yoursmountain

4TH LOITER

yoursmountain@gmail.com — Sun, 22 Jan 2012 12:14:00 PDT

LAPD, 1/20/12 1:20PM - 2:28PM
100 West 1st Street, Los Angeles, CA 90012

"Strangely, this was one of the more placid/serene loits yet. The cop who took this photo was really nice and had a great mustache, but shortly after leaving the premises I read an article about undercover officers impregnating activists under surveillance and thought twice about everything."

CALL FOR SUBMISSIONS

3RD LOITER

yoursmountain@gmail.com — Fri, 20 Jan 2012 10:19:00 PDT

KTLA Channel 5 Studio TV Tower, 1/19/12 11AM - 12:15PM
5800 Sunset Blvd, Hollywood, CA 90028

"The tower looked pretty accessible for purposes of illegal climbing. The bro who took this picture was hauling around large squares of plywood across the street with another bro & seemed absurdly happy to be alive."

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2ND LOITER

yoursmountain@gmail.com — Mon, 2 Jan 2012 14:56:00 PDT

Beverly Hills City Hall 12/27/11 3:17 - 4:39PM
455 N Rexford Dr, Beverly Hills, CA 90210

"Couldn't tell if everything was closed what with the holidays. It was a little difficult to find someone to take our picture."

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1ST LOITER

yoursmountain@gmail.com — Sat, 17 Dec 2011 17:48:00 PDT

Bank of America, FRI 12/16/11, 2-4PM
333 S. Hope, Ste 100, Los Angeles, CA

"Loitered right by the main entrance on a sunny Friday afternoon. Just missed the farmer's market. Didn't do any banking."

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CALL FOR SUBMISSIONS - Loitering Project

yoursmountain@gmail.com — Thu, 8 Dec 2011 14:03:00 PDT

CALL FOR SUBMISSIONS TO LOITERING PROJECT Y'ALL
PLEASE DISTRIBUTE WIDELY

Several Fine Subjects

yoursmountain@gmail.com — Fri, 2 Dec 2011 12:21:00 PDT

Updated my commonplace journal blog with a custom-coded Richard Serra Tumblr theme. Should be posting more frequently over there now that it looks cooler + I'm actually sort of reading again ;)

t0p 5 Vids

yoursmountain@gmail.com — Tue, 25 Oct 2011 12:28:00 PDT

Just contributed a post to the t0p 5 Videos Series over @dincablog !!! check it here.

Your Distance From Me, Literally

yoursmountain@gmail.com — Sat, 24 Sep 2011 4:16:00 PDT

New Geolocative Study Up (Pretty much just a repurposed how-to.) Definitely will not work in older browsers.

FINALLY reached 1000 FBOOKS published

yoursmountain@gmail.com — Fri, 23 Sep 2011 3:41:00 CDT

Our Final How-To for Art21 :(

yoursmountain@gmail.com — Fri, 23 Sep 2011 3:37:00 PDT

OMG we managed to cover SO MUCH in the past two weeks!!!

Many thanks to all of our talented and knowledgeable contributors for sharing their arcane art-making secrets. We can only go forward.

Contributors:

Mark Beasley, Nick Briz, AMJ Crawford, Jake Elliott, Eric Fleischauer, Alan & Michael Fleming, Jesse McLean, Jonathan Vingiano, Andrew Norman Wilson, and (introducing) Bob Hotdog.

Read More Here…

DBL Feature: How to Embed a Microcontroller inside a Seashell to Generate Real Ocean Sounds

yoursmountain@gmail.com — Thu, 22 Sep 2011 12:05:00 PDT

Read More Here…

How to Play a Vonome

yoursmountain@gmail.com — Thu, 22 Sep 2011 10:55:00 PDT

You’ve probably already heard of the Monome, or (if you went to ITP), you may have even already made one of your own. In this tutorial, we’re going to take things a step further and show you how to play a Vonome...

Read More Here…

How To Harness the Creative Potential of the Video Feedback Loop

yoursmountain@gmail.com — Wed, 21 Sep 2011 2:05:00 PDT

Video feedback. It’s a phenomenon as old as the medium of video itself. In fact, it might even be considered an inherent attribute. The infinite tunnel of psychedelic light-forms that make up a feedback pattern can have a powerful effect on any viewer and has the benefit of coming pre-loaded with all sorts of “meta” connotations; making it particularly effective at aiding your exploration into ideas about perception, phenomenology, image-making, or even the medium mediating itself.....

Read More Here…

How To Use Python To Create A Simple Flickr Photo Glitcher

yoursmountain@gmail.com — Tue, 20 Sep 2011 10:37:00 PDT

In today’s How To, we’ll write a small program in Python that searches the photo sharing site Flickr for images with a given tag, downloads them, and then glitches them out. We won’t presume you know anything about Python programming, but we also won’t cover it in much depth–the goal is for you to understand just enough about this small program to modify it to suit your purposes, even if it’s not 100% clear what’s happening at every stage....

Read More Here…

How To Climb the Tallest Mountain

yoursmountain@gmail.com — Mon, 19 Sep 2011 1:32:00 PDT

1. Collect as many images of mountains as you can get. Source from Internet using Google, Corbis, etc…. Images should not contain any visible evidence of human technology or the presence of actual humans. Images should be as majestic as possible. Collect between 150-200 images...

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How To Make a Series of Conceptual Sculptures Based on the Physical Differences between your Body and Another Person's Body

yoursmountain@gmail.com — Fri, 16 Sep 2011 11:08:00 PDT

Step 1 – Measure
Begin by taking the measurements of yourself and someone else (this could be your artistic collaborator, your lover, someone you dislike, your dog, etc.). For both you and your partner, measure height, weight and age. Next, subtract the other persons’ measurements from your measurements. Write down the results...

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How To Make a Blogging Robot

yoursmountain@gmail.com — Thu, 15 Sep 2011 9:09:00 PDT

One of the most undeniably thrilling things about the web today is the endless opportunity it affords for interacting with complete strangers. One downside is that it’s often pretty difficult to tell whether that stranger is a human or a robot, particularly when those online interactions are limited strictly to text, as they often are. People fall in love with robots on dating sites all the time, or have eleven-hour conversations with chatbots on Instant Messenger...

Read More Here…

How To Create A Color-Coordinated Site of Relaxation and Bodily Engagement in a Large Scale Exhibition, Airport, Hotel, Mall, Bank, Spa, or Biennial

yoursmountain@gmail.com — Wed, 14 Sep 2011 9:18:00 PDT

1.0. Open three windows in Google Chrome – one for Target.com, one for WalMart.com, and one for Google Shopping.

1.1. In each window, begin searching for turquoise and white products that are suitable for an airport, hotel, mall, bank, spa, or biennial lounge. “Aqua,” “Teal,” “Light Blue,” “Cyan,” “Robin Egg Blue,” “Aquamarine,” “Verdigris,” and “Electric Blue” can be useful search terms for yielding turquoise products as well ...

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How To Create A Bitmap Image File By Hand, Without Stencils

yoursmountain@gmail.com — Tue, 13 Sep 2011 9:13:00 PDT

The artist’s labor has always been a precarious currency in the art market; occasionally exchanged for monies, other times for less tangible payments like publicity, access-to-networks or rare experiences. While there are always exceptions to any rule, the amount of labor expended has traditionally remained a mathematical measure of validity for the art objects that result.

In the age of automation, software tools, and outsourced development, how can any digital artist expect to be taken seriously, if the “labor” expended is a matter of keeping up a Tumblr blog or printing out and blowing up Photoshop gradients? Is there some kind of heroic equivalent to making digital images from scratch, “by hand” and “without stencils?” Look no further! In this tutorial we will be showing you how to create a Bitmap Image File (.bmp) ...

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Guest Blogging for Art21: The Make-It-Yourself Series

yoursmountain@gmail.com — Mon, 12 Sep 2011 14:28:00 PDT

It’s a fact that artists have been more likely to steal than to share. Nevertheless, we are quickly reaching a cultural moment where appropriation will no longer be controversial or necessary. Since the early 1990′s, artists have been learning to take advantage of the the internet as an infrastructure designed primarily and fundamentally for the effortless and rapid distribution of informational content. It is conceivable that one day soon, there will no longer be questions about who has the authority to reproduce or distribute a work. Rather, those questions will center on whether or not distribution will even be necessary (at least in the traditional sense of one-to-many distribution, where the work is only publicly available at one place and at one time).

Read More Here…

Referrals

yoursmountain@gmail.com — Fri, 22 Apr 2011 00:45:00 CDT

Now up to 350 FBOOKS published + counting

yoursmountain@gmail.com — Thu, 21 Apr 2011 19:54:00 CDT

Updated digital shelving unit too.

Cabrini Green Ruin Porn

yoursmountain@gmail.com — Sun, 3 Apr 2011 12:17:00 CDT

200 FBOOKS

yoursmountain@gmail.com — Wed, 30 Mar 2011 23:23:00 CDT

The first 200 volumes of the Fbook public directory are now uploaded and available at Lulu!
"Digital" bookshelf on view here.

Cabrini Green Demolition Underway

yoursmountain@gmail.com — Wed, 30 Mar 2011 12:00:00 CDT

Been helping out with the video streaming portion of this public project commemorating the demolition of the notorious Cabrini Green public housing projects near downtown Chicago. On view 24/7 for the next 6 weeks on the project website, on the first floor of the MCA, and of course IRL on the corner of Division & Halsted.

I'm starting a blog about failed kickstarters...

yoursmountain@gmail.com — Wed, 16 Feb 2011 01:35:00 CST

FUNDING UNSUCCESSFUL

Some FB install shots for the Simulationists show @ Betty Rymer Gallery

yoursmountain@gmail.com — Mon, 7 Feb 2011 08:45:00 CST

Understanding People is Not a Waste of Time

yoursmountain@gmail.com — Sun, 6 Feb 2011 22:21:00 CST

In July of 2010, internet security consultant Ron Bowes released a collection of text files containing the name and URL of every Facebook user with a public profile. This data, along with the source code for the scripts used to compile the information, was then "published" as a downloadable torrent on The Pirate Bay. The data, estimated at around 170 million records, will be re-published in its entirety as an easier-to-read, print-on-demand, ~3000 volume paperback edition. Available online soon @ lulu.com.

Facebook Event

yoursmountain@gmail.com — Tue, 7 Dec 2010 23:28:00 CST

Background Subtraction Study HD (Ritz Camera Studio 11/13/10)

yoursmountain@gmail.com — Wed, 17 Nov 2010 15:55:00 CST

Background Subtraction Study #2 (Ritz Camera Studio 11/15/10)

yoursmountain@gmail.com — Wed, 17 Nov 2010 15:46:00 CST

Background Subtraction Study (Ritz Camera Studio 11/15/10)

yoursmountain@gmail.com — Wed, 17 Nov 2010 15:46:00 CST

Failed attempt to transcode the original Jimmy Page soundtrack to "Lucifer Rising" from FLAC to MP3

yoursmountain@gmail.com — Sat, 30 Oct 2010 23:35:00 CDT

Untitled

yoursmountain@gmail.com — Sat, 30 Oct 2010 23:32:00 CDT

Inaugurating the 250th Day of Sodom

yoursmountain@gmail.com — Mon, 27 Sep 2010 00:32:00 CDT

A quarter of the way through 1001 means time for a new sodom loop!

Prep for Tactical Archiving 1.0 @ Diapason Gallery, Brooklyn NY, opens next Fri

yoursmountain@gmail.com — Sun, 26 Sep 2010 11:22:00 CDT

Tactical Archiving 0.9.1

yoursmountain@gmail.com — Sun, 26 Sep 2010 11:18:00 CDT

Tactical Archiving 0.9

yoursmountain@gmail.com — Sun, 26 Sep 2010 11:14:00 CDT

Incidental Video Study 2

yoursmountain@gmail.com — Tue, 07 Sep 2010 08:56:00 CDT

Incidental Video Study

yoursmountain@gmail.com — Tue, 07 Sep 2010 08:55:00 CDT

Minutes Project

yoursmountain@gmail.com — Sun, 8 Aug 2010 21:50:00 CDT

New/Old ongoing sound project has taken on blog form. More info here

"Industrial" music is HUGE in Germany

yoursmountain@gmail.com — Fri, 30 Jul 2010 01:43:00 CDT

A fairly accurate assessment I'd say ;-)

yoursmountain@gmail.com — Fri, 23 Jul 2010 16:00:00 CDT

VDB Limited Preview - Lossless Edition

yoursmountain@gmail.com — Sat, 10 Jul 2010 03:12:00 CDT

VDB Limited Preview - Leftist Edition

yoursmountain@gmail.com — Sat, 10 Jul 2010 02:35:00 CDT

Ditto as before / Beware

VDB Limited Preview $$$

yoursmountain@gmail.com — Sat, 10 Jul 2010 02:28:00 CDT

Hotlinking at its worst B/W this may kill your browser

It Happens

yoursmountain@gmail.com — Mon, 5 Jul 2010 19:17:00 CDT

It Happens

yoursmountain@gmail.com — Mon, 5 Jul 2010 19:15:00 CDT

Recently Watched

yoursmountain@gmail.com — Mon, 5 Jul 2010 19:08:00 CDT

Deep Thoughts, by Arthur C. Danto

yoursmountain@gmail.com — Thu, 24 Jun 2010 23:50:00 EST

You can be considered imaginative when you tell the story of a talking dog or draw a picture of a plaid horse, when you know indeed that dogs are mute and that horses neglect to appear in that pattern. But you have to know enough about dogs and horses for it to be a dog that talks and a horse got up like the Macdougals. There is an obvious unexpungable porosity here: you can give your plaid horse tentacles if you know they don't have them, but the question remains as to how extreme the metamorphoses are before we disallow that it is a horse any longer: if there are eight tentacles, for instance, it may be a plaid octopus you are thinking about rather than a tentacled plaid horse. And if it has eight tentacles with a horse's head, the decision as to whether it is a horse with an octopus body, or an octopus with an equine head, is subject to the same analysis as to why we speak of a mermaid as a female human with a fish tail rather than a fish with, as it happens, a human female torso.

Deep Thoughts, by Arthur C. Danto

yoursmountain@gmail.com — Thu, 24 Jun 2010 11:29:00 EST

If I ask a child to be Queen Anne, I don't expect her to know much about the differences between Queen Anne and Queen Charlotte, and hence could not see myself saying that she is pretending to be Charlotte when I asked for Anne: I ask her only to do some queenly things, which may include some haughtly sniffing but must exclude crawling on all floors, even if she says that she is a queen looking for a needle, for nothing marks her pretense as different from that of any needle seeker. But if I ask a child to pretend she is an aardvark, it would be enough for me to have her crawl round on all fours, making growling noises, since I don't expect her to know much about aardvarks beyond their being animals of some sort; but if she flaps her arms like wings I would have to say she is not following my request. And she has to know something or just be lucky when she spins around saying "zoom" after I have asked her to pretend to be a positron.

Deep Thoughts, by Arthur C. Danto

yoursmountain@gmail.com — Mon, 14 Jun 2010 10:05:00 CDT

Familiar as I am with thumbtacks, I have yet to see a(n art)work whose material counterpart is one. And a work whose material counterpart consists of three thumbtacks may have abysses of meaning to which the appropriate aesthetic response might be a religious-cosmic shudder.

Flame War Study #2

yoursmountain@gmail.com — Sun, 13 Jun 2010 19:01:00 CDT

Flame War Study #1

yoursmountain@gmail.com — Sun, 13 Jun 2010 18:58:00 CDT

Deep Thoughts, by Arthur C. Danto

yoursmountain@gmail.com — Sat, 12 Jun 2010 16:21:00 CDT

A woman impersonating a female impersonator is not impersonating a female.

Deep Thoughts, by Arthur C. Danto

yoursmountain@gmail.com — Sat, 12 Jun 2010 15:58:00 CDT

The typewriter I am writing on could have been a work of art, but it happens not to be one. What makes art so interesting a concept is that in nothing like the sense in which my typewriter could be a work of art could it be a ham sandwich, though of course some ham sandwich could be, and perhaps is already, a work of art.

She was able to successfully mimic my blink patterns, as I did hers for a number of minutes. We had an undeniably clear communication, even if limited.

yoursmountain@gmail.com — Wed, 9 Jun 2010 02:00:00 CDT

ASCII to Soundpoem - Mona Lisa (Dub)

yoursmountain@gmail.com — Sun, 6 Jun 2010 20:05:00 CDT

  
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ASCII to Soundpoem - Mona Lisa (Dirty Version)

yoursmountain@gmail.com — Sun, 6 Jun 2010 20:02:00 CDT

  
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ASCII to Soundpoem- Mona Lisa (Extended Club Remix)

yoursmountain@gmail.com — Sun, 6 Jun 2010 19:56:00 CDT

  
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ASCII to Soundpoem - Mona Lisa (Clean Version)

yoursmountain@gmail.com — Sun, 6 Jun 2010 19:48:00 CDT

  
					

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The Internet, 2010

yoursmountain@gmail.com — Sun, 6 Jun 2010 17:46:00 CDT

Transcript, 2010

yoursmountain@gmail.com — Fri, 4 Jun 2010 23:30:00 CDT

Q: Jeff, tell us more about this, just, outlandish plot for lack of a better word.

A: Well they were uh kicking around ideas in the Iraq Operations Group of uh you know what to do uh in terms of psychological warfare or information operations uh. One of the ideas that uh somebody came up with was to uh create a video with that would look like a secretly recorded video a very grainy black and white kind of thing of Saddam having sex with a teenage boy.

Q: And

A: It didn't fly.

Q: It didn't fly. Why not?

A: Well wiser heads came to the table. When the idea, I'm told by my sources, when the idea was floated by people who had careers in Latin America and uh East Asia and they didn't understand was, as some of the people familiar with the Middle East pointed out to them, is that such relationships are quite common in the Arab world. You know, there are customs in the region where young boys are kind of cajoled, pressured into the trade, if you will, by older men and they're sort of swapped around and so this video portraying Saddam having this might have set off some titters but it wouldn't have uh discredited him.

Q: Now this wasn't a flash in the pan. Your column mentions another CIA covert uh idea that involves again sex with chidren. This is a video that actually was made, to discredit Osama Bin Laden. What did it show?

A: Right. That was along sort of the same lines. The agency found a contractor to make a uh another video that would show uh Osama Bin Laden and his cronies sitting around a campfire passing around a bottle of whiskey (laughing) and talking about having sex with their favorite boys and so on. This one was actually made. My sources say it took about six weeks. There were you know professional makeup artists. Quote unquote darker-skinned CIA employees were recruited to act the part of Osama and his uh his circle but a lot of money was thrown at it and they did uh do it. But it was never broadcast or you know copies made.

Q: Have you seen it? Do you know anybody that has seen it?

A: I know someone who has participated in it. So uh I was given a...

Q: Like like an actor?

A: I'm not going to say exactly who it was but uh someone who participated in making this film gave me the details uh even uh you know voice coaches were provided, shiatzu massage was available,

Q: Crowd service table?

A: (laughing) It was like you know, it was like a set.

Q: Can you tell us where it was shot?

A: It was done in a secret location out in Virginia near Culpepper, Virginia. And the CIA's defense, which is difficult in the circumstances except that they didn't go through with this: You know we pay these guys to sit around and be imaginative and think up ideas and some of those ideas inevitably are going to be pretty stupid. Uh and someone did call them out on it and said, "This is really stupid." So they didn't go ahead with it, so I suppose we have to give them some credit for that.

Q: Another idea concerned a fake news program that showed Saddam Hussein passing power to his son Uday. What was that about and why was it ultimately rejected?

A: That one was to me uh the most imaginative and clever. (laughing) Pretty funny because Uday the son was widely reviled and so there was gonna be this fake newscast that would be popped into Iraqi television, sort of special bulletin announcement, and Saddam would come on and say he's abdicating in favor of his son Uday and in this script uh he would be saying uh I'm sure you will all swear your allegiance to his excellency Uday and even in discussing this my sources and I just broke out laughing because we know how reviled Uday was. But there was a grain of you know uh brilliance to the idea.

Poetry as Rendered by an RSS Aggregator

yoursmountain@gmail.com — Fri, 4 Jun 2010 23:17:00 CDT

pages

of mystery’s abundance
turned&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp off balance
I answered myself
what should I know&nbsp&nbsp&nbsp&nbsp agony
&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp made
&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp in the self
made
blank
cells blank principles
&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp blank blank
who reads the books on
unconscious
safety&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp valves in
living rooms

frustrated
sheep in my voice
&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp collapsing
&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp breathing
oxygen in the attic
without trees
blasted
through
the news
slippery slope&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp neighborhood
houses creep
to an old&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp november
my hand grabs
&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp the past
but cannot
display
periods of violence
we blend in&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp avocado with
avocado
refrigerators

a
blank gaze
what I mean
holds the
time capsule
I never meant
reappears
&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp the mystic’s
alphabet

Poetry as Rendered by an RSS Aggregator

yoursmountain@gmail.com — Fri, 28 May 2010 20:52:00 CDT

Anne Gorrick

When the Heron Forgot His Own Font
for Geof Huth

&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp Feather your ontogeny
&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp Negate yourself in heathered fog
&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp Hunt your thorny froth

A toffee orgy, an earthen thong
Turf huffs in ethane
our gaffes

&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp A hefty faery: fat honey in her teeth
&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp his hanger rehung
&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp thereof

They gather under their nonage

&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp Theory regnant as garnets, just north of ardent

Hearth or gunnery?

&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp Tenon greyed, also henna haunted

&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp Hyena and fern and hunger and ghetto

&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp Hare
&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp Heart
&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp Hater&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp =&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp afferent
&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp Hear
&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp Heat

&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp As luck would have it: Roentgen
&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp the green enthroned
&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp a teeny throng

Theories instead of eyes
Hornets instead of honey
Frogs instead of argent

&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp Rage hung with 40 feathers

His eager attempts to (she said) neaten (he said “master”) the fog

Her Heart Etched by Cranes
for NF Huth

&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp Hyenas entrenched with cheetahs

&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp Look (point) – there is an enchantment in the hay

&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp cannery
&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp fancy
&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp uncanny
&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp chant

Those carney heathen!

&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp Arcane in anarchy and heft

&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp It’s funny, you know: a canary…here

&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp Her antenna, also her achene&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp or&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp the tyranny of funyarn

&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp She frays in cayenne
&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp at the Café Henna

&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp Her chafe at the nth entry

All furnace and farce and nunnery
or a fern hatchery

&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp She recants both:
&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp nacre and nectar

Haunch fact

&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp A yacht fans the nether reef

&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp Could her ether hat be any more cyan?

&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp Rennet after her hunches, her chert

&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp&nbsp Ecru, cure, curt, cur

The courage to teach the nuanced tenancy

Anne Gorrick's first full-length book of poetry, Kyotologic, was published in 2008 by Shearsman Books (Exeter, UK). New books, I Formation (I) and I Formation II, are due out beginning in Fall 2010 and 2011, also from Shearsman Books.

She writes: "My work inhabits a space embodying both place and machine, and is informed by living near New York's Hudson River my whole life. I also am captivated by all kinds of mechanical gardens - trains and their tracks, cars, tools, senseless metals. I am currently working on a series of poems that are experiments with translation engines, creating sense into nonsense back into sense again. I am hostage to the accident, the fragment, the unexpected. The experience of putting language through a mechanical process makes words more into things and then somehow more malleable, more surprising.

"In addition to my written work, I also curate a reading series called Cadmium Text that features innovative writing from in and around the Hudson Valley. More information can be found at www.cadmiumtextseries.blogspot.com

"I also co-curate with Lynn Behrendt the electronic poetry journal Peep/Show, a taxonomic investigation into various poets serial work. More at: www.peepshowpoetry.blogspot.com

"Frustrated by the limits of my laser printer, I've begun to add visual elements to the text by working in encaustic, printmaking, and traditional Japanese papermaking. In 2001 I completed a collaborative artists’ book, "Swans, the ice," she said through the Women’s Studio Workshop in Rosendale, NY. This edition of 90 books was funded by grants from WSW and the New York Foundation for the Arts. Images of this book can be seen at the websites for the Women’s Studio Workshop and R&F Handmade Paints."

previous page&nbsp&nbsp&nbsp&nbsp contents&nbsp&nbsp&nbsp&nbsp next page

Pleas, Text for LED Display, 2009

yoursmountain@gmail.com — Fri, 28 May 2010 00:12:00 CDT

txt to soundpoem: uu

yoursmountain@gmail.com — Fri, 28 May 2010 00:11:00 CDT

uuu u u u u u u u u u  u
 
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  üeeeeeeeeeeeee eeeeeeeee eee eeü auauauaaaaaauaaaaa üü üü üü
  ooooooooooooooooooooooooooooooooooooooooooüü üü üü ü ü üü üü üü üü üü üü üü üü üü üü üeeeeeeeeeeeee

 eeeeeeeee eee eeü üü üü üü üü üü üü üü üü üü üü üü üü üü üü üü üü üü üü üü üü  üü üü üü üü üü üü 
 eeeeeeeeeeeee eeeeeeeee eee eeüü üü üü üü üü üü üü üü üü üü üü üü üü üü üü eeeeeeeeeeeee eeeeeeeee
  eee ee  eüü üü üü üü üü üü üü üü üü üü üü üü üü üü üü üü üü üü üü üü  üü üü üü üü üü üü
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 aaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaüü üü üü üü üü üü üü  üü üü üü üü üü üü üü üü
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txt to soundpoem: u

yoursmountain@gmail.com — Fri, 28 May 2010 00:10:00 CDT

 
 üü üü üü üü üü üü üü üü üü üü üü üü üüüooooooooooooooooooooooooooooooooooooooooooü
 e eeeeeeeee eee ee üü üü üü üü üü üü üüoooooooooooooooooooooooooooooooooooooooooo
 üü üü üü üü üü ooooooooooooooooooooooooooooooooooooooooooü

 üü üü üü üü üü üü üü üü üü üü üü üü üü

 ii ee ii ee ii ee ii ee ii ee ii ee ii ee ii ee ii ee ii e

 AAA a a a
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 üüüooooooooooooooooooooooaaaaaaaooooooooooooooooooooü e
 
 eeeeeeeee eee ee üü üü üü üü üü üü üüoooooooooooooooooooooooooooooooooooooooooo üü
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 üü üü üü üü üü üü üü üü üü üü üü üü üü

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 üü üü üü üü üü ooooooooooooooooooooooooooooooooooooooooooü

 oi oe oie ooiü ooooooooooooooooooooooooooooooooooooooooooüü üü üü üü  üü üü üü üü
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 oooe oe ie oie oie oie eio ei eoi 

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                   						    aoie aoi a aoia oia aoi aoai oia oai aoi aioai a

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                                                                          																				 üü üü
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txt to soundpoem: r

yoursmountain@gmail.com — Fri, 28 May 2010 00:09:00 CDT

 
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txt to soundpoem: k

yoursmountain@gmail.com — Fri, 28 May 2010 00:08:00 CDT

 
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txt to soundpoem: a

yoursmountain@gmail.com — Fri, 28 May 2010 00:07:00 CDT

 
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Six Bagatelles Score Notes

yoursmountain@gmail.com — Fri, 28 May 2010 00:06:00 CDT

Sixth Bagatelle

yoursmountain@gmail.com — Fri, 28 May 2010 00:05:00 CDT

Fifth Bagatelle

yoursmountain@gmail.com — Fri, 28 May 2010 00:04:00 CDT

Fourth Bagatelle

yoursmountain@gmail.com — Fri, 28 May 2010 00:03:00 CDT

Third Bagatelle

yoursmountain@gmail.com — Fri, 28 May 2010 00:02:00 CDT

Second Bagatelle

yoursmountain@gmail.com — Fri, 28 May 2010 00:01:00 CDT

First Bagatelle

yoursmountain@gmail.com — Fri, 28 May 2010 00:00:00 CDT