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		<title>Culture Diplomacy like in Olden Days</title>
		<link>https://www.artsjournal.com/2026/09/culture-diplomacy-like-in-olden-days.html</link>
					<comments>https://www.artsjournal.com/2026/09/culture-diplomacy-like-in-olden-days.html#respond</comments>
		
		<dc:creator/>
		<pubDate>Sun, 13 Sep 2026 22:53:05 +0000</pubDate>
				<category><![CDATA[DOUG]]></category>
		<guid isPermaLink="false">https://www.artsjournal.com/?p=448688</guid>

					<description><![CDATA[Good Morning, France is lending Britain the Bayeux Tapestry, and the interesting question isn&#8217;t conservation but motive. A thousand-year-old cloth stitched about a conquest is now the material argument for a relationship — proof, fiber by fiber, that England and the continent were never separable (The New York Times). Culture as diplomacy. Like in olden [&#8230;]]]></description>
										<content:encoded><![CDATA[
<p class="wp-block-paragraph">Good Morning,</p>



<p class="wp-block-paragraph">France is lending Britain the Bayeux Tapestry, and the interesting question isn&#8217;t conservation but motive. A thousand-year-old cloth stitched about a conquest is now the material argument for a relationship — proof, fiber by fiber, that England and the continent were never separable (<a href="https://www.nytimes.com/2026/09/11/arts/design/bayeux-tapestry-british-museum.html"><em>The New York Times</em></a>). Culture as diplomacy. Like in olden times.</p>



<p class="wp-block-paragraph">That&#8217;s one way of deciding what heritage is for. Another: the president posting on Truth Social that the Smithsonian should install a colossus of George Washington — a request only in the sense that it isn&#8217;t yet an order (<a href="https://www.theguardian.com/us-news/2026/sep/12/trump-smithsonian-george-washington-statue-exhibit"><em>The Guardian</em></a>). Meanwhile France&#8217;s actual custodians are less worried about symbolism than about crowbars: gangs are hitting small museums in daylight, and nobody is sure the country can protect what it owns (<a href="https://www.nytimes.com/2026/09/13/arts/design/louvre-france-museum-robberies.html"><em>The New York Times</em></a>).</p>



<p class="wp-block-paragraph">The Music Hall of Williamsburg is closing, which prompts the question: what does a city lose when it loses a cheap room (<a href="https://www.nytimes.com/2026/09/12/arts/music/music-hall-williamsburg-nyc-venues.html"><em>The New York Times</em></a>)? Not headliners — the place where people became headliners. And on YouTube, anime reaction creators say a copyright enforcer is wielding takedowns as a weapon rather than a shield (<a href="https://www.theverge.com/tech/993898/nicholaslighttv-remove-your-media-youtube-crunchyroll-viz-media"><em>The Verge</em></a>).</p>



<p class="wp-block-paragraph">Finally, a labor story for the ages: 121 years ago, Russian printers went on strike because they were paid by the letter and punctuation didn&#8217;t count (<a href="https://lithub.com/121-years-ago-russian-printers-went-on-strike-over-commas/"><em>LitHub</em></a>). Every comma is somebody&#8217;s work.</p>



<p class="wp-block-paragraph">All of our stories below.</p>
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		<title>Anime Reaction YouTubers Are At War With Their Platform</title>
		<link>https://www.theverge.com/tech/993898/nicholaslighttv-remove-your-media-youtube-crunchyroll-viz-media</link>
					<comments>https://www.theverge.com/tech/993898/nicholaslighttv-remove-your-media-youtube-crunchyroll-viz-media#respond</comments>
		
		<dc:creator><![CDATA[The Verge]]></dc:creator>
		<pubDate>Sun, 13 Sep 2026 20:00:00 +0000</pubDate>
				<category><![CDATA[ISSUES]]></category>
		<guid isPermaLink="false">https://www.artsjournal.com/?p=448672</guid>

					<description><![CDATA[<a href="https://www.theverge.com/tech/993898/nicholaslighttv-remove-your-media-youtube-crunchyroll-viz-media" title="Anime Reaction YouTubers Are At War With Their Platform" rel="nofollow"><img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/09/Screenshot-2026-09-13-at-14.53.44-90x90.png" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="1" decoding="async" srcset="https://www.artsjournal.com/belknap/wp-content/uploads/2026/09/Screenshot-2026-09-13-at-14.53.44-90x90.png 90w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/09/Screenshot-2026-09-13-at-14.53.44-300x300.png 300w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/09/Screenshot-2026-09-13-at-14.53.44.png 400w" sizes="(max-width: 90px) 100vw, 90px" /></a>You see, reaction videos are based on copyrighted material. You’d think that fair use applied here, and, well, yes, but some reaction vid makers say &#8220;the way Remove Your Media has been going after creators is abusive and unrelated to any legitimate interest in protecting copyrighted IP.” &#8211; The Verge]]></description>
										<content:encoded><![CDATA[<a href="https://www.theverge.com/tech/993898/nicholaslighttv-remove-your-media-youtube-crunchyroll-viz-media" title="Anime Reaction YouTubers Are At War With Their Platform" rel="nofollow"><img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/09/Screenshot-2026-09-13-at-14.53.44-90x90.png" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="1" decoding="async" srcset="https://www.artsjournal.com/belknap/wp-content/uploads/2026/09/Screenshot-2026-09-13-at-14.53.44-90x90.png 90w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/09/Screenshot-2026-09-13-at-14.53.44-300x300.png 300w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/09/Screenshot-2026-09-13-at-14.53.44.png 400w" sizes="(max-width: 90px) 100vw, 90px" /></a>
<p class="wp-block-paragraph">You see, reaction videos are based on copyrighted material. You’d think that fair use applied here, and, well, yes, but some reaction vid makers say &#8220;the way Remove Your Media has been going after creators is abusive and unrelated to any legitimate interest in protecting copyrighted IP.” &#8211; <em><a href="https://www.theverge.com/tech/993898/nicholaslighttv-remove-your-media-youtube-crunchyroll-viz-media">The Verge</a></em></p>
]]></content:encoded>
					
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		<item>
		<title>A MacArthur Genius Leaves New York For Paris, But Can’t Resist A Return</title>
		<link>https://www.nytimes.com/2026/09/09/style/justin-vivian-bond-paris-new-york-cabaret.html</link>
					<comments>https://www.nytimes.com/2026/09/09/style/justin-vivian-bond-paris-new-york-cabaret.html#respond</comments>
		
		<dc:creator><![CDATA[The New York Times]]></dc:creator>
		<pubDate>Sun, 13 Sep 2026 19:30:00 +0000</pubDate>
				<category><![CDATA[THEATRE]]></category>
		<guid isPermaLink="false">https://www.artsjournal.com/?p=448669</guid>

					<description><![CDATA[<a href="https://www.nytimes.com/2026/09/09/style/justin-vivian-bond-paris-new-york-cabaret.html" title="A MacArthur Genius Leaves New York For Paris, But Can’t Resist A Return" rel="nofollow"><img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/09/Screenshot-2026-09-13-at-14.50.36-90x90.png" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="1" decoding="async" srcset="https://www.artsjournal.com/belknap/wp-content/uploads/2026/09/Screenshot-2026-09-13-at-14.50.36-90x90.png 90w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/09/Screenshot-2026-09-13-at-14.50.36-300x300.png 300w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/09/Screenshot-2026-09-13-at-14.50.36.png 400w" sizes="(max-width: 90px) 100vw, 90px" /></a>Justin Vivian Bond “came back to see not only friends, but also her fans, who are increasingly Gen Z. ‘They’re learning about their queer elders, and their trans elders are really showing up for them.’” &#8211; The New York Times]]></description>
										<content:encoded><![CDATA[<a href="https://www.nytimes.com/2026/09/09/style/justin-vivian-bond-paris-new-york-cabaret.html" title="A MacArthur Genius Leaves New York For Paris, But Can’t Resist A Return" rel="nofollow"><img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/09/Screenshot-2026-09-13-at-14.50.36-90x90.png" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="1" decoding="async" loading="lazy" srcset="https://www.artsjournal.com/belknap/wp-content/uploads/2026/09/Screenshot-2026-09-13-at-14.50.36-90x90.png 90w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/09/Screenshot-2026-09-13-at-14.50.36-300x300.png 300w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/09/Screenshot-2026-09-13-at-14.50.36.png 400w" sizes="auto, (max-width: 90px) 100vw, 90px" /></a>
<p class="wp-block-paragraph">Justin Vivian Bond “came back to see not only friends, but also her fans, who are increasingly Gen Z. ‘They’re learning about their queer elders, and their trans elders are really showing up for them.’” &#8211; <em><a href="https://www.nytimes.com/2026/09/09/style/justin-vivian-bond-paris-new-york-cabaret.html">The New York Times</a></em></p>



<p class="wp-block-paragraph"></p>
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		<title>Do We Really Need A Four-Hour Documentary On Elon Musk?</title>
		<link>https://slate.com/culture/2026/09/elon-musk-money-ai-worth-documentary-movie.html</link>
					<comments>https://slate.com/culture/2026/09/elon-musk-money-ai-worth-documentary-movie.html#respond</comments>
		
		<dc:creator><![CDATA[Slate]]></dc:creator>
		<pubDate>Sun, 13 Sep 2026 19:00:00 +0000</pubDate>
				<category><![CDATA[MEDIA]]></category>
		<guid isPermaLink="false">https://www.artsjournal.com/?p=448666</guid>

					<description><![CDATA[<a href="https://slate.com/culture/2026/09/elon-musk-money-ai-worth-documentary-movie.html" title="Do We Really Need A Four-Hour Documentary On Elon Musk?" rel="nofollow"><img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/09/Screenshot-2026-09-13-at-14.47.56-90x90.png" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="1" decoding="async" loading="lazy" srcset="https://www.artsjournal.com/belknap/wp-content/uploads/2026/09/Screenshot-2026-09-13-at-14.47.56-90x90.png 90w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/09/Screenshot-2026-09-13-at-14.47.56-300x300.png 300w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/09/Screenshot-2026-09-13-at-14.47.56.png 400w" sizes="auto, (max-width: 90px) 100vw, 90px" /></a>“The penchant for treating founders as god-kings whose companies are mere extensions of their visionary genius is a large part of the story underlying Musk’s (and others’) precipitous rise, but it’s not only a credulous media and easily swayed investors who are to blame.” &#8211; Slate]]></description>
										<content:encoded><![CDATA[<a href="https://slate.com/culture/2026/09/elon-musk-money-ai-worth-documentary-movie.html" title="Do We Really Need A Four-Hour Documentary On Elon Musk?" rel="nofollow"><img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/09/Screenshot-2026-09-13-at-14.47.56-90x90.png" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="1" decoding="async" loading="lazy" srcset="https://www.artsjournal.com/belknap/wp-content/uploads/2026/09/Screenshot-2026-09-13-at-14.47.56-90x90.png 90w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/09/Screenshot-2026-09-13-at-14.47.56-300x300.png 300w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/09/Screenshot-2026-09-13-at-14.47.56.png 400w" sizes="auto, (max-width: 90px) 100vw, 90px" /></a>
<p class="wp-block-paragraph">“The penchant for treating founders as god-kings whose companies are mere extensions of their visionary genius is a large part of the story underlying Musk’s (and others’) precipitous rise, but it’s not only a credulous media and easily swayed investors who are to blame.” &#8211; <em><a href="https://slate.com/culture/2026/09/elon-musk-money-ai-worth-documentary-movie.html">Slate</a></em></p>
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		<title>At The Venice Film Fest, ‘Woman Unknown’ Wins Big</title>
		<link>https://www.nytimes.com/2026/09/12/movies/venice-film-festival-golden-lion-woman-unknown.html</link>
					<comments>https://www.nytimes.com/2026/09/12/movies/venice-film-festival-golden-lion-woman-unknown.html#respond</comments>
		
		<dc:creator><![CDATA[The New York Times]]></dc:creator>
		<pubDate>Sun, 13 Sep 2026 18:30:00 +0000</pubDate>
				<category><![CDATA[AUDIENCE]]></category>
		<category><![CDATA[MEDIA]]></category>
		<guid isPermaLink="false">https://www.artsjournal.com/?p=448663</guid>

					<description><![CDATA[<a href="https://www.nytimes.com/2026/09/12/movies/venice-film-festival-golden-lion-woman-unknown.html" title="At The Venice Film Fest, ‘Woman Unknown’ Wins Big" rel="nofollow"><img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/09/Screenshot-2026-09-13-at-14.27.25-90x90.png" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="1" decoding="async" loading="lazy" srcset="https://www.artsjournal.com/belknap/wp-content/uploads/2026/09/Screenshot-2026-09-13-at-14.27.25-90x90.png 90w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/09/Screenshot-2026-09-13-at-14.27.25-300x300.png 300w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/09/Screenshot-2026-09-13-at-14.27.25.png 400w" sizes="auto, (max-width: 90px) 100vw, 90px" /></a>“The film, a period drama set in Denmark, follows a servant about to marry her factory-owner employer in the uneasy years after World War II.” &#8211; The New York Times]]></description>
										<content:encoded><![CDATA[<a href="https://www.nytimes.com/2026/09/12/movies/venice-film-festival-golden-lion-woman-unknown.html" title="At The Venice Film Fest, ‘Woman Unknown’ Wins Big" rel="nofollow"><img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/09/Screenshot-2026-09-13-at-14.27.25-90x90.png" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="1" decoding="async" loading="lazy" srcset="https://www.artsjournal.com/belknap/wp-content/uploads/2026/09/Screenshot-2026-09-13-at-14.27.25-90x90.png 90w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/09/Screenshot-2026-09-13-at-14.27.25-300x300.png 300w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/09/Screenshot-2026-09-13-at-14.27.25.png 400w" sizes="auto, (max-width: 90px) 100vw, 90px" /></a>
<p class="wp-block-paragraph">“The film, a period drama set in Denmark, follows a servant about to marry her factory-owner employer in the uneasy years after World War II.” &#8211; <em><a href="https://www.nytimes.com/2026/09/12/movies/venice-film-festival-golden-lion-woman-unknown.html">The New York Times</a></em></p>
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		<title>How, Exactly, Will AI Transform Capitalism?</title>
		<link>https://www.theguardian.com/technology/2026/sep/13/ai-will-transform-capitalism-but-how</link>
					<comments>https://www.theguardian.com/technology/2026/sep/13/ai-will-transform-capitalism-but-how#respond</comments>
		
		<dc:creator><![CDATA[The Guardian (UK)]]></dc:creator>
		<pubDate>Sun, 13 Sep 2026 18:00:00 +0000</pubDate>
				<category><![CDATA[ISSUES]]></category>
		<category><![CDATA[featured]]></category>
		<guid isPermaLink="false">https://www.artsjournal.com/?p=448660</guid>

					<description><![CDATA[<a href="https://www.theguardian.com/technology/2026/sep/13/ai-will-transform-capitalism-but-how" title="How, Exactly, Will AI Transform Capitalism?" rel="nofollow"><img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/09/Screenshot-2026-09-13-at-14.24.52-90x90.png" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="1" decoding="async" loading="lazy" srcset="https://www.artsjournal.com/belknap/wp-content/uploads/2026/09/Screenshot-2026-09-13-at-14.24.52-90x90.png 90w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/09/Screenshot-2026-09-13-at-14.24.52-300x300.png 300w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/09/Screenshot-2026-09-13-at-14.24.52.png 400w" sizes="auto, (max-width: 90px) 100vw, 90px" /></a>We know AI is going to change everything, but how? “We face a choice: delay and obstruct AI adoption in the name of social justice, or embrace it in a radically altered form.” &#8211; The Guardian (UK)]]></description>
										<content:encoded><![CDATA[<a href="https://www.theguardian.com/technology/2026/sep/13/ai-will-transform-capitalism-but-how" title="How, Exactly, Will AI Transform Capitalism?" rel="nofollow"><img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/09/Screenshot-2026-09-13-at-14.24.52-90x90.png" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="1" decoding="async" loading="lazy" srcset="https://www.artsjournal.com/belknap/wp-content/uploads/2026/09/Screenshot-2026-09-13-at-14.24.52-90x90.png 90w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/09/Screenshot-2026-09-13-at-14.24.52-300x300.png 300w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/09/Screenshot-2026-09-13-at-14.24.52.png 400w" sizes="auto, (max-width: 90px) 100vw, 90px" /></a>
<p class="wp-block-paragraph">We know AI is going to change everything, but how? “We face a choice: delay and obstruct AI adoption in the name of social justice, or embrace it in a radically altered form.” &#8211; <em><a href="https://www.theguardian.com/technology/2026/sep/13/ai-will-transform-capitalism-but-how">The Guardian (UK)</a></em></p>
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		<title>Jonathan Cooper, One Of The Rare Fine Violin-Makers In The US, Has Died At 76</title>
		<link>https://www.nytimes.com/2026/09/12/arts/music/jonathan-cooper-dead.html</link>
					<comments>https://www.nytimes.com/2026/09/12/arts/music/jonathan-cooper-dead.html#respond</comments>
		
		<dc:creator><![CDATA[The New York Times]]></dc:creator>
		<pubDate>Sun, 13 Sep 2026 17:30:00 +0000</pubDate>
				<category><![CDATA[PEOPLE]]></category>
		<guid isPermaLink="false">https://www.artsjournal.com/?p=448657</guid>

					<description><![CDATA[<a href="https://www.nytimes.com/2026/09/12/arts/music/jonathan-cooper-dead.html" title="Jonathan Cooper, One Of The Rare Fine Violin-Makers In The US, Has Died At 76" rel="nofollow"><img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/09/Screenshot-2026-09-13-at-14.20.08-90x90.png" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="1" decoding="async" loading="lazy" srcset="https://www.artsjournal.com/belknap/wp-content/uploads/2026/09/Screenshot-2026-09-13-at-14.20.08-90x90.png 90w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/09/Screenshot-2026-09-13-at-14.20.08-300x300.png 300w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/09/Screenshot-2026-09-13-at-14.20.08.png 400w" sizes="auto, (max-width: 90px) 100vw, 90px" /></a>Cooper was “a luthier who crafted violins of such supple tone and exquisite range that they allowed players to bridge the gap between classical and American fiddle instrumentation, making him a favorite of musicians like Mark O’Connor and Alison Krauss.” &#8211; The New York Times]]></description>
										<content:encoded><![CDATA[<a href="https://www.nytimes.com/2026/09/12/arts/music/jonathan-cooper-dead.html" title="Jonathan Cooper, One Of The Rare Fine Violin-Makers In The US, Has Died At 76" rel="nofollow"><img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/09/Screenshot-2026-09-13-at-14.20.08-90x90.png" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="1" decoding="async" loading="lazy" srcset="https://www.artsjournal.com/belknap/wp-content/uploads/2026/09/Screenshot-2026-09-13-at-14.20.08-90x90.png 90w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/09/Screenshot-2026-09-13-at-14.20.08-300x300.png 300w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/09/Screenshot-2026-09-13-at-14.20.08.png 400w" sizes="auto, (max-width: 90px) 100vw, 90px" /></a>
<p class="wp-block-paragraph">Cooper was “a luthier who crafted violins of such supple tone and exquisite range that they allowed players to bridge the gap between classical and American fiddle instrumentation, making him a favorite of musicians like Mark O’Connor and Alison Krauss.” &#8211; <em><a href="https://www.nytimes.com/2026/09/12/arts/music/jonathan-cooper-dead.html">The New York Times</a></em></p>
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		<title>The Musician And Artist Behind The World Of Meadowlark</title>
		<link>https://www.theguardian.com/music/2026/sep/11/somewhere-to-be-themselves-and-be-kind-the-filipino-folk-popper-creating-a-hand-drawn-world-for-gen-z-to-escape-to</link>
					<comments>https://www.theguardian.com/music/2026/sep/11/somewhere-to-be-themselves-and-be-kind-the-filipino-folk-popper-creating-a-hand-drawn-world-for-gen-z-to-escape-to#respond</comments>
		
		<dc:creator><![CDATA[The Guardian (UK)]]></dc:creator>
		<pubDate>Sun, 13 Sep 2026 17:00:00 +0000</pubDate>
				<category><![CDATA[MUSIC]]></category>
		<guid isPermaLink="false">https://www.artsjournal.com/?p=448654</guid>

					<description><![CDATA[<a href="https://www.theguardian.com/music/2026/sep/11/somewhere-to-be-themselves-and-be-kind-the-filipino-folk-popper-creating-a-hand-drawn-world-for-gen-z-to-escape-to" title="The Musician And Artist Behind The World Of Meadowlark" rel="nofollow"><img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/09/Screenshot-2026-09-13-at-14.15.57-90x90.png" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="1" decoding="async" loading="lazy" srcset="https://www.artsjournal.com/belknap/wp-content/uploads/2026/09/Screenshot-2026-09-13-at-14.15.57-90x90.png 90w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/09/Screenshot-2026-09-13-at-14.15.57-300x300.png 300w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/09/Screenshot-2026-09-13-at-14.15.57.png 400w" sizes="auto, (max-width: 90px) 100vw, 90px" /></a>“Meadowlark’s kids transmit messages of bravery and courage and celebrate childlike wonder in a world determined to stamp it out. Ósk’s folkloric storytelling has created a deeply parasocial fandom, attracting followers who find solace in this outsider world.” &#8211; The Guardian (UK)]]></description>
										<content:encoded><![CDATA[<a href="https://www.theguardian.com/music/2026/sep/11/somewhere-to-be-themselves-and-be-kind-the-filipino-folk-popper-creating-a-hand-drawn-world-for-gen-z-to-escape-to" title="The Musician And Artist Behind The World Of Meadowlark" rel="nofollow"><img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/09/Screenshot-2026-09-13-at-14.15.57-90x90.png" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="1" decoding="async" loading="lazy" srcset="https://www.artsjournal.com/belknap/wp-content/uploads/2026/09/Screenshot-2026-09-13-at-14.15.57-90x90.png 90w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/09/Screenshot-2026-09-13-at-14.15.57-300x300.png 300w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/09/Screenshot-2026-09-13-at-14.15.57.png 400w" sizes="auto, (max-width: 90px) 100vw, 90px" /></a>
<p class="wp-block-paragraph">“Meadowlark’s kids transmit messages of bravery and courage and celebrate childlike wonder in a world determined to stamp it out. Ósk’s folkloric storytelling has created a deeply parasocial fandom, attracting followers who find solace in this outsider world.” &#8211; <em><a href="https://www.theguardian.com/music/2026/sep/11/somewhere-to-be-themselves-and-be-kind-the-filipino-folk-popper-creating-a-hand-drawn-world-for-gen-z-to-escape-to">The Guardian (UK)</a></em></p>
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		<title>Turns Out That ‘Call My Agent’ Was Barely Even A Satire</title>
		<link>https://www.irishtimes.com/culture/tv-radio/2026/09/13/call-my-agent-actor-camille-cottin-says-star-studded-celeb-satire-is-a-show-about-work/</link>
					<comments>https://www.irishtimes.com/culture/tv-radio/2026/09/13/call-my-agent-actor-camille-cottin-says-star-studded-celeb-satire-is-a-show-about-work/#respond</comments>
		
		<dc:creator><![CDATA[Irish Times]]></dc:creator>
		<pubDate>Sun, 13 Sep 2026 16:30:00 +0000</pubDate>
				<category><![CDATA[MEDIA]]></category>
		<guid isPermaLink="false">https://www.artsjournal.com/?p=448651</guid>

					<description><![CDATA[<a href="https://www.irishtimes.com/culture/tv-radio/2026/09/13/call-my-agent-actor-camille-cottin-says-star-studded-celeb-satire-is-a-show-about-work/" title="Turns Out That ‘Call My Agent’ Was Barely Even A Satire" rel="nofollow"><img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/09/Screenshot-2026-09-13-at-14.10.46-90x90.png" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="1" decoding="async" loading="lazy" srcset="https://www.artsjournal.com/belknap/wp-content/uploads/2026/09/Screenshot-2026-09-13-at-14.10.46-90x90.png 90w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/09/Screenshot-2026-09-13-at-14.10.46-300x300.png 300w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/09/Screenshot-2026-09-13-at-14.10.46.png 400w" sizes="auto, (max-width: 90px) 100vw, 90px" /></a>When the series began, or even during financing, “There was scepticism about whether anyone in France, let alone audiences around the world, had any interest in a dramedy that pulled back the veil on the Gallic film industry.” Er … very, very wrong. &#8211; Irish Times]]></description>
										<content:encoded><![CDATA[<a href="https://www.irishtimes.com/culture/tv-radio/2026/09/13/call-my-agent-actor-camille-cottin-says-star-studded-celeb-satire-is-a-show-about-work/" title="Turns Out That ‘Call My Agent’ Was Barely Even A Satire" rel="nofollow"><img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/09/Screenshot-2026-09-13-at-14.10.46-90x90.png" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="1" decoding="async" loading="lazy" srcset="https://www.artsjournal.com/belknap/wp-content/uploads/2026/09/Screenshot-2026-09-13-at-14.10.46-90x90.png 90w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/09/Screenshot-2026-09-13-at-14.10.46-300x300.png 300w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/09/Screenshot-2026-09-13-at-14.10.46.png 400w" sizes="auto, (max-width: 90px) 100vw, 90px" /></a>
<p class="wp-block-paragraph">When the series began, or even during financing, “There was scepticism about whether anyone in France, let alone audiences around the world, had any interest in a dramedy that pulled back the veil on the Gallic film industry.”  Er … <em>very</em>, very wrong. &#8211; <em><a href="https://www.irishtimes.com/culture/tv-radio/2026/09/13/call-my-agent-actor-camille-cottin-says-star-studded-celeb-satire-is-a-show-about-work/">Irish Times</a></em></p>
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		<title>Every Real City Needs A Cheap Music Venue</title>
		<link>https://www.nytimes.com/2026/09/12/arts/music/music-hall-williamsburg-nyc-venues.html</link>
					<comments>https://www.nytimes.com/2026/09/12/arts/music/music-hall-williamsburg-nyc-venues.html#respond</comments>
		
		<dc:creator><![CDATA[The New York Times]]></dc:creator>
		<pubDate>Sun, 13 Sep 2026 16:00:00 +0000</pubDate>
				<category><![CDATA[MUSIC]]></category>
		<guid isPermaLink="false">https://www.artsjournal.com/?p=448648</guid>

					<description><![CDATA[<a href="https://www.nytimes.com/2026/09/12/arts/music/music-hall-williamsburg-nyc-venues.html" title="Every Real City Needs A Cheap Music Venue" rel="nofollow"><img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/09/Screenshot-2026-09-13-at-14.08.13-90x90.png" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="1" decoding="async" loading="lazy" srcset="https://www.artsjournal.com/belknap/wp-content/uploads/2026/09/Screenshot-2026-09-13-at-14.08.13-90x90.png 90w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/09/Screenshot-2026-09-13-at-14.08.13-300x300.png 300w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/09/Screenshot-2026-09-13-at-14.08.13.png 400w" sizes="auto, (max-width: 90px) 100vw, 90px" /></a>As the Music Hall of Williamsburg closes, one fan wonders what will happen next. &#8211; The New York Times]]></description>
										<content:encoded><![CDATA[<a href="https://www.nytimes.com/2026/09/12/arts/music/music-hall-williamsburg-nyc-venues.html" title="Every Real City Needs A Cheap Music Venue" rel="nofollow"><img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/09/Screenshot-2026-09-13-at-14.08.13-90x90.png" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="1" decoding="async" loading="lazy" srcset="https://www.artsjournal.com/belknap/wp-content/uploads/2026/09/Screenshot-2026-09-13-at-14.08.13-90x90.png 90w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/09/Screenshot-2026-09-13-at-14.08.13-300x300.png 300w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/09/Screenshot-2026-09-13-at-14.08.13.png 400w" sizes="auto, (max-width: 90px) 100vw, 90px" /></a>
<p class="wp-block-paragraph">As the Music Hall of Williamsburg closes, one fan wonders what will happen next. &#8211; <em><a href="https://www.nytimes.com/2026/09/12/arts/music/music-hall-williamsburg-nyc-venues.html">The New York Times</a></em></p>
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		<title>Parents, Children Sue Meta Over Their Images Being Used For AI Facial Recognition</title>
		<link>https://www.wired.com/story/meta-sued-over-training-data-for-its-ai-and-face-recognition-systems/</link>
					<comments>https://www.wired.com/story/meta-sued-over-training-data-for-its-ai-and-face-recognition-systems/#respond</comments>
		
		<dc:creator><![CDATA[Wired]]></dc:creator>
		<pubDate>Sun, 13 Sep 2026 15:30:00 +0000</pubDate>
				<category><![CDATA[ISSUES]]></category>
		<guid isPermaLink="false">https://www.artsjournal.com/?p=448645</guid>

					<description><![CDATA[<a href="https://www.wired.com/story/meta-sued-over-training-data-for-its-ai-and-face-recognition-systems/" title="Parents, Children Sue Meta Over Their Images Being Used For AI Facial Recognition" rel="nofollow"><img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/09/Screenshot-2026-09-13-at-13.55.27-90x90.png" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="1" decoding="async" loading="lazy" srcset="https://www.artsjournal.com/belknap/wp-content/uploads/2026/09/Screenshot-2026-09-13-at-13.55.27-90x90.png 90w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/09/Screenshot-2026-09-13-at-13.55.27-300x300.png 300w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/09/Screenshot-2026-09-13-at-13.55.27.png 400w" sizes="auto, (max-width: 90px) 100vw, 90px" /></a>“The proposed class action alleges that Meta violated Illinois and California privacy laws by extracting biometric information from people’s photos without notice or consent” for training smart glasses &#8211; and generative AI images. &#8211; Wired]]></description>
										<content:encoded><![CDATA[<a href="https://www.wired.com/story/meta-sued-over-training-data-for-its-ai-and-face-recognition-systems/" title="Parents, Children Sue Meta Over Their Images Being Used For AI Facial Recognition" rel="nofollow"><img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/09/Screenshot-2026-09-13-at-13.55.27-90x90.png" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="1" decoding="async" loading="lazy" srcset="https://www.artsjournal.com/belknap/wp-content/uploads/2026/09/Screenshot-2026-09-13-at-13.55.27-90x90.png 90w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/09/Screenshot-2026-09-13-at-13.55.27-300x300.png 300w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/09/Screenshot-2026-09-13-at-13.55.27.png 400w" sizes="auto, (max-width: 90px) 100vw, 90px" /></a>
<p class="wp-block-paragraph">“The proposed class action alleges that Meta violated Illinois and California privacy laws by extracting biometric information from people’s photos without notice or consent” for training smart glasses &#8211; and generative AI images. &#8211; <em><a href="https://www.wired.com/story/meta-sued-over-training-data-for-its-ai-and-face-recognition-systems/">Wired</a></em></p>
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		<title>As More And More Small Museums Get Hit By Thieves, Can France Keep Its Art At All Safe?</title>
		<link>https://www.nytimes.com/2026/09/13/arts/design/louvre-france-museum-robberies.html</link>
					<comments>https://www.nytimes.com/2026/09/13/arts/design/louvre-france-museum-robberies.html#respond</comments>
		
		<dc:creator><![CDATA[The New York Times]]></dc:creator>
		<pubDate>Sun, 13 Sep 2026 15:00:00 +0000</pubDate>
				<category><![CDATA[VISUAL]]></category>
		<category><![CDATA[featured]]></category>
		<guid isPermaLink="false">https://www.artsjournal.com/?p=448642</guid>

					<description><![CDATA[<a href="https://www.nytimes.com/2026/09/13/arts/design/louvre-france-museum-robberies.html" title="As More And More Small Museums Get Hit By Thieves, Can France Keep Its Art At All Safe?" rel="nofollow"><img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/09/Screenshot-2026-09-13-at-13.51.54-90x90.png" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="1" decoding="async" loading="lazy" srcset="https://www.artsjournal.com/belknap/wp-content/uploads/2026/09/Screenshot-2026-09-13-at-13.51.54-90x90.png 90w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/09/Screenshot-2026-09-13-at-13.51.54-300x300.png 300w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/09/Screenshot-2026-09-13-at-13.51.54.png 400w" sizes="auto, (max-width: 90px) 100vw, 90px" /></a>“Museum workers, the police and government officials are rattled. They worry about how to protect France’s cultural patrimony in an era of increasingly violent criminal gangs, some of whom have broken into museums in broad daylight.” &#8211; The New York Times]]></description>
										<content:encoded><![CDATA[<a href="https://www.nytimes.com/2026/09/13/arts/design/louvre-france-museum-robberies.html" title="As More And More Small Museums Get Hit By Thieves, Can France Keep Its Art At All Safe?" rel="nofollow"><img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/09/Screenshot-2026-09-13-at-13.51.54-90x90.png" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="1" decoding="async" loading="lazy" srcset="https://www.artsjournal.com/belknap/wp-content/uploads/2026/09/Screenshot-2026-09-13-at-13.51.54-90x90.png 90w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/09/Screenshot-2026-09-13-at-13.51.54-300x300.png 300w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/09/Screenshot-2026-09-13-at-13.51.54.png 400w" sizes="auto, (max-width: 90px) 100vw, 90px" /></a>
<p class="wp-block-paragraph">“Museum workers, the police and government officials are rattled. They worry about how to protect France’s cultural patrimony in an era of increasingly violent criminal gangs, some of whom have broken into museums in broad daylight.” &#8211; <em><a href="https://www.nytimes.com/2026/09/13/arts/design/louvre-france-museum-robberies.html">The New York Times</a></em></p>
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		<title>That Time When Russian Printers Went On Strike Over Commas</title>
		<link>https://lithub.com/121-years-ago-russian-printers-went-on-strike-over-commas/</link>
					<comments>https://lithub.com/121-years-ago-russian-printers-went-on-strike-over-commas/#respond</comments>
		
		<dc:creator><![CDATA[LitHub]]></dc:creator>
		<pubDate>Sun, 13 Sep 2026 14:30:00 +0000</pubDate>
				<category><![CDATA[WORDS]]></category>
		<guid isPermaLink="false">https://www.artsjournal.com/?p=448639</guid>

					<description><![CDATA[<a href="https://lithub.com/121-years-ago-russian-printers-went-on-strike-over-commas/" title="That Time When Russian Printers Went On Strike Over Commas" rel="nofollow"><img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/09/Screenshot-2026-09-13-at-13.49.43-90x90.png" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="1" decoding="async" loading="lazy" srcset="https://www.artsjournal.com/belknap/wp-content/uploads/2026/09/Screenshot-2026-09-13-at-13.49.43-90x90.png 90w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/09/Screenshot-2026-09-13-at-13.49.43-300x300.png 300w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/09/Screenshot-2026-09-13-at-13.49.43.png 400w" sizes="auto, (max-width: 90px) 100vw, 90px" /></a>“At the time, printers were paid by the letter set, but this didn’t include punctuation.” The workers were not having it. &#8211; LitHub]]></description>
										<content:encoded><![CDATA[<a href="https://lithub.com/121-years-ago-russian-printers-went-on-strike-over-commas/" title="That Time When Russian Printers Went On Strike Over Commas" rel="nofollow"><img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/09/Screenshot-2026-09-13-at-13.49.43-90x90.png" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="1" decoding="async" loading="lazy" srcset="https://www.artsjournal.com/belknap/wp-content/uploads/2026/09/Screenshot-2026-09-13-at-13.49.43-90x90.png 90w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/09/Screenshot-2026-09-13-at-13.49.43-300x300.png 300w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/09/Screenshot-2026-09-13-at-13.49.43.png 400w" sizes="auto, (max-width: 90px) 100vw, 90px" /></a>
<p class="wp-block-paragraph">“At the time, printers were paid by the letter set, but this didn’t include punctuation.” The workers were <em>not</em> having it. &#8211; <em><a href="https://lithub.com/121-years-ago-russian-printers-went-on-strike-over-commas/">LitHub</a></em></p>
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		<title>Sarah Paulson On The Long Slog For A Great Movie Part</title>
		<link>https://variety.com/2026/film/features/sarah-paulson-closing-night-tiff-oscar-ryan-murphy-pedro-pascal-american-horror-story-1236859369/</link>
					<comments>https://variety.com/2026/film/features/sarah-paulson-closing-night-tiff-oscar-ryan-murphy-pedro-pascal-american-horror-story-1236859369/#respond</comments>
		
		<dc:creator><![CDATA[Variety]]></dc:creator>
		<pubDate>Sun, 13 Sep 2026 14:00:00 +0000</pubDate>
				<category><![CDATA[MEDIA]]></category>
		<guid isPermaLink="false">https://www.artsjournal.com/?p=448636</guid>

					<description><![CDATA[<a href="https://variety.com/2026/film/features/sarah-paulson-closing-night-tiff-oscar-ryan-murphy-pedro-pascal-american-horror-story-1236859369/" title="Sarah Paulson On The Long Slog For A Great Movie Part" rel="nofollow"><img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/09/Screenshot-2026-09-13-at-13.45.54-90x90.png" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="1" decoding="async" loading="lazy" srcset="https://www.artsjournal.com/belknap/wp-content/uploads/2026/09/Screenshot-2026-09-13-at-13.45.54-90x90.png 90w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/09/Screenshot-2026-09-13-at-13.45.54-300x300.png 300w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/09/Screenshot-2026-09-13-at-13.45.54.png 400w" sizes="auto, (max-width: 90px) 100vw, 90px" /></a>When Paulson got the script from fellow actor and writer Cody Fern, “I thought he must have sent [the script] to Cate Blanchett or Kate Winslet. … It’s a part in the film space that I haven’t had the opportunity to embody.” &#8211; Variety]]></description>
										<content:encoded><![CDATA[<a href="https://variety.com/2026/film/features/sarah-paulson-closing-night-tiff-oscar-ryan-murphy-pedro-pascal-american-horror-story-1236859369/" title="Sarah Paulson On The Long Slog For A Great Movie Part" rel="nofollow"><img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/09/Screenshot-2026-09-13-at-13.45.54-90x90.png" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="1" decoding="async" loading="lazy" srcset="https://www.artsjournal.com/belknap/wp-content/uploads/2026/09/Screenshot-2026-09-13-at-13.45.54-90x90.png 90w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/09/Screenshot-2026-09-13-at-13.45.54-300x300.png 300w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/09/Screenshot-2026-09-13-at-13.45.54.png 400w" sizes="auto, (max-width: 90px) 100vw, 90px" /></a>
<p class="wp-block-paragraph">When Paulson got the script from fellow actor and writer Cody Fern, “I thought he must have sent [the script] to Cate Blanchett or Kate Winslet. … It’s a part in the film space that I haven’t had the opportunity to embody.” &#8211; <em><a href="https://variety.com/2026/film/features/sarah-paulson-closing-night-tiff-oscar-ryan-murphy-pedro-pascal-american-horror-story-1236859369/">Variety</a></em></p>
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		<title>Jay Maisel, Photographer Of Miles Davis And So Many More, Dies At 95</title>
		<link>https://www.nytimes.com/2026/09/11/arts/jay-maisel-dead.html</link>
					<comments>https://www.nytimes.com/2026/09/11/arts/jay-maisel-dead.html#respond</comments>
		
		<dc:creator><![CDATA[The New York Times]]></dc:creator>
		<pubDate>Sun, 13 Sep 2026 13:30:00 +0000</pubDate>
				<category><![CDATA[PEOPLE]]></category>
		<guid isPermaLink="false">https://www.artsjournal.com/?p=448633</guid>

					<description><![CDATA[<a href="https://www.nytimes.com/2026/09/11/arts/jay-maisel-dead.html" title="Jay Maisel, Photographer Of Miles Davis And So Many More, Dies At 95" rel="nofollow"><img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/09/Screenshot-2026-09-13-at-13.43.11-90x90.png" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="1" decoding="async" loading="lazy" srcset="https://www.artsjournal.com/belknap/wp-content/uploads/2026/09/Screenshot-2026-09-13-at-13.43.11-90x90.png 90w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/09/Screenshot-2026-09-13-at-13.43.11-300x300.png 300w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/09/Screenshot-2026-09-13-at-13.43.11.png 400w" sizes="auto, (max-width: 90px) 100vw, 90px" /></a>“While not necessarily his best photograph — he wished it had been sharper — the Davis picture became part of a portfolio of remarkable depth.” &#8211; The New York Times]]></description>
										<content:encoded><![CDATA[<a href="https://www.nytimes.com/2026/09/11/arts/jay-maisel-dead.html" title="Jay Maisel, Photographer Of Miles Davis And So Many More, Dies At 95" rel="nofollow"><img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/09/Screenshot-2026-09-13-at-13.43.11-90x90.png" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="1" decoding="async" loading="lazy" srcset="https://www.artsjournal.com/belknap/wp-content/uploads/2026/09/Screenshot-2026-09-13-at-13.43.11-90x90.png 90w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/09/Screenshot-2026-09-13-at-13.43.11-300x300.png 300w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/09/Screenshot-2026-09-13-at-13.43.11.png 400w" sizes="auto, (max-width: 90px) 100vw, 90px" /></a>
<p class="wp-block-paragraph">“While not necessarily his best photograph — he wished it had been sharper — the Davis picture became part of a portfolio of remarkable depth.” &#8211; <em><a href="https://www.nytimes.com/2026/09/11/arts/jay-maisel-dead.html">The New York Times</a></em></p>
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		<title>The Current President Of The United States Wants To Install A ‘Colossus’ Statue Of The First President</title>
		<link>https://www.theguardian.com/us-news/2026/sep/12/trump-smithsonian-george-washington-statue-exhibit</link>
					<comments>https://www.theguardian.com/us-news/2026/sep/12/trump-smithsonian-george-washington-statue-exhibit#respond</comments>
		
		<dc:creator><![CDATA[The Guardian (UK)]]></dc:creator>
		<pubDate>Sun, 13 Sep 2026 13:00:00 +0000</pubDate>
				<category><![CDATA[VISUAL]]></category>
		<guid isPermaLink="false">https://www.artsjournal.com/?p=448630</guid>

					<description><![CDATA[<a href="https://www.theguardian.com/us-news/2026/sep/12/trump-smithsonian-george-washington-statue-exhibit" title="The Current President Of The United States Wants To Install A ‘Colossus’ Statue Of The First President" rel="nofollow"><img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/09/Screenshot-2026-09-13-at-09.33.51-90x90.png" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="1" decoding="async" loading="lazy" srcset="https://www.artsjournal.com/belknap/wp-content/uploads/2026/09/Screenshot-2026-09-13-at-09.33.51-90x90.png 90w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/09/Screenshot-2026-09-13-at-09.33.51-300x300.png 300w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/09/Screenshot-2026-09-13-at-09.33.51.png 400w" sizes="auto, (max-width: 90px) 100vw, 90px" /></a>Of course, the “request” came on conservative social media site Truth Social. It “underscores a perception that he sees himself as curator-in-chief of the nation’s national museum.” &#8211; The Guardian (UK)]]></description>
										<content:encoded><![CDATA[<a href="https://www.theguardian.com/us-news/2026/sep/12/trump-smithsonian-george-washington-statue-exhibit" title="The Current President Of The United States Wants To Install A ‘Colossus’ Statue Of The First President" rel="nofollow"><img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/09/Screenshot-2026-09-13-at-09.33.51-90x90.png" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="1" decoding="async" loading="lazy" srcset="https://www.artsjournal.com/belknap/wp-content/uploads/2026/09/Screenshot-2026-09-13-at-09.33.51-90x90.png 90w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/09/Screenshot-2026-09-13-at-09.33.51-300x300.png 300w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/09/Screenshot-2026-09-13-at-09.33.51.png 400w" sizes="auto, (max-width: 90px) 100vw, 90px" /></a>
<p class="wp-block-paragraph">Of course, the “request” came on conservative social media site Truth Social. It “underscores a perception that he sees himself as curator-in-chief of the nation’s national museum.” &#8211; <em><a href="https://www.theguardian.com/us-news/2026/sep/12/trump-smithsonian-george-washington-statue-exhibit">The Guardian (UK)</a></em></p>
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		<title>Is Talk Of Extinction Simply Meant To Distract Us From The True Threats Of AI?</title>
		<link>https://www.wired.com/story/one-of-ais-fiercest-critics-says-all-the-doom-talk-is-meant-to-distract-us/</link>
					<comments>https://www.wired.com/story/one-of-ais-fiercest-critics-says-all-the-doom-talk-is-meant-to-distract-us/#respond</comments>
		
		<dc:creator><![CDATA[Wired]]></dc:creator>
		<pubDate>Sun, 13 Sep 2026 12:30:00 +0000</pubDate>
				<category><![CDATA[IDEAS]]></category>
		<guid isPermaLink="false">https://www.artsjournal.com/?p=448627</guid>

					<description><![CDATA[<a href="https://www.wired.com/story/one-of-ais-fiercest-critics-says-all-the-doom-talk-is-meant-to-distract-us/" title="Is Talk Of Extinction Simply Meant To Distract Us From The True Threats Of AI?" rel="nofollow"><img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/09/Screenshot-2026-09-13-at-09.13.48-90x90.png" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="1" decoding="async" loading="lazy" srcset="https://www.artsjournal.com/belknap/wp-content/uploads/2026/09/Screenshot-2026-09-13-at-09.13.48-90x90.png 90w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/09/Screenshot-2026-09-13-at-09.13.48-300x300.png 300w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/09/Screenshot-2026-09-13-at-09.13.48.png 400w" sizes="auto, (max-width: 90px) 100vw, 90px" /></a>Timnit Gebru: Sometimes “I read quotes to people about artificial intelligence that I’ve gathered in my research, and I ask, What decade was this statement made in? Sometimes people get it right, but a lot of times they do not, because it all sounds the same.” &#8211; Wired]]></description>
										<content:encoded><![CDATA[<a href="https://www.wired.com/story/one-of-ais-fiercest-critics-says-all-the-doom-talk-is-meant-to-distract-us/" title="Is Talk Of Extinction Simply Meant To Distract Us From The True Threats Of AI?" rel="nofollow"><img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/09/Screenshot-2026-09-13-at-09.13.48-90x90.png" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="1" decoding="async" loading="lazy" srcset="https://www.artsjournal.com/belknap/wp-content/uploads/2026/09/Screenshot-2026-09-13-at-09.13.48-90x90.png 90w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/09/Screenshot-2026-09-13-at-09.13.48-300x300.png 300w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/09/Screenshot-2026-09-13-at-09.13.48.png 400w" sizes="auto, (max-width: 90px) 100vw, 90px" /></a>
<p class="wp-block-paragraph">Timnit Gebru: Sometimes “I read quotes to people about artificial intelligence that I’ve gathered in my research, and I ask, What decade was this statement made in? Sometimes people get it right, but a lot of times they do not, because it all sounds the same.” &#8211; <em><a href="https://www.wired.com/story/one-of-ais-fiercest-critics-says-all-the-doom-talk-is-meant-to-distract-us/">Wired</a></em></p>
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		<title>The Warnermount Talks Will Continue Next Month</title>
		<link>https://www.vulture.com/article/warnermount-talks-resume-october.html</link>
					<comments>https://www.vulture.com/article/warnermount-talks-resume-october.html#respond</comments>
		
		<dc:creator><![CDATA[Vulture]]></dc:creator>
		<pubDate>Sun, 13 Sep 2026 12:00:00 +0000</pubDate>
				<category><![CDATA[MEDIA]]></category>
		<guid isPermaLink="false">https://www.artsjournal.com/?p=448624</guid>

					<description><![CDATA[<a href="https://www.vulture.com/article/warnermount-talks-resume-october.html" title="The Warnermount Talks Will Continue Next Month" rel="nofollow"><img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/09/Screenshot-2026-09-13-at-09.11.57-90x90.png" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="1" decoding="async" loading="lazy" srcset="https://www.artsjournal.com/belknap/wp-content/uploads/2026/09/Screenshot-2026-09-13-at-09.11.57-90x90.png 90w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/09/Screenshot-2026-09-13-at-09.11.57-300x300.png 300w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/09/Screenshot-2026-09-13-at-09.11.57.png 400w" sizes="auto, (max-width: 90px) 100vw, 90px" /></a>Hm: “A judge has instructed Paramount, California attorney general Rob Bonta, and the Writers Guild of America to sit down and talk face-to-face in a month.” &#8211; Vulture]]></description>
										<content:encoded><![CDATA[<a href="https://www.vulture.com/article/warnermount-talks-resume-october.html" title="The Warnermount Talks Will Continue Next Month" rel="nofollow"><img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/09/Screenshot-2026-09-13-at-09.11.57-90x90.png" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="1" decoding="async" loading="lazy" srcset="https://www.artsjournal.com/belknap/wp-content/uploads/2026/09/Screenshot-2026-09-13-at-09.11.57-90x90.png 90w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/09/Screenshot-2026-09-13-at-09.11.57-300x300.png 300w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/09/Screenshot-2026-09-13-at-09.11.57.png 400w" sizes="auto, (max-width: 90px) 100vw, 90px" /></a>
<p class="wp-block-paragraph">Hm: “A judge has instructed Paramount, California attorney general Rob Bonta, and the Writers Guild of America to sit down and talk face-to-face in a month.” &#8211; <em><a href="https://www.vulture.com/article/warnermount-talks-resume-october.html">Vulture</a></em></p>
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		<title>Just How Much Is Your TV Spying On You?</title>
		<link>https://www.theverge.com/tech/994333/lg-responds-to-tv-spying-allegations</link>
					<comments>https://www.theverge.com/tech/994333/lg-responds-to-tv-spying-allegations#respond</comments>
		
		<dc:creator><![CDATA[The Verge]]></dc:creator>
		<pubDate>Sun, 13 Sep 2026 11:30:00 +0000</pubDate>
				<category><![CDATA[ISSUES]]></category>
		<guid isPermaLink="false">https://www.artsjournal.com/?p=448621</guid>

					<description><![CDATA[<a href="https://www.theverge.com/tech/994333/lg-responds-to-tv-spying-allegations" title="Just How Much Is Your TV Spying On You?" rel="nofollow"><img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/09/Screenshot-2026-09-13-at-09.08.38-90x90.png" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="1" decoding="async" loading="lazy" srcset="https://www.artsjournal.com/belknap/wp-content/uploads/2026/09/Screenshot-2026-09-13-at-09.08.38-90x90.png 90w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/09/Screenshot-2026-09-13-at-09.08.38-300x300.png 300w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/09/Screenshot-2026-09-13-at-09.08.38.png 400w" sizes="auto, (max-width: 90px) 100vw, 90px" /></a>Oh, says the company doing the spying, not that much. “The word ‘continuously’ is doing a lot of heavy lifting here as Gamers Nexus demonstrated on LG TV keeping extensive logs of ambient conversations.” This seems fine. &#8211; The Verge]]></description>
										<content:encoded><![CDATA[<a href="https://www.theverge.com/tech/994333/lg-responds-to-tv-spying-allegations" title="Just How Much Is Your TV Spying On You?" rel="nofollow"><img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/09/Screenshot-2026-09-13-at-09.08.38-90x90.png" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="1" decoding="async" loading="lazy" srcset="https://www.artsjournal.com/belknap/wp-content/uploads/2026/09/Screenshot-2026-09-13-at-09.08.38-90x90.png 90w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/09/Screenshot-2026-09-13-at-09.08.38-300x300.png 300w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/09/Screenshot-2026-09-13-at-09.08.38.png 400w" sizes="auto, (max-width: 90px) 100vw, 90px" /></a>
<p class="wp-block-paragraph">Oh, says the company doing the spying, not <em>that</em> much. “The word ‘continuously’ is doing a lot of heavy lifting here as Gamers Nexus demonstrated on LG TV keeping extensive logs of ambient conversations.” This seems fine. &#8211; <em><a href="https://www.theverge.com/tech/994333/lg-responds-to-tv-spying-allegations">The Verge</a></em></p>
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		<title>Learning, Or Re-Learning, The Story Told By The Bayeux Tapestry</title>
		<link>https://www.nytimes.com/2026/09/11/arts/design/bayeux-tapestry-british-museum.html</link>
					<comments>https://www.nytimes.com/2026/09/11/arts/design/bayeux-tapestry-british-museum.html#respond</comments>
		
		<dc:creator><![CDATA[The New York Times]]></dc:creator>
		<pubDate>Sun, 13 Sep 2026 11:00:00 +0000</pubDate>
				<category><![CDATA[VISUAL]]></category>
		<category><![CDATA[featured]]></category>
		<guid isPermaLink="false">https://www.artsjournal.com/?p=448616</guid>

					<description><![CDATA[<a href="https://www.nytimes.com/2026/09/11/arts/design/bayeux-tapestry-british-museum.html" title="Learning, Or Re-Learning, The Story Told By The Bayeux Tapestry" rel="nofollow"><img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/09/Screenshot-2026-09-13-at-09.05.10-90x90.png" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="1" decoding="async" loading="lazy" srcset="https://www.artsjournal.com/belknap/wp-content/uploads/2026/09/Screenshot-2026-09-13-at-09.05.10-90x90.png 90w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/09/Screenshot-2026-09-13-at-09.05.10-300x300.png 300w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/09/Screenshot-2026-09-13-at-09.05.10.png 400w" sizes="auto, (max-width: 90px) 100vw, 90px" /></a>What could justify moving the fragile tapestry to Britain this year? Probably politics: “Foot by foot, fiber by fiber, this is the material proof of England’s entwinement with the continent 21 miles from its coast.” &#8211; The New York Times]]></description>
										<content:encoded><![CDATA[<a href="https://www.nytimes.com/2026/09/11/arts/design/bayeux-tapestry-british-museum.html" title="Learning, Or Re-Learning, The Story Told By The Bayeux Tapestry" rel="nofollow"><img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/09/Screenshot-2026-09-13-at-09.05.10-90x90.png" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="1" decoding="async" loading="lazy" srcset="https://www.artsjournal.com/belknap/wp-content/uploads/2026/09/Screenshot-2026-09-13-at-09.05.10-90x90.png 90w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/09/Screenshot-2026-09-13-at-09.05.10-300x300.png 300w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/09/Screenshot-2026-09-13-at-09.05.10.png 400w" sizes="auto, (max-width: 90px) 100vw, 90px" /></a>
<p class="wp-block-paragraph">What could justify moving the fragile tapestry to Britain this year? Probably politics: “Foot by foot, fiber by fiber, this is the material proof of England’s entwinement with the continent 21 miles from its coast.” &#8211; <em><a href="https://www.nytimes.com/2026/09/11/arts/design/bayeux-tapestry-british-museum.html">The New York Times</a></em></p>
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		<title>Elizabeth Sobol shares how the arts transform human emotional and physical wellbeing</title>
		<link>https://www.artsjournal.com/artsengines/2026/09/12/elizabeth-sobol-shares-how-the-arts-transform-human-emotional-and-physical-wellbeing/</link>
		
		<dc:creator/>
		<pubDate>Sat, 12 Sep 2026 14:30:17 +0000</pubDate>
				<category><![CDATA[AJBlogs]]></category>
		<guid isPermaLink="false">https://www.artsjournal.com/?p=448614</guid>

					<description><![CDATA[<a href="https://www.artsjournal.com/artsengines/2026/09/12/elizabeth-sobol-shares-how-the-arts-transform-human-emotional-and-physical-wellbeing/" title="Elizabeth Sobol shares how the arts transform human emotional and physical wellbeing" rel="nofollow"><img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2021/06/LaughingPic-e1610650482993-600x600-2-e16254288449331-150x150.jpg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="1" decoding="async" loading="lazy" srcset="https://www.artsjournal.com/belknap/wp-content/uploads/2021/06/LaughingPic-e1610650482993-600x600-2-e16254288449331-150x150.jpg 150w, https://www.artsjournal.com/belknap/wp-content/uploads/2021/06/LaughingPic-e1610650482993-600x600-2-e16254288449331.jpg 175w" sizes="auto, (max-width: 90px) 100vw, 90px" /></a>Elizabeth Sobol, CEO of the Saratoga Performing Arts Center, talks about how the arts can transform human emotional, physical and social wellbeing.]]></description>
										<content:encoded><![CDATA[<a href="https://www.artsjournal.com/artsengines/2026/09/12/elizabeth-sobol-shares-how-the-arts-transform-human-emotional-and-physical-wellbeing/" title="Elizabeth Sobol shares how the arts transform human emotional and physical wellbeing" rel="nofollow"><img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2021/06/LaughingPic-e1610650482993-600x600-2-e16254288449331-150x150.jpg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="1" decoding="async" loading="lazy" srcset="https://www.artsjournal.com/belknap/wp-content/uploads/2021/06/LaughingPic-e1610650482993-600x600-2-e16254288449331-150x150.jpg 150w, https://www.artsjournal.com/belknap/wp-content/uploads/2021/06/LaughingPic-e1610650482993-600x600-2-e16254288449331.jpg 175w" sizes="auto, (max-width: 90px) 100vw, 90px" /></a><figure class="wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio">
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<div class="youtube-embed" data-video_id="peT-YMQqw6I"><iframe loading="lazy" title="Elizabeth Sobol on Arts Engines with Aaron Dworkin" width="696" height="392" src="https://www.youtube.com/embed/peT-YMQqw6I?feature=oembed&#038;enablejsapi=1" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" referrerpolicy="strict-origin-when-cross-origin" allowfullscreen></iframe></div>
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<p class="wp-block-paragraph">Elizabeth Sobol, CEO of the Saratoga Performing Arts Center, talks about how the arts can transform human emotional, physical and social wellbeing.</p>
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		<title>‘Tribute in Light’  Phantom Presence of the Missing Twin Towers</title>
		<link>https://www.artsjournal.com/herman/2026/09/tribute-in-light-phantom-presence-of-the-missing-towers.html</link>
		
		<dc:creator/>
		<pubDate>Sat, 12 Sep 2026 03:17:15 +0000</pubDate>
				<category><![CDATA[AJBlogs]]></category>
		<guid isPermaLink="false">https://www.artsjournal.com/?p=448607</guid>

					<description><![CDATA[<a href="https://www.artsjournal.com/herman/2026/09/tribute-in-light-phantom-presence-of-the-missing-towers.html" title="‘Tribute in Light’  Phantom Presence of the Missing Twin Towers" rel="nofollow"><img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/09/9-11-tribute-in-light-750enh-150x150-1-90x90.jpg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="1" decoding="async" loading="lazy" srcset="https://www.artsjournal.com/belknap/wp-content/uploads/2026/09/9-11-tribute-in-light-750enh-150x150-1-90x90.jpg 90w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/09/9-11-tribute-in-light-750enh-150x150-1.jpg 150w" sizes="auto, (max-width: 90px) 100vw, 90px" /></a>It first appeared six months after 9/11 as a public art installation and has appeared every year since. It is presented from dusk of Sept. 11 to dawn of Sept. 12. It's the most striking memorial to be seen, especially in person..]]></description>
										<content:encoded><![CDATA[<a href="https://www.artsjournal.com/herman/2026/09/tribute-in-light-phantom-presence-of-the-missing-towers.html" title="‘Tribute in Light’  Phantom Presence of the Missing Twin Towers" rel="nofollow"><img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/09/9-11-tribute-in-light-750enh-150x150-1-90x90.jpg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="1" decoding="async" loading="lazy" srcset="https://www.artsjournal.com/belknap/wp-content/uploads/2026/09/9-11-tribute-in-light-750enh-150x150-1-90x90.jpg 90w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/09/9-11-tribute-in-light-750enh-150x150-1.jpg 150w" sizes="auto, (max-width: 90px) 100vw, 90px" /></a><p>&lt;a href=&quot;https://www.artsjournal.com/herman/2026/09/tribute-in-light-phantom-presence-of-the-missing-towers.html&quot; title=&quot;<em>‘Tribute in Light’</em> <br /> <strong>Phantom Presence of the</strong></p>
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		<title>Cockroach Milk, Underpants Soil Testing, A Scientific Definition Of Kissing: The 2026 Ig Nobel Prizes</title>
		<link>https://www.smithsonianmag.com/smart-news/stealing-candy-from-children-splash-proof-urinals-and-buried-panties-oh-my-here-are-the-winners-of-the-2026-ig-nobel-prizes-180989463/#new_tab</link>
					<comments>https://www.smithsonianmag.com/smart-news/stealing-candy-from-children-splash-proof-urinals-and-buried-panties-oh-my-here-are-the-winners-of-the-2026-ig-nobel-prizes-180989463/#new_tab#respond</comments>
		
		<dc:creator><![CDATA[Smithsonian Magazine]]></dc:creator>
		<pubDate>Fri, 11 Sep 2026 18:50:00 +0000</pubDate>
				<category><![CDATA[IDEAS]]></category>
		<guid isPermaLink="false">https://www.artsjournal.com/?p=448578</guid>

					<description><![CDATA[<a href="https://www.smithsonianmag.com/smart-news/stealing-candy-from-children-splash-proof-urinals-and-buried-panties-oh-my-here-are-the-winners-of-the-2026-ig-nobel-prizes-180989463/#new_tab" title="Cockroach Milk, Underpants Soil Testing, A Scientific Definition Of Kissing: The 2026 Ig Nobel Prizes" rel="nofollow"><img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/09/1150-1-90x90.jpg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="1" decoding="async" loading="lazy" srcset="https://www.artsjournal.com/belknap/wp-content/uploads/2026/09/1150-1-90x90.jpg 90w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/09/1150-1.jpg 200w" sizes="auto, (max-width: 90px) 100vw, 90px" /></a>“Winning work highlighted during the 36th annual award ceremony” (which was in Zurich this year rather than Boston) “included hilarious research on the aerodynamics of nose blowing, gently stepping on venomous snakes, confirming that teenagers do indeed smell worse than babies and other side-splitting scientific undertakings.” &#8211; Smithsonian Magazine]]></description>
										<content:encoded><![CDATA[<a href="https://www.smithsonianmag.com/smart-news/stealing-candy-from-children-splash-proof-urinals-and-buried-panties-oh-my-here-are-the-winners-of-the-2026-ig-nobel-prizes-180989463/#new_tab" title="Cockroach Milk, Underpants Soil Testing, A Scientific Definition Of Kissing: The 2026 Ig Nobel Prizes" rel="nofollow"><img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/09/1150-1-90x90.jpg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="1" decoding="async" loading="lazy" srcset="https://www.artsjournal.com/belknap/wp-content/uploads/2026/09/1150-1-90x90.jpg 90w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/09/1150-1.jpg 200w" sizes="auto, (max-width: 90px) 100vw, 90px" /></a>
<p class="wp-block-paragraph">“Winning work highlighted during the 36th annual award ceremony” (which was in Zurich this year rather than Boston) “included hilarious research on the aerodynamics of nose blowing, gently stepping on venomous snakes, confirming that teenagers do indeed smell worse than babies and other side-splitting scientific undertakings.” &#8211; <em><a href="https://www.smithsonianmag.com/smart-news/stealing-candy-from-children-splash-proof-urinals-and-buried-panties-oh-my-here-are-the-winners-of-the-2026-ig-nobel-prizes-180989463/">Smithsonian Magazine</a></em></p>
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