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	<title>ArtsJournal</title>
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	<description>The Arts World's Front Page</description>
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	<title>ArtsJournal</title>
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		<title>Kennedy Center’s Chief Was Paid by Ticketmaster’s Owner</title>
		<link>https://www.artsjournal.com/2026/11/kennedy-centers-chief-was-paid-by-ticketmasters-owner.html</link>
					<comments>https://www.artsjournal.com/2026/11/kennedy-centers-chief-was-paid-by-ticketmasters-owner.html#respond</comments>
		
		<dc:creator/>
		<pubDate>Sat, 14 Nov 2026 22:32:02 +0000</pubDate>
				<category><![CDATA[DOUG]]></category>
		<guid isPermaLink="false">https://www.artsjournal.com/?p=452645</guid>

					<description><![CDATA[This Week’s Highlights: Canada’s new budget lets artists earn up to $45,000 a year from their creative work tax-free, through a new Canada Creative Credit (CBC). It also raises the Canada Book Fund for the first time since 2001 (Publishers Weekly). Meanwhile, the UK put up to £15 million behind National Theatre Nationwide, which will [&#8230;]]]></description>
										<content:encoded><![CDATA[
<p class="wp-block-paragraph">This Week’s Highlights:</p>



<p class="wp-block-paragraph">Canada’s new budget lets artists earn up to $45,000 a year from their creative work tax-free, through a new Canada Creative Credit (<a href="https://www.cbc.ca/news/entertainment/canada-creative-credit-9.7413309"><em>CBC</em></a>). It also raises the Canada Book Fund for the first time since 2001 (<a href="https://www.publishersweekly.com/pw/newsbrief/index.html?record=6091"><em>Publishers Weekly</em></a>). Meanwhile, the UK put up to £15 million behind National Theatre Nationwide, which will send shows to 400 schools and sell thousands of £10 tickets to young people (<a href="https://www.whatsonstage.com/news/over-100000-young-people-to-be-given-access-to-live-theatre-and-training-through-nationwide-initiative-led-by-national-theatre_1737328/"><em>WhatsOnStage</em></a>).</p>



<p class="wp-block-paragraph">The Kennedy Center is dropping Tessitura, the nonprofit ticketing system it used for decades, for Ticketmaster. Richard Grenell, Trump’s choice as its president, sat on the board of Ticketmaster’s parent, Live Nation, while the deal was negotiated. Live Nation paid him $260,205 last year; the Kennedy Center paid him nothing (<a href="https://www.npr.org/2026/11/12/nx-s1-6031461/kennedy-center-ticketmaster-conflict-of-interest"><em>NPR</em></a>).</p>



<p class="wp-block-paragraph">London firms are selling fake art portfolios, with artwork made in China and forged reviews, to wealthy migrants applying for the UK’s Global Talent visa. The full package costs more than £100,000 (<a href="https://www.artnews.com/art-news/news/fake-uk-artist-visas-are-being-offered-for-132000-1234805870/"><em>ARTnews</em></a>). Artnet, the auction-data company, became official art partner of Kalshi, a betting platform, supplying the sale results that decide which bets pay out (<a href="https://www.artnews.com/art-news/market/artnet-kalshi-partnership-backlash-art-world-1234805778/"><em>ARTnews</em></a>).</p>



<p class="wp-block-paragraph">M. John Harrison, 81, won the Booker for <em>The End of Everything</em>, the first winner to come out of science fiction (<a href="https://www.theguardian.com/books/2026/nov/09/m-john-harrison-the-end-of-everything-wins-2026-booker-prize"><em>The Guardian</em></a>). The Met’s sold-out <em>Lincoln in the Bardo</em>, Missy Mazzoli’s opera of George Saunders’s novel, streams free on YouTube through Wednesday, the company’s first free YouTube broadcast (<a href="https://www.theatermania.com/news/met-operas-lincoln-in-the-bardo-to-be-broadcast-live-for-free_1859234/"><em>TheaterMania</em></a>).</p>



<p class="wp-block-paragraph">All this week’s stories below, organized by topic.</p>
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		<title>Hassan Anderson shares the power of teaching artistry and Music for the Common Good</title>
		<link>https://www.artsjournal.com/artsengines/2026/11/14/hassan-anderson-shares-the-power-of-teaching-artistry-and-music-for-the-common-good/</link>
		
		<dc:creator/>
		<pubDate>Sat, 14 Nov 2026 15:38:25 +0000</pubDate>
				<category><![CDATA[AJBlogs]]></category>
		<guid isPermaLink="false">https://www.artsjournal.com/?p=452643</guid>

					<description><![CDATA[<a href="https://www.artsjournal.com/artsengines/2026/11/14/hassan-anderson-shares-the-power-of-teaching-artistry-and-music-for-the-common-good/" title="Hassan Anderson shares the power of teaching artistry and Music for the Common Good" rel="nofollow"><img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2021/06/LaughingPic-e1610650482993-600x600-2-e16254288449331-150x150.jpg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="1" decoding="async" srcset="https://www.artsjournal.com/belknap/wp-content/uploads/2021/06/LaughingPic-e1610650482993-600x600-2-e16254288449331-150x150.jpg 150w, https://www.artsjournal.com/belknap/wp-content/uploads/2021/06/LaughingPic-e1610650482993-600x600-2-e16254288449331.jpg 175w" sizes="(max-width: 90px) 100vw, 90px" /></a>Hassan Anderson, Coordinator of Teaching Artistry &#038; Director of the Music Teaching Artist Certificate &#038; Associate Professor of Oboe at USC School of Music, shares the power of teaching artistry and Music for the Common Good.]]></description>
										<content:encoded><![CDATA[<a href="https://www.artsjournal.com/artsengines/2026/11/14/hassan-anderson-shares-the-power-of-teaching-artistry-and-music-for-the-common-good/" title="Hassan Anderson shares the power of teaching artistry and Music for the Common Good" rel="nofollow"><img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2021/06/LaughingPic-e1610650482993-600x600-2-e16254288449331-150x150.jpg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="1" decoding="async" srcset="https://www.artsjournal.com/belknap/wp-content/uploads/2021/06/LaughingPic-e1610650482993-600x600-2-e16254288449331-150x150.jpg 150w, https://www.artsjournal.com/belknap/wp-content/uploads/2021/06/LaughingPic-e1610650482993-600x600-2-e16254288449331.jpg 175w" sizes="(max-width: 90px) 100vw, 90px" /></a><figure class="wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio">
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<p><span class="tljmfdH5RV2WrYv31cACUqO9gea4KBS8PJTGwzENnQoILbpx0y"></p>
<div class="youtube-embed" data-video_id="m5AesnjjvRY"><iframe title="Hassan Anderson on Arts Engines with Aaron Dworkin" width="696" height="392" src="https://www.youtube.com/embed/m5AesnjjvRY?feature=oembed&#038;enablejsapi=1" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" referrerpolicy="strict-origin-when-cross-origin" allowfullscreen></iframe></div>
<p></span></p>
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<p class="wp-block-paragraph">Hassan Anderson, Coordinator of Teaching Artistry &amp; Director of the Music Teaching Artist Certificate &amp; Associate Professor of Oboe at USC School of Music, shares the power of teaching artistry and Music for the Common Good.</p>
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		<title>Fake Art Portfolios Are Being Sold for UK Visas</title>
		<link>https://www.artsjournal.com/2026/11/fake-art-portfolios-are-being-sold-for-uk-visas.html</link>
					<comments>https://www.artsjournal.com/2026/11/fake-art-portfolios-are-being-sold-for-uk-visas.html#respond</comments>
		
		<dc:creator/>
		<pubDate>Sat, 14 Nov 2026 02:38:06 +0000</pubDate>
				<category><![CDATA[DOUG]]></category>
		<guid isPermaLink="false">https://www.artsjournal.com/?p=452626</guid>

					<description><![CDATA[Good Morning, The Kennedy Center is dropping Tessitura, the nonprofit ticketing system the Met built, for Ticketmaster. While the deal was negotiated, then-president Richard Grenell sat on the board of Ticketmaster’s parent, Live Nation, which paid him $260,205 last year (NPR). Hmnnn. A London firm offered an undercover BBC reporter a UK “Global Talent” visa [&#8230;]]]></description>
										<content:encoded><![CDATA[
<p class="wp-block-paragraph">Good Morning,</p>



<p class="wp-block-paragraph">The Kennedy Center is dropping Tessitura, the nonprofit ticketing system the Met built, for Ticketmaster. While the deal was negotiated, then-president Richard Grenell sat on the board of Ticketmaster’s parent, Live Nation, which paid him $260,205 last year (<a href="https://www.npr.org/2026/11/12/nx-s1-6031461/kennedy-center-ticketmaster-conflict-of-interest"><em>NPR</em></a>). Hmnnn.</p>



<p class="wp-block-paragraph">A London firm offered an undercover BBC reporter a UK “Global Talent” visa as an artist for about £100,000, paintings from China and press reviews included. Nigerian critic Molara Wood found her byline on fake reviews of two applicants, whose visas are now being revoked (<a href="https://www.bbc.com/news/articles/cmkgdw24l1kdo"><em>BBC</em></a>).</p>



<p class="wp-block-paragraph">Artnet, the auction-data company, is now art partner to Kalshi, a platform for betting on whether paintings beat their estimates. Its price data will settle the bets (<a href="https://www.artnews.com/art-news/market/artnet-kalshi-partnership-backlash-art-world-1234805778/"><em>ARTnews</em></a>).</p>



<p class="wp-block-paragraph">Britain is giving the National Theatre up to £15 million to bring shows, £10 tickets and backstage training to 100,000 young people across England (<a href="https://www.whatsonstage.com/news/over-100000-young-people-to-be-given-access-to-live-theatre-and-training-through-nationwide-initiative-led-by-national-theatre_1737328/"><em>WhatsOnStage</em></a>).</p>



<p class="wp-block-paragraph">Gay Courter, 82, a best-selling American novelist, goes on trial in France over gold bars looted from a 1746 shipwreck off Brittany. A co-defendant once showed the gold on <em>Antiques Roadshow</em>, saying she found it off Cape Verde (<a href="https://www.artnews.com/art-news/news/american-novelist-stand-trial-over-sale-gold-ingots-looted-1234805740/"><em>ARTnews</em></a>).</p>



<p class="wp-block-paragraph">All of today&#8217;s stories below.</p>
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		<title>Director of Artistic Planning and Operations</title>
		<link>https://www.artsjournal.com/2026/11/director-of-artistic-planning-and-operations.html</link>
					<comments>https://www.artsjournal.com/2026/11/director-of-artistic-planning-and-operations.html#respond</comments>
		
		<dc:creator><![CDATA[Washington National Opera]]></dc:creator>
		<pubDate>Sat, 14 Nov 2026 02:26:22 +0000</pubDate>
				<category><![CDATA[jobs]]></category>
		<guid isPermaLink="false">https://www.artsjournal.com/?p=452599</guid>

					<description><![CDATA[Washington National Opera seeks a Director of Artistic Planning and Operations to lead casting, season planning, artistic budgets, and orchestra and artistic department operations.]]></description>
										<content:encoded><![CDATA[
<p class="wp-block-paragraph">The Director of Artistic Planning and Operations is responsible for planning and executing the artistic operations of WNO in collaboration with the artistic vision and business goals established by the General Director &amp; CEO and Artistic Director.</p>



<p class="wp-block-paragraph">The Director of Artistic Planning and Operations is responsible for collaborating with the Artistic Director to cast WNO’s productions and lead WNO’s season planning process. The incumbent will also oversee WNO’s Artistic Department and all related functions. These functions include: engagement of stage directors and conductors; developing and implementing commission and performance rights agreements; overseeing administration of artistic contracts and visas; orchestra management; and management of WNO’s music staff, orchestra librarian, chorus, supernumeraries, and dancers.</p>



<p class="wp-block-paragraph">The Director of Artistic Planning and Operations is responsible for developing and overseeing the artistic and orchestra budgets which, combined, are in the range of $9 million annually, as part of WNO’s annual operating budget of $30 million. This role takes responsibility for an array of financial and labor issues, participating in labor negotiations and liaising with unions, as necessary.</p>



<h3 class="wp-block-heading"><strong>Responsibilities</strong></h3>



<ul class="wp-block-list">
<li>Principally responsible for working with the Artistic Director to cast WNO’s artists (principally solo singers and conductors but also encompassing directors, choreographers, music staff, etc.). Maintain travel schedule to attend performances and hold auditions (regionally, nationally, and internationally) to recruit and invite artists to WNO.</li>



<li>Collaborate with General Director &amp; CEO and Artistic Director to drive the season planning process according to WNO institutional priorities. Work closely with these colleagues as well as WNO’s Director of Production, Technical Director, Costume Director, and Director of the Cafritz Young Artist Program and other relevant members of the WNO Management Team on all future seasons and company-wide budgeting and planning.</li>



<li>Responsible for the operational functions of WNO’s Artistic Department in accordance with applicable collective bargaining agreements. Supervise and manage three full-time staff members to accomplish the work of WNO’s artistic and orchestra operations, including contract administration, securing required visas, budget management, and oversight of music staff, the orchestra librarian, the WNO Orchestra, chorus, corps dancers, and supernumeraries.</li>



<li>Provide artistic content for recitals, concerts, and special events as necessary.</li>



<li>Act as WNO’s management liaison to guest artists, and attend performances and rehearsals as relevant to support guest artists and other members of the Artistic teams as described above.</li>



<li>Manage the staffing of pre-performance lectures and post-performance Q&amp;A sessions as well as development and audience engagement events, as needed.</li>



<li>Ensure flow of artistic information throughout the company to support interdepartmental needs and planning. Review and approve all printed and digital materials pertaining to casts and artistic teams. Responsible for ensuring that WNO-specific artistic databases are updated to reflect current casting and contract information.</li>
</ul>



<h3 class="wp-block-heading"><strong>Qualifications</strong></h3>



<ul class="wp-block-list">
<li>8 – 10 years’ experience in opera artistic management.</li>



<li>Knowledge of opera, music, and the performing arts is a must; experience with managing collective bargaining agreements is preferred.</li>



<li>Bachelor’s degree in artistic or related field or equivalent training/experience. Advanced degree a plus.</li>



<li>Excellent verbal and written communication skills.</li>



<li>Must exercise good judgment, show initiative, and handle sensitive data in a trustworthy manner.</li>



<li>Strong organizational skills and ability to work independently as well as collaboratively in a team environment.</li>



<li>Discretion, maturity, and composure, especially under pressure.</li>



<li>Ability to establish priorities and manage multiple projects simultaneously.</li>



<li>High standards and strong sense of responsibility.</li>



<li>Comfortable with up to 30% domestic and international travel</li>
</ul>



<p class="wp-block-paragraph"><strong><a href="https://washnatopera.bamboohr.com/careers/37">MORE</a></strong></p>



<p class="wp-block-paragraph"></p>
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		<title>The Machine That Gave Birth To Mass Media</title>
		<link>https://www.csmonitor.com/Arts-Culture/Books/2026/1031/linotype-printing-press-jeff-jarvis-book-review#new_tab</link>
					<comments>https://www.csmonitor.com/Arts-Culture/Books/2026/1031/linotype-printing-press-jeff-jarvis-book-review#new_tab#respond</comments>
		
		<dc:creator><![CDATA[The Christian Science Monitor]]></dc:creator>
		<pubDate>Fri, 13 Nov 2026 19:50:00 +0000</pubDate>
				<category><![CDATA[WORDS]]></category>
		<guid isPermaLink="false">https://www.artsjournal.com/?p=452580</guid>

					<description><![CDATA[<a href="https://www.csmonitor.com/Arts-Culture/Books/2026/1031/linotype-printing-press-jeff-jarvis-book-review#new_tab" title="The Machine That Gave Birth To Mass Media" rel="nofollow"><img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/11/1150-1-90x90.jpg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="1" decoding="async" loading="lazy" srcset="https://www.artsjournal.com/belknap/wp-content/uploads/2026/11/1150-1-90x90.jpg 90w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/11/1150-1.jpg 200w" sizes="auto, (max-width: 90px) 100vw, 90px" /></a>Before the late 1800s, printers had to arrange letters one-by-one on metal plates, a slow and painstaking process. Media maven Jeff Jarvis points out that, once the Linotype machine appeared toward the end of the 19th century, books and periodicals could be printed quickly enough to meet booming public demand. &#8211; The Christian Science Monitor]]></description>
										<content:encoded><![CDATA[<a href="https://www.csmonitor.com/Arts-Culture/Books/2026/1031/linotype-printing-press-jeff-jarvis-book-review#new_tab" title="The Machine That Gave Birth To Mass Media" rel="nofollow"><img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/11/1150-1-90x90.jpg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="1" decoding="async" loading="lazy" srcset="https://www.artsjournal.com/belknap/wp-content/uploads/2026/11/1150-1-90x90.jpg 90w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/11/1150-1.jpg 200w" sizes="auto, (max-width: 90px) 100vw, 90px" /></a>
<p class="wp-block-paragraph">Before the late 1800s, printers had to arrange letters one-by-one on metal plates, a slow and painstaking process. Media maven Jeff Jarvis points out that, once the Linotype machine appeared toward the end of the 19th century, books and periodicals could be printed quickly enough to meet booming public demand. &#8211; <em><a href="https://www.csmonitor.com/Arts-Culture/Books/2026/1031/linotype-printing-press-jeff-jarvis-book-review">The Christian Science Monitor</a></em></p>
]]></content:encoded>
					
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		<title>UK Artist Visas Are Being Sold Fraudulently</title>
		<link>https://www.artnews.com/art-news/news/fake-uk-artist-visas-are-being-offered-for-132000-1234805870/</link>
					<comments>https://www.artnews.com/art-news/news/fake-uk-artist-visas-are-being-offered-for-132000-1234805870/#respond</comments>
		
		<dc:creator><![CDATA[ARTnews]]></dc:creator>
		<pubDate>Fri, 13 Nov 2026 19:31:00 +0000</pubDate>
				<category><![CDATA[ISSUES]]></category>
		<guid isPermaLink="false">https://www.artsjournal.com/?p=452612</guid>

					<description><![CDATA[<a href="https://www.artnews.com/art-news/news/fake-uk-artist-visas-are-being-offered-for-132000-1234805870/" title="UK Artist Visas Are Being Sold Fraudulently" rel="nofollow"><img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/11/Screenshot_13-11-2026_111318_www.artnews.com_-90x90.jpeg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="1" decoding="async" loading="lazy" srcset="https://www.artsjournal.com/belknap/wp-content/uploads/2026/11/Screenshot_13-11-2026_111318_www.artnews.com_-90x90.jpeg 90w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/11/Screenshot_13-11-2026_111318_www.artnews.com_-300x300.jpeg 300w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/11/Screenshot_13-11-2026_111318_www.artnews.com_-768x767.jpeg 768w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/11/Screenshot_13-11-2026_111318_www.artnews.com_-696x695.jpeg 696w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/11/Screenshot_13-11-2026_111318_www.artnews.com_-e1794597457242.jpeg 200w" sizes="auto, (max-width: 90px) 100vw, 90px" /></a>Several companies have been helping migrants apply for UK visas under the government’s Global Talent program by creating fake art portfolios, complete with fake published art criticism and art news. &#8211; ARTnews]]></description>
										<content:encoded><![CDATA[<a href="https://www.artnews.com/art-news/news/fake-uk-artist-visas-are-being-offered-for-132000-1234805870/" title="UK Artist Visas Are Being Sold Fraudulently" rel="nofollow"><img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/11/Screenshot_13-11-2026_111318_www.artnews.com_-90x90.jpeg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="1" decoding="async" loading="lazy" srcset="https://www.artsjournal.com/belknap/wp-content/uploads/2026/11/Screenshot_13-11-2026_111318_www.artnews.com_-90x90.jpeg 90w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/11/Screenshot_13-11-2026_111318_www.artnews.com_-300x300.jpeg 300w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/11/Screenshot_13-11-2026_111318_www.artnews.com_-768x767.jpeg 768w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/11/Screenshot_13-11-2026_111318_www.artnews.com_-696x695.jpeg 696w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/11/Screenshot_13-11-2026_111318_www.artnews.com_-e1794597457242.jpeg 200w" sizes="auto, (max-width: 90px) 100vw, 90px" /></a>
<p class="wp-block-paragraph">Several companies have been helping migrants apply for UK visas under the government’s Global Talent program by creating fake art portfolios, complete with fake published art criticism and art news. &#8211; <em><a href="https://www.artnews.com/art-news/news/fake-uk-artist-visas-are-being-offered-for-132000-1234805870/">ARTnews</a></em></p>
]]></content:encoded>
					
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		<title>Will A SciFi Booker Win Bring More Attention To The Genre?</title>
		<link>https://www.theguardian.com/books/2026/nov/11/m-john-harrison-booker-science-fiction</link>
					<comments>https://www.theguardian.com/books/2026/nov/11/m-john-harrison-booker-science-fiction#respond</comments>
		
		<dc:creator><![CDATA[The Guardian]]></dc:creator>
		<pubDate>Fri, 13 Nov 2026 19:15:00 +0000</pubDate>
				<category><![CDATA[WORDS]]></category>
		<guid isPermaLink="false">https://www.artsjournal.com/?p=452609</guid>

					<description><![CDATA[<a href="https://www.theguardian.com/books/2026/nov/11/m-john-harrison-booker-science-fiction" title="Will A SciFi Booker Win Bring More Attention To The Genre?" rel="nofollow"><img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/11/Screenshot_13-11-2026_104017_www.theguardian.com_-90x90.jpeg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="1" decoding="async" loading="lazy" /></a>Author and critic Olivia Laing agrees it’s taken the literary world “an embarrassingly long time to clock that you don’t need realism to write about how it feels to inhabit late capitalism and unravelling modernity”.  &#8211; The Guardian]]></description>
										<content:encoded><![CDATA[<a href="https://www.theguardian.com/books/2026/nov/11/m-john-harrison-booker-science-fiction" title="Will A SciFi Booker Win Bring More Attention To The Genre?" rel="nofollow"><img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/11/Screenshot_13-11-2026_104017_www.theguardian.com_-90x90.jpeg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="1" decoding="async" loading="lazy" /></a>
<p class="wp-block-paragraph">Author and critic Olivia Laing agrees it’s taken the literary world “an embarrassingly long time to clock that you don’t need realism to write about how it feels to inhabit late capitalism and unravelling modernity”.  &#8211; <em><a href="https://www.theguardian.com/books/2026/nov/11/m-john-harrison-booker-science-fiction">The Guardian</a></em></p>
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		<title>Three-Day Strike At French Riviera’s Leading Opera House</title>
		<link>https://www.rivieraradio.mc/article/nice-opera-house-strike-continues-as-artists-demand-pay-rises-5HjdmHK_2/#new_tab</link>
					<comments>https://www.rivieraradio.mc/article/nice-opera-house-strike-continues-as-artists-demand-pay-rises-5HjdmHK_2/#new_tab#respond</comments>
		
		<dc:creator><![CDATA[Riviera Radio (Monaco)]]></dc:creator>
		<pubDate>Fri, 13 Nov 2026 19:03:00 +0000</pubDate>
				<category><![CDATA[MUSIC]]></category>
		<guid isPermaLink="false">https://www.artsjournal.com/?p=452577</guid>

					<description><![CDATA[<a href="https://www.rivieraradio.mc/article/nice-opera-house-strike-continues-as-artists-demand-pay-rises-5HjdmHK_2/#new_tab" title="Three-Day Strike At French Riviera’s Leading Opera House" rel="nofollow"><img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/11/1103-2-90x90.jpg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="1" decoding="async" loading="lazy" srcset="https://www.artsjournal.com/belknap/wp-content/uploads/2026/11/1103-2-90x90.jpg 90w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/11/1103-2.jpg 200w" sizes="auto, (max-width: 90px) 100vw, 90px" /></a>The number-one issue for the choristers, instrumentalists, and ballet dancers at the Opéra de Nice is low pay. Union spokespeople say some of their members net as little as €1,600 a month — in a resort city where housing costs are unusually high. &#8211; Riviera Radio (Monaco)]]></description>
										<content:encoded><![CDATA[<a href="https://www.rivieraradio.mc/article/nice-opera-house-strike-continues-as-artists-demand-pay-rises-5HjdmHK_2/#new_tab" title="Three-Day Strike At French Riviera’s Leading Opera House" rel="nofollow"><img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/11/1103-2-90x90.jpg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="1" decoding="async" loading="lazy" srcset="https://www.artsjournal.com/belknap/wp-content/uploads/2026/11/1103-2-90x90.jpg 90w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/11/1103-2.jpg 200w" sizes="auto, (max-width: 90px) 100vw, 90px" /></a>
<p class="wp-block-paragraph">The number-one issue for the choristers, instrumentalists, and ballet dancers at the Opéra de Nice is low pay. Union spokespeople say some of their members net as little as €1,600 a month — in a resort city where housing costs are unusually high. &#8211; <em><a href="https://www.rivieraradio.mc/article/nice-opera-house-strike-continues-as-artists-demand-pay-rises-5HjdmHK_2/">Riviera Radio (Monaco)</a></em></p>
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		<title>Are We Scapegoating Our Phones?</title>
		<link>https://www.bostonreview.net/articles/is-it-the-phones/</link>
					<comments>https://www.bostonreview.net/articles/is-it-the-phones/#respond</comments>
		
		<dc:creator><![CDATA[Boston Review]]></dc:creator>
		<pubDate>Fri, 13 Nov 2026 18:44:00 +0000</pubDate>
				<category><![CDATA[IDEAS]]></category>
		<guid isPermaLink="false">https://www.artsjournal.com/?p=452606</guid>

					<description><![CDATA[<a href="https://www.bostonreview.net/articles/is-it-the-phones/" title="Are We Scapegoating Our Phones?" rel="nofollow"><img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/11/Screenshot_13-11-2026_10374_www.bostonreview.net_-90x90.jpeg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="1" decoding="async" loading="lazy" srcset="https://www.artsjournal.com/belknap/wp-content/uploads/2026/11/Screenshot_13-11-2026_10374_www.bostonreview.net_-90x90.jpeg 90w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/11/Screenshot_13-11-2026_10374_www.bostonreview.net_-300x297.jpeg 300w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/11/Screenshot_13-11-2026_10374_www.bostonreview.net_-e1794595066928.jpeg 202w" sizes="auto, (max-width: 90px) 100vw, 90px" /></a>Against the suggestion that the furor over phones is no different from past outcries over new technologies, some point to novel features of social media—exploitative algorithms or “infinite scrolling”—to argue that this case is different.  &#8211; Boston Review]]></description>
										<content:encoded><![CDATA[<a href="https://www.bostonreview.net/articles/is-it-the-phones/" title="Are We Scapegoating Our Phones?" rel="nofollow"><img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/11/Screenshot_13-11-2026_10374_www.bostonreview.net_-90x90.jpeg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="1" decoding="async" loading="lazy" srcset="https://www.artsjournal.com/belknap/wp-content/uploads/2026/11/Screenshot_13-11-2026_10374_www.bostonreview.net_-90x90.jpeg 90w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/11/Screenshot_13-11-2026_10374_www.bostonreview.net_-300x297.jpeg 300w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/11/Screenshot_13-11-2026_10374_www.bostonreview.net_-e1794595066928.jpeg 202w" sizes="auto, (max-width: 90px) 100vw, 90px" /></a>
<p class="wp-block-paragraph">Against the suggestion that the furor over phones is no different from past outcries over new technologies, some point to novel features of social media—exploitative algorithms or “infinite scrolling”—to argue that this case is different.  &#8211; <em><a href="https://www.bostonreview.net/articles/is-it-the-phones/">Boston Review</a></em></p>
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		<title>Artnet Makes Controversial Partnership With Kalshi</title>
		<link>https://www.artnews.com/art-news/market/artnet-kalshi-partnership-backlash-art-world-1234805778/</link>
					<comments>https://www.artnews.com/art-news/market/artnet-kalshi-partnership-backlash-art-world-1234805778/#respond</comments>
		
		<dc:creator><![CDATA[ARTnews]]></dc:creator>
		<pubDate>Fri, 13 Nov 2026 18:15:00 +0000</pubDate>
				<category><![CDATA[VISUAL]]></category>
		<guid isPermaLink="false">https://www.artsjournal.com/?p=452603</guid>

					<description><![CDATA[<a href="https://www.artnews.com/art-news/market/artnet-kalshi-partnership-backlash-art-world-1234805778/" title="Artnet Makes Controversial Partnership With Kalshi" rel="nofollow"><img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/11/Screenshot_13-11-2026_10128_www.artnews.com_-90x90.jpeg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="1" decoding="async" loading="lazy" /></a>On Wednesday, Artnet announced that it had partnered with Kalshi, the prediction-market platform that lets users bet on everything from election results to sporting events. Artnet will become Kalshi’s official art partner, helping select markets and supplying the auction data used to determine which bets pay out. &#8211; ARTnews]]></description>
										<content:encoded><![CDATA[<a href="https://www.artnews.com/art-news/market/artnet-kalshi-partnership-backlash-art-world-1234805778/" title="Artnet Makes Controversial Partnership With Kalshi" rel="nofollow"><img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/11/Screenshot_13-11-2026_10128_www.artnews.com_-90x90.jpeg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="1" decoding="async" loading="lazy" /></a>
<p class="wp-block-paragraph">On Wednesday, Artnet <a href="https://news.artnet.com/market/artnet-kalshi-partner-art-prediction-markets-2832366" target="_blank" rel="noopener">announced</a> that it had partnered with Kalshi, the prediction-market platform that lets users bet on everything from election results to sporting events. Artnet will become Kalshi’s official art partner, helping select markets and supplying the auction data used to determine which bets pay out. &#8211;<em><a href="https://www.artnews.com/art-news/market/artnet-kalshi-partnership-backlash-art-world-1234805778/"> ARTnews</a></em></p>
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		<title>How Aztec Historians Saved Their People’s History From Spanish Bonfires</title>
		<link>https://www.historytoday.com/archive/feature/lost-history-aztec-empire#new_tab</link>
					<comments>https://www.historytoday.com/archive/feature/lost-history-aztec-empire#new_tab#respond</comments>
		
		<dc:creator><![CDATA[History Today]]></dc:creator>
		<pubDate>Fri, 13 Nov 2026 18:04:00 +0000</pubDate>
				<category><![CDATA[WORDS]]></category>
		<guid isPermaLink="false">https://www.artsjournal.com/?p=452574</guid>

					<description><![CDATA[<a href="https://www.historytoday.com/archive/feature/lost-history-aztec-empire#new_tab" title="How Aztec Historians Saved Their People’s History From Spanish Bonfires" rel="nofollow"><img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/11/1004-4-90x90.jpg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="1" decoding="async" loading="lazy" srcset="https://www.artsjournal.com/belknap/wp-content/uploads/2026/11/1004-4-90x90.jpg 90w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/11/1004-4.jpg 200w" sizes="auto, (max-width: 90px) 100vw, 90px" /></a>There were codices of Nahuatl hieroglyphics before the conquistadors arrived, but they were all either burned by militant Catholic priests or lost to time. Secretly, though, indigenous scholars collected oral history and wrote it down, usually in Nahuatl using the Spanish alphabet, and a surprising amount has survived until today. &#8211; History Today]]></description>
										<content:encoded><![CDATA[<a href="https://www.historytoday.com/archive/feature/lost-history-aztec-empire#new_tab" title="How Aztec Historians Saved Their People’s History From Spanish Bonfires" rel="nofollow"><img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/11/1004-4-90x90.jpg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="1" decoding="async" loading="lazy" srcset="https://www.artsjournal.com/belknap/wp-content/uploads/2026/11/1004-4-90x90.jpg 90w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/11/1004-4.jpg 200w" sizes="auto, (max-width: 90px) 100vw, 90px" /></a>
<p class="wp-block-paragraph">There were codices of Nahuatl hieroglyphics before the conquistadors arrived, but they were all either burned by militant Catholic priests or lost to time. Secretly, though, indigenous scholars collected oral history and wrote it down, usually in Nahuatl using the Spanish alphabet, and a surprising amount has survived until today. &#8211; <em><a href="https://www.historytoday.com/archive/feature/lost-history-aztec-empire">History Today</a></em></p>
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		<title>Indonesian Copyright Bill Would Require Payment For News Aggregation From Tech Companies</title>
		<link>https://www.niemanlab.org/2026/11/indonesias-new-copyright-bill-would-force-google-and-meta-to-pay-to-aggregate-news/</link>
					<comments>https://www.niemanlab.org/2026/11/indonesias-new-copyright-bill-would-force-google-and-meta-to-pay-to-aggregate-news/#respond</comments>
		
		<dc:creator><![CDATA[NiemanLab]]></dc:creator>
		<pubDate>Fri, 13 Nov 2026 17:31:00 +0000</pubDate>
				<category><![CDATA[MEDIA]]></category>
		<guid isPermaLink="false">https://www.artsjournal.com/?p=452600</guid>

					<description><![CDATA[<a href="https://www.niemanlab.org/2026/11/indonesias-new-copyright-bill-would-force-google-and-meta-to-pay-to-aggregate-news/" title="Indonesian Copyright Bill Would Require Payment For News Aggregation From Tech Companies" rel="nofollow"><img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/11/Screenshot_13-11-2026_10533_www.niemanlab.org_-90x90.jpeg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="1" decoding="async" loading="lazy" /></a>The bill does not distinguish between aggregation and republication. Tech platforms would have to pay even when they surface news link previews or story snippets in their products, including AI search products. The law would also force platforms to compensate publishers when their journalism is used to train AI models. &#8211; NiemanLab]]></description>
										<content:encoded><![CDATA[<a href="https://www.niemanlab.org/2026/11/indonesias-new-copyright-bill-would-force-google-and-meta-to-pay-to-aggregate-news/" title="Indonesian Copyright Bill Would Require Payment For News Aggregation From Tech Companies" rel="nofollow"><img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/11/Screenshot_13-11-2026_10533_www.niemanlab.org_-90x90.jpeg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="1" decoding="async" loading="lazy" /></a>
<p class="wp-block-paragraph">The bill does not distinguish between aggregation and republication. Tech platforms would have to pay even when they surface news link previews or story snippets in their products, including AI search products. The law would also force platforms to compensate publishers when their journalism is used to train AI models. &#8211; <em><a href="https://www.niemanlab.org/2026/11/indonesias-new-copyright-bill-would-force-google-and-meta-to-pay-to-aggregate-news/">NiemanLab</a></em></p>
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		<title>Refugees And The Imagination Of Borders</title>
		<link>https://aeon.co/essays/those-forced-to-cross-borders-are-imagining-a-radical-new-world</link>
					<comments>https://aeon.co/essays/those-forced-to-cross-borders-are-imagining-a-radical-new-world#respond</comments>
		
		<dc:creator><![CDATA[Aeon]]></dc:creator>
		<pubDate>Fri, 13 Nov 2026 17:15:00 +0000</pubDate>
				<category><![CDATA[IDEAS]]></category>
		<guid isPermaLink="false">https://www.artsjournal.com/?p=452596</guid>

					<description><![CDATA[<a href="https://aeon.co/essays/those-forced-to-cross-borders-are-imagining-a-radical-new-world" title="Refugees And The Imagination Of Borders" rel="nofollow"><img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/11/Screenshot_13-11-2026_92029_aeon.co_-90x90.jpeg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="1" decoding="async" loading="lazy" /></a>Each of us had imagined a life that exceeded the border and acted upon that imagination. In that sense, the prison did not simply contain border-crossers; it brought together people whose aspirations had collided with the territorial imaginary of the nation-state. &#8211; Aeon]]></description>
										<content:encoded><![CDATA[<a href="https://aeon.co/essays/those-forced-to-cross-borders-are-imagining-a-radical-new-world" title="Refugees And The Imagination Of Borders" rel="nofollow"><img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/11/Screenshot_13-11-2026_92029_aeon.co_-90x90.jpeg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="1" decoding="async" loading="lazy" /></a>
<p class="wp-block-paragraph">Each of us had imagined a life that exceeded the border and acted upon that imagination. In that sense, the prison did not simply contain border-crossers; it brought together people whose aspirations had collided with the territorial imaginary of the nation-state. <em><a href="https://aeon.co/essays/those-forced-to-cross-borders-are-imagining-a-radical-new-world">&#8211; Aeon</a></em></p>
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		<title>Shady Companies Make Fake Portfolios For Rich Migrants Who Want UK “Global Talent” Visas</title>
		<link>https://www.bbc.com/news/articles/cmkgdw24l1kdo#new_tab</link>
					<comments>https://www.bbc.com/news/articles/cmkgdw24l1kdo#new_tab#respond</comments>
		
		<dc:creator><![CDATA[BBC]]></dc:creator>
		<pubDate>Fri, 13 Nov 2026 17:02:00 +0000</pubDate>
				<category><![CDATA[ISSUES]]></category>
		<guid isPermaLink="false">https://www.artsjournal.com/?p=452571</guid>

					<description><![CDATA[<a href="https://www.bbc.com/news/articles/cmkgdw24l1kdo#new_tab" title="Shady Companies Make Fake Portfolios For Rich Migrants Who Want UK “Global Talent” Visas" rel="nofollow"><img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/11/902-2-90x90.jpg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="1" decoding="async" loading="lazy" srcset="https://www.artsjournal.com/belknap/wp-content/uploads/2026/11/902-2-90x90.jpg 90w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/11/902-2.jpg 200w" sizes="auto, (max-width: 90px) 100vw, 90px" /></a>For a hefty fee, these companies will fabricate forged portfolios, with fake images of work and forged review clips, for applications for the Global Talent visa, which can lead to permanent residency in three to five years and is one of a very few UK visas which doesn’t require demonstrated fluency in English. &#8211; BBC]]></description>
										<content:encoded><![CDATA[<a href="https://www.bbc.com/news/articles/cmkgdw24l1kdo#new_tab" title="Shady Companies Make Fake Portfolios For Rich Migrants Who Want UK “Global Talent” Visas" rel="nofollow"><img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/11/902-2-90x90.jpg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="1" decoding="async" loading="lazy" srcset="https://www.artsjournal.com/belknap/wp-content/uploads/2026/11/902-2-90x90.jpg 90w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/11/902-2.jpg 200w" sizes="auto, (max-width: 90px) 100vw, 90px" /></a>
<p class="wp-block-paragraph">For a hefty fee, these companies will fabricate forged portfolios, with fake images of work and forged review clips, for applications for the Global Talent visa, which can lead to permanent residency in three to five years and is one of a very few UK visas which doesn’t require demonstrated fluency in English. &#8211; <em><a href="https://www.bbc.com/news/articles/cmkgdw24l1kdo">BBC</a></em></p>
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		<title>What It Looks Like When The Internet Stops Working</title>
		<link>https://www.washingtonpost.com/opinions/2026/11/12/ai-is-exposing-internets-cybersecurity-vulnerabilities/</link>
					<comments>https://www.washingtonpost.com/opinions/2026/11/12/ai-is-exposing-internets-cybersecurity-vulnerabilities/#respond</comments>
		
		<dc:creator><![CDATA[Washington Post]]></dc:creator>
		<pubDate>Fri, 13 Nov 2026 16:44:00 +0000</pubDate>
				<category><![CDATA[IDEAS]]></category>
		<guid isPermaLink="false">https://www.artsjournal.com/?p=452591</guid>

					<description><![CDATA[<a href="https://www.washingtonpost.com/opinions/2026/11/12/ai-is-exposing-internets-cybersecurity-vulnerabilities/" title="What It Looks Like When The Internet Stops Working" rel="nofollow"><img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/11/Screenshot_13-11-2026_85024_www.washingtonpost.com_-90x90.jpeg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="1" decoding="async" loading="lazy" /></a>Your bank’s app is down. The pharmacy cannot pull up your prescription. Your paycheck is late because the payroll company unplugged its system to be safe. None of it is a catastrophe on its own. All of it, every week, is a different country from the one we live in now. &#8211; Washington Post]]></description>
										<content:encoded><![CDATA[<a href="https://www.washingtonpost.com/opinions/2026/11/12/ai-is-exposing-internets-cybersecurity-vulnerabilities/" title="What It Looks Like When The Internet Stops Working" rel="nofollow"><img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/11/Screenshot_13-11-2026_85024_www.washingtonpost.com_-90x90.jpeg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="1" decoding="async" loading="lazy" /></a>
<p class="wp-block-paragraph">Your bank’s app is down. The pharmacy cannot pull up your prescription. Your paycheck is late because the payroll company unplugged its system to be safe. None of it is a catastrophe on its own. All of it, every week, is a different country from the one we live in now. &#8211; <em><a href="https://www.washingtonpost.com/opinions/2026/11/12/ai-is-exposing-internets-cybersecurity-vulnerabilities/">Washington Post</a></em></p>
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		<title>Exporting Paris Opera Ballet To The World</title>
		<link>https://www.nytimes.com/2026/11/12/arts/music/paris-opera-treatro-municipal-chile.html</link>
					<comments>https://www.nytimes.com/2026/11/12/arts/music/paris-opera-treatro-municipal-chile.html#respond</comments>
		
		<dc:creator><![CDATA[The New York Times]]></dc:creator>
		<pubDate>Fri, 13 Nov 2026 16:31:00 +0000</pubDate>
				<category><![CDATA[DANCE]]></category>
		<guid isPermaLink="false">https://www.artsjournal.com/?p=452587</guid>

					<description><![CDATA[<a href="https://www.nytimes.com/2026/11/12/arts/music/paris-opera-treatro-municipal-chile.html" title="Exporting Paris Opera Ballet To The World" rel="nofollow"><img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/11/Screenshot_13-11-2026_84533_www.nytimes.com_-90x90.jpeg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="1" decoding="async" loading="lazy" /></a>“For me, the French school of ballet is the best in the world. Thanks to this program, our ballet school in Santiago has been transformed — not just in terms of its technique, but in terms of its way of thinking.” &#8211; The New York Times]]></description>
										<content:encoded><![CDATA[<a href="https://www.nytimes.com/2026/11/12/arts/music/paris-opera-treatro-municipal-chile.html" title="Exporting Paris Opera Ballet To The World" rel="nofollow"><img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/11/Screenshot_13-11-2026_84533_www.nytimes.com_-90x90.jpeg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="1" decoding="async" loading="lazy" /></a>
<p class="wp-block-paragraph">“For me, the French school of ballet is the best in the world. Thanks to this program, our ballet school in Santiago has been transformed — not just in terms of its technique, but in terms of its way of thinking.” &#8211; <em><a href="https://www.nytimes.com/2026/11/12/arts/music/paris-opera-treatro-municipal-chile.html">The New York Times</a></em></p>
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		<title>Kennedy Center Switches Ticket-Buying To TicketMaster</title>
		<link>https://www.npr.org/2026/11/12/nx-s1-6031461/kennedy-center-ticketmaster-conflict-of-interest</link>
					<comments>https://www.npr.org/2026/11/12/nx-s1-6031461/kennedy-center-ticketmaster-conflict-of-interest#respond</comments>
		
		<dc:creator><![CDATA[NPR]]></dc:creator>
		<pubDate>Fri, 13 Nov 2026 16:15:00 +0000</pubDate>
				<category><![CDATA[ISSUES]]></category>
		<guid isPermaLink="false">https://www.artsjournal.com/?p=452583</guid>

					<description><![CDATA[<a href="https://www.npr.org/2026/11/12/nx-s1-6031461/kennedy-center-ticketmaster-conflict-of-interest" title="Kennedy Center Switches Ticket-Buying To TicketMaster" rel="nofollow"><img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/11/Screenshot_13-11-2026_84112_www.npr_.org_-90x90.jpeg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="1" decoding="async" loading="lazy" /></a>For decades, the Kennedy Center has used a not-for-profit platform called Tessitura to handle its ticketing. But the Kennedy Center plans to partner with the ticketing behemoth Ticketmaster. &#8211; NPR]]></description>
										<content:encoded><![CDATA[<a href="https://www.npr.org/2026/11/12/nx-s1-6031461/kennedy-center-ticketmaster-conflict-of-interest" title="Kennedy Center Switches Ticket-Buying To TicketMaster" rel="nofollow"><img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/11/Screenshot_13-11-2026_84112_www.npr_.org_-90x90.jpeg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="1" decoding="async" loading="lazy" /></a>
<p class="wp-block-paragraph">For decades, the Kennedy Center has used a not-for-profit platform called Tessitura to handle its ticketing. But the Kennedy Center plans to partner with the ticketing behemoth Ticketmaster. &#8211; <em><a href="https://www.npr.org/2026/11/12/nx-s1-6031461/kennedy-center-ticketmaster-conflict-of-interest">NPR</a></em></p>
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		<title>When Postmodern Dance Meets Ping-Pong</title>
		<link>https://www.nytimes.com/2026/11/12/arts/dance/ping-pong-cherrie-yu-daily-diversions.html#new_tab</link>
					<comments>https://www.nytimes.com/2026/11/12/arts/dance/ping-pong-cherrie-yu-daily-diversions.html#new_tab#respond</comments>
		
		<dc:creator><![CDATA[The New York Times]]></dc:creator>
		<pubDate>Fri, 13 Nov 2026 16:01:00 +0000</pubDate>
				<category><![CDATA[DANCE]]></category>
		<guid isPermaLink="false">https://www.artsjournal.com/?p=452568</guid>

					<description><![CDATA[<a href="https://www.nytimes.com/2026/11/12/arts/dance/ping-pong-cherrie-yu-daily-diversions.html#new_tab" title="When Postmodern Dance Meets Ping-Pong" rel="nofollow"><img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/11/801-3-90x90.jpg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="1" decoding="async" loading="lazy" srcset="https://www.artsjournal.com/belknap/wp-content/uploads/2026/11/801-3-90x90.jpg 90w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/11/801-3.jpg 200w" sizes="auto, (max-width: 90px) 100vw, 90px" /></a>“Those quarter-size Ping-Pong tables can be merged to make half-size or full-size ones, and that’s a pretty good metaphor for what (choreographer Cherrie Yu’s) Daily Diversions does: It takes Ping-Pong apart and puts it back together.” &#8211; The New York Times]]></description>
										<content:encoded><![CDATA[<a href="https://www.nytimes.com/2026/11/12/arts/dance/ping-pong-cherrie-yu-daily-diversions.html#new_tab" title="When Postmodern Dance Meets Ping-Pong" rel="nofollow"><img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/11/801-3-90x90.jpg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="1" decoding="async" loading="lazy" srcset="https://www.artsjournal.com/belknap/wp-content/uploads/2026/11/801-3-90x90.jpg 90w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/11/801-3.jpg 200w" sizes="auto, (max-width: 90px) 100vw, 90px" /></a>
<p class="wp-block-paragraph">“Those quarter-size Ping-Pong tables can be merged to make half-size or full-size ones, and that’s a pretty good metaphor for what (choreographer Cherrie Yu’s) Daily Diversions does: It takes Ping-Pong apart and puts it back together.” &#8211; <em><a href="https://www.nytimes.com/2026/11/12/arts/dance/ping-pong-cherrie-yu-daily-diversions.html">The New York Times</a></em></p>
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		<title>Novelist, Filmmaker, And Photographer To Stand Trial For Selling Looted Gold Ingots</title>
		<link>https://www.artnews.com/art-news/news/american-novelist-stand-trial-over-sale-gold-ingots-looted-1234805740/#new_tab</link>
					<comments>https://www.artnews.com/art-news/news/american-novelist-stand-trial-over-sale-gold-ingots-looted-1234805740/#new_tab#respond</comments>
		
		<dc:creator><![CDATA[ARTnews]]></dc:creator>
		<pubDate>Fri, 13 Nov 2026 15:35:00 +0000</pubDate>
				<category><![CDATA[PEOPLE]]></category>
		<guid isPermaLink="false">https://www.artsjournal.com/?p=452565</guid>

					<description><![CDATA[<a href="https://www.artnews.com/art-news/news/american-novelist-stand-trial-over-sale-gold-ingots-looted-1234805740/#new_tab" title="Novelist, Filmmaker, And Photographer To Stand Trial For Selling Looted Gold Ingots" rel="nofollow"><img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/11/735-90x90.jpg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="1" decoding="async" loading="lazy" srcset="https://www.artsjournal.com/belknap/wp-content/uploads/2026/11/735-90x90.jpg 90w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/11/735.jpg 200w" sizes="auto, (max-width: 90px) 100vw, 90px" /></a>“Eleanor ‘Gay’ Courter, an author of best-selling fiction, nonfiction, and memoir; her husband, Philip Courter, a film director; Yves Gladu, a professional underwater photographer; his wife, Brigitte; and his sister-in-law, Annette May Pesty, have been charged with conspiracy. Some also face charges of money laundering and receiving stolen goods.” (All are over 75.) &#8211; ARTnews]]></description>
										<content:encoded><![CDATA[<a href="https://www.artnews.com/art-news/news/american-novelist-stand-trial-over-sale-gold-ingots-looted-1234805740/#new_tab" title="Novelist, Filmmaker, And Photographer To Stand Trial For Selling Looted Gold Ingots" rel="nofollow"><img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/11/735-90x90.jpg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="1" decoding="async" loading="lazy" srcset="https://www.artsjournal.com/belknap/wp-content/uploads/2026/11/735-90x90.jpg 90w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/11/735.jpg 200w" sizes="auto, (max-width: 90px) 100vw, 90px" /></a>
<p class="wp-block-paragraph">“Eleanor ‘Gay’ Courter, an author of best-selling fiction, nonfiction, and memoir; her husband, Philip Courter, a film director; Yves Gladu, a professional underwater photographer; his wife, Brigitte; and his sister-in-law, Annette May Pesty, have been charged with conspiracy. Some also face charges of money laundering and receiving stolen goods.” (All are over 75.) &#8211; <em><a href="https://www.artnews.com/art-news/news/american-novelist-stand-trial-over-sale-gold-ingots-looted-1234805740/">ARTnews</a></em></p>
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		<title>UK’s National Theatre Will Get £15 Million For “National Theatre Nationwide” Scheme</title>
		<link>https://www.whatsonstage.com/news/over-100000-young-people-to-be-given-access-to-live-theatre-and-training-through-nationwide-initiative-led-by-national-theatre_1737328/#new_tab</link>
					<comments>https://www.whatsonstage.com/news/over-100000-young-people-to-be-given-access-to-live-theatre-and-training-through-nationwide-initiative-led-by-national-theatre_1737328/#new_tab#respond</comments>
		
		<dc:creator><![CDATA[WhatsOnStage (UK)]]></dc:creator>
		<pubDate>Fri, 13 Nov 2026 15:03:00 +0000</pubDate>
				<category><![CDATA[AUDIENCE]]></category>
		<category><![CDATA[THEATRE]]></category>
		<guid isPermaLink="false">https://www.artsjournal.com/?p=452562</guid>

					<description><![CDATA[<a href="https://www.whatsonstage.com/news/over-100000-young-people-to-be-given-access-to-live-theatre-and-training-through-nationwide-initiative-led-by-national-theatre_1737328/#new_tab" title="UK’s National Theatre Will Get £15 Million For “National Theatre Nationwide” Scheme" rel="nofollow"><img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/11/703-90x90.jpg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="1" decoding="async" loading="lazy" srcset="https://www.artsjournal.com/belknap/wp-content/uploads/2026/11/703-90x90.jpg 90w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/11/703.jpg 200w" sizes="auto, (max-width: 90px) 100vw, 90px" /></a>“The programme will combine National Theatre touring productions with workshops, schools tours and skills development activities. Young people will be able to explore acting, directing, playwriting and backstage roles. … Thousands of subsidised £10 tickets will be made available to young people, while productions aimed specifically at school audiences will visit 400 schools.” &#8211; WhatsOnStage [&#8230;]]]></description>
										<content:encoded><![CDATA[<a href="https://www.whatsonstage.com/news/over-100000-young-people-to-be-given-access-to-live-theatre-and-training-through-nationwide-initiative-led-by-national-theatre_1737328/#new_tab" title="UK’s National Theatre Will Get £15 Million For “National Theatre Nationwide” Scheme" rel="nofollow"><img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/11/703-90x90.jpg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="1" decoding="async" loading="lazy" srcset="https://www.artsjournal.com/belknap/wp-content/uploads/2026/11/703-90x90.jpg 90w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/11/703.jpg 200w" sizes="auto, (max-width: 90px) 100vw, 90px" /></a>
<p class="wp-block-paragraph">“The programme will combine National Theatre touring productions with workshops, schools tours and skills development activities. Young people will be able to explore acting, directing, playwriting and backstage roles. … Thousands of subsidised £10 tickets will be made available to young people, while productions aimed specifically at school audiences will visit 400 schools.” &#8211; <em><a href="https://www.whatsonstage.com/news/over-100000-young-people-to-be-given-access-to-live-theatre-and-training-through-nationwide-initiative-led-by-national-theatre_1737328/">WhatsOnStage (UK)</a></em></p>
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		<title>Researchers Are Using The “Grand Theft Auto” Games To Improve Road Safety</title>
		<link>https://www.bbc.com/future/article/20261110-grand-theft-auto-video-games-are-being-harnessed-to-make-real-roads-safer#new_tab</link>
					<comments>https://www.bbc.com/future/article/20261110-grand-theft-auto-video-games-are-being-harnessed-to-make-real-roads-safer#new_tab#respond</comments>
		
		<dc:creator><![CDATA[BBC]]></dc:creator>
		<pubDate>Fri, 13 Nov 2026 14:32:00 +0000</pubDate>
				<category><![CDATA[MEDIA]]></category>
		<guid isPermaLink="false">https://www.artsjournal.com/?p=452559</guid>

					<description><![CDATA[<a href="https://www.bbc.com/future/article/20261110-grand-theft-auto-video-games-are-being-harnessed-to-make-real-roads-safer#new_tab" title="Researchers Are Using The “Grand Theft Auto” Games To Improve Road Safety" rel="nofollow"><img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/11/632-90x90.jpg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="1" decoding="async" loading="lazy" srcset="https://www.artsjournal.com/belknap/wp-content/uploads/2026/11/632-90x90.jpg 90w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/11/632.jpg 200w" sizes="auto, (max-width: 90px) 100vw, 90px" /></a>“From testing cycle-safety technology to teaching self-driving vehicles to avoid hazards on the roads, researchers have been jerry-rigging the Grand Theft Auto games into experiments that promise to make accidents and injuries on roads less likely.” &#8211; BBC]]></description>
										<content:encoded><![CDATA[<a href="https://www.bbc.com/future/article/20261110-grand-theft-auto-video-games-are-being-harnessed-to-make-real-roads-safer#new_tab" title="Researchers Are Using The “Grand Theft Auto” Games To Improve Road Safety" rel="nofollow"><img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/11/632-90x90.jpg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="1" decoding="async" loading="lazy" srcset="https://www.artsjournal.com/belknap/wp-content/uploads/2026/11/632-90x90.jpg 90w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/11/632.jpg 200w" sizes="auto, (max-width: 90px) 100vw, 90px" /></a>
<p class="wp-block-paragraph">“From testing cycle-safety technology to teaching self-driving vehicles to avoid hazards on the roads, researchers have been jerry-rigging the <em>Grand Theft Auto</em> games into experiments that promise to make accidents and injuries on roads less likely.” &#8211; <em><a href="https://www.bbc.com/future/article/20261110-grand-theft-auto-video-games-are-being-harnessed-to-make-real-roads-safer">BBC</a></em></p>
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		<title>Not Budging “The Bean” Was Not Enough: London Crowd Will Attempt To Move Marble Arch</title>
		<link>https://ocula.com/magazine/art-news/anish-kapoor-the-bean-chicago-london-marble-arch/#new_tab</link>
					<comments>https://ocula.com/magazine/art-news/anish-kapoor-the-bean-chicago-london-marble-arch/#new_tab#respond</comments>
		
		<dc:creator><![CDATA[Ocula]]></dc:creator>
		<pubDate>Fri, 13 Nov 2026 14:06:00 +0000</pubDate>
				<category><![CDATA[VISUAL]]></category>
		<guid isPermaLink="false">https://www.artsjournal.com/?p=452556</guid>

					<description><![CDATA[<a href="https://ocula.com/magazine/art-news/anish-kapoor-the-bean-chicago-london-marble-arch/#new_tab" title="Not Budging “The Bean” Was Not Enough: London Crowd Will Attempt To Move Marble Arch" rel="nofollow"><img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/11/606-1-90x90.jpg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="1" decoding="async" loading="lazy" srcset="https://www.artsjournal.com/belknap/wp-content/uploads/2026/11/606-1-90x90.jpg 90w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/11/606-1.jpg 200w" sizes="auto, (max-width: 90px) 100vw, 90px" /></a>Inspired by last weekend’s attempt by Chicagoans to move the Anish Kapoor sculpture Cloud Gate seven inches to the left, Londoners will gather on Saturday and try to push John Nash’s 1827 monument seven inches left. The stated reason for these two efforts is the same: to free anyone trapped inside. &#8211; Ocula]]></description>
										<content:encoded><![CDATA[<a href="https://ocula.com/magazine/art-news/anish-kapoor-the-bean-chicago-london-marble-arch/#new_tab" title="Not Budging “The Bean” Was Not Enough: London Crowd Will Attempt To Move Marble Arch" rel="nofollow"><img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/11/606-1-90x90.jpg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="1" decoding="async" loading="lazy" srcset="https://www.artsjournal.com/belknap/wp-content/uploads/2026/11/606-1-90x90.jpg 90w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/11/606-1.jpg 200w" sizes="auto, (max-width: 90px) 100vw, 90px" /></a>
<p class="wp-block-paragraph">Inspired by last weekend’s attempt by Chicagoans to move the Anish Kapoor sculpture <em>Cloud Gate</em> seven inches to the left, Londoners will gather on Saturday and try to push John Nash’s 1827 monument seven inches left. The stated reason for these two efforts is the same: to free anyone trapped inside. &#8211; <em><a href="https://ocula.com/magazine/art-news/anish-kapoor-the-bean-chicago-london-marble-arch/">Ocula</a></em></p>
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		<title>Home Of Pianist Cyprien Katsaris Ravaged By Fire</title>
		<link>https://www-resmusica-com.translate.goog/2026/11/13/incendie-chez-cyprien-katsaris/#new_tab</link>
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		<dc:creator><![CDATA[ResMusica (via Google Translate)]]></dc:creator>
		<pubDate>Fri, 13 Nov 2026 13:34:17 +0000</pubDate>
				<category><![CDATA[MUSIC]]></category>
		<guid isPermaLink="false">https://www.artsjournal.com/?p=452552</guid>

					<description><![CDATA[<a href="https://www-resmusica-com.translate.goog/2026/11/13/incendie-chez-cyprien-katsaris/#new_tab" title="Home Of Pianist Cyprien Katsaris Ravaged By Fire" rel="nofollow"><img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/11/534-2-90x90.jpg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="1" decoding="async" loading="lazy" srcset="https://www.artsjournal.com/belknap/wp-content/uploads/2026/11/534-2-90x90.jpg 90w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/11/534-2.jpg 200w" sizes="auto, (max-width: 90px) 100vw, 90px" /></a>A blaze apparently caused by a short circuit tore through his Paris apartment last Sunday, destroying his piano as well as a large collection of scores and manuscripts. &#8211; ResMusica (via Google Translate)]]></description>
										<content:encoded><![CDATA[<a href="https://www-resmusica-com.translate.goog/2026/11/13/incendie-chez-cyprien-katsaris/#new_tab" title="Home Of Pianist Cyprien Katsaris Ravaged By Fire" rel="nofollow"><img width="90" height="90" src="https://www.artsjournal.com/belknap/wp-content/uploads/2026/11/534-2-90x90.jpg" class="webfeedsFeaturedVisual wp-post-image" alt="" style="float: left; margin-right: 5px;" link_thumbnail="1" decoding="async" loading="lazy" srcset="https://www.artsjournal.com/belknap/wp-content/uploads/2026/11/534-2-90x90.jpg 90w, https://www.artsjournal.com/belknap/wp-content/uploads/2026/11/534-2.jpg 200w" sizes="auto, (max-width: 90px) 100vw, 90px" /></a>
<p class="wp-block-paragraph">A blaze apparently caused by a short circuit tore through his Paris apartment last Sunday, destroying his piano as well as a large collection of scores and manuscripts. &#8211; <em><a href="https://www-resmusica-com.translate.goog/2026/11/13/incendie-chez-cyprien-katsaris/">ResMusica (via Google Translate)</a></em></p>
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