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    <title>Every Painter Paints Himself</title>
    <link>https://www.everypainterpaintshimself.com/article/</link>
    <description></description>
    <dc:language>en</dc:language>
    <dc:creator>Simon.N.Abrahams@gmail.com</dc:creator>
    <dc:rights>Copyright 2026</dc:rights>
    <dc:date>2026-08-23T07:27:00+00:00</dc:date>
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    <item>
      <title>Essay PDFs: Who&#8217;s Who in Portraits 2: Napoleon and French Rulers</title>
<link>https://www.everypainterpaintshimself.com/essays/whos_who_in_portraits_2_napoleon_and_french_rulers</link>
<guid>https://www.everypainterpaintshimself.com/essays/whos_who_in_portraits_2_napoleon_and_french_rulers#When:20:09</guid>

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<p>or, That's Not Napoleon!</p><p>In the second of our series,&nbsp;<em>Who's Who in Portraits,&nbsp;</em>we demonstrate that many of the most iconic portraits of the same man, Napoleon, are representations of the artist as "the ruler of French art." Artist after artist fused his own features with Napoleon's though in David's most famous portrait the artist used another way. He gave the great man his own flop of hair to signify with the use of a symbol his "presence" in Napoleon. None of these artists, though, invented the practice (or developed its meaning) as demonstrated in <em>Who's Who #1</em>. Nevertheless, this issue does go on to reveal even earlier examples in French art beginning with the oldest realistic depiction of a French monarch, the portrait of King Charles VII by Fouquet in 1451. <em>Vive Le Peintre!</em></p>






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      <dc:subject></dc:subject>
      <pubDate>Wed, 21 Jul 2010 20:09 UTC</pubDate>
    </item>    <item>
      <title>Galleries: Portraits of British sitters as the artist</title>
<link>https://www.everypainterpaintshimself.com/galleries/british_monarchs_and_other_sitters</link>
<guid>https://www.everypainterpaintshimself.com/galleries/british_monarchs_and_other_sitters#When:15:36</guid>

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      <dc:subject></dc:subject>
      <pubDate>Wed, 12 May 2010 15:36 UTC</pubDate>
    </item>    <item>
      <title>Articles: A Gloss on Van Eyck’s Lips: Genetic invariability or Self&#45;reference?</title>
<link>https://www.everypainterpaintshimself.com/article/a_gloss_on_van_eycks_lips_genetic_invariability_or_self_reference</link>
<guid>https://www.everypainterpaintshimself.com/article/a_gloss_on_van_eycks_lips_genetic_invariability_or_self_reference#When:07:27</guid>

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      <dc:subject>Every Painter Paints Himself, Androgyny, Artist&#8217;s Mind, Portraiture,</dc:subject>
      <pubDate>Sun, 23 Aug 2026 07:27 UTC</pubDate>
    </item>    <item>
      <title>Articles: Michelangelo&#8217;s Sistine Ceiling 1: The Flood</title>
<link>https://www.everypainterpaintshimself.com/article/michelangelos_sistine_ceiling_1_the_flood</link>
<guid>https://www.everypainterpaintshimself.com/article/michelangelos_sistine_ceiling_1_the_flood#When:09:00</guid>

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<p>This is the first in a series of brief posts explaining the Creation panels of the Sistine ceiling in unusual ways. The images seen conventionally depict the events of Genesis but they can also be viewed as representations of mental images&nbsp;inside Michelangelo's mind, compositions so masterful that he could reasonably have thought, as we know he often did, that God had helped him.&nbsp;The short explanations highlight key features clarifying each panel so that readers can begin to see them as Michelangelo and his few peers might have.</p>






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      <dc:subject>Divine Artist, Every Painter Paints Himself, Artist&#8217;s Mind, Pointing and Touch, Poses of Painting, Homepage Section 1,</dc:subject>
      <pubDate>Thu, 30 Jul 2026 09:00 UTC</pubDate>
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      <title>Blog: Is Beauty Truthful?</title>
<link>https://www.everypainterpaintshimself.com/blog/is_beauty_truthful</link>
<guid>https://www.everypainterpaintshimself.com/blog/is_beauty_truthful#When:16:48</guid>

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      <dc:subject>Artist as Poet, Insight / Outsight, Mirrors / Reflection, Inner Tradition, Visual Perception,</dc:subject>
      <pubDate>Tue, 21 Jan 2025 16:48 UTC</pubDate>
    </item>    <item>
      <title>Blog: A Surprising Revelation of Divinity in Art</title>
<link>https://www.everypainterpaintshimself.com/blog/a_surprising_revelation_of_divinity_in_art</link>
<guid>https://www.everypainterpaintshimself.com/blog/a_surprising_revelation_of_divinity_in_art#When:14:53</guid>

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      <dc:subject>Artist as Christ, Divine Artist, Mirrors / Reflection, Bernini, Botticelli, Caravaggio, Durer, Greco, El, Leonardo da Vinci, Lorenzo Lotto, Mantegna, Michelangelo, Parmagianino, Raphael, Rembrandt, Rubens, Tintoretto, Titian, Van Dyck, Van Eyck, Velazquez, Inner Tradition, Portraiture, Religion, Theory, Visual Perception,</dc:subject>
      <pubDate>Mon, 30 Dec 2024 14:53 UTC</pubDate>
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      <title>Blog: Why did Michelangelo put his initial inside the Virgin&#8217;s hand?</title>
<link>https://www.everypainterpaintshimself.com/blog/why_did_michelangelo_put_his_initial_inside_the_virgins_hand</link>
<guid>https://www.everypainterpaintshimself.com/blog/why_did_michelangelo_put_his_initial_inside_the_virgins_hand#When:15:35</guid>

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      <dc:subject>Artist as Christ, Religion,</dc:subject>
      <pubDate>Wed, 13 Nov 2024 15:35 UTC</pubDate>
    </item>    <item>
      <title>Blog: Artists paint themselves as God. Why has no&#45;one noticed?</title>
<link>https://www.everypainterpaintshimself.com/blog/artists_paint_themselves_as_god_why_has_no_one_noticed</link>
<guid>https://www.everypainterpaintshimself.com/blog/artists_paint_themselves_as_god_why_has_no_one_noticed#When:15:31</guid>

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      <dc:subject>Artist as Christ, Divine Artist, Caravaggio, Gauguin, Greco, El, Holbein, Hans (the Younger), Leonardo da Vinci, Lorenzo Lotto, Manet, Mantegna, Michelangelo, Raphael, Rembrandt, Rubens, Tintoretto, Titian, Van Eyck, Velazquez, Portraiture, Theory, Visual Perception,</dc:subject>
      <pubDate>Thu, 07 Nov 2024 15:31 UTC</pubDate>
    </item>    <item>
      <title>Articles: Renoir&#8217;s Pont Neuf, Paris (1872)</title>
<link>https://www.everypainterpaintshimself.com/article/renoirs_pont_neue_paris_1872</link>
<guid>https://www.everypainterpaintshimself.com/article/renoirs_pont_neue_paris_1872#When:12:40</guid>

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      <dc:subject>Every Painter Paints Himself, Letters in Art, Mirrors,</dc:subject>
      <pubDate>Thu, 15 Aug 2024 12:40 UTC</pubDate>
    </item>    <item>
      <title>Blog: Names in Anselm Kiefer’s &#8216;Fall of the Angel&#8217; at Palazzo Strozzi, Florence</title>
<link>https://www.everypainterpaintshimself.com/blog/whats_in_a_name_or_the_union_of_opposites_in_anselm_kiefers_fallen_angel</link>
<guid>https://www.everypainterpaintshimself.com/blog/whats_in_a_name_or_the_union_of_opposites_in_anselm_kiefers_fallen_angel#When:15:25</guid>

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      <dc:subject>Divine Artist, Letters in Art, Poses, Violence, Kiefer, Anselm, Contemporary Art, Exhibitions, Inner Tradition, Religion, Visual Perception,</dc:subject>
      <pubDate>Wed, 26 Jun 2024 15:25 UTC</pubDate>
    </item>    <item>
      <title>Blog: Van Gogh&#8217;s Crosses on The Road to Tarascon</title>
<link>https://www.everypainterpaintshimself.com/blog/the_crosses_on_van_goghs_road_to_tarascon</link>
<guid>https://www.everypainterpaintshimself.com/blog/the_crosses_on_van_goghs_road_to_tarascon#When:14:37</guid>

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      <dc:subject>Artist as Christ, Divine Artist, Visual Metamorphosis, Gauguin, Van Gogh, Religion, Theory, Visual Perception,</dc:subject>
      <pubDate>Tue, 11 Jun 2024 14:37 UTC</pubDate>
    </item>    <item>
      <title>Articles: Lucian Freud&#8217;s Annabel (1975)</title>
<link>https://www.everypainterpaintshimself.com/article/lucian_freuds_annabel_1975</link>
<guid>https://www.everypainterpaintshimself.com/article/lucian_freuds_annabel_1975#When:18:00</guid>

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    </description> 

      <dc:subject>Every Painter Paints Himself, Androgyny, Artist&#8217;s Mind, Conception (Sexual and Mental), Behind the Artist&#8217;s Eye, Hand and Eye, Insight&#45;Outsight, Portraiture,</dc:subject>
      <pubDate>Sun, 09 Jun 2024 18:00 UTC</pubDate>
    </item>    <item>
      <title>Articles: Rembrandt&#8217;s Man Making Water (1631) and Woman Making Water and Defecating (1631)</title>
<link>https://www.everypainterpaintshimself.com/article/rembrandts_man_making_water_1631_and_woman_making_water_and_defecating_1631</link>
<guid>https://www.everypainterpaintshimself.com/article/rembrandts_man_making_water_1631_and_woman_making_water_and_defecating_1631#When:10:49</guid>

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<p>Water has life-sustaining powers. Urine too has been praised by Pliny and others as therapeutic since antiquity. In the 1970’s an Indian Prime Minister recommended a glass a day. In medieval Europe and the Renaissance piss and life-producing semen were considered identical. We should be careful then when people in art pee; the scene may not be a slice of life after all because urine’s generative power is a perfect metaphor for an artist’s, at least in etchings as we will see.</p>






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      <dc:subject>Every Painter Paints Himself, Androgyny, Artist&#8217;s Mind, Conception (Sexual and Mental), Letters in Art, Veiled Faces,</dc:subject>
      <pubDate>Sat, 16 Jul 2022 10:49 UTC</pubDate>
    </item>    <item>
      <title>Articles: Miró&#8216;s The Podiatrist (1901)</title>
<link>https://www.everypainterpaintshimself.com/article/miros_the_podiatrist_1901</link>
<guid>https://www.everypainterpaintshimself.com/article/miros_the_podiatrist_1901#When:19:14</guid>

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<p>Ten years ago EPPH showed how Joan Miró repetitively shaped “abstract” forms into the letters of his name (M, I, R and Ó), a constant method between 1937 when he was 44 until shortly before he died more than four decades later. This 1901 drawing by the eighteen-year old artist now&nbsp;demonstrates that the practice began much earlier. We cannot know what prompted it but, as revealed on this site, Miró could have learnt it from viewing other art.{ref1} The inclusion of their own name or initials&nbsp;in the guise of external objects is extremely common among artists of comparable stature. Some of Picasso’s juvenilia is similarly based on the letters of his name as is much of his later work too.</p>






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      <dc:subject>Every Painter Paints Himself, Letters in Art,</dc:subject>
      <pubDate>Sat, 17 Apr 2021 19:14 UTC</pubDate>
    </item>    <item>
      <title>Blog: The Hanging of Myra Hindley</title>
<link>https://www.everypainterpaintshimself.com/blog/the_hanging_of_myra_hindley</link>
<guid>https://www.everypainterpaintshimself.com/blog/the_hanging_of_myra_hindley#When:10:26</guid>

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    </description> 

      <dc:subject>Creative Struggle, Letters in Art, Violence, Contemporary Art, Exhibitions, Museums,</dc:subject>
      <pubDate>Tue, 29 Dec 2020 10:26 UTC</pubDate>
    </item>    <item>
      <title>Articles: Ofili&#8217;s The Holy Virgin Mary (1996)</title>
<link>https://www.everypainterpaintshimself.com/article/ofilis_the_holy_virgin_mary_1996</link>
<guid>https://www.everypainterpaintshimself.com/article/ofilis_the_holy_virgin_mary_1996#When:11:23</guid>

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    </description> 

      <dc:subject>Artist as Christ, Divine Artist, Every Painter Paints Himself, Androgyny, Artist&#8217;s Mind, Conception (Sexual and Mental), Letters in Art, Insight&#45;Outsight, Visual Metamorphosis, Inner Tradition,</dc:subject>
      <pubDate>Fri, 20 Nov 2020 11:23 UTC</pubDate>
    </item>    <item>
      <title>Articles: Lichtenstein&#8217;s Whaam! (1963)</title>
<link>https://www.everypainterpaintshimself.com/article/lichtensteins_whaam_1963</link>
<guid>https://www.everypainterpaintshimself.com/article/lichtensteins_whaam_1963#When:09:17</guid>

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    </description> 

      <dc:subject>Divine Artist, Every Painter Paints Himself, Artist&#8217;s Mind, Conception (Sexual and Mental), Executing Painting, Violence and Art, Veiled Faces, Inner Tradition,</dc:subject>
      <pubDate>Tue, 01 May 2018 09:17 UTC</pubDate>
    </item>    <item>
      <title>Articles: Signorelli&#8217;s Circumcision (c.1490)</title>
<link>https://www.everypainterpaintshimself.com/article/signorellis_circumcision_c.1490</link>
<guid>https://www.everypainterpaintshimself.com/article/signorellis_circumcision_c.1490#When:16:33</guid>

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    </description> 

      <dc:subject>Divine Artist, Every Painter Paints Himself, Artist&#8217;s Mind, Artist with His Art, Brush and Palette, Poses of Painting, Swords/Weapons as Brushes, Inner Tradition,</dc:subject>
      <pubDate>Mon, 04 Sep 2017 16:33 UTC</pubDate>
    </item>    <item>
      <title>Articles: Carracci&#8217;s Christ appearing to St Peter on the Appian Way (1601&#45;02)</title>
<link>https://www.everypainterpaintshimself.com/article/carraccis_domine_quo_vadis</link>
<guid>https://www.everypainterpaintshimself.com/article/carraccis_domine_quo_vadis#When:14:21</guid>

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      <dc:subject>Artist as Christ, Every Painter Paints Himself, Mirrors, Brush and Palette, Pointing and Touch, Poses of Painting, Inner Tradition,</dc:subject>
      <pubDate>Mon, 05 Jun 2017 14:21 UTC</pubDate>
    </item>    <item>
      <title>Blog: Art&#8217;s Timelessness</title>
<link>https://www.everypainterpaintshimself.com/blog/arts_timelessness</link>
<guid>https://www.everypainterpaintshimself.com/blog/arts_timelessness#When:16:16</guid>

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      <dc:subject>Androgyny, Artist as Poet, Behind the Eye, Hand / Eye, Visual Metamorphosis, Motherwell, Robert, Schiele, Egon, Inner Tradition, Visual Perception,</dc:subject>
      <pubDate>Sun, 21 May 2017 16:16 UTC</pubDate>
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