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    <title>Classic Album Sundays</title>
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    <pubDate>Thu, 06 Nov 2025 12:00:00 -0000</pubDate>
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      <![CDATA[<p>Classic Album Sundays tells the stories behind the albums that have shaped our culture and in some cases, our lives. We are the world’s most popular and respected classic album listening event with satellites in four continents. Our website, social media channels, and our podcast are the hub for classic albums and artists. Visit us at <a href="https://classicalbumsundays.com/" rel="nofollow" target="_blank">https://classicalbumsundays.com/</a>.</p>]]>
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    <managingEditor>colleen@classicalbumsundays.com  (Classic Album Sundays)</managingEditor>
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      <itunes:email>colleen@classicalbumsundays.com </itunes:email>
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    <itunes:subtitle>The stories behind the albums that have shaped our culture and our lives</itunes:subtitle>
    <itunes:summary>
      <![CDATA[Classic Album Sundays tells the stories behind the albums that have shaped our culture and in some cases, our lives. We are the world’s most popular and respected classic album listening event with satellites in four continents. Our website, social media channels, and our podcast are the hub for classic albums and artists. Visit us at <a href="https://classicalbumsundays.com/" target="_blank">https://classicalbumsundays.com/</a>.]]>
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      <title>Classic Album Sundays: Wally Badarou 'Echoes'</title>
      <pubDate>Thu, 06 Nov 2025 12:00:00 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_360_1e38baa4-b790-4071-b372-6a39592e9896&amp;uf=https%3A%2F%2Ffeeds.feedburner.com%2FClassicAlbumSundays</link>
      <description>
        <![CDATA[<p>CAS founder Colleen 'Cosmo' Murphy and French-African musician, producer and songwriter Wally Badarou explore his cult classic 1984 solo LP 'Echoes' in this podcast in an interview taken from a Classic Album Sundays event at KEF Music Gallery.</p><p>Badarou’s 1984 solo LP features Balearic and club classic ‘Chief Inspector’ and ‘Mambo’, memorably sampled by Massive Attack on their classic single ‘Daydreaming’. They discuss Badarou’s illustrious career as a de facto member of Level 42, his collaborations and productions with Marianne Faithfull, Fela Kuti and Salif Keita, and his run as a member of Island Records’ Compass Point All-Stars for which he performed on records by Grace Jones, Talking Heads, Mick Jagger, Gwen Guthrie, Robert Palmer and Sly &amp; Robbie amongst many others. He also scored music for films including <em>Kiss of the Spider Woman</em> and more recently the award-winning documentary <em>Dahomey</em>.</p>]]>
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      <itunes:duration>58:01</itunes:duration>
      <author>colleen@classicalbumsundays.com  (Classic Album Sundays)</author>
      <category>
        <![CDATA[Music]]>
      </category>
      <category>
        <![CDATA[Classic Albums]]>
      </category>
      <itunes:author>Classic Album Sundays</itunes:author>
      <itunes:summary>
        <![CDATA[CAS founder Colleen 'Cosmo' Murphy and French-African musician, producer and songwriter Wally Badarou explore his cult classic 1984 solo LP 'Echoes' in this podcast in an interview taken from a Classic Album Sundays event at KEF Music Gallery.

Badarou’s 1984 solo LP features Balearic and club classic ‘Chief Inspector’ and ‘Mambo’, memorably sampled by Massive Attack on their classic single ‘Daydreaming’. They discuss Badarou’s illustrious career as a de facto member of Level 42, his collaborations and productions with Marianne Faithfull, Fela Kuti and Salif Keita, and his run as a member of Island Records’ Compass Point All-Stars for which he performed on records by Grace Jones, Talking Heads, Mick Jagger, Gwen Guthrie, Robert Palmer and Sly &amp; Robbie amongst many others. He also scored music for films including Kiss of the Spider Woman and more recently the award-winning documentary Dahomey.]]>
      </itunes:summary>
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      <content:encoded>
        <![CDATA[<p>CAS founder Colleen 'Cosmo' Murphy and French-African musician, producer and songwriter Wally Badarou explore his cult classic 1984 solo LP 'Echoes' in this podcast in an interview taken from a Classic Album Sundays event at KEF Music Gallery.</p><p>Badarou’s 1984 solo LP features Balearic and club classic ‘Chief Inspector’ and ‘Mambo’, memorably sampled by Massive Attack on their classic single ‘Daydreaming’. They discuss Badarou’s illustrious career as a de facto member of Level 42, his collaborations and productions with Marianne Faithfull, Fela Kuti and Salif Keita, and his run as a member of Island Records’ Compass Point All-Stars for which he performed on records by Grace Jones, Talking Heads, Mick Jagger, Gwen Guthrie, Robert Palmer and Sly &amp; Robbie amongst many others. He also scored music for films including <em>Kiss of the Spider Woman</em> and more recently the award-winning documentary <em>Dahomey</em>.</p>]]>
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      <title>Classic Album Sundays: Incognito '100° and Rising'</title>
      <pubDate>Thu, 09 Oct 2025 11:00:00 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_360_3a4f6b93-6118-462e-926e-daa18601535c&amp;uf=https%3A%2F%2Ffeeds.feedburner.com%2FClassicAlbumSundays</link>
      <description>
        <![CDATA[<p>Colleen 'Cosmo' Murphy sits down with British jazz-funk pioneer and Incognito founder Jean-Paul 'Bluey' Maunick to explore '100° and Rising' 30 years after the album's release. Incognito were pioneers of the acid jazz movement and this album released on Gilles Peterson’s Talking Loud label in 1995 had crossover appeal reaching #11 on the UK Albums Chart and #2 on the UK R&amp;B Albums Chart. The album features some of the best British jazz and session players and included the singles ‘I Hear Your Name’ and ‘Everyday’. Tickets are free but limited.</p><p><br></p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/dovetail.prxu.org/360/3a4f6b93-6118-462e-926e-daa18601535c/incognito__mixdown.mp3" type="audio/mpeg" length="78536784"/>
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      <itunes:duration>54:32</itunes:duration>
      <author>colleen@classicalbumsundays.com  (Classic Album Sundays)</author>
      <category>
        <![CDATA[Music]]>
      </category>
      <itunes:author>Classic Album Sundays</itunes:author>
      <itunes:summary>
        <![CDATA[Colleen 'Cosmo' Murphy sits down with British jazz-funk pioneer and Incognito founder Jean-Paul 'Bluey' Maunick to explore '100° and Rising' 30 years after the album's release. Incognito were pioneers of the acid jazz movement and this album released on Gilles Peterson’s Talking Loud label in 1995 had crossover appeal reaching #11 on the UK Albums Chart and #2 on the UK R&amp;B Albums Chart. The album features some of the best British jazz and session players and included the singles ‘I Hear Your Name’ and ‘Everyday’. Tickets are free but limited.]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/360/images/2104af6b-1aca-41a4-a756-82b53184ee5c/CAS_Logo_Orange_1400_1_.jpg"/>
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      <content:encoded>
        <![CDATA[<p>Colleen 'Cosmo' Murphy sits down with British jazz-funk pioneer and Incognito founder Jean-Paul 'Bluey' Maunick to explore '100° and Rising' 30 years after the album's release. Incognito were pioneers of the acid jazz movement and this album released on Gilles Peterson’s Talking Loud label in 1995 had crossover appeal reaching #11 on the UK Albums Chart and #2 on the UK R&amp;B Albums Chart. The album features some of the best British jazz and session players and included the singles ‘I Hear Your Name’ and ‘Everyday’. Tickets are free but limited.</p><p><br></p>]]>
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      <title>Classic Album Sundays: Level 42 'World Machine' with Mike Lindup &amp; Phil Gould</title>
      <pubDate>Thu, 04 Sep 2025 14:25:00 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_360_626f2737-57a7-45a9-a80c-d30da23ee8f0&amp;uf=https%3A%2F%2Ffeeds.feedburner.com%2FClassicAlbumSundays</link>
      <description>
        <![CDATA[<p>This interview was recorded at a Classic Album Sundays event at the KEF Music Gallery with Level 42 founding members Mike Lindup and Phil Gould. They take a look back to their worldwide breakthrough LP, 1985's <em>World Machine. </em>This is the album in which Level 42 transitioned from a straight up jazz-funk outfit into a funky pop band and reached number 3 on the UK Album Charts. The album featured a few singles including their US Top Ten hit ‘Something About You’, the ballad ‘Leaving Now’ and the funky <em>World Machine</em> which was remixed by Shep Pettibone and became a dancefloor classic. Wally Badarou also co-wrote and played on the album. </p>]]>
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      <enclosure url="https://dts.podtrac.com/redirect.mp3/dovetail.prxu.org/360/626f2737-57a7-45a9-a80c-d30da23ee8f0/level_42_podcast.mp3" type="audio/mpeg" length="126632375"/>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:duration>01:27:55</itunes:duration>
      <author>colleen@classicalbumsundays.com  (Classic Album Sundays)</author>
      <category>
        <![CDATA[Music]]>
      </category>
      <category>
        <![CDATA[Interview]]>
      </category>
      <category>
        <![CDATA[80's]]>
      </category>
      <itunes:author>Classic Album Sundays</itunes:author>
      <itunes:summary>
        <![CDATA[This interview was recorded at a Classic Album Sundays event at the KEF Music Gallery with Level 42 founding members Mike Lindup and Phil Gould. They take a look back to their worldwide breakthrough LP, 1985's World Machine. This is the album in which Level 42 transitioned from a straight up jazz-funk outfit into a funky pop band and reached number 3 on the UK Album Charts. The album featured a few singles including their US Top Ten hit ‘Something About You’, the ballad ‘Leaving Now’ and the funky World Machine which was remixed by Shep Pettibone and became a dancefloor classic. Wally Badarou also co-wrote and played on the album. ]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/360/images/2104af6b-1aca-41a4-a756-82b53184ee5c/CAS_Logo_Orange_1400_1_.jpg"/>
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      <content:encoded>
        <![CDATA[<p>This interview was recorded at a Classic Album Sundays event at the KEF Music Gallery with Level 42 founding members Mike Lindup and Phil Gould. They take a look back to their worldwide breakthrough LP, 1985's <em>World Machine. </em>This is the album in which Level 42 transitioned from a straight up jazz-funk outfit into a funky pop band and reached number 3 on the UK Album Charts. The album featured a few singles including their US Top Ten hit ‘Something About You’, the ballad ‘Leaving Now’ and the funky <em>World Machine</em> which was remixed by Shep Pettibone and became a dancefloor classic. Wally Badarou also co-wrote and played on the album. </p>]]>
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      <title>Classic Album Sundays: Radiohead 'The Bends' with Producer John Leckie</title>
      <pubDate>Mon, 21 Jul 2025 17:00:43 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_360_717deb9c-f46e-4682-9f61-fa352b10fa47&amp;uf=https%3A%2F%2Ffeeds.feedburner.com%2FClassicAlbumSundays</link>
      <description>
        <![CDATA[<p>Radiohead’s second album <em>The Bends</em> was released on the 13th March, 1995 and exactly 30 years later Colleen 'Cosmo' Murphy interviewed producer John Leckie on the story behind the album at an event at The British Library. The interview was followed by an uninterrupted vinyl playback of the full album on British audio brand Bowers &amp; Wilkins’ iconic 800 Series loudspeakers, which were used in the mixing of <em>The Bends</em> at Abbey Road Studios. </p><p><em>The Bends</em> is generally considered to show the remarkable evolution of their sound, which soon made them one of the most acclaimed bands in the world. With a healthy dose of the guitar rock and melancholic pop that characterised breakthrough single “Creep”, it also features beautiful ballads, a new range to Thom Yorke’s voice, blistering riffs and solos from Jonny Greenwood and multiple acoustic treats.</p><p>It was produced by <strong>John Leckie</strong>, one of the most important and distinctive producers in British music. <strong>John Leckie</strong> has had an extraordinary career. His early career at Abbey Road Studios, saw him working with John Lennon and George Harrison and then as an engineer for Pink Floyd’s <em>Meddle </em>and <em>Wish You Were Here</em> and Paul McCartney and Wings’ <em>Red Rose Speedway</em>. Among much else he then produced Public Image Ltd debut single, a brilliant early sweep of albums by Simple Minds, The Stone Roses, Muse and many others.</p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/dovetail.prxu.org/360/717deb9c-f46e-4682-9f61-fa352b10fa47/radiohead_john_leckie_podcast.mp3" type="audio/mpeg" length="74603611"/>
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      <itunes:duration>51:47</itunes:duration>
      <author>colleen@classicalbumsundays.com  (Classic Album Sundays)</author>
      <category>
        <![CDATA[music]]>
      </category>
      <itunes:author>Classic Album Sundays</itunes:author>
      <itunes:summary>
        <![CDATA[Radiohead’s second album The Bends was released on the 13th March, 1995 and exactly 30 years later Colleen 'Cosmo' Murphy interviewed producer John Leckie on the story behind the album at an event at The British Library. The interview was followed by an uninterrupted vinyl playback of the full album on British audio brand Bowers &amp; Wilkins’ iconic 800 Series loudspeakers, which were used in the mixing of The Bends at Abbey Road Studios. 

The Bends is generally considered to show the remarkable evolution of their sound, which soon made them one of the most acclaimed bands in the world. With a healthy dose of the guitar rock and melancholic pop that characterised breakthrough single “Creep”, it also features beautiful ballads, a new range to Thom Yorke’s voice, blistering riffs and solos from Jonny Greenwood and multiple acoustic treats.

It was produced by John Leckie, one of the most important and distinctive producers in British music. John Leckie has had an extraordinary career. His early career at Abbey Road Studios, saw him working with John Lennon and George Harrison and then as an engineer for Pink Floyd’s Meddle and Wish You Were Here and Paul McCartney and Wings’ Red Rose Speedway. Among much else he then produced Public Image Ltd debut single, a brilliant early sweep of albums by Simple Minds, The Stone Roses, Muse and many others.]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/360/images/2104af6b-1aca-41a4-a756-82b53184ee5c/CAS_Logo_Orange_1400_1_.jpg"/>
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      <content:encoded>
        <![CDATA[<p>Radiohead’s second album <em>The Bends</em> was released on the 13th March, 1995 and exactly 30 years later Colleen 'Cosmo' Murphy interviewed producer John Leckie on the story behind the album at an event at The British Library. The interview was followed by an uninterrupted vinyl playback of the full album on British audio brand Bowers &amp; Wilkins’ iconic 800 Series loudspeakers, which were used in the mixing of <em>The Bends</em> at Abbey Road Studios. </p><p><em>The Bends</em> is generally considered to show the remarkable evolution of their sound, which soon made them one of the most acclaimed bands in the world. With a healthy dose of the guitar rock and melancholic pop that characterised breakthrough single “Creep”, it also features beautiful ballads, a new range to Thom Yorke’s voice, blistering riffs and solos from Jonny Greenwood and multiple acoustic treats.</p><p>It was produced by <strong>John Leckie</strong>, one of the most important and distinctive producers in British music. <strong>John Leckie</strong> has had an extraordinary career. His early career at Abbey Road Studios, saw him working with John Lennon and George Harrison and then as an engineer for Pink Floyd’s <em>Meddle </em>and <em>Wish You Were Here</em> and Paul McCartney and Wings’ <em>Red Rose Speedway</em>. Among much else he then produced Public Image Ltd debut single, a brilliant early sweep of albums by Simple Minds, The Stone Roses, Muse and many others.</p>]]>
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      <title>Classic Album Sundays: Suede 'Dog Man Star'</title>
      <pubDate>Wed, 25 Jun 2025 17:00:00 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_360_89303ec9-477f-4951-a4a2-c304a13f6a9e&amp;uf=https%3A%2F%2Ffeeds.feedburner.com%2FClassicAlbumSundays</link>
      <description>
        <![CDATA[<p>In this interview with Colleen ‘Cosmo’ Murphy, Suede’s Brett Anderson and Mat Osman explore the stories behind the making of the band’s sophomore album and reflect upon its significance today. The interview took place on the 13th October, 2024, and was a feature of a Classic Album Sundays listening event at the Royal Albert Hall’s Elgar Room in association with National Album Day. </p><p>Suede’s second album <em>Dog Man Star </em>smashed through the nascent boundaries of Britpop and reached number 3 on the UK Album Chart when it was released in 1994. It has garnered even more veneration with the passing decades and 30 years after its release, the band took a look back to this fan favourite.</p><p>We send a special thanks to <a href="https://danleydistribution.com/"><strong>Danley Distribution</strong></a>, our audio partners for this event.</p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/dovetail.prxu.org/360/89303ec9-477f-4951-a4a2-c304a13f6a9e/CAS_suede_Podcast.mp3" type="audio/mpeg" length="99376526"/>
      <itunes:title>Classic Album Sundays: Suede 'Dog Man Star'</itunes:title>
      <itunes:subtitle>Brett Anderson and Mat Osman explore their 1994 LP</itunes:subtitle>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:duration>41:24</itunes:duration>
      <author>colleen@classicalbumsundays.com  (Classic Album Sundays)</author>
      <category>
        <![CDATA[Music]]>
      </category>
      <category>
        <![CDATA[Brit Pop]]>
      </category>
      <category>
        <![CDATA[Suede]]>
      </category>
      <itunes:author>Classic Album Sundays</itunes:author>
      <itunes:summary>
        <![CDATA[In this interview with Colleen ‘Cosmo’ Murphy, Suede’s Brett Anderson and Mat Osman explore the stories behind the making of the band’s sophomore album and reflect upon its significance today. The interview took place on the 13th October, 2024, and was a feature of a Classic Album Sundays listening event at the Royal Albert Hall’s Elgar Room in association with National Album Day. 

Suede’s second album Dog Man Star smashed through the nascent boundaries of Britpop and reached number 3 on the UK Album Chart when it was released in 1994. It has garnered even more veneration with the passing decades and 30 years after its release, the band took a look back to this fan favourite.

We send a special thanks to <a href="https://danleydistribution.com/">Danley Distribution</a>, our audio partners for this event.]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/360/images/2104af6b-1aca-41a4-a756-82b53184ee5c/CAS_Logo_Orange_1400_1_.jpg"/>
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      <content:encoded>
        <![CDATA[<p>In this interview with Colleen ‘Cosmo’ Murphy, Suede’s Brett Anderson and Mat Osman explore the stories behind the making of the band’s sophomore album and reflect upon its significance today. The interview took place on the 13th October, 2024, and was a feature of a Classic Album Sundays listening event at the Royal Albert Hall’s Elgar Room in association with National Album Day. </p><p>Suede’s second album <em>Dog Man Star </em>smashed through the nascent boundaries of Britpop and reached number 3 on the UK Album Chart when it was released in 1994. It has garnered even more veneration with the passing decades and 30 years after its release, the band took a look back to this fan favourite.</p><p>We send a special thanks to <a href="https://danleydistribution.com/"><strong>Danley Distribution</strong></a>, our audio partners for this event.</p>]]>
      </content:encoded>
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      <title>Classic Album Sundays: Eddy Grant</title>
      <pubDate>Sun, 18 May 2025 11:00:00 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_360_19802ead-e67a-4d90-88f6-fca8d6f91923&amp;uf=https%3A%2F%2Ffeeds.feedburner.com%2FClassicAlbumSundays</link>
      <description>
        <![CDATA[<p>Colleen ‘Cosmo’ Murphy walks the Guyana-born musician through his career starting with co-founding the first British multi-racial band, The Equals, to his classic album ‘Walking on Sunshine’, his Top 40 hit ‘Electric Avenue’ and the founding of his own genre, ringbang, with many insights and anecdotes in between.</p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/dovetail.prxu.org/360/19802ead-e67a-4d90-88f6-fca8d6f91923/CAS_EDDY_GRANT_Podcast.mp3" type="audio/mpeg" length="224848531"/>
      <itunes:title>Classic Album Sundays: Eddy Grant</itunes:title>
      <itunes:subtitle>A journey from The Equals to Walking on Sunshine to Electric Avenue</itunes:subtitle>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:duration>01:33:41</itunes:duration>
      <author>colleen@classicalbumsundays.com  (Classic Album Sundays)</author>
      <category>
        <![CDATA[Music]]>
      </category>
      <category>
        <![CDATA[Caribbean Music]]>
      </category>
      <itunes:author>Classic Album Sundays</itunes:author>
      <itunes:summary>
        <![CDATA[Colleen ‘Cosmo’ Murphy walks the Guyana-born musician through his career starting with co-founding the first British multi-racial band, The Equals, to his classic album ‘Walking on Sunshine’, his Top 40 hit ‘Electric Avenue’ and the founding of his own genre, ringbang, with many insights and anecdotes in between.]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/360/images/2104af6b-1aca-41a4-a756-82b53184ee5c/CAS_Logo_Orange_1400_1_.jpg"/>
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      <content:encoded>
        <![CDATA[<p>Colleen ‘Cosmo’ Murphy walks the Guyana-born musician through his career starting with co-founding the first British multi-racial band, The Equals, to his classic album ‘Walking on Sunshine’, his Top 40 hit ‘Electric Avenue’ and the founding of his own genre, ringbang, with many insights and anecdotes in between.</p>]]>
      </content:encoded>
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    <item>
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      <title>Classic Album Sundays Podcast: Nas ‘Illmatic’</title>
      <pubDate>Sun, 27 Aug 2023 01:00:00 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_360_a2e8d0b2-d419-4d3b-a991-1fb9912a1a8c&amp;uf=https%3A%2F%2Ffeeds.feedburner.com%2FClassicAlbumSundays</link>
      <description>
        <![CDATA[<p>"Illmatic," the seminal debut album by Nas, is a magnum opus in the world of hip-hop, revered for its immaculate craftsmanship and profound cultural impact. Crafted under the watchful eyes of renowned producers like DJ Premier and Large Professor, it marries Nas' lyrical genius with impeccably sampled beats, creating a sonic landscape that epitomizes the gritty realism of 1990s New York. Its influence reverberates through generations, setting a gold standard for storytelling in rap. "Illmatic" isn't just an album; it's a timeless blueprint for hip-hop authenticity, a snapshot of an era, and an indelible cultural touchstone that continues to shape the genre today. Read more about your favourite albums here: <a href="https://classicalbumsundays.com/" rel="nofollow" target="_blank">https://classicalbumsundays.com/</a></p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/dovetail.prxu.org/360/a2e8d0b2-d419-4d3b-a991-1fb9912a1a8c/Nas_Illmatic_PRX.mp3" type="audio/mpeg" length="55266742"/>
      <itunes:subtitle>‘Illmatic’</itunes:subtitle>
      <itunes:explicit>true</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:duration>23:01</itunes:duration>
      <author>colleen@classicalbumsundays.com  (Classic Album Sundays)</author>
      <category>
        <![CDATA[Hip-Hop]]>
      </category>
      <category>
        <![CDATA[Music History]]>
      </category>
      <category>
        <![CDATA[Nas]]>
      </category>
      <category>
        <![CDATA[Podcast]]>
      </category>
      <itunes:author>Classic Album Sundays</itunes:author>
      <itunes:summary>
        <![CDATA["Illmatic," the seminal debut album by Nas, is a magnum opus in the world of hip-hop, revered for its immaculate craftsmanship and profound cultural impact. Crafted under the watchful eyes of renowned producers like DJ Premier and Large Professor, it marries Nas' lyrical genius with impeccably sampled beats, creating a sonic landscape that epitomizes the gritty realism of 1990s New York. Its influence reverberates through generations, setting a gold standard for storytelling in rap. "Illmatic" isn't just an album; it's a timeless blueprint for hip-hop authenticity, a snapshot of an era, and an indelible cultural touchstone that continues to shape the genre today. Read more about your favourite albums here: <a href="https://classicalbumsundays.com/" target="_blank">https://classicalbumsundays.com/</a>]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/360/a2e8d0b2-d419-4d3b-a991-1fb9912a1a8c/images/b30a7cd8-7458-4409-828d-a8bc66bd2090/Nas_Illmatic_Thumb.png"/>
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      <content:encoded>
        <![CDATA[<p>"Illmatic," the seminal debut album by Nas, is a magnum opus in the world of hip-hop, revered for its immaculate craftsmanship and profound cultural impact. Crafted under the watchful eyes of renowned producers like DJ Premier and Large Professor, it marries Nas' lyrical genius with impeccably sampled beats, creating a sonic landscape that epitomizes the gritty realism of 1990s New York. Its influence reverberates through generations, setting a gold standard for storytelling in rap. "Illmatic" isn't just an album; it's a timeless blueprint for hip-hop authenticity, a snapshot of an era, and an indelible cultural touchstone that continues to shape the genre today. Read more about your favourite albums here: <a href="https://classicalbumsundays.com/" rel="nofollow" target="_blank">https://classicalbumsundays.com/</a></p>]]>
      </content:encoded>
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      <title>Classic Album Sundays: Flaming Lips ‘Yoshimi Battles The Pink Robots’</title>
      <pubDate>Sun, 20 Aug 2023 01:00:00 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_360_97cccab9-6485-47fe-8754-4a53c4af6773&amp;uf=https%3A%2F%2Ffeeds.feedburner.com%2FClassicAlbumSundays</link>
      <description>
        <![CDATA[<p>We feature The Flaming Lips tenth studio album <em>Yoshimi Battles the Pink Robots</em> for our March Classic Album Sundays Worldwide Podcast. The album was well-received critically and commercially, helping the band break into the mainstream, and was adapted into a musical in 2012. <em>Uncut</em> declared that “even by their standards, <em>Yoshimi</em> is astonishing. Read more about your favourite albums: classicalbumsundays.com</p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/dovetail.prxu.org/360/97cccab9-6485-47fe-8754-4a53c4af6773/Flaming_Lips_PRX.mp3" type="audio/mpeg" length="55039999"/>
      <itunes:subtitle>‘Yoshimi Battles The Pink Robots’</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:duration>22:56</itunes:duration>
      <author>colleen@classicalbumsundays.com  (Classic Album Sundays)</author>
      <category>
        <![CDATA[Music History]]>
      </category>
      <category>
        <![CDATA[Podcast]]>
      </category>
      <category>
        <![CDATA[Spoken Word]]>
      </category>
      <itunes:author>Classic Album Sundays</itunes:author>
      <itunes:summary>
        <![CDATA[We feature The Flaming Lips tenth studio album Yoshimi Battles the Pink Robots for our March Classic Album Sundays Worldwide Podcast. The album was well-received critically and commercially, helping the band break into the mainstream, and was adapted into a musical in 2012. Uncut declared that “even by their standards, Yoshimi is astonishing. Read more about your favourite albums: classicalbumsundays.com]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/360/97cccab9-6485-47fe-8754-4a53c4af6773/images/f398f723-c1f2-4532-84ed-43b851ef5d67/Flaming_Lips_PRX.png"/>
      <media:content fileSize="55039999" type="audio/mpeg" url="https://dts.podtrac.com/redirect.mp3/dovetail.prxu.org/360/97cccab9-6485-47fe-8754-4a53c4af6773/Flaming_Lips_PRX.mp3"/>
      <content:encoded>
        <![CDATA[<p>We feature The Flaming Lips tenth studio album <em>Yoshimi Battles the Pink Robots</em> for our March Classic Album Sundays Worldwide Podcast. The album was well-received critically and commercially, helping the band break into the mainstream, and was adapted into a musical in 2012. <em>Uncut</em> declared that “even by their standards, <em>Yoshimi</em> is astonishing. Read more about your favourite albums: classicalbumsundays.com</p>]]>
      </content:encoded>
    </item>
    <item>
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      <title>Classic Album Sundays: Michael Jackson ‘Off The Wall’</title>
      <pubDate>Thu, 17 Aug 2023 10:29:31 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_360_6cb217ac-1269-4503-bf63-06e46e223523&amp;uf=https%3A%2F%2Ffeeds.feedburner.com%2FClassicAlbumSundays</link>
      <description>
        <![CDATA[<p>On this episode of the Classic Album Sundays podcast, Colleen focuses on <em>Off the Wall</em>, the fifth studio album from American pop royalty Michael Jackson. The record demonstrates the departure from the Motown period of Jackson’s career and the development of his pop, disco and funk melded sound, going on to define his career as a solo artist. Read more about your favourite albums here: classicalbumsundays.com</p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/dovetail.prxu.org/360/6cb217ac-1269-4503-bf63-06e46e223523/Michael_Jackson_Off_The_Wall_PRX_.mp3" type="audio/mpeg" length="59727411"/>
      <itunes:subtitle>‘Off The Wall’</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:duration>24:53</itunes:duration>
      <author>colleen@classicalbumsundays.com  (Classic Album Sundays)</author>
      <category>
        <![CDATA[Music History]]>
      </category>
      <category>
        <![CDATA[Podcast]]>
      </category>
      <category>
        <![CDATA[Spoken Word]]>
      </category>
      <itunes:author>Classic Album Sundays</itunes:author>
      <itunes:summary>
        <![CDATA[On this episode of the Classic Album Sundays podcast, Colleen focuses on Off the Wall, the fifth studio album from American pop royalty Michael Jackson. The record demonstrates the departure from the Motown period of Jackson’s career and the development of his pop, disco and funk melded sound, going on to define his career as a solo artist. Read more about your favourite albums here: classicalbumsundays.com]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/360/6cb217ac-1269-4503-bf63-06e46e223523/images/0ba41105-38c4-4735-b2d8-f4d8284ac077/Michael_Jackson_Off_The_Wall_PRX.png"/>
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      <content:encoded>
        <![CDATA[<p>On this episode of the Classic Album Sundays podcast, Colleen focuses on <em>Off the Wall</em>, the fifth studio album from American pop royalty Michael Jackson. The record demonstrates the departure from the Motown period of Jackson’s career and the development of his pop, disco and funk melded sound, going on to define his career as a solo artist. Read more about your favourite albums here: classicalbumsundays.com</p>]]>
      </content:encoded>
    </item>
    <item>
      <guid isPermaLink="false">prx_360_95dc6676-8c27-4202-98a8-5c25a2c8c32d</guid>
      <title>Classic Album Sundays Podcast: Alice Coltrane ‘Journey In Satchidananda’ with Alina Bzhezhinska</title>
      <pubDate>Sun, 23 Jul 2023 01:00:00 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_360_95dc6676-8c27-4202-98a8-5c25a2c8c32d&amp;uf=https%3A%2F%2Ffeeds.feedburner.com%2FClassicAlbumSundays</link>
      <description>
        <![CDATA[<p>We were delighted to be joined by harpist <a href="https://www.alina-harpist.com/" rel="nofollow" target="_blank">Alina Bzhezhinska</a> for our latest Classic Album Sundays Podcast show focussed on Alice Coltrane ‘Journey In Satchidananda’. Alina recently performed the music of Alice Coltrane along with Pharoah Sanders Quartet &amp; Denys Baptiste at London’s iconic Barbican Centre so we were able to get her first hand insights on what it’s like to perform this amazing music. Read more about your favourite albums here: classicalbumsundays.com</p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/dovetail.prxu.org/360/95dc6676-8c27-4202-98a8-5c25a2c8c32d/Alice_Coltrane_PRX.mp3" type="audio/mpeg" length="112255476"/>
      <itunes:subtitle>‘Journey In Satchidananda’ </itunes:subtitle>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:duration>46:46</itunes:duration>
      <author>colleen@classicalbumsundays.com  (Classic Album Sundays)</author>
      <category>
        <![CDATA[Jazz]]>
      </category>
      <category>
        <![CDATA[Music History]]>
      </category>
      <itunes:author>Classic Album Sundays</itunes:author>
      <itunes:summary>
        <![CDATA[We were delighted to be joined by harpist <a href="https://www.alina-harpist.com/" target="_blank">Alina Bzhezhinska</a> for our latest Classic Album Sundays Podcast show focussed on Alice Coltrane ‘Journey In Satchidananda’. Alina recently performed the music of Alice Coltrane along with Pharoah Sanders Quartet &amp; Denys Baptiste at London’s iconic Barbican Centre so we were able to get her first hand insights on what it’s like to perform this amazing music. Read more about your favourite albums here: classicalbumsundays.com]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/360/95dc6676-8c27-4202-98a8-5c25a2c8c32d/images/571cafb9-a155-4907-936a-a4777069f2db/Indie_Wednesdays_Instagram_Post.png"/>
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      <content:encoded>
        <![CDATA[<p>We were delighted to be joined by harpist <a href="https://www.alina-harpist.com/" rel="nofollow" target="_blank">Alina Bzhezhinska</a> for our latest Classic Album Sundays Podcast show focussed on Alice Coltrane ‘Journey In Satchidananda’. Alina recently performed the music of Alice Coltrane along with Pharoah Sanders Quartet &amp; Denys Baptiste at London’s iconic Barbican Centre so we were able to get her first hand insights on what it’s like to perform this amazing music. Read more about your favourite albums here: classicalbumsundays.com</p>]]>
      </content:encoded>
    </item>
    <item>
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      <title>Classic Album Sundays Podcast: J Dilla 'Welcome 2 Detroit' with Amp Fiddler</title>
      <pubDate>Sun, 11 Jun 2023 01:00:00 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_360_086a4483-56fc-4f29-8e5c-586c36f916e6&amp;uf=https%3A%2F%2Ffeeds.feedburner.com%2FClassicAlbumSundays</link>
      <description>
        <![CDATA[<p>We were recently lucky enough to be joined by legendary Detroit beat maker Amp Fiddler as he shared with us some tales from the early days of working with J Dilla at his basement in his Detroit home. Thanks also go out to Boiler Room’s Raj Chaudhuri who interviewed Amp and also gave us his personal insights into Dilla’s music. Read more about your favourite albums here: classicalbumsundays.com</p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/dovetail.prxu.org/360/086a4483-56fc-4f29-8e5c-586c36f916e6/J_Dilla_Welcome_2_Detroit_PRX.mp3" type="audio/mpeg" length="150536358"/>
      <itunes:subtitle>'Welcome 2 Detroit'</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:duration>01:02:43</itunes:duration>
      <author>colleen@classicalbumsundays.com  (Classic Album Sundays)</author>
      <category>
        <![CDATA[Music History]]>
      </category>
      <category>
        <![CDATA[Podcast]]>
      </category>
      <category>
        <![CDATA[Spoken Word]]>
      </category>
      <itunes:author>Classic Album Sundays</itunes:author>
      <itunes:summary>
        <![CDATA[We were recently lucky enough to be joined by legendary Detroit beat maker Amp Fiddler as he shared with us some tales from the early days of working with J Dilla at his basement in his Detroit home. Thanks also go out to Boiler Room’s Raj Chaudhuri who interviewed Amp and also gave us his personal insights into Dilla’s music. Read more about your favourite albums here: classicalbumsundays.com]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/360/086a4483-56fc-4f29-8e5c-586c36f916e6/images/0c17616b-ed90-4e41-bd13-581aaa7a9df9/J_Dilla_Welcome_2_Detroit_PRX.png"/>
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      <content:encoded>
        <![CDATA[<p>We were recently lucky enough to be joined by legendary Detroit beat maker Amp Fiddler as he shared with us some tales from the early days of working with J Dilla at his basement in his Detroit home. Thanks also go out to Boiler Room’s Raj Chaudhuri who interviewed Amp and also gave us his personal insights into Dilla’s music. Read more about your favourite albums here: classicalbumsundays.com</p>]]>
      </content:encoded>
    </item>
    <item>
      <guid isPermaLink="false">prx_360_1735f146-657e-4bde-a5ff-00ae1218a494</guid>
      <title>Classic Album Sundays Podcast - Van Morrison 'Astral Weeks'</title>
      <pubDate>Sun, 04 Jun 2023 01:00:00 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_360_1735f146-657e-4bde-a5ff-00ae1218a494&amp;uf=https%3A%2F%2Ffeeds.feedburner.com%2FClassicAlbumSundays</link>
      <description>
        <![CDATA[<p>Van Morrison's "Astral Weeks" stands as an ethereal masterpiece that transcends the boundaries of traditional music. Released in 1968, this seminal album takes listeners on a transformative journey through its introspective and poetic musings. Morrison's soulful voice blends seamlessly with a fusion of jazz, folk, and classical elements, creating a rich tapestry of sound. The album's lush instrumentation, intricate arrangements, and poetic lyricism evoke a sense of otherworldly beauty and introspection. Each track seamlessly flows into the next, creating a cohesive and immersive listening experience. "Astral Weeks" is a testament to Van Morrison's unparalleled artistry, cementing his status as a visionary and an enduring force in the realm of music. Read more about your favourite albums here: classicalbumsundays.com</p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/dovetail.prxu.org/360/1735f146-657e-4bde-a5ff-00ae1218a494/Van_Morrison_Astral_Weeks_PRX.mp3" type="audio/mpeg" length="124159999"/>
      <itunes:subtitle>'Astral Weeks'</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:duration>51:44</itunes:duration>
      <author>colleen@classicalbumsundays.com  (Classic Album Sundays)</author>
      <category>
        <![CDATA[Music History]]>
      </category>
      <category>
        <![CDATA[Podcast]]>
      </category>
      <category>
        <![CDATA[Spoken Word]]>
      </category>
      <itunes:author>Classic Album Sundays</itunes:author>
      <itunes:summary>
        <![CDATA[Van Morrison's "Astral Weeks" stands as an ethereal masterpiece that transcends the boundaries of traditional music. Released in 1968, this seminal album takes listeners on a transformative journey through its introspective and poetic musings. Morrison's soulful voice blends seamlessly with a fusion of jazz, folk, and classical elements, creating a rich tapestry of sound. The album's lush instrumentation, intricate arrangements, and poetic lyricism evoke a sense of otherworldly beauty and introspection. Each track seamlessly flows into the next, creating a cohesive and immersive listening experience. "Astral Weeks" is a testament to Van Morrison's unparalleled artistry, cementing his status as a visionary and an enduring force in the realm of music. Read more about your favourite albums here: classicalbumsundays.com]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/360/1735f146-657e-4bde-a5ff-00ae1218a494/images/fe27a5a1-dbe7-4684-926e-fc57d3444257/Van_Morrison_Astral_Weeks_PRX.png"/>
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      <content:encoded>
        <![CDATA[<p>Van Morrison's "Astral Weeks" stands as an ethereal masterpiece that transcends the boundaries of traditional music. Released in 1968, this seminal album takes listeners on a transformative journey through its introspective and poetic musings. Morrison's soulful voice blends seamlessly with a fusion of jazz, folk, and classical elements, creating a rich tapestry of sound. The album's lush instrumentation, intricate arrangements, and poetic lyricism evoke a sense of otherworldly beauty and introspection. Each track seamlessly flows into the next, creating a cohesive and immersive listening experience. "Astral Weeks" is a testament to Van Morrison's unparalleled artistry, cementing his status as a visionary and an enduring force in the realm of music. Read more about your favourite albums here: classicalbumsundays.com</p>]]>
      </content:encoded>
    </item>
    <item>
      <guid isPermaLink="false">prx_360_f2a2b7d4-637e-41ac-b198-cd9f73c3465f</guid>
      <title>Classic Album Sundays Podcast: My Bloody Valentine 'Loveless'</title>
      <pubDate>Sun, 28 May 2023 01:00:00 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_360_f2a2b7d4-637e-41ac-b198-cd9f73c3465f&amp;uf=https%3A%2F%2Ffeeds.feedburner.com%2FClassicAlbumSundays</link>
      <description>
        <![CDATA[<p>My Bloody Valentine's seminal album, 'Loveless,' stands as a groundbreaking masterpiece in the realm of shoegaze and alternative rock. Released in 1991, it encapsulates the band's visionary approach to sound and their pioneering use of textured layers and swirling guitars. The album's ethereal melodies and dreamlike atmospheres create a mesmerising sonic experience, where every track is a sonic journey. 'Loveless' defies traditional song structures, immersing the listener in a sonic haze of lush harmonies, distorted guitars, and intricate rhythms. The album's dense production and innovative use of feedback and effects showcase the band's meticulous attention to detail, resulting in a timeless and influential work of art that continues to captivate and inspire listeners to this day. Read more about your favourite albums here: classicalbumsundays.com</p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/dovetail.prxu.org/360/f2a2b7d4-637e-41ac-b198-cd9f73c3465f/My_Bloody_Valentine_Loveless_PRX.mp3" type="audio/mpeg" length="48991084"/>
      <itunes:subtitle>'Loveless'</itunes:subtitle>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:duration>20:24</itunes:duration>
      <author>colleen@classicalbumsundays.com  (Classic Album Sundays)</author>
      <category>
        <![CDATA[music history]]>
      </category>
      <category>
        <![CDATA[podcast]]>
      </category>
      <category>
        <![CDATA[spoken word]]>
      </category>
      <itunes:author>Classic Album Sundays</itunes:author>
      <itunes:summary>
        <![CDATA[My Bloody Valentine's seminal album, 'Loveless,' stands as a groundbreaking masterpiece in the realm of shoegaze and alternative rock. Released in 1991, it encapsulates the band's visionary approach to sound and their pioneering use of textured layers and swirling guitars. The album's ethereal melodies and dreamlike atmospheres create a mesmerising sonic experience, where every track is a sonic journey. 'Loveless' defies traditional song structures, immersing the listener in a sonic haze of lush harmonies, distorted guitars, and intricate rhythms. The album's dense production and innovative use of feedback and effects showcase the band's meticulous attention to detail, resulting in a timeless and influential work of art that continues to captivate and inspire listeners to this day. Read more about your favourite albums here: classicalbumsundays.com]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/360/f2a2b7d4-637e-41ac-b198-cd9f73c3465f/images/76610e51-29c9-46a8-87e4-f80f4e9563d6/My_Bloody_Valentine_PRX_Thumb.png"/>
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      <content:encoded>
        <![CDATA[<p>My Bloody Valentine's seminal album, 'Loveless,' stands as a groundbreaking masterpiece in the realm of shoegaze and alternative rock. Released in 1991, it encapsulates the band's visionary approach to sound and their pioneering use of textured layers and swirling guitars. The album's ethereal melodies and dreamlike atmospheres create a mesmerising sonic experience, where every track is a sonic journey. 'Loveless' defies traditional song structures, immersing the listener in a sonic haze of lush harmonies, distorted guitars, and intricate rhythms. The album's dense production and innovative use of feedback and effects showcase the band's meticulous attention to detail, resulting in a timeless and influential work of art that continues to captivate and inspire listeners to this day. Read more about your favourite albums here: classicalbumsundays.com</p>]]>
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      <title>Classic Album Sundays Podcast: Stevie Wonder ‘Songs In The Key of Life’</title>
      <pubDate>Mon, 15 May 2023 11:58:08 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_360_e7af7fd5-46d5-4c37-a80d-7d3c9902d388&amp;uf=https%3A%2F%2Ffeeds.feedburner.com%2FClassicAlbumSundays</link>
      <description>
        <![CDATA[<p>Recorded over two years, the album is arguably Stevie’s finest hour and is also one of the greatest albums of all time as it contains hit after hit. “Sir Duke”, “I Wish”, “Pastime Paradise”, “Isn’t She Lovely”, “As” and “Another Star” are all included making this truly a masterpiece. To make an album that doesn’t contain an average song is hard enough, let alone doing it on a double album as Stevie has done here. Read more about your favourite albums here: classicalbumsundays.com</p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/dovetail.prxu.org/360/e7af7fd5-46d5-4c37-a80d-7d3c9902d388/Stevie_Wonder_Songs_In_The_Key_PRX.mp3" type="audio/mpeg" length="146744423"/>
      <itunes:subtitle>‘Songs In The Key of Life’</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:duration>01:01:08</itunes:duration>
      <author>colleen@classicalbumsundays.com  (Classic Album Sundays)</author>
      <category>
        <![CDATA[Interview]]>
      </category>
      <category>
        <![CDATA[Music History]]>
      </category>
      <category>
        <![CDATA[Podcast]]>
      </category>
      <itunes:author>Classic Album Sundays</itunes:author>
      <itunes:summary>
        <![CDATA[Recorded over two years, the album is arguably Stevie’s finest hour and is also one of the greatest albums of all time as it contains hit after hit. “Sir Duke”, “I Wish”, “Pastime Paradise”, “Isn’t She Lovely”, “As” and “Another Star” are all included making this truly a masterpiece. To make an album that doesn’t contain an average song is hard enough, let alone doing it on a double album as Stevie has done here. Read more about your favourite albums here: classicalbumsundays.com]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/360/e7af7fd5-46d5-4c37-a80d-7d3c9902d388/images/7b32e70b-52ee-4fc9-89e9-71a2ce52ac7f/Steve_Wonder_Songs_In_The_Key_Of_Life_Thumb.png"/>
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      <content:encoded>
        <![CDATA[<p>Recorded over two years, the album is arguably Stevie’s finest hour and is also one of the greatest albums of all time as it contains hit after hit. “Sir Duke”, “I Wish”, “Pastime Paradise”, “Isn’t She Lovely”, “As” and “Another Star” are all included making this truly a masterpiece. To make an album that doesn’t contain an average song is hard enough, let alone doing it on a double album as Stevie has done here. Read more about your favourite albums here: classicalbumsundays.com</p>]]>
      </content:encoded>
    </item>
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      <title>Classic Album Sundays Podcast: D'Angelo 'Voodoo'</title>
      <pubDate>Sun, 09 Apr 2023 01:00:00 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_360_26fe0561-b666-471a-a05e-3cddc76f90f4&amp;uf=https%3A%2F%2Ffeeds.feedburner.com%2FClassicAlbumSundays</link>
      <description>
        <![CDATA[<p>D'Angelo's 2000 album, ‘Voodoo’, is a timeless masterpiece that redefined the sound of neo-soul music. With its seamless blend of funk, jazz, and soul, ‘Voodoo’ is a stunning showcase of D'Angelo's impeccable musicianship and his unique approach to songwriting.</p>

<p>At its core, ‘Voodoo’ is an album that celebrates the rich musical heritage of black culture. From the infectious grooves of "Devil's Pie" to the haunting balladry of "One Mo'Gin," D'Angelo infuses every track with a sense of raw energy and soulful authenticity.</p>

<p>But what truly sets ‘Voodoo’ apart is its use of live instrumentation and lush arrangements. From the thundering drums to the soaring horns and strings, every element of the album feels meticulously crafted and perfectly placed. It's a testament to D'Angelo's incredible talent as a producer and his deep understanding of the nuances of black music.</p>

<p>‘Voodoo’ is a true masterpiece of modern music, a stunning achievement that continues to inspire and influence musicians to this day.</p>

<p>Read more about your favourite albums here: classicalbumsundays.com</p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/dovetail.prxu.org/360/26fe0561-b666-471a-a05e-3cddc76f90f4/D_Angelo_Voodoo_PRX.mp3" type="audio/mpeg" length="55111052"/>
      <itunes:subtitle>'Voodoo'</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:duration>22:57</itunes:duration>
      <author>colleen@classicalbumsundays.com  (Classic Album Sundays)</author>
      <category>
        <![CDATA[interview]]>
      </category>
      <category>
        <![CDATA[music history]]>
      </category>
      <category>
        <![CDATA[spoken word]]>
      </category>
      <itunes:author>Classic Album Sundays</itunes:author>
      <itunes:summary>
        <![CDATA[D'Angelo's 2000 album, ‘Voodoo’, is a timeless masterpiece that redefined the sound of neo-soul music. With its seamless blend of funk, jazz, and soul, ‘Voodoo’ is a stunning showcase of D'Angelo's impeccable musicianship and his unique approach to songwriting.


At its core, ‘Voodoo’ is an album that celebrates the rich musical heritage of black culture. From the infectious grooves of "Devil's Pie" to the haunting balladry of "One Mo'Gin," D'Angelo infuses every track with a sense of raw energy and soulful authenticity.


But what truly sets ‘Voodoo’ apart is its use of live instrumentation and lush arrangements. From the thundering drums to the soaring horns and strings, every element of the album feels meticulously crafted and perfectly placed. It's a testament to D'Angelo's incredible talent as a producer and his deep understanding of the nuances of black music.


‘Voodoo’ is a true masterpiece of modern music, a stunning achievement that continues to inspire and influence musicians to this day.


Read more about your favourite albums here: classicalbumsundays.com]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/360/26fe0561-b666-471a-a05e-3cddc76f90f4/images/0d74bad5-f98a-4e5c-9250-e4893ed1c2a8/D_Angelo_Thumb.png"/>
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      <content:encoded>
        <![CDATA[<p>D'Angelo's 2000 album, ‘Voodoo’, is a timeless masterpiece that redefined the sound of neo-soul music. With its seamless blend of funk, jazz, and soul, ‘Voodoo’ is a stunning showcase of D'Angelo's impeccable musicianship and his unique approach to songwriting.</p>

<p>At its core, ‘Voodoo’ is an album that celebrates the rich musical heritage of black culture. From the infectious grooves of "Devil's Pie" to the haunting balladry of "One Mo'Gin," D'Angelo infuses every track with a sense of raw energy and soulful authenticity.</p>

<p>But what truly sets ‘Voodoo’ apart is its use of live instrumentation and lush arrangements. From the thundering drums to the soaring horns and strings, every element of the album feels meticulously crafted and perfectly placed. It's a testament to D'Angelo's incredible talent as a producer and his deep understanding of the nuances of black music.</p>

<p>‘Voodoo’ is a true masterpiece of modern music, a stunning achievement that continues to inspire and influence musicians to this day.</p>

<p>Read more about your favourite albums here: classicalbumsundays.com</p>]]>
      </content:encoded>
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      <title>Classic Album Sundays: Nightmares on Wax 'Carboot Soul'</title>
      <pubDate>Sun, 26 Mar 2023 01:00:00 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_360_ffd0c438-132c-4eef-9887-5f4576aa00bb&amp;uf=https%3A%2F%2Ffeeds.feedburner.com%2FClassicAlbumSundays</link>
      <description>
        <![CDATA[<p>Nightmares on Wax's 1999 album ‘Carboot Soul’ is a classic in the trip-hop genre. The album features a perfect blend of downtempo beats, soulful samples, and chilled-out vibes. Tracks like "Les Nuits" and "Survival" showcase the unique sound and style that Nightmares on Wax is known for, making "Carboot Soul" a must-listen for any trip-hop fan. Read more about your favourite albums here: classicalbumsundays.com</p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/dovetail.prxu.org/360/ffd0c438-132c-4eef-9887-5f4576aa00bb/NOW_Carboot_Soul_PRX.mp3" type="audio/mpeg" length="54162284"/>
      <itunes:subtitle>'Carboot Soul'</itunes:subtitle>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:duration>22:34</itunes:duration>
      <author>colleen@classicalbumsundays.com  (Classic Album Sundays)</author>
      <category>
        <![CDATA[Interview]]>
      </category>
      <category>
        <![CDATA[Music History]]>
      </category>
      <category>
        <![CDATA[Podcast]]>
      </category>
      <itunes:author>Classic Album Sundays</itunes:author>
      <itunes:summary>
        <![CDATA[Nightmares on Wax's 1999 album ‘Carboot Soul’ is a classic in the trip-hop genre. The album features a perfect blend of downtempo beats, soulful samples, and chilled-out vibes. Tracks like "Les Nuits" and "Survival" showcase the unique sound and style that Nightmares on Wax is known for, making "Carboot Soul" a must-listen for any trip-hop fan. Read more about your favourite albums here: classicalbumsundays.com]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/360/ffd0c438-132c-4eef-9887-5f4576aa00bb/images/09a167d8-c790-4c7a-998f-06cbbea9c116/Carboot_Soul.png"/>
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      <content:encoded>
        <![CDATA[<p>Nightmares on Wax's 1999 album ‘Carboot Soul’ is a classic in the trip-hop genre. The album features a perfect blend of downtempo beats, soulful samples, and chilled-out vibes. Tracks like "Les Nuits" and "Survival" showcase the unique sound and style that Nightmares on Wax is known for, making "Carboot Soul" a must-listen for any trip-hop fan. Read more about your favourite albums here: classicalbumsundays.com</p>]]>
      </content:encoded>
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      <title>Classic Album Sundays Podcast: Talk Talk 'Spirit of Eden'</title>
      <pubDate>Sun, 19 Mar 2023 02:00:00 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_360_75dc6e9e-e349-464c-a608-8a02f61b9006&amp;uf=https%3A%2F%2Ffeeds.feedburner.com%2FClassicAlbumSundays</link>
      <description>
        <![CDATA[<p>Talk Talk's 'Spirit of Eden', released in 1988, is a seminal album in the realm of experimental rock. It's an introspective and haunting work that features atmospheric, jazz-influenced arrangements, with sparse instrumentation that allows for Hollis' emotive and haunting vocals to shine through. The album marked a departure from the band's previous more commercially-oriented sound, but it remains a timeless and influential work, continuing to inspire and captivate listeners. With its complex compositions and ethereal ambience, 'Spirit of Eden' is a must-listen for fans of innovative and genre-defying music. Read more about your favourite albums here.</p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/dovetail.prxu.org/360/75dc6e9e-e349-464c-a608-8a02f61b9006/Talk_Talk_Spirit_of_Eden_PRX.mp3" type="audio/mpeg" length="36628897"/>
      <itunes:subtitle>Talk Talk 'Spirit of Eden'</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:duration>15:15</itunes:duration>
      <author>colleen@classicalbumsundays.com  (Classic Album Sundays)</author>
      <itunes:author>Classic Album Sundays</itunes:author>
      <itunes:summary>
        <![CDATA[Talk Talk's 'Spirit of Eden', released in 1988, is a seminal album in the realm of experimental rock. It's an introspective and haunting work that features atmospheric, jazz-influenced arrangements, with sparse instrumentation that allows for Hollis' emotive and haunting vocals to shine through. The album marked a departure from the band's previous more commercially-oriented sound, but it remains a timeless and influential work, continuing to inspire and captivate listeners. With its complex compositions and ethereal ambience, 'Spirit of Eden' is a must-listen for fans of innovative and genre-defying music. Read more about your favourite albums here.]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/360/75dc6e9e-e349-464c-a608-8a02f61b9006/images/7add9f4e-c1ff-433e-aeef-158b9f34e5aa/Indie_Wednesdays_Instagram_Post.png"/>
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      <content:encoded>
        <![CDATA[<p>Talk Talk's 'Spirit of Eden', released in 1988, is a seminal album in the realm of experimental rock. It's an introspective and haunting work that features atmospheric, jazz-influenced arrangements, with sparse instrumentation that allows for Hollis' emotive and haunting vocals to shine through. The album marked a departure from the band's previous more commercially-oriented sound, but it remains a timeless and influential work, continuing to inspire and captivate listeners. With its complex compositions and ethereal ambience, 'Spirit of Eden' is a must-listen for fans of innovative and genre-defying music. Read more about your favourite albums here.</p>]]>
      </content:encoded>
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    <item>
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      <title>The Rolling Stones 'Exile on Main St.' - Classic Album Sundays Podcast</title>
      <pubDate>Sun, 22 Jan 2023 02:00:00 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_360_33e8d892-62c7-4771-a1d0-78d90e4fd73c&amp;uf=https%3A%2F%2Ffeeds.feedburner.com%2FClassicAlbumSundays</link>
      <description>
        <![CDATA[<p>On this edition of the Classic Album Sundays Podcast Colleen explores The Rolling Stones‘s <em>Exile on Main Street</em>, the tenth studio album from the English rock band which mixes unexpected various styles and genres. Despite receiving mixed reviews on release, the album is now celebrated as the band’s best album and is consistently cited as one of the greatest albums of all time. Read more: classicalbumsundays.com</p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/dovetail.prxu.org/360/33e8d892-62c7-4771-a1d0-78d90e4fd73c/Rolling_Stones_Exile_On_Main_Street_PRX.mp3" type="audio/mpeg" length="53770448"/>
      <itunes:subtitle>'Exile on Main St.'</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:duration>22:24</itunes:duration>
      <author>colleen@classicalbumsundays.com  (Classic Album Sundays)</author>
      <category>
        <![CDATA[Interview]]>
      </category>
      <category>
        <![CDATA[Music History]]>
      </category>
      <category>
        <![CDATA[Spoken Word]]>
      </category>
      <itunes:author>Classic Album Sundays</itunes:author>
      <itunes:summary>
        <![CDATA[On this edition of the Classic Album Sundays Podcast Colleen explores The Rolling Stones‘s Exile on Main Street, the tenth studio album from the English rock band which mixes unexpected various styles and genres. Despite receiving mixed reviews on release, the album is now celebrated as the band’s best album and is consistently cited as one of the greatest albums of all time. Read more: classicalbumsundays.com]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/360/33e8d892-62c7-4771-a1d0-78d90e4fd73c/images/c32c5579-1f0f-45e1-803b-71a8ccd0ba07/Rolling_Stones_PRX_Thumb.png"/>
      <media:content fileSize="53770448" type="audio/mpeg" url="https://dts.podtrac.com/redirect.mp3/dovetail.prxu.org/360/33e8d892-62c7-4771-a1d0-78d90e4fd73c/Rolling_Stones_Exile_On_Main_Street_PRX.mp3"/>
      <content:encoded>
        <![CDATA[<p>On this edition of the Classic Album Sundays Podcast Colleen explores The Rolling Stones‘s <em>Exile on Main Street</em>, the tenth studio album from the English rock band which mixes unexpected various styles and genres. Despite receiving mixed reviews on release, the album is now celebrated as the band’s best album and is consistently cited as one of the greatest albums of all time. Read more: classicalbumsundays.com</p>]]>
      </content:encoded>
    </item>
    <item>
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      <title>Kate Bush ‘The Sensual World’ - Classic Album Sundays Podcast</title>
      <pubDate>Wed, 18 Jan 2023 14:35:26 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_360_0217c3b2-08c3-40a7-963d-4ffe380016d1&amp;uf=https%3A%2F%2Ffeeds.feedburner.com%2FClassicAlbumSundays</link>
      <description>
        <![CDATA[<p>By the middle of the 1980s Kate Bush had reached the apex of her career with <em>Hounds of Love</em>. The album featured the most powerful and intriguing songs of her discography thus far, demonstrating just how incredible her sonic storytelling had become. Resisting the frenetic pace of a typical major label release schedule, Bush would spend another four years crafting her followup, with only sporadic singles and collaborations bridging the commercial gap. She found inspiration in the literary world again, scouring the pages of James Joyce’s landmark 1920s novel Ulysses to find Molly Bloom’s closing monologue, in which the character steps from the pages of the book and revels in the real world. Bush was delighted to find that the rhythm and sound of the words fit perfectly with the music she had been working on. Read more: classicalbumsundays.com</p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/dovetail.prxu.org/360/0217c3b2-08c3-40a7-963d-4ffe380016d1/Kate_Bush_Sensual_World_PRX.mp3" type="audio/mpeg" length="53567737"/>
      <itunes:subtitle>‘The Sensual World’ </itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:duration>22:19</itunes:duration>
      <author>colleen@classicalbumsundays.com  (Classic Album Sundays)</author>
      <category>
        <![CDATA[Interview]]>
      </category>
      <category>
        <![CDATA[Music History]]>
      </category>
      <category>
        <![CDATA[Spoken Word]]>
      </category>
      <itunes:author>Classic Album Sundays</itunes:author>
      <itunes:summary>
        <![CDATA[By the middle of the 1980s Kate Bush had reached the apex of her career with Hounds of Love. The album featured the most powerful and intriguing songs of her discography thus far, demonstrating just how incredible her sonic storytelling had become. Resisting the frenetic pace of a typical major label release schedule, Bush would spend another four years crafting her followup, with only sporadic singles and collaborations bridging the commercial gap. She found inspiration in the literary world again, scouring the pages of James Joyce’s landmark 1920s novel Ulysses to find Molly Bloom’s closing monologue, in which the character steps from the pages of the book and revels in the real world. Bush was delighted to find that the rhythm and sound of the words fit perfectly with the music she had been working on. Read more: classicalbumsundays.com]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/360/0217c3b2-08c3-40a7-963d-4ffe380016d1/images/09c5709b-c039-47ee-af27-ca197d93cb5a/Kate_Bush_PRX_Thumb.png"/>
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      <content:encoded>
        <![CDATA[<p>By the middle of the 1980s Kate Bush had reached the apex of her career with <em>Hounds of Love</em>. The album featured the most powerful and intriguing songs of her discography thus far, demonstrating just how incredible her sonic storytelling had become. Resisting the frenetic pace of a typical major label release schedule, Bush would spend another four years crafting her followup, with only sporadic singles and collaborations bridging the commercial gap. She found inspiration in the literary world again, scouring the pages of James Joyce’s landmark 1920s novel Ulysses to find Molly Bloom’s closing monologue, in which the character steps from the pages of the book and revels in the real world. Bush was delighted to find that the rhythm and sound of the words fit perfectly with the music she had been working on. Read more: classicalbumsundays.com</p>]]>
      </content:encoded>
    </item>
    <item>
      <guid isPermaLink="false">prx_360_e679f54f-ffca-4da4-8a81-3e483e9cce1d</guid>
      <title>Classic Album Sundays Podcast: Flora Purim on 'Butterfly Dreams'</title>
      <pubDate>Sun, 27 Nov 2022 02:00:00 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_360_e679f54f-ffca-4da4-8a81-3e483e9cce1d&amp;uf=https%3A%2F%2Ffeeds.feedburner.com%2FClassicAlbumSundays</link>
      <description>
        <![CDATA[<p>Colleen 'Cosmo' Murphy is joined by the 80-year-old Queen of Brazilian Jazz, Flora Purim, from her home in Brazil to discuss her iconic 1973 LP 'Butterfly Dreams'. Influenced by both traditional Brazilian singers and the improvisations of American jazz divas like Ella Fitzgerald and Sarah Vaughan, Flora Purim was one of the most adventurous singers of the 1970s. After meeting and marrying her husband, percussionist Airto Moreira, in their native Brazil, Purim moved with him to the U.S. in the late ’60s. Though she worked with Stan Getz and pianist Duke Pearson before the decade ended, it wasn’t until joining Chick Corea, Joe Farrell, Stanley Clarke, and Moreira in the original Return To Forever in 1972 that she became well known in the States. Purim showed considerable promise on Forever classics like '500 Miles High' and 'Light As a Feather' and lived up to it when she went solo with 1973’s 'Butterfly Dreams'. Read more about your favourite album here classicalbumsundays.com.</p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/dovetail.prxu.org/360/e679f54f-ffca-4da4-8a81-3e483e9cce1d/Flora_Purim_PRX.mp3" type="audio/mpeg" length="73499166"/>
      <itunes:subtitle>'Butterfly Dreams'</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:duration>30:37</itunes:duration>
      <author>colleen@classicalbumsundays.com  (Classic Album Sundays)</author>
      <category>
        <![CDATA[Interview]]>
      </category>
      <category>
        <![CDATA[Music History]]>
      </category>
      <category>
        <![CDATA[Spoken Word]]>
      </category>
      <itunes:author>Classic Album Sundays</itunes:author>
      <itunes:summary>
        <![CDATA[Colleen 'Cosmo' Murphy is joined by the 80-year-old Queen of Brazilian Jazz, Flora Purim, from her home in Brazil to discuss her iconic 1973 LP 'Butterfly Dreams'. Influenced by both traditional Brazilian singers and the improvisations of American jazz divas like Ella Fitzgerald and Sarah Vaughan, Flora Purim was one of the most adventurous singers of the 1970s. After meeting and marrying her husband, percussionist Airto Moreira, in their native Brazil, Purim moved with him to the U.S. in the late ’60s. Though she worked with Stan Getz and pianist Duke Pearson before the decade ended, it wasn’t until joining Chick Corea, Joe Farrell, Stanley Clarke, and Moreira in the original Return To Forever in 1972 that she became well known in the States. Purim showed considerable promise on Forever classics like '500 Miles High' and 'Light As a Feather' and lived up to it when she went solo with 1973’s 'Butterfly Dreams'. Read more about your favourite album here classicalbumsundays.com.]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/360/e679f54f-ffca-4da4-8a81-3e483e9cce1d/images/10a03744-4c99-4b0d-a6e6-6e45b0aa92bd/Butterfly_Dreams.png"/>
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      <content:encoded>
        <![CDATA[<p>Colleen 'Cosmo' Murphy is joined by the 80-year-old Queen of Brazilian Jazz, Flora Purim, from her home in Brazil to discuss her iconic 1973 LP 'Butterfly Dreams'. Influenced by both traditional Brazilian singers and the improvisations of American jazz divas like Ella Fitzgerald and Sarah Vaughan, Flora Purim was one of the most adventurous singers of the 1970s. After meeting and marrying her husband, percussionist Airto Moreira, in their native Brazil, Purim moved with him to the U.S. in the late ’60s. Though she worked with Stan Getz and pianist Duke Pearson before the decade ended, it wasn’t until joining Chick Corea, Joe Farrell, Stanley Clarke, and Moreira in the original Return To Forever in 1972 that she became well known in the States. Purim showed considerable promise on Forever classics like '500 Miles High' and 'Light As a Feather' and lived up to it when she went solo with 1973’s 'Butterfly Dreams'. Read more about your favourite album here classicalbumsundays.com.</p>]]>
      </content:encoded>
    </item>
    <item>
      <guid isPermaLink="false">prx_360_51d12f48-449a-4a17-8812-009e79c207ad</guid>
      <title>Classic Album Sundays Podcast: Brian Eno on 'Nerve Net'</title>
      <pubDate>Thu, 24 Nov 2022 14:46:41 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_360_51d12f48-449a-4a17-8812-009e79c207ad&amp;uf=https%3A%2F%2Ffeeds.feedburner.com%2FClassicAlbumSundays</link>
      <description>
        <![CDATA[<p>Colleen 'Cosmo' Murphy celebrates the incredible polymath, innovator and musical thinker Brian Eno for the 30th anniversary of his experimental album, 'Nerve Net'. In this never-before-broadcast interview with Brian recorded back in 1992, Colleen and Brian get into everything from Maoism and Chinese opera, to Shostakovich and organic instruments, to Jeff Koons and Shamanism in music. So sit back and enjoy an hour spanning the mind and music of Brian Eno. Read more about your favourite album here: <a href="http://www.classicalbumsundays.com" rel="nofollow" target="_blank">www.classicalbumsundays.com</a>.</p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/dovetail.prxu.org/360/51d12f48-449a-4a17-8812-009e79c207ad/Brian_Eno_PRX.mp3" type="audio/mpeg" length="73637093"/>
      <itunes:subtitle>'Nerve Net'</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:duration>30:40</itunes:duration>
      <author>colleen@classicalbumsundays.com  (Classic Album Sundays)</author>
      <category>
        <![CDATA[Interview]]>
      </category>
      <category>
        <![CDATA[Music History]]>
      </category>
      <category>
        <![CDATA[Spoken Word]]>
      </category>
      <itunes:author>Classic Album Sundays</itunes:author>
      <itunes:summary>
        <![CDATA[Colleen 'Cosmo' Murphy celebrates the incredible polymath, innovator and musical thinker Brian Eno for the 30th anniversary of his experimental album, 'Nerve Net'. In this never-before-broadcast interview with Brian recorded back in 1992, Colleen and Brian get into everything from Maoism and Chinese opera, to Shostakovich and organic instruments, to Jeff Koons and Shamanism in music. So sit back and enjoy an hour spanning the mind and music of Brian Eno. Read more about your favourite album here: <a href="http://www.classicalbumsundays.com" target="_blank">www.classicalbumsundays.com</a>.]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/360/51d12f48-449a-4a17-8812-009e79c207ad/images/b29589d9-556d-47e1-83f5-03114e65526f/Brian_Eno_Nerve_Net.png"/>
      <media:content fileSize="73637093" type="audio/mpeg" url="https://dts.podtrac.com/redirect.mp3/dovetail.prxu.org/360/51d12f48-449a-4a17-8812-009e79c207ad/Brian_Eno_PRX.mp3"/>
      <content:encoded>
        <![CDATA[<p>Colleen 'Cosmo' Murphy celebrates the incredible polymath, innovator and musical thinker Brian Eno for the 30th anniversary of his experimental album, 'Nerve Net'. In this never-before-broadcast interview with Brian recorded back in 1992, Colleen and Brian get into everything from Maoism and Chinese opera, to Shostakovich and organic instruments, to Jeff Koons and Shamanism in music. So sit back and enjoy an hour spanning the mind and music of Brian Eno. Read more about your favourite album here: <a href="http://www.classicalbumsundays.com" rel="nofollow" target="_blank">www.classicalbumsundays.com</a>.</p>]]>
      </content:encoded>
    </item>
    <item>
      <guid isPermaLink="false">prx_360_f2e90cee-d247-4576-b2ba-0fbcba186ce1</guid>
      <title>Classic Album Sundays Podcast: Grace Jones ‘Nightclubbing’</title>
      <pubDate>Wed, 12 Oct 2022 14:06:30 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_360_f2e90cee-d247-4576-b2ba-0fbcba186ce1&amp;uf=https%3A%2F%2Ffeeds.feedburner.com%2FClassicAlbumSundays</link>
      <description>
        <![CDATA[<p>Grace Jones recorded her fifth album (and her second New Wave inspired departure from her 70s disco recordings) in Bahamas with a stellar set of musicians known as the Compass Point Allstars. The musicians included Jamaican chart toppers, Sly &amp; Robbie, keyboardist and silent member of Level 42, Wally Badarou, among others all under the direction of Island Records founder, Chris Blackwell and in house label producer, Alex Sadkin. The 9 song collection, 3 of which Grace co-wrote, became the biggest selling album in the Grace Jones catalog and features her most successful US single, “Pull Up To The Bumper”. Fashion, Art and Music became one and left a heavy impression for many future pop and rock superstars to take note of. Read more about your favourite albums here: classicalbumsundays.com</p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/dovetail.prxu.org/360/f2e90cee-d247-4576-b2ba-0fbcba186ce1/20210721_CAS_Grace_Jones.mp3" type="audio/mpeg" length="142181888"/>
      <itunes:subtitle>‘Nightclubbing’</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:duration>59:14</itunes:duration>
      <author>colleen@classicalbumsundays.com  (Classic Album Sundays)</author>
      <category>
        <![CDATA[Documentary]]>
      </category>
      <category>
        <![CDATA[Music Commentary]]>
      </category>
      <category>
        <![CDATA[Music History]]>
      </category>
      <category>
        <![CDATA[Music Interviews]]>
      </category>
      <itunes:author>Classic Album Sundays</itunes:author>
      <itunes:summary>
        <![CDATA[Grace Jones recorded her fifth album (and her second New Wave inspired departure from her 70s disco recordings) in Bahamas with a stellar set of musicians known as the Compass Point Allstars. The musicians included Jamaican chart toppers, Sly &amp; Robbie, keyboardist and silent member of Level 42, Wally Badarou, among others all under the direction of Island Records founder, Chris Blackwell and in house label producer, Alex Sadkin. The 9 song collection, 3 of which Grace co-wrote, became the biggest selling album in the Grace Jones catalog and features her most successful US single, “Pull Up To The Bumper”. Fashion, Art and Music became one and left a heavy impression for many future pop and rock superstars to take note of. Read more about your favourite albums here: classicalbumsundays.com]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/360/f2e90cee-d247-4576-b2ba-0fbcba186ce1/images/d91f09e0-6e4c-410d-a2f9-d78f603da3ef/Grace_Jones_Thumb.png"/>
      <media:content fileSize="142181888" type="audio/mpeg" url="https://dts.podtrac.com/redirect.mp3/dovetail.prxu.org/360/f2e90cee-d247-4576-b2ba-0fbcba186ce1/20210721_CAS_Grace_Jones.mp3"/>
      <content:encoded>
        <![CDATA[<p>Grace Jones recorded her fifth album (and her second New Wave inspired departure from her 70s disco recordings) in Bahamas with a stellar set of musicians known as the Compass Point Allstars. The musicians included Jamaican chart toppers, Sly &amp; Robbie, keyboardist and silent member of Level 42, Wally Badarou, among others all under the direction of Island Records founder, Chris Blackwell and in house label producer, Alex Sadkin. The 9 song collection, 3 of which Grace co-wrote, became the biggest selling album in the Grace Jones catalog and features her most successful US single, “Pull Up To The Bumper”. Fashion, Art and Music became one and left a heavy impression for many future pop and rock superstars to take note of. Read more about your favourite albums here: classicalbumsundays.com</p>]]>
      </content:encoded>
    </item>
    <item>
      <guid isPermaLink="false">prx_360_5bb5ec64-836c-4aee-bbdd-c36f0e3bc3f5</guid>
      <title>Classic Album Sundays Podcast: Joe Boyd on Nick Drake ‘Five Leaves Left’</title>
      <pubDate>Wed, 05 Oct 2022 14:47:44 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_360_5bb5ec64-836c-4aee-bbdd-c36f0e3bc3f5&amp;uf=https%3A%2F%2Ffeeds.feedburner.com%2FClassicAlbumSundays</link>
      <description>
        <![CDATA[<p>On the latest Classic Album Sundays podcast, we step back to Camp Bestival from a few years ago when Nick Drake’s producer Joe Boyd joined us to discuss ‘Five Leaves Left’ in length with Colleen.</p>

<p>Alongside Joe’s production the album features Richard Thompson (of Fairport Convention) and Danny Thompson (of Pentangle) as well as the beautiful string arrangements of Robert Kirby. Despite being championed by John Peel, the album initially sold less than 6,000 copies. Now, over four decades since Drake’s death, <em>Five Leaves Left</em> is seen as an iconic album in British Folk music and his songs are cited as an influence by Peter Buck of REM and Robert Smith of The Cure.</p>

<p>Read more about your favourite albums here: classicalbumsundays.com</p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/dovetail.prxu.org/360/5bb5ec64-836c-4aee-bbdd-c36f0e3bc3f5/Nick_Drake_Five_Leaves_Left_PRX.mp3" type="audio/mpeg" length="81063182"/>
      <itunes:subtitle>‘Five Leaves Left’</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:duration>33:46</itunes:duration>
      <author>colleen@classicalbumsundays.com  (Classic Album Sundays)</author>
      <category>
        <![CDATA[Acoustic]]>
      </category>
      <category>
        <![CDATA[Folk Music]]>
      </category>
      <category>
        <![CDATA[Interview]]>
      </category>
      <category>
        <![CDATA[Music History]]>
      </category>
      <category>
        <![CDATA[Podcast]]>
      </category>
      <itunes:author>Classic Album Sundays</itunes:author>
      <itunes:summary>
        <![CDATA[On the latest Classic Album Sundays podcast, we step back to Camp Bestival from a few years ago when Nick Drake’s producer Joe Boyd joined us to discuss ‘Five Leaves Left’ in length with Colleen.


Alongside Joe’s production the album features Richard Thompson (of Fairport Convention) and Danny Thompson (of Pentangle) as well as the beautiful string arrangements of Robert Kirby. Despite being championed by John Peel, the album initially sold less than 6,000 copies. Now, over four decades since Drake’s death, Five Leaves Left is seen as an iconic album in British Folk music and his songs are cited as an influence by Peter Buck of REM and Robert Smith of The Cure.


Read more about your favourite albums here: classicalbumsundays.com]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/360/5bb5ec64-836c-4aee-bbdd-c36f0e3bc3f5/images/27803fbf-49f6-47cd-8262-353a714cf073/Joe_Boyd.png"/>
      <media:content fileSize="81063182" type="audio/mpeg" url="https://dts.podtrac.com/redirect.mp3/dovetail.prxu.org/360/5bb5ec64-836c-4aee-bbdd-c36f0e3bc3f5/Nick_Drake_Five_Leaves_Left_PRX.mp3"/>
      <content:encoded>
        <![CDATA[<p>On the latest Classic Album Sundays podcast, we step back to Camp Bestival from a few years ago when Nick Drake’s producer Joe Boyd joined us to discuss ‘Five Leaves Left’ in length with Colleen.</p>

<p>Alongside Joe’s production the album features Richard Thompson (of Fairport Convention) and Danny Thompson (of Pentangle) as well as the beautiful string arrangements of Robert Kirby. Despite being championed by John Peel, the album initially sold less than 6,000 copies. Now, over four decades since Drake’s death, <em>Five Leaves Left</em> is seen as an iconic album in British Folk music and his songs are cited as an influence by Peter Buck of REM and Robert Smith of The Cure.</p>

<p>Read more about your favourite albums here: classicalbumsundays.com</p>]]>
      </content:encoded>
    </item>
    <item>
      <guid isPermaLink="false">prx_360_a1ff9388-6833-4043-a294-174a769f19f3</guid>
      <title>Classic Album Sundays: Dennis Bovell 'The DuBMASTER'</title>
      <pubDate>Mon, 05 Sep 2022 12:30:35 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_360_a1ff9388-6833-4043-a294-174a769f19f3&amp;uf=https%3A%2F%2Ffeeds.feedburner.com%2FClassicAlbumSundays</link>
      <description>
        <![CDATA[<p>Dennis Bovell joins Colleen ‘Cosmo’ Murphy to look back at his incredible career and his new compilation <em>The DuBMASTER: The Essential Anthology</em> which charts Dennis’ career from the Seventies up to the present day.</p>

<p>Dennis Bovell remains a pioneering artist and popular mainstay in both music and culture. Widely regarded as Britain’s reggae maestro, with a 40 year career that spans a number of musical eras and genres, his new anthology will celebrate both his unique ear for music, which continues to incorporate a rich array of references, as well shining a light on his unique sound that is still so loved by his legion of loyal fans from across the globe. Read more about your favourite albums here: classicalbumsundays.com/</p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/dovetail.prxu.org/360/a1ff9388-6833-4043-a294-174a769f19f3/Dennis_Bovell_PRX.mp3" type="audio/mpeg" length="133668406"/>
      <itunes:subtitle>'The DuBMASTER'</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:duration>01:32:49</itunes:duration>
      <author>colleen@classicalbumsundays.com  (Classic Album Sundays)</author>
      <category>
        <![CDATA[Dub]]>
      </category>
      <category>
        <![CDATA[Interview]]>
      </category>
      <category>
        <![CDATA[Music History]]>
      </category>
      <category>
        <![CDATA[Reggae]]>
      </category>
      <category>
        <![CDATA[Spoken Word]]>
      </category>
      <itunes:author>Classic Album Sundays</itunes:author>
      <itunes:summary>
        <![CDATA[Dennis Bovell joins Colleen ‘Cosmo’ Murphy to look back at his incredible career and his new compilation The DuBMASTER: The Essential Anthology which charts Dennis’ career from the Seventies up to the present day.


Dennis Bovell remains a pioneering artist and popular mainstay in both music and culture. Widely regarded as Britain’s reggae maestro, with a 40 year career that spans a number of musical eras and genres, his new anthology will celebrate both his unique ear for music, which continues to incorporate a rich array of references, as well shining a light on his unique sound that is still so loved by his legion of loyal fans from across the globe. Read more about your favourite albums here: classicalbumsundays.com/]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/360/a1ff9388-6833-4043-a294-174a769f19f3/images/cc0ad16e-9ceb-4219-9a02-df692038b1ee/Dennis_Bovell_Thumb.png"/>
      <media:content fileSize="133668406" type="audio/mpeg" url="https://dts.podtrac.com/redirect.mp3/dovetail.prxu.org/360/a1ff9388-6833-4043-a294-174a769f19f3/Dennis_Bovell_PRX.mp3"/>
      <content:encoded>
        <![CDATA[<p>Dennis Bovell joins Colleen ‘Cosmo’ Murphy to look back at his incredible career and his new compilation <em>The DuBMASTER: The Essential Anthology</em> which charts Dennis’ career from the Seventies up to the present day.</p>

<p>Dennis Bovell remains a pioneering artist and popular mainstay in both music and culture. Widely regarded as Britain’s reggae maestro, with a 40 year career that spans a number of musical eras and genres, his new anthology will celebrate both his unique ear for music, which continues to incorporate a rich array of references, as well shining a light on his unique sound that is still so loved by his legion of loyal fans from across the globe. Read more about your favourite albums here: classicalbumsundays.com/</p>]]>
      </content:encoded>
    </item>
    <item>
      <guid isPermaLink="false">prx_360_3a04c0dd-e5b9-4996-ab2c-907e8e041b0d</guid>
      <title>Classic Album Sundays Podcast: Brian Jackson on Gil Scott-Heron and Brian Jackson 'Bridges'</title>
      <pubDate>Mon, 29 Aug 2022 13:31:28 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_360_3a04c0dd-e5b9-4996-ab2c-907e8e041b0d&amp;uf=https%3A%2F%2Ffeeds.feedburner.com%2FClassicAlbumSundays</link>
      <description>
        <![CDATA[<p>Brian Jackson joins Classic Album Sundays founder Colleen ‘Cosmo’ Murphy for a deep dive into his 1977 collaboration with Gil Scott-Heron <em>Bridges</em>. Brian will share stories of recording the album and his personal memories of working with Gil Scot-Heron. Read more about your favourite albums here: classicalbumsundays.com</p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/dovetail.prxu.org/360/3a04c0dd-e5b9-4996-ab2c-907e8e041b0d/Gil_Scot_Heron_Bridges_PRX.mp3" type="audio/mpeg" length="116611656"/>
      <itunes:subtitle>'Bridges'</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:duration>48:35</itunes:duration>
      <author>colleen@classicalbumsundays.com  (Classic Album Sundays)</author>
      <category>
        <![CDATA[1970s]]>
      </category>
      <category>
        <![CDATA[Brian Jackson]]>
      </category>
      <category>
        <![CDATA[Gil Scot-Heron]]>
      </category>
      <category>
        <![CDATA[Interview]]>
      </category>
      <category>
        <![CDATA[Music History]]>
      </category>
      <category>
        <![CDATA[Spoken Word]]>
      </category>
      <itunes:author>Classic Album Sundays</itunes:author>
      <itunes:summary>
        <![CDATA[Brian Jackson joins Classic Album Sundays founder Colleen ‘Cosmo’ Murphy for a deep dive into his 1977 collaboration with Gil Scott-Heron Bridges. Brian will share stories of recording the album and his personal memories of working with Gil Scot-Heron. Read more about your favourite albums here: classicalbumsundays.com]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/360/3a04c0dd-e5b9-4996-ab2c-907e8e041b0d/images/09c53c35-a465-4904-a34a-e2ca0310bdfb/Bridges_Thumb.png"/>
      <media:content fileSize="116611656" type="audio/mpeg" url="https://dts.podtrac.com/redirect.mp3/dovetail.prxu.org/360/3a04c0dd-e5b9-4996-ab2c-907e8e041b0d/Gil_Scot_Heron_Bridges_PRX.mp3"/>
      <content:encoded>
        <![CDATA[<p>Brian Jackson joins Classic Album Sundays founder Colleen ‘Cosmo’ Murphy for a deep dive into his 1977 collaboration with Gil Scott-Heron <em>Bridges</em>. Brian will share stories of recording the album and his personal memories of working with Gil Scot-Heron. Read more about your favourite albums here: classicalbumsundays.com</p>]]>
      </content:encoded>
    </item>
    <item>
      <guid isPermaLink="false">prx_360_04ec5e6c-db8a-4bca-95e6-9db4fc6d9e91</guid>
      <title>Classic Album Sundays Podcast: OMD 'Architecture &amp; Morality'</title>
      <pubDate>Sun, 14 Aug 2022 01:00:00 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_360_04ec5e6c-db8a-4bca-95e6-9db4fc6d9e91&amp;uf=https%3A%2F%2Ffeeds.feedburner.com%2FClassicAlbumSundays</link>
      <description>
        <![CDATA[<p>Colleen 'Cosmo' Murphy is joined by Orchestral Manoeuvres in the Dark founder members Andy McCluskey Paul Humphreys for a deep dive into their seminal 1981 album Architecture &amp; Morality. Recorded live at The British Library for a special Classic Album Sundays event, this is a a deep dive into the history, inspirations and legacy of OMD's third album. 'Architecture &amp; Morality' took the electronic stylings of Kraftwerk and NEU! and combined them with a pop sensibility and punk ethos that still sounds fresh today. In this programme we hear how the band made their own synths and became a huge success despite having no musical training. Read more about your favourite albums here: classicalbumsundays.com </p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/dovetail.prxu.org/360/04ec5e6c-db8a-4bca-95e6-9db4fc6d9e91/OMD_PRX.mp3" type="audio/mpeg" length="101986219"/>
      <itunes:subtitle>'Architecture &amp; Morality'</itunes:subtitle>
      <itunes:explicit>true</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:duration>42:29</itunes:duration>
      <author>colleen@classicalbumsundays.com  (Classic Album Sundays)</author>
      <category>
        <![CDATA[80s]]>
      </category>
      <category>
        <![CDATA[Interview]]>
      </category>
      <category>
        <![CDATA[Music History]]>
      </category>
      <category>
        <![CDATA[OMD]]>
      </category>
      <category>
        <![CDATA[Podcast]]>
      </category>
      <category>
        <![CDATA[Spoken Word]]>
      </category>
      <itunes:author>Classic Album Sundays</itunes:author>
      <itunes:summary>
        <![CDATA[Colleen 'Cosmo' Murphy is joined by Orchestral Manoeuvres in the Dark founder members Andy McCluskey Paul Humphreys for a deep dive into their seminal 1981 album Architecture &amp; Morality. Recorded live at The British Library for a special Classic Album Sundays event, this is a a deep dive into the history, inspirations and legacy of OMD's third album. 'Architecture &amp; Morality' took the electronic stylings of Kraftwerk and NEU! and combined them with a pop sensibility and punk ethos that still sounds fresh today. In this programme we hear how the band made their own synths and became a huge success despite having no musical training. Read more about your favourite albums here: classicalbumsundays.com]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/360/04ec5e6c-db8a-4bca-95e6-9db4fc6d9e91/images/d738d880-3c75-42d6-810c-b16533144954/OMD_Thumb.png"/>
      <media:content fileSize="101986219" type="audio/mpeg" url="https://dts.podtrac.com/redirect.mp3/dovetail.prxu.org/360/04ec5e6c-db8a-4bca-95e6-9db4fc6d9e91/OMD_PRX.mp3"/>
      <content:encoded>
        <![CDATA[<p>Colleen 'Cosmo' Murphy is joined by Orchestral Manoeuvres in the Dark founder members Andy McCluskey Paul Humphreys for a deep dive into their seminal 1981 album Architecture &amp; Morality. Recorded live at The British Library for a special Classic Album Sundays event, this is a a deep dive into the history, inspirations and legacy of OMD's third album. 'Architecture &amp; Morality' took the electronic stylings of Kraftwerk and NEU! and combined them with a pop sensibility and punk ethos that still sounds fresh today. In this programme we hear how the band made their own synths and became a huge success despite having no musical training. Read more about your favourite albums here: classicalbumsundays.com </p>]]>
      </content:encoded>
    </item>
    <item>
      <guid isPermaLink="false">prx_360_9a117ef6-d3c0-4d98-86d7-6aec993c0a8b</guid>
      <title>Classic Album Sundays Podcast: TYSON on Lauryn Hill ‘The Miseducation of Lauryn Hill’</title>
      <pubDate>Sat, 30 Jul 2022 23:02:00 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_360_9a117ef6-d3c0-4d98-86d7-6aec993c0a8b&amp;uf=https%3A%2F%2Ffeeds.feedburner.com%2FClassicAlbumSundays</link>
      <description>
        <![CDATA[<p>TYSON joins Classic Album Sundays’ Tina Edwards for a deep dive into ‘The Miseducation of Lauryn Hill’. Born and raised in London – via Stockholm, Spain and (briefly) New York – to a mixed musical family, singer TYSON had an unusual upbringing on the road. Her music draws from these experiences, the outcome a celestial, interplanetary R&amp;B that is both reflective and soulful, yet futuristic. Read more about your albums here: classicalbumsundays.com</p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/dovetail.prxu.org/360/9a117ef6-d3c0-4d98-86d7-6aec993c0a8b/AUDIO_2022_07_25_21_16_11.mp3" type="audio/mpeg" length="5725958"/>
      <itunes:subtitle>‘The Miseducation of Lauryn Hill’</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:duration>02:23</itunes:duration>
      <author>colleen@classicalbumsundays.com  (Classic Album Sundays)</author>
      <category>
        <![CDATA[Interview]]>
      </category>
      <category>
        <![CDATA[Lauryn Hill]]>
      </category>
      <category>
        <![CDATA[Podcast]]>
      </category>
      <category>
        <![CDATA[Spoken Word]]>
      </category>
      <itunes:author>Classic Album Sundays</itunes:author>
      <itunes:summary>
        <![CDATA[TYSON joins Classic Album Sundays’ Tina Edwards for a deep dive into ‘The Miseducation of Lauryn Hill’. Born and raised in London – via Stockholm, Spain and (briefly) New York – to a mixed musical family, singer TYSON had an unusual upbringing on the road. Her music draws from these experiences, the outcome a celestial, interplanetary R&amp;B that is both reflective and soulful, yet futuristic. Read more about your albums here: classicalbumsundays.com]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/360/9a117ef6-d3c0-4d98-86d7-6aec993c0a8b/images/9461d6ff-b02f-4f9f-a1fa-c8d11d5dff4f/Tyson_PRX.png"/>
      <media:content fileSize="5725958" type="audio/mpeg" url="https://dts.podtrac.com/redirect.mp3/dovetail.prxu.org/360/9a117ef6-d3c0-4d98-86d7-6aec993c0a8b/AUDIO_2022_07_25_21_16_11.mp3"/>
      <content:encoded>
        <![CDATA[<p>TYSON joins Classic Album Sundays’ Tina Edwards for a deep dive into ‘The Miseducation of Lauryn Hill’. Born and raised in London – via Stockholm, Spain and (briefly) New York – to a mixed musical family, singer TYSON had an unusual upbringing on the road. Her music draws from these experiences, the outcome a celestial, interplanetary R&amp;B that is both reflective and soulful, yet futuristic. Read more about your albums here: classicalbumsundays.com</p>]]>
      </content:encoded>
    </item>
    <item>
      <guid isPermaLink="false">prx_360_9d8260db-bc23-45e6-93be-91f945af2602</guid>
      <title>Classic Album Sundays Podcast: An Evening with Louie Vega</title>
      <pubDate>Sat, 23 Jul 2022 23:02:00 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_360_9d8260db-bc23-45e6-93be-91f945af2602&amp;uf=https%3A%2F%2Ffeeds.feedburner.com%2FClassicAlbumSundays</link>
      <description>
        <![CDATA[<p>Louie Vega, one half of the Masters at Work, the man behind Elements of Life and one of the greatest club DJs in the world joins Colleen ‘Cosmo’ Murphy in conversation at The British Library to discuss his trademark soulful house sound, the jazz and Latin influence of his Bronx upbringing and a playback of his favourite tracks on a world class audiophile soundsystem. Read more about your favourite albums here: classicalbumsundays.com</p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/dovetail.prxu.org/360/9d8260db-bc23-45e6-93be-91f945af2602/Louie_Vega_PRX_mp3.mp3" type="audio/mpeg" length="54653431"/>
      <itunes:subtitle>An Evening with Louie Vega</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:duration>37:57</itunes:duration>
      <author>colleen@classicalbumsundays.com  (Classic Album Sundays)</author>
      <category>
        <![CDATA[House Music]]>
      </category>
      <category>
        <![CDATA[Latin]]>
      </category>
      <category>
        <![CDATA[Latin Music]]>
      </category>
      <category>
        <![CDATA[Podcast]]>
      </category>
      <category>
        <![CDATA[Spoken Word]]>
      </category>
      <itunes:author>Classic Album Sundays</itunes:author>
      <itunes:summary>
        <![CDATA[Louie Vega, one half of the Masters at Work, the man behind Elements of Life and one of the greatest club DJs in the world joins Colleen ‘Cosmo’ Murphy in conversation at The British Library to discuss his trademark soulful house sound, the jazz and Latin influence of his Bronx upbringing and a playback of his favourite tracks on a world class audiophile soundsystem. Read more about your favourite albums here: classicalbumsundays.com]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/360/9d8260db-bc23-45e6-93be-91f945af2602/images/add8b290-2adf-4aa1-86e4-4066647b12bc/Louie_Thumb.png"/>
      <media:content fileSize="54653431" type="audio/mpeg" url="https://dts.podtrac.com/redirect.mp3/dovetail.prxu.org/360/9d8260db-bc23-45e6-93be-91f945af2602/Louie_Vega_PRX_mp3.mp3"/>
      <content:encoded>
        <![CDATA[<p>Louie Vega, one half of the Masters at Work, the man behind Elements of Life and one of the greatest club DJs in the world joins Colleen ‘Cosmo’ Murphy in conversation at The British Library to discuss his trademark soulful house sound, the jazz and Latin influence of his Bronx upbringing and a playback of his favourite tracks on a world class audiophile soundsystem. Read more about your favourite albums here: classicalbumsundays.com</p>]]>
      </content:encoded>
    </item>
    <item>
      <guid isPermaLink="false">prx_360_ac67eab9-886b-448f-9667-9966a9213581</guid>
      <title>Classic Album Sundays Podcast: James Lavelle on DJ Shadow 'Endtroducing'</title>
      <pubDate>Sun, 17 Jul 2022 01:00:00 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_360_ac67eab9-886b-448f-9667-9966a9213581&amp;uf=https%3A%2F%2Ffeeds.feedburner.com%2FClassicAlbumSundays</link>
      <description>
        <![CDATA[<p>On the latest Classic Album Sundays podcast Colleen 'Cosmo' Murphy is focussing on DJ Shadow's classic 1996 album ‘Endtroducing’. Colleen is joined by Mo'Wax label boss James Lavelle for a deep dive into the history, production and legacy of the album. Read more about your favourite albums here: classicalbumsundays.com</p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/dovetail.prxu.org/360/ac67eab9-886b-448f-9667-9966a9213581/DJ_Shadow_PRX.mp3" type="audio/mpeg" length="110603493"/>
      <itunes:subtitle>'Endtroducing'</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:duration>46:05</itunes:duration>
      <author>colleen@classicalbumsundays.com  (Classic Album Sundays)</author>
      <category>
        <![CDATA[DJ Shadow]]>
      </category>
      <category>
        <![CDATA[Endtroducing]]>
      </category>
      <category>
        <![CDATA[interview]]>
      </category>
      <category>
        <![CDATA[podcast]]>
      </category>
      <category>
        <![CDATA[spoken word]]>
      </category>
      <itunes:author>Classic Album Sundays</itunes:author>
      <itunes:summary>
        <![CDATA[On the latest Classic Album Sundays podcast Colleen 'Cosmo' Murphy is focussing on DJ Shadow's classic 1996 album ‘Endtroducing’. Colleen is joined by Mo'Wax label boss James Lavelle for a deep dive into the history, production and legacy of the album. Read more about your favourite albums here: classicalbumsundays.com]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/360/ac67eab9-886b-448f-9667-9966a9213581/images/2aee4c80-ce62-47e2-b060-8861bf96997e/DJ_Shadow.png"/>
      <media:content fileSize="110603493" type="audio/mpeg" url="https://dts.podtrac.com/redirect.mp3/dovetail.prxu.org/360/ac67eab9-886b-448f-9667-9966a9213581/DJ_Shadow_PRX.mp3"/>
      <content:encoded>
        <![CDATA[<p>On the latest Classic Album Sundays podcast Colleen 'Cosmo' Murphy is focussing on DJ Shadow's classic 1996 album ‘Endtroducing’. Colleen is joined by Mo'Wax label boss James Lavelle for a deep dive into the history, production and legacy of the album. Read more about your favourite albums here: classicalbumsundays.com</p>]]>
      </content:encoded>
    </item>
    <item>
      <guid isPermaLink="false">prx_360_c5bee420-e622-48cf-b9ee-2839227a758b</guid>
      <title>Ziggy Stardust 50, with Producer Ken Scott - Classic Album Sundays Podcast</title>
      <pubDate>Sun, 26 Jun 2022 01:00:00 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_360_c5bee420-e622-48cf-b9ee-2839227a758b&amp;uf=https%3A%2F%2Ffeeds.feedburner.com%2FClassicAlbumSundays</link>
      <description>
        <![CDATA[<p>Meet a man who was there at the birth of Ziggy Stardust, legendary record producer Ken Scott who joins Colleen ‘Cosmo’ Murphy to discuss the making of the album that shot Bowie into inter-galactic fame. </p>

<p>David Bowie was a musical and cultural phenomenon whose significance only seems to increase with every passing year. He rocketed to stardom 50 years ago, in the summer of 1972, with the release of the album 'The Rise and Fall of Ziggy Stardust and The Spiders from Mars'. His appearance on Top of the Pops a month later, dressed as an alien rock star and performing ‘Starman’, was an event that changed many lives. </p>

<p>Ken not only produced Bowie’s 'The Rise and Fall…' but also the preceding 'Hunky Dory' and the following 'Aladdin Sane'. Furthermore he was one of the five main engineers for the Beatles, engineered for Elton John, and produced Mahavishnu Orchestra, Billy Cobham, Supertramp and Missing Persons.  </p>

<p>Read more about your favourite albums here: classicalbumsundays.com</p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/dovetail.prxu.org/360/c5bee420-e622-48cf-b9ee-2839227a758b/Ziggy_50_PRX.mp3" type="audio/mpeg" length="110577370"/>
      <itunes:subtitle>Ziggy Stardust 50</itunes:subtitle>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:duration>46:04</itunes:duration>
      <author>colleen@classicalbumsundays.com  (Classic Album Sundays)</author>
      <itunes:author>Classic Album Sundays</itunes:author>
      <itunes:summary>
        <![CDATA[Meet a man who was there at the birth of Ziggy Stardust, legendary record producer Ken Scott who joins Colleen ‘Cosmo’ Murphy to discuss the making of the album that shot Bowie into inter-galactic fame.


David Bowie was a musical and cultural phenomenon whose significance only seems to increase with every passing year. He rocketed to stardom 50 years ago, in the summer of 1972, with the release of the album 'The Rise and Fall of Ziggy Stardust and The Spiders from Mars'. His appearance on Top of the Pops a month later, dressed as an alien rock star and performing ‘Starman’, was an event that changed many lives.


Ken not only produced Bowie’s 'The Rise and Fall…' but also the preceding 'Hunky Dory' and the following 'Aladdin Sane'. Furthermore he was one of the five main engineers for the Beatles, engineered for Elton John, and produced Mahavishnu Orchestra, Billy Cobham, Supertramp and Missing Persons.


Read more about your favourite albums here: classicalbumsundays.com]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/360/c5bee420-e622-48cf-b9ee-2839227a758b/images/6897b383-05c9-4ecc-8094-b75250456c0b/Indie_Wednesdays_Instagram_Post.png"/>
      <media:content fileSize="110577370" type="audio/mpeg" url="https://dts.podtrac.com/redirect.mp3/dovetail.prxu.org/360/c5bee420-e622-48cf-b9ee-2839227a758b/Ziggy_50_PRX.mp3"/>
      <content:encoded>
        <![CDATA[<p>Meet a man who was there at the birth of Ziggy Stardust, legendary record producer Ken Scott who joins Colleen ‘Cosmo’ Murphy to discuss the making of the album that shot Bowie into inter-galactic fame. </p>

<p>David Bowie was a musical and cultural phenomenon whose significance only seems to increase with every passing year. He rocketed to stardom 50 years ago, in the summer of 1972, with the release of the album 'The Rise and Fall of Ziggy Stardust and The Spiders from Mars'. His appearance on Top of the Pops a month later, dressed as an alien rock star and performing ‘Starman’, was an event that changed many lives. </p>

<p>Ken not only produced Bowie’s 'The Rise and Fall…' but also the preceding 'Hunky Dory' and the following 'Aladdin Sane'. Furthermore he was one of the five main engineers for the Beatles, engineered for Elton John, and produced Mahavishnu Orchestra, Billy Cobham, Supertramp and Missing Persons.  </p>

<p>Read more about your favourite albums here: classicalbumsundays.com</p>]]>
      </content:encoded>
    </item>
    <item>
      <guid isPermaLink="false">prx_360_8386ed70-c163-4fc9-b4ec-132b5ddfc37b</guid>
      <title>Classic Album Sundays Podcast: Goldie on ‘Timeless’</title>
      <pubDate>Sun, 05 Jun 2022 01:00:00 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_360_8386ed70-c163-4fc9-b4ec-132b5ddfc37b&amp;uf=https%3A%2F%2Ffeeds.feedburner.com%2FClassicAlbumSundays</link>
      <description>
        <![CDATA[<p>Goldie joins Classic Album Sundays’ DEBONAIR for a deep dive into his groundbreaking album <em>Timeless</em>. A musician, music producer, DJ, visual artist and actor, Goldie was a pioneer of the 1990s UK jungle, drum and bass and breakbeat hardcore scenes. Read more about your favourite albums here: classicalbumsundays.com</p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/dovetail.prxu.org/360/8386ed70-c163-4fc9-b4ec-132b5ddfc37b/Goldie_PRX.mp3" type="audio/mpeg" length="128305109"/>
      <itunes:subtitle>‘Timeless’</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:duration>53:27</itunes:duration>
      <author>colleen@classicalbumsundays.com  (Classic Album Sundays)</author>
      <category>
        <![CDATA[Dance]]>
      </category>
      <category>
        <![CDATA[Drum and Bass]]>
      </category>
      <category>
        <![CDATA[Electronic]]>
      </category>
      <category>
        <![CDATA[Goldie]]>
      </category>
      <category>
        <![CDATA[interview]]>
      </category>
      <category>
        <![CDATA[podcast]]>
      </category>
      <category>
        <![CDATA[spoken word]]>
      </category>
      <itunes:author>Classic Album Sundays</itunes:author>
      <itunes:summary>
        <![CDATA[Goldie joins Classic Album Sundays’ DEBONAIR for a deep dive into his groundbreaking album Timeless. A musician, music producer, DJ, visual artist and actor, Goldie was a pioneer of the 1990s UK jungle, drum and bass and breakbeat hardcore scenes. Read more about your favourite albums here: classicalbumsundays.com]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/360/8386ed70-c163-4fc9-b4ec-132b5ddfc37b/images/8aad57ab-a48c-4323-93eb-e1226834ae0f/Screenshot_2022_05_31_at_12.13.46.png"/>
      <media:content fileSize="128305109" type="audio/mpeg" url="https://dts.podtrac.com/redirect.mp3/dovetail.prxu.org/360/8386ed70-c163-4fc9-b4ec-132b5ddfc37b/Goldie_PRX.mp3"/>
      <content:encoded>
        <![CDATA[<p>Goldie joins Classic Album Sundays’ DEBONAIR for a deep dive into his groundbreaking album <em>Timeless</em>. A musician, music producer, DJ, visual artist and actor, Goldie was a pioneer of the 1990s UK jungle, drum and bass and breakbeat hardcore scenes. Read more about your favourite albums here: classicalbumsundays.com</p>]]>
      </content:encoded>
    </item>
    <item>
      <guid isPermaLink="false">prx_360_8fc36fdd-e1e8-4c59-bf1c-d51d94f6ef54</guid>
      <title>Classic Album Sundays Podcast: Sharleen Spiteri on Texas ‘Hi’ and Women in Music</title>
      <pubDate>Tue, 31 May 2022 09:53:55 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_360_8fc36fdd-e1e8-4c59-bf1c-d51d94f6ef54&amp;uf=https%3A%2F%2Ffeeds.feedburner.com%2FClassicAlbumSundays</link>
      <description>
        <![CDATA[<p>Classic Album Sundays founder Colleen ‘Cosmo’ Murphy is joined by chart-topping singer-songwriter with the phenomenally successful band Texas, Sharleen Spiteri, at the Royal Albert Hall as part of the National Album Day 2021 celebrations with Bowers &amp; Wilkins.</p>

<p>2021’s National Album Day spotlighted women artists and their huge contribution to music and culture through the art of the album. Sharleen discusses her favourite women in music and how they have influenced her, culminating in choice cuts from the new Texas album <em>Hi</em>.</p>

<p>Texas’ 10th album, <em>Hi</em> is a stunning result of looking back with eyes fixed firmly on the future. Collaborations include Dark Fire, written with Richard Hawley, Look What You’ve Done, an intoxicating, classic duet with Clare Grogan of Altered Images, and a swaggering collaboration with the Wu-Tang Clan on the record’s title track. </p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/dovetail.prxu.org/360/8fc36fdd-e1e8-4c59-bf1c-d51d94f6ef54/Sharleen_Spiteri_PRX.mp3" type="audio/mpeg" length="237152129"/>
      <itunes:subtitle>Texas ‘Hi’ and Women in Music</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:duration>01:38:48</itunes:duration>
      <author>colleen@classicalbumsundays.com  (Classic Album Sundays)</author>
      <category>
        <![CDATA[Indie]]>
      </category>
      <category>
        <![CDATA[Pop]]>
      </category>
      <category>
        <![CDATA[Rock]]>
      </category>
      <category>
        <![CDATA[Texas]]>
      </category>
      <category>
        <![CDATA[podcast]]>
      </category>
      <category>
        <![CDATA[spoken word]]>
      </category>
      <itunes:author>Classic Album Sundays</itunes:author>
      <itunes:summary>
        <![CDATA[Classic Album Sundays founder Colleen ‘Cosmo’ Murphy is joined by chart-topping singer-songwriter with the phenomenally successful band Texas, Sharleen Spiteri, at the Royal Albert Hall as part of the National Album Day 2021 celebrations with Bowers &amp; Wilkins.


2021’s National Album Day spotlighted women artists and their huge contribution to music and culture through the art of the album. Sharleen discusses her favourite women in music and how they have influenced her, culminating in choice cuts from the new Texas album Hi.


Texas’ 10th album, Hi is a stunning result of looking back with eyes fixed firmly on the future. Collaborations include Dark Fire, written with Richard Hawley, Look What You’ve Done, an intoxicating, classic duet with Clare Grogan of Altered Images, and a swaggering collaboration with the Wu-Tang Clan on the record’s title track.]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/360/8fc36fdd-e1e8-4c59-bf1c-d51d94f6ef54/images/f985fd14-cbd9-464a-8a1a-7d06ca0648dd/Screenshot_2022_05_31_at_10.51.26.png"/>
      <media:content fileSize="237152129" type="audio/mpeg" url="https://dts.podtrac.com/redirect.mp3/dovetail.prxu.org/360/8fc36fdd-e1e8-4c59-bf1c-d51d94f6ef54/Sharleen_Spiteri_PRX.mp3"/>
      <content:encoded>
        <![CDATA[<p>Classic Album Sundays founder Colleen ‘Cosmo’ Murphy is joined by chart-topping singer-songwriter with the phenomenally successful band Texas, Sharleen Spiteri, at the Royal Albert Hall as part of the National Album Day 2021 celebrations with Bowers &amp; Wilkins.</p>

<p>2021’s National Album Day spotlighted women artists and their huge contribution to music and culture through the art of the album. Sharleen discusses her favourite women in music and how they have influenced her, culminating in choice cuts from the new Texas album <em>Hi</em>.</p>

<p>Texas’ 10th album, <em>Hi</em> is a stunning result of looking back with eyes fixed firmly on the future. Collaborations include Dark Fire, written with Richard Hawley, Look What You’ve Done, an intoxicating, classic duet with Clare Grogan of Altered Images, and a swaggering collaboration with the Wu-Tang Clan on the record’s title track. </p>]]>
      </content:encoded>
    </item>
    <item>
      <guid isPermaLink="false">prx_360_61cd8111-a7c7-4a77-a39e-aa7cdc4f5669</guid>
      <title>Classic Album Sundays Podcast: Wendy Carlos ‘Clockwork Orange’ with Greg Wilson</title>
      <pubDate>Sun, 08 May 2022 01:00:00 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_360_61cd8111-a7c7-4a77-a39e-aa7cdc4f5669&amp;uf=https%3A%2F%2Ffeeds.feedburner.com%2FClassicAlbumSundays</link>
      <description>
        <![CDATA[<p>British DJ and journalist Greg Wilson joins Colleen to discuss Wendy Carlos’ score to the film ‘Clockwork Orange’. Wendy Carlos is what you might call a true genius in the world of twentieth century music. She has always been ahead of her time…expanding boundaries and challenging listeners and herself. Her dramatic score for the legendary Clockwork Orange motion picture is an interesting collection of solid, dark, electronic proto-new age music.</p>

<p>Greg began DJing in 1975 and is regarded as one of the most important figures on the UK dance scene. He enjoyed hugely popular residencies in the early eighties at Wigan Pier and Manchester’s majorly influential Legend, having originally started out in his hometown of New Brighton. He was a pioneer of mixing in the UK and in 1983 he became the first ‘dance music’specialist hired for a regular weekly session at Manchester’s now legendary Haçienda club. Greg was instrumental in breaking the new electronic, post-disco records coming out of New York, a sound he has dubbed ‘Electro-Funk’.</p>

<p>Read more about your favourite albums here: classicalbumsundays.com</p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/dovetail.prxu.org/360/61cd8111-a7c7-4a77-a39e-aa7cdc4f5669/Clockwork_Orange_Greg_Wilson_PRX_mp3.mp3" type="audio/mpeg" length="67254901"/>
      <itunes:subtitle>‘Clockwork Orange’</itunes:subtitle>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:duration>46:42</itunes:duration>
      <author>colleen@classicalbumsundays.com  (Classic Album Sundays)</author>
      <category>
        <![CDATA[Interview]]>
      </category>
      <category>
        <![CDATA[Podcast]]>
      </category>
      <category>
        <![CDATA[Soundtrack]]>
      </category>
      <category>
        <![CDATA[Spoken Word]]>
      </category>
      <itunes:author>Classic Album Sundays</itunes:author>
      <itunes:summary>
        <![CDATA[British DJ and journalist Greg Wilson joins Colleen to discuss Wendy Carlos’ score to the film ‘Clockwork Orange’. Wendy Carlos is what you might call a true genius in the world of twentieth century music. She has always been ahead of her time…expanding boundaries and challenging listeners and herself. Her dramatic score for the legendary Clockwork Orange motion picture is an interesting collection of solid, dark, electronic proto-new age music.


Greg began DJing in 1975 and is regarded as one of the most important figures on the UK dance scene. He enjoyed hugely popular residencies in the early eighties at Wigan Pier and Manchester’s majorly influential Legend, having originally started out in his hometown of New Brighton. He was a pioneer of mixing in the UK and in 1983 he became the first ‘dance music’specialist hired for a regular weekly session at Manchester’s now legendary Haçienda club. Greg was instrumental in breaking the new electronic, post-disco records coming out of New York, a sound he has dubbed ‘Electro-Funk’.


Read more about your favourite albums here: classicalbumsundays.com]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/360/61cd8111-a7c7-4a77-a39e-aa7cdc4f5669/images/5f46f64d-a4f0-4790-9490-a7ed77e2af56/Indie_Wednesdays_Instagram_Post.png"/>
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      <content:encoded>
        <![CDATA[<p>British DJ and journalist Greg Wilson joins Colleen to discuss Wendy Carlos’ score to the film ‘Clockwork Orange’. Wendy Carlos is what you might call a true genius in the world of twentieth century music. She has always been ahead of her time…expanding boundaries and challenging listeners and herself. Her dramatic score for the legendary Clockwork Orange motion picture is an interesting collection of solid, dark, electronic proto-new age music.</p>

<p>Greg began DJing in 1975 and is regarded as one of the most important figures on the UK dance scene. He enjoyed hugely popular residencies in the early eighties at Wigan Pier and Manchester’s majorly influential Legend, having originally started out in his hometown of New Brighton. He was a pioneer of mixing in the UK and in 1983 he became the first ‘dance music’specialist hired for a regular weekly session at Manchester’s now legendary Haçienda club. Greg was instrumental in breaking the new electronic, post-disco records coming out of New York, a sound he has dubbed ‘Electro-Funk’.</p>

<p>Read more about your favourite albums here: classicalbumsundays.com</p>]]>
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      <title> Classic Album Sundays Podcast: A Certain Ratio on 'Sextet' with Tina Edwards at We Out Here Festival</title>
      <pubDate>Sun, 24 Apr 2022 01:00:00 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_360_38292b96-0c4c-4927-88c6-e1155e3ca2f4&amp;uf=https%3A%2F%2Ffeeds.feedburner.com%2FClassicAlbumSundays</link>
      <description>
        <![CDATA[<p>For the latest Classic Album Sundays podcast we have a special session, recorded at We Out Here, where Tina Edwards spoke with A Certain Ratio's Martin Moscrop about the album ‘Sextet’, the band's creative process and their influences. Read more about your favourite albums here: classicalbumsundays.com</p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/dovetail.prxu.org/360/38292b96-0c4c-4927-88c6-e1155e3ca2f4/A_Certain_Ratio_Sextet_PRX.mp3" type="audio/mpeg" length="90541452"/>
      <itunes:subtitle>'Sextet'</itunes:subtitle>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:duration>37:43</itunes:duration>
      <author>colleen@classicalbumsundays.com  (Classic Album Sundays)</author>
      <category>
        <![CDATA[A Certain Ratio]]>
      </category>
      <category>
        <![CDATA[Manchester]]>
      </category>
      <category>
        <![CDATA[Music Interview]]>
      </category>
      <category>
        <![CDATA[Podcast]]>
      </category>
      <category>
        <![CDATA[Spoken Word]]>
      </category>
      <itunes:author>Classic Album Sundays</itunes:author>
      <itunes:summary>
        <![CDATA[For the latest Classic Album Sundays podcast we have a special session, recorded at We Out Here, where Tina Edwards spoke with A Certain Ratio's Martin Moscrop about the album ‘Sextet’, the band's creative process and their influences. Read more about your favourite albums here: classicalbumsundays.com]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/360/38292b96-0c4c-4927-88c6-e1155e3ca2f4/images/86def145-3654-4d5b-b915-c1f741a024c8/8705489e_c03c_4f84_8bbb_d31c796f8a1f_1586908800.jpeg"/>
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      <content:encoded>
        <![CDATA[<p>For the latest Classic Album Sundays podcast we have a special session, recorded at We Out Here, where Tina Edwards spoke with A Certain Ratio's Martin Moscrop about the album ‘Sextet’, the band's creative process and their influences. Read more about your favourite albums here: classicalbumsundays.com</p>]]>
      </content:encoded>
    </item>
    <item>
      <guid isPermaLink="false">prx_360_bce3ab91-fccc-4216-afd9-d30211c55529</guid>
      <title>Classic Album Sundays: Sherelle on Sbtrkt ‘Sbtrkt’</title>
      <pubDate>Sun, 10 Apr 2022 01:00:00 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_360_bce3ab91-fccc-4216-afd9-d30211c55529&amp;uf=https%3A%2F%2Ffeeds.feedburner.com%2FClassicAlbumSundays</link>
      <description>
        <![CDATA[<p>Sherelle joins Classic Album Sundays’ Raj Chaudhury to dig deep into Sbtrkt <em>Sbtrkt</em>. Sherelle is leading a new generation of high-speed ravers who are addicted to jungle, drum ‘n’ bass, footwork and juke. Through her DJ sets, radio shows and record label she gives a platform to both scene elders and new talent and is committed to pushing 160bpm+ dance music into the future.</p>

<p>Here, she discusses her love of Sbtrkt and the influence the album had on her. ‘My Classic Album’ is a series of free-to-view artist interview streams created with support from the Arts Council England Cultural Recovery Fund. Interviews have featured artists such as Steven Wilson, Goldie, The Kooks, Emma-Jean Thackray, Moses Boyd, Nitin Sawhney and many more. Read more about your favourite albums here: classicalbumsundays.com</p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/dovetail.prxu.org/360/bce3ab91-fccc-4216-afd9-d30211c55529/Sherelle_PRX.mp3" type="audio/mpeg" length="110981746"/>
      <itunes:subtitle>Sherelle on Sbtrkt ‘Sbtrkt’</itunes:subtitle>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:duration>46:14</itunes:duration>
      <author>colleen@classicalbumsundays.com  (Classic Album Sundays)</author>
      <category>
        <![CDATA[dubstep]]>
      </category>
      <category>
        <![CDATA[electronic music]]>
      </category>
      <category>
        <![CDATA[interview]]>
      </category>
      <category>
        <![CDATA[music history]]>
      </category>
      <category>
        <![CDATA[podcast]]>
      </category>
      <category>
        <![CDATA[spoken word]]>
      </category>
      <itunes:author>Classic Album Sundays</itunes:author>
      <itunes:summary>
        <![CDATA[Sherelle joins Classic Album Sundays’ Raj Chaudhury to dig deep into Sbtrkt Sbtrkt. Sherelle is leading a new generation of high-speed ravers who are addicted to jungle, drum ‘n’ bass, footwork and juke. Through her DJ sets, radio shows and record label she gives a platform to both scene elders and new talent and is committed to pushing 160bpm+ dance music into the future.


Here, she discusses her love of Sbtrkt and the influence the album had on her. ‘My Classic Album’ is a series of free-to-view artist interview streams created with support from the Arts Council England Cultural Recovery Fund. Interviews have featured artists such as Steven Wilson, Goldie, The Kooks, Emma-Jean Thackray, Moses Boyd, Nitin Sawhney and many more. Read more about your favourite albums here: classicalbumsundays.com]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/360/bce3ab91-fccc-4216-afd9-d30211c55529/images/ba5a7e7c-8c34-472a-8a7f-5784732b79a5/Screenshot_2022_04_07_at_14.28.25.png"/>
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      <content:encoded>
        <![CDATA[<p>Sherelle joins Classic Album Sundays’ Raj Chaudhury to dig deep into Sbtrkt <em>Sbtrkt</em>. Sherelle is leading a new generation of high-speed ravers who are addicted to jungle, drum ‘n’ bass, footwork and juke. Through her DJ sets, radio shows and record label she gives a platform to both scene elders and new talent and is committed to pushing 160bpm+ dance music into the future.</p>

<p>Here, she discusses her love of Sbtrkt and the influence the album had on her. ‘My Classic Album’ is a series of free-to-view artist interview streams created with support from the Arts Council England Cultural Recovery Fund. Interviews have featured artists such as Steven Wilson, Goldie, The Kooks, Emma-Jean Thackray, Moses Boyd, Nitin Sawhney and many more. Read more about your favourite albums here: classicalbumsundays.com</p>]]>
      </content:encoded>
    </item>
    <item>
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      <title>Classic Album Sundays Podcast: Goldfrapp 'Felt Mountain'</title>
      <pubDate>Sun, 13 Mar 2022 02:00:00 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_360_55789388-426c-4786-a2f1-a80f09ca6346&amp;uf=https%3A%2F%2Ffeeds.feedburner.com%2FClassicAlbumSundays</link>
      <description>
        <![CDATA[<p>Featuring influences from a variety of music styles such as 1960s pop, cabaret, folk and electronica, Felt Mountain was described as "simultaneously smarmy and seductive, yet elegant and graceful" upon its release in 2001. While certainly not "poppy," it never has a truly weak moment. And while the songs aren't all that different from one another, the flow from track to track makes perfect sense. Read more about your favourite albums here: classicalbumsundays.com.</p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/dovetail.prxu.org/360/55789388-426c-4786-a2f1-a80f09ca6346/Goldfrapp_Felt_Mountain_PRX.mp3" type="audio/mpeg" length="49068480"/>
      <itunes:subtitle>'Felt Mountain'</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:duration>20:26</itunes:duration>
      <author>colleen@classicalbumsundays.com  (Classic Album Sundays)</author>
      <category>
        <![CDATA[Interviews]]>
      </category>
      <category>
        <![CDATA[Music History]]>
      </category>
      <category>
        <![CDATA[Spoken Word]]>
      </category>
      <itunes:author>Classic Album Sundays</itunes:author>
      <itunes:summary>
        <![CDATA[Featuring influences from a variety of music styles such as 1960s pop, cabaret, folk and electronica, Felt Mountain was described as "simultaneously smarmy and seductive, yet elegant and graceful" upon its release in 2001. While certainly not "poppy," it never has a truly weak moment. And while the songs aren't all that different from one another, the flow from track to track makes perfect sense. Read more about your favourite albums here: classicalbumsundays.com.]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/360/55789388-426c-4786-a2f1-a80f09ca6346/images/9706b55b-c2c0-4f1a-aa24-dc91e36c2afb/Screenshot_2022_03_12_at_12.57.10.png"/>
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      <content:encoded>
        <![CDATA[<p>Featuring influences from a variety of music styles such as 1960s pop, cabaret, folk and electronica, Felt Mountain was described as "simultaneously smarmy and seductive, yet elegant and graceful" upon its release in 2001. While certainly not "poppy," it never has a truly weak moment. And while the songs aren't all that different from one another, the flow from track to track makes perfect sense. Read more about your favourite albums here: classicalbumsundays.com.</p>]]>
      </content:encoded>
    </item>
    <item>
      <guid isPermaLink="false">prx_360_23010bd3-8d4c-41be-8aaa-fcff0eaf0a4d</guid>
      <title>Horse Meat Disco's Luke Howard and Princess Julia on Grace Jones 'Warm Leatherette'</title>
      <pubDate>Sun, 27 Feb 2022 02:00:00 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_360_23010bd3-8d4c-41be-8aaa-fcff0eaf0a4d&amp;uf=https%3A%2F%2Ffeeds.feedburner.com%2FClassicAlbumSundays</link>
      <description>
        <![CDATA[<p>We were lucky enough to be joined by Horse Meat Disco's Luke Howard and Princess Julia for our Grace Jones <em>Warm Leatherette</em> album launch party at the all new Eagle London. Grace Jones teamed with the great reggae production duo of Sly Dunbar and Robbie Shakespeare on this 1980 album, and made the transition from straight dance and club act into quasi-pop star with reggae and urban contemporary leanings. The single "Private Life" was one of her best, and the overall album had more energy and production gloss than previous LPs that had been aimed completely at the club market. It helped that Jones seemed enthused about the session and really put herself into the songs. Read more about your favourite albums here: classicalbumsundays.com</p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/dovetail.prxu.org/360/23010bd3-8d4c-41be-8aaa-fcff0eaf0a4d/Grace_Jones_Warm_Leatherette_PRX.mp3" type="audio/mpeg" length="95599680"/>
      <itunes:subtitle>'Warm Leatherette'</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:duration>39:49</itunes:duration>
      <author>colleen@classicalbumsundays.com  (Classic Album Sundays)</author>
      <category>
        <![CDATA[Grace Jones]]>
      </category>
      <category>
        <![CDATA[disco]]>
      </category>
      <category>
        <![CDATA[music history]]>
      </category>
      <category>
        <![CDATA[music interview]]>
      </category>
      <category>
        <![CDATA[new wave]]>
      </category>
      <category>
        <![CDATA[podcast]]>
      </category>
      <category>
        <![CDATA[post punk]]>
      </category>
      <category>
        <![CDATA[spoken word]]>
      </category>
      <itunes:author>Classic Album Sundays</itunes:author>
      <itunes:summary>
        <![CDATA[We were lucky enough to be joined by Horse Meat Disco's Luke Howard and Princess Julia for our Grace Jones Warm Leatherette album launch party at the all new Eagle London. Grace Jones teamed with the great reggae production duo of Sly Dunbar and Robbie Shakespeare on this 1980 album, and made the transition from straight dance and club act into quasi-pop star with reggae and urban contemporary leanings. The single "Private Life" was one of her best, and the overall album had more energy and production gloss than previous LPs that had been aimed completely at the club market. It helped that Jones seemed enthused about the session and really put herself into the songs. Read more about your favourite albums here: classicalbumsundays.com]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/360/23010bd3-8d4c-41be-8aaa-fcff0eaf0a4d/images/7599d6f1-ff5b-4f99-9de9-a45310f2a620/Grace_Jones.png"/>
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      <content:encoded>
        <![CDATA[<p>We were lucky enough to be joined by Horse Meat Disco's Luke Howard and Princess Julia for our Grace Jones <em>Warm Leatherette</em> album launch party at the all new Eagle London. Grace Jones teamed with the great reggae production duo of Sly Dunbar and Robbie Shakespeare on this 1980 album, and made the transition from straight dance and club act into quasi-pop star with reggae and urban contemporary leanings. The single "Private Life" was one of her best, and the overall album had more energy and production gloss than previous LPs that had been aimed completely at the club market. It helped that Jones seemed enthused about the session and really put herself into the songs. Read more about your favourite albums here: classicalbumsundays.com</p>]]>
      </content:encoded>
    </item>
    <item>
      <guid isPermaLink="false">prx_360_7ca21bc8-6231-4dce-b824-4b4177db8b54</guid>
      <title>Black Midi’s Morgan Simpson on D’Angelo ‘Black Messiah’</title>
      <pubDate>Sun, 13 Feb 2022 02:00:00 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_360_7ca21bc8-6231-4dce-b824-4b4177db8b54&amp;uf=https%3A%2F%2Ffeeds.feedburner.com%2FClassicAlbumSundays</link>
      <description>
        <![CDATA[<p>Black Midi’s Morgan Simpson joins Classic Album Sundays’ Raj Chaudhury at The Room Studios to dig deep into D’Angelo’s <em>Black Messiah.</em> Formed in 2018, Black Midi made an immediate mark on the scene with their blend of experimental rock, math rock, noise rock and post-punk, culminating in a Mercury Music Prize nomination in 2019. Read more about your favourite albums here: <a href="https://classicalbumsundays.com/" rel="nofollow" target="_blank">https://classicalbumsundays.com/</a></p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/dovetail.prxu.org/360/7ca21bc8-6231-4dce-b824-4b4177db8b54/Black_Midi_PRX.mp3" type="audio/mpeg" length="73729715"/>
      <itunes:subtitle>‘Black Messiah’</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:duration>38:24</itunes:duration>
      <author>colleen@classicalbumsundays.com  (Classic Album Sundays)</author>
      <category>
        <![CDATA[funk]]>
      </category>
      <category>
        <![CDATA[interview]]>
      </category>
      <category>
        <![CDATA[pocast]]>
      </category>
      <category>
        <![CDATA[soul]]>
      </category>
      <category>
        <![CDATA[spoken word]]>
      </category>
      <itunes:author>Classic Album Sundays</itunes:author>
      <itunes:summary>
        <![CDATA[Black Midi’s Morgan Simpson joins Classic Album Sundays’ Raj Chaudhury at The Room Studios to dig deep into D’Angelo’s Black Messiah. Formed in 2018, Black Midi made an immediate mark on the scene with their blend of experimental rock, math rock, noise rock and post-punk, culminating in a Mercury Music Prize nomination in 2019. Read more about your favourite albums here: <a href="https://classicalbumsundays.com/" target="_blank">https://classicalbumsundays.com/</a>]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/360/7ca21bc8-6231-4dce-b824-4b4177db8b54/images/43ff44a8-2045-4f2e-9f51-ba01d17061d0/Screenshot_2022_02_12_at_12.01.23.png"/>
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      <content:encoded>
        <![CDATA[<p>Black Midi’s Morgan Simpson joins Classic Album Sundays’ Raj Chaudhury at The Room Studios to dig deep into D’Angelo’s <em>Black Messiah.</em> Formed in 2018, Black Midi made an immediate mark on the scene with their blend of experimental rock, math rock, noise rock and post-punk, culminating in a Mercury Music Prize nomination in 2019. Read more about your favourite albums here: <a href="https://classicalbumsundays.com/" rel="nofollow" target="_blank">https://classicalbumsundays.com/</a></p>]]>
      </content:encoded>
    </item>
    <item>
      <guid isPermaLink="false">prx_360_04510bda-6661-4571-8eed-9d3cc05c8370</guid>
      <title>Classic Album Sundays: The Zombies on ‘Odessey and Oracle’</title>
      <pubDate>Sun, 30 Jan 2022 02:00:00 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_360_04510bda-6661-4571-8eed-9d3cc05c8370&amp;uf=https%3A%2F%2Ffeeds.feedburner.com%2FClassicAlbumSundays</link>
      <description>
        <![CDATA[<p>The latest Classic Album Sundays podcast is taken from our series of events at Royal Albert Hall when we were delighted to be joined by The Zombies Rod Argent, Colin Blunstone, Chris White and Hugh Grundy to discuss their 1968 classic album <em>Odessey and Oracle</em>. The album is considered to be one of the most significant British psychedelic records, and including the iconic hit song <em>Time of the Season</em>.</p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/dovetail.prxu.org/360/04510bda-6661-4571-8eed-9d3cc05c8370/The_Zombies_PRX.mp3" type="audio/mpeg" length="126117555"/>
      <itunes:subtitle>‘Odessey and Oracle’</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:duration>01:05:41</itunes:duration>
      <author>colleen@classicalbumsundays.com  (Classic Album Sundays)</author>
      <category>
        <![CDATA[1960s]]>
      </category>
      <category>
        <![CDATA[Music History ]]>
      </category>
      <category>
        <![CDATA[folk]]>
      </category>
      <category>
        <![CDATA[interview]]>
      </category>
      <category>
        <![CDATA[rock]]>
      </category>
      <category>
        <![CDATA[spoken word]]>
      </category>
      <itunes:author>Classic Album Sundays</itunes:author>
      <itunes:summary>
        <![CDATA[The latest Classic Album Sundays podcast is taken from our series of events at Royal Albert Hall when we were delighted to be joined by The Zombies Rod Argent, Colin Blunstone, Chris White and Hugh Grundy to discuss their 1968 classic album Odessey and Oracle. The album is considered to be one of the most significant British psychedelic records, and including the iconic hit song Time of the Season.]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/360/04510bda-6661-4571-8eed-9d3cc05c8370/images/1209f9d4-ed20-4e3e-84f6-3929046cf40e/The_Zombies_PRX.png"/>
      <media:content fileSize="126117555" type="audio/mpeg" url="https://dts.podtrac.com/redirect.mp3/dovetail.prxu.org/360/04510bda-6661-4571-8eed-9d3cc05c8370/The_Zombies_PRX.mp3"/>
      <content:encoded>
        <![CDATA[<p>The latest Classic Album Sundays podcast is taken from our series of events at Royal Albert Hall when we were delighted to be joined by The Zombies Rod Argent, Colin Blunstone, Chris White and Hugh Grundy to discuss their 1968 classic album <em>Odessey and Oracle</em>. The album is considered to be one of the most significant British psychedelic records, and including the iconic hit song <em>Time of the Season</em>.</p>]]>
      </content:encoded>
    </item>
    <item>
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      <title>Classic Album Sundays Podcast: Lisa Stansfield on ‘Affection’</title>
      <pubDate>Sun, 09 Jan 2022 02:00:00 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_360_bfc2e614-a7a2-4a0a-aa80-58f773c6cbad&amp;uf=https%3A%2F%2Ffeeds.feedburner.com%2FClassicAlbumSundays</link>
      <description>
        <![CDATA[<p>Lisa Stansfield joins Colleen ‘Cosmo’ Murphy to celebrate the 30th anniversary release of her debut solo album ‘Affection’ as part of the ‘Venus Unwrapped’ series at Kings Place in London. Read more about your favourite albums here: classicalbumsundays.com</p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/dovetail.prxu.org/360/bfc2e614-a7a2-4a0a-aa80-58f773c6cbad/Lisa_Stansfield_Affection_PRX.mp3" type="audio/mpeg" length="79269347"/>
      <itunes:subtitle>‘Affection’</itunes:subtitle>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:duration>41:17</itunes:duration>
      <author>colleen@classicalbumsundays.com  (Classic Album Sundays)</author>
      <category>
        <![CDATA[Affection]]>
      </category>
      <category>
        <![CDATA[Interview]]>
      </category>
      <category>
        <![CDATA[Lisa Stansfield]]>
      </category>
      <category>
        <![CDATA[Podcast]]>
      </category>
      <category>
        <![CDATA[Spoken Word]]>
      </category>
      <itunes:author>Classic Album Sundays</itunes:author>
      <itunes:summary>
        <![CDATA[Lisa Stansfield joins Colleen ‘Cosmo’ Murphy to celebrate the 30th anniversary release of her debut solo album ‘Affection’ as part of the ‘Venus Unwrapped’ series at Kings Place in London. Read more about your favourite albums here: classicalbumsundays.com]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/360/bfc2e614-a7a2-4a0a-aa80-58f773c6cbad/images/6d584004-9fed-4881-8555-3ae3d08fd5ce/Lisa_Stansfield_PRX_Thumb.png"/>
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      <content:encoded>
        <![CDATA[<p>Lisa Stansfield joins Colleen ‘Cosmo’ Murphy to celebrate the 30th anniversary release of her debut solo album ‘Affection’ as part of the ‘Venus Unwrapped’ series at Kings Place in London. Read more about your favourite albums here: classicalbumsundays.com</p>]]>
      </content:encoded>
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      <title>Classic Album Sundays Podcast: Mark Leckey on ‘Jesus Christ Superstar’</title>
      <pubDate>Sun, 19 Dec 2021 02:00:00 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_360_89671653-9ee5-42ca-9343-109919dad973&amp;uf=https%3A%2F%2Ffeeds.feedburner.com%2FClassicAlbumSundays</link>
      <description>
        <![CDATA[<p>Turner Prize winning artist Mark Leckey joins Classic Album Sundays’ DEBONAIR for a deep dive into the ‘Jesus Christ Superstar’ album musical by Andrew Lloyd Webber and Tim Rice, on which the 1971 rock opera of the same name was based.</p>

<p>Mark Leckey is a British contemporary artist, working with collage art, music and video. His found object art and video pieces, which incorporate themes of nostalgia and anxiety, and draw on elements of pop culture, span several videos including Fiorucci Made Me Hardcore (1999) and Industrial Light and Magic (2008), for which he won the 2008 Turner Prize.</p>

<p>Read more about your favourite albums here: classicalbumsundays.com/</p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/dovetail.prxu.org/360/89671653-9ee5-42ca-9343-109919dad973/Mark_Leckey_JCSS_PRX.mp3" type="audio/mpeg" length="82985840"/>
      <itunes:subtitle>‘Jesus Christ Superstar’</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:duration>43:13</itunes:duration>
      <author>colleen@classicalbumsundays.com  (Classic Album Sundays)</author>
      <category>
        <![CDATA[Interview]]>
      </category>
      <category>
        <![CDATA[Muscials]]>
      </category>
      <category>
        <![CDATA[Music History]]>
      </category>
      <category>
        <![CDATA[Spoken Word]]>
      </category>
      <itunes:author>Classic Album Sundays</itunes:author>
      <itunes:summary>
        <![CDATA[Turner Prize winning artist Mark Leckey joins Classic Album Sundays’ DEBONAIR for a deep dive into the ‘Jesus Christ Superstar’ album musical by Andrew Lloyd Webber and Tim Rice, on which the 1971 rock opera of the same name was based.


Mark Leckey is a British contemporary artist, working with collage art, music and video. His found object art and video pieces, which incorporate themes of nostalgia and anxiety, and draw on elements of pop culture, span several videos including Fiorucci Made Me Hardcore (1999) and Industrial Light and Magic (2008), for which he won the 2008 Turner Prize.


Read more about your favourite albums here: classicalbumsundays.com/]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/360/89671653-9ee5-42ca-9343-109919dad973/images/650c21a7-2e14-4be4-b41b-66e7ae4137cf/Indie_Wednesdays_Instagram_Post.png"/>
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      <content:encoded>
        <![CDATA[<p>Turner Prize winning artist Mark Leckey joins Classic Album Sundays’ DEBONAIR for a deep dive into the ‘Jesus Christ Superstar’ album musical by Andrew Lloyd Webber and Tim Rice, on which the 1971 rock opera of the same name was based.</p>

<p>Mark Leckey is a British contemporary artist, working with collage art, music and video. His found object art and video pieces, which incorporate themes of nostalgia and anxiety, and draw on elements of pop culture, span several videos including Fiorucci Made Me Hardcore (1999) and Industrial Light and Magic (2008), for which he won the 2008 Turner Prize.</p>

<p>Read more about your favourite albums here: classicalbumsundays.com/</p>]]>
      </content:encoded>
    </item>
    <item>
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      <title>Classic Album Sundays Podcast: Vince Guaraldi ‘A Charlie Brown Christmas’ with Neil Cowley</title>
      <pubDate>Sun, 12 Dec 2021 02:00:00 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_360_38386531-d61b-443c-9bb1-4ea8d07debb0&amp;uf=https%3A%2F%2Ffeeds.feedburner.com%2FClassicAlbumSundays</link>
      <description>
        <![CDATA[<p>Vince Guaraldi’s music brought the Peanuts to life. He scored 17 animated Peanuts television specials and the first was this Christmas classic, the evocative ‘A Charlie Brown Christmas’. Colleen ‘Cosmo’ Murphy and her special guest Guaraldi fan and pianist Neil Cowley tell Vince Guaraldi’s story and his relationship with Charles Schulz’s gang of children who see life through the world-weary eyes of adults in this edition of the Classic Album Sundays Podcast. And of course, there is amazing music to get you in the holiday spirit! Read more about your favourite albums here: classicalbumsundays.com</p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/dovetail.prxu.org/360/38386531-d61b-443c-9bb1-4ea8d07debb0/Charlie_Brown_PRX.mp3" type="audio/mpeg" length="72514290"/>
      <itunes:subtitle>‘A Charlie Brown Christmas’</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:duration>37:46</itunes:duration>
      <author>colleen@classicalbumsundays.com  (Classic Album Sundays)</author>
      <category>
        <![CDATA[classical]]>
      </category>
      <category>
        <![CDATA[music history]]>
      </category>
      <category>
        <![CDATA[spoken word]]>
      </category>
      <itunes:author>Classic Album Sundays</itunes:author>
      <itunes:summary>
        <![CDATA[Vince Guaraldi’s music brought the Peanuts to life. He scored 17 animated Peanuts television specials and the first was this Christmas classic, the evocative ‘A Charlie Brown Christmas’. Colleen ‘Cosmo’ Murphy and her special guest Guaraldi fan and pianist Neil Cowley tell Vince Guaraldi’s story and his relationship with Charles Schulz’s gang of children who see life through the world-weary eyes of adults in this edition of the Classic Album Sundays Podcast. And of course, there is amazing music to get you in the holiday spirit! Read more about your favourite albums here: classicalbumsundays.com]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/360/38386531-d61b-443c-9bb1-4ea8d07debb0/images/f6bbcb6a-b214-4f09-bcfa-0b1d70fbdc2f/Charlie_Brown.png"/>
      <media:content fileSize="72514290" type="audio/mpeg" url="https://dts.podtrac.com/redirect.mp3/dovetail.prxu.org/360/38386531-d61b-443c-9bb1-4ea8d07debb0/Charlie_Brown_PRX.mp3"/>
      <content:encoded>
        <![CDATA[<p>Vince Guaraldi’s music brought the Peanuts to life. He scored 17 animated Peanuts television specials and the first was this Christmas classic, the evocative ‘A Charlie Brown Christmas’. Colleen ‘Cosmo’ Murphy and her special guest Guaraldi fan and pianist Neil Cowley tell Vince Guaraldi’s story and his relationship with Charles Schulz’s gang of children who see life through the world-weary eyes of adults in this edition of the Classic Album Sundays Podcast. And of course, there is amazing music to get you in the holiday spirit! Read more about your favourite albums here: classicalbumsundays.com</p>]]>
      </content:encoded>
    </item>
    <item>
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      <title>Classic Album Sundays Podcast: Max Richter &amp; André de Ridder on Max Richter Recomposed: Vivaldi ‘Four Seasons’</title>
      <pubDate>Mon, 29 Nov 2021 12:36:50 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_360_f9f3c982-4779-4c42-9026-9b0a3758f662&amp;uf=https%3A%2F%2Ffeeds.feedburner.com%2FClassicAlbumSundays</link>
      <description>
        <![CDATA[<p>The post-minimalist composer and the world renowned conductor discuss the blurring of boundaries between electronic and classical music in conversation with Colleen ‘Cosmo’ Murphy at Spitalfields Music Festival. Read more about your favourite albums here: classicalbumsundays.com/</p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/dovetail.prxu.org/360/f9f3c982-4779-4c42-9026-9b0a3758f662/Max_Richter_PRX.mp3" type="audio/mpeg" length="75659015"/>
      <itunes:subtitle>Max Richter Recomposed: Vivaldi ‘Four Seasons’</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:duration>39:24</itunes:duration>
      <author>colleen@classicalbumsundays.com  (Classic Album Sundays)</author>
      <category>
        <![CDATA[Classical Music]]>
      </category>
      <category>
        <![CDATA[Interview]]>
      </category>
      <category>
        <![CDATA[Music History]]>
      </category>
      <category>
        <![CDATA[Spoken Word]]>
      </category>
      <itunes:author>Classic Album Sundays</itunes:author>
      <itunes:summary>
        <![CDATA[The post-minimalist composer and the world renowned conductor discuss the blurring of boundaries between electronic and classical music in conversation with Colleen ‘Cosmo’ Murphy at Spitalfields Music Festival. Read more about your favourite albums here: classicalbumsundays.com/]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/360/f9f3c982-4779-4c42-9026-9b0a3758f662/images/ead90eaa-ed33-4d59-aef6-b4cc96450e0e/Miax_Richter.png"/>
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      <content:encoded>
        <![CDATA[<p>The post-minimalist composer and the world renowned conductor discuss the blurring of boundaries between electronic and classical music in conversation with Colleen ‘Cosmo’ Murphy at Spitalfields Music Festival. Read more about your favourite albums here: classicalbumsundays.com/</p>]]>
      </content:encoded>
    </item>
    <item>
      <guid isPermaLink="false">prx_360_8a0909be-0b7b-4824-bfba-5a68cff75507</guid>
      <title>Classic Album Sundays: Ego Ella May on Sade ‘Diamond Life’</title>
      <pubDate>Mon, 22 Nov 2021 15:53:18 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_360_8a0909be-0b7b-4824-bfba-5a68cff75507&amp;uf=https%3A%2F%2Ffeeds.feedburner.com%2FClassicAlbumSundays</link>
      <description>
        <![CDATA[<p>Ego Ella May joins Classic Album Sundays’ Tina Edwards as part of our new series ‘My Classic Album’ for a deep dive into Sade’s <em>Diamond Life</em>. Ego is a songwriter and vocalist. Hailing from South London, she has an all-encompassing love of music, which she channels into her own neo-soul and contemporary jazz compositions. Read more about your favourite albums here: classicalbumsundays.com/</p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/dovetail.prxu.org/360/8a0909be-0b7b-4824-bfba-5a68cff75507/Ego_Ella_May_PRX.mp3" type="audio/mpeg" length="85441768"/>
      <itunes:subtitle>‘Diamond Life’</itunes:subtitle>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:duration>44:30</itunes:duration>
      <author>colleen@classicalbumsundays.com  (Classic Album Sundays)</author>
      <category>
        <![CDATA[80s]]>
      </category>
      <category>
        <![CDATA[Interview]]>
      </category>
      <category>
        <![CDATA[Music History]]>
      </category>
      <category>
        <![CDATA[Podcast]]>
      </category>
      <category>
        <![CDATA[R&B]]>
      </category>
      <category>
        <![CDATA[Sade]]>
      </category>
      <category>
        <![CDATA[Soul]]>
      </category>
      <category>
        <![CDATA[Spoken Word]]>
      </category>
      <itunes:author>Classic Album Sundays</itunes:author>
      <itunes:summary>
        <![CDATA[Ego Ella May joins Classic Album Sundays’ Tina Edwards as part of our new series ‘My Classic Album’ for a deep dive into Sade’s Diamond Life. Ego is a songwriter and vocalist. Hailing from South London, she has an all-encompassing love of music, which she channels into her own neo-soul and contemporary jazz compositions. Read more about your favourite albums here: classicalbumsundays.com/]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/360/8a0909be-0b7b-4824-bfba-5a68cff75507/images/660e3147-f9a0-46ca-9a33-60fe81f55f33/Ego_Thumb.png"/>
      <media:content fileSize="85441768" type="audio/mpeg" url="https://dts.podtrac.com/redirect.mp3/dovetail.prxu.org/360/8a0909be-0b7b-4824-bfba-5a68cff75507/Ego_Ella_May_PRX.mp3"/>
      <content:encoded>
        <![CDATA[<p>Ego Ella May joins Classic Album Sundays’ Tina Edwards as part of our new series ‘My Classic Album’ for a deep dive into Sade’s <em>Diamond Life</em>. Ego is a songwriter and vocalist. Hailing from South London, she has an all-encompassing love of music, which she channels into her own neo-soul and contemporary jazz compositions. Read more about your favourite albums here: classicalbumsundays.com/</p>]]>
      </content:encoded>
    </item>
    <item>
      <guid isPermaLink="false">prx_360_9b397afb-497b-436d-a701-ebef202ff10a</guid>
      <title>Classic Album Sundays Podcast: DJ Yoda on De La Soul ‘3 Feet High and Rising’</title>
      <pubDate>Sun, 14 Nov 2021 02:00:00 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_360_9b397afb-497b-436d-a701-ebef202ff10a&amp;uf=https%3A%2F%2Ffeeds.feedburner.com%2FClassicAlbumSundays</link>
      <description>
        <![CDATA[<p>Check out the full interview as Colleen ‘Cosmo’ Murphy and DJ Yoda dig deep into the most inventive, assured, and playful debut in hip-hop history De La Soul’s <em>3 Feet High and Rising</em> which not only proved that rappers didn’t have to talk about the streets to succeed, but also expanded the palette of sampling material with a kaleidoscope of sounds and references culled from pop, soul, disco, and even country music. Read more about your favourite albums here: <a href="https://classicalbumsundays.com/" rel="nofollow" target="_blank">https://classicalbumsundays.com/</a></p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/dovetail.prxu.org/360/9b397afb-497b-436d-a701-ebef202ff10a/DJ_Yoda_PRX.mp3" type="audio/mpeg" length="64689258"/>
      <itunes:subtitle>‘3 Feet High and Rising’</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:duration>33:41</itunes:duration>
      <author>colleen@classicalbumsundays.com  (Classic Album Sundays)</author>
      <category>
        <![CDATA[1980s]]>
      </category>
      <category>
        <![CDATA[Hip Hop]]>
      </category>
      <category>
        <![CDATA[Interview]]>
      </category>
      <category>
        <![CDATA[Music History]]>
      </category>
      <category>
        <![CDATA[Rap ]]>
      </category>
      <category>
        <![CDATA[Spoken Word]]>
      </category>
      <itunes:author>Classic Album Sundays</itunes:author>
      <itunes:summary>
        <![CDATA[Check out the full interview as Colleen ‘Cosmo’ Murphy and DJ Yoda dig deep into the most inventive, assured, and playful debut in hip-hop history De La Soul’s 3 Feet High and Rising which not only proved that rappers didn’t have to talk about the streets to succeed, but also expanded the palette of sampling material with a kaleidoscope of sounds and references culled from pop, soul, disco, and even country music. Read more about your favourite albums here: <a href="https://classicalbumsundays.com/" target="_blank">https://classicalbumsundays.com/</a>]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/360/9b397afb-497b-436d-a701-ebef202ff10a/images/96566199-dd95-45a3-96ef-4d9419e62a19/DJ_Yoda.png"/>
      <media:content fileSize="64689258" type="audio/mpeg" url="https://dts.podtrac.com/redirect.mp3/dovetail.prxu.org/360/9b397afb-497b-436d-a701-ebef202ff10a/DJ_Yoda_PRX.mp3"/>
      <content:encoded>
        <![CDATA[<p>Check out the full interview as Colleen ‘Cosmo’ Murphy and DJ Yoda dig deep into the most inventive, assured, and playful debut in hip-hop history De La Soul’s <em>3 Feet High and Rising</em> which not only proved that rappers didn’t have to talk about the streets to succeed, but also expanded the palette of sampling material with a kaleidoscope of sounds and references culled from pop, soul, disco, and even country music. Read more about your favourite albums here: <a href="https://classicalbumsundays.com/" rel="nofollow" target="_blank">https://classicalbumsundays.com/</a></p>]]>
      </content:encoded>
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    <item>
      <guid isPermaLink="false">prx_360_b5bbdb90-5bd6-419d-8200-e8d2eaefb3f9</guid>
      <title>Classic Album Sundays Podcast: Erykah Badu ‘Mama’s Gun’</title>
      <pubDate>Sun, 07 Nov 2021 02:00:00 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_360_b5bbdb90-5bd6-419d-8200-e8d2eaefb3f9&amp;uf=https%3A%2F%2Ffeeds.feedburner.com%2FClassicAlbumSundays</link>
      <description>
        <![CDATA[<p>Recorded between 1999 and 2000 at Electric Lady Studios in New York and released by Motown Records, Mama’s Gun incorporates elements of funk, soul, and jazz styles. It has confessional lyrics by Badu, which cover themes of insecurity, personal relationships, and social issues. Critics have also noted that while Baduizm contained its share of cryptic lyricism, Mama’s Gun is much more direct in its approach, and places the artist in a subjective position more than its predecessor. Read more about your favourite albums here: classicalbumsundays.com/</p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/dovetail.prxu.org/360/b5bbdb90-5bd6-419d-8200-e8d2eaefb3f9/Erykah_Badu.mp3" type="audio/mpeg" length="49834362"/>
      <itunes:subtitle>‘Mama’s Gun’</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:duration>20:45</itunes:duration>
      <author>colleen@classicalbumsundays.com  (Classic Album Sundays)</author>
      <category>
        <![CDATA[Hip Hop]]>
      </category>
      <category>
        <![CDATA[Interview]]>
      </category>
      <category>
        <![CDATA[Music History]]>
      </category>
      <category>
        <![CDATA[Rap]]>
      </category>
      <category>
        <![CDATA[Soul]]>
      </category>
      <category>
        <![CDATA[Spoken Word]]>
      </category>
      <itunes:author>Classic Album Sundays</itunes:author>
      <itunes:summary>
        <![CDATA[Recorded between 1999 and 2000 at Electric Lady Studios in New York and released by Motown Records, Mama’s Gun incorporates elements of funk, soul, and jazz styles. It has confessional lyrics by Badu, which cover themes of insecurity, personal relationships, and social issues. Critics have also noted that while Baduizm contained its share of cryptic lyricism, Mama’s Gun is much more direct in its approach, and places the artist in a subjective position more than its predecessor. Read more about your favourite albums here: classicalbumsundays.com/]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/360/b5bbdb90-5bd6-419d-8200-e8d2eaefb3f9/images/e90e3db3-c49a-4295-8abf-a1a6f5534a02/Mama_s_Gun.png"/>
      <media:content fileSize="49834362" type="audio/mpeg" url="https://dts.podtrac.com/redirect.mp3/dovetail.prxu.org/360/b5bbdb90-5bd6-419d-8200-e8d2eaefb3f9/Erykah_Badu.mp3"/>
      <content:encoded>
        <![CDATA[<p>Recorded between 1999 and 2000 at Electric Lady Studios in New York and released by Motown Records, Mama’s Gun incorporates elements of funk, soul, and jazz styles. It has confessional lyrics by Badu, which cover themes of insecurity, personal relationships, and social issues. Critics have also noted that while Baduizm contained its share of cryptic lyricism, Mama’s Gun is much more direct in its approach, and places the artist in a subjective position more than its predecessor. Read more about your favourite albums here: classicalbumsundays.com/</p>]]>
      </content:encoded>
    </item>
    <item>
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      <title>Classic Album Sundays Podcast: Manuel Göttsching on ‘E2-E4’</title>
      <pubDate>Sun, 31 Oct 2021 02:00:00 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_360_5d5a8883-5b5d-4e87-80d3-c195a5977c5e&amp;uf=https%3A%2F%2Ffeeds.feedburner.com%2FClassicAlbumSundays</link>
      <description>
        <![CDATA[<p>The former Ash Ra Tempel guitarist Manuel Göttsching joins Colleen ‘Cosmo’ Murphy to discuss the creation of an album that almost wasn’t an album, yet went on to inspire influential dance producers such as Sueno Latino, Carl Craig, Juan Atkins and Derrick May. Read more about your favourite albums here: classicalbumsundays.com</p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/dovetail.prxu.org/360/5d5a8883-5b5d-4e87-80d3-c195a5977c5e/Manuel_Gottshcing_E2_E4_PRX.mp3" type="audio/mpeg" length="118266610"/>
      <itunes:subtitle>‘E2-E4’</itunes:subtitle>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:duration>01:01:35</itunes:duration>
      <author>colleen@classicalbumsundays.com  (Classic Album Sundays)</author>
      <category>
        <![CDATA[1970s]]>
      </category>
      <category>
        <![CDATA[experimental]]>
      </category>
      <category>
        <![CDATA[interview]]>
      </category>
      <category>
        <![CDATA[music history]]>
      </category>
      <category>
        <![CDATA[prog rock]]>
      </category>
      <category>
        <![CDATA[spoken word]]>
      </category>
      <itunes:author>Classic Album Sundays</itunes:author>
      <itunes:summary>
        <![CDATA[The former Ash Ra Tempel guitarist Manuel Göttsching joins Colleen ‘Cosmo’ Murphy to discuss the creation of an album that almost wasn’t an album, yet went on to inspire influential dance producers such as Sueno Latino, Carl Craig, Juan Atkins and Derrick May. Read more about your favourite albums here: classicalbumsundays.com]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/360/5d5a8883-5b5d-4e87-80d3-c195a5977c5e/images/17ea6c9f-e31f-4678-a202-3144c4d8f4c1/E2_E4.png"/>
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      <content:encoded>
        <![CDATA[<p>The former Ash Ra Tempel guitarist Manuel Göttsching joins Colleen ‘Cosmo’ Murphy to discuss the creation of an album that almost wasn’t an album, yet went on to inspire influential dance producers such as Sueno Latino, Carl Craig, Juan Atkins and Derrick May. Read more about your favourite albums here: classicalbumsundays.com</p>]]>
      </content:encoded>
    </item>
    <item>
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      <title>Classic Album Sundays: The Kooks on ‘Inside In/Inside Out’</title>
      <pubDate>Sun, 24 Oct 2021 01:00:00 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_360_9925c0bd-00a6-4442-a1c8-722868035449&amp;uf=https%3A%2F%2Ffeeds.feedburner.com%2FClassicAlbumSundays</link>
      <description>
        <![CDATA[<p>The Kooks’ Luke Prichard and Hugh Harris join Classic Album Sundays’ Tina Edwards to celebrate 15 years of their debut album ‘Inside In/Inside Out’. Read more about your favourite albums here: classicalbumsundays.com</p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/dovetail.prxu.org/360/9925c0bd-00a6-4442-a1c8-722868035449/The_Kooks_PRX.mp3" type="audio/mpeg" length="91251400"/>
      <itunes:subtitle>‘Inside In/Inside Out’</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:duration>47:31</itunes:duration>
      <author>colleen@classicalbumsundays.com  (Classic Album Sundays)</author>
      <category>
        <![CDATA[2000s]]>
      </category>
      <category>
        <![CDATA[indie]]>
      </category>
      <category>
        <![CDATA[music history]]>
      </category>
      <category>
        <![CDATA[music interview]]>
      </category>
      <category>
        <![CDATA[podcast]]>
      </category>
      <category>
        <![CDATA[rock]]>
      </category>
      <itunes:author>Classic Album Sundays</itunes:author>
      <itunes:summary>
        <![CDATA[The Kooks’ Luke Prichard and Hugh Harris join Classic Album Sundays’ Tina Edwards to celebrate 15 years of their debut album ‘Inside In/Inside Out’. Read more about your favourite albums here: classicalbumsundays.com]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/360/9925c0bd-00a6-4442-a1c8-722868035449/images/6a7511ff-45d9-49ae-bb47-1b3f7781bd8b/The_Kooks_thumb.png"/>
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      <content:encoded>
        <![CDATA[<p>The Kooks’ Luke Prichard and Hugh Harris join Classic Album Sundays’ Tina Edwards to celebrate 15 years of their debut album ‘Inside In/Inside Out’. Read more about your favourite albums here: classicalbumsundays.com</p>]]>
      </content:encoded>
    </item>
    <item>
      <guid isPermaLink="false">prx_360_a2c08f11-9a5d-4c6c-93e8-65fc3dd8340b</guid>
      <title>Classic Album Sundays Podcast: Gary Crosby OBE on Charles Mingus ‘The Black Saint and The Sinner Lady’</title>
      <pubDate>Sun, 17 Oct 2021 01:00:00 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_360_a2c08f11-9a5d-4c6c-93e8-65fc3dd8340b&amp;uf=https%3A%2F%2Ffeeds.feedburner.com%2FClassicAlbumSundays</link>
      <description>
        <![CDATA[<p>Celebrated jazz musician Gary Crosby OBE was a founding member of the group Jazz Warriors in the 80s and was awarded an OBE in 2009 for Services to Music, and in 2018 became the first jazz musician to be awarded the Queen’s Medal for Music. Here, he digs deep into one of the albums that influenced his career the most, Charles Mingus’ <em>The Black Saint and The Sinner Lady.</em> Read more about your favourite albums here: classicalbumsundays.com</p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/dovetail.prxu.org/360/a2c08f11-9a5d-4c6c-93e8-65fc3dd8340b/Gary_Crosy_PRX.mp3" type="audio/mpeg" length="89977461"/>
      <itunes:subtitle>‘The Black Saint and The Sinner Lady’</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:duration>46:51</itunes:duration>
      <author>colleen@classicalbumsundays.com  (Classic Album Sundays)</author>
      <category>
        <![CDATA[1960s]]>
      </category>
      <category>
        <![CDATA[Charles Mingus]]>
      </category>
      <category>
        <![CDATA[Interview]]>
      </category>
      <category>
        <![CDATA[Jazz]]>
      </category>
      <category>
        <![CDATA[Music History]]>
      </category>
      <category>
        <![CDATA[Podcast]]>
      </category>
      <category>
        <![CDATA[Spoken Word]]>
      </category>
      <itunes:author>Classic Album Sundays</itunes:author>
      <itunes:summary>
        <![CDATA[Celebrated jazz musician Gary Crosby OBE was a founding member of the group Jazz Warriors in the 80s and was awarded an OBE in 2009 for Services to Music, and in 2018 became the first jazz musician to be awarded the Queen’s Medal for Music. Here, he digs deep into one of the albums that influenced his career the most, Charles Mingus’ The Black Saint and The Sinner Lady. Read more about your favourite albums here: classicalbumsundays.com]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/360/a2c08f11-9a5d-4c6c-93e8-65fc3dd8340b/images/f8e00ae3-3fb1-4734-b4af-c3358f1297ee/Gary_Crosby_Thumb.png"/>
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      <content:encoded>
        <![CDATA[<p>Celebrated jazz musician Gary Crosby OBE was a founding member of the group Jazz Warriors in the 80s and was awarded an OBE in 2009 for Services to Music, and in 2018 became the first jazz musician to be awarded the Queen’s Medal for Music. Here, he digs deep into one of the albums that influenced his career the most, Charles Mingus’ <em>The Black Saint and The Sinner Lady.</em> Read more about your favourite albums here: classicalbumsundays.com</p>]]>
      </content:encoded>
    </item>
    <item>
      <guid isPermaLink="false">prx_360_45e37918-7551-49c9-91ef-6bb4f8fa0955</guid>
      <title>Classic Album Sundays Podcast: Grace Jones ‘Slave to the Rhythm’</title>
      <pubDate>Sun, 10 Oct 2021 01:00:00 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_360_45e37918-7551-49c9-91ef-6bb4f8fa0955&amp;uf=https%3A%2F%2Ffeeds.feedburner.com%2FClassicAlbumSundays</link>
      <description>
        <![CDATA[<p><em>Slave to the Rhythm</em> is an audio biography of Grace Jones produced by Trevor Horn, it’s a sonic treat along the lines of Yes’s <em>90125</em> or Frankie Goes to Hollywood’s first album. The music ranges from slick R&amp;B runaway grooves to striking audio montages, interrupted occasionally by conversation about Jones’s life. Serious ear candy. Read more about your favourite albums here: classicalbumsundays.com</p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/dovetail.prxu.org/360/45e37918-7551-49c9-91ef-6bb4f8fa0955/Grace_Jones_PRX.mp3" type="audio/mpeg" length="37268628"/>
      <itunes:subtitle>‘Slave to the Rhythm’</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:duration>19:24</itunes:duration>
      <author>colleen@classicalbumsundays.com  (Classic Album Sundays)</author>
      <category>
        <![CDATA[1970s]]>
      </category>
      <category>
        <![CDATA[Disco]]>
      </category>
      <category>
        <![CDATA[Grace Jones]]>
      </category>
      <category>
        <![CDATA[Interview]]>
      </category>
      <category>
        <![CDATA[Music History]]>
      </category>
      <category>
        <![CDATA[Podcast]]>
      </category>
      <category>
        <![CDATA[Trevor Horn]]>
      </category>
      <itunes:author>Classic Album Sundays</itunes:author>
      <itunes:summary>
        <![CDATA[Slave to the Rhythm is an audio biography of Grace Jones produced by Trevor Horn, it’s a sonic treat along the lines of Yes’s 90125 or Frankie Goes to Hollywood’s first album. The music ranges from slick R&amp;B runaway grooves to striking audio montages, interrupted occasionally by conversation about Jones’s life. Serious ear candy. Read more about your favourite albums here: classicalbumsundays.com]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/360/45e37918-7551-49c9-91ef-6bb4f8fa0955/images/e3e829be-f8b2-4f2f-a32e-a940603595ad/Grace_Jones.png"/>
      <media:content fileSize="37268628" type="audio/mpeg" url="https://dts.podtrac.com/redirect.mp3/dovetail.prxu.org/360/45e37918-7551-49c9-91ef-6bb4f8fa0955/Grace_Jones_PRX.mp3"/>
      <content:encoded>
        <![CDATA[<p><em>Slave to the Rhythm</em> is an audio biography of Grace Jones produced by Trevor Horn, it’s a sonic treat along the lines of Yes’s <em>90125</em> or Frankie Goes to Hollywood’s first album. The music ranges from slick R&amp;B runaway grooves to striking audio montages, interrupted occasionally by conversation about Jones’s life. Serious ear candy. Read more about your favourite albums here: classicalbumsundays.com</p>]]>
      </content:encoded>
    </item>
    <item>
      <guid isPermaLink="false">prx_360_3be9c651-024d-4dd9-a07b-2e276a56e5b1</guid>
      <title>Classic Album Sundays Podcast: Jarvis Cocker on Pulp ‘Different Class’</title>
      <pubDate>Sun, 03 Oct 2021 01:00:00 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_360_3be9c651-024d-4dd9-a07b-2e276a56e5b1&amp;uf=https%3A%2F%2Ffeeds.feedburner.com%2FClassicAlbumSundays</link>
      <description>
        <![CDATA[<p>The John Peel Archive and Classic Album Sundays teamed up to present an immersive album experience that Pulp and Peel fans will forever remember. CAS founder Colleen ‘Cosmo’ Murphy spoke with special guest Jarvis Cocker about John Peel’s influence, Pulp’s Peel sessions and their classic album ‘Different Class’. Read more about your favourite albums here: classicalbumsundays.com</p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/dovetail.prxu.org/360/3be9c651-024d-4dd9-a07b-2e276a56e5b1/Jarvis_Cocker_PRX_.mp3" type="audio/mpeg" length="146778950"/>
      <itunes:subtitle>‘Different Class’</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:duration>01:01:09</itunes:duration>
      <author>colleen@classicalbumsundays.com  (Classic Album Sundays)</author>
      <category>
        <![CDATA[90s]]>
      </category>
      <category>
        <![CDATA[Music History]]>
      </category>
      <category>
        <![CDATA[Music Interview]]>
      </category>
      <category>
        <![CDATA[Podcast]]>
      </category>
      <category>
        <![CDATA[Pulp]]>
      </category>
      <itunes:author>Classic Album Sundays</itunes:author>
      <itunes:summary>
        <![CDATA[The John Peel Archive and Classic Album Sundays teamed up to present an immersive album experience that Pulp and Peel fans will forever remember. CAS founder Colleen ‘Cosmo’ Murphy spoke with special guest Jarvis Cocker about John Peel’s influence, Pulp’s Peel sessions and their classic album ‘Different Class’. Read more about your favourite albums here: classicalbumsundays.com]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/360/3be9c651-024d-4dd9-a07b-2e276a56e5b1/images/5fe8d428-164a-44df-b36c-b29b3ab00e90/Thumb.png"/>
      <media:content fileSize="146778950" type="audio/mpeg" url="https://dts.podtrac.com/redirect.mp3/dovetail.prxu.org/360/3be9c651-024d-4dd9-a07b-2e276a56e5b1/Jarvis_Cocker_PRX_.mp3"/>
      <content:encoded>
        <![CDATA[<p>The John Peel Archive and Classic Album Sundays teamed up to present an immersive album experience that Pulp and Peel fans will forever remember. CAS founder Colleen ‘Cosmo’ Murphy spoke with special guest Jarvis Cocker about John Peel’s influence, Pulp’s Peel sessions and their classic album ‘Different Class’. Read more about your favourite albums here: classicalbumsundays.com</p>]]>
      </content:encoded>
    </item>
    <item>
      <guid isPermaLink="false">prx_360_7cbb4f03-288d-45fe-84ce-145090836c3c</guid>
      <title>Classic Album Sundays Podcast: Nubya Garcia on Wayne Shorter ‘The Soothsayer’</title>
      <pubDate>Sun, 26 Sep 2021 01:00:00 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_360_7cbb4f03-288d-45fe-84ce-145090836c3c&amp;uf=https%3A%2F%2Ffeeds.feedburner.com%2FClassicAlbumSundays</link>
      <description>
        <![CDATA[<p>Multi award winning saxophonist and compose Nubya Garcia joins Classic Album Sundays’ Colleen ‘Cosmo’ Murphy for a deep dive into Wayne Shorter ‘The Soothsayer’. Her debut album, ‘SOURCE’, released August 2020 under the iconic label Concord Jazz, has been received with wide critical acclaim. Following her album release, the London-based jazz player debuted on NPR’s Tiny Desk (Home) Concert, coming off the heels of a Pitchfork ‘Best New Music’ honour and a Rolling Stone ‘Album of the Month’ mention. The New York Times described ‘SOURCE’ as “a life’s worth of experiences into an hour-long listen.’ Read more about your favourite albums here: classicalbumsundays.com/</p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/dovetail.prxu.org/360/7cbb4f03-288d-45fe-84ce-145090836c3c/Nubya_Garcia_PRX_mp3.mp3" type="audio/mpeg" length="65965288"/>
      <itunes:subtitle>‘The Soothsayer’</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:duration>45:48</itunes:duration>
      <author>colleen@classicalbumsundays.com  (Classic Album Sundays)</author>
      <category>
        <![CDATA[1960s]]>
      </category>
      <category>
        <![CDATA[Interview]]>
      </category>
      <category>
        <![CDATA[Music interview]]>
      </category>
      <category>
        <![CDATA[Wayne Shorter]]>
      </category>
      <category>
        <![CDATA[jazz]]>
      </category>
      <category>
        <![CDATA[podcast]]>
      </category>
      <category>
        <![CDATA[spoken word]]>
      </category>
      <itunes:author>Classic Album Sundays</itunes:author>
      <itunes:summary>
        <![CDATA[Multi award winning saxophonist and compose Nubya Garcia joins Classic Album Sundays’ Colleen ‘Cosmo’ Murphy for a deep dive into Wayne Shorter ‘The Soothsayer’. Her debut album, ‘SOURCE’, released August 2020 under the iconic label Concord Jazz, has been received with wide critical acclaim. Following her album release, the London-based jazz player debuted on NPR’s Tiny Desk (Home) Concert, coming off the heels of a Pitchfork ‘Best New Music’ honour and a Rolling Stone ‘Album of the Month’ mention. The New York Times described ‘SOURCE’ as “a life’s worth of experiences into an hour-long listen.’ Read more about your favourite albums here: classicalbumsundays.com/]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/360/7cbb4f03-288d-45fe-84ce-145090836c3c/images/41ac7c61-5889-4931-ab3c-c2fdbdfbee01/Indie_Wednesdays_Instagram_Post.png"/>
      <media:content fileSize="65965288" type="audio/mpeg" url="https://dts.podtrac.com/redirect.mp3/dovetail.prxu.org/360/7cbb4f03-288d-45fe-84ce-145090836c3c/Nubya_Garcia_PRX_mp3.mp3"/>
      <content:encoded>
        <![CDATA[<p>Multi award winning saxophonist and compose Nubya Garcia joins Classic Album Sundays’ Colleen ‘Cosmo’ Murphy for a deep dive into Wayne Shorter ‘The Soothsayer’. Her debut album, ‘SOURCE’, released August 2020 under the iconic label Concord Jazz, has been received with wide critical acclaim. Following her album release, the London-based jazz player debuted on NPR’s Tiny Desk (Home) Concert, coming off the heels of a Pitchfork ‘Best New Music’ honour and a Rolling Stone ‘Album of the Month’ mention. The New York Times described ‘SOURCE’ as “a life’s worth of experiences into an hour-long listen.’ Read more about your favourite albums here: classicalbumsundays.com/</p>]]>
      </content:encoded>
    </item>
    <item>
      <guid isPermaLink="false">prx_360_15cd8043-b351-4d3d-84da-bb790a466457</guid>
      <title>Classic Album Sundays Podcast: Kae Tempest on Roots Manuva ‘Brand New Second Hand’</title>
      <pubDate>Sun, 19 Sep 2021 01:00:00 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_360_15cd8043-b351-4d3d-84da-bb790a466457&amp;uf=https%3A%2F%2Ffeeds.feedburner.com%2FClassicAlbumSundays</link>
      <description>
        <![CDATA[<p>Spoken word performer, poet and recording artist Kae Tempest reveals the impact Roots Manuva’s <em>Brand New Second Hand</em> has had on their own work in a compelling interview with Raj Chaudhuri that will inspire viewers to give the album a spin themselves. Read more about your favourite albums here: classicalbumsundays.com/</p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/dovetail.prxu.org/360/15cd8043-b351-4d3d-84da-bb790a466457/Kae_Tempest_PRX_mp3.mp3" type="audio/mpeg" length="76383129"/>
      <itunes:subtitle>‘Brand New Second Hand’</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:duration>53:02</itunes:duration>
      <author>colleen@classicalbumsundays.com  (Classic Album Sundays)</author>
      <category>
        <![CDATA[2000s]]>
      </category>
      <category>
        <![CDATA[grime]]>
      </category>
      <category>
        <![CDATA[hip hop]]>
      </category>
      <category>
        <![CDATA[interview]]>
      </category>
      <category>
        <![CDATA[music history]]>
      </category>
      <category>
        <![CDATA[podcast]]>
      </category>
      <category>
        <![CDATA[rap]]>
      </category>
      <itunes:author>Classic Album Sundays</itunes:author>
      <itunes:summary>
        <![CDATA[Spoken word performer, poet and recording artist Kae Tempest reveals the impact Roots Manuva’s Brand New Second Hand has had on their own work in a compelling interview with Raj Chaudhuri that will inspire viewers to give the album a spin themselves. Read more about your favourite albums here: classicalbumsundays.com/]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/360/15cd8043-b351-4d3d-84da-bb790a466457/images/5b492872-86fd-4b15-9e95-9f2287bbec15/Indie_Wednesdays_Instagram_Post.png"/>
      <media:content fileSize="76383129" type="audio/mpeg" url="https://dts.podtrac.com/redirect.mp3/dovetail.prxu.org/360/15cd8043-b351-4d3d-84da-bb790a466457/Kae_Tempest_PRX_mp3.mp3"/>
      <content:encoded>
        <![CDATA[<p>Spoken word performer, poet and recording artist Kae Tempest reveals the impact Roots Manuva’s <em>Brand New Second Hand</em> has had on their own work in a compelling interview with Raj Chaudhuri that will inspire viewers to give the album a spin themselves. Read more about your favourite albums here: classicalbumsundays.com/</p>]]>
      </content:encoded>
    </item>
    <item>
      <guid isPermaLink="false">prx_360_23b37658-5260-42ef-8d7c-b7323ff48a34</guid>
      <title>Classic Album Sundays Podcast: Nightmares On Wax ‘Smokers Delight’</title>
      <pubDate>Sun, 12 Sep 2021 01:00:00 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_360_23b37658-5260-42ef-8d7c-b7323ff48a34&amp;uf=https%3A%2F%2Ffeeds.feedburner.com%2FClassicAlbumSundays</link>
      <description>
        <![CDATA[<p>Celebrate 25 years of <em>Smokers Delight</em>  with Colleen ‘Cosmo’ Murphy and special guest George Evelyn of Nightmares on Wax. They will discuss his musical roots and the evolution of Nightmares on Wax alongside playing some of the samples Evelyn excavated from some of his most cherished LPs.</p>

<p>Nightmares on Wax’ sophomore LP was a defining moment of ’90s trip hop and downtempo sound along with other heavy-hitters including Massive Attack’s <em>Blue Lines</em>, Portishead’s <em>Dummy</em> and Tricky’s <em>Maxinquaye</em>. The LP fused together a cornucopia of sound: “It was all the things that turned me on: reggae, soul, and through sampling and digging, hip hop was the backbone,” Evelyn said of the samples on <em>Smoker’s Delight</em> in Joe Muggs’ book <em>Bass, Mids, Tops</em>.</p>

<p>Read more about your favourite albums here: classicalbumsundays.com </p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/dovetail.prxu.org/360/23b37658-5260-42ef-8d7c-b7323ff48a34/NOW_Smokers_PRX_mp3.mp3" type="audio/mpeg" length="75966215"/>
      <itunes:subtitle>‘Smokers Delight’</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:duration>52:45</itunes:duration>
      <author>colleen@classicalbumsundays.com  (Classic Album Sundays)</author>
      <category>
        <![CDATA[2000s ]]>
      </category>
      <category>
        <![CDATA[hip hop]]>
      </category>
      <category>
        <![CDATA[interview]]>
      </category>
      <category>
        <![CDATA[music history]]>
      </category>
      <category>
        <![CDATA[podcast]]>
      </category>
      <category>
        <![CDATA[samples]]>
      </category>
      <category>
        <![CDATA[spoken word]]>
      </category>
      <itunes:author>Classic Album Sundays</itunes:author>
      <itunes:summary>
        <![CDATA[Celebrate 25 years of Smokers Delight  with Colleen ‘Cosmo’ Murphy and special guest George Evelyn of Nightmares on Wax. They will discuss his musical roots and the evolution of Nightmares on Wax alongside playing some of the samples Evelyn excavated from some of his most cherished LPs.


Nightmares on Wax’ sophomore LP was a defining moment of ’90s trip hop and downtempo sound along with other heavy-hitters including Massive Attack’s Blue Lines, Portishead’s Dummy and Tricky’s Maxinquaye. The LP fused together a cornucopia of sound: “It was all the things that turned me on: reggae, soul, and through sampling and digging, hip hop was the backbone,” Evelyn said of the samples on Smoker’s Delight in Joe Muggs’ book Bass, Mids, Tops.


Read more about your favourite albums here: classicalbumsundays.com]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/360/23b37658-5260-42ef-8d7c-b7323ff48a34/images/30a8dcd6-230c-44ee-b1ff-e89c866d0834/NOW.png"/>
      <media:content fileSize="75966215" type="audio/mpeg" url="https://dts.podtrac.com/redirect.mp3/dovetail.prxu.org/360/23b37658-5260-42ef-8d7c-b7323ff48a34/NOW_Smokers_PRX_mp3.mp3"/>
      <content:encoded>
        <![CDATA[<p>Celebrate 25 years of <em>Smokers Delight</em>  with Colleen ‘Cosmo’ Murphy and special guest George Evelyn of Nightmares on Wax. They will discuss his musical roots and the evolution of Nightmares on Wax alongside playing some of the samples Evelyn excavated from some of his most cherished LPs.</p>

<p>Nightmares on Wax’ sophomore LP was a defining moment of ’90s trip hop and downtempo sound along with other heavy-hitters including Massive Attack’s <em>Blue Lines</em>, Portishead’s <em>Dummy</em> and Tricky’s <em>Maxinquaye</em>. The LP fused together a cornucopia of sound: “It was all the things that turned me on: reggae, soul, and through sampling and digging, hip hop was the backbone,” Evelyn said of the samples on <em>Smoker’s Delight</em> in Joe Muggs’ book <em>Bass, Mids, Tops</em>.</p>

<p>Read more about your favourite albums here: classicalbumsundays.com </p>]]>
      </content:encoded>
    </item>
    <item>
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      <title>Classic Album Sundays Podcast: Joe Boyd on Fairport Convention ‘Liege &amp; Lief’</title>
      <pubDate>Tue, 07 Sep 2021 10:47:11 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_360_32f9b766-c00f-4b0a-beff-18adb6af203a&amp;uf=https%3A%2F%2Ffeeds.feedburner.com%2FClassicAlbumSundays</link>
      <description>
        <![CDATA[<p>This album was voted as the greatest folk album ever by the listeners of BBC Radio 2 back in 2006, press play and enjoy producer Joe Boyd reliving the making of the album with Colleen at Camp Bestival. Read more about your favourite albums here: classicalbumsundays.com.</p>]]>
      </description>
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      <itunes:subtitle>‘Liege &amp; Lief’</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:duration>49:40</itunes:duration>
      <author>colleen@classicalbumsundays.com  (Classic Album Sundays)</author>
      <category>
        <![CDATA[folk]]>
      </category>
      <category>
        <![CDATA[interview]]>
      </category>
      <category>
        <![CDATA[music]]>
      </category>
      <category>
        <![CDATA[music history]]>
      </category>
      <category>
        <![CDATA[spoken word]]>
      </category>
      <itunes:author>Classic Album Sundays</itunes:author>
      <itunes:summary>
        <![CDATA[This album was voted as the greatest folk album ever by the listeners of BBC Radio 2 back in 2006, press play and enjoy producer Joe Boyd reliving the making of the album with Colleen at Camp Bestival. Read more about your favourite albums here: classicalbumsundays.com.]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/360/32f9b766-c00f-4b0a-beff-18adb6af203a/images/e8398a94-6e7b-49f1-ad72-091cab3c11d3/L_L.png"/>
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      <content:encoded>
        <![CDATA[<p>This album was voted as the greatest folk album ever by the listeners of BBC Radio 2 back in 2006, press play and enjoy producer Joe Boyd reliving the making of the album with Colleen at Camp Bestival. Read more about your favourite albums here: classicalbumsundays.com.</p>]]>
      </content:encoded>
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    <item>
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      <title>Classic Album Sundays Podcast: Emma-Jean Thackray on The Beach Boys ‘Pet Sounds’</title>
      <pubDate>Sun, 29 Aug 2021 01:00:00 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_360_047fb439-c713-4586-86e5-4411b2e01351&amp;uf=https%3A%2F%2Ffeeds.feedburner.com%2FClassicAlbumSundays</link>
      <description>
        <![CDATA[<p>Yorkshire-raised, London-based jazz musician Emma-Jean Thackray joins Classic Album Sunday’s Tina Edwards as part of our ‘My Classic Album’ series for a look back at The Beach Boys ‘Pet Sounds’. Read more about your favourite albums here: <a href="https://classicalbumsundays.com/" rel="nofollow" target="_blank">https://classicalbumsundays.com/</a></p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/dovetail.prxu.org/360/047fb439-c713-4586-86e5-4411b2e01351/EJT_Pet_Sounds_PRX.mp3" type="audio/mpeg" length="76505800"/>
      <itunes:subtitle>‘Pet Sounds’</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:duration>39:50</itunes:duration>
      <author>colleen@classicalbumsundays.com  (Classic Album Sundays)</author>
      <category>
        <![CDATA[1960s]]>
      </category>
      <category>
        <![CDATA[jazz]]>
      </category>
      <category>
        <![CDATA[music]]>
      </category>
      <category>
        <![CDATA[music history]]>
      </category>
      <category>
        <![CDATA[music interview]]>
      </category>
      <itunes:author>Classic Album Sundays</itunes:author>
      <itunes:summary>
        <![CDATA[Yorkshire-raised, London-based jazz musician Emma-Jean Thackray joins Classic Album Sunday’s Tina Edwards as part of our ‘My Classic Album’ series for a look back at The Beach Boys ‘Pet Sounds’. Read more about your favourite albums here: <a href="https://classicalbumsundays.com/" target="_blank">https://classicalbumsundays.com/</a>]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/360/047fb439-c713-4586-86e5-4411b2e01351/images/e9d2d08c-d15e-43a6-97a6-84f3ddcb6540/Indie_Wednesdays_Instagram_Post.png"/>
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      <content:encoded>
        <![CDATA[<p>Yorkshire-raised, London-based jazz musician Emma-Jean Thackray joins Classic Album Sunday’s Tina Edwards as part of our ‘My Classic Album’ series for a look back at The Beach Boys ‘Pet Sounds’. Read more about your favourite albums here: <a href="https://classicalbumsundays.com/" rel="nofollow" target="_blank">https://classicalbumsundays.com/</a></p>]]>
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    <item>
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      <title>Classic Album Sundays Podcast: Steve Mason on PiL’s ‘Metal Box’</title>
      <pubDate>Sun, 22 Aug 2021 01:00:00 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_360_77ee5152-e170-4d81-af85-af7176398d1e&amp;uf=https%3A%2F%2Ffeeds.feedburner.com%2FClassicAlbumSundays</link>
      <description>
        <![CDATA[<p>Classic Album Sundays’ Colleen ‘Cosmo’ Murphy and Steve Mason discuss one of his favourite albums: Public Image Ltd’s second album ‘Metal Box’ at Camp Bestival. Steve even shared a great tip on how to use the ‘Metal Box’ as a tin for making shortbread! Read more about your favourite albums here: <a href="http://www.classicalbumsundays.com" rel="nofollow" target="_blank">www.classicalbumsundays.com</a> </p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/dovetail.prxu.org/360/77ee5152-e170-4d81-af85-af7176398d1e/Steve_Mason_Metal_Box_PRX.mp3" type="audio/mpeg" length="31640390"/>
      <itunes:subtitle>‘Metal Box’</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
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      <itunes:duration>16:28</itunes:duration>
      <author>colleen@classicalbumsundays.com  (Classic Album Sundays)</author>
      <category>
        <![CDATA[1979]]>
      </category>
      <category>
        <![CDATA[dub reggae]]>
      </category>
      <category>
        <![CDATA[interview]]>
      </category>
      <category>
        <![CDATA[music]]>
      </category>
      <category>
        <![CDATA[music history]]>
      </category>
      <category>
        <![CDATA[post punk]]>
      </category>
      <category>
        <![CDATA[punk]]>
      </category>
      <category>
        <![CDATA[seventies]]>
      </category>
      <category>
        <![CDATA[spoken word]]>
      </category>
      <itunes:author>Classic Album Sundays</itunes:author>
      <itunes:summary>
        <![CDATA[Classic Album Sundays’ Colleen ‘Cosmo’ Murphy and Steve Mason discuss one of his favourite albums: Public Image Ltd’s second album ‘Metal Box’ at Camp Bestival. Steve even shared a great tip on how to use the ‘Metal Box’ as a tin for making shortbread! Read more about your favourite albums here: <a href="http://www.classicalbumsundays.com" target="_blank">www.classicalbumsundays.com</a>]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/360/77ee5152-e170-4d81-af85-af7176398d1e/images/589c1c77-946e-4315-a130-4f359a606d3d/Indie_Wednesdays_Instagram_Post.png"/>
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      <content:encoded>
        <![CDATA[<p>Classic Album Sundays’ Colleen ‘Cosmo’ Murphy and Steve Mason discuss one of his favourite albums: Public Image Ltd’s second album ‘Metal Box’ at Camp Bestival. Steve even shared a great tip on how to use the ‘Metal Box’ as a tin for making shortbread! Read more about your favourite albums here: <a href="http://www.classicalbumsundays.com" rel="nofollow" target="_blank">www.classicalbumsundays.com</a> </p>]]>
      </content:encoded>
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    <item>
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      <title>Classic Album Sundays Podcast: The Avalanches 'Since I Left You'</title>
      <pubDate>Sun, 15 Aug 2021 01:00:00 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_360_cd5fcba9-2d7d-4290-9c24-ec2ab1af8e68&amp;uf=https%3A%2F%2Ffeeds.feedburner.com%2FClassicAlbumSundays</link>
      <description>
        <![CDATA[<p>Consider for a moment the unnerving prospect of creating a follow-up to one of the most passionately celebrated debut albums of the 21st century. This was the daunting task facing Australian band The Avalanches in the wake of their thrilling and technically fascinating masterpiece released to near universal acclaim in November 2000. Hear the full story behind the album in our latest podcast. Read more about your favourite albums here: <a href="https://classicalbumsundays.com/" rel="nofollow" target="_blank">https://classicalbumsundays.com/</a></p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/dovetail.prxu.org/360/cd5fcba9-2d7d-4290-9c24-ec2ab1af8e68/The_Avalanches_PRX.mp3" type="audio/mpeg" length="32307453"/>
      <itunes:subtitle>'Since I Left You'</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:duration>16:49</itunes:duration>
      <author>colleen@classicalbumsundays.com  (Classic Album Sundays)</author>
      <category>
        <![CDATA[2000s]]>
      </category>
      <category>
        <![CDATA[Interview]]>
      </category>
      <category>
        <![CDATA[Music History]]>
      </category>
      <category>
        <![CDATA[Sampling]]>
      </category>
      <category>
        <![CDATA[Spoken Word]]>
      </category>
      <itunes:author>Classic Album Sundays</itunes:author>
      <itunes:summary>
        <![CDATA[Consider for a moment the unnerving prospect of creating a follow-up to one of the most passionately celebrated debut albums of the 21st century. This was the daunting task facing Australian band The Avalanches in the wake of their thrilling and technically fascinating masterpiece released to near universal acclaim in November 2000. Hear the full story behind the album in our latest podcast. Read more about your favourite albums here: <a href="https://classicalbumsundays.com/" target="_blank">https://classicalbumsundays.com/</a>]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/360/cd5fcba9-2d7d-4290-9c24-ec2ab1af8e68/images/f9bea288-8e12-4334-b99e-3483caa7747c/Thumb.png"/>
      <media:content fileSize="32307453" type="audio/mpeg" url="https://dts.podtrac.com/redirect.mp3/dovetail.prxu.org/360/cd5fcba9-2d7d-4290-9c24-ec2ab1af8e68/The_Avalanches_PRX.mp3"/>
      <content:encoded>
        <![CDATA[<p>Consider for a moment the unnerving prospect of creating a follow-up to one of the most passionately celebrated debut albums of the 21st century. This was the daunting task facing Australian band The Avalanches in the wake of their thrilling and technically fascinating masterpiece released to near universal acclaim in November 2000. Hear the full story behind the album in our latest podcast. Read more about your favourite albums here: <a href="https://classicalbumsundays.com/" rel="nofollow" target="_blank">https://classicalbumsundays.com/</a></p>]]>
      </content:encoded>
    </item>
    <item>
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      <title>Classic Album Sundays Podcast: KT Tunstall on ‘Eye to the Telescope’</title>
      <pubDate>Sun, 08 Aug 2021 01:00:00 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_360_1c183a1e-1edb-4611-81d5-3c46f0fe3dca&amp;uf=https%3A%2F%2Ffeeds.feedburner.com%2FClassicAlbumSundays</link>
      <description>
        <![CDATA[<p>KT Tunstall’s debut album was the album that just kept on giving. It spawned five singles including her biggest hit ‘Suddenly I See’, and was nominated for several awards including a Mercury Prize and two Grammy awards and won her an Ivor Novello. Listen as KT takes a look back at the album that transformed her career and life with Colleen ‘Cosmo’ Murphy at our session at the Royal Albert Hall’s Elgar Room. Read more about your favourite albums here: <a href="https://classicalbumsundays.com/" rel="nofollow" target="_blank">https://classicalbumsundays.com/</a></p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/dovetail.prxu.org/360/1c183a1e-1edb-4611-81d5-3c46f0fe3dca/KT_Tunstall_PRX.mp3" type="audio/mpeg" length="104443864"/>
      <itunes:subtitle>‘Eye to the Telescope’</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:duration>54:23</itunes:duration>
      <author>colleen@classicalbumsundays.com  (Classic Album Sundays)</author>
      <category>
        <![CDATA[2000s]]>
      </category>
      <category>
        <![CDATA[Folk]]>
      </category>
      <category>
        <![CDATA[Guitar]]>
      </category>
      <category>
        <![CDATA[Music History]]>
      </category>
      <category>
        <![CDATA[Music interview]]>
      </category>
      <category>
        <![CDATA[Rock]]>
      </category>
      <itunes:author>Classic Album Sundays</itunes:author>
      <itunes:summary>
        <![CDATA[KT Tunstall’s debut album was the album that just kept on giving. It spawned five singles including her biggest hit ‘Suddenly I See’, and was nominated for several awards including a Mercury Prize and two Grammy awards and won her an Ivor Novello. Listen as KT takes a look back at the album that transformed her career and life with Colleen ‘Cosmo’ Murphy at our session at the Royal Albert Hall’s Elgar Room. Read more about your favourite albums here: <a href="https://classicalbumsundays.com/" target="_blank">https://classicalbumsundays.com/</a>]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/360/1c183a1e-1edb-4611-81d5-3c46f0fe3dca/images/866058a5-7f0a-4f66-985b-47688bb24a0e/Thumb.png"/>
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      <content:encoded>
        <![CDATA[<p>KT Tunstall’s debut album was the album that just kept on giving. It spawned five singles including her biggest hit ‘Suddenly I See’, and was nominated for several awards including a Mercury Prize and two Grammy awards and won her an Ivor Novello. Listen as KT takes a look back at the album that transformed her career and life with Colleen ‘Cosmo’ Murphy at our session at the Royal Albert Hall’s Elgar Room. Read more about your favourite albums here: <a href="https://classicalbumsundays.com/" rel="nofollow" target="_blank">https://classicalbumsundays.com/</a></p>]]>
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      <title>Classic Album Sundays: Moses Boyd on Miles Davis ‘Nefertiti’</title>
      <pubDate>Sun, 01 Aug 2021 01:00:00 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_360_94984ca7-2b98-4ecc-8d92-4a1d1c12c531&amp;uf=https%3A%2F%2Ffeeds.feedburner.com%2FClassicAlbumSundays</link>
      <description>
        <![CDATA[<p>Mercury Prize nominated Moses Boyd joins Classic Album Sundays’ Raj Chaudhuri to discuss one of the albums that has influenced his career, Miles Davis’ Nefertiti’. Read more about your favourite albums here: <a href="https://classicalbumsundays.com/" rel="nofollow" target="_blank">https://classicalbumsundays.com/</a></p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/dovetail.prxu.org/360/94984ca7-2b98-4ecc-8d92-4a1d1c12c531/Moses_Boyd_on_Miles_Davis_PRX.mp3" type="audio/mpeg" length="82271129"/>
      <itunes:subtitle>‘Nefertiti’</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:duration>42:50</itunes:duration>
      <author>colleen@classicalbumsundays.com  (Classic Album Sundays)</author>
      <category>
        <![CDATA[1970s]]>
      </category>
      <category>
        <![CDATA[Jazz]]>
      </category>
      <category>
        <![CDATA[Miles Davis]]>
      </category>
      <category>
        <![CDATA[Spoken Word]]>
      </category>
      <category>
        <![CDATA[adfree]]>
      </category>
      <category>
        <![CDATA[interview]]>
      </category>
      <category>
        <![CDATA[music history]]>
      </category>
      <itunes:author>Classic Album Sundays</itunes:author>
      <itunes:summary>
        <![CDATA[Mercury Prize nominated Moses Boyd joins Classic Album Sundays’ Raj Chaudhuri to discuss one of the albums that has influenced his career, Miles Davis’ Nefertiti’. Read more about your favourite albums here: <a href="https://classicalbumsundays.com/" target="_blank">https://classicalbumsundays.com/</a>]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/360/94984ca7-2b98-4ecc-8d92-4a1d1c12c531/images/f2ef9c09-e940-4175-94cb-2aa81f94bfb2/Thumb.png"/>
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      <content:encoded>
        <![CDATA[<p>Mercury Prize nominated Moses Boyd joins Classic Album Sundays’ Raj Chaudhuri to discuss one of the albums that has influenced his career, Miles Davis’ Nefertiti’. Read more about your favourite albums here: <a href="https://classicalbumsundays.com/" rel="nofollow" target="_blank">https://classicalbumsundays.com/</a></p>]]>
      </content:encoded>
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      <title>Classic Album Sundays Podcast: The Wailers’ ‘Burnin’ with Don Letts</title>
      <pubDate>Sun, 25 Jul 2021 01:00:00 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_360_f1f29e30-0f8b-4000-abd1-e6eb0d3f7623&amp;uf=https%3A%2F%2Ffeeds.feedburner.com%2FClassicAlbumSundays</link>
      <description>
        <![CDATA[<p>Our latest Classic Album Sundays Podcast focuses on The Wailers, <em>Burnin’</em>, featuring guest British film director, DJ and musician Don Letts.</p>

<p>Tune in to hear Don’s memories of meeting Bob and helping introduce him to the punk sounds of London in the late seventies.</p>

<p>Rea more about your favourite albums here: <a href="https://classicalbumsundays.com/" rel="nofollow" target="_blank">https://classicalbumsundays.com/</a></p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/dovetail.prxu.org/360/f1f29e30-0f8b-4000-abd1-e6eb0d3f7623/Don_Letts_Bob_Marley_Burnin_PRX.mp3" type="audio/mpeg" length="88754512"/>
      <itunes:subtitle>'Burnin'</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:duration>46:13</itunes:duration>
      <author>colleen@classicalbumsundays.com  (Classic Album Sundays)</author>
      <category>
        <![CDATA[1970s ]]>
      </category>
      <category>
        <![CDATA[interview]]>
      </category>
      <category>
        <![CDATA[music]]>
      </category>
      <category>
        <![CDATA[music history]]>
      </category>
      <category>
        <![CDATA[reggae]]>
      </category>
      <itunes:author>Classic Album Sundays</itunes:author>
      <itunes:summary>
        <![CDATA[Our latest Classic Album Sundays Podcast focuses on The Wailers, Burnin’, featuring guest British film director, DJ and musician Don Letts.


Tune in to hear Don’s memories of meeting Bob and helping introduce him to the punk sounds of London in the late seventies.


Rea more about your favourite albums here: <a href="https://classicalbumsundays.com/" target="_blank">https://classicalbumsundays.com/</a>]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/360/f1f29e30-0f8b-4000-abd1-e6eb0d3f7623/images/550821aa-6db4-424a-97d4-3888baef0433/Don_Letts_Thumb.png"/>
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      <content:encoded>
        <![CDATA[<p>Our latest Classic Album Sundays Podcast focuses on The Wailers, <em>Burnin’</em>, featuring guest British film director, DJ and musician Don Letts.</p>

<p>Tune in to hear Don’s memories of meeting Bob and helping introduce him to the punk sounds of London in the late seventies.</p>

<p>Rea more about your favourite albums here: <a href="https://classicalbumsundays.com/" rel="nofollow" target="_blank">https://classicalbumsundays.com/</a></p>]]>
      </content:encoded>
    </item>
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      <title>CAS Worldwide: Roy Ayers 'Everybody Loves the Sunshine'</title>
      <pubDate>Sun, 18 Jul 2021 01:00:00 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_360_9e6cef3b-1fa2-4a15-b364-a2e762ee14e0&amp;uf=https%3A%2F%2Ffeeds.feedburner.com%2FClassicAlbumSundays</link>
      <description>
        <![CDATA[<p>“It was while recording at Jimi Hendrix’s Electric Lady Studios in New York City on a beautifully hot and sunny day that Roy Ayers would stumble upon the song that arguably defines his career. As the phrase “everybody loves the sunshine” lodged itself in his mind he began to explore and construct vibrant imagery, picturing “bees and things and flowers” as they floated across his mind. As the lyrics spontaneously and joyfully came into focus the musician knew exactly how he wanted the song to sound, envisaging a kaleidoscopic mix of piano, vibraphone, and synthesiser that would evoke the psychedelic pleasures of peak summertime. The result was a song that remains one of the archetypal summer anthems.</p>

<p><em>Everybody Loves The Sunshine</em> deserves its spot at the very top of his achievements and is a testament to his easy-going innovations. Four decades later we can still feel its heat.”</p>

<p>Read more about your favourite albums here: <a href="https://classicalbumsundays.com/" rel="nofollow" target="_blank">https://classicalbumsundays.com/</a></p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/dovetail.prxu.org/360/9e6cef3b-1fa2-4a15-b364-a2e762ee14e0/Roy_Ayers_PRX.mp3" type="audio/mpeg" length="39049134"/>
      <itunes:subtitle>'Everybody Loves the Sunshine'</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:duration>20:20</itunes:duration>
      <author>colleen@classicalbumsundays.com  (Classic Album Sundays)</author>
      <category>
        <![CDATA[1970s]]>
      </category>
      <category>
        <![CDATA[Interview]]>
      </category>
      <category>
        <![CDATA[Jazz]]>
      </category>
      <category>
        <![CDATA[Music History]]>
      </category>
      <category>
        <![CDATA[Podcast]]>
      </category>
      <category>
        <![CDATA[Soul]]>
      </category>
      <itunes:author>Classic Album Sundays</itunes:author>
      <itunes:summary>
        <![CDATA[“It was while recording at Jimi Hendrix’s Electric Lady Studios in New York City on a beautifully hot and sunny day that Roy Ayers would stumble upon the song that arguably defines his career. As the phrase “everybody loves the sunshine” lodged itself in his mind he began to explore and construct vibrant imagery, picturing “bees and things and flowers” as they floated across his mind. As the lyrics spontaneously and joyfully came into focus the musician knew exactly how he wanted the song to sound, envisaging a kaleidoscopic mix of piano, vibraphone, and synthesiser that would evoke the psychedelic pleasures of peak summertime. The result was a song that remains one of the archetypal summer anthems.


Everybody Loves The Sunshine deserves its spot at the very top of his achievements and is a testament to his easy-going innovations. Four decades later we can still feel its heat.”


Read more about your favourite albums here: <a href="https://classicalbumsundays.com/" target="_blank">https://classicalbumsundays.com/</a>]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/360/9e6cef3b-1fa2-4a15-b364-a2e762ee14e0/images/49225c88-5777-4c2f-a3df-8f50b79b5586/Thumbnail.png"/>
      <media:content fileSize="39049134" type="audio/mpeg" url="https://dts.podtrac.com/redirect.mp3/dovetail.prxu.org/360/9e6cef3b-1fa2-4a15-b364-a2e762ee14e0/Roy_Ayers_PRX.mp3"/>
      <content:encoded>
        <![CDATA[<p>“It was while recording at Jimi Hendrix’s Electric Lady Studios in New York City on a beautifully hot and sunny day that Roy Ayers would stumble upon the song that arguably defines his career. As the phrase “everybody loves the sunshine” lodged itself in his mind he began to explore and construct vibrant imagery, picturing “bees and things and flowers” as they floated across his mind. As the lyrics spontaneously and joyfully came into focus the musician knew exactly how he wanted the song to sound, envisaging a kaleidoscopic mix of piano, vibraphone, and synthesiser that would evoke the psychedelic pleasures of peak summertime. The result was a song that remains one of the archetypal summer anthems.</p>

<p><em>Everybody Loves The Sunshine</em> deserves its spot at the very top of his achievements and is a testament to his easy-going innovations. Four decades later we can still feel its heat.”</p>

<p>Read more about your favourite albums here: <a href="https://classicalbumsundays.com/" rel="nofollow" target="_blank">https://classicalbumsundays.com/</a></p>]]>
      </content:encoded>
    </item>
    <item>
      <guid isPermaLink="false">prx_360_6fcfb936-cd1e-4548-9704-f58f687bdb29</guid>
      <title>My Classic Album: Dave Davies on ‘The Kinks Are the Village Green Preservation Society’ </title>
      <pubDate>Sun, 11 Jul 2021 08:55:35 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_360_6fcfb936-cd1e-4548-9704-f58f687bdb29&amp;uf=https%3A%2F%2Ffeeds.feedburner.com%2FClassicAlbumSundays</link>
      <description>
        <![CDATA[<p>Dave Davies from The Kinks takes a look back to the release of 1968’s <em>The Kinks Are the Village Green Preservation Society</em> at Classic Album Sundays at The John Peel Centre For Creative Arts.</p>

<p>The Kinks are the Village Green Preservation Society wasn’t initially a success upon its release, coming along at a time when Jimi Hendrix’s <em>Electric Ladyland</em>, Led Zeppelin’s debut, and the Rolling Stones’ <em>Beggars Banquet</em> were the flavours of the day.</p>

<p>Although praised by many critics, it was largely overlooked by the public. However, as years passed, it’s following grew until it become regarded as a masterpiece. For many it is now justly considered The Kinks’ most satisfying album: a creative highpoint matched only by the band’s landmark singles of the period.</p>

<p>Read more about your favourite albums here: <a href="https://classicalbumsundays.com/" rel="nofollow" target="_blank">https://classicalbumsundays.com/</a></p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/dovetail.prxu.org/360/6fcfb936-cd1e-4548-9704-f58f687bdb29/The_Kinks_PRX.mp3" type="audio/mpeg" length="87442120"/>
      <itunes:subtitle>‘The Kinks Are the Village Green Preservation Society’ </itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:duration>45:32</itunes:duration>
      <author>colleen@classicalbumsundays.com  (Classic Album Sundays)</author>
      <category>
        <![CDATA[Artist Interview]]>
      </category>
      <category>
        <![CDATA[Music History]]>
      </category>
      <category>
        <![CDATA[Podcast]]>
      </category>
      <category>
        <![CDATA[Rock]]>
      </category>
      <category>
        <![CDATA[Spoken Word]]>
      </category>
      <itunes:author>Classic Album Sundays</itunes:author>
      <itunes:summary>
        <![CDATA[Dave Davies from The Kinks takes a look back to the release of 1968’s The Kinks Are the Village Green Preservation Society at Classic Album Sundays at The John Peel Centre For Creative Arts.


The Kinks are the Village Green Preservation Society wasn’t initially a success upon its release, coming along at a time when Jimi Hendrix’s Electric Ladyland, Led Zeppelin’s debut, and the Rolling Stones’ Beggars Banquet were the flavours of the day.


Although praised by many critics, it was largely overlooked by the public. However, as years passed, it’s following grew until it become regarded as a masterpiece. For many it is now justly considered The Kinks’ most satisfying album: a creative highpoint matched only by the band’s landmark singles of the period.


Read more about your favourite albums here: <a href="https://classicalbumsundays.com/" target="_blank">https://classicalbumsundays.com/</a>]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/360/6fcfb936-cd1e-4548-9704-f58f687bdb29/images/0f606c33-e136-479f-a247-601c90f2fdf4/The_Kinks.png"/>
      <media:content fileSize="87442120" type="audio/mpeg" url="https://dts.podtrac.com/redirect.mp3/dovetail.prxu.org/360/6fcfb936-cd1e-4548-9704-f58f687bdb29/The_Kinks_PRX.mp3"/>
      <content:encoded>
        <![CDATA[<p>Dave Davies from The Kinks takes a look back to the release of 1968’s <em>The Kinks Are the Village Green Preservation Society</em> at Classic Album Sundays at The John Peel Centre For Creative Arts.</p>

<p>The Kinks are the Village Green Preservation Society wasn’t initially a success upon its release, coming along at a time when Jimi Hendrix’s <em>Electric Ladyland</em>, Led Zeppelin’s debut, and the Rolling Stones’ <em>Beggars Banquet</em> were the flavours of the day.</p>

<p>Although praised by many critics, it was largely overlooked by the public. However, as years passed, it’s following grew until it become regarded as a masterpiece. For many it is now justly considered The Kinks’ most satisfying album: a creative highpoint matched only by the band’s landmark singles of the period.</p>

<p>Read more about your favourite albums here: <a href="https://classicalbumsundays.com/" rel="nofollow" target="_blank">https://classicalbumsundays.com/</a></p>]]>
      </content:encoded>
    </item>
    <item>
      <guid isPermaLink="false">prx_360_093bde3b-24e0-442f-bda5-dd8ca51cd120</guid>
      <title>My Classic Album: Ken Scott on David Bowie ‘Hunky Dory’</title>
      <pubDate>Sun, 04 Jul 2021 01:00:00 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_360_093bde3b-24e0-442f-bda5-dd8ca51cd120&amp;uf=https%3A%2F%2Ffeeds.feedburner.com%2FClassicAlbumSundays</link>
      <description>
        <![CDATA[<p>Legendary Trident Studios and Abbey Road engineer and producer Kent Scott joins Colleen ‘Cosmo’ Murphy in the latest instalment of our ‘My Classic Album’ series to discuss David Bowie’s ‘Hunky Dory’ album that Ken co-produced with Bowie. Read more about your favourite albums here: <a href="https://classicalbumsundays.com/" rel="nofollow" target="_blank">https://classicalbumsundays.com/</a></p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/dovetail.prxu.org/360/093bde3b-24e0-442f-bda5-dd8ca51cd120/Ken_Scott_Hunky_Dory_PRX.mp3" type="audio/mpeg" length="99649872"/>
      <itunes:subtitle>‘Hunky Dory’</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:duration>51:54</itunes:duration>
      <author>colleen@classicalbumsundays.com  (Classic Album Sundays)</author>
      <category>
        <![CDATA[1970s]]>
      </category>
      <category>
        <![CDATA[Britain]]>
      </category>
      <category>
        <![CDATA[history]]>
      </category>
      <category>
        <![CDATA[interview]]>
      </category>
      <category>
        <![CDATA[music]]>
      </category>
      <category>
        <![CDATA[music history]]>
      </category>
      <category>
        <![CDATA[spoken word]]>
      </category>
      <itunes:author>Classic Album Sundays</itunes:author>
      <itunes:summary>
        <![CDATA[Legendary Trident Studios and Abbey Road engineer and producer Kent Scott joins Colleen ‘Cosmo’ Murphy in the latest instalment of our ‘My Classic Album’ series to discuss David Bowie’s ‘Hunky Dory’ album that Ken co-produced with Bowie. Read more about your favourite albums here: <a href="https://classicalbumsundays.com/" target="_blank">https://classicalbumsundays.com/</a>]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/360/093bde3b-24e0-442f-bda5-dd8ca51cd120/images/ef650c3e-724d-42e2-85f2-466e24e58050/Ken_Scott_Thumb.png"/>
      <media:content fileSize="99649872" type="audio/mpeg" url="https://dts.podtrac.com/redirect.mp3/dovetail.prxu.org/360/093bde3b-24e0-442f-bda5-dd8ca51cd120/Ken_Scott_Hunky_Dory_PRX.mp3"/>
      <content:encoded>
        <![CDATA[<p>Legendary Trident Studios and Abbey Road engineer and producer Kent Scott joins Colleen ‘Cosmo’ Murphy in the latest instalment of our ‘My Classic Album’ series to discuss David Bowie’s ‘Hunky Dory’ album that Ken co-produced with Bowie. Read more about your favourite albums here: <a href="https://classicalbumsundays.com/" rel="nofollow" target="_blank">https://classicalbumsundays.com/</a></p>]]>
      </content:encoded>
    </item>
    <item>
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      <title>Skin on Etta James &amp; Nina Simone: The Montreux Years</title>
      <pubDate>Sun, 27 Jun 2021 01:00:00 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_360_6d4225f9-3a33-4eb3-a1c2-70c5ebccbe76&amp;uf=https%3A%2F%2Ffeeds.feedburner.com%2FClassicAlbumSundays</link>
      <description>
        <![CDATA[<p>Recent OBE nominee Skin joins Classic Album Sundays founder Colleen ‘Cosmo’ Murphy to discuss the inspirational Nina Simone and Etta James – their lives, legacies, music and their many Montreux Jazz Festival live performances. The podcast begins with a short chat with the CEO of Montreux Jazz Festival, Mathieu Jaton who tells us why these two legends are so important to the legacy of the festival. Read more about your favourite albums here: <a href="https://classicalbumsundays.com/" rel="nofollow" target="_blank">https://classicalbumsundays.com/</a></p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/dovetail.prxu.org/360/6d4225f9-3a33-4eb3-a1c2-70c5ebccbe76/Etta_Nina_PRX.mp3" type="audio/mpeg" length="117613758"/>
      <itunes:subtitle>Etta James &amp; Nina Simone</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:duration>01:01:15</itunes:duration>
      <author>colleen@classicalbumsundays.com  (Classic Album Sundays)</author>
      <category>
        <![CDATA[interview]]>
      </category>
      <category>
        <![CDATA[jazz]]>
      </category>
      <category>
        <![CDATA[music]]>
      </category>
      <category>
        <![CDATA[music history]]>
      </category>
      <category>
        <![CDATA[podcast]]>
      </category>
      <itunes:author>Classic Album Sundays</itunes:author>
      <itunes:summary>
        <![CDATA[Recent OBE nominee Skin joins Classic Album Sundays founder Colleen ‘Cosmo’ Murphy to discuss the inspirational Nina Simone and Etta James – their lives, legacies, music and their many Montreux Jazz Festival live performances. The podcast begins with a short chat with the CEO of Montreux Jazz Festival, Mathieu Jaton who tells us why these two legends are so important to the legacy of the festival. Read more about your favourite albums here: <a href="https://classicalbumsundays.com/" target="_blank">https://classicalbumsundays.com/</a>]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/360/6d4225f9-3a33-4eb3-a1c2-70c5ebccbe76/images/3466e267-e7ef-40ac-8dca-28c8f5bbb3c5/Skin.png"/>
      <media:content fileSize="117613758" type="audio/mpeg" url="https://dts.podtrac.com/redirect.mp3/dovetail.prxu.org/360/6d4225f9-3a33-4eb3-a1c2-70c5ebccbe76/Etta_Nina_PRX.mp3"/>
      <content:encoded>
        <![CDATA[<p>Recent OBE nominee Skin joins Classic Album Sundays founder Colleen ‘Cosmo’ Murphy to discuss the inspirational Nina Simone and Etta James – their lives, legacies, music and their many Montreux Jazz Festival live performances. The podcast begins with a short chat with the CEO of Montreux Jazz Festival, Mathieu Jaton who tells us why these two legends are so important to the legacy of the festival. Read more about your favourite albums here: <a href="https://classicalbumsundays.com/" rel="nofollow" target="_blank">https://classicalbumsundays.com/</a></p>]]>
      </content:encoded>
    </item>
    <item>
      <guid isPermaLink="false">prx_360_0397252e-7f88-4669-a672-a70200ee701a</guid>
      <title>CAS Worldwide: Interpol ‘Turn On The Bright Lights’</title>
      <pubDate>Sun, 20 Jun 2021 01:00:00 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_360_0397252e-7f88-4669-a672-a70200ee701a&amp;uf=https%3A%2F%2Ffeeds.feedburner.com%2FClassicAlbumSundays</link>
      <description>
        <![CDATA[<p>Following the horrific events of September 11th, 2001, New York was a scarred city that was determined to move on and rebuild. Members of Interpol had watched the scene unfold from the rooftops of their buildings and through the surreal spectacle of 24 hour news coverage. A strange atmosphere had taken over the city: unusually high levels of mutual kindness between strangers gave way to a new sense of clarity. Sam Fogarino recalls: “It was weird in the band, too. For a short period of time, it felt like, ‘Let’s just shake hands and move on. We’re not doing a record.’ Everything seemed so trivial.”</p>

<p>The band kicked off the recording process just over a month later, opting for the home studio of producer Peter Katis, far away in Bridgeport, Connecticut: an isolated location, removed from the social and narcotic distractions of New York. <em>Turn On The Bright Lights</em>marked the beginning of a longstanding relationship between Interpol and Katis – an accomplished, Grammy-winning engineer who would also record seven albums with indie-rock darlings, The National.</p>

<p>Read more about your favourite albums here: classicalbumsundays.com</p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/dovetail.prxu.org/360/0397252e-7f88-4669-a672-a70200ee701a/Interpol_PRX.mp3" type="audio/mpeg" length="38666284"/>
      <itunes:subtitle>‘Turn On The Bright Lights’</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:duration>20:08</itunes:duration>
      <author>colleen@classicalbumsundays.com  (Classic Album Sundays)</author>
      <category>
        <![CDATA[indie rock]]>
      </category>
      <category>
        <![CDATA[interview]]>
      </category>
      <category>
        <![CDATA[music history]]>
      </category>
      <category>
        <![CDATA[music interview]]>
      </category>
      <category>
        <![CDATA[podcast]]>
      </category>
      <category>
        <![CDATA[spoken word]]>
      </category>
      <itunes:author>Classic Album Sundays</itunes:author>
      <itunes:summary>
        <![CDATA[Following the horrific events of September 11th, 2001, New York was a scarred city that was determined to move on and rebuild. Members of Interpol had watched the scene unfold from the rooftops of their buildings and through the surreal spectacle of 24 hour news coverage. A strange atmosphere had taken over the city: unusually high levels of mutual kindness between strangers gave way to a new sense of clarity. Sam Fogarino recalls: “It was weird in the band, too. For a short period of time, it felt like, ‘Let’s just shake hands and move on. We’re not doing a record.’ Everything seemed so trivial.”


The band kicked off the recording process just over a month later, opting for the home studio of producer Peter Katis, far away in Bridgeport, Connecticut: an isolated location, removed from the social and narcotic distractions of New York. Turn On The Bright Lightsmarked the beginning of a longstanding relationship between Interpol and Katis – an accomplished, Grammy-winning engineer who would also record seven albums with indie-rock darlings, The National.


Read more about your favourite albums here: classicalbumsundays.com]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/360/0397252e-7f88-4669-a672-a70200ee701a/images/7a74222e-618e-412d-ba36-324b570fabdf/Interpol_Thumb.png"/>
      <media:content fileSize="38666284" type="audio/mpeg" url="https://dts.podtrac.com/redirect.mp3/dovetail.prxu.org/360/0397252e-7f88-4669-a672-a70200ee701a/Interpol_PRX.mp3"/>
      <content:encoded>
        <![CDATA[<p>Following the horrific events of September 11th, 2001, New York was a scarred city that was determined to move on and rebuild. Members of Interpol had watched the scene unfold from the rooftops of their buildings and through the surreal spectacle of 24 hour news coverage. A strange atmosphere had taken over the city: unusually high levels of mutual kindness between strangers gave way to a new sense of clarity. Sam Fogarino recalls: “It was weird in the band, too. For a short period of time, it felt like, ‘Let’s just shake hands and move on. We’re not doing a record.’ Everything seemed so trivial.”</p>

<p>The band kicked off the recording process just over a month later, opting for the home studio of producer Peter Katis, far away in Bridgeport, Connecticut: an isolated location, removed from the social and narcotic distractions of New York. <em>Turn On The Bright Lights</em>marked the beginning of a longstanding relationship between Interpol and Katis – an accomplished, Grammy-winning engineer who would also record seven albums with indie-rock darlings, The National.</p>

<p>Read more about your favourite albums here: classicalbumsundays.com</p>]]>
      </content:encoded>
    </item>
    <item>
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      <title>My Classic Album: Sister Sledge on ‘We Are Family’</title>
      <pubDate>Sun, 13 Jun 2021 01:00:00 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_360_b761cd1b-f1ae-4b96-bb27-ff3624c25034&amp;uf=https%3A%2F%2Ffeeds.feedburner.com%2FClassicAlbumSundays</link>
      <description>
        <![CDATA[<p>Sister Sledge join Colleen ‘Cosmo’ Murphy at Kings Place as part of the ‘Venus Unwrapped’ series to discuss their iconic <em>We Are Family</em> album.</p>

<p><em>We Are Family</em> is one of the most iconic dance albums of all time and is celebrating its 40th anniversary this year. Its title track is an enduring classic that has resounded at key life moments with people from all backgrounds. Debbie Sledge and Kim Sledge join Classic Album Sundays founder/broadcaster Colleen ‘Cosmo’ Murphy to look back to the creation of the album that also includes hits He’s the ‘Greatest Dancer’, ‘Lost in Music’, and ‘Thinking of You’ and to the greater cultural context of disco and it’s legacy. The session will also feature a vinyl replay of the Chic-produced album immersing fans in some of the most joyous sounds of the Seventies. </p>

<p>Read more about your favourite albums here: <a href="https://classicalbumsundays.com/" rel="nofollow" target="_blank">https://classicalbumsundays.com/</a></p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/dovetail.prxu.org/360/b761cd1b-f1ae-4b96-bb27-ff3624c25034/Sister_Sledge_PRX.mp3" type="audio/mpeg" length="117103848"/>
      <itunes:subtitle>‘We Are Family’</itunes:subtitle>
      <itunes:explicit>true</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:duration>01:00:59</itunes:duration>
      <author>colleen@classicalbumsundays.com  (Classic Album Sundays)</author>
      <category>
        <![CDATA[1970s]]>
      </category>
      <category>
        <![CDATA[classicalbum]]>
      </category>
      <category>
        <![CDATA[disco]]>
      </category>
      <category>
        <![CDATA[interview]]>
      </category>
      <category>
        <![CDATA[london]]>
      </category>
      <category>
        <![CDATA[music]]>
      </category>
      <category>
        <![CDATA[music history]]>
      </category>
      <category>
        <![CDATA[podcast]]>
      </category>
      <category>
        <![CDATA[spokenword]]>
      </category>
      <category>
        <![CDATA[vinyl]]>
      </category>
      <itunes:author>Classic Album Sundays</itunes:author>
      <itunes:summary>
        <![CDATA[Sister Sledge join Colleen ‘Cosmo’ Murphy at Kings Place as part of the ‘Venus Unwrapped’ series to discuss their iconic We Are Family album.


We Are Family is one of the most iconic dance albums of all time and is celebrating its 40th anniversary this year. Its title track is an enduring classic that has resounded at key life moments with people from all backgrounds. Debbie Sledge and Kim Sledge join Classic Album Sundays founder/broadcaster Colleen ‘Cosmo’ Murphy to look back to the creation of the album that also includes hits He’s the ‘Greatest Dancer’, ‘Lost in Music’, and ‘Thinking of You’ and to the greater cultural context of disco and it’s legacy. The session will also feature a vinyl replay of the Chic-produced album immersing fans in some of the most joyous sounds of the Seventies.


Read more about your favourite albums here: <a href="https://classicalbumsundays.com/" target="_blank">https://classicalbumsundays.com/</a>]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/360/b761cd1b-f1ae-4b96-bb27-ff3624c25034/images/a79a09d4-c316-4c8e-aa95-bcf72cdb5d5d/Sietr_Sledge.png"/>
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      <content:encoded>
        <![CDATA[<p>Sister Sledge join Colleen ‘Cosmo’ Murphy at Kings Place as part of the ‘Venus Unwrapped’ series to discuss their iconic <em>We Are Family</em> album.</p>

<p><em>We Are Family</em> is one of the most iconic dance albums of all time and is celebrating its 40th anniversary this year. Its title track is an enduring classic that has resounded at key life moments with people from all backgrounds. Debbie Sledge and Kim Sledge join Classic Album Sundays founder/broadcaster Colleen ‘Cosmo’ Murphy to look back to the creation of the album that also includes hits He’s the ‘Greatest Dancer’, ‘Lost in Music’, and ‘Thinking of You’ and to the greater cultural context of disco and it’s legacy. The session will also feature a vinyl replay of the Chic-produced album immersing fans in some of the most joyous sounds of the Seventies. </p>

<p>Read more about your favourite albums here: <a href="https://classicalbumsundays.com/" rel="nofollow" target="_blank">https://classicalbumsundays.com/</a></p>]]>
      </content:encoded>
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      <title>This Woman’s Work: The B-52’s</title>
      <pubDate>Sun, 06 Jun 2021 01:00:00 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_360_e2a93ac3-a33d-41ac-bd55-5032c711e753&amp;uf=https%3A%2F%2Ffeeds.feedburner.com%2FClassicAlbumSundays</link>
      <description>
        <![CDATA[<p>Here’s another edition of This Woman’s Work, a series of stories from Classic Album Sundays where we highlight classic albums by female musicians, women who continue to influence the world of pop culture and inspire others. This time, we’re looking at the debut album of a band that seems to have landed here from some groovy planet. Four decades ago, the B-52s arrived on the Athens, Georgia, party scene with killer guitar riffs, their silly but eerie lyrics, and their sky-high beehive wigs. Read more about your favourite albums here: <a href="https://classicalbumsundays.com/" rel="nofollow" target="_blank">https://classicalbumsundays.com/</a></p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/dovetail.prxu.org/360/e2a93ac3-a33d-41ac-bd55-5032c711e753/The_B_52_s_PRX.mp3" type="audio/mpeg" length="56769768"/>
      <itunes:subtitle>'The B-52’s'</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:duration>29:34</itunes:duration>
      <author>colleen@classicalbumsundays.com  (Classic Album Sundays)</author>
      <category>
        <![CDATA[1970s]]>
      </category>
      <category>
        <![CDATA[NYC]]>
      </category>
      <category>
        <![CDATA[music history]]>
      </category>
      <category>
        <![CDATA[music interview]]>
      </category>
      <category>
        <![CDATA[podcast]]>
      </category>
      <itunes:author>Classic Album Sundays</itunes:author>
      <itunes:summary>
        <![CDATA[Here’s another edition of This Woman’s Work, a series of stories from Classic Album Sundays where we highlight classic albums by female musicians, women who continue to influence the world of pop culture and inspire others. This time, we’re looking at the debut album of a band that seems to have landed here from some groovy planet. Four decades ago, the B-52s arrived on the Athens, Georgia, party scene with killer guitar riffs, their silly but eerie lyrics, and their sky-high beehive wigs. Read more about your favourite albums here: <a href="https://classicalbumsundays.com/" target="_blank">https://classicalbumsundays.com/</a>]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/360/e2a93ac3-a33d-41ac-bd55-5032c711e753/images/9d17af1d-5a56-44d1-b44e-cd73ed3e21e2/The_B_52s.png"/>
      <media:content fileSize="56769768" type="audio/mpeg" url="https://dts.podtrac.com/redirect.mp3/dovetail.prxu.org/360/e2a93ac3-a33d-41ac-bd55-5032c711e753/The_B_52_s_PRX.mp3"/>
      <content:encoded>
        <![CDATA[<p>Here’s another edition of This Woman’s Work, a series of stories from Classic Album Sundays where we highlight classic albums by female musicians, women who continue to influence the world of pop culture and inspire others. This time, we’re looking at the debut album of a band that seems to have landed here from some groovy planet. Four decades ago, the B-52s arrived on the Athens, Georgia, party scene with killer guitar riffs, their silly but eerie lyrics, and their sky-high beehive wigs. Read more about your favourite albums here: <a href="https://classicalbumsundays.com/" rel="nofollow" target="_blank">https://classicalbumsundays.com/</a></p>]]>
      </content:encoded>
    </item>
    <item>
      <guid isPermaLink="false">prx_360_0d903576-4b77-48a7-be27-4b3531fa60db</guid>
      <title>Album Inspirations: John Harris on Radiohead ‘OK Computer’</title>
      <pubDate>Sun, 30 May 2021 01:00:00 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_360_0d903576-4b77-48a7-be27-4b3531fa60db&amp;uf=https%3A%2F%2Ffeeds.feedburner.com%2FClassicAlbumSundays</link>
      <description>
        <![CDATA[<p>Classic Album Sundays presents The Guardian’s John Harris giving us his personal story behind Radiohead’s ‘OK Computer’ at Camp Bestival. Read more about your favourite albums here: <a href="https://classicalbumsundays.com/" rel="nofollow" target="_blank">https://classicalbumsundays.com/</a> </p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/dovetail.prxu.org/360/0d903576-4b77-48a7-be27-4b3531fa60db/Radiohead_PRX_2.mp3" type="audio/mpeg" length="49445451"/>
      <itunes:subtitle>‘OK Computer’</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:duration>25:45</itunes:duration>
      <author>colleen@classicalbumsundays.com  (Classic Album Sundays)</author>
      <category>
        <![CDATA[90s]]>
      </category>
      <category>
        <![CDATA[interview]]>
      </category>
      <category>
        <![CDATA[music history]]>
      </category>
      <category>
        <![CDATA[rock music]]>
      </category>
      <category>
        <![CDATA[spoken word]]>
      </category>
      <itunes:author>Classic Album Sundays</itunes:author>
      <itunes:summary>
        <![CDATA[Classic Album Sundays presents The Guardian’s John Harris giving us his personal story behind Radiohead’s ‘OK Computer’ at Camp Bestival. Read more about your favourite albums here: <a href="https://classicalbumsundays.com/" target="_blank">https://classicalbumsundays.com/</a>]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/360/0d903576-4b77-48a7-be27-4b3531fa60db/images/4f324d52-28d1-498d-beca-c225fbaf617c/Indie_Wednesdays_Instagram_Post.png"/>
      <media:content fileSize="49445451" type="audio/mpeg" url="https://dts.podtrac.com/redirect.mp3/dovetail.prxu.org/360/0d903576-4b77-48a7-be27-4b3531fa60db/Radiohead_PRX_2.mp3"/>
      <content:encoded>
        <![CDATA[<p>Classic Album Sundays presents The Guardian’s John Harris giving us his personal story behind Radiohead’s ‘OK Computer’ at Camp Bestival. Read more about your favourite albums here: <a href="https://classicalbumsundays.com/" rel="nofollow" target="_blank">https://classicalbumsundays.com/</a> </p>]]>
      </content:encoded>
    </item>
    <item>
      <guid isPermaLink="false">prx_360_fefe68d0-6137-4a1e-a81f-3da79c25e627</guid>
      <title>CAS Worldwide: Talking Heads ‘Remain In Light’</title>
      <pubDate>Sun, 23 May 2021 01:00:00 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_360_fefe68d0-6137-4a1e-a81f-3da79c25e627&amp;uf=https%3A%2F%2Ffeeds.feedburner.com%2FClassicAlbumSundays</link>
      <description>
        <![CDATA[<p>This episode of CAS Worldwide looks at Talking Heads <em>Remain In Light</em>. Recorded at Compass Point Studios and produced by Brian Eno the album drew on the influence of artists such as Fela Kuti. The album also pushed to dispel notions of the band as a mere vehicle for frontman and songwriter David Byrne. Read more about your favourite albums here: <a href="https://classicalbumsundays.com/" rel="nofollow" target="_blank">https://classicalbumsundays.com/</a></p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/dovetail.prxu.org/360/fefe68d0-6137-4a1e-a81f-3da79c25e627/Talking_Heads_PRX.mp3" type="audio/mpeg" length="42618506"/>
      <itunes:subtitle>‘Remain In Light’</itunes:subtitle>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:duration>22:11</itunes:duration>
      <author>colleen@classicalbumsundays.com  (Classic Album Sundays)</author>
      <category>
        <![CDATA[1970s]]>
      </category>
      <category>
        <![CDATA[interview]]>
      </category>
      <category>
        <![CDATA[music history]]>
      </category>
      <category>
        <![CDATA[post punk]]>
      </category>
      <category>
        <![CDATA[rock]]>
      </category>
      <category>
        <![CDATA[spoken word]]>
      </category>
      <itunes:author>Classic Album Sundays</itunes:author>
      <itunes:summary>
        <![CDATA[This episode of CAS Worldwide looks at Talking Heads Remain In Light. Recorded at Compass Point Studios and produced by Brian Eno the album drew on the influence of artists such as Fela Kuti. The album also pushed to dispel notions of the band as a mere vehicle for frontman and songwriter David Byrne. Read more about your favourite albums here: <a href="https://classicalbumsundays.com/" target="_blank">https://classicalbumsundays.com/</a>]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/360/fefe68d0-6137-4a1e-a81f-3da79c25e627/images/3f8071b8-77f3-4994-b845-8f3997936bc3/2.png"/>
      <media:content fileSize="42618506" type="audio/mpeg" url="https://dts.podtrac.com/redirect.mp3/dovetail.prxu.org/360/fefe68d0-6137-4a1e-a81f-3da79c25e627/Talking_Heads_PRX.mp3"/>
      <content:encoded>
        <![CDATA[<p>This episode of CAS Worldwide looks at Talking Heads <em>Remain In Light</em>. Recorded at Compass Point Studios and produced by Brian Eno the album drew on the influence of artists such as Fela Kuti. The album also pushed to dispel notions of the band as a mere vehicle for frontman and songwriter David Byrne. Read more about your favourite albums here: <a href="https://classicalbumsundays.com/" rel="nofollow" target="_blank">https://classicalbumsundays.com/</a></p>]]>
      </content:encoded>
    </item>
    <item>
      <guid isPermaLink="false">prx_360_6926b316-3335-452f-96e7-5e0db163bb13</guid>
      <title>My Classic Album: Jazzie B on Soul II Soul ‘Club Classics Vol. One’</title>
      <pubDate>Sun, 16 May 2021 01:00:00 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_360_6926b316-3335-452f-96e7-5e0db163bb13&amp;uf=https%3A%2F%2Ffeeds.feedburner.com%2FClassicAlbumSundays</link>
      <description>
        <![CDATA[<p>We were honoured to be joined by Jazzie B OBE at The British Library to look back on Soul II Soul ‘Club Classics Vol. One’ as part of National Album Day 2019. Jazzie B revolutionised black British music when he founded the band Soul II Soul. Their debut 1989 album became an international phenomenon; its blend of soul, reggae and funk landing perfectly amid the exploding house music culture of that year. The global musical landscape was changed forever. Read more about your favourite albums here <a href="https://classicalbumsundays.com/" rel="nofollow" target="_blank">https://classicalbumsundays.com/</a></p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/dovetail.prxu.org/360/6926b316-3335-452f-96e7-5e0db163bb13/Jazzie_B_PRX.mp3" type="audio/mpeg" length="126666754"/>
      <itunes:subtitle>‘Club Classics Vol. One'</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:duration>52:46</itunes:duration>
      <author>colleen@classicalbumsundays.com  (Classic Album Sundays)</author>
      <category>
        <![CDATA[hip hip]]>
      </category>
      <category>
        <![CDATA[interview]]>
      </category>
      <category>
        <![CDATA[music history]]>
      </category>
      <category>
        <![CDATA[podcast]]>
      </category>
      <category>
        <![CDATA[soul]]>
      </category>
      <category>
        <![CDATA[spoken word]]>
      </category>
      <category>
        <![CDATA[uk music]]>
      </category>
      <itunes:author>Classic Album Sundays</itunes:author>
      <itunes:summary>
        <![CDATA[We were honoured to be joined by Jazzie B OBE at The British Library to look back on Soul II Soul ‘Club Classics Vol. One’ as part of National Album Day 2019. Jazzie B revolutionised black British music when he founded the band Soul II Soul. Their debut 1989 album became an international phenomenon; its blend of soul, reggae and funk landing perfectly amid the exploding house music culture of that year. The global musical landscape was changed forever. Read more about your favourite albums here <a href="https://classicalbumsundays.com/" target="_blank">https://classicalbumsundays.com/</a>]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/360/6926b316-3335-452f-96e7-5e0db163bb13/images/1d310922-729c-4083-9ca6-cfaaf2e893b7/Jazzie_B.png"/>
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      <content:encoded>
        <![CDATA[<p>We were honoured to be joined by Jazzie B OBE at The British Library to look back on Soul II Soul ‘Club Classics Vol. One’ as part of National Album Day 2019. Jazzie B revolutionised black British music when he founded the band Soul II Soul. Their debut 1989 album became an international phenomenon; its blend of soul, reggae and funk landing perfectly amid the exploding house music culture of that year. The global musical landscape was changed forever. Read more about your favourite albums here <a href="https://classicalbumsundays.com/" rel="nofollow" target="_blank">https://classicalbumsundays.com/</a></p>]]>
      </content:encoded>
    </item>
    <item>
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      <title>This Woman’s Work: The Patti Smith Group 'Horses'</title>
      <pubDate>Sun, 09 May 2021 07:35:02 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_360_c1cd5a34-dfb2-4dd0-b0e0-5ecead9d10ab&amp;uf=https%3A%2F%2Ffeeds.feedburner.com%2FClassicAlbumSundays</link>
      <description>
        <![CDATA[<p>From what is arguably one of the most arresting opening lines on a debut album, to the mournful romanticism of its final track, Patti Smith’s <em>Horses</em> is one of the most significant records in American music history. Just like the gritty downtown New York scene from which it sprang, <em>Horses</em> is marked by a sense of urgency and liberation. In this instalment of “This Woman’s Work,” Classic Album Sundays founder Colleen “Cosmo” Murphy is joined by Lenny Kaye and KT Tunstall to explain how the word freedom defines the album through and through: the social and sexual freedom of the era, the artistic freedom born of a city in crisis, and the freedom of rock ’n’ roll. Read more about your favourite albums here: <a href="https://classicalbumsundays.com/" rel="nofollow" target="_blank">https://classicalbumsundays.com/</a></p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/dovetail.prxu.org/360/c1cd5a34-dfb2-4dd0-b0e0-5ecead9d10ab/Patti_Smith_Horses_PRX.mp3" type="audio/mpeg" length="47156707"/>
      <itunes:subtitle>'Horses'</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:duration>24:33</itunes:duration>
      <author>colleen@classicalbumsundays.com  (Classic Album Sundays)</author>
      <category>
        <![CDATA[1970s]]>
      </category>
      <category>
        <![CDATA[Album]]>
      </category>
      <category>
        <![CDATA[interview]]>
      </category>
      <category>
        <![CDATA[music]]>
      </category>
      <category>
        <![CDATA[music history]]>
      </category>
      <category>
        <![CDATA[podcast]]>
      </category>
      <category>
        <![CDATA[rock]]>
      </category>
      <itunes:author>Classic Album Sundays</itunes:author>
      <itunes:summary>
        <![CDATA[From what is arguably one of the most arresting opening lines on a debut album, to the mournful romanticism of its final track, Patti Smith’s Horses is one of the most significant records in American music history. Just like the gritty downtown New York scene from which it sprang, Horses is marked by a sense of urgency and liberation. In this instalment of “This Woman’s Work,” Classic Album Sundays founder Colleen “Cosmo” Murphy is joined by Lenny Kaye and KT Tunstall to explain how the word freedom defines the album through and through: the social and sexual freedom of the era, the artistic freedom born of a city in crisis, and the freedom of rock ’n’ roll. Read more about your favourite albums here: <a href="https://classicalbumsundays.com/" target="_blank">https://classicalbumsundays.com/</a>]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/360/c1cd5a34-dfb2-4dd0-b0e0-5ecead9d10ab/images/6e8efe73-eb5e-47a3-b9f8-4b18ba728e93/1.png"/>
      <media:content fileSize="47156707" type="audio/mpeg" url="https://dts.podtrac.com/redirect.mp3/dovetail.prxu.org/360/c1cd5a34-dfb2-4dd0-b0e0-5ecead9d10ab/Patti_Smith_Horses_PRX.mp3"/>
      <content:encoded>
        <![CDATA[<p>From what is arguably one of the most arresting opening lines on a debut album, to the mournful romanticism of its final track, Patti Smith’s <em>Horses</em> is one of the most significant records in American music history. Just like the gritty downtown New York scene from which it sprang, <em>Horses</em> is marked by a sense of urgency and liberation. In this instalment of “This Woman’s Work,” Classic Album Sundays founder Colleen “Cosmo” Murphy is joined by Lenny Kaye and KT Tunstall to explain how the word freedom defines the album through and through: the social and sexual freedom of the era, the artistic freedom born of a city in crisis, and the freedom of rock ’n’ roll. Read more about your favourite albums here: <a href="https://classicalbumsundays.com/" rel="nofollow" target="_blank">https://classicalbumsundays.com/</a></p>]]>
      </content:encoded>
    </item>
    <item>
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      <title>Album Inspirations: Gilles Peterson on Sun Ra</title>
      <pubDate>Sat, 01 May 2021 23:06:00 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_360_b0011a88-1c61-4175-bde1-96c63d30d475&amp;uf=https%3A%2F%2Ffeeds.feedburner.com%2FClassicAlbumSundays</link>
      <description>
        <![CDATA[<p>Gilles Peterson speaks with CAS founder Colleen ‘Cosmo’ Murphy about the influence of Sun Ra and why he believes “Sun Ra was the man, the ultimate artist for any vinyl collector”. Sun Ra was a one-off in the annals of jazz. As author Robert L. Campbell describes, “He claimed to be the last of the swing band leaders, yet dosed classic songs with LSD. He wrote poetry about the “coming space age” and claimed to be a citizen of Saturn. He dressed himself and his band in gold- lame and lectured on the Creator’s message to the cruel and deceitful Earthman. He named himself after an Egyptian God. Was this guy for real? Sun Ra was very much for real.” Read more about your favourite albums here: <a href="https://classicalbumsundays.com/" rel="nofollow" target="_blank">https://classicalbumsundays.com/</a></p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/dovetail.prxu.org/360/b0011a88-1c61-4175-bde1-96c63d30d475/Sun_Ra_PRX_2.mp3" type="audio/mpeg" length="71965092"/>
      <itunes:subtitle>Gilles Peterson on Sun Ra</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:duration>37:28</itunes:duration>
      <author>colleen@classicalbumsundays.com  (Classic Album Sundays)</author>
      <category>
        <![CDATA[album]]>
      </category>
      <category>
        <![CDATA[classic album]]>
      </category>
      <category>
        <![CDATA[interview]]>
      </category>
      <category>
        <![CDATA[jazz ]]>
      </category>
      <category>
        <![CDATA[music history]]>
      </category>
      <category>
        <![CDATA[podcast]]>
      </category>
      <category>
        <![CDATA[spoken word]]>
      </category>
      <category>
        <![CDATA[sun ra]]>
      </category>
      <itunes:author>Classic Album Sundays</itunes:author>
      <itunes:summary>
        <![CDATA[Gilles Peterson speaks with CAS founder Colleen ‘Cosmo’ Murphy about the influence of Sun Ra and why he believes “Sun Ra was the man, the ultimate artist for any vinyl collector”. Sun Ra was a one-off in the annals of jazz. As author Robert L. Campbell describes, “He claimed to be the last of the swing band leaders, yet dosed classic songs with LSD. He wrote poetry about the “coming space age” and claimed to be a citizen of Saturn. He dressed himself and his band in gold- lame and lectured on the Creator’s message to the cruel and deceitful Earthman. He named himself after an Egyptian God. Was this guy for real? Sun Ra was very much for real.” Read more about your favourite albums here: <a href="https://classicalbumsundays.com/" target="_blank">https://classicalbumsundays.com/</a>]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/360/b0011a88-1c61-4175-bde1-96c63d30d475/images/acc45605-8a2c-4081-b4cb-96453e569f3d/Gilles_Peterson_Thumb.png"/>
      <media:content fileSize="71965092" type="audio/mpeg" url="https://dts.podtrac.com/redirect.mp3/dovetail.prxu.org/360/b0011a88-1c61-4175-bde1-96c63d30d475/Sun_Ra_PRX_2.mp3"/>
      <content:encoded>
        <![CDATA[<p>Gilles Peterson speaks with CAS founder Colleen ‘Cosmo’ Murphy about the influence of Sun Ra and why he believes “Sun Ra was the man, the ultimate artist for any vinyl collector”. Sun Ra was a one-off in the annals of jazz. As author Robert L. Campbell describes, “He claimed to be the last of the swing band leaders, yet dosed classic songs with LSD. He wrote poetry about the “coming space age” and claimed to be a citizen of Saturn. He dressed himself and his band in gold- lame and lectured on the Creator’s message to the cruel and deceitful Earthman. He named himself after an Egyptian God. Was this guy for real? Sun Ra was very much for real.” Read more about your favourite albums here: <a href="https://classicalbumsundays.com/" rel="nofollow" target="_blank">https://classicalbumsundays.com/</a></p>]]>
      </content:encoded>
    </item>
    <item>
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      <title>CAS Worldwide: Kraftwerk ‘The Man-Machine’</title>
      <pubDate>Sat, 24 Apr 2021 23:06:00 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_360_586facaf-b6be-4b06-9ae5-a6b5fdf1bd2e&amp;uf=https%3A%2F%2Ffeeds.feedburner.com%2FClassicAlbumSundays</link>
      <description>
        <![CDATA[<p>This week’s episode looks at Kraftwerk <em>The Man-Machine</em>. As the title suggests, this album successfully blends the boundaries between human and robot to the point where it’s unclear quite exactly what Kraftwerk are. Read more about your favourite albums here: <a href="https://classicalbumsundays.com/" rel="nofollow" target="_blank">https://classicalbumsundays.com/</a></p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/dovetail.prxu.org/360/586facaf-b6be-4b06-9ae5-a6b5fdf1bd2e/Kraftwerk_3.mp3" type="audio/mpeg" length="45067747"/>
      <itunes:subtitle>‘The Man-Machine’</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:duration>23:28</itunes:duration>
      <author>colleen@classicalbumsundays.com  (Classic Album Sundays)</author>
      <category>
        <![CDATA[electronic music]]>
      </category>
      <category>
        <![CDATA[interview]]>
      </category>
      <category>
        <![CDATA[music]]>
      </category>
      <category>
        <![CDATA[music history]]>
      </category>
      <category>
        <![CDATA[podcast]]>
      </category>
      <category>
        <![CDATA[spoken word]]>
      </category>
      <itunes:author>Classic Album Sundays</itunes:author>
      <itunes:summary>
        <![CDATA[This week’s episode looks at Kraftwerk The Man-Machine. As the title suggests, this album successfully blends the boundaries between human and robot to the point where it’s unclear quite exactly what Kraftwerk are. Read more about your favourite albums here: <a href="https://classicalbumsundays.com/" target="_blank">https://classicalbumsundays.com/</a>]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/360/586facaf-b6be-4b06-9ae5-a6b5fdf1bd2e/images/1563191a-da1e-4da0-9d63-3209ab919c8c/Kraftwerk_Thumb.png"/>
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      <content:encoded>
        <![CDATA[<p>This week’s episode looks at Kraftwerk <em>The Man-Machine</em>. As the title suggests, this album successfully blends the boundaries between human and robot to the point where it’s unclear quite exactly what Kraftwerk are. Read more about your favourite albums here: <a href="https://classicalbumsundays.com/" rel="nofollow" target="_blank">https://classicalbumsundays.com/</a></p>]]>
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    <item>
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      <title>My Classic Album: Orbital ‘In Sides’</title>
      <pubDate>Mon, 19 Apr 2021 12:59:51 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_360_075ad21d-6106-4c03-be3a-3500058ee183&amp;uf=https%3A%2F%2Ffeeds.feedburner.com%2FClassicAlbumSundays</link>
      <description>
        <![CDATA[<p>Electronic music pioneers Orbital joined us as part of our celebrations for National Album Day 2018 to look back their iconic fourth album <em>In Sides</em>. Orbital were interviewed by Classic Album Sundays founder and BBC 6music host Colleen ‘Cosmo’ Murphy on the making of the album and its lasting legacy. Read more about your favourite albums here: classicalbumsundays.com</p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/dovetail.prxu.org/360/075ad21d-6106-4c03-be3a-3500058ee183/Orbital_PRX.mp3" type="audio/mpeg" length="103592063"/>
      <itunes:subtitle>‘In Sides’</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:duration>53:57</itunes:duration>
      <author>colleen@classicalbumsundays.com  (Classic Album Sundays)</author>
      <category>
        <![CDATA[classic album]]>
      </category>
      <category>
        <![CDATA[dance music]]>
      </category>
      <category>
        <![CDATA[interview]]>
      </category>
      <category>
        <![CDATA[music]]>
      </category>
      <category>
        <![CDATA[orbital]]>
      </category>
      <category>
        <![CDATA[podcast]]>
      </category>
      <category>
        <![CDATA[spoken word]]>
      </category>
      <itunes:author>Classic Album Sundays</itunes:author>
      <itunes:summary>
        <![CDATA[Electronic music pioneers Orbital joined us as part of our celebrations for National Album Day 2018 to look back their iconic fourth album In Sides. Orbital were interviewed by Classic Album Sundays founder and BBC 6music host Colleen ‘Cosmo’ Murphy on the making of the album and its lasting legacy. Read more about your favourite albums here: classicalbumsundays.com]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/360/075ad21d-6106-4c03-be3a-3500058ee183/images/c88a8942-4dd1-4baf-80b8-f7bd1b01dac9/Orbital.png"/>
      <media:content fileSize="103592063" type="audio/mpeg" url="https://dts.podtrac.com/redirect.mp3/dovetail.prxu.org/360/075ad21d-6106-4c03-be3a-3500058ee183/Orbital_PRX.mp3"/>
      <content:encoded>
        <![CDATA[<p>Electronic music pioneers Orbital joined us as part of our celebrations for National Album Day 2018 to look back their iconic fourth album <em>In Sides</em>. Orbital were interviewed by Classic Album Sundays founder and BBC 6music host Colleen ‘Cosmo’ Murphy on the making of the album and its lasting legacy. Read more about your favourite albums here: classicalbumsundays.com</p>]]>
      </content:encoded>
    </item>
    <item>
      <guid isPermaLink="false">prx_360_052d58da-818e-4822-b6d0-8761c4bbd34a</guid>
      <title>This Woman’s Work: 'Black Gold' by Nina Simone</title>
      <pubDate>Sun, 11 Apr 2021 17:00:00 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_360_052d58da-818e-4822-b6d0-8761c4bbd34a&amp;uf=https%3A%2F%2Ffeeds.feedburner.com%2FClassicAlbumSundays</link>
      <description>
        <![CDATA[<p>This Woman’s Work is a series highlighting classic albums by female artists who have made a lasting impact on music and pop culture. This time: the Grammy nominated live album, "Black Gold," by singer and pianist Nina Simone. It was recorded in front of a packed audience at Philharmonic Hall in New York City on October 26, 1969 and released in 1970.</p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/dovetail.prxu.org/360/052d58da-818e-4822-b6d0-8761c4bbd34a/Nina_Simone_PRX.mp3" type="audio/mpeg" length="69453993"/>
      <itunes:subtitle>'Black Gold'</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:duration>36:10</itunes:duration>
      <author>colleen@classicalbumsundays.com  (Classic Album Sundays)</author>
      <category>
        <![CDATA[1970s]]>
      </category>
      <category>
        <![CDATA[interview]]>
      </category>
      <category>
        <![CDATA[jazz]]>
      </category>
      <category>
        <![CDATA[music]]>
      </category>
      <category>
        <![CDATA[music history]]>
      </category>
      <category>
        <![CDATA[spoken word]]>
      </category>
      <itunes:author>Classic Album Sundays</itunes:author>
      <itunes:summary>
        <![CDATA[This Woman’s Work is a series highlighting classic albums by female artists who have made a lasting impact on music and pop culture. This time: the Grammy nominated live album, "Black Gold," by singer and pianist Nina Simone. It was recorded in front of a packed audience at Philharmonic Hall in New York City on October 26, 1969 and released in 1970.]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/360/052d58da-818e-4822-b6d0-8761c4bbd34a/images/35d683ff-0c45-4b67-8427-440bd7016180/Nina_Simone_Thumbnail.png"/>
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      <content:encoded>
        <![CDATA[<p>This Woman’s Work is a series highlighting classic albums by female artists who have made a lasting impact on music and pop culture. This time: the Grammy nominated live album, "Black Gold," by singer and pianist Nina Simone. It was recorded in front of a packed audience at Philharmonic Hall in New York City on October 26, 1969 and released in 1970.</p>]]>
      </content:encoded>
    </item>
    <item>
      <guid isPermaLink="false">prx_360_d0f95e26-d12e-4294-96fa-a2bad2d38524</guid>
      <title>Album Inspirations: Lekan Babalola on Fela Kuti 'Zombie'</title>
      <pubDate>Sat, 03 Apr 2021 08:49:39 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_360_d0f95e26-d12e-4294-96fa-a2bad2d38524&amp;uf=https%3A%2F%2Ffeeds.feedburner.com%2FClassicAlbumSundays</link>
      <description>
        <![CDATA[<p>We were delighted to be joined by Lekan Babalola (Fela Kuti’s political protege) at a Classic Album Sundays event in Birmingham where host Chris Watkiss was able to ask Lekan about his first hand experiences of working with Fela. For more on your favourite records, visit <a href="https://classicalbumsundays.com/" rel="nofollow" target="_blank">classicalbumsundays.com</a>.</p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/dovetail.prxu.org/360/d0f95e26-d12e-4294-96fa-a2bad2d38524/Fela_Kuti_PRX.mp3" type="audio/mpeg" length="63522316"/>
      <itunes:subtitle>'Zombie'</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:duration>33:05</itunes:duration>
      <author>colleen@classicalbumsundays.com  (Classic Album Sundays)</author>
      <category>
        <![CDATA[Fela Kuti]]>
      </category>
      <category>
        <![CDATA[afro]]>
      </category>
      <category>
        <![CDATA[afrobeat]]>
      </category>
      <category>
        <![CDATA[interview]]>
      </category>
      <category>
        <![CDATA[music]]>
      </category>
      <category>
        <![CDATA[music history]]>
      </category>
      <itunes:author>Classic Album Sundays</itunes:author>
      <itunes:summary>
        <![CDATA[We were delighted to be joined by Lekan Babalola (Fela Kuti’s political protege) at a Classic Album Sundays event in Birmingham where host Chris Watkiss was able to ask Lekan about his first hand experiences of working with Fela. For more on your favourite records, visit <a href="https://classicalbumsundays.com/" target="_blank">classicalbumsundays.com</a>.]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/360/d0f95e26-d12e-4294-96fa-a2bad2d38524/images/3f2f1c0d-a107-473b-9f57-e243560a175e/Screenshot_2021_04_03_at_09.46.33.png"/>
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      <content:encoded>
        <![CDATA[<p>We were delighted to be joined by Lekan Babalola (Fela Kuti’s political protege) at a Classic Album Sundays event in Birmingham where host Chris Watkiss was able to ask Lekan about his first hand experiences of working with Fela. For more on your favourite records, visit <a href="https://classicalbumsundays.com/" rel="nofollow" target="_blank">classicalbumsundays.com</a>.</p>]]>
      </content:encoded>
    </item>
    <item>
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      <title>CAS Worldwide: David Bowie 'Heroes'</title>
      <pubDate>Sun, 28 Mar 2021 02:00:00 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_360_1e2a9701-b665-40db-a421-8f3f4fc84223&amp;uf=https%3A%2F%2Ffeeds.feedburner.com%2FClassicAlbumSundays</link>
      <description>
        <![CDATA[<p>Our latest CAS Worldwide sees Colleen ‘Cosmo’ Murphy digging deep into David Bowie <em>Heroes</em>. Although it was the second instalment of David Bowie’s Berlin Trilogy, <em>“Heroes”</em> was in fact the only album to be written and recorded entirely within the city. The multi-instrumentalist Bowie was joined by many of the same musicians who had worked on his previous album, Low, including guitarist Carlos Alomar, drummer Dennis Davis, and bassist George Murray, and a similar rhythmic-rock spark ignites the group once again. Brian Eno took a place behind the keyboard, setting up his unique brand of studio know-how and synth-science in contrast to the more traditional interplay of the rhythm section. Read more: ClassicAlbumSundays.com</p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/dovetail.prxu.org/360/1e2a9701-b665-40db-a421-8f3f4fc84223/David_Bowie_PRX_2.mp3" type="audio/mpeg" length="48133895"/>
      <itunes:subtitle>'Heroes'</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:duration>25:04</itunes:duration>
      <author>colleen@classicalbumsundays.com  (Classic Album Sundays)</author>
      <category>
        <![CDATA[1970s]]>
      </category>
      <category>
        <![CDATA[David Bowie]]>
      </category>
      <category>
        <![CDATA[interview]]>
      </category>
      <category>
        <![CDATA[music]]>
      </category>
      <category>
        <![CDATA[music history]]>
      </category>
      <category>
        <![CDATA[podcast]]>
      </category>
      <category>
        <![CDATA[rock]]>
      </category>
      <itunes:author>Classic Album Sundays</itunes:author>
      <itunes:summary>
        <![CDATA[Our latest CAS Worldwide sees Colleen ‘Cosmo’ Murphy digging deep into David Bowie Heroes. Although it was the second instalment of David Bowie’s Berlin Trilogy, “Heroes” was in fact the only album to be written and recorded entirely within the city. The multi-instrumentalist Bowie was joined by many of the same musicians who had worked on his previous album, Low, including guitarist Carlos Alomar, drummer Dennis Davis, and bassist George Murray, and a similar rhythmic-rock spark ignites the group once again. Brian Eno took a place behind the keyboard, setting up his unique brand of studio know-how and synth-science in contrast to the more traditional interplay of the rhythm section. Read more: ClassicAlbumSundays.com]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/360/1e2a9701-b665-40db-a421-8f3f4fc84223/images/e0706a63-4314-4d00-92ad-748bbed035ba/David_Bowies_Thumb.png"/>
      <media:content fileSize="48133895" type="audio/mpeg" url="https://dts.podtrac.com/redirect.mp3/dovetail.prxu.org/360/1e2a9701-b665-40db-a421-8f3f4fc84223/David_Bowie_PRX_2.mp3"/>
      <content:encoded>
        <![CDATA[<p>Our latest CAS Worldwide sees Colleen ‘Cosmo’ Murphy digging deep into David Bowie <em>Heroes</em>. Although it was the second instalment of David Bowie’s Berlin Trilogy, <em>“Heroes”</em> was in fact the only album to be written and recorded entirely within the city. The multi-instrumentalist Bowie was joined by many of the same musicians who had worked on his previous album, Low, including guitarist Carlos Alomar, drummer Dennis Davis, and bassist George Murray, and a similar rhythmic-rock spark ignites the group once again. Brian Eno took a place behind the keyboard, setting up his unique brand of studio know-how and synth-science in contrast to the more traditional interplay of the rhythm section. Read more: ClassicAlbumSundays.com</p>]]>
      </content:encoded>
    </item>
    <item>
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      <title>My Classic Album: Nitin Sawhney on ‘Beyond Skin’</title>
      <pubDate>Sun, 21 Mar 2021 02:00:00 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_360_fa674856-a73a-44a3-927d-c9ad39c1d562&amp;uf=https%3A%2F%2Ffeeds.feedburner.com%2FClassicAlbumSundays</link>
      <description>
        <![CDATA[<p>Multi-award-winning musician and composer Nitin Sawhney joins Classic Album Sundays’ founder Colleen ‘Cosmo’ Murphy to discuss his Mercury Music Prize nominated album <em>Beyond Skin</em>. Sawhney will discuss his inspirations and the stories behind the album and the impact it had on British Music. <em>Beyond Skin</em> portrays Sawhney’s reflections on British Asian identity and the pressing need for human beings to be recognised beyond religion, nationality, politics and skin colour. For more on your favourite records, visit <a href="https://classicalbumsundays.com/" rel="nofollow" target="_blank">classicalbumsundays.com</a>.</p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/dovetail.prxu.org/360/fa674856-a73a-44a3-927d-c9ad39c1d562/Nitin_Sawhney_PRX_2.mp3" type="audio/mpeg" length="120997555"/>
      <itunes:subtitle>‘Beyond Skin’</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:duration>01:03:01</itunes:duration>
      <author>colleen@classicalbumsundays.com  (Classic Album Sundays)</author>
      <category>
        <![CDATA[90s]]>
      </category>
      <category>
        <![CDATA[commentery]]>
      </category>
      <category>
        <![CDATA[interview]]>
      </category>
      <category>
        <![CDATA[music]]>
      </category>
      <category>
        <![CDATA[music history]]>
      </category>
      <category>
        <![CDATA[podcast]]>
      </category>
      <itunes:author>Classic Album Sundays</itunes:author>
      <itunes:summary>
        <![CDATA[Multi-award-winning musician and composer Nitin Sawhney joins Classic Album Sundays’ founder Colleen ‘Cosmo’ Murphy to discuss his Mercury Music Prize nominated album Beyond Skin. Sawhney will discuss his inspirations and the stories behind the album and the impact it had on British Music. Beyond Skin portrays Sawhney’s reflections on British Asian identity and the pressing need for human beings to be recognised beyond religion, nationality, politics and skin colour. For more on your favourite records, visit <a href="https://classicalbumsundays.com/" target="_blank">classicalbumsundays.com</a>.]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/360/fa674856-a73a-44a3-927d-c9ad39c1d562/images/f00c72c6-129f-4f02-80ca-2de5847c7059/Nitin_Thumb.png"/>
      <media:content fileSize="120997555" type="audio/mpeg" url="https://dts.podtrac.com/redirect.mp3/dovetail.prxu.org/360/fa674856-a73a-44a3-927d-c9ad39c1d562/Nitin_Sawhney_PRX_2.mp3"/>
      <content:encoded>
        <![CDATA[<p>Multi-award-winning musician and composer Nitin Sawhney joins Classic Album Sundays’ founder Colleen ‘Cosmo’ Murphy to discuss his Mercury Music Prize nominated album <em>Beyond Skin</em>. Sawhney will discuss his inspirations and the stories behind the album and the impact it had on British Music. <em>Beyond Skin</em> portrays Sawhney’s reflections on British Asian identity and the pressing need for human beings to be recognised beyond religion, nationality, politics and skin colour. For more on your favourite records, visit <a href="https://classicalbumsundays.com/" rel="nofollow" target="_blank">classicalbumsundays.com</a>.</p>]]>
      </content:encoded>
    </item>
    <item>
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      <title>This Woman's Work: Kate Bush 'Hounds Of Love'</title>
      <pubDate>Sun, 14 Mar 2021 03:00:00 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_360_66c2012d-0772-4728-93e4-9a050d0bb474&amp;uf=https%3A%2F%2Ffeeds.feedburner.com%2FClassicAlbumSundays</link>
      <description>
        <![CDATA[<p>On today’s episode of ‘This Woman's Work’ we’re looking at the artist who inspired the name of this series: the singer-songwriter, dancer, and producer Kate Bush. ‘This Woman’s Work’ was the name of a single on Kate Bush’s sixth album. But this time, we’re backing up one album in Kate Bush’s catalog, to her fifth studio album, <em>Hounds of Love</em>. Released in September 1985, <em>Hounds of Love</em> was produced as two distinct sets of songs: “Hounds of Love,” which contained the album’s four smash singles, and a narrative suite called “Ninth Wave.” For more on your favourite records, visit <a href="https://classicalbumsundays.com/" rel="nofollow" target="_blank">classicalbumsundays.com</a>.</p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/dovetail.prxu.org/360/66c2012d-0772-4728-93e4-9a050d0bb474/Kate_Bush_PRX_2.mp3" type="audio/mpeg" length="54129938"/>
      <itunes:subtitle>'Hounds Of Love'</itunes:subtitle>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:duration>28:11</itunes:duration>
      <author>colleen@classicalbumsundays.com  (Classic Album Sundays)</author>
      <category>
        <![CDATA[Interview]]>
      </category>
      <category>
        <![CDATA[Kate Bush]]>
      </category>
      <category>
        <![CDATA[Music]]>
      </category>
      <category>
        <![CDATA[Music History]]>
      </category>
      <category>
        <![CDATA[Outkast]]>
      </category>
      <category>
        <![CDATA[Podcast]]>
      </category>
      <category>
        <![CDATA[Spoken Word]]>
      </category>
      <category>
        <![CDATA[pop]]>
      </category>
      <category>
        <![CDATA[rock]]>
      </category>
      <itunes:author>Classic Album Sundays</itunes:author>
      <itunes:summary>
        <![CDATA[On today’s episode of ‘This Woman's Work’ we’re looking at the artist who inspired the name of this series: the singer-songwriter, dancer, and producer Kate Bush. ‘This Woman’s Work’ was the name of a single on Kate Bush’s sixth album. But this time, we’re backing up one album in Kate Bush’s catalog, to her fifth studio album, Hounds of Love. Released in September 1985, Hounds of Love was produced as two distinct sets of songs: “Hounds of Love,” which contained the album’s four smash singles, and a narrative suite called “Ninth Wave.” For more on your favourite records, visit <a href="https://classicalbumsundays.com/" target="_blank">classicalbumsundays.com</a>.]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/360/66c2012d-0772-4728-93e4-9a050d0bb474/images/af3887ce-1ad4-4700-b510-83c0df075f97/Kate_Bush_Thumb.png"/>
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      <content:encoded>
        <![CDATA[<p>On today’s episode of ‘This Woman's Work’ we’re looking at the artist who inspired the name of this series: the singer-songwriter, dancer, and producer Kate Bush. ‘This Woman’s Work’ was the name of a single on Kate Bush’s sixth album. But this time, we’re backing up one album in Kate Bush’s catalog, to her fifth studio album, <em>Hounds of Love</em>. Released in September 1985, <em>Hounds of Love</em> was produced as two distinct sets of songs: “Hounds of Love,” which contained the album’s four smash singles, and a narrative suite called “Ninth Wave.” For more on your favourite records, visit <a href="https://classicalbumsundays.com/" rel="nofollow" target="_blank">classicalbumsundays.com</a>.</p>]]>
      </content:encoded>
    </item>
    <item>
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      <title>Album Inspirations: Denys Baptiste on John Coltrane ‘A Love Supreme’</title>
      <pubDate>Sun, 07 Mar 2021 03:00:00 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_360_966c1def-9de8-4c33-9740-6b8cb80cfa0d&amp;uf=https%3A%2F%2Ffeeds.feedburner.com%2FClassicAlbumSundays</link>
      <description>
        <![CDATA[<p>John Coltrane’s 1965 LP <em>A Love Supreme</em> is one of the landmarks in recorded jazz and a deeply spiritual work. It’s often viewed as Coltrane’s masterpiece and one of the greatest albums of all time. Denys Baptiste joins us to discuss the legacy of Coltrane and the impact of <em>A Love Supreme</em>. Denys’ is a Coltrane expert who has performed <em>A Love Supreme</em> live on the biggest stages. For more on your favourite records, visit <a href="https://classicalbumsundays.com/" rel="nofollow" target="_blank">classicalbumsundays.com</a>.</p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/dovetail.prxu.org/360/966c1def-9de8-4c33-9740-6b8cb80cfa0d/Denys_Baptiste_2.mp3" type="audio/mpeg" length="103001905"/>
      <itunes:subtitle>A Love Supreme</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:duration>53:38</itunes:duration>
      <author>colleen@classicalbumsundays.com  (Classic Album Sundays)</author>
      <category>
        <![CDATA[Denys Baptiste]]>
      </category>
      <category>
        <![CDATA[John Coltrane]]>
      </category>
      <category>
        <![CDATA[London]]>
      </category>
      <category>
        <![CDATA[London Jazz]]>
      </category>
      <category>
        <![CDATA[Miles Davis]]>
      </category>
      <category>
        <![CDATA[interview]]>
      </category>
      <category>
        <![CDATA[jazz]]>
      </category>
      <category>
        <![CDATA[jazz music]]>
      </category>
      <category>
        <![CDATA[music]]>
      </category>
      <category>
        <![CDATA[music interview]]>
      </category>
      <category>
        <![CDATA[sound]]>
      </category>
      <category>
        <![CDATA[spoken word]]>
      </category>
      <itunes:author>Classic Album Sundays</itunes:author>
      <itunes:summary>
        <![CDATA[John Coltrane’s 1965 LP A Love Supreme is one of the landmarks in recorded jazz and a deeply spiritual work. It’s often viewed as Coltrane’s masterpiece and one of the greatest albums of all time. Denys Baptiste joins us to discuss the legacy of Coltrane and the impact of A Love Supreme. Denys’ is a Coltrane expert who has performed A Love Supreme live on the biggest stages. For more on your favourite records, visit <a href="https://classicalbumsundays.com/" target="_blank">classicalbumsundays.com</a>.]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/360/966c1def-9de8-4c33-9740-6b8cb80cfa0d/images/196512f7-9d75-4efe-8fae-5f672da763fd/Denys_Baptiste.png"/>
      <media:content fileSize="103001905" type="audio/mpeg" url="https://dts.podtrac.com/redirect.mp3/dovetail.prxu.org/360/966c1def-9de8-4c33-9740-6b8cb80cfa0d/Denys_Baptiste_2.mp3"/>
      <content:encoded>
        <![CDATA[<p>John Coltrane’s 1965 LP <em>A Love Supreme</em> is one of the landmarks in recorded jazz and a deeply spiritual work. It’s often viewed as Coltrane’s masterpiece and one of the greatest albums of all time. Denys Baptiste joins us to discuss the legacy of Coltrane and the impact of <em>A Love Supreme</em>. Denys’ is a Coltrane expert who has performed <em>A Love Supreme</em> live on the biggest stages. For more on your favourite records, visit <a href="https://classicalbumsundays.com/" rel="nofollow" target="_blank">classicalbumsundays.com</a>.</p>]]>
      </content:encoded>
    </item>
    <item>
      <guid isPermaLink="false">prx_360_d167a40d-bbe0-479c-9a55-cbbf8ae208f6</guid>
      <title>CAS Worldwide: Depeche Mode 'Violator'</title>
      <pubDate>Sun, 28 Feb 2021 03:00:00 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_360_d167a40d-bbe0-479c-9a55-cbbf8ae208f6&amp;uf=https%3A%2F%2Ffeeds.feedburner.com%2FClassicAlbumSundays</link>
      <description>
        <![CDATA[<p>For this month's Album Club we will be joined by Kevin May and David McElroy, the authors behind the forthcoming book <em><a href="http://halotheviolatorbook.com/" rel="nofollow" target="_blank">Halo: The Story Behind Depeche Mode's Classic Album Violator</a></em>. They will relay the inside scoop behind the band's seventh studio album - one that took the band to even greater heights. For more on your favourite records, visit <a href="https://classicalbumsundays.com/" rel="nofollow" target="_blank">classicalbumsundays.com</a>.</p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/dovetail.prxu.org/360/d167a40d-bbe0-479c-9a55-cbbf8ae208f6/Depeche_Mode_Violator_PRX.mp3" type="audio/mpeg" length="59897774"/>
      <itunes:subtitle>'Violator'</itunes:subtitle>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:duration>31:11</itunes:duration>
      <author>colleen@classicalbumsundays.com  (Classic Album Sundays)</author>
      <category>
        <![CDATA[80s]]>
      </category>
      <category>
        <![CDATA[album]]>
      </category>
      <category>
        <![CDATA[albums]]>
      </category>
      <category>
        <![CDATA[music]]>
      </category>
      <category>
        <![CDATA[music commentery]]>
      </category>
      <category>
        <![CDATA[rock]]>
      </category>
      <itunes:author>Classic Album Sundays</itunes:author>
      <itunes:summary>
        <![CDATA[For this month's Album Club we will be joined by Kevin May and David McElroy, the authors behind the forthcoming book <a href="http://halotheviolatorbook.com/" target="_blank">Halo: The Story Behind Depeche Mode's Classic Album Violator</a>. They will relay the inside scoop behind the band's seventh studio album - one that took the band to even greater heights. For more on your favourite records, visit <a href="https://classicalbumsundays.com/" target="_blank">classicalbumsundays.com</a>.]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/360/d167a40d-bbe0-479c-9a55-cbbf8ae208f6/images/48cde01d-9f24-48ee-98dc-4e9c847daf4c/depeche_mode.png"/>
      <media:content fileSize="59897774" type="audio/mpeg" url="https://dts.podtrac.com/redirect.mp3/dovetail.prxu.org/360/d167a40d-bbe0-479c-9a55-cbbf8ae208f6/Depeche_Mode_Violator_PRX.mp3"/>
      <content:encoded>
        <![CDATA[<p>For this month's Album Club we will be joined by Kevin May and David McElroy, the authors behind the forthcoming book <em><a href="http://halotheviolatorbook.com/" rel="nofollow" target="_blank">Halo: The Story Behind Depeche Mode's Classic Album Violator</a></em>. They will relay the inside scoop behind the band's seventh studio album - one that took the band to even greater heights. For more on your favourite records, visit <a href="https://classicalbumsundays.com/" rel="nofollow" target="_blank">classicalbumsundays.com</a>.</p>]]>
      </content:encoded>
    </item>
    <item>
      <guid isPermaLink="false">prx_360_a2544d8f-bf97-4c25-90a9-58f58317f532</guid>
      <title>My Classic Album: Sonic Youth's Thurston Moore on 'Daydream Nation'</title>
      <pubDate>Sun, 21 Feb 2021 03:00:00 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_360_a2544d8f-bf97-4c25-90a9-58f58317f532&amp;uf=https%3A%2F%2Ffeeds.feedburner.com%2FClassicAlbumSundays</link>
      <description>
        <![CDATA[<p>Taking inspiration from the more extreme ends of guitar music, namely early-hardcore, dissonant no-wave, and a performance ethic that saw nothing wrong with playing the same note of feedback for half an hour, Sonic Youth were the Velvet Underground for the materialistic 1980s.</p>

<p>Tune in as Colleen is joined by Sonic Youth founding member Thurston Moore to look back at 30 years of ‘Daydream Nation’. For more on your favourite records, visit <a href="https://classicalbumsundays.com/" rel="nofollow" target="_blank">classicalbumsundays.com</a>.</p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/dovetail.prxu.org/360/a2544d8f-bf97-4c25-90a9-58f58317f532/Thurston_Moore_PRX_4.mp3" type="audio/mpeg" length="128698035"/>
      <itunes:subtitle>'Daydream Nation'</itunes:subtitle>
      <itunes:explicit>false</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:duration>01:07:01</itunes:duration>
      <author>colleen@classicalbumsundays.com  (Classic Album Sundays)</author>
      <category>
        <![CDATA[1980s]]>
      </category>
      <category>
        <![CDATA[Grunge]]>
      </category>
      <category>
        <![CDATA[Sonic Youth]]>
      </category>
      <category>
        <![CDATA[commentery]]>
      </category>
      <category>
        <![CDATA[interview]]>
      </category>
      <category>
        <![CDATA[music]]>
      </category>
      <category>
        <![CDATA[music history]]>
      </category>
      <category>
        <![CDATA[podcast]]>
      </category>
      <itunes:author>Classic Album Sundays</itunes:author>
      <itunes:summary>
        <![CDATA[Taking inspiration from the more extreme ends of guitar music, namely early-hardcore, dissonant no-wave, and a performance ethic that saw nothing wrong with playing the same note of feedback for half an hour, Sonic Youth were the Velvet Underground for the materialistic 1980s.


Tune in as Colleen is joined by Sonic Youth founding member Thurston Moore to look back at 30 years of ‘Daydream Nation’. For more on your favourite records, visit <a href="https://classicalbumsundays.com/" target="_blank">classicalbumsundays.com</a>.]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/360/a2544d8f-bf97-4c25-90a9-58f58317f532/images/1369d046-d831-4966-a31b-b4ae077b03f0/Thurston_Moore.png"/>
      <media:content fileSize="128698035" type="audio/mpeg" url="https://dts.podtrac.com/redirect.mp3/dovetail.prxu.org/360/a2544d8f-bf97-4c25-90a9-58f58317f532/Thurston_Moore_PRX_4.mp3"/>
      <content:encoded>
        <![CDATA[<p>Taking inspiration from the more extreme ends of guitar music, namely early-hardcore, dissonant no-wave, and a performance ethic that saw nothing wrong with playing the same note of feedback for half an hour, Sonic Youth were the Velvet Underground for the materialistic 1980s.</p>

<p>Tune in as Colleen is joined by Sonic Youth founding member Thurston Moore to look back at 30 years of ‘Daydream Nation’. For more on your favourite records, visit <a href="https://classicalbumsundays.com/" rel="nofollow" target="_blank">classicalbumsundays.com</a>.</p>]]>
      </content:encoded>
    </item>
    <item>
      <guid isPermaLink="false">prx_360_b87f8d82-1e7e-4d73-84ab-786fac2863cd</guid>
      <title>This Woman's Work: Lady Sings the Blues by Billie Holiday</title>
      <pubDate>Sun, 14 Feb 2021 03:00:00 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_360_b87f8d82-1e7e-4d73-84ab-786fac2863cd&amp;uf=https%3A%2F%2Ffeeds.feedburner.com%2FClassicAlbumSundays</link>
      <description>
        <![CDATA[<p>The legendary jazz singer transformed pain into art on her 1956 album and inspired singers like Jose James and Paloma Faith. For more on your favorite records, visit <a href="https://classicalbumsundays.com/" rel="nofollow" target="_blank">classicalbumsundays.com</a>.</p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/dovetail.prxu.org/360/b87f8d82-1e7e-4d73-84ab-786fac2863cd/TWW_Billie_Holiday_PRX.mp3" type="audio/mpeg" length="35209280"/>
      <itunes:subtitle>Lady Sings the Blues </itunes:subtitle>
      <itunes:explicit>true</itunes:explicit>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:duration>24:27</itunes:duration>
      <author>colleen@classicalbumsundays.com  (Classic Album Sundays)</author>
      <category>
        <![CDATA[blues]]>
      </category>
      <category>
        <![CDATA[commentary]]>
      </category>
      <category>
        <![CDATA[interview]]>
      </category>
      <category>
        <![CDATA[jazz]]>
      </category>
      <category>
        <![CDATA[music]]>
      </category>
      <category>
        <![CDATA[music history]]>
      </category>
      <category>
        <![CDATA[podcast]]>
      </category>
      <itunes:author>Classic Album Sundays</itunes:author>
      <itunes:summary>
        <![CDATA[The legendary jazz singer transformed pain into art on her 1956 album and inspired singers like Jose James and Paloma Faith. For more on your favorite records, visit <a href="https://classicalbumsundays.com/" target="_blank">classicalbumsundays.com</a>.]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/360/b87f8d82-1e7e-4d73-84ab-786fac2863cd/images/d909660f-5fc1-4d39-b347-f3bbf39c4c8c/Bille_Holiday_artwork.png"/>
      <media:content fileSize="35209280" type="audio/mpeg" url="https://dts.podtrac.com/redirect.mp3/dovetail.prxu.org/360/b87f8d82-1e7e-4d73-84ab-786fac2863cd/TWW_Billie_Holiday_PRX.mp3"/>
      <content:encoded>
        <![CDATA[<p>The legendary jazz singer transformed pain into art on her 1956 album and inspired singers like Jose James and Paloma Faith. For more on your favorite records, visit <a href="https://classicalbumsundays.com/" rel="nofollow" target="_blank">classicalbumsundays.com</a>.</p>]]>
      </content:encoded>
    </item>
    <item>
      <guid isPermaLink="false">prx_360_8f1c024b-f435-433f-a3ec-1ab712d13033</guid>
      <title>Album Inspirations: Arcade Fire's Richard Reed Parry on Snowflakes Are Dancing by Tomita</title>
      <pubDate>Sun, 07 Feb 2021 03:00:00 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_360_8f1c024b-f435-433f-a3ec-1ab712d13033&amp;uf=https%3A%2F%2Ffeeds.feedburner.com%2FClassicAlbumSundays</link>
      <description>
        <![CDATA[<p>Richard Reed Parry of Arcade Fire and André de Ridder discuss ‘Snowflakes are Dancing’ by Japanese musician Isao Tomita. The album features arrangements of Debussy’s tone paintings, including Clair de Lune and The Girl with the Flaxen Hair.</p>

<p>For more on your favorite records, visit <a href="https://classicalbumsundays.com/" rel="nofollow" target="_blank">classicalbumsundays.com</a>.</p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/dovetail.prxu.org/360/8f1c024b-f435-433f-a3ec-1ab712d13033/CAS_E3_Tomita.mp3" type="audio/mpeg" length="90645248"/>
      <itunes:subtitle>Snowflakes Are Dancing</itunes:subtitle>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:duration>37:46</itunes:duration>
      <author>colleen@classicalbumsundays.com  (Classic Album Sundays)</author>
      <category>
        <![CDATA[classical]]>
      </category>
      <category>
        <![CDATA[commentary]]>
      </category>
      <category>
        <![CDATA[critique]]>
      </category>
      <category>
        <![CDATA[electronic music]]>
      </category>
      <category>
        <![CDATA[interviews]]>
      </category>
      <category>
        <![CDATA[music]]>
      </category>
      <category>
        <![CDATA[synthesizer]]>
      </category>
      <category>
        <![CDATA[synths]]>
      </category>
      <category>
        <![CDATA[technology]]>
      </category>
      <itunes:author>Classic Album Sundays</itunes:author>
      <itunes:summary>
        <![CDATA[Richard Reed Parry of Arcade Fire and André de Ridder discuss ‘Snowflakes are Dancing’ by Japanese musician Isao Tomita. The album features arrangements of Debussy’s tone paintings, including Clair de Lune and The Girl with the Flaxen Hair.


For more on your favorite records, visit <a href="https://classicalbumsundays.com/" target="_blank">classicalbumsundays.com</a>.]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/360/8f1c024b-f435-433f-a3ec-1ab712d13033/images/4c5879df-2df2-4496-ab2f-16ca31df7880/RRP_PRX_Artwork_1400.jpg"/>
      <media:content fileSize="90645248" type="audio/mpeg" url="https://dts.podtrac.com/redirect.mp3/dovetail.prxu.org/360/8f1c024b-f435-433f-a3ec-1ab712d13033/CAS_E3_Tomita.mp3"/>
      <content:encoded>
        <![CDATA[<p>Richard Reed Parry of Arcade Fire and André de Ridder discuss ‘Snowflakes are Dancing’ by Japanese musician Isao Tomita. The album features arrangements of Debussy’s tone paintings, including Clair de Lune and The Girl with the Flaxen Hair.</p>

<p>For more on your favorite records, visit <a href="https://classicalbumsundays.com/" rel="nofollow" target="_blank">classicalbumsundays.com</a>.</p>]]>
      </content:encoded>
    </item>
    <item>
      <guid isPermaLink="false">prx_360_9b39a3fc-bd86-4bc5-8355-c02f803e907a</guid>
      <title>CAS Worldwide: Hissing of Summer Lawns by Joni Mitchell</title>
      <pubDate>Sun, 31 Jan 2021 23:17:17 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_360_9b39a3fc-bd86-4bc5-8355-c02f803e907a&amp;uf=https%3A%2F%2Ffeeds.feedburner.com%2FClassicAlbumSundays</link>
      <description>
        <![CDATA[<p>The story behind 1975's The Hissing Of Summer Lawns, the first major left turn of Joni Mitchell’s already celebrated career. For more on your favorite records, visit <a href="https://classicalbumsundays.com/" rel="nofollow" target="_blank">classicalbumsundays.com</a>.</p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/dovetail.prxu.org/360/9b39a3fc-bd86-4bc5-8355-c02f803e907a/E2_WW_Joni_Mitchell_PRX_MSTR_rev.mp3" type="audio/mpeg" length="29183168"/>
      <itunes:subtitle>Hissing of Summer Lawns</itunes:subtitle>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:duration>20:15</itunes:duration>
      <author>colleen@classicalbumsundays.com  (Classic Album Sundays)</author>
      <category>
        <![CDATA[albums]]>
      </category>
      <category>
        <![CDATA[jazz]]>
      </category>
      <category>
        <![CDATA[music]]>
      </category>
      <category>
        <![CDATA[music commentary]]>
      </category>
      <category>
        <![CDATA[rock]]>
      </category>
      <itunes:author>Classic Album Sundays</itunes:author>
      <itunes:summary>
        <![CDATA[The story behind 1975's The Hissing Of Summer Lawns, the first major left turn of Joni Mitchell’s already celebrated career. For more on your favorite records, visit <a href="https://classicalbumsundays.com/" target="_blank">classicalbumsundays.com</a>.]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/360/9b39a3fc-bd86-4bc5-8355-c02f803e907a/images/5fc0a100-7afc-4651-92d0-6660fc3b049a/Joni_Mitchel_PRX.png"/>
      <media:content fileSize="29183168" type="audio/mpeg" url="https://dts.podtrac.com/redirect.mp3/dovetail.prxu.org/360/9b39a3fc-bd86-4bc5-8355-c02f803e907a/E2_WW_Joni_Mitchell_PRX_MSTR_rev.mp3"/>
      <content:encoded>
        <![CDATA[<p>The story behind 1975's The Hissing Of Summer Lawns, the first major left turn of Joni Mitchell’s already celebrated career. For more on your favorite records, visit <a href="https://classicalbumsundays.com/" rel="nofollow" target="_blank">classicalbumsundays.com</a>.</p>]]>
      </content:encoded>
    </item>
    <item>
      <guid isPermaLink="false">prx_360_586d799f-817e-4235-b921-65aeb16a31e5</guid>
      <title>My Classic Album: Pink Floyd's Nick Mason on Dark Side of the Moon</title>
      <pubDate>Sun, 24 Jan 2021 03:00:00 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_360_586d799f-817e-4235-b921-65aeb16a31e5&amp;uf=https%3A%2F%2Ffeeds.feedburner.com%2FClassicAlbumSundays</link>
      <description>
        <![CDATA[<p>How did an album about mental illness, mortality and the need for human empathy stay on the U.S. Billboard Charts for 741 weeks (14 years)? Nick Mason looks back on this boundary-pushing classic album. For more on your favorite records, visit <a href="http://classicalbumsundays.com" rel="nofollow" target="_blank">classicalbumsundays.com</a>.</p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/dovetail.prxu.org/360/586d799f-817e-4235-b921-65aeb16a31e5/E1_Nick_Mason_on_DSOTM_PRX_MSTR_rev.mp3" type="audio/mpeg" length="87623358"/>
      <itunes:subtitle>Pink Floyd's Nick Mason on Dark Side of the Moon</itunes:subtitle>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:duration>45:38</itunes:duration>
      <author>colleen@classicalbumsundays.com  (Classic Album Sundays)</author>
      <category>
        <![CDATA[classic rock]]>
      </category>
      <category>
        <![CDATA[interview]]>
      </category>
      <category>
        <![CDATA[music]]>
      </category>
      <category>
        <![CDATA[music commentary]]>
      </category>
      <category>
        <![CDATA[music history]]>
      </category>
      <category>
        <![CDATA[rock]]>
      </category>
      <itunes:author>Classic Album Sundays</itunes:author>
      <itunes:summary>
        <![CDATA[How did an album about mental illness, mortality and the need for human empathy stay on the U.S. Billboard Charts for 741 weeks (14 years)? Nick Mason looks back on this boundary-pushing classic album. For more on your favorite records, visit <a href="http://classicalbumsundays.com" target="_blank">classicalbumsundays.com</a>.]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/360/586d799f-817e-4235-b921-65aeb16a31e5/images/73000a12-f3a0-4a2a-b8a6-593b80da2447/Nick_Mason_PRX_Artwork.png"/>
      <media:content fileSize="87623358" type="audio/mpeg" url="https://dts.podtrac.com/redirect.mp3/dovetail.prxu.org/360/586d799f-817e-4235-b921-65aeb16a31e5/E1_Nick_Mason_on_DSOTM_PRX_MSTR_rev.mp3"/>
      <content:encoded>
        <![CDATA[<p>How did an album about mental illness, mortality and the need for human empathy stay on the U.S. Billboard Charts for 741 weeks (14 years)? Nick Mason looks back on this boundary-pushing classic album. For more on your favorite records, visit <a href="http://classicalbumsundays.com" rel="nofollow" target="_blank">classicalbumsundays.com</a>.</p>]]>
      </content:encoded>
    </item>
    <item>
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      <title>Welcome to Classic Album Sundays</title>
      <pubDate>Tue, 12 Jan 2021 14:16:13 -0000</pubDate>
      <link>https://play.prx.org/listen?ge=prx_360_33810a78-4bdc-4078-b8c3-d3dbf6342aa1&amp;uf=https%3A%2F%2Ffeeds.feedburner.com%2FClassicAlbumSundays</link>
      <description>
        <![CDATA[<p> Classic Album Sundays tells the stories behind the albums that have shaped our culture and our lives. We are the world’s most popular and respected classic album listening event with satellites in four continents. Our website, social media channels, and our podcast are the hub for classic albums and artists. Visit us at <a href="https://classicalbumsundays.com/" rel="nofollow" target="_blank">https://classicalbumsundays.com/</a></p>]]>
      </description>
      <enclosure url="https://dts.podtrac.com/redirect.mp3/dovetail.prxu.org/360/33810a78-4bdc-4078-b8c3-d3dbf6342aa1/Classic_Album_Sundays_trailer_Jan_2021.mp3" type="audio/mpeg" length="616112"/>
      <itunes:title>Welcome to Classic Album Sundays</itunes:title>
      <itunes:subtitle>The stories behind the albums that have shaped our culture and our lives</itunes:subtitle>
      <itunes:episodeType>trailer</itunes:episodeType>
      <itunes:duration>0:25</itunes:duration>
      <author>colleen@classicalbumsundays.com  (Classic Album Sundays)</author>
      <category>
        <![CDATA[classical]]>
      </category>
      <category>
        <![CDATA[culture]]>
      </category>
      <category>
        <![CDATA[jazz]]>
      </category>
      <category>
        <![CDATA[music]]>
      </category>
      <category>
        <![CDATA[music commentary]]>
      </category>
      <category>
        <![CDATA[pop]]>
      </category>
      <category>
        <![CDATA[pop culture]]>
      </category>
      <category>
        <![CDATA[rock]]>
      </category>
      <itunes:author>Classic Album Sundays</itunes:author>
      <itunes:summary>
        <![CDATA[ Classic Album Sundays tells the stories behind the albums that have shaped our culture and our lives. We are the world’s most popular and respected classic album listening event with satellites in four continents. Our website, social media channels, and our podcast are the hub for classic albums and artists. Visit us at <a href="https://classicalbumsundays.com/" target="_blank">https://classicalbumsundays.com/</a>]]>
      </itunes:summary>
      <itunes:image href="https://f.prxu.org/360/images/2104af6b-1aca-41a4-a756-82b53184ee5c/CAS_Logo_Orange_1400_1_.jpg"/>
      <media:content fileSize="616112" type="audio/mpeg" url="https://dts.podtrac.com/redirect.mp3/dovetail.prxu.org/360/33810a78-4bdc-4078-b8c3-d3dbf6342aa1/Classic_Album_Sundays_trailer_Jan_2021.mp3"/>
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        <![CDATA[<p> Classic Album Sundays tells the stories behind the albums that have shaped our culture and our lives. We are the world’s most popular and respected classic album listening event with satellites in four continents. Our website, social media channels, and our podcast are the hub for classic albums and artists. Visit us at <a href="https://classicalbumsundays.com/" rel="nofollow" target="_blank">https://classicalbumsundays.com/</a></p>]]>
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