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		<title>Director of the Flint School of Performing Arts working with Management Consultants for the Arts</title>
		<link>https://www.artsjournal.com/2026/07/director-of-the-flint-school-of-performing-arts-working-with-management-consultants-for-the-arts.html</link>
					<comments>https://www.artsjournal.com/2026/07/director-of-the-flint-school-of-performing-arts-working-with-management-consultants-for-the-arts.html#respond</comments>
		
		<dc:creator><![CDATA[Flint School of Performing Arts, A Division of Flint Institute of Music]]></dc:creator>
		<pubDate>Tue, 14 Jul 2026 22:59:54 +0000</pubDate>
				<category><![CDATA[jobs]]></category>
		<guid isPermaLink="false">https://www.artsjournal.com/?p=444839</guid>

					<description><![CDATA[The Flint School of Performing Arts (FSPA) is seeking its next Director to lead this celebrated and impactful division of the Flint Institute of Music.]]></description>
										<content:encoded><![CDATA[
<p class="wp-block-paragraph">Flint School of Performing Arts’ Director will lead this celebrated and impactful division of the Flint Institute of Music and be a voice for community performing arts education in the region. They will collaborate with FIM’s leadership around FSPA’s major organizational direction and directly supervise their administrative and educational direct reports in the day-to-day work of the School. A successful Director will nurture FSPA’s strong assets and traditions while bringing their own voice to the role with empathy, diplomacy and a solid dedication to Flint. Meaningful experience in an arts education environment, experience leading teams and shepherding organizational direction, and developing resources and programs will be strong assets. Flint School of Performing Arts has engaged Management Consultants for the Arts to lead the search, and interested candidates may apply for this position by visiting this link: <a href="https://www.mcaonline.com/searches/director-fspa">https://www.mcaonline.com/searches/director-fspa</a></p>



<p class="wp-block-paragraph">The annual salary range for the Director starts at $115,000; benefits include comprehensive medical, dental, and vision coverage and a retirement plan with an employer contribution. Flint School of Performing Arts has engaged Management Consultants for the Arts to facilitate this important search; Thomas Pearson, Carlton Ford, and Christopher Mossey are leading the search. A search committee of FIM leadership led by Rodney Lontine hopes to make a final decision by Q4 of 2026, with the new Director beginning work in the first quarter of 2027.</p>



<p class="wp-block-paragraph">FIM Flint School of Performing Arts (FSPA) is one of the largest community schools of the arts in the country. The school serves roughly 3,500 students of all ages each year on an annual budget of about $2.5 million, with an endowment that covers close to half of operating expenses. More information on Flint School of Performing Arts can be found at <a href="https://thefim.org/fspa/">https://thefim.org/fspa/</a>.</p>
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		<title>Artistic Director – Studio Theatre working with Management Consultants for the Arts</title>
		<link>https://www.artsjournal.com/2026/07/artistic-director-studio-theatre-working-with-management-consultants-for-the-arts.html</link>
					<comments>https://www.artsjournal.com/2026/07/artistic-director-studio-theatre-working-with-management-consultants-for-the-arts.html#respond</comments>
		
		<dc:creator><![CDATA[Studio Theatre]]></dc:creator>
		<pubDate>Tue, 14 Jul 2026 22:56:48 +0000</pubDate>
				<category><![CDATA[jobs]]></category>
		<guid isPermaLink="false">https://www.artsjournal.com/?p=444842</guid>

					<description><![CDATA[<img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/07/Studio-octet-4-square-f3a15784f61174110d583b40541c5b5d-90x90.jpg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="" decoding="async" srcset="https://www.artsjournal.com/belknap/wp-content/uploads/2026/07/Studio-octet-4-square-f3a15784f61174110d583b40541c5b5d-90x90.jpg 90w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/07/Studio-octet-4-square-f3a15784f61174110d583b40541c5b5d-300x300.jpg 300w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/07/Studio-octet-4-square-f3a15784f61174110d583b40541c5b5d-768x768.jpg 768w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/07/Studio-octet-4-square-f3a15784f61174110d583b40541c5b5d-696x696.jpg 696w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/07/Studio-octet-4-square-f3a15784f61174110d583b40541c5b5d-e1784069755372.jpg 200w" sizes="(max-width: 90px) 100vw, 90px" />Studio Theatre seeks its next Artistic Director to co-lead one of the premiere producing organizations in Washington, DC as it approaches its 50th Anniversary.]]></description>
										<content:encoded><![CDATA[<img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/07/Studio-octet-4-square-f3a15784f61174110d583b40541c5b5d-90x90.jpg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="" decoding="async" srcset="https://www.artsjournal.com/belknap/wp-content/uploads/2026/07/Studio-octet-4-square-f3a15784f61174110d583b40541c5b5d-90x90.jpg 90w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/07/Studio-octet-4-square-f3a15784f61174110d583b40541c5b5d-300x300.jpg 300w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/07/Studio-octet-4-square-f3a15784f61174110d583b40541c5b5d-768x768.jpg 768w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/07/Studio-octet-4-square-f3a15784f61174110d583b40541c5b5d-696x696.jpg 696w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/07/Studio-octet-4-square-f3a15784f61174110d583b40541c5b5d-e1784069755372.jpg 200w" sizes="(max-width: 90px) 100vw, 90px" /><div class="wp-block-image">
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<p class="wp-block-paragraph">Studio Theatre is seeking its next Artistic Director, someone to cultivate and champion the artistic vision of Studio, planning seasons of stellar, thought-provoking contemporary theater written by significant playwrights and presented by a mix of local, national, and international artists. Studio Theatre has engaged Management Consultants for the Arts to lead the search, and interested candidates may apply for this position by visiting this link: <a href="https://www.mcaonline.com/searches/artistic-director-studio">https://www.mcaonline.com/searches/artistic-director-studio</a></p>



<p class="wp-block-paragraph">The salary range for this position is $195,000 &#8211; $210,000. Studio Theatre offers a generous benefits package including medical insurance with a partial employer contribution and a funded HRA, dental and vision insurance, and FSA; long-term disability insurance; life insurance; 401K with an employer match; and commuter benefits. Studio Theatre’s time off policies include annual vacation, paid holidays, additional floating holidays, and separate sick leave. The hiring decision will be made by the full Studio Board upon consideration of a recommendation by the Search Committee. Studio Theatre expects to make a final decision early in 2027 with the new Artistic Director on site in Summer 2027.</p>



<p class="wp-block-paragraph">As it approaches its 50th Anniversary, Studio Theatre is a mainstay of the Washington, D.C. theatre scene, offering bold artistry, challenging themes, and top production values in deliberately intimate spaces. Spanning 48 seasons and more than 350 productions, Studio has grown from a company that produced in a single rented theatre to one that owns a substantial multi-venue complex stretching half a city block in the heart of D.C.’s dynamic 14th Street corridor. With four theatres under one roof &#8212; all of them smaller than 225 seats &#8212; Studio’s productions now reach some 40,000 people annually, with audiences from across D.C., Virginia, and Maryland. More information on Studio Theatre can be found at <a href="https://www.studiotheatre.org/">https://www.studiotheatre.org/</a>.</p>



<p class="wp-block-paragraph"><strong><a href="https://www.mcaonline.com/searches/artistic-director-studio">MORE</a></strong></p>
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		<title>Dancing in the Dark</title>
		<link>https://www.artsjournal.com/2026/07/dancing-in-the-dark.html</link>
					<comments>https://www.artsjournal.com/2026/07/dancing-in-the-dark.html#respond</comments>
		
		<dc:creator/>
		<pubDate>Tue, 14 Jul 2026 21:54:52 +0000</pubDate>
				<category><![CDATA[DOUG]]></category>
		<guid isPermaLink="false">https://www.artsjournal.com/?p=444840</guid>

					<description><![CDATA[Good Morning, Aeon argues Silicon Valley has a science-fiction problem — an industry building the future from novels it read as blueprints when they were written as warnings. The writers, meanwhile, want their words back: US publishers and authors sued Google over the copying that trained its AI (Publishers Weekly). The Walrus profiles the Canadians [&#8230;]]]></description>
										<content:encoded><![CDATA[
<p class="wp-block-paragraph">Good Morning,</p>



<p class="wp-block-paragraph"><a href="https://aeon.co/essays/silicon-valley-has-a-science-fiction-problem"><em>Aeon</em></a> argues Silicon Valley has a science-fiction problem — an industry building the future from novels it read as blueprints when they were written as warnings. The writers, meanwhile, want their words back: US publishers and authors sued Google over the copying that trained its AI (<a href="https://www.publishersweekly.com/pw/by-topic/digital/copyright/article/100820-new-lawsuit-aims-to-stop-google-from-copyright-infringement-in-creating-ai-models.html"><em>Publishers Weekly</em></a>). <a href="https://thewalrus.ca/the-people-who-want-to-stop-ai-by-any-means-necessary/"><em>The Walrus</em></a> profiles the Canadians who&#8217;d like to stop the machines altogether.</p>



<p class="wp-block-paragraph">The Trump administration is keeping Smithsonian board seats vacant, reshaping the institution without ever making an argument (<a href="https://www.nytimes.com/2026/07/14/arts/smithsonian-trump-board-lonnie-bunch.html"><em>The New York Times</em></a>). The EU (as promised) canceled a Venice Biennale grant over Russia&#8217;s participation (<a href="https://www.artnews.com/art-news/news/eu-commission-cancelation-venice-biennale-grant-russia-1234791923/"><em>ARTnews</em></a>). And if you need a field guide to any of this, <a href="https://adimagazine.com/articles/rereading-mark-twain-while-everything-else-burns/"><em>Adi Magazine</em></a> makes the very interesting case for rereading Mark Twain right now.</p>



<p class="wp-block-paragraph">Finally: terrified to dance at weddings? There&#8217;s now a VR app for practicing where nobody can see you (<a href="https://www.npr.org/2026/07/11/nx-s1-5882228/dance-virtual-reality-vr-app-augmented-world-expo-weddings"><em>NPR</em></a>).</p>



<p class="wp-block-paragraph">All of today&#8217;s stories below.</p>
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		<title>Terrified To Dance At A Party, Nightclub, Or Wedding? Now There’s An App For That</title>
		<link>https://www.npr.org/2026/07/11/nx-s1-5882228/dance-virtual-reality-vr-app-augmented-world-expo-weddings#new_tab</link>
					<comments>https://www.npr.org/2026/07/11/nx-s1-5882228/dance-virtual-reality-vr-app-augmented-world-expo-weddings#new_tab#respond</comments>
		
		<dc:creator><![CDATA[NPR]]></dc:creator>
		<pubDate>Tue, 14 Jul 2026 19:03:00 +0000</pubDate>
				<category><![CDATA[DANCE]]></category>
		<guid isPermaLink="false">https://www.artsjournal.com/?p=444828</guid>

					<description><![CDATA[<img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/07/1203-1-90x90.jpg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="" decoding="async" loading="lazy" srcset="https://www.artsjournal.com/belknap/wp-content/uploads/2026/07/1203-1-90x90.jpg 90w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/07/1203-1.jpg 200w" sizes="auto, (max-width: 90px) 100vw, 90px" />Dance Guru is a virtual reality application in which a digital teacher, seen through your headset, walks you through the steps for salsa, waltzing, bachata or cha-cha — repeating as many times as you need, with no human there to make you self-conscious or to get impatient or bored. &#8211; NPR]]></description>
										<content:encoded><![CDATA[<img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/07/1203-1-90x90.jpg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="" decoding="async" loading="lazy" srcset="https://www.artsjournal.com/belknap/wp-content/uploads/2026/07/1203-1-90x90.jpg 90w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/07/1203-1.jpg 200w" sizes="auto, (max-width: 90px) 100vw, 90px" />
<p class="wp-block-paragraph"><em>Dance Guru</em> is a virtual reality application in which a digital teacher, seen through your headset, walks you through the steps for salsa, waltzing, bachata or cha-cha — repeating as many times as you need, with no human there to make you self-conscious or to get impatient or bored. &#8211; <em><a href="https://www.npr.org/2026/07/11/nx-s1-5882228/dance-virtual-reality-vr-app-augmented-world-expo-weddings">NPR</a></em></p>
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		<title>Andrew Lloyd Webber Warns Of Broadway Crisis After “Cats” Closing</title>
		<link>https://www.broadwayworld.com/article/Andrew-Lloyd-Webber-Says-Broadway-Is-In-Dire-Danger-After-CATS-Closing-20260714</link>
					<comments>https://www.broadwayworld.com/article/Andrew-Lloyd-Webber-Says-Broadway-Is-In-Dire-Danger-After-CATS-Closing-20260714#respond</comments>
		
		<dc:creator><![CDATA[Broadway World]]></dc:creator>
		<pubDate>Tue, 14 Jul 2026 18:31:00 +0000</pubDate>
				<category><![CDATA[THEATRE]]></category>
		<guid isPermaLink="false">https://www.artsjournal.com/?p=444836</guid>

					<description><![CDATA[<img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/07/Screenshot_14-7-2026_103747_www.broadwayworld.com_-90x90.jpeg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="" decoding="async" loading="lazy" />Andrew Lloyd Webber has addressed the closing announcement of CATS: The Jellicle Ball, pleading for &#8220;theatre owners, unions and producers to come together urgently to address what is a crisis coming to a head.&#8221; &#8211; Broadway World]]></description>
										<content:encoded><![CDATA[<img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/07/Screenshot_14-7-2026_103747_www.broadwayworld.com_-90x90.jpeg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="" decoding="async" loading="lazy" />
<p class="wp-block-paragraph"><a href="https://www.broadwayworld.com/people/Andrew-Lloyd-Webber/">Andrew Lloyd Webber</a> has addressed the closing announcement of <a href="https://data.broadwayworld.com/rec/tt.php?fromlink=2440481&amp;regid=1&amp;articlelink=https%3A%2F%2Fticketmaster.evyy.net%2Fc%2F2299526%2F271177%2F4272%3Fu%3Dhttps%3A%2F%2Fwww.ticketmaster.com%2Fcats-the-jellicle-ball-ny-tickets%2Fartist%2F2202310" target="_blank" rel="noreferrer noopener">CATS: The Jellicle Ball</a>, pleading for &#8220;theatre owners, unions and producers to come together urgently to address what is a crisis coming to a head.&#8221; &#8211; <em><a href="https://www.broadwayworld.com/article/Andrew-Lloyd-Webber-Says-Broadway-Is-In-Dire-Danger-After-CATS-Closing-20260714">Broadway World</a></em></p>
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		<title>A Samuel Beckett Biennale Is Coming To Both Sides Of The Irish Sea</title>
		<link>https://www.theguardian.com/stage/2026/jul/10/samuel-beckett-biennale-theatre-godot-not-i-krapps-last-tape#new_tab</link>
					<comments>https://www.theguardian.com/stage/2026/jul/10/samuel-beckett-biennale-theatre-godot-not-i-krapps-last-tape#new_tab#respond</comments>
		
		<dc:creator><![CDATA[The Guardian]]></dc:creator>
		<pubDate>Tue, 14 Jul 2026 18:01:00 +0000</pubDate>
				<category><![CDATA[THEATRE]]></category>
		<guid isPermaLink="false">https://www.artsjournal.com/?p=444817</guid>

					<description><![CDATA[<img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/07/1101-2-90x90.jpg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="" decoding="async" loading="lazy" srcset="https://www.artsjournal.com/belknap/wp-content/uploads/2026/07/1101-2-90x90.jpg 90w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/07/1101-2.jpg 200w" sizes="auto, (max-width: 90px) 100vw, 90px" />“(The festival) promises experimental ‘performed readings’ of the playwright’s works in pockets of Ireland and Britain over the next 12 years. &#8230; Events will unfold at locations of significance to Beckett’s life and legacy – from Enniskillen, Belfast and Dublin to Folkestone, Reading and Snodland – tracing his footsteps across Britain and Ireland.” &#8211; The [&#8230;]]]></description>
										<content:encoded><![CDATA[<img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/07/1101-2-90x90.jpg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="" decoding="async" loading="lazy" srcset="https://www.artsjournal.com/belknap/wp-content/uploads/2026/07/1101-2-90x90.jpg 90w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/07/1101-2.jpg 200w" sizes="auto, (max-width: 90px) 100vw, 90px" />
<p class="wp-block-paragraph">“(The festival) promises experimental ‘performed readings’ of the playwright’s works in pockets of Ireland and Britain over the next 12 years. &#8230; Events will unfold at locations of significance to Beckett’s life and legacy – from Enniskillen, Belfast and Dublin to Folkestone, Reading and Snodland – tracing his footsteps across Britain and Ireland.” &#8211; <em><a href="https://www.theguardian.com/stage/2026/jul/10/samuel-beckett-biennale-theatre-godot-not-i-krapps-last-tape">The Guardian</a></em></p>
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		<title>Report: UK Humanities Programs Being Axed By Hard-Up Universities</title>
		<link>https://www.theguardian.com/education/2026/jul/14/university-job-cuts-humanities-social-sciences</link>
					<comments>https://www.theguardian.com/education/2026/jul/14/university-job-cuts-humanities-social-sciences#respond</comments>
		
		<dc:creator><![CDATA[The Guardian]]></dc:creator>
		<pubDate>Tue, 14 Jul 2026 17:44:00 +0000</pubDate>
				<category><![CDATA[ISSUES]]></category>
		<guid isPermaLink="false">https://www.artsjournal.com/?p=444833</guid>

					<description><![CDATA[<img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/07/Screenshot_14-7-2026_10359_www.theguardian.com_-90x90.jpeg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="" decoding="async" loading="lazy" />Analysis of the latest official data by the academy for the Guardian shows that nearly 4,000 academic posts in social sciences, humanities and the arts have been axed in one year alone.  &#8211; The Guardian]]></description>
										<content:encoded><![CDATA[<img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/07/Screenshot_14-7-2026_10359_www.theguardian.com_-90x90.jpeg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="" decoding="async" loading="lazy" />
<p class="wp-block-paragraph">Analysis of the latest official data by the academy for the Guardian shows that nearly 4,000 academic posts in social sciences, humanities and the arts have been axed in one year alone.  &#8211;<em><a href="https://www.theguardian.com/education/2026/jul/14/university-job-cuts-humanities-social-sciences"> The Guardian</a></em></p>
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		<title>The Canadians Who Want To Stop AI In Its Tracks</title>
		<link>https://thewalrus.ca/the-people-who-want-to-stop-ai-by-any-means-necessary/</link>
					<comments>https://thewalrus.ca/the-people-who-want-to-stop-ai-by-any-means-necessary/#respond</comments>
		
		<dc:creator><![CDATA[The Walrus]]></dc:creator>
		<pubDate>Tue, 14 Jul 2026 17:31:00 +0000</pubDate>
				<category><![CDATA[IDEAS]]></category>
		<guid isPermaLink="false">https://www.artsjournal.com/?p=444826</guid>

					<description><![CDATA[<img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/07/Screenshot_14-7-2026_8488_thewalrus.ca_-90x90.jpeg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="" decoding="async" loading="lazy" />Canadians are hugely wary: a Leger poll found 85 percent of respondents want the government to regulate the technology. But that number doesn’t convey just how frightened many are. &#8211; The Walrus]]></description>
										<content:encoded><![CDATA[<img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/07/Screenshot_14-7-2026_8488_thewalrus.ca_-90x90.jpeg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="" decoding="async" loading="lazy" />
<p class="wp-block-paragraph">Canadians are hugely wary: a Leger poll found 85 percent of respondents want the government to regulate the technology. But that number doesn’t convey just how frightened many are. &#8211;<em><a href="https://thewalrus.ca/the-people-who-want-to-stop-ai-by-any-means-necessary/"> The Walrus</a></em></p>
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		<title>Meet The Book Hoarder</title>
		<link>https://www.nytimes.com/2026/07/09/style/too-many-books-new-york-city-apartment-scholar-landlord.html</link>
					<comments>https://www.nytimes.com/2026/07/09/style/too-many-books-new-york-city-apartment-scholar-landlord.html#respond</comments>
		
		<dc:creator><![CDATA[The New York Times]]></dc:creator>
		<pubDate>Tue, 14 Jul 2026 17:15:00 +0000</pubDate>
				<category><![CDATA[PEOPLE]]></category>
		<guid isPermaLink="false">https://www.artsjournal.com/?p=444823</guid>

					<description><![CDATA[<img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/07/Screenshot_14-7-2026_84422_www.nytimes.com_-90x90.jpeg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="" decoding="async" loading="lazy" />The stacks kept rising as Uminer added his hauls from thrift shops, book dealers and eBay deliveries. “I don’t think of myself as a hoarder,” he said, “but I guess my building did.” &#8211; The New York Times]]></description>
										<content:encoded><![CDATA[<img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/07/Screenshot_14-7-2026_84422_www.nytimes.com_-90x90.jpeg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="" decoding="async" loading="lazy" />
<p class="wp-block-paragraph">The stacks kept rising as Uminer added his hauls from thrift shops, book dealers and eBay deliveries. “I don’t think of myself as a hoarder,” he said, “but I guess my building did.” &#8211;<em><a href="https://www.nytimes.com/2026/07/09/style/too-many-books-new-york-city-apartment-scholar-landlord.html?unlocked_article_code=1.wlA.NyKz.wTNIRk7ZcNZZ&amp;smid=url-share"> The New York Times</a></em></p>
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		<title>Major Collection Of Mexican Art, Including Kahlos And Riveras, Is Going On Tour. Angry Mexicans Fear It Won’t Come Back.</title>
		<link>https://www.yahoo.com/news/world/articles/keep-frida-mexico-many-object-100000710.html#new_tab</link>
					<comments>https://www.yahoo.com/news/world/articles/keep-frida-mexico-many-object-100000710.html#new_tab#respond</comments>
		
		<dc:creator><![CDATA[Los Angeles Times (Yahoo!)]]></dc:creator>
		<pubDate>Tue, 14 Jul 2026 17:04:00 +0000</pubDate>
				<category><![CDATA[VISUAL]]></category>
		<guid isPermaLink="false">https://www.artsjournal.com/?p=444798</guid>

					<description><![CDATA[<img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/07/1004-1-90x90.jpg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="" decoding="async" loading="lazy" srcset="https://www.artsjournal.com/belknap/wp-content/uploads/2026/07/1004-1-90x90.jpg 90w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/07/1004-1.jpg 200w" sizes="auto, (max-width: 90px) 100vw, 90px" />The privately-owned Gelman Santander Collection, whose 68 pieces include 10 paintings by Frida Kahlo along with works by Diego Rivera, Jose Clemente Orozco, and others, is scheduled to spend two years touring Europe. Some citizens, unconvinced that the art will come home, are suing to keep it in Mexico. &#8211; Los Angeles Times (Yahoo!)]]></description>
										<content:encoded><![CDATA[<img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/07/1004-1-90x90.jpg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="" decoding="async" loading="lazy" srcset="https://www.artsjournal.com/belknap/wp-content/uploads/2026/07/1004-1-90x90.jpg 90w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/07/1004-1.jpg 200w" sizes="auto, (max-width: 90px) 100vw, 90px" />
<p class="wp-block-paragraph">The privately-owned Gelman Santander Collection, whose 68 pieces include 10 paintings by Frida Kahlo along with works by Diego Rivera, Jose Clemente Orozco, and others, is scheduled to spend two years touring Europe. Some citizens, unconvinced that the art will come home, are suing to keep it in Mexico. &#8211; <em><a href="https://www.yahoo.com/news/world/articles/keep-frida-mexico-many-object-100000710.html">Los Angeles Times (Yahoo!)</a></em></p>
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		<title>Revisiting Mark Twain In The Age Of Trump</title>
		<link>https://adimagazine.com/articles/rereading-mark-twain-while-everything-else-burns/</link>
					<comments>https://adimagazine.com/articles/rereading-mark-twain-while-everything-else-burns/#respond</comments>
		
		<dc:creator><![CDATA[Adi]]></dc:creator>
		<pubDate>Tue, 14 Jul 2026 16:44:00 +0000</pubDate>
				<category><![CDATA[WORDS]]></category>
		<category><![CDATA[featured]]></category>
		<guid isPermaLink="false">https://www.artsjournal.com/?p=444820</guid>

					<description><![CDATA[<img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/07/Screenshot_14-7-2026_83151_adimagazine.com_-90x90.jpeg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="" decoding="async" loading="lazy" />Satire makes fun of something to expose its truth in a way that can be notoriously difficult to decode. What is often misread in Twain’s most famous novel is this: he satirically uses racism to ridicule racism. &#8211; Adi Magazine]]></description>
										<content:encoded><![CDATA[<img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/07/Screenshot_14-7-2026_83151_adimagazine.com_-90x90.jpeg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="" decoding="async" loading="lazy" />
<p class="wp-block-paragraph">Satire makes fun of something to expose its truth in a way that can be notoriously difficult to decode. What is often misread in Twain’s most famous novel is this: he satirically uses racism to ridicule racism. <em><a href="https://adimagazine.com/articles/rereading-mark-twain-while-everything-else-burns/">&#8211; Adi Magazine</a></em></p>
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		<title>EU To Cancel Venice Biennale Grant Over Russia Participation</title>
		<link>https://www.artnews.com/art-news/news/eu-commission-cancelation-venice-biennale-grant-russia-1234791923/</link>
					<comments>https://www.artnews.com/art-news/news/eu-commission-cancelation-venice-biennale-grant-russia-1234791923/#respond</comments>
		
		<dc:creator><![CDATA[ARTnews]]></dc:creator>
		<pubDate>Tue, 14 Jul 2026 16:29:00 +0000</pubDate>
				<category><![CDATA[VISUAL]]></category>
		<guid isPermaLink="false">https://www.artsjournal.com/?p=444814</guid>

					<description><![CDATA[<img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/07/Screenshot_14-7-2026_82930_www.artnews.com_-90x90.jpeg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="" decoding="async" loading="lazy" />Over the weekend, a European Union commission followed up on its earlier threats to cancel a €2 million grant to the Venice Biennale, citing Russia’s participation in the event this year as its reasoning. &#8211; ARTnews]]></description>
										<content:encoded><![CDATA[<img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/07/Screenshot_14-7-2026_82930_www.artnews.com_-90x90.jpeg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="" decoding="async" loading="lazy" />
<p class="wp-block-paragraph">Over the weekend, a European Union commission followed up on its earlier threats to cancel a €2 million grant to the <a href="https://www.artnews.com/t/venice-biennale/">Venice Biennale</a>, citing Russia’s participation in the event this year as its reasoning. &#8211;<em><a href="https://www.artnews.com/art-news/news/eu-commission-cancelation-venice-biennale-grant-russia-1234791923/"> ARTnews</a></em></p>
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		<title>Trump Admin’s Critique Of The Smithsonian Is Laughably Wrong</title>
		<link>https://newrepublic.com/article/212863/trump-report-smithsonian-museum-history-weak</link>
					<comments>https://newrepublic.com/article/212863/trump-report-smithsonian-museum-history-weak#respond</comments>
		
		<dc:creator><![CDATA[The New Republic]]></dc:creator>
		<pubDate>Tue, 14 Jul 2026 16:15:00 +0000</pubDate>
				<category><![CDATA[ISSUES]]></category>
		<guid isPermaLink="false">https://www.artsjournal.com/?p=444810</guid>

					<description><![CDATA[<img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/07/Screenshot_14-7-2026_82623_newrepublic.com_-90x90.jpeg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="" decoding="async" loading="lazy" />Even when judged by the standards of the form, the White House’s anti-woke polemic is a shoddy piece of workmanship not unlike the peeling blue sealant in the $15 million renovation of the Reflecting Pool. &#8211; The New Republic]]></description>
										<content:encoded><![CDATA[<img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/07/Screenshot_14-7-2026_82623_newrepublic.com_-90x90.jpeg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="" decoding="async" loading="lazy" />
<p class="wp-block-paragraph">Even when judged by the standards of the form, the White House’s anti-woke polemic is a shoddy piece of workmanship not unlike the peeling blue sealant in the $15 million renovation of the Reflecting Pool. &#8211;<em><a href="https://newrepublic.com/article/212863/trump-report-smithsonian-museum-history-weak"> The New Republic</a></em></p>
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		<title>US Publishers And Authors Sue Google Over Its Training Of AI</title>
		<link>https://www.publishersweekly.com/pw/by-topic/digital/copyright/article/100820-new-lawsuit-aims-to-stop-google-from-copyright-infringement-in-creating-ai-models.html#new_tab</link>
					<comments>https://www.publishersweekly.com/pw/by-topic/digital/copyright/article/100820-new-lawsuit-aims-to-stop-google-from-copyright-infringement-in-creating-ai-models.html#new_tab#respond</comments>
		
		<dc:creator><![CDATA[Publishers Weekly]]></dc:creator>
		<pubDate>Tue, 14 Jul 2026 16:02:00 +0000</pubDate>
				<category><![CDATA[WORDS]]></category>
		<guid isPermaLink="false">https://www.artsjournal.com/?p=444795</guid>

					<description><![CDATA[<img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/07/902-1-90x90.jpg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="" decoding="async" loading="lazy" srcset="https://www.artsjournal.com/belknap/wp-content/uploads/2026/07/902-1-90x90.jpg 90w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/07/902-1.jpg 200w" sizes="auto, (max-width: 90px) 100vw, 90px" />“Publisher Hachette Book Group, Cengage Learning, and Elsevier, as well as author Scott Turow, are the named plaintiffs in the lawsuit, … contending that the tech giant has engaged in widespread copyright infringement in developing its Gemini AI models.” &#8211; Publishers Weekly]]></description>
										<content:encoded><![CDATA[<img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/07/902-1-90x90.jpg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="" decoding="async" loading="lazy" srcset="https://www.artsjournal.com/belknap/wp-content/uploads/2026/07/902-1-90x90.jpg 90w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/07/902-1.jpg 200w" sizes="auto, (max-width: 90px) 100vw, 90px" />
<p class="wp-block-paragraph">“Publisher Hachette Book Group, Cengage Learning, and Elsevier, as well as author Scott Turow, are the named plaintiffs in the lawsuit, … contending that the tech giant has engaged in widespread copyright infringement in developing its Gemini AI models.” &#8211; <em><a href="https://www.publishersweekly.com/pw/by-topic/digital/copyright/article/100820-new-lawsuit-aims-to-stop-google-from-copyright-infringement-in-creating-ai-models.html">Publishers Weekly</a></em></p>
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		<title>The Van Cliburn Competition Expanded. Should It Have?</title>
		<link>https://www.nightingalessonata.com/blog/2026/6/16/the-cliburn-gets-it-wrong-twice</link>
					<comments>https://www.nightingalessonata.com/blog/2026/6/16/the-cliburn-gets-it-wrong-twice#respond</comments>
		
		<dc:creator><![CDATA[Nightingale Sonata]]></dc:creator>
		<pubDate>Tue, 14 Jul 2026 15:44:00 +0000</pubDate>
				<category><![CDATA[MUSIC]]></category>
		<guid isPermaLink="false">https://www.artsjournal.com/?p=444807</guid>

					<description><![CDATA[<img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/07/Screenshot_14-7-2026_82216_www.nightingalessonata.com_-90x90.jpeg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="" decoding="async" loading="lazy" />A focus on how well individuals conduct a specific orchestra with limited repertoire at a given moment in time makes little sense to me when I think about what makes a great conductor and how one judges such greatness. &#8211; Nightingale&#8217;s Sonata]]></description>
										<content:encoded><![CDATA[<img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/07/Screenshot_14-7-2026_82216_www.nightingalessonata.com_-90x90.jpeg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="" decoding="async" loading="lazy" />
<p class="wp-block-paragraph">A focus on how well individuals conduct a specific orchestra with limited repertoire at a given moment in time makes little sense to me when I think about what makes a great conductor and how one judges such greatness. &#8211;<em><a href="https://www.nightingalessonata.com/blog/2026/6/16/the-cliburn-gets-it-wrong-twice"> Nightingale&#8217;s Sonata</a></em></p>
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		<title>Silicon Valley’s Science Fiction Problem</title>
		<link>https://aeon.co/essays/silicon-valley-has-a-science-fiction-problem</link>
					<comments>https://aeon.co/essays/silicon-valley-has-a-science-fiction-problem#respond</comments>
		
		<dc:creator><![CDATA[Aeon]]></dc:creator>
		<pubDate>Tue, 14 Jul 2026 15:31:00 +0000</pubDate>
				<category><![CDATA[IDEAS]]></category>
		<guid isPermaLink="false">https://www.artsjournal.com/?p=444802</guid>

					<description><![CDATA[<img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/07/Screenshot_14-7-2026_81731_aeon.co_-90x90.jpeg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="" decoding="async" loading="lazy" />Steve Wozniak, Apple’s co-founder, gave expression to this ethos in 2017 when he said: ‘We are the people who make fantasies real.’ It sounds inspiring, but it is important to know which parts of those fantasies they’re choosing, and which parts they’re leaving out. &#8211; Aeon]]></description>
										<content:encoded><![CDATA[<img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/07/Screenshot_14-7-2026_81731_aeon.co_-90x90.jpeg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="" decoding="async" loading="lazy" />
<p class="wp-block-paragraph">Steve Wozniak, Apple’s co-founder, gave expression to this ethos in 2017 when he said: ‘We are the people who make fantasies real.’ It sounds inspiring, but it is important to know which parts of those fantasies they’re choosing, and which parts they’re leaving out. &#8211; <em><a href="https://aeon.co/essays/silicon-valley-has-a-science-fiction-problem">Aeon</a></em></p>
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		<title>A Punctuational Divide (We Need To Evolve)</title>
		<link>https://www.theatlantic.com/magazine/2026/08/punctuation-internet-texting-generational-divide/687632/?gift=Rz871t01ypZXAY4Z8yHulWFjDXoVD8J-9-tcqaINdEE&amp;utm_source=copy-link&amp;utm_medium=social&amp;utm_campaign=share</link>
					<comments>https://www.theatlantic.com/magazine/2026/08/punctuation-internet-texting-generational-divide/687632/?gift=Rz871t01ypZXAY4Z8yHulWFjDXoVD8J-9-tcqaINdEE&amp;utm_source=copy-link&amp;utm_medium=social&amp;utm_campaign=share#respond</comments>
		
		<dc:creator><![CDATA[The Atlantic]]></dc:creator>
		<pubDate>Tue, 14 Jul 2026 15:15:00 +0000</pubDate>
				<category><![CDATA[WORDS]]></category>
		<guid isPermaLink="false">https://www.artsjournal.com/?p=444799</guid>

					<description><![CDATA[<img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/07/Screenshot_14-7-2026_8938_www.theatlantic.com_-90x90.jpeg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="" decoding="async" loading="lazy" />Now that we can react to a friend’s needy text or an enemy’s infuriating post in real time and with minimal reflection, we need reliable substitutes for extraverbal cues more than ever.  &#8211; The Atlantic]]></description>
										<content:encoded><![CDATA[<img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/07/Screenshot_14-7-2026_8938_www.theatlantic.com_-90x90.jpeg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="" decoding="async" loading="lazy" />
<p class="wp-block-paragraph">Now that we can react to a friend’s needy text or an enemy’s infuriating post in real time and with minimal reflection, we need reliable substitutes for extraverbal cues more than ever.  &#8211;<em><a href="https://www.theatlantic.com/magazine/2026/08/punctuation-internet-texting-generational-divide/687632/?gift=Rz871t01ypZXAY4Z8yHulWFjDXoVD8J-9-tcqaINdEE&amp;utm_source=copy-link&amp;utm_medium=social&amp;utm_campaign=share"> The Atlantic</a></em></p>



<p class="wp-block-paragraph"></p>
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		<title>Wyoming’s Public Television Station To Drop PBS Branding</title>
		<link>https://current.org/2026/07/wyomings-public-tv-network-plans-to-drop-pbs-branding/#new_tab</link>
					<comments>https://current.org/2026/07/wyomings-public-tv-network-plans-to-drop-pbs-branding/#new_tab#respond</comments>
		
		<dc:creator><![CDATA[Current]]></dc:creator>
		<pubDate>Tue, 14 Jul 2026 15:03:00 +0000</pubDate>
				<category><![CDATA[MEDIA]]></category>
		<guid isPermaLink="false">https://www.artsjournal.com/?p=444792</guid>

					<description><![CDATA[<img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/07/803-1-90x90.jpg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="" decoding="async" loading="lazy" srcset="https://www.artsjournal.com/belknap/wp-content/uploads/2026/07/803-1-90x90.jpg 90w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/07/803-1.jpg 200w" sizes="auto, (max-width: 90px) 100vw, 90px" />Said the station’s CEO in a statement, “While we will continue to provide the full suite of PBS programming and member benefits like Passport, we want our local vision to not be limited by a national brand. We are Wyoming’s storyteller first and a member station second.” &#8211; Current]]></description>
										<content:encoded><![CDATA[<img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/07/803-1-90x90.jpg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="" decoding="async" loading="lazy" srcset="https://www.artsjournal.com/belknap/wp-content/uploads/2026/07/803-1-90x90.jpg 90w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/07/803-1.jpg 200w" sizes="auto, (max-width: 90px) 100vw, 90px" />
<p class="wp-block-paragraph">Said the station’s CEO in a statement, “While we will continue to provide the full suite of PBS programming and member benefits like Passport, we want our local vision to not be limited by a national brand. We are Wyoming’s storyteller first and a member station second.” &#8211; <em><a href="https://current.org/2026/07/wyomings-public-tv-network-plans-to-drop-pbs-branding/">Current</a></em></p>
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		<title>The Paradoxical Problem Of Pernambuco Wood Bows</title>
		<link>https://www.nytimes.com/2026/07/14/arts/music/pernambuco-wood-bows.html#new_tab</link>
					<comments>https://www.nytimes.com/2026/07/14/arts/music/pernambuco-wood-bows.html#new_tab#respond</comments>
		
		<dc:creator><![CDATA[The New York Times]]></dc:creator>
		<pubDate>Tue, 14 Jul 2026 14:35:00 +0000</pubDate>
				<category><![CDATA[MUSIC]]></category>
		<guid isPermaLink="false">https://www.artsjournal.com/?p=444789</guid>

					<description><![CDATA[<img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/07/735-1-90x90.jpg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="" decoding="async" loading="lazy" srcset="https://www.artsjournal.com/belknap/wp-content/uploads/2026/07/735-1-90x90.jpg 90w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/07/735-1.jpg 200w" sizes="auto, (max-width: 90px) 100vw, 90px" />“The relationship between pernambuco and music is not &#8230; environmental overconsumption. It is the primary consumers of this resource, the bow makers, who have tried hardest to conserve the wood. &#8230; They have worked to document legal stockpiles and trace provenances of finished bows, and have replanted trees by the millions.” &#8211; The New York [&#8230;]]]></description>
										<content:encoded><![CDATA[<img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/07/735-1-90x90.jpg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="" decoding="async" loading="lazy" srcset="https://www.artsjournal.com/belknap/wp-content/uploads/2026/07/735-1-90x90.jpg 90w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/07/735-1.jpg 200w" sizes="auto, (max-width: 90px) 100vw, 90px" />
<p class="wp-block-paragraph">“The relationship between pernambuco and music is not &#8230; environmental overconsumption. It is the primary consumers of this resource, the bow makers, who have tried hardest to conserve the wood. &#8230; They have worked to document legal stockpiles and trace provenances of finished bows, and have replanted trees by the millions.” &#8211; <em><a href="https://www.nytimes.com/2026/07/14/arts/music/pernambuco-wood-bows.html">The New York Times</a></em></p>
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		<title>Pat Oliphant, One Of US’s Leading Political Cartoonists, Has Died At 90</title>
		<link>https://www.yahoo.com/entertainment/celebrity/articles/pat-oliphant-prizewinning-giant-political-033949583.html#new_tab</link>
					<comments>https://www.yahoo.com/entertainment/celebrity/articles/pat-oliphant-prizewinning-giant-political-033949583.html#new_tab#respond</comments>
		
		<dc:creator><![CDATA[The Washington Post (Yahoo!)]]></dc:creator>
		<pubDate>Tue, 14 Jul 2026 14:01:00 +0000</pubDate>
				<category><![CDATA[PEOPLE]]></category>
		<guid isPermaLink="false">https://www.artsjournal.com/?p=444786</guid>

					<description><![CDATA[<img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/07/701-90x90.jpg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="" decoding="async" loading="lazy" srcset="https://www.artsjournal.com/belknap/wp-content/uploads/2026/07/701-90x90.jpg 90w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/07/701.jpg 200w" sizes="auto, (max-width: 90px) 100vw, 90px" />“Across his six-decade career, he was just as likely to go after D.C. Mayor Marion Barry — whom Mr. Oliphant depicted as an Idi Amin-like, tea-addicted ‘King of Kolumbia’ — as he was President George H.W. Bush, whom he skewered as a purse-carrying wimp and a would-be Lawrence of Arabia.” &#8211; The Washington Post (Yahoo!)]]></description>
										<content:encoded><![CDATA[<img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/07/701-90x90.jpg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="" decoding="async" loading="lazy" srcset="https://www.artsjournal.com/belknap/wp-content/uploads/2026/07/701-90x90.jpg 90w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/07/701.jpg 200w" sizes="auto, (max-width: 90px) 100vw, 90px" />
<p class="wp-block-paragraph">“Across his six-decade career, he was just as likely to go after D.C. Mayor Marion Barry — whom Mr. Oliphant depicted as an Idi Amin-like, tea-addicted ‘King of Kolumbia’ — as he was President George H.W. Bush, whom he skewered as a purse-carrying wimp and a would-be Lawrence of Arabia.” &#8211; <em><a href="https://www.yahoo.com/entertainment/celebrity/articles/pat-oliphant-prizewinning-giant-political-033949583.html">The Washington Post (Yahoo!)</a></em></p>
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		<title>Louvre Jewel Robbery Suspects Say They Were Hired To Steal By Mastermind Client — Who Was “Disappointed”</title>
		<link>https://www.theguardian.com/world/2026/jul/13/mastermind-of-88m-louvre-heist-thought-they-could-have-taken-more#new_tab</link>
					<comments>https://www.theguardian.com/world/2026/jul/13/mastermind-of-88m-louvre-heist-thought-they-could-have-taken-more#new_tab#respond</comments>
		
		<dc:creator><![CDATA[The Guardian]]></dc:creator>
		<pubDate>Tue, 14 Jul 2026 13:36:00 +0000</pubDate>
				<category><![CDATA[VISUAL]]></category>
		<guid isPermaLink="false">https://www.artsjournal.com/?p=444783</guid>

					<description><![CDATA[<img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/07/636-1-90x90.jpg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="" decoding="async" loading="lazy" srcset="https://www.artsjournal.com/belknap/wp-content/uploads/2026/07/636-1-90x90.jpg 90w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/07/636-1.jpg 200w" sizes="auto, (max-width: 90px) 100vw, 90px" />“The suspects, named locally as Abdoulaye N and Ghelamallah A, claimed they had broken into the Louvre’s Apollo gallery on the orders of a client they refused to name out of fear for their families. … The alleged mastermind … ‘wasn’t happy’ with the outcome. ‘He thought we could have taken more.’” &#8211; The Guardian]]></description>
										<content:encoded><![CDATA[<img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/07/636-1-90x90.jpg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="" decoding="async" loading="lazy" srcset="https://www.artsjournal.com/belknap/wp-content/uploads/2026/07/636-1-90x90.jpg 90w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/07/636-1.jpg 200w" sizes="auto, (max-width: 90px) 100vw, 90px" />
<p class="wp-block-paragraph">“The suspects, named locally as Abdoulaye N and Ghelamallah A, claimed they had broken into the Louvre’s Apollo gallery on the orders of a client they refused to name out of fear for their families. … The alleged mastermind … ‘wasn’t happy’ with the outcome. ‘He thought we could have taken more.’” &#8211; <em><a href="https://www.theguardian.com/world/2026/jul/13/mastermind-of-88m-louvre-heist-thought-they-could-have-taken-more">The Guardian</a></em></p>
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		<title>Trump Administration Is Keeping Smithsonian Board Seats Vacant, And Nobody Is Saying Much About It</title>
		<link>https://www.nytimes.com/2026/07/14/arts/smithsonian-trump-board-lonnie-bunch.html#new_tab</link>
					<comments>https://www.nytimes.com/2026/07/14/arts/smithsonian-trump-board-lonnie-bunch.html#new_tab#respond</comments>
		
		<dc:creator><![CDATA[The New York Times]]></dc:creator>
		<pubDate>Tue, 14 Jul 2026 13:04:00 +0000</pubDate>
				<category><![CDATA[ISSUES]]></category>
		<guid isPermaLink="false">https://www.artsjournal.com/?p=444780</guid>

					<description><![CDATA[<img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/07/604-1-90x90.jpg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="" decoding="async" loading="lazy" srcset="https://www.artsjournal.com/belknap/wp-content/uploads/2026/07/604-1-90x90.jpg 90w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/07/604-1.jpg 200w" sizes="auto, (max-width: 90px) 100vw, 90px" />“There have been three openings on the board since April, and by October, the terms of three more trustees will have expired. But the names proposed by the board, which have not been publicly disclosed, have yet to make their way to Congress, and without clear explanation.” &#8211; The New York Times]]></description>
										<content:encoded><![CDATA[<img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/07/604-1-90x90.jpg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="" decoding="async" loading="lazy" srcset="https://www.artsjournal.com/belknap/wp-content/uploads/2026/07/604-1-90x90.jpg 90w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/07/604-1.jpg 200w" sizes="auto, (max-width: 90px) 100vw, 90px" />
<p class="wp-block-paragraph">“There have been three openings on the board since April, and by October, the terms of three more trustees will have expired. But the names proposed by the board, which have not been publicly disclosed, have yet to make their way to Congress, and without clear explanation.” &#8211; <em><a href="https://www.nytimes.com/2026/07/14/arts/smithsonian-trump-board-lonnie-bunch.html">The New York Times</a></em></p>
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		<title>Ex-COO At Atlanta’s High Museum Of Art Pleads Guilty To Embezzlement</title>
		<link>https://www.gpb.org/news/2026/07/13/former-high-museum-of-art-executive-pleads-guilty-in-stealing-over-600k-museum#new_tab</link>
					<comments>https://www.gpb.org/news/2026/07/13/former-high-museum-of-art-executive-pleads-guilty-in-stealing-over-600k-museum#new_tab#respond</comments>
		
		<dc:creator><![CDATA[Georgia Public Broadcasting]]></dc:creator>
		<pubDate>Tue, 14 Jul 2026 12:32:00 +0000</pubDate>
				<category><![CDATA[VISUAL]]></category>
		<guid isPermaLink="false">https://www.artsjournal.com/?p=444777</guid>

					<description><![CDATA[<img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/07/532-1-90x90.jpg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="" decoding="async" loading="lazy" srcset="https://www.artsjournal.com/belknap/wp-content/uploads/2026/07/532-1-90x90.jpg 90w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/07/532-1.jpg 200w" sizes="auto, (max-width: 90px) 100vw, 90px" />“The U.S. Justice Department said on Monday that former High chief operating officer Brady Lum pleaded guilty to a single charge of felony theft. Prosecutors accused him of stealing more than $600,000 from the museum by doctoring invoices and approving personal purchase transactions.” &#8211; Georgia Public Broadcasting]]></description>
										<content:encoded><![CDATA[<img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/07/532-1-90x90.jpg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="" decoding="async" loading="lazy" srcset="https://www.artsjournal.com/belknap/wp-content/uploads/2026/07/532-1-90x90.jpg 90w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/07/532-1.jpg 200w" sizes="auto, (max-width: 90px) 100vw, 90px" />
<p class="wp-block-paragraph">“The U.S. Justice Department said on Monday that former High chief operating officer Brady Lum pleaded guilty to a single charge of felony theft. Prosecutors accused him of stealing more than $600,000 from the museum by doctoring invoices and approving personal purchase transactions.” &#8211; <em><a href="https://www.gpb.org/news/2026/07/13/former-high-museum-of-art-executive-pleads-guilty-in-stealing-over-600k-museum">Georgia Public Broadcasting</a></em></p>
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