Candy” appeared first on New R&B Music, Songs & Interviews | YouKnowIGotSoul.com.